he affirms his own individuality and humanity

Rich's salutes the spirit of Atlanta . . . whose talent, vitality and support have helped the Atlanta Memorial Arts Center in continued growth and achievement.

RICH’S &<)Lio rial Welcome to the Atlanta Memorial Atlanta Arts Arts Center — and to the third year of Monthly magazine of the publication of Atlanta Arts magazine. Atlanta Memorial Arts Center 1280 Peachtree Street, N.E. Atlanta Georgia 30309 This season, under new publishing ar­ rangements and with printing now done SEPTEMBER 1970 V O L U M E III IS S U E I entirely in Atlanta, we hope to make

THE ATLANTA ARTS ALLIANCE this magazine the monthly magazine of William C. Herring P re sid e n t the arts in, around, by and for Atlanta. James K. Griffeth Enlarged professional and volunteer re­ C o n tro lle r search services will enable Atlanta Arts THE ATLANTA SYMPHONY ORCHESTRA to present a contemporary resume of all Robert J. Noerr General Manager arts activities in Atlanta. In addition to Thomas B. Crawford the activities at the Memorial Arts Cen­ News Director Mrs. Nancy S. Burke ter we intend to publish monthly calen­ Director of Season Ticket Sales dars of the visual and performing arts, THE HIGH MUSEUM OF ART FM and AM good music programs, Gudmund Vigtel theatre listings, box office information, D ire cto r Miss Paula Hancock ticket prices, seating charts, etc. What Assistant Director other services can we provide? Selected THE ATLANTA SCHOOL OF ART television listings — record releases — John H. Rogers movie information? Your comments and D ean Mrs. Guthrie Foster suggestions are not only welcome but Assistant Dean sought. Please send your suggestions to THE ALLIANCE THEATRE COMPANY Editorial Offices, Atlanta Arts, 1280 David Bishop Peachtree Street, N.E., Atlanta, Georgia Managing Director 30309. PARKING FACILITIES * * * * Center Parking Garage, entrances on Peachtree and Lombardy Way; AAA Parking directly across from Peachtree entrance to Center; also directly A magazine is expected to draw its north of First Presbyterian Church; other places readers’ attention to its advertisers. In the available within walking distance. case of a magazine distributed without BOX OFFICE Telephone: (404) 892-2414 charge this notice acquires added signif­ H ours: icance : without these advertisers there Monday - Friday 10:00 a.m. - 6:00 p.m. or until curtain time would be no magazine. Your attention to Saturday 12:00 noon - 5:00 p.m. or until curtain the advertisements, and your use of the tim e advertisers’ products and services will Sunday 12:00 noon - 5:00 p.m. or until curtain time assure the continuation and growth of TOURS the publication. For information on regular weekday tours or group * * 3s tour arrangements, call 892-3600. OUR CO VER is a color polarization of Ludwig Finally, acknowledgements. To ac­ van Beethoven, from an oil painting by J. Stieler in 1819. For this painting, Beethoven allowed the knowledge some is to ignore others, for painter a few sittings. It served as the basis for quite a few later portraits. too many efforts and hours will go into each issue. Hopefully all can receive rec­ ATLANTA ARTS Magazine is published for the ognition in later issues. For this first issue Atlanta Memorial Arts Center, by The Conger Printing Co., Inc. in Atlanta, Georgia. All rights to we make special acknowledgement to the Atlanta Arts are reserved by the Atlanta Memorial Arts Center. Reproduction from this magazine in Junior Committee of the High Museum’s whole or in part without permission is prohibited. Members Guild, the Greater Atlanta Editorial office, 1280 Peachtree St., N.E. (892-3600) Publishing Office, 146 Marietta St., N.W., Atlanta Arts Council, and Conger Printing Com­ 30303, Phone 404/524-6700. pany. L. W. CO N GER, JR. LIZ GILLIAM W i l l i a m C. H e r r i n g P u b lis h e r E d ito r PAT WILDMAN ERNEST DeVANE President In and Around Atlanta Art Director Atlanta Arts Alliance O ur 5 9 t Ih Y e a r

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Ewer, Ball, Black & Co., New York City, circa 1860, th e re ’6 presentation piece to Jordan family of Macon for improving the quality of cotton.

THE HIGH MUSEUM an>rt Second Annual Antiques Show Opens September 30 Whether you think antiques are the everyth in g only safe investment we have left or whether you just like to look at mag­ nificent handcrafted furniture, the se­ ...even cond annual High Museum Antiques Show and sale is an event not to be miss­ banking ed. More than 40 top antique dealers from New England to Palm Beach will exhibit, and the collection includes fine furniture, porcelain, rugs, paintings, prints, and decorative objects. The show, a project of the Members Guild, will run from Wednesday, September 30 through Saturday, October 3 at the Merchandise Mart. Hours are from noon to 10:00 Peoples p.m. Wednesday through Friday, and from 10:00 a.m. to 4:00 p.m. on Satur­ Am erican day. Admission is $2.50. Many special events are planned in connection with the show, beginning with Bank#M e m b er F.D.I.C. a gala preview reception on September MAIN OFFICE 58 MARIETTA STREET 29 for members of the High Museum Candler Building Henry Grady Square

and other guests. Tickets are $25 per BUCKHEAD PERSHING POINT ANSLEY MALL 2970 Peachtree Road 1409 Peachtree Street Piedmont Avenue person. at M onroe Drive continued How nature and time helped an artist create a masterpiece

Rdmish-Germanisches Museum. Cologne, Germany

Fashioned sometime during the period Scientists, too. turn to nature for of the Middle or Later Roman Empire, the inspiration, for it is their task to equate the soft sheen of this perfume flask is an offerings of nature with the things man accident of time— its glowing quality the can use. At Shell, hundreds of scientists— result of more than fifteen hundred years inspired by one of nature's most versatile of aging. Its design, however, is a deliberate natural resources, petroleum—are engaged — and successful— work of art. Like so in turning ideas into substances useful many artists before and since, its maker to man. This imaginative research results in turned to nature in search of a decorative products that perform better, last longer motif. Inspired by the gentle curves and and cost less. Millions know these graceful simplicity of the scallop shell, petroleum and chemical products by he created a masterpiece in glass. the sign of the familiar shell AT THE CENTER, continued antiques show, continued Uery Best Wishes Young Collectors will have their own special party October 1 when specially- from priced items will be put on sale for the first time. Admission is $7.50 per person. lA llan-Q rayson October 1 and 2 at 10:45 a.m., before the show opens at noon, guided tours Bea/tyGompany will be conducted for small groups mak­ ing advance reservations. A charge of ■ ■ ■ $5.00 covers admission to the show, ■ ■ ■ tour and catalog. ■ ■ ■ Now in progress at the Museum is A G i this year’s loan exhibition, “Georgia Col­ lects: American Silver, 1780-1870.” The The South's largest building managers display is in the McBurney Decorative Arts Gallery and continues through mid- November. On October 2 the Wellesley Decora­ SPECIALIZING IN tive Arts Forum will again be held in the Property Management / Office Building Walter Hill Auditorium. Graham Hood, Development & Leasing / Industrial Development & Leasing / Commercial Development & Leasing Curator of American Art of the De­ Consulting Services / Investm ent Sales. troit Institute of Art will speak at 10:15 a.m. on “American Silver: 1750-1850.” At noon Wendell D. Garrett, managing editor of Antiques Magazine will give a talk entitled, “John Adams - Thomas Jefferson: The Best of Two Worlds.” Tickets are $10 per person for both Tours and Cruises ... lectures. All proceeds from the Antiques Show by Air and Steamship will be used to expand High Museum ex­ hibitions and acquisitions, and to support the Junior Activities Center, according to Mrs. Robert E. Wells, chairman of the show. Special events and tour arrangements ATLANTA TRAVEL AGENCY require advance reservations. For infor­ 1• 217 Georgia Life & Health Building mation or reservations, call 892-3600, 66 Luckie Street, N.W. Ext. 302. Atlanta, Georgia 30303—Alex Hitz. Jr.

ATLANTA SYMPHONY ORCHESTRA Your Mozart Series Announced R itii rets Best Robert Shaw, Music Director and Conductor, of the Atlanta Symphony Or­ chestra has announced the dates and per­ Eriend formers for the second year of the out­ standing “Genius of Mozart” Series. The highly acclaimed series, will again fea­ ture the phenomenal international pianist HTLHNTH FEDERAL SAVINGS Offices all around town continued Main Office Marietta At Broad

AT THE CENTER, continued m ozart series, continued

Lili Kraus for four of the six concerts. Professional... The series will also feature as guest ar­ tist the brilliant violinist Eudice Shapiro and the eminent LaSalle String Quartet. All concerts will be given in Symphony Hall at the Memorial Arts Center. The dates for the “Genius of Mozart” will be: October 8 — Lili Kraus December 10 — Lili Kraus January 28 — Lili Kraus March 25 — Eudice Shapiro April 22 — LaSalle String Quartet May 20 — Lili Kraus Season tickets are now on sale for these unusual concerts at a special dis­ count price. For information and reser­ vations, call Memorial Arts Center Box Office at 892-2414.

