Deputy Union Muddying the Waters on Police Transparency – Press Enterprise
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FIAT-Sting + Shaggy
Contact: Diane Morgan Alyse Nagode Fiat 124 Spider Abarth Takes Starring Role Alongside Sting & Shaggy in “Gotta Get Back My Baby” Music Video November 9, 2018, Auburn Hills, Mich. - The Fiat 124 Spider Abarth takes a starring role alongside Sting & Shaggy in the official music video for their new track “Gotta Get Back My Baby,” the latest single, co-produced by Teflon (Wyclef Jean, Fat Joe, Ruff Ryders) and Martin Kierszenbaum (Sting, Mylène Farmer, Lady Gaga), off their album "44/876," which has spent 17 weeks atop the Billboard Reggae chart. The official YouTube music video, which amassed over 2.3 million views in just a few days, was filmed in the vein of ‘80s and ‘90s buddy cop television series and movies, including “Miami Vice” and “Bad Boys,” and was directed by Michael Garcia. The video pairs Sting and Shaggy as two Miami detectives who convince their captain that they’re “going to need the Spider,” meaning his prized Fiat 124 Spider Abarth, as part of their South Beach stakeout for “the most dangerous woman in the country.” What could go wrong?! The FIAT brand is also supporting the video globally across its digital and social channels, including in the U.S on Instagram,Twitter, Facebook and YouTube. “We continue to strive for the unexpected in our marketing efforts across all FCA brands and, certainly here, the FIAT brand’s fun-spirited personality gives us the opportunity to be just a little bit more adventurous and playful in our approach with our music partners," said Olivier Francois, Chief Marketing Officer and Head of the FIAT Brand, FCA. -
The Strategic Management of Police Resources
U.S. Department of Justice Office of Justice Programs National Institute of Justice January 1993 No. 14 A Publication of the National Institute of Justice, U.S. Department of Justice, and the Program in Criminal Justice Policy and Management, John F. Kennedy School of Government, Harvard University The Strategic Management of Police Resources by David M. Kennedy Many American police departments feel themselves to be 1 slowly drowning in a rising tide of serious crime and calls for Community policing represents a new future for American law service. Over the last decade, department workloads have risen enforcement, changing the way our Nation's police respond to steadily while their resources have stayed constant or often the communities they serve. This report, one in a series entitled I declined.' Police executives generally have responded by striv- Perspectives on Policing, is based on discussions held in the ing to enhance the efficiency of police operations and focus Executive Session on Policing sponsored by NU at the John F. police resources on only the more serious calls. Computer-aided Kennedy School of Government at Harvard University. I dispatching and other information systems have been employed The Executive Session on Policing has been developed as part to make the most of the patrol force, and many departments no of the Kennedy School's Program in Criminal Justice Policy and longer respond at all to nuisance calls or provide services like Management and is funded by the National Institute of Justice (b, i escorts and house checks that the public once took for granted. and private sources that include the Charles Stewart Mott and Nonetheless, police in many cities find themselves more and Guggenheim Foundations. -
Reggatta De Blanc (White Reggae)
“Reggatta de Blanc (White Reggae) & the Commercial Rock Industry: Intersections of Race, Culture, and Appropriation in Bob Marley and The Police (1977-1983)” Colin Carey Music University of Wisconsin-Eau Claire Introduction Ethical Concerns Origins of Reggae This project was designed to approach a discussion about cultural and The appropriation of culturally sensitive music and expression is a musical appropriation in popular music. The connection between reggae and common, but often overlooked issue in popular music. It is important to mainstream rock was perhaps no more evident or lucrative than within the understand that Western cultures inherently possess a privilege that can musical career trajectory of the wildly popular new wave group, the Police be used to take advantage of other societies—especially those (1977–1983), comprised of lead singer/songwriter Sting (Gordon Sumner), comprising the so-called “third world.” The Police owe their substantial guitarist Andy Summers, drummer Stewart Copeland, and a promotional success to this imbalance, directly adapting the distinctive music cadre of behind-the-scenes agents and businessmen. Their particular practices of a foreign culture for their own musical purposes and industrial rock model enjoyed startlingly quick, widespread renown and recordings to create a sound that was unlike most popular rock groups success—within only a couple of years of their formation, the Police had of their time. This appropriation is further troubling in that it stripped the become the leading rock group of their time and would go on to influence the Jamaican source material of its definitive social and political direction of the music marketplace itself, including countless other acts such significance, gaining success instead through an appeal entirely as the then up-and-coming Irish group, U2. -
