JUNE at the CENTER Concerts High Museum Events

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JUNE at the CENTER Concerts High Museum Events

Serving Metropolitan Atlanta's Growth Needs Since 1946 JUNE AT THE CENTER Concerts WEDNESDAY, JUNE 2 ASO ENCORE! 8:30, SH. Atlanta Symphony Orches tra. Michael Palmer, conducting. Famous Operatic Arias. Soloists to be announced. FRIDAY, JUNE 4 ASO ENCORE! 8:30, SH. Atlanta Symphony Orches tra. Michael Palmer, conducting. A Night in Old Vienna SATURDAY, JUNE 5 ASO ENCORE! 7:30, SH. Atlanta Symphony Orches tra. Donald Neuen, conducting. Soloist to be an nounced. All-Gershwin Program: Cuban Overture; Concerto in F; Rhapsody in Blue; American in Paris. SUNDAY, JUNE 6 ASO ENCORE! 3:00, SH. Same program as June 5. WEDNESDAY, JUNE 9 ASO ENCORE! 8:30, SH. Atlanta Symphony Orches SUITE 2535 100 PEACHTREE STREET, NW tra. Robert Shaw, conducting. All-Tchaikovsky Pro gram. Symphony No. 2; Romeo and Jul.et Fantasy- ATLANTA. 30301 / 577-9500 Overture; 1812 Overture. FRIDAY, JUNE 11 ASO ENCORE! 8:30, SH. Atlanta Symphony Orches tra and the New Atlanta Symphony Orchestra Pops Chorus. Robert Shaw, conducting. Featuring Robert Russell Bennett arrangements of Broadway show tunes and patriotic choruses made famous by the Robert Shaw Chorale. SATURDAY, JUNE 12 ASO ENCORE! 7:30, SH. Same program as June 11. SUNDAY, JUNE 13 ASO ENCORE! 3:00, SH. Same program as June 11 & 12. MONDAY, JUNE 14 "Sounds of Atlanta:" Ray Stevens, Joe South, Tommy Roe, Billy Joe Royal, Dennis Yost and the Classic Four. Members of the Atlanta Symphony and local musicians, directed by Ted Stovall. Joint benefit performance for the Atlanta Symphony and the National Academy for Recording Arts and Sciences. 6/14 at the Civic Center. invites you to a Parole Hearing High Museum Events for The Prisoner of Sex SUNDAY, JUNE 6 Subscribe now to Contempora. A literary/ Films on ecology: "Rise and Fall of the Great art magazine. Circle one: 6 issues $4.50, Lakes," "Alone in the Midst of Land," and "A 12 issues $8.50, 18 issues $12.00. Matter of Attitudes." Presented by the Georgia Conservancy. 3:00, HA. Free. Name SUNDAY, JUNE 13 Street Tour of THE BECKONING LAND exhibition, con ducted by Gudmund Vigtel, Director. 2:00, HM. City SUNDAY, JUNE 20 State Zip Opening of The Drawing Society National Exhibition, HM, 12 to 5 p.m. Contempora, Inc. continued P.O. Box 673, Atlanta, Georgia 30301 .

