Historic-Cultural Monument Application for UNION BANK SQUARE
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UN Delegates Lounge
OMA’s layout design trisects the central section of the UN North Delegates Lounge, with private seating along the edges and communal furniture in the middle. UN North Delegates Lounge Hella Jongerius assembled a force of the Netherlands’ top designers including Irma Boom and Rem Koolhaas for the prestigious renovation of the North Delegates Lounge in the UN Building in New York. WORDS Oli Stratford PHOTOS Frank Oudeman 152 Disegno. UN NORTH DELEGATES LOUNGE UN NORTH DELEGATES LOUNGE Disegno. 153 The east window is veiled by the Knots & Beads curtain by Hella Jongerius and Dutch ceramics company Royal Tichelaar Makkum. In front is the UN Lounge chair by Jongerius for Vitra. uring the summer of 1986, Hella Jongerius1 was backpacking across America. She was 23 years old, two years shy of enrolling at Design Academy Eindhoven,2 1 Hella Jongerius (b. 1963) is and picking her way from state to state. Three months in, she reached New York. a Dutch product and furniture designer whose Jongeriuslab studio is based in Berlin. She She had a week in the city, but her money had run out. So, broke, Jongerius went to Turtle Bay, is known for furniture and a Manhattan neighbourhood on the bank of the East River and the home of the UN Building, a accessory design that steel and glass compound built in the 1950s to house the United Nations.3 “I’d gone down there combines industrial manufacture with craft to see the building and I was impressed of course,” says Jongerius. “It’s a beautiful building. But sensibilities and techniques. -
From the Ground up the First Fifty Years of Mccain Foods
CHAPTER TITLE i From the Ground up the FirSt FiFty yearS oF mcCain FoodS daniel StoFFman In collaboratI on wI th t ony van l eersum ii FROM THE GROUND UP CHAPTER TITLE iii ContentS Produced on the occasion of its 50th anniversary Copyright © McCain Foods Limited 2007 Foreword by Wallace McCain / x by All rights reserved. No part of this book, including images, illustrations, photographs, mcCain FoodS limited logos, text, etc. may be reproduced, modified, copied or transmitted in any form or used BCE Place for commercial purposes without the prior written permission of McCain Foods Limited, Preface by Janice Wismer / xii 181 Bay Street, Suite 3600 or, in the case of reprographic copying, a license from Access Copyright, the Canadian Toronto, Ontario, Canada Copyright Licensing Agency, One Yonge Street, Suite 1900, Toronto, Ontario, M6B 3A9. M5J 2T3 Chapter One the beGinninG / 1 www.mccain.com 416-955-1700 LIBRARY AND ARCHIVES CANADA CATALOGUING IN PUBLICATION Stoffman, Daniel Chapter Two CroSSinG the atlantiC / 39 From the ground up : the first fifty years of McCain Foods / Daniel Stoffman For copies of this book, please contact: in collaboration with Tony van Leersum. McCain Foods Limited, Chapter Three aCroSS the Channel / 69 Director, Communications, Includes index. at [email protected] ISBN: 978-0-9783720-0-2 Chapter Four down under / 103 or at the address above 1. McCain Foods Limited – History. 2. McCain, Wallace, 1930– . 3. McCain, H. Harrison, 1927–2004. I. Van Leersum, Tony, 1935– . II. McCain Foods Limited Chapter Five the home Front / 125 This book was printed on paper containing III. -
Art I N Public Places
PITTSBURGH PITTSBURGH ART ART IN PUBLIC PLACES IN PUBLIC PLACES DOWNTOWN WALKING TOUR OFFICE OF PUBLIC ART PITTSBURGH ART IN PUBLIC PLACES DOWNTOWN WALKING TOUR FOURTH EDITION Copyright ©2016 by the Office of Public Art, CONTENTS a partnership between the Greater Pittsburgh Arts Council and the City of Pittsburgh Department of City Planning 4 CULTURAL DISTRICT PROJECT DIRECTOR Renee Piechocki 38 GRANT STREET CORRIDOR PROJECT DEVELOPMENT Rachel Klipa DESIGN Little Kelpie 84 RETAIL DISTRICT AND FIRSTSIDE PHOTOGRAPHY Renee Rosensteel, 118 NORTH SHORE except where noted 152 NORTHSIDE This book is designed to connect people with art in public places in Downtown Pittsburgh. In addition to art, noteworthy architecture, landscape architecture, and cultural objects have been included based on their proximity to the artworks in the guide. Each walk takes approximately 80–120 minutes. Allow more time for contemplation and exploring. Free copies of this walking tour can be downloaded from the Office