Public Opinion and Discourse on the Intersection of LGBT Issues and Race the Opportunity Agenda
Opinion Research & Media Content Analysis Public Opinion and Discourse on the Intersection of LGBT Issues and Race The Opportunity Agenda Acknowledgments This research was conducted by Loren Siegel (Executive Summary, What Americans Think about LGBT People, Rights and Issues: A Meta-Analysis of Recent Public Opinion, and Coverage of LGBT Issues in African American Print and Online News Media: An Analysis of Media Content); Elena Shore, Editor/Latino Media Monitor of New America Media (Coverage of LGBT Issues in Latino Print and Online News Media: An Analysis of Media Content); and Cheryl Contee, Austen Levihn- Coon, Kelly Rand, Adriana Dakin, and Catherine Saddlemire of Fission Strategy (Online Discourse about LGBT Issues in African American and Latino Communities: An Analysis of Web 2.0 Content). Loren Siegel acted as Editor-at-Large of the report, with assistance from staff of The Opportunity Agenda. Christopher Moore designed the report. The Opportunity Agenda’s research on the intersection of LGBT rights and racial justice is funded by the Arcus Foundation. The statements made and views expressed are those of The Opportunity Agenda. Special thanks to those who contributed to this project, including Sharda Sekaran, Shareeza Bhola, Rashad Robinson, Kenyon Farrow, Juan Battle, Sharon Lettman, Donna Payne, and Urvashi Vaid. About The Opportunity Agenda The Opportunity Agenda was founded in 2004 with the mission of building the national will to expand opportunity in America. Focused on moving hearts, minds, and policy over time, the organization works with social justice groups, leaders, and movements to advance solutions that expand opportunity for everyone. Through active partnerships, The Opportunity Agenda synthesizes and translates research on barriers to opportunity and corresponding solutions; uses communications and media to understand and influence public opinion; and identifies and advocates for policies that improve people’s lives. -
National' Draft Ben Carson for President Committee
National' Draft Ben Carson for President Committee January 22, 2014 John Philip Sousa, IV National Chairman Vernon Robinson Campaign Director E.J. Thomas Finance Director Perhaps you heard the interview of Dr. Carson on the Sean Hannity Show by guest host, Bob Just (December 27). In that interview, Ben Carson came closer than ever before to saying that he might run for President. He said, "If the circumstances were to evolve in such a way that that [running for President] seemed to be what God was calling me to do, I would certainly do it. And, I would never turn my back on my fellow citizens, if there was a hue and cry for such." Again, on January 7, 2014, in an interview by Newsmax reporter, Bill Hoffman, Dr. Carson re-affirmed that he will run if people continue to "clamor" for him to do so and if he feels that God is calling him to run for President. I feel confident that Dr. Carson will run for President if you and I make it clear to him that millions of Americans from coast to coast continue to raise a hue and cry for him to run. Dr. Carson is indeed the right person in the right place at the right time to save our nation from financial collapse, and to restore the rule of law through adherence to the Constitution of the United States of America. He will also provide much needed moral leadership for our nation. Your early support would be greatly appreciated. It was earlymoney that made the success of the Obama campaign in 2012. -
Antiblack Conspiracy Theorizing & the Black Public Sphere
University of Pennsylvania Carey Law School Penn Law: Legal Scholarship Repository Faculty Scholarship at Penn Law 1995 Beyond Black Demons & White Devils: AntiBlack Conspiracy Theorizing & the Black Public Sphere Regina Austin University of Pennsylvania Carey Law School Follow this and additional works at: https://scholarship.law.upenn.edu/faculty_scholarship Part of the African American Studies Commons, Civil Rights and Discrimination Commons, Inequality and Stratification Commons, Law and Society Commons, Public Economics Commons, Race and Ethnicity Commons, and the Social Psychology Commons Repository Citation Austin, Regina, "Beyond Black Demons & White Devils: AntiBlack Conspiracy Theorizing & the Black Public Sphere" (1995). Faculty Scholarship at Penn Law. 812. https://scholarship.law.upenn.edu/faculty_scholarship/812 This Article is brought to you for free and open access by Penn Law: Legal Scholarship Repository. It has been accepted for inclusion in Faculty Scholarship at Penn Law by an authorized administrator of Penn Law: Legal Scholarship Repository. For more information, please contact [email