Annual Review 2008 – 2009
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Festival at a Glance
FESTIVAL AT A GLANCE WEDNESDAY 22 10:00-11:00 BREAK 11:30-12:30 BREAK 14:00-15:00 BREAK 15:45-16:45 BREAK 17:45-18:30 18:30-21:00 P Masterclass: 11:00-11:30 P Meet the Controllers: 12:30-14:00 F Gamechanger: 15:00-15:45 P Edinburgh Does 16:45-17:45 L MacTaggart Lecture: Free coaches to The FH Screening: Love Island T Channel 4 Charlotte Moore, L It’s all about me... SA Music from Nancy Daniels, T How to Cash In Catchphrase with B Branded Michaela Coel Museum of Scotland Vanity Fair, ITV. S Meet the Controller: Random Acts Live Pitch BBC One on TV: Joanna Lumley Hannah Haynes, Discovery on the Streaming Roy Walker Entertainment Network depart from the EICC Exclusive Preview Damian Kavanagh, 11:00 - 12:00 F Tomorrow’s World with Clive Tulloh Harpist and Composer S Meet the Controller: Goldrush S Meet the Cocktail Reception 18:30 - 19:15 of Episode One with BBC Three SA Music from of TV 12:45 - 13:45 Zai Bennett, Sky UK 15:10 -15:40 Controllers: Richard 16:45 - 17:35 Cast & Crew Q&A 19:00 - 20:30 MK Too Posh Hannah Haynes, S The Insider’s Guide T Meet the Canadians: MK Commissioner LF Lightning Talk: Watsham, Hilary Rosen BT Pre-MacTaggart & Steve North, UKTV to Produce? Harpist and Composer to Building Your Opportunities for Interview: Luke Hyams, How to make a Lecture Drinks A+E Networks Opening UK Producers Green Production 16:45 - 17:35 P5 Speed Meetings: Audience on YouTube Head of Originals, MK Introductory Night Reception: The 12:45 - 13:30 15:10 - 15:40 10:00 - 16:00 MK Lessons from YouTube EMEA Address: SA Join us for a Museum of -
Cambridge Companion Shakespeare on Film
This page intentionally left blank Film adaptations of Shakespeare’s plays are increasingly popular and now figure prominently in the study of his work and its reception. This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare’s plays. An international team of leading scholars discuss Shakespearean films from a variety of perspectives:as works of art in their own right; as products of the international movie industry; in terms of cinematic and theatrical genres; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. They also consider specific issues such as the portrayal of Shakespeare’s women and the supernatural. The emphasis is on feature films for cinema, rather than television, with strong cov- erage of Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet. A guide to further reading and a useful filmography are also provided. Russell Jackson is Reader in Shakespeare Studies and Deputy Director of the Shakespeare Institute, University of Birmingham. He has worked as a textual adviser on several feature films including Shakespeare in Love and Kenneth Branagh’s Henry V, Much Ado About Nothing, Hamlet and Love’s Labour’s Lost. He is co-editor of Shakespeare: An Illustrated Stage History (1996) and two volumes in the Players of Shakespeare series. He has also edited Oscar Wilde’s plays. THE CAMBRIDGE COMPANION TO SHAKESPEARE ON FILM CAMBRIDGE COMPANIONS TO LITERATURE The Cambridge Companion to Old English The Cambridge Companion to William Literature Faulkner edited by Malcolm Godden and Michael edited by Philip M. -
Sunday Morning Grid 10/13/19 Latimes.Com/Tv Times