of Public Art’s website, publicartpittsburgh.org. Learn more about art in public places in the region by visiting pittsburghartplaces.org. WALKING TOUR THREE RETAIL DISTRICT AND FIRSTSIDE Art in these districts is found amidst soaring office towers, French and Indian War sites, retail establishments, and a historic financial district. PITTSBURGH RECOLLECTIONS PITTSBURGH PEOPLE RETAIL DISTRICT AND FIRSTSIDE 85 JACKSONIA ST FEDERAL ST MATTRESS FACTORY ARCH ST SAMPSONIA SHERMAN AVE PALO ALTO ST RESACA ST E. NORTH AVE N TAYLOR AVE MONTEREY ST BUENA VISTA ST BRIGHTON RD JAMES ST CEDAR AVE PENNSYLVANIA AVE FORELAND ST W. NORTH AVE N. COMMONS NATIONAL AVIARY ARCH ST E. OHIO ST LIBRARY & NEW HAZLETT THEATER CHILDRENS MUSEUM BRIGHTON RD W. -
Shop California Insider Tips 2020
SHOP CALIFORNIA INSIDER TIPS 2020 ENJOY THE ULTIMATE SHOPPING AND DINING EXPERIENCES! Exciting Shopping and Dining Tour Packages at ShopAmericaTours.com/shop-California Purchase with code ShopCA for 10% discount. Rodeo Drive 2 THROUGHOUT CALIFORNIA From revitalizing beauty services, to wine, spirits and chocolate tastings, DFS offers unexpected, BLOOMINGDALE’S complimentary and convenient benefits to its See all the stylish sights – starting with a visit to shoppers. Join the DFS worldwide membership Bloomingdale’s. Since 1872, Bloomingdale’s has program, LOYAL T, to begin enjoying members- been at the center of style, carrying the most only benefits while you travel.DFS.com coveted designer fashions, shoes, handbags, cosmetics, fine jewelry and gifts in the world. MACERICH SHOPPING DESTINATIONS When you visit our stores, you’ll enjoy exclusive Explore the U.S.’ best shopping, dining, and personal touches – like multilingual associates entertainment experiences at Macerich’s shopping and special visitor services – that ensure you feel destinations. With centers located in the heart welcome, pampered and at home. These are just of California’s gateway destinations, immerse a few of the things that make Bloomingdale’s like yourself in the latest fashion trends, hottest no other store in the world. Tourism services cuisine, and an unrivaled, engaging environment. include unique group events and programs, Macerich locations provide a variety of benefits special visitor offers and more, available at our to visitors, including customized shopping, 11 stores in California including San Francisco experiential packages, visitor perks and more. Centre, South Coast Plaza, Century City, Beverly To learn more about Macerich and the exclusive Center, Santa Monica Place, Fashion Valley and visitor experiences, visit macerichtourism.com. -
DOUGLAS PARK REZONE PROJECT (Formerly the Pacificenter @ Long Beach)
ADDENDUM to the Final Environmental Impact Report DOUGLAS PARK REZONE PROJECT (Formerly the PacifiCenter @ Long Beach) SCH No. 2001051048 AUGUST 2009 Lead Agency: City of Long Beach Page _ ADDENDUM to the Final Environmental Impact Report DOUGLAS PARK REZONE PROJECT (Formerly the PacifiCenter @ Long Beach) SCH No. 2001051048 AUGUST 2009 Lead Agency: City of Long Beach Development Services 333 West Ocean Boulevard Long Beach, California 90802 Contact: Meredith Elguira (562) 570-5237 Page _ TABLE OF CONTENTS Page SECTION I INTRODUCTION ............................................................................................ I-1 A. Background .......................................................................................... I-1 B. CEQA Authority for the Addendum ...................................................... I-2 C. General Format of the Addendum Analysis ......................................... I-3 D. Summary of Addendum Conclusion .................................................... I-4 SECTION II PROJECT DESCRIPTION .............................................................................. II-1 A. Project Location and Setting ............................................................... II-1 B. Description of the Approved Project .................................................... II-3 C. Description of the Revised Project ...................................................... II-9 SECTION III ENVIRONMENTAL IMPACT ANALYSIS ........................................................... III-1 A. Aesthetics ......................................................................................... -
Maverick Impossible-James Rose and the Modern American Garden