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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
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An Interview with Robert Shaw: Reflections at Eighty
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Boston Symphony Orchestra Concert Programs, Season 69, 1949-1950
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Usc Thornton Oriana Women's Choir and Apollo Men's Chorus
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The Robert Shaw Chorale and Orchestra ROBERT SHAW, Conductor
1958 Eightieth Season 1959 UNIVERSITY MUSICAL SOCIETY THE UNIVERSITY OF MICHIGAN Charles A. Sink, President Gail W. Rector, Executive Director Lester McCoy, Conductor Fifth Concert Thirteenth Annual Extra Series Complete Series 3259 The Robert Shaw Chorale and Orchestra ROBERT SHAW, Conductor SUNDAY AFTERNOON, MARCH IS, 1959, AT 2:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Suite from Acis and Galatea HANDEL Requiem Mass INTERMISSION Four Faces of Love : True Love, from Five Songs on Old Texts HINDEMITH Love Song, from Four Hungarian Folksongs . BARTOK The Lover's Wish, from Vier Stucke, Op. 27 SCHONBERG With Air Commanding, from The Rake's Progress STRAVINSKY Rhapsodie for Contralto Solo, Male Chorus, and Orchestra, Op. 53 . BRAHMS FLORENCE KOPLEFF, Contralto Suite from Les Brigands OFFENBACH The Steinway is the official piano of the University Musical Society A R S LON G A V I T A BREVIS PROGRAM NOTES Suite from Ads and Galatea GEORG FRIEDRICH HANDEL Acis, Tenor Galatea, Soprano Polypheme, Bass In this year commemorating the 200th anniversary of Handel's death, audiences will have the opportunity to become acquainted with many of his less-performed master pieces. One of these is certainly Acis and Galatea, composed in 1720 when Handel was at the height of his fame as an opera composer and manager in London. In music of great charm it tells the story of the goddess Galatea, whose great beauty causes the Cyclops, Polypheme, to fall madly in love with her. He catches sight of her one day sporting with her love Acis, a Naiad. Mad with rage, he hurls a rock at them, pinning the unfortunate Acis beneath.
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Robert Shaw and Doubting Thomas
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The Collaborative Arrangements of Alice
THE COLLABORATIVE ARRANGEMENTS OF ALICE PARKER AND ROBERT SHAW by JAMES EDWARD TAYLOR JOHN RATLEDGE, COMMITTEE CHAIR DON FADER METKA ZUPANCIC SUSAN FLEMING KENNETH OZZELLO MARVIN JOHNSON A DOCUMENT Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the School of Music in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2012 Copyright James Edward Taylor 2012 ALL RIGHTS RESERVED ABSTRACT This document is a comprehensive survey of the two hundred and twenty-three choral arrangements created in the collaboration between Alice Parker (b.1925) and Robert Shaw (1916-1999). This repertoire was written between 1950 and 1967 for seventeen RCA Victor recordings made by the Robert Shaw Chorale. Part I presents an overview of the music, title listings, and publisher information. Part II is a history of the collaboration, beginning with its genesis and the working relationship between the two. Their work occurred in the “Golden Age” of choral music in America and during the American folk music revival, both of which contributed to commercial album sales and the fame of Shaw and the Chorale. Part III describes the style of the arrangements, whose nineteen style characteristics are demonstrated in excerpts from six different songs. A detailed method developed by Dr. Parker for identifying distinguishing features of these arrangements is applied to one of the folk hymns. Over half of the Parker-Shaw arrangements are then compared in spreadsheets, found in Appendix III, with successive appendices presenting summaries of the results of the comparisons. This process reveals, among other things, the central role of melody and counterpoint in determining the nature of this music, and the arrangers’ preference for working with melodies based on traditional church modes and gapped scales over those with strong tonal implications.
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A Year of Transformation Tlanta, Georgia 30302-3963 Georgia Tlanta, S Ity Fo Ity U Ndation