SUNDAY MORNING GRID 10/13/19 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Face the Nation (N) News The NFL Today (N) Å Football Houston Texans at Kansas City Chiefs. (N) Å 4 NBC Today in L.A. Weekend Meet the Press (N) Å Saving Pets Champion NASCAR NASCAR NASCAR Monster 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch Paid Program 7 ABC News This Week News News Jack Hanna Ocean Hearts of Rock-Park 9 KCAL KCAL 9 News Sunday Joel Osteen Jentzen Joel Osteen Jentzen Mike Webb REAL-Diego Paid Program Icons The World’s 1 1 FOX Fox News Sunday FOX NFL Kickoff (N) FOX NFL Sunday (N) Paid Program Seaver (N) 1 3 MyNet Paid Program Fred Jordan Freethought Paid Program News The Issue 1 8 KSCI Paid Program Paid Program 2 2 KWHY Paid Program Paid Program 2 4 KVCR Paint Painting Joy of Paint Wyland’s Paint This Painting Cook Mexican Martha Cooking Simply Ming Food 50 2 8 KCET Kid Stew Curious Mixed Nutz Mixed Nutz Darwin’s Biz Kid$ Feel Better Fast and Make It Last With Daniel Fascism in Europe 3 0 ION Jeremiah Youseff In Touch Paid NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 3 4 KMEX Conexión Paid Program Como dice el dicho Por tu maldito amor (1990) Vicente Fernández. -
Final Fear Twd T4a. Concurso Facebook Y Twitter”
BASES DE LA PROMOCIÓN “FINAL FEAR TWD T4A. CONCURSO FACEBOOK Y TWITTER” PRIMERA.- CONVOCATORIA Y PARTICIPACIÓN 1.1 Multicanal Iberia, S.L.U. (en adelante, “AMC SE”), convoca una promoción (en adelante, la “Promoción”) con el fin de promocionar la serie de televisión “Fear the Walking Dead” (en adelante, la “Serie”) así como el canal de televisión en que se emite, el actualmente denominado ®AMC (en adelante, el “Canal”). 1.2 La Promoción consistirá en un concurso donde los participantes deberán responder, justificando de forma libre su/s respuesta/s, a la siguiente pregunta que AMC SE publicará desde el perfil oficial del Canal en las redes sociales de ®Twitter (https://twitter.com/amctv_es) (en adelante, “Twitter”) y ®Facebook (https://www.facebook.com/amctvspain/) (en adelante, “Facebook”), así como en el perfil oficial de la Serie en Facebook (https://es-es.facebook.com/FearTWD/): “¿Qué nuevo personaje crees que tiene más posibilidades de sobrevivir en FTWD? ¿Por qué?” (en adelante, las respuestas a esta pregunta, junto con su justificación, la/s “Respuesta/s”). 1.3 Podrá participar en la Promoción cualquier persona física mayor de edad residente en España, salvo empleados de AMC SE y familiares de estos hasta el primer grado de consanguinidad o afinidad (en adelante, el/los “Participante/s”). Cada Participante podrá tomar parte en la Promoción con tantas Respuestas distintas como quiera en Facebook, no así en Twitter en que sólo se podrá participar con una Respuesta. A efectos aclaratorios, cada una de las personas físicas que participen, sólo podrá resultar premiada una única vez. Los Participantes que dispongan de cuentas múltiples en Twitter y/o Facebook, sólo podrán participar en la Promoción a través de una sola cuenta en cada red social. -
Daniel Evans
www.hamiltonhodell.co.uk Daniel Evans Talent Representation Telephone Christian Hodell +44 (0) 20 7636 1221 [email protected], Address [email protected], Hamilton Hodell, [email protected] 20 Golden Square London, W1F 9JL, United Kingdom Theatre Title Role Director Theatre/Producer COMPANY Robert Jonathan Munby Sheffield Crucible Theatre THE PRIDE Oliver Richard Wilson Sheffield Crucible Theatre THE ART OF NEWS Dominic Muldowney London Sinfonietta SUNDAY IN THE PARK WITH GEORGE Tony Award Nomination for Best Performance by a Lead Actor in a Musical 2008 George Sam Buntrock Studio 54 Outer Critics' Circle Nomination for Best Actor in a Musical 2008 Drama League Awards Nomination for Distinguished Performance 2008 GOOD THING GOING Part of a Revue Julia McKenzie Cadogan Hall Ltd SWEENEY TODD Tobias Ragg David Freeman Southbank Centre TOTAL ECLIPSE