David Hemblen Films and Movies (Filmography)

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David Hemblen Films and Movies (Filmography)

David Hemblen Movies List (Filmography) Common Ground https://www.listvote.com/lists/film/movies/common-ground-3278133/actors Hiroshima https://www.listvote.com/lists/film/movies/hiroshima-12124784/actors Replikator https://www.listvote.com/lists/film/movies/replikator-4393434/actors Brainscan https://www.listvote.com/lists/film/movies/brainscan-897449/actors Maximum Risk https://www.listvote.com/lists/film/movies/maximum-risk-598177/actors Speaking Parts https://www.listvote.com/lists/film/movies/speaking-parts-5277773/actors Tales from the Cryptkeeper https://www.listvote.com/lists/film/movies/tales-from-the-cryptkeeper-1391499/actors Family Viewing https://www.listvote.com/lists/film/movies/family-viewing-4415155/actors Where the Truth Lies https://www.listvote.com/lists/film/movies/where-the-truth-lies-151848/actors M. Butterfly https://www.listvote.com/lists/film/movies/m.-butterfly-1513195/actors Straight Line https://www.listvote.com/lists/film/movies/straight-line-67123616/actors Rollerball https://www.listvote.com/lists/film/movies/rollerball-383844/actors Short Circuit 2 https://www.listvote.com/lists/film/movies/short-circuit-2-2005019/actors The Adjuster https://www.listvote.com/lists/film/movies/the-adjuster-1961623/actors https://www.listvote.com/lists/film/movies/norman%27s-awesome-experience- Norman's Awesome Experience 7051866/actors Captain Power and the Soldiers of the https://www.listvote.com/lists/film/movies/captain-power-and-the-soldiers-of-the-future- Future 2608443/actors.

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Oppositional Spaces: an Evaluation of Post-Nationalist Film Theory Using the Work of Migrant, Exilic and Diasporic Filmmakers
Northumbria Research Link Citation: Hodgson, Philip (2013) Oppositional spaces: An evaluation of post-nationalist film theory using the work of migrant, exilic and diasporic filmmakers. Doctoral thesis, Northumbria University. This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/26289/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html OPPOSITIONAL SPACES: AN EVALUATION OF POST-NATIONALIST FILM THEORY USING THE WORK OF MIGRANT, EXILIC AND DIASPORIC FILMMAKERS Philip John Hodgson PhD 2013 OPPOSITIONAL SPACES: AN EVALUATION OF POST-NATIONALIST FILM THEORY USING THE WORK OF MIGRANT, EXILIC AND DIASPORIC FILMMAKERS Philip John Hodgson A thesis submitted in partial fulfilment of the requirements of the University of Northumbria at Newcastle for the degree of Doctor of Philosophy Research undertaken at the Faculty of Arts, Design and Social Sciences November 2013 2 Abstract This thesis evaluates the usefulness of post-nationalist theory in developing and understanding existing debates around national cinemas in film studies.
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Reflections of Marshall Mcluhan's Media Theory in the Cinematic
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Jakub Vémola Reflections of Marshall McLuhan’s Media Theory in the Cinematic Work of David Cronenberg and Atom Egoyan Master’s Diploma Thesis Supervisor: doc. PhDr. Tomáš Pospíšil, Dr. Brno 2009 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. Jakub Vémola I would like to thank doc. PhDr. Tomáš Pospíšil, Dr. for sparking up my interest in Atom Egoyan’s work and providing me with valuable advice and resources. TABLE OF CONTENTS: I. Introduction ................................................................................................................. 1 II. Marshall McLuhan .................................................................................................... 3 II.1 Brief Biography ...................................................................................................... 3 II.2 Medium is the Message .......................................................................................... 5 II.3 Medium as an Extension of the Human Body ........................................................ 7 II.6 The Gadget Lover ................................................................................................... 9 II.5 Media Hot and Cold ............................................................................................. 11 II.6 Film vs. TV .........................................................................................................
