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CLONES, BONES and TWILIGHT ZONES: PROTECTING the DIGITAL PERSONA of the QUICK, the DEAD and the IMAGINARY by Josephj
CLONES, BONES AND TWILIGHT ZONES: PROTECTING THE DIGITAL PERSONA OF THE QUICK, THE DEAD AND THE IMAGINARY By JosephJ. Beard' ABSTRACT This article explores a developing technology-the creation of digi- tal replicas of individuals, both living and dead, as well as the creation of totally imaginary humans. The article examines the various laws, includ- ing copyright, sui generis, right of publicity and trademark, that may be employed to prevent the creation, duplication and exploitation of digital replicas of individuals as well as to prevent unauthorized alteration of ex- isting images of a person. With respect to totally imaginary digital hu- mans, the article addresses the issue of whether such virtual humans should be treated like real humans or simply as highly sophisticated forms of animated cartoon characters. TABLE OF CONTENTS I. IN TR O DU C T IO N ................................................................................................ 1166 II. CLONES: DIGITAL REPLICAS OF LIVING INDIVIDUALS ........................ 1171 A. Preventing the Unauthorized Creation or Duplication of a Digital Clone ...1171 1. PhysicalAppearance ............................................................................ 1172 a) The D irect A pproach ...................................................................... 1172 i) The T echnology ....................................................................... 1172 ii) Copyright ................................................................................. 1176 iii) Sui generis Protection -
Miss Hill: Making Dance Matter Is Both Gorgeous and Powerful, Crackling with Energy
FIRST RUN FEATURES PRESENTS “Miss Hill: Making Dance Matter is both gorgeous and powerful, crackling with energy. You need not be a scholar of dance to be completely enthralled!” - Ernest Hardy, The Village Voice “Illuminating...distills the essence of a time when American dance, like never before, sought to comment on society rather than escape from it.” - Siobhan Burke, The New York Times “Bound to enthrall dance aficionados with its copious amounts of wonderful archival footage. Serves as a marvelous primer on the rise of modern dance as an an important art form in America. Miss Hill herself would no doubt have been pleased.” - Frank Scheck, The Hollywood Reporter “An aesthetic treat, juxtaposing abundant archival footage of such luminaries as Martha Graham, José Límon and Antony Tudor with striking footage of contemporary dancers.” Miss Hill: Making Dance Matter reveals the little known story of Martha Hill, a - lisa Jo sagolla, film Journal international visionary who fought against great odds to make contemporary and modern dance a legitimate art form in America. In a career spanning most of the 20th “Gorgeous and evocative! century, Hill became a behind the scenes leader in the dance world and the The blending of archival footage and voice over founding director of Juilliard’s Dance Division. Stylistically weaving together over 90 years of archival footage, the film is a celebration of dance and an is quite seamless and beautifully done.” examination of the passion required to keep it alive. -Joshua Brunsting, criterion cast DVD BONUS MATERIALS INCLUDE SRP: $27.95 Catalog #: FRF 916561D • ArchivAl DAnce PerformAnce footAge 80 minutes, color, 2014 • AdditionAl interviews • Biographies PRE-BOOK: MAY 26 • STREET DATE: JUNE 23 TO ORDER CALL 1-800-229-8575 OR CONTACT YOUR DISTRIBUTOR Email: [email protected]. -
Alliance for Canadian New Music Projects Presents
Alliance for Canadian New Music Projects presents Festival: November 23 - 25, 2018 Rooms 1-29, 2-28 & Studio 27, University of Alberta, Fine Arts Building Saturday, November 24, 2018 25th Anniversary Commission Classes, 6 - 8 pm Young Composers Program Final Concert, 8 pm Studio 27, University of Alberta, Fine Arts Building Gala Concert: Friday, November 30, 7:00 pm Muttart Hall, Alberta College, 10050 MacDonald Drive 3 4 ALLIANCE FOR CANADIAN Dear Contemporary Showcase Edmonton, NEW MUSIC PROJECTS Congratulations on your 25th Anniversary! This is a major milestone and you are celebrating it in a creative and memorable way. Edmonton has always been a vital Showcase centre, proudly and effectively promoting the teaching, performance and composition of Canadian Music. Throughout the years, we have marvelled at your expansion of musical activities including the establishment of your Young Composers Program and commissioning of works by Albertan composers. Performers from your centre have received many National Awards for their inspired performances which serves as a testament to the lasting impact of your presence. Thanks to the dedicated committee members, through this quarter century, contemporary Canadian music is thriving in Edmonton. We look forward to celebrating many more milestones with you in the years to come! Jill Kelman President ACNMP October 5, 2018 To: Edmonton Contemporary Showcase Congratulations on the 25th Anniversary of Edmonton Contemporary Showcase, a remarkable achievement in presenting this important mechanism for -