Paul Verlaine Paul Miller Menier Chocolate Factory SUNDAY IN THE PARK WITH GEORGE Wyndham's Theatre/Menier George Sam Buntrock Olivier Award for Best Actor in a Musical 2007 Chocolate Factory GRAND HOTEL Otto Michael Grandage Donmar Warehouse CLOUD NINE Betty/Edward Anna Mackmin Crucible Theatre CYMBELINE Posthumous Dominic Cooke RSC MEASURE FOR MEASURE Angelo Sean Holmes RSC THE TEMPEST Ariel Michael Grandage Sheffield Crucible/Old Vic Nominated for the 2002 Ian Charleson Award (Joint with his part in Ghosts) GHOSTS Osvald Steve Unwin English Touring Theatre Nominated for the 2002 Ian Charleson Award (Joint with his part in The Tempest) WHERE DO WE LIVE Stephen Richard -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
9Th October 2020
The Full Lid 9th October 2020 Hi everyone! Welcome to The Full Lid! Every Friday at 5pm I walk you through what's interested me about pop culture this week. Sometimes that's deep dives, sometimes it's ketchup recipes and soon? Taco Science. Yes. Regardless of content, our mission here at The Full Lid is simple -- to give you something fun to read in your inbox at the end of the week. Email, but good. That's us. As is always the case we also run interstitials between each section. This week, those are the musical stylings of Tim Meredith, fellow Rusty Quiller (Quiller? Quillnaut? Quillotron? I'll stop), part time Trexel Geistman and full time musical genius. So without further ado, let's Contents! Contents Talking in Circles E pur si muove: The World Beyond The Walking Dead Lytton Signal Boost Where You Can Find Me This Week Signing O / Playing Out Talking in Circles I've been looking forward to Circles for some time. Brendon Connelly, the show's creator, is an old friend and colleague and the idea is so fun. Here's the pitch: Ten years ago, a group of kids and their dog defeated a demon. It's back. Or at least that's what seems to be happening in the claustrophobic opening episode. Written and recorded in COVID lockdown, the show is focused on the themes of family, isolation and what happens when our fragile bubbles are shattered. I had the pleasure of chatting to Brendon and co-writers Jim Field and James MacDonald about the show on Twitter. -
The York Realist
Press Release Tuesday 24 October 2017 DONMAR WAREHOUSE AND SHEFFIELD THEATRES ANNOUNCE FULL CASTING FOR THE YORK REALIST A Donmar Warehouse and Sheffield Theatres co-production By Peter Gill Donmar Warehouse: Thursday 8 February – Saturday 24 March 2018 PRESS NIGHT: Tuesday 13 February 2018 Sheffield Theatres: Tuesday 27 March – Saturday 7 April Director Robert Hastie Designer Peter McKintosh Lighting Designer Paul Pyant Sound Designer Emma Laxton Composer Richard Taylor Full cast includes Jonathan Bailey, Ben Batt, Lucy Black, Brian Fletcher, Lesley Nicol, Katie West and Matthew Wilson. The Donmar Warehouse and Sheffield Theatres today announce full casting for Donmar Associate Director and Sheffield Theatres Artistic Director Robert Hastie’s new revival of Peter Gill’s modern masterpiece The York Realist. Jonathan Bailey joins the cast as John, opposite the previously announced Ben Batt who will play George. Full casting also includes Lucy Black, Brian Fletcher, Lesley Nicol, Katie West and Matthew Wilson. ‘I live here. I live here. You can’t see that, though. You can’t see it. This is where I live. Here.’ A cottage, 1960s Yorkshire. The York Mystery plays are in rehearsal. Farmhand George strains against his roots as a new world opens up to him. Peter Gill’s influential play about two young men in love is a touching reflection on the rival forces of family, class and longing. Donmar Associate Robert Hastie returns for this timely revival from one of our greatest living playwrights, following his previous productions My Night with Reg and Splendour. Making theatre accessible to as many people as possible remains at the heart of the Donmar’s mission. -