ATLANTA CHILDREN'S THEATRE H aas^D odd INSURANCE REAL ESTATE Three Plays Slated For Long Runs

To the sounds’of “Shiver my timbers!” and “Step lively, lads!” Atlanta Chil­ dren’s Theatre opens its new season on October 21 in the Alliance Theatre with Treasure Island. Like the two other plays to be presented, 13 Clocks (Jan. 6 through Feb. 6) and The Emperor’s New Clothes (Mar. 17 through April 17), Treasure Island has been selected be­ cause of its tremendous appeal to chil­ dren. the style center of the South According to Charles L. Doughty, Di­ rector of Atlanta Children’s Theatre, children make great audiences. They cheer the hero, they boo the villian — and their laughter is as loud as it is gen­ uine. The enthusiasm and joy they ex­ perience is testimony to what live thea­ tre can provide when presented in the finest professional manner. Season tickets are being sold through public and private schools in Atlanta so that children may attend during the week under school supervision. Family season tickets for Saturday performances may be ordered by calling 873-1724. continued Thrift Horatio

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ALLIANCE THEATRE COMPANY

Guild Renews Activities and Invites New Members

In January the Alliance Theatre Com­ pany will launch its second season with the first of seven plays, followed by a three-week Shakespearean Festival. Ac­ cordingly, the 300-member Alliance Theatre Guild plans a multitude of ac­ tivities to promote interest, education and appreciation of theatre in Atlanta. As a kick-off for the season, the Guild Receiving applause from will hold a combined meeting and gala theatre party with last year’s season tic­ all fashion critics as ket holders as special guests. The party will be held in the Alliance Theatre on Atlanta’s leading store the evening of October 26. Mrs. Robert H. Ott, President, urges anyone interested in theatre to join the for elegance, excitement Alliance Theatre Guild. Members par­ ticipate in a wide variety of activities, and innovation. including serving as hostesses for theatre functions, selling tickets and working on special fund-raising projects to benefit the theatre. For information on joining the Guild, call 892-2797. 18th CENTURY SHOP

ANTIQUES PAUL GAMBLE INTERIORS DAVID MERONEY

2287 Peachtree Rd„ N.E. ATLANTA. GEORGIA 30309 355-4266 Three Movie Series Began at the Museum This Fall

No matter what your taste in films, there is something for you at the High Museum this Fall: Kinetic Art #2 — experimental, dramatic and pop short movies — begins October 9. Civiliza­ tion returns, with the first in Kenneth Clark’s thirteen film series scheduled for October 22. The Sunday night movies for museum members premiers Novem­ ber 1 with four Chaplin shorts, fol­ lowed by Fields and Marx Brothers classics through December 13.

OCTOBER AT THE CENTER SH : Symphony Hall A T: Alliance Theater H M : High Museum HA: Hill Auditorium ST: Studio Theatre Concerts

THURSDAY & FRIDAY, OCTOBER 1 & 2

Atlanta Symphony, 8:30, SH. Series A,B,C & D. Robert Shaw, Conducting. Sydney Harth, Violinist; Teresa Harth, Violinist. Bach: Concerto for Two Violins and Orchestra in D minor, S. 1043; Walton: Concerto for Violin and Orchestra; Tchaikovsky: Symphony No. 4 in F minor, Op. 36.

SATURDAY, OCTOBER 3

Chamber Concert, 8:00, SH. Members of the Atlanta Sym phony.

SUNDAY, OCTOBER 4

Atlanta Symphony, 3:00, SH. Same program as O cto b e r 1 and 2.

THURSDAY, OCTOBER 8

Atlanta Symphony, 8:30, SH. The Genius of Mozart, No. 1. Robert Shaw, Conducting. Lili Kraus, Pianist.

SATURDAY, OCTOBER 10

The World of Gilbert and Sullivan, 8:30, SH. Selec­ tions from all favorite Gilbert and Sullivan operas by soloists of the D’Oyly Carte Company from London. Atlanta Music Club Membership Series. 873-4071.

SUNDAY, OCTOBER 11

Chamber Concert, 3:00, SH. Members of the Atlanta Sym phony.

THURSDAY, FRIDAY, SATURDAY O CTO BER 15, 16, 17

Atlanta Symphony, 8:30, SH. Series A.B.C. & E. Leon Brazin, Guest Conductor. Weber: Overture to “Der Fre.ischutz” ; Var6se: Arcana; Richard Strauss: Ein Heldenleben, Symphonic Poem, Op. 40 (“Hero’s L ife ").

SUNDAY, OCTOBER 18 JI)RCH

Chamber Concert, 3:00, SH. Members of the Atlanta s S ym phony.

MONDAY THRU FRIDAY, OCTOBER 19 THRU 23 AT p Atlanta Symphony, 10:30 & 12:30, SH. Young Peo­ ple’s Concerts. Michael Palmer, Conducting.

THURSDAY, OCTOBER 22

Chamber Concert, 8:00, SH. Members of the Atlanta JW Atlanta's Most 25 Unique CAIN Restaurant STREET, N. W 525-8228 Sym phony. ATLANTA. GEORGIA 30303

WEDNESDAY, OCTOBER 28

Chamber Concert, 8:00, SH. Members of the Atlanta Sym phony.

THURSDAY, & FRIDAY, OCTOBER 29 & 30

Atlanta Symphony, 8:30, SH. Series A.B.C & D. Robert Shaw, Conducting. Irene Calloway, Soprano; Florence Kopleff, Contralto; Atlanta Boy Choir. Schubert: Symphony No. 4 in C minor, (“Tragic") D. 417; Debussy: “La Damoiselle 6lue“ (“The Blessed Damozel "); Sibelius: Symphony No. 7 in k C major, Op. 105; Alberto Ginastera: Estancia, : M Ballet suite in four movements. (Also, Nov. 1, 3:00)

SATURDAY, OCTOBER 31

Lieder Recital, 8:15, HA. Barbara Dean, mezzo-so­ genstei prano; Michael Palmer, piano. Pro-Mozart Society. Re ni$ Continued page 21 TH E MIDI To get the proper proportions, we suggest: Up top, small sleek hairdo under a dashing brim. Around the throat, a small square scarf. The body bag, soft, squashy, best with a shoulder strap. With boot — slim, slightly higher heel. And, our 3-piece costume from Don Sophisticates, one of the best midi looks going.

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DEKALB COUNTY BUCKHEAD AREA 1441 O xfo rd R oad, N .E. (Em ory) 373-9279 292 East Paces Ferry Rd., N.E. 237-9160 5364 New Peachtree Rd., (Chamblee) 457-9137 3390 Peachtree Rd. (Lenox Towers Bldg.) 261-9952 109 W. Ponce de Leon, (Decatur) 373-9301 N.E. Expressway, (Landmark Office Park) 634-9129 GA. TECH AREA 258 North Avenue, N.W. (Tech) 876-9293 14 North Avenue, N.E. 872-9201 DOWNTOWN 64 3rd St., N.W. (Just Outside the Tunnel) 872-9117 41 Exchange Place, (Georgia State) 523-9680 330 Peachtree Street, N.E., (Downtown) 524-9638 SIX FLAGS — FULTON INDUSTRIAL AREA 12 Auburn Avenue, N.E. 523-9689 4486 Commerce Dr., S.W. (Atl.TradeCen.) 691-6592 71 Walton St., (Behind Old Post Office) 577-9883 PIEDMONT— MONROE AREA 357 Armour Drice, N.E. 876-9471 PERSHING POINT - BROOKWOOD 1422 W. Peachtree Street, N.E. 876-9142 ATHENS 1800 Peachtree St., N.E. (Next Coach&Six) 355-0499 The U. of Ga. campus surrounds us at 1401 Peachtree St., N.E. (Pershing Point) 892-7974 984 S. Lumpkin 549-5276 841 Peachtree St., N.E. 872-9275 297 E. Broad (Downtown) 548-9159 ATLANTA Subscription Concerts Thursday, Friday, Saturday evenings 8:30 SYMPHONY September 24, 25 and 26, 1970 ORCHESTRA ROBERT SHAW, conducting ROBERT SHAW Assisting Artists: Music Director JULIE GRIFFETH, soprano and Conductor FLORENCE KOPLEFF, contralto DAVID OGG, tenor PETER HARROWER, bass-baritone ATLANTA SYMPHONY CHORUS, Donald Neuen, Director

In grateful remembrance of George Szell (1897-1970)

PROGRAM

BRAHMS Tragic Overture, Op. 81

SCHUMAN To Thee Old Cause (Evocation for Oboe, Brass, Timpani, Piano and Strings) Solo Oboe: Joseph Robinson

INTERMISSION

BEETHOVEN Symphony No. 9 in D Minor, Op. 125, with Final Chorus on Schiller’s “Ode to Joy” I. Allegro ma non troppo, un poco maestoso II. Molto vivace. Presto III. Adagio molto e cantabile. Andante moderato IV. Allegro assai

The use of recording devices and cameras during concerts is strictly prohibited.

