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Jim Henson's Fantastic World
Jim Henson’s Fantastic World A Teacher’s Guide James A. Michener Art Museum Education Department Produced in conjunction with Jim Henson’s Fantastic World, an exhibition organized by The Jim Henson Legacy and the Smithsonian Institution Traveling Exhibition Service. The exhibition was made possible by The Biography Channel with additional support from The Jane Henson Foundation and Cheryl Henson. Jim Henson’s Fantastic World Teacher’s Guide James A. Michener Art Museum Education Department, 2009 1 Table of Contents Introduction to Teachers ............................................................................................... 3 Jim Henson: A Biography ............................................................................................... 4 Text Panels from Exhibition ........................................................................................... 7 Key Characters and Project Descriptions ........................................................................ 15 Pre Visit Activities:.......................................................................................................... 32 Elementary Middle High School Museum Activities: ........................................................................................................ 37 Elementary Middle/High School Post Visit Activities: ....................................................................................................... 68 Elementary Middle/High School Jim Henson: A Chronology ............................................................................................ -
Who Was Jim Henson? Free
FREE WHO WAS JIM HENSON? PDF Joan Holub,Nancy Harrison | 106 pages | 15 Mar 2012 | Penguin Putnam Inc | 9780448454061 | English | New York, NY, United States Jim Henson | Biography & Facts | Britannica The company is known for its innovations in the field of puppetryparticularly through the creation of the Muppets characters. The company was established in by puppeteers Jim and Jane Henson[2] and is currently independently owned and operated by their children. Henson has produced many successful television series, including The Muppet ShowFraggle Who Was Jim Henson?and Bear in the Big Blue House ; as well, the company designed the Muppet characters for the long-running Sesame Street. Henson also operates Jim Henson's Creature ShopWho Was Jim Henson? animatronics and visual effects studio which has created characters and effects for both Henson productions and outside projects. InHenson was sold Who Was Jim Henson? German media company EM. TV's stock collapsed, and the Henson family re-acquired the company in In the interim, EM. InHenson sold Who Was Jim Henson? rights to The Muppets and Bear in the Big Blue House to Disney, but retains the remainder of its characters, Who Was Jim Henson? library, Who Was Jim Henson? assets. Jim and Jane Henson officially founded Muppets, Inc. One of the company's first characters to appear regularly on television, Rowlf the Dogoriginated in commercials for Purina Dog Chow and became a regular character on The Jimmy Dean Show from to Jim Henson also pitched several different projects to the major American television networks, to little avail. Some ideas became unaired pilots, while others were never produced. -
La Exposición Sobre Jim Henson Una Imaginación Sin Límites
SE RUEGA NO SACAR DE LA GALERÍA La exposición sobre Jim Henson una imaginación sin límites AN EXHIBITION ORGANIZED BY ©MUPPETS/DISNEY. ©2019 SESAME WORKSHOP. ©THE JIM HENSON COMPANY. SE RUEGA NO SACAR DE LA GALERÍA 1. Proyección LA EXPOSICIÓN SOBRE JIM HENSON: UNA IMAGINACIÓN SIN LÍMITES A lo largo de su singular carrera que se extendió a lo largo de cuatro décadas, Jim Henson creó personajes de marionetas e historias que se convirtieron en iconos del cine y la televisión y han dejado una marca indeleble en la cultura popular. Con su sentido del humor delicadamente subversivo, su infatigable curiosidad y su mirada innovadora sobre el arte de las marionetas, Henson creó los Muppets/Teleñecos y los convirtió en una marca internacional perdurable, nos regaló los adorables personajes de Plaza/Barrio Sésamo y plasmó su rica imaginación en películas e historias para la gran pantalla. En esta exposición indagamos en las extraordinarias aportaciones con las que Jim Henson contribuyó al campo de la imagen en movimiento y desvelamos cómo él y su talentoso equipo de diseñadores, actores y escritores crearon una obra sin parangón que hoy día sigue inspirando y deleitando a personas de todas las edades. 