Shak Shakespeare Shakespeare
Friday 14, 6:00pm ROMEO Y JULIETA ’64 / Ramón F. Suárez (30’) Cuba, 1964 / Documentary. Black-and- White. Filming of fragments of Shakespeare’s Romeo and Juliet staged by the renowned Czechoslovak theatre director Otomar Kreycha. HAMLET / Laurence Olivier (135’) U.K., 1948 / Spanish subtitles / Laurence Olivier, Eileen Herlie, Basil Sydney, Felix Aylmer, Jean Simmons. Black-and-White. Magnificent adaptation of Shakespeare’s tragedy, directed by and starring Olivier. Saturday 15, 6:00pm OTHELLO / The Tragedy of Othello: The Moor of Venice / Orson Welles (92’) Italy-Morocco, 1951 / Spanish subtitles / Orson Welles, Michéal MacLiammóir, Suzanne Cloutier, Robert Coote, Michael Laurence, Joseph Cotten, Joan Fontaine. Black- and-White. Filmed in Morocco between the years 1949 and 1952. Sunday 16, 6:00pm ROMEO AND JULIET / Franco Zeffirelli (135’) Italy-U.K., 1968 / Spanish subtitles / Leonard Whiting, Olivia Hussey, Michael York, John McEnery, Pat Heywood, Robert Stephens. Thursday 20, 6:00pm MACBETH / The Tragedy of Macbeth / Roman Polanski (140’) U.K.-U.S., 1971 / Spanish subtitles / Jon Finch, Francesca Annis, Martin Shaw, Nicholas Selby, John Stride, Stephan Chase. Colour. This version of Shakespeare’s key play is co-scripted by Kenneth Tynan and director Polanski. Friday 21, 6:00pm KING LEAR / Korol Lir / Grigori Kozintsev (130’) USSR, 1970 / Spanish subtitles / Yuri Yarvet, Elsa Radzin, GalinaVolchek, Valentina Shendrikova. Black-and-White. Saturday 22, 6:00pm CHIMES AT MIDNIGHT / Orson Welles (115’) Spain-Switzerland, 1965 / in Spanish / Orson Welles, Keith Baxter, John Gielgud, Jeanne Moreau, Margaret 400 YEARS ON, Rutherford, Norman Rodway, Marina Vlady, Walter Chiari, Michael Aldridge, Fernando Rey. Black-and-White. Sunday 23, 6:00pm PROSPERO’S BOOKS / Peter Greenaway (129’) U.K.-Netherlands-France, 1991 / Spanish subtitles / John Gielgud, Michael Clark, Michel Blanc, Erland Josephson, Isabelle SHAKESPEARE Pasco. -
How TV's Top Marketers Create Killer Campaigns
How TV's Top Marketers Create Killer Campaigns 06.14.2018 Launching a show in today's multichannel, multiplatform universe means so much more than just planning some on-air promos and hoping viewers tune in. It starts with identifying the target audience and then figuring out how to reach them, turning over every tweet, Insta post and Snapchat filter in the process. It requires great assets deployed in strategic ways as well as partnerships to try new technologies - such as Facebook bots, Twitch livestreams and Snapchat AR filters - to try to grab viewers' increasingly short attention span. At the 2018 PromaxBDA Conference in New York on Thursday, four of TV's top marketers gathered together to discuss how they and their teams came together to get the word out about some of TV's best and most beloved shows. HBO's Westworld HBO's job when Westworld was preparing to return for season two was two-fold: first, remind viewers of the show after 16 months off the air and second, broaden the audience of the genre show that's steeped in its own sometimes confounding mythology. "This is one of the most ambitious campaigns I have ever worked on," said Chris Spadaccini, EVP, consumer marketing, HBO. "We were off the air for 16 months. Our job was to make it relevant again." In addition, he said, "Westworld is very much a genre show. The plotlines are convoluted and the show itself is quite cerebral. We wanted to make it accessible to a broader audience." In preparation for the show's April 22 premiere, HBO kicked off the marketing campaign in December 2017 with a promotion encouraging people to binge-watch season one over the holidays. -