A Student Companion To
A Student Companion To With the generous support of Jane Pauley and Garry Trudeau The Raymond Foundation Contents section 1: The Book and Its Context page 2 Who Was John Steinbeck? | Ellen MacKay page 3What Was the Dust Bowl? | Ellen MacKay page 6 Primary Sources Steinbeck Investigates the Migrant Laborer Camps Ellen MacKay: Dorothea Lange’s “Migrant Mother” and the Look of the Dust Bowl The Novel’s Reception The Wider Impact of The Grapes of Wrath page 10 What Makes The Grapes of Wrath Endure? Jonathan Elmer: Steinbeck’s Mythic Novel George Hutchinson: Hearing The Grapes of Wrath Christoph Irmscher: Teaching The Grapes of Wrath section 2: Sustainability, Bloomington, and the World of The Grapes of Wrath page 14 What Does Literature Have to Do with Sustainability? | Ellen MacKay page 15 Nature Writing Now: An Interview with Scott Russell Sanders An Excerpt from A Conservationist Manifesto | Scott Russell Sanders page 18 What Can Be Done?: Sustainablilty Then and Now Michael Hamburger Sara Pryor Matthew Auer Tom Evans page 22 Primary Access: The 1930s in Our Midst Ellen MacKay: Thomas Hart Benton, the Indiana Murals, and The Grapes of Wrath Nan Brewer: The Farm Security Administration Photographs: A Treasure of the IU Art Museum Christoph Irmscher: “The Toto Picture”: Writers on Sustainability at the Lilly Library section 3: The Theatrical Event of The Grapes of Wrath page 26 How Did The Grapes of Wrath Become a Play? | Ellen MacKay page 27 The Sound of The Grapes of Wrath: Ed Comentale: Woody Guthrie, Dust Bowl Ballads, and the Art and Science of Migratin’ Guthrie Tells Steinbeck’s Story: The Ballad of “The Joads” page 31 Another Look at the Joads’ Odyssey: Guthrie’s Illustrations. -
Winter-Spring 2006 Newsletter
Salem High School Alumni Association Winter-Spring 2006 Vol. 22, No.1 Martha Hill ’18 Influenced American Dance The Juilliard School’s centennial celebration highlights the enormous influence of dancer and educator Martha Hill, a 1918 Salem High School gradu- ate. Hill was the first director of Juilliard’s Dance Division, which she led for 34 years. “She was so important in so many aspects of dance,” said Janet Soares, who was the head of Barnard College’s dance department until her recent retire- ment. Soares was a student of Hill’s at Juilliard in the 1950s and later served as her assistant. Soares used the personal papers Hill bequeathed her, interviews, and other research for a biography that is currently circulating among publishers. Hill was extremely influential in the merger of modern dance and ballet, and Courtesy of Juilliard School Archives in the development of choreography as Martha Hill was often surrounded by students who became famous. In this group from 1959-60 (left an American art form, according to to right) are Donald McKayle, who choreographed Broadway shows and films; William Louther, who Soares and Elizabeth McPherson, a danced on Broadway and in modern dance companies; Hill; Mabel Robinson, dancer and producer; doctoral student at New York University. for stage and film; Dudley Williams, longtime lead dancer with Alvin Aily American Dance Theater; and “Her idea was to train dancers who Pina Bausch, a ballet choreographer who is now considered “the queen of German dance theater.” could do anything, who could move of American art.” was conceived from what I had discov- from style to style,” McPherson said. -
Taiwanese Eyes on the Modern: Cold War Dance Diplomacy And
Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950–1980 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Tsung-Hsin Lee, M.A. Graduate Program in Dance Studies The Ohio State University 2020 Dissertation Committee Hannah Kosstrin, Advisor Harmony Bench Danielle Fosler-Lussier Morgan Liu Copyrighted by Tsung-Hsin Lee 2020 2 Abstract This dissertation “Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950–1980” examines the transnational history of American modern dance between the United States and Taiwan during the Cold War era. From the 1950s to the 1980s, the Carmen De Lavallade-Alvin Ailey, José Limón, Paul Taylor, Martha Graham, and Alwin Nikolais dance companies toured to Taiwan under the auspices of the U.S. State Department. At the same time, Chinese American choreographers Al Chungliang Huang and Yen Lu Wong also visited Taiwan, teaching and presenting American modern dance. These visits served as diplomatic gestures between the members of the so-called Free World led by the U.S. Taiwanese audiences perceived American dance modernity through mixed interpretations under the Cold War rhetoric of freedom that the U.S. sold and disseminated through dance diplomacy. I explore the heterogeneous shaping forces from multiple engaging individuals and institutions that assemble this diplomatic history of dance, resulting in outcomes influencing dance histories of the U.S. and Taiwan for different ends. I argue that Taiwanese audiences interpreted American dance modernity as a means of embodiment to advocate for freedom and social change. -