Maverick Impossible-James Rose and the Modern American Garden. Dean Cardasis, Assistant Professor of Landscape Architecture, University of Massachusetts (Amherst) “To see the universe within a place is to see a garden; approach to American garden design. to see it so is to have a garden; Rose was a rugged individualist who explored the not to prevent its happening is to build a garden.” universal through the personal. Both his incisive James Rose, Modern American Gardens. writings and his exquisite gardens evidence the vitality of an approach to garden making (and life) as James Rose was one of the leaders of the modern an adventure within the great cosmic joke. He movement in American garden design. I write this disapproved of preconceiving design or employing advisedly because James “ the-maverick-impossible” any formulaic method, and favored direct Rose would be the first to disclaim it. “I’m no spontaneous improvisation with nature. Unlike fellow missionary,” he often exclaimed, “I do what pleases modern rebels and friends, Dan Kiley and Garrett me!”1 Nevertheless, Rose, through his experimental Eckbo, Rose devoted his life to exploring the private built works, his imaginative creative writing, and his garden as a place of self-discovery. Because of the generally subversive life-style provides perhaps the contemplative nature of his gardens, his work has clearest image of what may be termed a truly modern sometimes been mislabeled Japanesebut nothing made Rose madder than to suggest he did Japanese gardens. In fact, in response to a query from one prospective client as to whether he could do a Japanese garden for her, Rose replied, “Of course, whereabouts in Japan do you live?”2 This kind of response to what he would call his clients’ “mind fixes” was characteristic of James Rose. -
School Cents Sweepstakes
School CentsTM Program Lakewood, Los Cerritos, Stonewood Center Program Rules Overview School CentsTM is a grassroots community program that allows participating schools in the program to earn points from qualified purchases. Under the School CentsTM program, school families, staff and other supporters submit receipts from sponsoring businesses to earn points for their school. Extra points are offered for participating in special events, advertising the School CentsTM program on campus, and more. Based on the total points, each school receives a share of a fund, based on their final points ranking, as compared with other participating schools. The School CentsTM program is sponsored by Macerich Management Company (“Sponsor”) Becoming a Participating School In order to participate in the School CentsTM program, a representative of a school (a “Participating School”) must use a link provided by School CentsTM or request a link at [email protected] and complete the application following the online instructions which includes submitting receipts to earn rewards on behalf of the Participating School. Participating Schools shall meet the following eligibility requirements: (i) a dedicated coordinator to manage the program on the local school level; (ii) the Participating School must be located within 10 miles of a Participating Mall; (iii) the Participating School must be a full time school (not a home school); and (iv) Participating School must be a K-5, 6-8, 9-12, K-8, 6-12 or K-12 public, private and charter full time schools with enrollment -
National Register of Historic Places Inventory Nomination
NPS Form 10-900 (3-82) OMB No. 1024-0018 Expires 10-31-87 United States Department off the Interior National Park Service For NPS use only National Register of Historic Places received Inventory Nomination Form date entered See instructions in How to Complete National Register Forms Type all entries complete applicable sections____________ 1. Name historic Rockefeller Center and or common 2. Location Bounded by Fifth Avenue, West 48th Street, Avenue of the street & number Americas, and West 51st Street____________________ __ not for publication city, town New York ___ vicinity of state New York code county New York code 3. Classification Category Ownership Status Present Use district public x occupied agriculture museum x building(s) x private unoccupied x commercial park structure both work in progress educational private residence site Public Acquisition Accessible _ x