P. Geor o . Box 3963 | . Box G ia State Univer ia State 2008 foundation annual report a year of transformation a tlanta, Georgia 30302-3963 S ity Fo U ndation Please detach on the perforated lines, and mail back to us courtesy of Georgia State University Foundation. We VALUE YOUR OPINION. The foundation’s annual report is intended to recognize your support and inform you about the impact that private giving makes on Georgia State University. please share your comments With us! 1. How important is it for you to receive the Georgia State University Foundation annual report? q Unimportant q Important q Neither important nor unimportant 2. How important is it for you to see the honor roll list printed in the annual report? q Unimportant q Important q Neither important nor unimportant 3. Would you prefer an electronic annual report instead of a printed report? q Yes q No 4. How would you rate this year’s annual report? q Excellent q Good q Fair q Poor 5. Does receiving this report make you more likely to continue to give to Georgia State? q Yes q No 6. What would make this annual report more meaningful to you? 7. Please provide updated contact information. Name: NONPROFIT PERMIT u ATLANTA Address: . s . POSTA PAID Phone: NO , G . 152 or G a e Employer: G. Address: Phone: GEorgia State UnivErsity FoundatioN P.o. Box 3963 ATlanta, GEorgia 30302-3963 ffice o For additional information, contact Kimber Burgess at 404.413.1319. Project Manager: Kimber Burgess Editors: Jessica Blount, Meghan Eichelberger, President’s Kirsten Soriano, Julie van Balen
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THE ATLANTA SYMPHONY ORCHESTRA to Present a Contemporary Resume of All Robert J
he affirms his own individuality and humanity Rich's salutes the spirit of Atlanta . whose talent, vitality and support have helped the Atlanta Memorial Arts Center in continued growth and achievement. RICH’S &<)Lio rial Welcome to the Atlanta Memorial Atlanta Arts Arts Center — and to the third year of Monthly magazine of the publication of Atlanta Arts magazine. Atlanta Memorial Arts Center 1280 Peachtree Street, N.E. Atlanta Georgia 30309 This season, under new publishing ar rangements and with printing now done SEPTEMBER 1970 V O L U M E III IS S U E I entirely in Atlanta, we hope to make THE ATLANTA ARTS ALLIANCE this magazine the monthly magazine of William C. Herring P re sid e n t the arts in, around, by and for Atlanta. James K. Griffeth Enlarged professional and volunteer re C o n tro lle r search services will enable Atlanta Arts THE ATLANTA SYMPHONY ORCHESTRA to present a contemporary resume of all Robert J. Noerr General Manager arts activities in Atlanta. In addition to Thomas B. Crawford the activities at the Memorial Arts Cen News Director Mrs. Nancy S. Burke ter we intend to publish monthly calen Director of Season Ticket Sales dars of the visual and performing arts, THE HIGH MUSEUM OF ART FM and AM good music programs, Gudmund Vigtel theatre listings, box office information, D ire cto r Miss Paula Hancock ticket prices, seating charts, etc. What Assistant Director other services can we provide? Selected THE ATLANTA SCHOOL OF ART television listings — record releases — John H. Rogers movie information? Your comments and D ean Mrs.
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ROBERT SHAW, Conductor
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1 Press Release MASTERVOICES PRESENTS WORLD PREMIERE
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Montague Gowthorpe Collection
Montague Gowthorpe Collection MSS 177 7.5 linear feet Vanderbilt University Special Collections 419 21st Avenue, South Nashville, Tennessee 37203-2427 © 2012 Vanderbilt University Special Collections and University Archives Montague F. Gowthorpe Opera Collection The Montague F. Gowthorpe Opera Collection was created a period of years by Montague F. Gowthorpe chairman of the Detroit Symphony and one of the original vice-presidents at Paramount Pictures. Gowthorpe was born in Kings Lyn, England in 1898 and was a lifetime devotee of opera which he regarded as the highest form of art and entertainment. After his death in 1980 this collection was passed to his niece, Bonnie Lamar, MD of Tennessee. She donated it to Special Collections in 1998. The collection consists of 200 reel-to-reel tapes recorded by Mr. Gowthorpe from radio. The tapes were recorded at 3 ¾ and 7 ½ speeds from the years of 1959 to 1968 though the bulk of the recordings were made in the early 1960’s. The last box of the collection contains 48 libretto books collected and annotated by Mr. Gowthorpe to accompany the recordings he made. Box 1 Audio Reel to Reels Adventures in Good Music 1A –Music by Forgotten Composers Adventures in Good Music 1B –Music by Forgotten Composers Adventures in Good Music 2A –What’s in a Name Adventures in Good Music 2B –What’s in a Name Adventures in Good Music 3A Adventures in Good Music 3B Adventures in Good Music 4A –Music Inspired by Nature, Calls of Birds Adventures in Good Music 4B –Music Inspired by Nature Aida –Verdi Performed by the Vienna Philharmonic Orchestra, Conductor Herbert von Karajan (3) Alcestis –Willibald von Gluck Performed by the New York Metropolitan Opera, Conductor Kurt Adler, February 11, 1961 (3) Ariadne auf Naxos –R.
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