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The Adjuster from Wikipedia, the Free Encyclopedia the Adjuster
The Adjuster From Wikipedia, the free encyclopedia The Adjuster TheAdjuster.jpg Film poster Directed by Atom Egoyan Produced by Camelia Frieberg Written by Atom Egoyan Starring Elias Koteas Arsinée Khanjian Maury Chaykin Music by Mychael Danna Cinematography Paul Sarossy Edited by Susan Shipton Distributed by Orion Classics (USA) Release dates September 26, 1991 Running time 102 minutes Country Canada Language English Budget CAD 1,500,000 (estimated) The Adjuster is a 1991 Canadian drama film directed by Atom Egoyan. It premiered at the New York Film Festival. At the 17th Moscow International Film Festival i t won the Special Silver St. George.[1] In 1993, the Toronto International Film Festival ranked the film tenth in the To p 10 Canadian Films of All Time, though the film does not appear on the updated 2004 version.[2] Contents 1 Plot summary 2 Selected cast 3 References 4 External links Plot summary The Adjuster tells the story of an insurance adjuster who becomes intimate with his clients. The adjuster initially appears to want to help his clients but as t he movie unfolds it is clear that the situation is more complex. He seems to be somehow a victim of his own situation. Selected cast Elias Koteas as Noah Render Arsinée Khanjian as Hera Maury Chaykin as Bubba Gabrielle Rose as Mimi Jennifer Dale as Arianne David Hemblen as Bert, the Head Censor Rose Sarkisyan as Seta, Hera's Sister Armen Kokorian as Simon, Hera's Child Jacqueline Samuda as Louise, the Maid Gerard Parkes as Tim Patricia Collins as Lorraine Don McKellar as Tyler, the Young Censor John Gilbert as The Doctor Stephen Ouimette as Larry, the Butterfly Collector Raoul Trujillo as Matthew, His Lover References "17th Moscow International Film Festival (1991)".
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Synthesizing Strategies of Denial in the Later Films of Atom Egoyan, 1994-2002
ABSTRACT SANTANA, BRIAN ALLEN. ‘Look But Don’t Touch’: Synthesizing Strategies of Denial in the Later Films of Atom Egoyan, 1994-2002. (Under the direction of Joseph A. Gomez) Since 1994, Atom Egoyan has become the most internationally recognizable figure in contemporary Canadian Cinema. Prior to Exotica (1994), his first major release in America, Egoyan had slowly risen to prominence in Canada through ultra-low budget independent films partially subsidized through governmental arts funds. Films like Next of Kin (1984), Family Viewing (1987), Speaking Parts (1989), The Adjuster (1991), and Calendar (1993) attracted a devoted art house following for Egoyan in his own country but never really connected with an international audience on a large scale. It was the 1994 release of Exotica, a film distributed by Miramax, which finally brought Egoyan a level of commercial success and recognition from American film audiences, but some critics, almost immediately noted that Exotica marked a pronounced change in his artistic direction. Those critics who propose a sharp distinction between Egoyan’s pre and post- Exotica work are correct in identifying the film as a transition point, but often for the wrong reasons. Egoyan’s career (thus far) can rightly be divided into the post and pre- Exotica work, but this thesis offers a new critical framework from which to consider Egoyan’s later films. This framework recognizes that the pre and post- Exotica films are about attempts to come to terms with something larger than an individual’s immediate experience and that this progression is directly correlated with the exploration of the psychological process of denial.
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Il Deserto Rosso and the Adjuster
Practices of Mediation and Phenomena of Contamination in the Films of M. Antonioni and A. Egoyan Submitted by Giulia Baso to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Italian, September 2014. 1 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: Giulia Baso 2 Acknowledgements I would like to thank the Arts and Humanities Research Council for financing this doctoral project and for generously awarding me a Research Training Support Grant to visit the TIFF Film Reference Library in Toronto. I am also grateful to the University of Exeter, which provided further financial support and gave me the opportunity to work as a Graduate Teaching Assistant of Italian language. This thesis would not have been possible without the help and support of many people. I wish to express my deep gratitude to my supervisors, Dr. Danielle Hipkins and Dr. Fiona Handyside, who believed in this project from the start. Their guidance, insights, and patience enabled me to shape and clarify my ideas. Thanks for letting me concentrate on the topics that stimulated my interest and curiosity, whilst offering continuous encouragement and constructive criticism. I am also very grateful to Dr. Sally Faulkner, who gave me precious feedback and advice throughout all the stages of this project.