2. Jim Henson y la rana René/Gustavo en el set de Llegan los Muppets/La película de los Teleñecos (1978) 3. Marioneta de la rana René/Gustavo, hacia 1978 Diseñada por Jim Henson Confeccionada por Caroly Wilcox a partir de patrones diseñados por Don Sahlin Manejada por Jim Henson Tela de vellón, fieltro, plástico, caucho y papel autoadhesivo de vinilo Cedido en préstamo por la familia de Jim Henson (Jim Henson confeccionó la primera marioneta de la rana René/Gustavo en 1955). -
Dimensions of Faith and Congregational Ministries with Persons with Developmental Disabilities and Their Families
DIMENSIONS OF FAITH AND CONGREGATIONAL MINISTRIES WITH PERSONS WITH DEVELOPMENTAL DISABILITIES AND THEIR FAMILIES A Bibliography and Address Listing of Resources For Clergy, Laypersons, Families, and Service Providers 2009 Edition: Online PDF Publication Only Updated and Expanded A University Center For Excellence in Developmental Disabilities Education, Research, and Service DIMENSIONS OF FAITH DIMENSIONS OF FAITH AND CONGREGATIONAL MINISTRIES WITH PERSONS WITH DEVELOPMENTAL DISABILITIES AND THEIR FAMILIES. 2009 EDITION A Bibliography and Address Listing of Resources for Clergy, Laypersons, Families, and Service Providers. This resource guide is produced with the funding assistance of the Administration on Developmental Disabilities, Administration for Children and Families of the U.S. Department of Health and Human Services. The opinions and recommendations expressed are those of the authors and do not necessarily reflect the views of The Boggs Center or the funding sources. The 2009 Edition is partially supported a Faith Community Leadership Grant from the Pennsylvania Council on Developmental Disabilities. Dimensions of Faith is also produced in collaboration with the Religion and Spirituality Division of the AAIDD. This guide is available in PDF format only on The Boggs Center web site. Edited by: Bill Gaventa, Director, Community and Congregational Supports Editorial Assistants Robyn Carroll, Phil Helsel, Dorothy Chou, Virginia Thornburgh, Lorraine Thal, Tom Heuer, Anna Kate Shurley This guide was originally part of a series of resources produced by The Boggs Center through the Community Building Partners Project and its predecessor, Building Community Supports. Other resources include: ON THE ROAD TO COMMUNITY INCLUSION AND ON THE ROAD TO COMMUNITY INCLUSION: IT’S ABOUT TIME! Two collections of real life stories and experiences written by direct support staff working with, and walking with, people with developmental disabilities as they build community connections in New Jersey. -
VIDEOS Title Creator Summary Format Call Number in This Cirtically-Acclaimed, Stop Motion Annimated Feature
VIDEOS Title Creator Summary Format Call Number In this cirtically-acclaimed, stop motion annimated feature. Dave Peck, an unemployed 28-year-old with no goals or aspirations, finds an ad for a book promising the meaning of life for only $9.99 Rosenthal, Tatia (1971 - ) DVD PN1997.2 .N55 DVD 2010 $9.99. Wishing to share his discovery, his path crosses with those of his unusual neighbors, who in their own bizarre ways, are all on their own search for hope and redemption. 