The Atlanta Symphony Orchestra is a member of the American Symphony Orchestra League PROGRAM NOTES BY JOHN SCHNEIDER Music Department, Georgia State University Tragic Overture, Op. 81 work was also Mr. Schuman’s fulfill­ Johannes Brahm s (1833-1897) ment of a commission by the New York Philharmonic in celebratiton of the or­ Johannes Brahms, the master Roman­ chestra’s 125th anniversary season. The ticist of the late nineteenth century, left music was first performed by the New comparatively little orchestral music for York Philharmonic on October 3, 1968, a composer of his stature. Four sympho­ having been written during the previous nies, the two concert overtures, a set of summer. variations, and two serenades comprise the total list of original orchestral works. To Thee Old Cause is a one-movement Although Brahms apparently chose to piece of shifting moods and tempi, high­ forego quantitative achievement here, he lighted by the beautiful and often plain­ in no way relinquished his habitual high tive role of the solo oboe. Mr. Schuman standards, for in its own way, each of turned to lines from Walt Whitman’s the orchestral compositions is a master­ Leaves of Grass for a preamble to his piece. score: Brahms liked to write works in pairs. To Thee Old Cause! We find instances of this throughout his Thou peerless, passionate, good cause, long list of instrumental and vocal writ­ Thou stern, remorseless, sweet idea, ings, but perhaps nowhere is the habit Deathless throughout the ages, races, more clearly demonstrated than with the lands, two concert overtures written in 1880. Brahms wrote his famous Academic Fes­ Thou seething principle! tival Overture in appreciation for the The work is scored for solo oboe, honorary degree conferred upon him by four horns, three trumpets, three trom­ Breslau University. Even while working bones, tuba, tympani, piano and five- on that spirited and energetic piece, his part string choir. mind was also busy with the Tragic Overture, a piece of totally different con­ cept from its chronological twin. As the Symphony No. 9 in D Minor, Op. 125 composer explained to his publisher: “I Ludw ig van-Beethoven (1770-1827) could not refuse my melancholy nature the satisfaction of composing an over­ Writing program notes for any great ture for a tragedy.” And to a friend, piece of music is a task to be approach­ Brahms described the contrasting over­ ed with misgivings and humility. Indeed, tures in this way: ‘‘One of them weeps, no other approach is possible if one re­ the other laughs.” calls the view of a certain great compos­ er who once said: “If what I want to say The overture that “weeps” is the can be expressed in words, I shall write Tragic, but there is no specific program a book of a play instead!” Or, worse, in involved. The mood moves from melan­ the case of Beethoven’s Ninth Sym­ cholia to tenderness, passing through a phony, the blistering comment of no little march tune before closing with a less a musician than Claude Debussy forceful statement of the opening subject. comes to mind: “The Choral Symphony has been enveloped in a fog of high- sounding talk and epithets. It and the To Thee Old Cause celebrated smile of Mona Lisa . . . are W illiam Schuman (1910- ) the two masterpieces that have generated the greatest amount of foolish talk; one The distinguished American composer is astonished that the symphony has not William Schuman wrote To Thee Old remained buried under the mass of prose Cause as a result of being profoundly af­ it has called forth.” fected by the deaths of Dr. Martin Lu­ ther King, Jr., and Robert Kennedy. The So we gulp and go on. Few would deny that Beethoven, in iately after the first movement. He was his last symphony, reached the highest wise to do so,' for its energetic and at peak of creative musical artistry to times even demonic pace would be a which man may hope to aspire. And yet disturbing element after the sublime the composer himself had his own serenity of the slow movement. As it is, doubts about the work. In particular, the ear and the mind welcome the ra­ the record tells us that Beethoven was diant beauty of the long, singing lines of not sure he had been right in bringing the adagio movement. in a chorus and vocal soloists for the finale, that perhaps he should have re­ Magnificent as the first three move­ written the ending for instruments alone! ments of the symphony are, it is still the Fortunately for the world, these self­ finale that does more than anything to doubts were only passing, for it is vir­ set the work apart from Beethoven’s tually impossible to mention this great other symphonies. The German poet masterpiece without thinking of the over­ Friedrich Von Schiller wrote his Ode to whelming effect of the vocal writing in Joy in 1875, when Beethoven was fifteen the closing chorus. years old. The poem immediately be­ came a favorite of the young musician, Beethoven was in the last years of and although he resolved at that early his life when the symphony was com­ age to set Schiller’s words to music pleted. Ideas for the work had been in someday, it was nearly forty years be­ his mind for many years. Bits of themes fore he finally did so. Beethoven did not and melodies, most of them rejected but use the entire poem in the final chorus, some retained and reworked, went and spent much time haggling with him­ through his mind and down onto the self over which verses to use and what paper of the final score. The symphony order to put them in for the vocal set­ settled itself in his mind while he began ting. Another problem which bothered and completed a number of other great him was how to lead into the vocal pas­ works, including all of the so-called late sages from the purely instrumental open­ piano sonatas. The Ninth Symphony is ing of the movement. His biographer separated from the Eighth by about Anton Schindler tells of Beethoven pac­ eleven years. ing up and down his room trying to figure it out, and finally exclamiing: The years between the two last sym­ “I’ve got it! I’ve got it!” What he had phonies were turbulent ones for Beetho­ was a line of his own — Let us sing the ven. Violently unhappy much of the song of the immortal Schiller — to be time because of his worsening deafness, followed by the opening lines of the involved in lawsuits of one kind or an­ poem. In the composer’s true manner, other, including one with his sister-in- the words were changed no sooner than law over the custody of his nephew, they were written down, but the idea it­ quarreling with friends and business asso­ self was retained in the final score. As ciates, Beethoven found his only solace sung by the baritone soloist in direct in pursuing his creative drives. He said answer to an unlovely clamor from the as much in a letter to a friend: “I have orchestra, the line reads: O Freunde, no friend, and am alone in the world.” nicht diese Tone! Sondern lasst uns an- If it is true that grief sharpens the un­ genehmere anstimmen und freudenvol- derstanding and strengthens the soul lere! (Oh, Friends, not these tones! Let (words of Franz Schubert), then the us raise our voices in more pleasing and richness and power of the first move­ more joyful sounds!) The solo voice ment alone of the Ninth Symphony af­ continues with Schiller’s words, and the firms the despondence that had become other soloists and the chorus eventually a way of life for the great man. join in.

For the only time in his symphonic The first performance of the sym­ career, Beethoven chose to place the tra­ phony took place on May 7, 1824 in ditional third-movement scherzo immed­ Vienna, at a concert given by Beethoven himself in compliance with a request indicate the proper tempi for each move­ addressed to him by all the principal ment. musicians of the city. Beethoven’s deaf­ ness was total by this time, although he Here is the Schiller text as Beethoven took his place beside the conductor to used it:

B a r i t o n e s o l o , q u a r t e t , a n d c h o r u s

Freude, schdner Gotterfunken, Joy, fair spark of the gods, Tochter aits Elysium, Daughter of Elysium, Wir betreten feuertrunken, Impassioned by that holy fire, Himmlische, dein Heiligtum. We come to thy sanctuary. Deine Zauber binden wieder, Thy magic reunites those Was die Mode streng geteilt, Estranged by custom’s laws; Alle Menschen werden Brtider All men become brothers, Wo dein sanfter Fliigel weilt. Where thy gentle wings are spread. Wem der grosse Wurf gelungen, He who has conquered that highest peak, Eines Freundes Freund zu sein, Both of being and having a friend, Wer ein holdes Weib errungen, Or has wooed and won a lovely wife, Mische seinen Jubel ein! Let him join in our Jubilee! Ja, wer auch nur eine Seele Yes, he too who on this earthly sphere Sein nennt auf dem Erdenrund! Can call even one heart his own! Und wer’s nie gekonnt, der stehle But let him who can none of these Weinend sich aus diesem Bund! Steal away alone in tears. Freude trinken alle Wesen All creatures drink joy An den Brits ten der Natur, From Mother Nature’s breast, Alle Guten, alle Bosen, All that is good, all that is evil, Folgen ihrer Rosenspur. Follow her rosy quest. Kiisse gab sie uns und Reben, Kisses and wine she gave us, Eincn Freund, gepriift mi Tod; A friend, true unto death; Wollust ward dem Wurm gegeben, Even the worm knows the joy of life, Und der Cherub steht vor Gott. And the cherub stands with God!