protected]. BEYOND BLACK DEMONS & WHITE DEVILS: ANTIBLACK CONSPIRACY THEORIZING & THE BLACK PUBLIC SPHERE* REGINA AUSTIN** I. INTRODUCTION We live in conspiratorial times.1 Almost everyone has a favorite conspiracy theory or two. Even so, I suspect that, relative to other groups, black people espouse an inordinate number of conspiracy the ories, most of which involve plots directed against them.2 Of course, black people bear more than their share of problems to theorize about and have more than their share of reasons to believe that their con spiracy theories are true. Although blacks appear to be fairly quies cent and uninterested in mass political protest, there is a great deal of activity at the level of social discourse in the form of antiblack con spiracy theorizing. -
Classic Rock/ Metal/ Blues
CLASSIC ROCK/ METAL/ BLUES Caught Up In You- .38 Special Girls Got Rhythm- AC/DC You Shook Me All Night Long- AC/DC Angel- Aerosmith Rag Doll- Aerosmith Walk This Way- Aerosmith What It Takes- Aerosmith Blue Sky- The Allman Brothers Band Melissa- The Allman Brothers Band Midnight Rider- The Allman Brothers Band One Way Out- The Allman Brothers Band Ramblin’ Man- The Allman Brothers Band Seven Turns- The Allman Brothers Band Soulshine- The Allman Brothers Band House Of The Rising Sun- The Animals Takin’ Care Of Business- Bachman-Turner Overdive You Ain’t Seen Nothing Yet- Bachman-Turner Overdrive Feel Like Makin’ Love- Bad Company Shooting Star- Bad Company Up On Cripple Creek- The Band The Weight- The Band All My Loving- The Beatles All You Need Is Love- The Beatles Blackbird- The Beatles Eight Days A Week- The Beatles A Hard Day’s Night- The Beatles Hello, Goodbye- The Beatles Here Comes The Sun- The Beatles Hey Jude- The Beatles In My Life- The Beatles I Will- Beatles Let It Be- The Beatles Norwegian Wood (This Bird Has Flown)- The Beatles Ob-La-Di, Ob-La-Da- The Beatles Oh! Darling- The Beatles Rocky Raccoon- The Beatles She Loves You- The Beatles Something- The Beatles CLASSIC ROCK/ METAL/ BLUES Ticket To Ride- The Beatles Tomorrow Never Knows- The Beatles We Can Work It Out- The Beatles When I’m Sixty-Four- The Beatles While My Guitar Gently Weeps- The Beatles With A Little Help From My Friends- The Beatles You’ve Got To Hide Your Love Away- The Beatles Johnny B. -
Artist Review: Revisiting Sting-An Under-Recognized Existentialist Song Writer1
International Journal of Multidisciplinary Research and Growth Evaluation www.allmultidisciplinaryjournal.com International Journal of Multidisciplinary Research and Growth Evaluation ISSN: 2582-7138 Received: 01-05-2021; Accepted: 18-05-2021 www.allmultidisciplinaryjournal.com Volume 2; Issue 3; May-June 2021; Page No. 550-561 Artist review: Revisiting sting-an under-recognized Existentialist song writer1 Li Jia International College, Krirk University, Thanon Ram Intra, Khwaeng Anusawari, Khet Bang Khen, Krung Thep, Maha Nakhon10220, Thailand Corresponding Author: Li Jia Abstract Artistic expressions such as songs and poetry are examples of a solo artist but also helped him in communicating his free activities and are privileged modes of revealing what the thoughts and ideals to the world. His music, words and life world is about. Art’s power, in the case of existentialism, is are inextricably linked and this can be seen in many of Sting to a large extent devoted to expressing the absurdity of the ’s confessional songs that have connections to events in his human condition since for the existentialists, the world in no personal life. Existential characteristics have affected Sting longer open to the human desire of meaning and order. Sting both as a person and a musician. This paper calls for more is included in this pool of gifted artist and his talent in making researches on his music legacy that the world owned him for songs has not only paved the way for his successful career as a long time. Keywords: Sting, Existentialist, Song Writer Introduction Artistic expressions such as songs and poetry are examples of free activities and are privileged modes of revealing what the world is about. -
God Behind Bars: Race, Religion & Revenge
SPEARITFINAL 1/12/2007 10:49:13 AM God Behind Bars: Race, Religion & Revenge SpearIt∗ Participation in criminal assemblies can be purely spiritual. Rene Girard, The Scapegoat1 In the execution of the most ordinary penalty, in the most punc- tilious respect of legal forms, reign the active forces of revenge. Michel Foucault, Discipline and Punish2 The U.S. penitentiary is a locus of extreme violence, repression, and control. Its operations are based on a scopic system that subjects detainees to intense and constant surveillance over every inch of the body. This violence is compounded by fights, rapes, beatings, and bodily deprivations that constitute prison life and the lived experi- ences of prisoners. This volatile atmosphere is organized and struc- tured by the everyday reality of detention and other forms of “legiti- mate force,” the sanctioned violence and punishments inflicted by the state or its agents.3 Yet within the heart of such savage confines, something quite remarkable takes place. In these debilitating and dehumanizing conditions, religious conversion thrives, and for some, the prison becomes a sanctuary that houses this dramatic and some- times traumatic transformation.4 This wretched and filthy place be- ∗ Ph.D., Religious Studies, University of California-Santa Barbara, 2006; J.D. candidate, University of California-Berkeley, anticipated 2009. The author thanks Michelle Coleman, Frank Rudy Cooper, and Beth Lyon for editing assistance. 1 RENE GIRARD, THE SCAPEGOAT 17 (Yvonne Freccero trans., Johns Hopkins Uni- versity Press 1986). 2 MICHEL FOUCAULT, DISCIPLINE AND PUNISH: THE BIRTH OF THE PRISON 48 (Alan Sheridan trans., Vintage Books 2d ed., 1995). -