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FILMS of All Time
TOP The OMR AKE In Take One's ongoing effort to promote and celebrate Atom Egoyan is also represented by three films, The Sweet Canadian cinema, I asked the contributing editors, Tom Hereafter, Exotica and The Adjuster, suggesting very strongly that McSorley (director of programming at Cinematheque Canada there has been a significant shift away from the accepted in Ottawa), Maurie Alioff (screenwriter and lecturer at Vanier wisdom that the best in Canadian cinema comes from Quebec. College, Montreal) and Marc Glassman (freelance critic and Denys Arcand, Claude Jutra and Don Shebib have two films editor of several books on Canadian film from Toronto), to each, and the rest of the list is rounded out with films by Ted submit an even dozen of their favourite titles. I mixed and Kotcheff, Phillip Borsos, Michel Brault, Jean Pierre Lefebvre, matched with my own choices and came up with this Top 20 Guy Maddin, William D. MacGillivray, Francis Mankiewicz and list. While entirely unscientific, this alphabetical listing does Mireille Dansereau. While some might consider lists of anything point to several differences with the official Top 10 list issued represents something close to mind porridge, Take One by the Toronto International Film Festival in 1993. David fearlessly considers identifying and celebrating the best in Cronenberg is represented by three films, Dead Ringers, Crash Canadian cinema to be part of its mandate, and we modestly and Videodrome, and he was completely shut out of the offer our selection for your consideration. official Top 10. Wyndham Wise A tout prendre 1964 99m prod Les Films Cassiopee, Orion Films p/d/sc/ed Claude Jutra ph Michel Brault, Jean—Claude Labrecque, Bernard Gosselin m Maurice Blackburn, Jean Cousineau, Serge Garant with Johanne Harrelle, Claude Jutra, Victor Desy, Tania Fedor, Guy Hoffmann, Monique Mercure In his debut feature, Claude Jutra takes the viewer on a virtually plotless excursion into his own psyche at a decisive moment in his life.
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Synopsis CPL 1
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Department of English and American Studies 2010
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Teaching English Language and Literature for Secondary Schools Vendula Pšeničková Identity and Loss in Films by Atom Egoyan Master’s Diploma Thesis Supervisor: doc. PhDr. Tomáš Pospíšil Dr. 2010 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Vendula Pšeničková 2 Acknowledgement I would like to thank doc. PhDr. Tomáš Pospíšil, Dr. for his encouragement and his invaluable advice. I would also like to thank Josef Galetka and Milada Burianová for their patience and support. 3 Table of Contents 1. Introduction ........................................................................... 5 2. Atom Egoyan .......................................................................... 8 2.1. Biography ....................................................................................................... 8 3. Canadian Cinema ................................................................ 26 3.1. Co-production ............................................................................................... 29 3.2. Independent Film Production ....................................................................... 30 3.3. Ontario New Wave ....................................................................................... 31 4. Family Viewing .................................................................... 35 4.1. Synopsis .......................................................................................................
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165705030.Pdf
[email protected] Name Persian Name PageYear 1 Subtitle Director Primary Actor Secondary Actor09/04/2013 Stephen Norrington Sean Connery Naseeruddin Shah 2003 انجمن مردان خارق العاده ( T EXTRAORDINARY (The League of Extraordinary Gentlemen 1 Michael Apted Pierce Brosnan Robert Carlyle 1999 دنیا کافی نیست World Is Not Enough 2 Dobleh Ronald Neame Gregory Peck Ronald Squire 1953 اسکناس یک میلیون پوندی (Million Pound Note (+ original sound 7 Alfred Hitchcock Joel Mc Crea Laraine Day 1940 خبرنگارخارجی Foreign Correspondent 8 Dobleh Anatole Litvak Ingrid Bergman Yul Brynner 1956 آناستازیا (ANASTASIA (+ original sound 9 Pietro Germi Marcello Mastroianni Daniela Rocca 1961 ازدواج به سبک ایتالیائی DIVORZIO ALL ITALIANA 10 Akira Kurosawa Toshirô Mifune Misa Uehara 1958 قلعه گمشده Hidden Fortress , The 11 Akira Kurosawa Hideo Aguno 1962 سانجورو Sanjuro 12 Akira Kurosawa Denjirô Ôkôchi Susumu Fujita 1945 مردی درتعقیب ببر Man Who Tread On The Tiger's Tail , The 14 فرشته مست DRUNKEN ANGEL 15 Akira Kurosawa Denjirô Ôkôchi Susumu Fujita 1943 سانشیروسوگاتا Sunshiro sugata 16 Akira Kurosawa Toshiro Mifune 1961 یوجیمبو Yojimbo 17 Akira Kurosawa Yuri Solomin Maksim Munzuk 1975 درسواوزال Dersu Uzala 18 Akira Kurosawa Isao Numasaki Chieko Nakakita 1947 یکشنبه شگفت انگیز One Wonderful Sunday 19 Mervyn LeRoy Robert Taylor Deborah Kerr 1951 کووادیس Qvo Vadis 21 Lux Vides Galatea Elizabeth Taylor Richard Burton 1962 سالواتورجولیاتو Salvatore Giuliano 22 Federico Fellini Federico Fellini Bernardino Zapponi 1972 روم Fellini's Roma 23 Federico Fellini Anthony Quinn Giulietta Masina 1954 جاده La Strada 24 Federico Fellini Franco Interlenghi Alberto Sordi 1953 ولگردها I Vitelloni 25 Federico Fellini Freddie Jones Barbara Jefford 1983 پسربادبان AND THE SHIP SAILSON 26 D.W.
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