The Ascendant
The Ascendant A Newsletter by and for Members and Friends of Church of the Ascension January 2018 From the Rev. Nan Hildebrand Thursday Morning Yoga Hello dear friends of Ascension, Yoga will resume at 10:00 a.m. on Thursday, January 11, I write to you today with great happiness about my rejoining the wonderful congregation of 2018. Church of the Ascension. Serendipity was in the air as Randy and I happily greeted each other in front of The White House to protest the rescission of the DACA program. We talked on this beautiful, sunny day Contemplative Eucharist about all sorts of things, including DACA, The Dream Act’s promise to the amazing youth who dream of finding a path to citizenship. On this beautiful day, the discussion of the terrible The Contemplative Eucharist will insult and the harm to them and their families without reinstatement of The Dream Act was return on Sunday, January 14. transformed by the rally’s stand for justice. The air was filled with hope and, even joy, by the participants’ good will, their festive drumming and singing and their amazing, passionate speeches. We had to acknowledge that some of possible future leaders of America were rally- ing for their citizenship, if we would just allow it. What a loss for our nation, if the Dreamers Winter Weather Policy were not given what they were promised. At Ascension, we In the midst of the buoyant protest, we also talked about the transition for which Church of always TRY to have the Ascension was headed and for which it was planning. -
Let's Talk, How We Talk About Gender
E R A S M U S + , K A 1 , Y O U T H LET’S TALK, HOW WE TALK ABOUT GENDER training course 10-17.05.2019, ZAKOPANE, POLAND B R O C H U R E About the project: This publication summarises the background and the outcomes of the project “Let’s talk, how we talk about Gender”. The project consisted of a training course for youth workers, educators, teachers and trainers implemented in May 2019 in Zakopane, Poland and follow up phase and was designed as an answer for missing debates and regular talks between the various group on the topics of gender equality, gender-based discrimination and violence. The training became the space to explore, discuss and create using applied drama techniques and mainly Forum Theatre elements. Together with 26 participants, including trainers, we were working on case studies from our countries, media releases and much more. Partners of the project: Fundacja Inicjatyw Twórczych I Społeczno-Edukacyjnych Kurdybanek, Poland – coordinator of the project Asociatia 'Tine de Noi', Romania Association for Educational Development EKVALIS, North Macedonia Bilgi ve Beceri Dernegi, Turkey Cubo d'Ideias - Associação Criativa, Portugal Greek Youth Mobility – GYM, Greece Efektas Group, Lithuania SDRUZHENIE WALK TOGETHER, Bulgaria Trainers: Wioletta Szuba Educator, art therapist, certified trainer of applied drama, she runs theatrical and drama workshops for youth and children, vocational training and development workshops for adults (focusing on woman and parents). She is an author of the program “With the tale to the world of emotions”, where she is using original tales scenarios to speak with children about emotions, values and shape attitudes. -
Viking Voice
- Winter 2 Fall - Winter 2018 Viking Voice A magazine for Lyndon Institute alumni, parents, and friends Project Bike Tech Comes to Lyndon Institute Head of School Twiladawn W. Perry ‘77 Letter from the Head of School.................. 1 Assistant Head for Curriculum & Instruction On Campus................................................4 Adam Norwood Chief Financial Officer Development...........................................10 Meagan N. Howard ‘02 Assistant Head for Student Experience Faculty and Staff..................................... 12 Robert G. Heath Jr. ‘88 President Project Bike Tech.................................... 14 Lawrence V. Cipollone Vice President Meredith R. Feltus ‘87 Athletics.................................................. 16 Secretary Nathan P. Sicard ‘00 Annual Giving......................................... 19 Tresurer David R. Hartwell ‘70 Alumni Weekend.................................... 28 Trustee At Large David R. Stahler, Sr. ‘65 Trustee At Large Class Reunions...................................... 31 David J. Beattie ‘61 Class Notes............................................ 34 Laurie Boswell Marlin W. Devenger ‘67 Patricia B. Emery ‘70 Commencement..................................... 40 Larissa Flynn T. Michael Flynn In Memoriam........................................... 43 Bretton J. Gale ‘77 James C. Gallagher ‘63 Daniel D. Heath ‘68 Spirit Week......................... Back Cover Peter C. Hopkins ‘74 Lorraine B. Impey ‘66 Noah N. Manning ‘13 Stephen Maleski Lorraine C. Matteis ‘65 Dr. Gregory -