entertainment religious object in process x yes: restricted government scientific being considered yes: unrestricted industrial transportation no military other: 4. Owner of Property name RCP Associates, Rockefeller Group Incorporated street & number 1230 Avenue of the Americas city, town New York __ vicinity of state New York 10020 5. Location of Legal Description courthouse, registry of deeds, etc. Surrogates' Court, New York Hall of Records street & number 31 Chambers Street city, town New York state New York 6. Representation in Existing Surveys Music Hall only: National Register title of Historic Places has this property been determined eligible? yes no date 1978 federal state county local depository for survey records National Park Service, 1100 L Street, NW ^^ city, town Washington_________________ __________ _ _ state____DC 7. Description Condition Check one Check one x excellent deteriorated unaltered x original s ite good ruins x altered moved date fair unexposed Describe the present and original (iff known) physical appearance The Rockefeller Center complex was the final result of an ill-fated plan to build a new Metropolitan Opera House in mid-town Manhattan. -
Renovation Last Fall
Going Places Macerich Annual Report 2006 It’s more than the end result—it’s the journey. At Macerich®, what’s important isn’t just the destination. It’s the bigger picture, the before and after...the path we take to create remarkable places. For retailers, it’s about collaboration and continual reinvestment in our business and theirs. For the communities we serve, it’s about working together to create destinations that reflect their wants and needs. For investors, it’s about long-term value creation stemming from a clear vision. For consumers, it’s about the total experience our destinations deliver. 0 LETTER TO STOCKHOLDERS Letter to Our Stockholders Macerich continued to create significant value in 2006 by elevating our portfolio and building a sizeable return for our stockholders. Total stockholder return for the year was 33.9%, contributing to a three-year total return of 121.5% and a five-year total return of 326.2%. In 2006, the company increased dividends for the 13th consecutive year. As a company that considers its pipeline a tremendous source of strength BoulderTwenty Ninth is a prime Street example is a prime of howexample 2006 of was how indeed 2006 awas remarkable indeed a yearremark of - and growth, Macerich reached an important milestone in 2006 with the buildingable year netof building asset value net for asset Macerich. value for We Macerich. also completed We also the completed redevelop the- re- opening of Twenty Ninth Street in Boulder, Colorado. Not only is this a mentdevelopment of Carmel of CarmelPlaza in Plaza Northern in Northern California, California, another another excellent excellent model of model terrific new asset in an attractive, affluent community—it represents a sig- valueof value creation, creation, where where we we realized realized a significant a significant return return on onour our investment. -
Pieris, A. Sociospatial Genealogies of Wartime Impoverishment
PROCEEDINGS OF THE SOCIETY OF ARCHITECTURAL HISTORIANS AUSTRALIA AND NEW ZEALAND VOL. 33 Edited by AnnMarie Brennan and Philip Goad Published in Melbourne, Australia, by SAHANZ, 2016 ISBN: 978-0-7340-5265-0 The bibliographic citation for this paper is: Anoma Pieris “Sociospatial Genealogies of Wartime Impoverishment: Temporary Farm Labour Camps in the U.S.A.” In Proceedings of the Society of Architectural Historians, Australia and New Zealand: 33, Gold, edited by AnnMarie Brennan and Philip Goad, 558-567. Melbourne: SAHANZ, 2016. All efforts have been undertaken to ensure that authors have secured appropriate permissions to reproduce the images illustrating individual contributions. Interested parties may contact the editors. Anoma Pieris University of Melbourne SOCIOSPATIAL GENEALOGIES OF WARTIME IMPOVERISHMENT: TEMPORARY FARM LABOUR CAMPS IN THE U.S.A. Established to develop New Deal resettlement programs in 1937, the United States Farm Security Administration (F.S.A.) was best known for accommodating migratory labour from the drought-stricken central plains. Large numbers arriving in California prompted F.S.A. engineers and architects to develop purpose-designed labour camps and townships, described as early exemplars of community planning. Yet in 1942, when 118,803 Japanese and Japanese Americans were evacuated from the newly created Military Exclusion Zones and incarcerated in relocation centres, F.S.A. skills were put to a different use. This paper demonstrates how wartime exigency, racist immigration policies and militarisation transformed a model for relief and rehabilitation into a carceral equivalent. It contextualises this transformation within a socio-spatial genealogy of temporary facilities that accommodated mass human displacements – including two examples from California: the Tulare County F.S.A. -