Sting: My Songs the Las Vegas Residency Coming to the Colosseum at Caesars Palace
April 24, 2019 Sting: My Songs The Las Vegas Residency Coming To The Colosseum At Caesars Palace Tickets Go on Sale Friday, May 3, 2019 Shows Begin Friday, May 22, 2020 LAS VEGAS, April 24, 2019 /PRNewswire/ -- The Cherrytree Music Company, Live Nation and Caesars Entertainment announce that 17-time GRAMMY Award winning musician Sting will headline a Las Vegas residency, "My Songs," set to open at The Colosseum at Caesars Palace Friday, May 22, 2020. The show will present a compendium of Sting's songs with dynamic, visual references to some of his most iconic videos and inspirations. Tickets will go on sale to the public Friday, May 3 at 10 a.m. PT. Sting.com fan club members will have first access to a presale beginning Thursday, April 25 at 10 a.m. PT through Thursday, May 2 at 10 p.m. PT. (For more information, please visit https://www.sting.com/subscribe.) Citi is the official presale credit card of Sting's "My Songs" residency at The Colosseum at Caesars Palace. As such, Citi cardmembers will have access to purchase presale tickets beginning Monday, April 29 at 10 a.m. PT until Thursday, May 2 at 10 p.m. PT through Citi EntertainmentSM. For complete presale details visit www.citientertainment.com. In addition, Caesars Rewards members, Caesars Entertainment's loyalty program, as well as Live Nation, Ticketmaster and SiriusXM customers will have access to a presale running Wednesday, May 1 at 10 a.m. PT through Thursday, May 2 at 10 p.m. PT. General ticket prices begin at $59, and a limited number of VIP meet & greet packages are also available for each show. -
The BG News October 15, 1974
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 10-15-1974 The BG News October 15, 1974 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News October 15, 1974" (1974). BG News (Student Newspaper). 3014. https://scholarworks.bgsu.edu/bg-news/3014 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. An Bowling GrMn, Ohio Independent October IS, 1974 Student Volum. 58 Numb.r21 Voice THe BG news Watergate prosecutor states case WASHINGTON (AP) -Asst. Special against presidential aides H H Ben-Vemste presented the now Moore's recollection had dimmed a Prosecutor Richard Ben-Venisle laid Haldeman and John D Ehrlichman or familiar story of tin- cover-up in a lot out bti case against the five Watergate Nixon himself courtroom Jammed with reporters, Earlier, Ben-Veniste said Moore had cover-up defendants yesterday, On the tape. Nixon said Haldeman about 35 spectators and some relatives been prepared to back up Dean's declaring he will prove an illegal and Ehrlichman should "give the of the defendants testimony on the meeting conspiracy among "the most powerful investigators an hors d'oeuvres He spoke for just more than three men In the government of the United (Dean), maybe they won't rome back hours, describing the cover up in short, ANOTHER NEW element disclosed States." for the main course.'' the prosecutor simple sentences, describing hundi eds in the alleged conspiracy was $25,000 He said the plan to cover up the said of meetings, phone calls and actions Ben-Veniste said was obtained from break-in at Democratic National Com- Ben-Veniste said that in mid-April which comprise tin complicated Nixon's Iriend. -
Interpreting Racial Politics
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Interpreting Racial Politics: Black and Mainstream Press Web Site Tea Party Coverage Benjamin Rex LaPoe II Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Mass Communication Commons Recommended Citation LaPoe II, Benjamin Rex, "Interpreting Racial Politics: Black and Mainstream Press Web Site Tea Party Coverage" (2013). LSU Doctoral Dissertations. 45. https://digitalcommons.lsu.edu/gradschool_dissertations/45 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. INTERPRETING RACIAL POLITICS: BLACK AND MAINSTREAM PRESS WEB SITE TEA PARTY COVERAGE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Manship School of Mass Communication by Benjamin Rex LaPoe II B.A. West Virginia University, 2003 M.S. West Virginia University, 2008 August 2013 Table of Contents Abstract .......................................................................................................................................... iii Introduction