The Cast Includes: Johnny Flynn (Arthur
The Cast Includes: Johnny Flynn (Arthur) - Starred opposite Anne Hathaway in Song One; plays the lead in Comedy Central's new sitcom Brotherhood and is an internationally acclaimed musician. Soon to be playing the lead in a new film about the Kinks. Lydia Wilson (Vida) - Nominated for an Olivier award for her role in Charles III; starred alongside Domhall Gleeson and Bill Nighy in Richard Curtis' About Time. From October onwards to be seen on Broadway in Charles III. Juliet Stevenson (Ethel) - CBE; Olivier award Winner; five times Olivier award nominee, four times BAFTA nominee. Films include Bend it Like Beckham, Mona Lisa Smileand Being Julia Henry Goodman (Levi) - Two times Olivier award Winner; Most recently 'Dr List' in Avengers: Age of Ultron and Agents of S.H.I.E.L.D. Other films include Notting Hill and Woman in Gold. Jessica Gunning (Emily) - Starred in Golden Globe and BAFTA nominated Pride; Starred in The Woman in Red (BBC). Ellie Kendrick (Helen) - Meera Reed in HBO's Game of Thrones; Anne Frank in BBC 1's The Diary of Anne Frank Al Weaver (Adam) - Stars alongside James Norton in ITV's Grantchester. Featured in Marie Antoinette Alex Lanipekun (Llion) - Hank Wonham in Showtime's Homeland, also Ben Kaplan in BBC's Spooks. Remy Beasly (Brenda) - Beyonce in Sky One's Stella. And a real new discovery in Love is Thicker than Water. Robert Blythe (George) – Fagin in High Hopes and many parts at the Royal National Theatre. Sharon Morgan (Sara) – recipient of three BAFTA Cymru awards. Amongst many parts in film, tv and theatre Mary Cooper in Torchwood. -
Deborah Findlay
DEBORAH FINDLAY Theatre: The Children Hazel James McDonald Royal Court Theatre& Samuel J. Friedman Theatere New York Escaped Alone Sally James Mcdonald Royal Court & BAM Rules For Living Edith Marianne Elliot Royal National Theatre Coriolanus Volumnia Josie Rourke Donmar Warehouse Timon of Athens Flavia Nick Hytner Royal National Theatre Moonlight Bel Bijan Sheiban Donmar Warehouse The Glass Menagerie Amanda Joe Hill- Gibbons Young Vic Like A Fishbone Architect Josie Rourke Bush Theatre Separate Tables Miss Cooper Philip Franks Chichester Festival Theatre Madame De Sade Baroness Simiane Michael Grandage Donmar Warehouse Vincent River Anita Steve Marmion 59e59 Theatre, New York John Gabriel Borkman Gunhilde Borkman Michael Grandage Donmar Warehouse The Cut * Susan Michael Grandage Donmar Warehouse Bernarda Alba ** Ponthia Howard Davies National Theatre The Mandate Nadejda Petrovna Declan Donelan National Theatre The Vortex Helen Saville Michael Grandage Donmar Warehouse Mother Claps Molly House Mother Clap Nicholas Hytner National Theatre The Winter's Tale Paulina Nicholas Hytner National Theatre The Threesome Hermance Gordon Anderson Lyric, Hammersmith The School For Scandal Lady Sneerwell Declan Donellan R S C Tongue Of A Bird Maxine Peter Gill Almeida Stanley *** Hilda John Caird National Theatre / Circle In The Sq The Seagull Madame Arcadina Robert Sturua Thelma Holt / Tour The Clandestine Marriage Miss Sterling Nigel Hawthorne Thelma Holt / West End The Beaux Stratagem Mrs Sullen Stephen Unwin Tour / Richmond The New Menosa Donna