11 Alive at Five Interviews with 11 Alive at Five VHS 1991 CPA PRES 11 ALIV Kerry McCarthy and Peter Hart 11 Alive Neighborhood 11 Alive Neighborhood Weather, Weather, November 12, 1996, 11 Alive November 12, 1996, Center for VHS 1996/1997 CPA PRES NEIG Center for Puppetry Arts Puppetry Arts 11 Alive News Story on Power of 11 Alive News Story on Power 11 Alive Wonder and Pinocchio, on September VHS 1995/1996 CPA PRES 11 POW of Wonder and Pinocchio 29, 1995. Czechoslovak-American 12 Sandals 99 VHS 12 SAND 99 Marionette Theatre 1980 Wayland and Madame WAYL MADA INTE DICK DVD Interview by Dick Maurice MAUR Footage from the 1992 Southeast 1992 Southeast Regional Regional Festival held in Charleston, VHS 1992 SE REGI FEST Festival South Carolina from July 30-August 1, 1992. Footage from the 1992 Southeast 1992 Southeast Regional Regional Festival held in Charleston, VHS 1992 SE REGI FEST 1 Festival Tape 1 South Carolina from July 30-August 1, 1992. Footage from the 1992 Southeast 1992 Southeast Regional Regional Festival held in Charleston, VHS 1992 SE REGI FEST 2 Festival Tape 2 South Carolina from July 30-August 1, 1992. -
ABSTRACT Title of Thesis: from ÜBER
ABSTRACT Title of Thesis: FROM ÜBER-MARIONETTES TO MUPPETS. FINDING ANCIENT JOY IN THE MODERN DAY WORLD. Olivia Louise Brann, Master of Arts in Theatre & Performance Studies, 2019 Thesis directed by: Dr. James Harding Department of Theatre & Performance Studies ABSTRACT: In the spring of 1907, writer and director, Edward Gordon Craig first exclaimed that the actor must exit the stage, and, in its place, we would welcome the über- marionette. The mystery behind Craig’s “puppet” creation is left unsolved to this day. What is an über-marionette? Is it a metaphor for the perfect performer? An oversized puppet? A performer inside a puppet? Multiple scholars have tried to sort through Craig’s metaphorical writings in order to figure out the construction of the über-marionette. But, perhaps instead of looking for information about its’ appearance, we should be looking for what the über-marionette would bring. Using the works of Jim Henson and the styles of puppetry used in his feature film, The Dark Crystal, this thesis is a comparative analysis and thorough exploration of the works of Edward Gordon Craig’s philosophies and Jim Henson’s practices. FROM ÜBER-MARIONETTES TO MUPPETS FINDING ANCIENT JOY IN THE MODERN-DAY WORLD by Olivia Louise Brann Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Master of Arts 2019. Advisory Committee: Dr. James Harding, Chair Dr. Jyana Browne Dr. Franklin Hildy Professor Alvin Mayes ©Copyright by Olivia Louise Brann 2019 DEDICATION For my Opa, who taught me how to dream and for my Oma, who taught me to never, ever give up. -
L DTNT Records Relating to the Hull New Theatre 1939- 2008
Hull History Centre: Records relating to the Hull New Theatre L DTNT Records relating to the Hull New Theatre 1939- 2008 Historical Background: The New Theatre which stands on Kingston Square, Hull, opened on the 16th of October 1939 with the Hull Repertory Company production of 'Me and My Girl'. Peppino Santangelo came to the city in 1924 to join the Hull Repertory Company based at the Little Theatre in Kingston Square. After turning the struggling company around, Peppino, organised the reconstruction of the former Assembly Rooms which had first been built by R. H. Sharp over 100 years earlier in 1834 into the New Theatre. Not even the outbreak of the Second World War could halt Peppino’s dream and as the theatre’s first manager, he told crowds of 1939: ‘I have made plans for your future entertainment, always bearing in mind that we are at war and that laughter and not tears should be the dominant feature.’ Performances continued throughout the war when West End productions arrived to escape the bombing in London. The theatre bar was reinforced as a bomb shelter and the building received only one direct hit, in May 1941, which destroyed the front row of stalls and all the props and costumes of the visiting Sadler’s Wells Opera Company. In the late 1960s the Theatre's stage was deepened and the orchestra pit enlarged, whilst at the same time the auditorium was improved with new seating. The theatre closed in January 2016 to undergo a huge £15.9m revamp of the venue, which would see improvements to backstage areas including a new fly tower, used for scenery, lighting and stage effects, a larger stage, and more seating. -
Tough Pigs Yearbook 2014