T e n o r s o l o a n d c h o r u s

Froh, wie seine Sonnen fliegen Joyously, as His suns speed Durch des Himmels pracht’gen Plan Through the mighty order of Heaven, Laufet, Briider, eure Bahn, Forward, Brothers, on your way, Freudig, wie ein Held zum Siegen. Joyful, like a conquering hero. Freude, schdner Gotterfunken, Joy, fair spark of the gods, Tochter aus Elysium, Daughter of Elysium, Wir betreten feuertrunken, Impassioned by that holy fire, Himmlische, dein Heiligtum! We come to thy sanctuary. Deine Zauber binden wieder, Thy magic reunites those Was die Mode streng geteilt; Estranged by custom’s laws; Alle Menschen Werden Briider, All men become brothers, Wo dein sanfter Fliigel weilt. Where thy gentle wings are spread. Seid umschlungen, Millionen! Be embraced, ye Millions! Diesen Kuss der ganzen Welt! A kiss to you from all the world! Briider, iiberm Sternenzelt Brothers, beyond the starry firmament Muss ein lieber Vater wohnen. A loving father surely dwells. Ihr stiirzt nieder, Millionen? Bowing down, all ye Millions? Ahnest du den Schopfer, Welt? Seeking your Creator thus, oh World? Such’ ihn iiberm Sternenzelt! Rather look across the heavens! Uber Sternen muss er wohnen. Surely beyond the stars he dwells. JULIE GRIFFETH is a native Atlantan DAVID OGG was born in Houston, whose various musical and theatrical Texas. His early musical training took roles have led her to many places. For place at North Texas State University, several years she appearerd as solo danc­ where he was tenor soloist with the er with the Atlanta Civic Ballet and oth­ school’s A Capella Choir. Since moving er companies in New England. She has to Atlanta, Mr. Ogg has sung with also been featured in a number of plays, the Atlanta Choral Guild and director television shows and musical revues, Robert Shaw’s Atlanta Symphony Cham­ some of which have taken her as far ber Chorus. At present, he is a student of as Caracas, Venezuela. Following thir­ Elena Nikolaidi at Florida State Univer­ teen years of piano study, Miss Griffeth sity, where he is completing require­ began working toward a singing career. ments for a master’s degree in voice. He As a result, she has appeared in leading recently sang the role of Padrillo in a operatic roles in local Atlanta produc­ production of Mozart's Abduction from tions and in Salzburg, during periods of the Seraglio in Tallahassee. In August summer study. A former member of the 1967 Mr. Ogg, who was in Daytona as a Atlanta Symphony Chamber Chorus, dis­ member of the Atlanta Choral Guild, trict winner of the 1968 Metropolitan was called upon at the last minute to Opera auditions, and soprano soloist at substitute for the tenor soloist in the the Druid Hills Presbyterian Church, this Beethoven Ninth Symphony with the is Miss Griffeth’s second appearance as London Symphony Orchestra. For sev­ soloist with the Atlanta Symphony Or­ eral years soloist at the Peachtree Pres­ chestra. byterian Church, this is the first of Mr. Ogg’s two solo appearances scheduled with the Atlanta Symphony Orchestra this season.

FLORENCE KOPLEFF, a New Yorker by birth and entirely American trained, PETER HARROWER, also a native At­ began her career with the Robert Shaw lantan, is well known for his multifaceted Collegiate Chorale. When that group be­ career as a professional singer. Operatic came the famous Robert Shaw Chorale, performances have taken him from the Miss Kopleff was contralto soloist in opera houses of Rome and Vienna, to most of the group’s performances those of Chicago, San Francisco, Balti­ throughout the United States, South more, Houston, Cincinnati and Santa Fe. America and Europe, and on the RCA In oratorio and solo recital, Mr. Har- Victor recordings. She has appeared as rower is as much at home as he is on soloist with most of the major symphony the operatic stage. He has appeared as orchestras in this country, and has head­ soloist with the Philadelphia, Cleveland ed performances with the nation’s fore­ and Chicago orchestras, among others. most choral societies. Beginning her third Mr. Harrower’s engagements this season, season as Associate Professor of Voice in addition to the several scheduled with at Georgia State University, Miss Kop­ the Atlanta Symphony Orchestra, include leff has garnered an incredible collection return dates with the Toronto Symphony, of rave notices wherever she has sung. and in this bicentennial year of Beetho­ Following her Town Hall debut in New ven’s birth, a series of performances of York, she was hailed as “a fabulous con­ the Ninth Symphony with various or­ tralto who sings with an effortlessness chestras. that is virtually scandalous.” In addition When he is not fulfilling singing en­ to these performances, Miss Kopleff will gagements, Mr. Harrower teaches at appear in two subsequent programs of Georgia State University here in Atlanta, the subscription series this season. where he is artist-in-residence. I SOPRANO I ALTO II ALTO Esther Andrews Nancy Baker Mary J. Abernathy Corrine Branley Katherine Becraft Sarah J. Baird e Jacqueline Brown Rita Bissell Janet Barstow Jean Brown Rita Black Norma Chambers Sandra Burroughs Carolyn Brooks Alice Cordes Margaret Chester Barbara Buckner Winnie Daniell c Nancy Elaine Childs Anne Carlyon Kate Foster A tla n ta Lois Coplan Patricia Glenn Helen Couch Dolores Coursey Sylvia Cowan Emily Green Betty D ay Zanice Dantzler Karen Gokce S y m p h o n y JoAnn Dutton Martha Deadmore Elise Goode Virginia Edwards Elaine Ferguson Martha Hall Grace Ellis Mayrec Fourman Myra Harris Edna Fairchild Victoria Greene E lm a H ill Gloria Garrett Sunny Harris Grace Huff (sh o Juliette Hester JoAnn Hunsinger Ann Johnson Elizabeth Hill Mary Ketchey Sara Lawrence Carole Hooks Audrey Ligler Valerie Love Becky McLemore Dorothea Martin Wanda Lynn Donald Neuen Marilyn McLeod Ann Montgomery Judy McCoy D ire cto r June Martin Suzanne Munn Louise Otto Martha Mayfield Judy O’Reilly Nan Powell Anne Patterson Fran Orowski Sandy Pricher Constance Post Su e R ile y Jean Somerlot Anne Peacock Thellie Reece Judith Reiman Betty Sharpe Rehearsal Accompanist Ruth Roberts Sybil Richardson Edith Skinner Jane Roughton Sharon Stacy Joyce Smith Katherine Thoreson Laryssa Temple Margo Smith Carol Thurman Bobbie Wilkerson Ann Spillane Sarah Tipton Mary Tewell Virginia Walter Stephanie Walsh Janet Weaver Ada Weaver Shirley Whitmore BASSES Sue Williams Julie Young Paul Aland Hiroko Yamashita Edward Blazer Mary Yarbrough John Brooks Ju d y Youn g Frank Boggs II SOPRANO James Burton Eileen Avery Charles Claiborne I & II TENOR Carla Butler John Cooledge Linda Clopton Philip Cordes William Austin Gladys Cobble Robert Edge Richard Baird Carolyn Covington Alan Ehrlich Paul Baker Barbara Crews Lee Edwards John Beebe William Eisenhauer Ann C u lp Robert Brendsel Gerri Davis Donald Farrell John Broshar Mary Ann Dilworth Joseph Freeman Jimmy Brown James Gribble Nancy Douglass Michael Chalker Angel Guardiola Maurine Dugger Bill Childers Scott Hawes Gail Eastburn Charles Cottingham Jarvis Hill Nancy English Carlo Curley Dudley Hinds Joe Daniell JoBeth Garrison Ronald Holland JoAnne Graham Jim Draper Robert Hudgens Calyton Farnham Jane Grinstead John Hunsinger Angelo Foster Ana Guardiola David L. Johnson Richard Gilchrist Susan Haigler Charles Kuhlman Charles Gillespie Hannah Holleman David Loehr Barbara Hornet Steve McBride Wallace Gragg Sherry Irvin James McLeod John Greene Marti King Louis McLeod Wayne Grinstead Rebekah Kinsey Wallace McLeod D ick H all Laurie Knapp Eugene Martin Kenneth Harris Ellen Looney Charles Melville John B. Holcombe Betty McBride Douglas Moore Nicholas Jones Lydia McVay Robert O’Reilly James Jordan Barbara Melville Jim P ric e Tranas Long Olivia Pentecost G. E. Plunkett James Manning Pauline Shields Dwight Porter Ron Markette Jacqueline Smythe Bob Ramsey Walter Mayfield Sharon Stacy Herman Ramsey N o land Phyllis Strobel Henry Rhodes Lawrence Phillips Ann Taylor David Rife Stephen Reed Jean Wheeler Morris Roberts Alvin Ricks Janice Williams James Robinson James Riley Karen Williams Edward Rosendahl Dennis Samchok Sue Williams Ralph Roughton Bradley Stewart Roger Schmidt Burton Trimble Tom Schwartz William Turner John Simon Bill Wells Kendric Smith William Whipple Don Stoner Karl Swenson Neil Williams Roderick Williams John Zachry jJie ^Atlanta SymphonyOrchestra