Sun Mon Tues Wed Thurs Fri
NYU Urban Design and Architecture Studies New York Area Calendar of Events October 2019 Happy Archtober! Sun Mon Tues Wed Thurs Fri Sat 1 2 3 4 5 Workplace Mid-Century NYBG Edible Richmond Hill Wednesday: Modern Academy Tour North Tour Deborah Berke Architecture Partners Travel Guide Architecture Church of the Power Hour: Transfiguration New Tools: Urban Design Exploring the Revolutionizing Innovation Washington Garden Design the Design within Air Square Walk: The Process Quality and Neighborhood Flower Garden Urban Heat at Wave Hill Brooklyn Island Effect Paul Rudolph Children’s Heritage Museum Tour Architecture of Foundation Nature/Nature Open House of Architecture Paola Antonelli: Broken Nature: Design Takes on Human Survival 6 7 8 9 10 11 12 The Secrets of The Vilcek Building 77 Pratt Student Women in Atelier Louis Kahn’s the Brooklyn Foundation Tour Union Tour Sustainability & Bow-Wow & Modernism & Bridge Tour Energy Tackles Rirkrit the Architecture Behind the the Climate Tiravanija Architecture of Prospect Park The BQE in and the Lights Scenes at the Mobilization Memorializatio Tour: Hidden Context: of Gotham: Practice for Act Prospect Park n Treasures Communities, Nighttime Boat Architecture Tour Infrastructure, Tour and Urbanism Rahul Mehrotra A Monument to Fort and Public (PAU) and Filiep Digital Memory: Wadsworth Space Decorte Urbanisms Fraunces Tour Lecture Conference Tavern RCR Nature into Art: Arquitectes: City College of SCALEX Architecture The Gardens Timeless New York Professional Power Hour: of Wave Hill- A Graduate Seminar Exploring the Moderate Landscape School Open Washington Conversation Design House Square Lecture: The Neighborhood Animated Prospect 13 14 15 16 17 18 19 Empire Eleena Jamil Collecting Ennead Murray Moss Open House Open House Landing Architect Design with Dr. -
The Stanley Museum of Art Self-Study
1 Table of Contents I. Executive Summary II. Introduction to the Museum a. Departmental history b. Gap between self-studies and scope of this self-study c. Self-study methodology d. Collections e. Collections recommendations f. Organizational framework and staffing g. Staffing recommendations h. Advisory board i. Advisory board recommendations j. Strategic plan k. Mission and goals III. Infrastructure a. New building b. Public space—old and new museum c. Staff workspaces d. Collection storage e. Digital storage f. Collection management g. Infrastructure Recommendations IV. Programs and Constituents Served a. Exhibitions b. Publications c. Exhibition and publication recommendations d. University educational programs e. Stanley School Programs f. Senior Living Communities programs 2 g. Public programs h. Learning and engagement recommendations V. Summary of Relevant Data a. Attendance b. Program outcomes c. Assessment recommendations d. Membership e. Membership recommendations f. Staff retention g. Financial h. Financial recommendations i. Certification VI. Summary of Recommendations a. Collections b. Exhibitions and publications c. Learning, Engagement, and Assessment d. Infrastructure and Staffing e. Board and Membership f. Financial VII. Appendices a. Draft 2020-2024 strategic plan b. Museum Staff c. Organizational Chart d. Big 10 University Art Museums e. Advisory Board by-laws f. AAM Reaccreditation Letter g. AAM Core Standards for Museums h. The Campus Art Museums in the 21st Century: A Conversation 3 4 I. Executive Summary This self-study comes at a critical moment in the history of both the University of Iowa Stanley Museum of Art and the history of campus art museums. In the past two decades, art museums on college and university campuses have undergone significant changes that have impacted their missions, operations, audiences, and funding.