Tough Pigs Yearbook 2014 The World’s Most Dangerous Yearbook compiled by Ryan Roe Greetings, Tough Friends! The year 2014 AD was an eventful one for Muppets and Muppet fans. We got a whole new movie (the one that didn’t have Jason Segel), with a marketing push that seemed even bigger than the one for that last movie (the Jason Segel one). Which meant we actually stayed on topic in a lot of threads! Quoted threads are arranged here in chronological order, accompanied by a notation as to who nominated each one. At the back of the yearbook you’ll find an index, which is guaranteed to not be very helpful at all. So that’s something to look forward to. Worth checking out: The “Muppet Fan Confessions” thread, in which many of us finally came clean about our unconventional opinions. There was too much of it to reproduce here in the yearbook, but you should definitely go read it here. You’ll be shocked to find out who dislikes which Muppet classic, and you’ll have a great time highlighting spoiler text. Special thanks to everyone who nominated posts, as well as everyone who posted on the forum in 2014. Each of you truly is the Muppets’ Most Wanted! Whatever that means. (Did I say that in last year’s yearbook? I certainly did, but I’m using it again because 2014 is the year the movie actually came out, and because you can’t stop me!) JANUARY The odd & awesome pictures thread 1/2/14 | 11848.2451-55 Joe Someone mashed together Jim and Frank's faces to make this abomination: Grant That's the guy who performs Kermit and Fozzie's Dad. -
Wake Forest Magazine December 2002
2001-2002 Honor Roll of Donors Wake For e st M A G A Z I N E Volume 50, Number 2 December 2002 Editor: Cherin C. Poovey, poovey @wfu.edu Associate Editor: Kerry M. King (’85), [email protected] Senior Graphic Designer: Jessica Koman, [email protected] Graphic Designer: Sonya Peterson, [email protected] Photographer: Ken Bennett, [email protected] Class Notes Editor: Janet Williamson, [email protected] Contributing Writer: David Fyten, [email protected] Development Writer: Michael Strysick, [email protected] Printing: The Lane Press, Inc. Wake Forest Magazine (USPS 664-520 ISSN 0279-3946) is published four times a year in September, December, March and June by the Office of Creative Services, Wake Forest University, 1834 Wake Forest Road, Winston-Salem, NC 27109-7205. It is sent to alumni, donors and friends of the University. Periodicals postage paid at Winston-Salem, NC 27109, and additional mailing offices. Send letters to the editor ([email protected]), classnotes ([email protected]), change of address ([email protected]) and other correspondence to the e-mail addresses listed or to Wake Forest Magazine,P.O. Box 7205, Wake Forest University, Winston-Salem, NC 27109-7205. Telephone: (336) 758-5379. You can access the Web site at http://www.wfu.edu POSTMASTER: Send address changes to Wake Forest Magazine Alumni Records, P.O. Box 7227, Winston-Salem, NC 27109-7227. Volume 50, Number 2 Copyright 2002 Wake For e st M A G A Z I N E Features 12 Their Journey by Kerry M. King (’85) What lies ahead for eight freshmen? Follow them on their journey to 2006. -
In the Land of Big Blue, a Green Thumb
TUESDAY, DECEMBER 10, 2019 Lynn eld College looks to end student homelessness By Gayla Cawley The “intergenerational, home-sharing” will contractual agreement that they would town ITEM STAFF app, similar to the vacation rental site, enter into with their landlords, Gentile said. AirBnb, would match NSCC students who “For us, it’s another strategy of helping LYNN — For many North Shore Commu- are unable to afford housing with “empty our students nd affordable housing and nity College students struggling with hun- clerk ger and homelessness, doing well in school nesters,” or older residents who want to rent stay in school, so they can complete their can be especially challenging, said college out an empty room in their homes. educational journey,” Gentile said. “For the President Patricia Gentile. Rents would be below market value and city, it’s a help for those empty nesters who heading North Shore Community College (NSCC) could be reduced by students taking on want to