ROBERT SHAW Music Director and Conductor

FIRST VIOLIN BASSES FRENCH HORNS Martin Sauser Raymond Wood John Henigbaum Concertmaster Co-Principal P rin c ip a l Robert Harrison Jane Little Elwood White Assistant Concertmaster Co-Principal Jeanne Andrus Willard Shull Ralph Jones Brice Andrus Assistant Concertmaster Dale Schmidt Christopher Scheufler David Arenz Randolph Ujcich Benjamin Picone Thomas Thoreson TRUMPETS Patricio Salvatierra Lyn DeRamus Jo h n Head Jacqueline Anderson Michael Kenady P rin c ip a l Barbara Beck Joseph Walthall Frank Walton FLUTES William Rusconi Larry Black Warren Little Martha Reaves P rin c ip a l TROMBONES Susan Pitard Vendla Koljonen Harry Maddox Shalom Ben-Uri Assistant Principal Kathryn Foutz P rin c ip a l Ernestine Whitman Robert Brown Richard Hansbery Benson Prichard Mary Kay Robinson Donald Wells PICCOLO SECOND VIOLIN BASS TROMBONE Benson Prichard John Adams Donald Wells P rin c ip a l OBOES Dennis Cleveland TUBA Joseph Robinson Assistant Principal Michael Moore Anita Cahoon P rin c ip a l Alice Oglesby David Weber TIMPANI Assistant Principal Ronda Respess Eugene Rehm Kathleen Byrd Sandra Arenz Patrick McFarland P rin c ip a l Richard Robinson J a c k B e ll Frances Henrickson Assistant Principal Leslie Clark ENGLISH HORN Patrick McFarland Edward Scruggs PERCUSSION Mary Lupton Max Langley CLARINETS J a c k B e ll P rin c ip a l Stephen Horvath Alan Balter William Wilder Harry Robkin P rin c ip a l Norman Baker HARP VIOLAS Associate Principal Robert Jones Robert Wingert Judy Beattie P rin c ip a l Douglas Smith Mark Childs KEYBOARD Assistant Principal BASS CLARINET Michael Palmer David Becker Douglas Smith Enid Jones PERSONNEL MANAGER Peter Bertolino E-FLAT CLARINET Martin Sauser David George Norman Baker Robert Parcells LIBRARIAN Ardath Cohen BASSOONS Haskell Marrinson Stephen Horvath July Gienow Russell Bedford P rin c ip a l ASSISTANT LIBRARIAN CELLOS Daniel Dowdakin Frank Walton Assistant Principal Donovan Schumacher Lynette Diers MASTER ELECTRICIAN P rin c ip a l Robert Spradlin Edmond Basson CONTRA BASSOON Assistant Principal Jere Flint Daniel Dowdakin STAGE MANAGER Richard Naill Michael Destazio Karen Andrie Paul Warner Kay Gardner Bonita Potts Bruce Klingbeil Eleanor Hodges A home for art or for m usic... for entertaining... or active family living. Whatever is "you” , Haverty’s can help express that individual taste. Environ­ ment planners, instead of salesmen, our staff is fully trained to know color, style, fabrics— and have the finest furniture manufac­ turers to work with. Naturally, there’s no charge for this decorating service or for the many other extras at Haverty's. After all, that’s what full-service means.

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A historic adventure awaits you in the cobblestone alleyways and gaslit streets of Underground Atlanta. Here, a century of history is being restored. Each restaurant, shop and saloon is a unique reflection of Old Atlanta-the newest form of entertainment in Atlanta today.

UNDERGROUND ATLANTA L”j (H unter St. and Central Ave.) Visual Art

High Museum hours: Mon. thru Sat., 10:00 to 5:00; Sun., 12 noon to 5:00; Thurs. evenings til 10:00

THROUGH SUNDAY, NOVEMBER 1

Lamar Dodd: A Retrospective Exhibition. H M . P a in t­ ings and drawings by Georgia’s most distinguished artist. Organized by the High Museum and U. of G e o rg ia .

THROUGH SUNDAY, NOVEMBER 15

Georgia Collects: American Silver 1780-1870. H.M. Over 500 pieces of American silver with 50 Georgia silversmiths represented. McBurney Decorative Arts G a lle ry .

WED. THRU SAT., SEPT. 30 THRU OCT. 3

High Museum Antiques Show, Wed. thru Fri. noon to 10:00; Sat. 10:00 to 4:00. Merchandise Mart. Collection includes fine furniture, porcelain, rugs, paintings, prints, decorative objects. Admission: $2.50 per person.

CONTINUING, 1970-71

Shapes: Adventure and Discovery. Junior Activities Center. New exhibit aimed at giving young people W e’re in show business. a chance to experience how shapes affect space. Catch our latest hit. Explanations also in Braille. Theatre Bailey Banks & Biddle World Renowned Jewelers Since 1832 WEDNESDAYS & THURSDAYS 181 Peachtree Street NE • Atlanta O CTO B ER 21 & 22; 28 & 29 Greenbriar* South DeKalb Treasure Island, 10:30 & 1:00, AT. Atlanta Chil­ dren’s Theatre, Charles L. Doughty, Director. Spine- tingling adventures of pirates and rogues, based on the book by Robert Louis Stevenson.

FRIDAY, OCTOBER 23

Will Rogers’ U.S.A., 8:30, SH. Famous Artists pre­ sents James Whitmore in a show based on the homespun wit of the famous humorist. mm THURSDAYS, FRIDAYS, SATURDAYS CORKER O CTO B ER 22, 23, 24 & 29, 30, 31 Simply Dear Friends, 8:30, ST. Study of marital turbu­ lence involving four couples at a cocktail party. Wonderful Theatre Atlanta Off Peachtree.

SATU RD AYS, O CTO B ER 24 & 31 Sportswear

Treasure Island, 2:30, AT. Atlanta Children’s Th eatre. BUCKHEAD-LENOX SQUARE DOWNTOWN DECATUR SUNDAYS, OCTOBER 25 & NOVEMBER 1 NO. DEKALB CENTER SO. DEKALB MALL Dear Friends, 7:30, ST. Theatre Atlanta Off P e ach tre e . Films

FRIDAY & SATURDAY, OCTOBER 9 & 10 t f r o t t ’a i S j r a i i The Kinetic Art Film Series, 7:30 & 9:30, HA. Experimental, animated, pop, dramatic and docu­ mentary short films from all over the world. Pro­ gram 1. High Museum members & students, $1; Atlanta's famous Pub, savor a traditional non-members, $2. English meal. Join us for Lunch, an FRIDAY & SATURDAY, OCTOBER 16 & 17 evenings dining or a nightcap after the The Kinetic Art Film Series, 7:30 & 9:30, HA. Concert. Pro gram 2.

SATURDAY, OCTOBER 17

Hans Christian Anderson, 10:30 & 2:00, HA. High Museum Children’s Film Series. Members only. 1915 fJm tytm A t Qlollirr iRoab THURSDAY, OCTOBER 22

The Skin of Our Teeth, Civilization Film Series. 10:30 a.m., 7:15 & 9:00, HA. The Early Middle Ages, narrated by Sir Kenneth Clark. High Museum members & students, 750; non-members, $1;

FRIDAY & SATURDAY, OCTOBER 23 & 24

The Kinetic Art Film Series, 7:30 & 9:30, HA. P ro gram 3.

THURSDAY, OCTOBER 29

Compliments of The Great Thaw, Civilization Film Series. 10:30 a.m., 7:15 & 9:00, HA. The Renaissance of the 12th Century, narrated by Sir Kenneth Clark. Lectures NATIONAL FRIDAY, OCTOBER 2 Wellesley Decorative Arts Forum, HA. 10:15 a.m.: “American Silver: 1780-1870,” Graham Hood, De­ troit Institute of Art; 12 noon: “John Adams - DISTRIBUTING CO., INC. Thomas Jefferson: the Best of Two Worlds,” Wen­ d e ll D. G arrett, Antiques Magazine. Admission: $10.

TUESDAY, OCTOBER 13

Lamar Dodd, speaker. 10:30 a.m., HA. Museum Members Guild Art World Speaker Series. (Free)

Georgia's NOVEMBER AT THE CENTER Stone Mountain: Concerts two wonders in one. SUNDAY, NOVEMBER 1 Atlanta Symphony, 3:00, SH. Same program as The mountain itself—a natural October 29 & 30. See October at the Center. wonder. The colossal carving on its side—a man-made wonder. And in THURS., FRI. & SAT., NOV. 12, 13 & 14 the 3,800-acre park surrounding it Atlanta Symphony, 8:30, SH. Series A,B,C & E. the fascination of museums, carillon Simon Sadoff, Guest Conductor. The Atlanta Ballet, concerts, historic tours, and quiet Robert Barnett, Director. Repertoire program: Schu­ beauty. Open year 'round. bert, Joseph Suk, Pergolesi, J. C. Bach, Eduard ( ) H elsted . SUNDAY, NOVEMBER 15

Chamber Concert, 3:30, SH. Members of the At­ lanta Symphony.

THURSDAY & FRIDAY, NOVEMBER 19 & 20

Atlanta Symphony, 8:30, SH. Series A, B, C & D. Michael Palmer, Conducting. Barry Snyder, Pianist. Program: Haydn, Samuel Barber and Mendelssohn.

SATURDAY, NOVEMBER 21

Chamber Concert, 8:00, SH. Members of the At­ lanta Symphony. Visual Art

NOVEMBER 15 THRU JANUARY 3

Giacometti, special exhibition. HM. Organized by the Milwaukee Art Center. Theatre

WEDNESDAYS & THURSDAYS NOV. 4, 5; 11, 12; 18, 19 Serving Metropolitan Atlanta’s Growth Needs Since 1946 Treasure Island, 10:30 & 1:00, AT. Atlanta Chil- dren’s Theatre.

SATURDAYS, NOVEM BER 7, 14 & 21

Treasure Island, 2:30, AT. Atlanta Children's REALTORS Theatre. MORTGAGE BANKERS Dance INSURANCE FRIDAY, NOVEMBER 6

Jose Molina and Bailes Espanoles, 8:30, SH. Fa­ LAND DEVELOPMENT mous Artists presents this handsome and talented ballet compny. INVESTMENTS SATURDAY, NOVEMBER 14

Atlanta Ballet, 2:30, SH. Robert Barnett, Director. Atlanta Symphony, Simon Sadoff, Guest Director. Repertoire program: Schubert, Joseph Suk, Per- golesi, J.C. Bach, Eduard Helsted. (Also, Nov. 12, 13, 14 at 8:30, SH.) Films ROY D. WARREN COMPANY, INC.