Sob Sisters: the Image of the Female Journalist in Popular Culture
SOB SISTERS: THE IMAGE OF THE FEMALE JOURNALIST IN POPULAR CULTURE By Joe Saltzman Director, Image of the Journalist in Popular Culture (IJPC) Joe Saltzman 2003 The Image of the Female Journalist in Popular Culture revolves around a dichotomy never quite resolved. The female journalist faces an ongoing dilemma: How to incorporate the masculine traits of journalism essential for success – being aggressive, self-reliant, curious, tough, ambitious, cynical, cocky, unsympathetic – while still being the woman society would like her to be – compassionate, caring, loving, maternal, sympathetic. Female reporters and editors in fiction have fought to overcome this central contradiction throughout the 20th century and are still fighting the battle today. Not much early fiction featured newswomen. Before 1880, there were few newspaperwomen and only about five novels written about them.1 Some real-life newswomen were well known – Margaret Fuller, Nelly Bly (Elizabeth Cochrane), Annie Laurie (Winifred Sweet or Winifred Black), Jennie June (Jane Cunningham Croly) – but most female journalists were not permitted to write on important topics. Front-page assignments, politics, finance and sports were not usually given to women. Top newsroom positions were for men only. Novels and short stories of Victorian America offered the prejudices of the day: Newspaper work, like most work outside the home, was for men only. Women were supposed to marry, have children and stay home. To become a journalist, women had to have a good excuse – perhaps a dead husband and starving children. Those who did write articles from home kept it to themselves. Few admitted they wrote for a living. Women who tried to have both marriage and a career flirted with disaster.2 The professional woman of the period was usually educated, single, and middle or upper class. -
Download the Annual Report
2019 Annual Report A driving force for health equity OCHIN Headquarters 1881 SW Naito Parkway Portland, Oregon 97201 503.943.2500 www.ochin.org Dear Members and Colleagues, 2019 was another exceptional year for the OCHIN Collaborative. You grow increasingly sophisticated and are adopting more tools and driving for improved outcomes faster than ever in communities that need it the most. Supporting you in these efforts is critical, and I am proud to work alongside you. As the Collaborative continues to expand, national awareness of OCHIN is increasing, and our impact is being felt in more communities across the U.S. Fourteen new organizations went live on our hosted EHR during the fiscal year, and 10 more are contracted to go live in the coming months, bringing our first hosted members in several new states. Additionally, we are now the largest Health Center Controlled Network in the country. Our growth is important because it allows us to deliver our mission to more communities and help improve access and care for more people who need it. The larger we are as a Collaborative, the stronger our collective voice on national policy; the more resources we can bring to bear to help you support your patients; the more power we have to drive down costs; and the better we are positioned to lead the path toward a nation that cares for everyone. We are serving more patients, and we continue to push boundaries and innovate in service to the Triple Aim. We are using technology for good, moving and using data to improve care and outcomes. -
Caledonian Template
COVERING THE NORTH COUNTRY THE AND NORTHEAST KINGDOM RECORD C y a n M a g e n t a Y e l l o w B l a c k 2014 EDITION SPORTS YEAR IN REVIEW www.stjacademy.org Summer 2014 THE RECORD : S pORTS YEAR IN REVIEW 3 THE RECORD: 2014 SPORTS YEAR IN REVIEW 2013-14 HIGH SCHOOL FIELD GENERALS Our 2014 Dream ATHLETES OF THE YEAR Dozen baseball, softball selections PAGES 16-17 HOOP HEAVEN Our 2013-14 Dream Dozen basketball The Record staff, based on merit, selected 19 Athletes of the Year: picks six in the fall, eight in the winter and five in the spring. Page 14 PAGES 22-23 C y e e MORE FEVER PITCH a g ATHLETES g THE YEAR’S n a a CONTENT Our 2013 Dream Dozen soccer choices M p p TOP MOMENTS 20-21 OF THE WEEK 5 a PAGES 24-25 g e n t a Y e l EDITOR’S LETTER l o w I took my entire staff to the Barre Audito - It was a joy and a privilege to cover those B rium for Championship Saturday on March 8. student-athletes on a day that will live indeli - l a Two of our teams, Danville and Lyndon Insti - bly in all of their collective memories. c tute, had earned the right to play for their re - We were as proud to chronicle those mo - k spective division titles. It was an historic day. ments as we are to bring you the 2014 Sports The Indians treated their fans to the pro - Year in Review, dedicated both to the cham - gram’s first title in 25 years, slamming the pions, and to all the dedicated, hard-working BIG door on their opponents by scoring the game’s student-athletes that grace our pages through - final 17 points.