stay in their own homes and might is working to address the pervasive issue by chores around the house. The college is need some help around the house, or just partnering with a mobile housing app, Nest- working with Harvard Business School company.” North erly, to match its homeless students with af- Alumni to be able to provide a subsidy to The college is working with the city of fordable housing options in the city, Gentile further reduce housing costs. Students By Anne Marie Tobin said. would pay their rents through Nesterly’s at- NSCC, A2 ITEM STAFF LYNNFIELD — Another high-level town employee is calling it quits. -
HIGHLIGHTS REPORT 2016 Below: Kennedy-Johnson Campaign Hat, 1960 Democratic National Convention
AMERICA PARTICI PATES HIGHLIGHTS REPORT 2016 Below: Kennedy-Johnson campaign hat, 1960 Democratic National Convention MISSION Through incomparable collections, rigorous research and dynamic public outreach, we explore the infinite richness and complexity of American history. We help people understand the past in order to make sense of the present and shape a more humane future. How are Americans causing ripples of change? Americans are a people who put into action. With all of the twists and turns of the most recent election, voting remains an example of how we can influence the roll up their sleeves for the nation’s future through one simple action. common good. Nothing seems For the Museum, it was particularly important to reach younger impossible; no challenge is audiences with our message of participation, as they are the next too daunting. generation of teachers, CEOs, parents, doctors, legislators, philanthropists — and maybe presidents. We the Party People was one event that welcomed thousands of vibrant millennials passionate Suffering from the effects of a natural disaster? We raise money about their country and history. Guests crowded a pulsating dance John Gray to support relief efforts and rebuild communities. Facing a floor, listened to lightning talks and learned about amazing Elizabeth MacMillan Director formidable foe? We enlist to defend our country. Wanting to lift objects brought out of storage, among other activities. spirits? We volunteer at a local hospital to read to children. The ways in which Americans participate are as varied as the people The wide range of backgrounds these individuals represent who give back by committing their time, talents and resources and their interest in our democracy reflect the themes of our to various causes, with each action causing ripples of change upcoming exhibitions Many Voices, One Nation and American across society. -
The Muppet Man
THE MUPPET MAN By Christopher Weekes Circle of Confusion LLC Circle of Confusion LTD 8548 Washington Blvd. 107-23 71st Road, Ste. 300 Culver City, CA 90232 Forest Hills, NY 11375 (310) 253-7777 (718) 275-1012 INT. DECREPIT HOTEL ROOM, MOO YORK - NIGHT KERMIT THE FROG, twenty years older than we’ve ever seen him before, wakes from a DRUNKEN NIGHTMARE. He stares, blood shot, at a WHISKEY BOTTLE on his BEDSIDE - a three day growth giving his felt chin a strongly pronounced six o’clock shadow. He struggles out of BED - hobbling to his WINDOW. Scratching his GREEN BUTT, KERMIT stares down into the street. MOO YORK looks a lot like NEW YORK - a gritty, grimy metro- style hot pot of MUPPETS from all walks of LIFE - some drunks, some homeless, some rich, some poor, some a mix and match of everything. A GIANT STATUE OF LIBERTY-BELL, a COW, hangs off from the HAVOC RIVER. Its BEACON, a milk bucket, pulses an orange glow across the perpetually dirty city... ...mesmerizing KERMIT. KERMIT (sad under breath) Hi-ho. Kermit the frog here. KERMIT stares at a WEDDING INVITE on his DRESSER. “...CORDIALLY INVITE YOU TO THE WEDDING OF MISS PIGGY AND LINK HOGTHROB”. A photo of MISS PIGGY and LINK HOGTHROB atop a CARRIAGE IN CENTRAL PARK beams back at him. KERMIT scrunches the INVITE up and POURS HIMSELF ANOTHER DRINK. INT. BEDROOM, JIM HENSON’S NY HOME, 1990 - MORNING JIM HENSON, 53, a tall, lanky and gentle soul, slowly opens his eyes - much like KERMIT in the scene above.