THURSDAY, NOVEMBER 5

Romance and Reality, Civilization Film Series. 10:30 a.m., 7:15 & 9:00, HA. SUITE 2535 100 PEACHTREE STREET, NW THURSDAY, NOVEMBER 12 ATLANTA, 30301 / 577-9500 Man - the Measure of All Things, Civilization Film Series. 10:30 a.m., 7:15 & 9:00, HA.

THURSDAY, NOVEMBER 19

The Hero As Artist, Civilization Film Series. 10:30 a.m., 7:15 & 9:00, HA. Lectures MONDAY, NOVEMBER 9 The Finest in Jacques Barzun, 8:00 p.m., "Columbia in Atlanta" Men’s Clothing sponsored by the High Museum and Columbia Uni­ versity. At the Regency Hyatt-House Hotel. Miscellaneous Behind the FRIDAY & SATURDAY, NOVEMBER 13 & 14 Sculpture 1971 Atlanta Junior Miss Pageant, 8:30, AT. Peachtree Center

IN AND AROUND ATLANTA All listings are based on information supplied by contributing organizations. This calendar is offered as a community service and is believed to be correct at time of printing. Montag & Caldwell INCORPORATED Galleries INVESTMENT COUNSEL creative money management for the substantial investor Allison Art Acres Gallery and School of Art— 3940 2901 First National Bank Tower North Peachtree Rd., Chamblee, ' 457-3080. Paint­ ings in all media: Jean W. Allison. Special show: A tlanta, Georgia 30303 / 404-522-0210 ink manipulations. Mon-Sat 10-5, Tues & Wed 7-9.

Barclay Gallery Ltd.— 3500 Peachtree Rd., Phipps Plaza, 233-8712. Special show: Leonard Baskin, Etchings, woodcuts, lithographs, sculpture, 10/19 thru 11/7. Mon-Sat 10-5:30, Thurs till 9:30. t

Donald J. Brundage—2941 Redding Rd., N.E., 237-8632. Featuring downtown Atlanta scenes, pre- 1900; also Civil War scenes, old maps. Mon-Fri 9-4, Sat by appt.

Casey’s Fine Art Gallery (formerly Schertle Gal­ leries)— 250 Peachtree St. N.W., 577-5450. Paint­ ings by Robert Meredith and Muin Kakish, thru 10/31. Continuing: antique paintings by Edward Holder, Robert Macbeth, Albert Tayler, Johann Thill. Mon-Sat 11-6 & by appt.

Decatur Art Center— 113 Trinity Place, Decatur, 378- 6441. Works of the Jack Smith family, Monroe: still lifes, portraits, Arabian horses, glass mosaics, INTERIORS ANTIQUES graphics, paintings, thru 10/16. Mon-Thurs 10-5, Fri 10-1, Sat & Sun by appt.

Gallerie lllien— 123 14th St. N.E., 874-7268. Paint­ ings by Vincencia Blount, thru 10/11. Sculpture by Ike Hay, 10/11 thru 11/1. Mon-Fri 11-6, Sat & ^ Kdolpk-Sfm di, Su n 1-6. The Golden Easel Gallery— Underground Atlanta, 83 Lloyd N.W., 577-3669. Drawings, paintings, 279 EAST PACES FERRY ROAD, N. E. sculpture, pottery, portraiture. Also, works by At­ lanta painter Rosie Clark and ceramist Jack 233-1179 Mason, thru Oct. Mon-Sat 11-11.

The Ann Jacob Gallery— 442 E. Paces Ferry Rd. N.E., 266-0526. One-man show: drawings, oils, sculpture by Jim McRae. Mon-Sat 11-6, Fri til 8, Su n 1-6.

Midtown Gallery— 798 Peachtree St. N.E., 876-5152. Sculpture by Willi Gutmann, opening 10/4. Mr. Gutmann will attend this showing. Several of his works are at Peachtree Center. Tues-Sat 11-4, Sun 2-5 & by appt.

Eugene O ’Karma, Inc.— 1050 Spring St. N.W., 874- Atlanta, Georgia 30305 9461. Special exhibit of brass rubbings from mid- dle-England cathedrals by M.J. Pepper, age 13. WILLIAM E. RUDOLPH A.I.D. Mon-Fri 8:30-5, Sat 9-4:30. Picture House, Inc.— 1109 W. Peachtree St. N.E., 875-9341. Largest selection of prints in the South­ east; original graphics by Miro, Chagall, Friedland - er, Leaf, Dali, Dorothy Bowman, others. Mon-Fri 8:30-5:30, Sat 9:30-4. GOODMAN R J K Arts and Crafts— 465 E. Paces Ferry Rd. N.E., 237-5112. Landscapes by Durel Smith, Columbus; steel and aluminum sculpture by Mike Bucha, At­ lanta, thru 10/25. Crafts: Gunilla Luiga, Ryarugs and creative stitchery; Maxine Aycock, batiks; Bill Aycock, pottery. Tues-Sat 12-6, Sun 3-6.

S & W Galleries, Inc.— 3889 Buford Highway N.E., 631-4701. Original prints by Cassatt, Dali, Picasso , Friedlander, Minaus, Tomao, others. Also photo­ graphic reproductions; oils by regional artists Pat Shotanus and Dale Rayburn. Mon-Sat 10-6, Mon & T h u rs til 9.

The Swan Coach House Gallery— 3130 S la to n Dr. N.W., 261-0224. Continuing exhibition of works by invited Georgia artists. Mon-Sat 10-4.

Willens Galleries— 349 Peachtree Hills Ave. N.E., 237-2991. Imported oils. Special low-budget gallery. Mon-Sun 11-4. Special Exhibitions

Golden Isles Art Festival— St. Simon’s Island, spon­ sored by Glynn Art Assoc. 10/3 & 10/4.

Plum Nelly Clothesline Art Show— Lookout Mt., 10/3 & 10/4, 9-6. At New Salem on State Hwy. 143 between Trenton and LaFayette.

Unitarian Universalist Fine Arts Association— 1911 Cliff Valley Way, N.E., 634-5134. Silkscreen prints by Barbara Brozik, thru 10/4. Exhibit is held courtesy of Gallerie lllien.

U.S. Penitentiary in Atlanta— 601 McDonough Blvd. S.E., 622-6241. Exhibition of 1000 paintings by 50 prisoners, 10/17 & 10/18. All works for sale. The Officers Training Bldg. T h e a tre

GIT— Humorous but sometimes frightening play concerning a student strike, using encounter tech­ nique. 8:30, Thurs, Fri, Sat thru 10/10. Academy Theatre, 3213 Roswell Rd. N.E. (233-9481) PINKERTON & LAWS America the Beautiful— Original play seeks answers BUILDS THL to critical problems facing society and the respon­ sibilities of free men. 8:30, Thurs, Fri, Sat thru REMEMBER 10/10. Academy Theatre.

The Homecoming— Harold Pinter’s play dealing with the innermost urges and passions of men’s THE PINKERTON & LAWS COMPANY minds. 8:30, Thurs, Fri, Sat. 10/22 thru 12/19. Academy Theatre. Member Associated General Contractors of America 2045 Peachtree Rd. / Atlanta / 351-6400 Mary, Mary—A whimsically gay comedy about a nice couple saved from a silly divorce— by the Bureau of Internal Revenue! Dinner 7:00, perform­ ance 8:30 thru 10/4. Barn Dinner Theater, 1690 Terrell Mill Rd. S.E., Marietta. (436-6262)

The Paisley Convertible— Dinner 7:00, performance 8:30. 10/7 thru 11/1. Barn Dinner Theater.

Never Too Late— A comedy-farce about a middle- aged couple who suddenly find they’re to become parents again. Cocktails 6:30, dinner 7:30, per­ formance 9, thru 10/18. Tally-Ho Dinner Theater, 6521 Roswell Rd. N.E. (252-3820)

Sunday in New York— Comedy about a young girl, a weekend . . . and New York. Cocktails 6:30, dinner 7:30, performance 9. Tally-Ho Dinner Thea­ ter. 10/20 thru 11/15. Depend on Peace Is the Answer, But What Was the Question? Cotton States Insurance — Cabaret theatre revue with the Wits End Players. At Gone With the Wits, Underground Atlanta. For for full-line protection show times and reservations, call 524-3842.

D a n ce

Ciro and His Ballet Flamenco— Spanish dance group starring Ciro, “El Formidable,” and Rose Montoya. 8:30, Civic Center, 10/16. Atlanta Music Club All Star Series (873-4071)

C o n c e rts For the best in adult

Ike and Tina Turner Revue— An evening of rock and apartment living ... pop music with dancing. 8:00, Municipal Aud. 10/22. Famous Artists Series (892-1843) BARCELONA The National Band of New Zealand and the Maori BORDEAUX Dancers— Champion brass concert band and native dancers. 8:30, Civic Center, 10/29. Atlanta Music BORDEAUX WEST Club All Star Series. (873-4071) BORDEAUX SOUTH The Supremes— Evening of pop music with famous female singing trio. 8:30, Civic Center, 10/30. Fa­ CLIFF HOUSE mous Artists Series (892-1843. LeMANS I, II, III MADRID F ilm s THE RED LION SKI LODGE Noonday Film Program— 12:15, Atlanta Public Li­ TANGLEWOOD brary, 126 Carnegie Way N.W. (522-9363) TREETOP The Mystery of Animal Behavior, 10/5. A world of extraordinary animal rituals. Nat’l Geographic. and our latest-THE ALPINE End of the Trail, 10/12. Folklore of the Plains In­ dian and impact of the Westward Movement. The Making of the President— 1968, 10/19. Docu­ GENERAL APARTMENT COMPANY mentary of the 1968 presidential election based on the book by Theodore White. 875-7246 Wild River, 10/26. Saga of the Craighead brothers and their families down one of the last wild rivers in this country. CONCERT RADIO HIGHLIGHTS

October Schedule

Special interest listings are based on schedules submitted by the stations. This maagzine relies on those schedules for accuracy of content.

WABE-FM 90.1 WGKA-FM 92.9 WOMN-AM 1390

THURSDAY 1

7:41 W O M N Prelude to Morning Copland: Con. for Clarinet and String Orch.

5:00 W A B E Music Room Brahms: Symphony No. 3

8:35 W G K A Atlanta Arts Alliance on the Air Orff: Catulli Carmina Beethoven: Symphony No. 5 in C minor

10:05 WGKA Music Under the Stars Prokofieff: The Love for Three Oranges S u ite

FRIDAY 2

7:30 W O M N Prelude to Morning Moussorgsky: A Night on bald Mountain

5:00 W A B E Music Room Liszt: Piano Sonata in B minor

8:30 W A B E Music Unlimited The Four Rachmaninoff Concertos

8:35 W G K A Atlanta Arts Alliance on the Air Schubert: Symphony No. 5 in B-flat Franck: Psych6 Serving Atlanta Business for 50 years. 10:05 WGKA Music Under the Stars Tchaikovsky: Suite No. 2 in C Now serving from our new home. SATURDAY 3

7:39 W O M N Prelude to Morning LATHEM TIME RECORDER COMPANY Tchaikovsky: Nutcracker Suite No. 1, Op. 71a 200 Selig Drive, S.W. 8:35 W G K A Concert Hall Dvorak: Sym. No. 9 in E minor (“New World”) Atlanta, Georgia 30336 10:05 WGKA Music Under the Stars Liszt: Totentanz for Piano and Orch.

• TIME RECORDERS SUNDAY 4 • TIME STAMPS 8:00 W G K A Music from Germany • WATCHMAN CLOCKS Rosetti: Concerto for French Horn 8:35 W G K A Opera House Richard Strauss: Elektra (Birgit Nilsson, Regina Resnik, Tom Krause)

representing MONDAY 5

james yarbrough 5:00 W A B E Music Room jo a n n a el I ington Mozart: Symphony No. 41 (“Jupiter”) Charles mitchell 8:30 W A B E Jazz Spectrum steffen thomas Masters of Jazz Violin wait martin arm j a c k m a s o n 8:35 W G K A Atlanta Arts Alliance on the Air Brahms: Piano Concerto No. 2 in B-flat jacob jim me ra e ja n e ly o n 10:05 WGKA Music Under the Stars gallery Gould: Interplay for Piano and Orch.

TU ESDAY 6

9:39 W O M N Early Concert 266-0526 Supp6: Poet and Peasant Overture

442 E. PACES FERRY RD., N.E. ATLANTA, GA. 5:00 W A B E Music Room Berlioz: Requiem Mass, Op. 5 7:00 W A B E Keyboard Concert Vaughan Williams: Con. for Two Pianos and O rch .

8:35 W G K A Atlanta Arts Alliance on the Air Mahler: Sym. No 6 in A minor (“Tragic”)

10:05 WGKA Opera Highlights Ponchielli: La Gioconda (Maria Callas)

WEDNESDAY 7

5:00 W A B E Music Room Schumann: Carnaval

8:00 W A B E Sounds of the Classics Soler: Concerti: No. 1 in C major; No. 2 in A minor; No. 3 in G major

8:35 W G K A Atlanta Arts Alliance on the Air Tchaikovsky: Serenade for Strings in C

9:00 W A B E BB C World Theatre Anouilh: “La Sauvage; or, Restless Heart”

10:05 WGKA Music Under the Stars Goldmark: Rustic Wedding Symphony

THURSDAY 8

9:25 W O M N Early Concert Hindemith: Educational Music, Op. 44 (No. 4)

10:08 WOMN Music of the Masters Elgar: Intro, and Allegro for Strings, Op. 47

5:00 W A B E Music Room Stravinsky: The Rite of Spring

8:35 W G K A Atlanta Arts Alliance on the Air Bizet: Symphony in C

10:05 WGKA Music Under the Stars Poulenc: Les Biches - Ballet Suite

FRIDAY 9

7:06 W O M N Prelude to Morning Handel: The Royal Fireworks Music Suite

10:00 WOMN Music of the Masters Vivaldi: Concerto in C for Piccolo, Strings and Continuo, P. 79; Mozart: Sym. No. 34 in C, K. 338 5:00 W A B E Music Room Wiggins and Company, Inc. Beethoven: Violin Con. in D major, Op. 61

8:30 W A B E Music Unlimited Handel: Alexander’s Feast, or The Power of M u sic 3838 First National Bank Building 8:35 W G K A Atlanta Arts Alliance on the Air Sibelius: Violin Con. in D minor Atlanta, Georgia 30303 10:05 WGKA Music Under the Stars Rodrigo: Concierto de Aranjuez for Guitar and O rch estra

SATURDAY 10

8:40 W O M N Early Concert Brahms: Hungarian Dances: Nos. 7-9

8:35 W G K A Concert Hall Beethoven: Piano Con. No. 5 in E-flat PLEASE REMEMBER (“Emperor”)

10:05 WKGA Music Under the Stars Respighi: The Fountains of Rome YOUR GIFT SUNDAY 11

1:05 W O M N Matinee Concert TO FIGHT A Dvorak: Carnival Overture, Op. 92 Prokofieff: Divertimento. Op. 43

8:00 W G K A Music from Germany HEART Beethoven: Twelve Minuets

8:35 W G K A Opera House Mascagni: Cavalleria Rusticana (Fiorenza Cos- DISEASE sotto, Carlo Bergonzi); Leoncavallo: I Pagliacci (Joan Carlyle, Carlo Bergonzi) MONDAY 12

9:15 W O M N Early Concert Chabrier: Espafia Khachaturian: Masquerade Suite

5:00 W A B E Music Room Ravel: Piano Con. for the Left Hand

8:30 W A B E Jazz Spectrum Jazz: The Spanish Tinge, The Afro-Latin Influence

8:35 W G K A Atlanta Arts Alliance on the Air Schumann: Sym. No. 3 in E-flat (“Rhenish”)

10:05 WGKA Music Under the Stars Tchaikovsky: Concert-Fantasy for Piano and O rch estra

TU ESDAY 13

12:31 W O M N Symphonic Matinee Saint-Saens: Con. No. 4 in C minor for Piano and Orch. Op. 44; Bruckner: Sym. No. 4 in E-flat major (“ Romantic”)

5:00 W A B E Music Room Schubert: Symphony No. 9 in C ("Great”)

7:00 W A B E Keyboard Concert Ravel: Piano Concerto for the Left Hand

8:35 W G K A Atlanta Arts Alliance on the Air Gershwin: Piano Con. in F; Ives: Sym. No. 2

10:05 WGKA Opera Highlights Puccini: La Rondine (Anna Moffo)

WEDNESDAY 14

7:44 W O M N Prelude to Morning Prokofieff: The Love for Three Oranges - Suite

5:00 W A B E Music Room R. Strauss: Thus Spake Zarathustra

8:00 W A B E Sounds of the Classics Vaughan Williams: Sym. No. 8 in D minor

8:35 W G K A Atlanta Arts Alliance on the Air Berlioz: Romeo and Juliet - Dramatic Sym. (Pt. 1)

9:00 W A B E BBC World Theatre Rattigan: “Adventure Story”

10:05 WGKA Music Under the Stars Tchaikovsky: Suite No. 4 in G, "Mozartiana”

THURSDAY 15

5:00 W A B E Music Room Grieg: Piano Concerto in A minor

8:35 W G K A Atlanta Arts Alliance on the Air Berlioz: Romeo and Juliet - Dramatic Sym. (Concl.); Stravinsky: The Firebird - Suite DeKalb 10:05 WGKA Music Under the Stars Grieg: Holberg Suite for String Orch.

FRIDAY 16

8:36 W O M N Early Concert Chamber Mendelssohn: A Midsummer Night’s Dream (Over.)

5:00 W A B E Music Room Wagner: Tristan und Isolde - Prel. & Love-Death of 8:30 W A B E Music Unlimited An Evening of Poetry and Music: Britten, Copland and Strauss

8:35 W G K A Atlanta Arts Alliance on the Air Commerce Brahms: Piano Concerto No. 1 in D minor 515 Decatur Federal Building 10:05 WGKA Music Under the Stars Tchaikovsky: Marche Slave Decatur, Georgia SATURDAY 17

8:35 W G K A Concert Hall Boccherini: Sym. in C minor; Tchaikovsky: Piano Con. No. 1 in B-flat minor 10:05 WGKA Music Under the Stars Glazounov: The Seasons - Ballet Suite

SUNDAY 18

10:14 WOMN Music of Praise Handel: Messiah, Part III

8:00 W G K A Music from Germany Danzi: Cello Concerto ATLANTA'S

8:35 W G K A Opera House Mozart: La Clemenza di Tito (Teresa Berganza, ACREAGE Lucia Popp) MONDAY 19 AGENTS 5:00 W A B E Music Room Smetana: The Moldau

8:30 W A B E Jazz Spectrum Masters of Tenor Sax

8:35 W G K A Atlanta Arts Alliance on the Air FALK REALTY Vaughan Williams: Symphony No. 3 (“Pastoral”)

10:05 WGKA Music Under the Stars Prokofieff: Cinderella - Ballet Suite

TUESDAY 20 1064 W. P e a c h t r e e St., N.W. 7:29 WOMN Prelude to Morning Specialists in investment Acreage Grieg: Peer Gynt Suite No. 1, Op. 46

5:00 WABE Music Room 876-1947 Debussy: Prelude to the Afternoon of a Faun Developers of fine lake 7:00 W A B E Keyboard Concert Weber: Con. for Piano and Orch., Op. 52 Communities 8:35 W G K A Atlanta Arts Alliance on the Air Rachmaninoff: Symphony No. 3 in A minor

10:05 WGKA Opera Highlights Donizetti: Lucia di Lammermoon (Maria Callas)

WEDNESDAY 21

5:00 W A B E Music Room Beethoven: Symphony No. 9 8:00 W A B E Sounds of the Classics The Atlanta Hindemith: Sonata (for harp)

9:00 W A B E BBC World Theatre Aristophanes: “Peace” Symphony Orchestra

8:25 W G K A Atlanta Arts Alliance on the Air Sibelius: Symphony No. 2 in D Presents

10:05 WKGA Music Under the Stars Britten: The Young Person’s Guide to the Orch. THE GENIUS OF MOZART - II CONDUCTED BY THURSDAY 22 R o r e r t S h a w 9:36 W O M N Early Concert Delius: Summer Night on the River

5:00 W A B E Music Room Featuring the Incomparable Pianist Mendelssohn: Symphony No. 3 ("Scotch”) L i l i K r a u s 8:35 W G K A Atlanta Arts Alliance on the Air Poulenc: Gloria in G for Soprano, Chorus and Orch.; Chausson: Symphony in B-flat a n d E u d ic e S h a p ir o 10:05 WGKA Music Under the Stars Respighi: The Birds a n d T h e L a S a l l e S t r in g Q u a r t e t

FRIDAY 23 Thurs., October 8 Thurs., March 25 5:00 W A B E Music Room Falla: Nights in the Gardens of Spain Thurs., December 10 Thurs., April 22 8:30 W A B E Music Unlimited Thurs., January 28 Thurs., May 20 Music of Shakespeare’s Time: Vocal & Instrumen­ tal Works of Elizabethan England

8:35 W G K A Atlanta Arts Alliance on the Air Mendelssohn: Sym. No. 5 in D minor, Call 892-2414 ("Reformation”); Debussy: La Mer for information and reservations 10:05 WGKA Music Under the Stars Stenhammar: Serenade for Orch. in F SATURDAY 24

10:10 WOMN Young People’s Concert Tchaikovsky: Capriccio Italien, Op. 45 Tchaikovsky: 1812 Overture, Op. 49

11:03 WOMN Special Program Bruckner: Symphony No. 5

8:35 W G K A Concert Hall Richard Strauss: Don Quixote Grieg: Piano Concerto in A minor

10:05 WGKA Music Under the Stars The Atlanta Franck: Sym. Variations for Piano and Orch. Children’s Theatre SUNDAY 25 8:00 W G K A Music from Germany C h a r l e s L. D o u g h t y , Director Spohr: Piano Trio No. 3 in A minor

presents 8:35 W G K A Opera Highlights Verdi: Otello (James McCracken, Gwyneth Jones, 1970-71 Season Dietrich Fischer-Dieskau)

MONDAY 26 TREASURE ISLAND Oct. 21 through Nov. 21 5:00 W A B E Music Room MacDowell: Piano Concerto No. 2

13 CLOCKS 8:30 W A B E Jazz Spectrum Jan. 6 through Feb. 6 Eighty Years of New Orleans Jazz 8:35 W G K A Atlanta Arts Alliance on the Air THE EMPEROR’S NEW CLOTHES Prokofieff: Piano Concerto No. 3 in C Mar. 17 through April 17 10:05 WGKA Music Under the Stars Chopin: Les Sylphides - Ballet Suite Call 873-1724 TU ESDAY 27 for season ticket information 5:00 W A B E Music Room Khachaturian: Violin Concerto

7:00 W A B E Keyboard Concert Schubert: Sonata in B-flat (opus posth.)

8:35 W G K A Atlanta Arts Alliance on the Air Beethoven: Symphony No 8 in F

10:05 WGKA Opera Highlights Flotow: Martha (Fritz Wunderlich)

WEDNESDAY 28

8:57 W O M N Early Concert Dvorak: Slavonic Rhapsody in A-flat, Op. 45, No. 3; Elgar: Cockaigne Over., Op. 40; Copland: Rodeo - Buckaroo Holiday

5:00 W A B E Music Room Ives: Symphony No. 3

8:00 W A B E Sounds of the Classics Boccherini: Cello Con. in B-flat major

8:35 W G K A Atlanta Arts Alliance on the Air Vaughan Williams: Sinfonia Antartica

9:00 W A B E BBC World Theatre Chekhov: “Three Sisters”

10:05 WGKA Music Under the Stars Debussy: Petite Suite WOMN THURSDAY 29 For your listening pleasure 12:18 WOMN Symphonic Matinee WOMN cordially invites you to Tchaikovsky: Swan Lake, Op. 20, Act II Schubert: Symphony No. 2 in B-flat major relax with Metro Atlanta’s only Bartok: Concerto No. 3 for Piano and Orch.

daytime Classical Music Station. 5:00 W A B E Music Room 6 AM to 6 PM Haydn: Symphony No. 14 8:35 W G K A Atlanta Arts Alliance on the Air 1310 on your AM dial Prokofieff: Alexander Nevsky - Cantata 10:05 W G K A Music Under the Stars Rimsky-Korsakov: Le Coq d’Or - Suite FRIDAY 30

5:00 W A B E Music Room Hindemith: Mathis der Maler 8:30 W A B E Music Unlimited The 2,000 Years of Music - compiled by Dr. Curt Sachs

8:35 W K G A Atlanta Arts Alliance on the Air Rachmaninoff: Piano Con. No. 2 in C minor High Museum 10:05 W G K A Music Under the Stars Tchaikovsky: Francesca da Rimini

SATURDAY 31 9:19 W O M N Early Concert Art Shop J. Strauss, II: Tales from the Vienna Woods, O p. 325 8:35 W G K A Concert Hall SALES AND RENTAL GALLERY Wagner: Parsifal - Prelude and Good Friday Spell; Schumann: Sym: No. 4 in D minor

10:05 W G K A Music Under the Stars PRESENTS Offenbach/Rosenthal: Gait6 Parisienne - Ballet Suite JURIED

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Friday, WGKA-FM presents At­ MUSEUM NOTES, CARDS lanta Arts Alliance on the Air, a GIFT PAPERS program devoted to good music ART MAGAZINES and and featuring news of events at CHILDREN’S ART BOOKS the Memorial Arts Center. MUSEUM REPRODUCTIONS The program will keep you up (by special order) to date on the visual and perform­ ing arts and includes interviews The GIFTS that you BUY in with guest musicians, artists and THE ART SHOP actors. Have been JURIED for QUALITY

For a program that’s informa­ Shop Hours: 10 A.M. -4 P.M. tive as well as entertaining — At­ Tuesday thru Saturday lanta Arts Alliance on the Air, 12 P .M .-5 P.M. Monday through Friday, from on Sundays 8:35 p.m. until 10:00 p.m.

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Listen to Port Royal.

Port Royal has melodies all of its own. By day, there are the sounds of play. The swish-click of a long drive on the championship golf course. The staccato thumps of a fast set of tennis. The splish-splash of a lazy swim. In the evening, the muffled dining sounds of the elegant, ocean-front Inn serving delectable low-country cuisine. At night, the sea-sounds of waves lapping the beach. The rustle of wildlife. The call of a bird. The whisper of wind breathing on oaks, magnolias and palms. Come to Port Royal for a weekend, a week or a lifetime. You'll discover they're playing your song. For information on the Inn, golf cottages and homesites, write Port Royal Plantation, Hilton Head Island, S.C. 29928, or phone 1803) 785-3381.

PORT ROYAL PLANTATION W HILTON HEAD ISLAND, SOUTH CAROLINA C ^ © 1*970, 1 - "COKE" A WHICH DISTINGUISH THEHE SAME PRODUCT OF THE COCA COLA

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