Talent/Client Roster

www.BMEmusic.com Summer/Fall 2004

Songwriters – Producers – Artists Trenna Barnes (Cowbo y Cru sh , Rob Crosb y, So nny LeMa ire , Step hanie Ben tle y) Chris Bennett (Manha ttan Tran sfer, Donna Summer, Giorgio Mo roder, Keb Mo) Steven Bliss (Sherrie Au stin , The Tumbleweed s, Allan Rich , De f Je f, Robe rt Tepper) Alan Brewer (Monty Python , Pe te To wnshend , Sister Sledge , Ziggy Stardu st, Tokyo Pop) Cowboy Mouth (re cording artist, Cra cker, Ba renaked Lad ies, ESPN, Th ree Doors Do wn) Jerry Deaton (Anasta cia , Fitmix, To Pro tect and Serve , Pep si) Neil Herman (The Pre ss, Cap ito l Re cords, Sa turda y Nig ht Live , Nickelodeon ) Matt King (record ing artist, Alison Krau ss, David Wilco x, Ko stas, Hoo tie & The Blowfish) Robert Ellis Orrall (a rtist/produ cer/writer, Mon key Bowl, Frea ky Frida y, Nikki Clea ry) Cedric Samson (Hugh Ma seke la, Miriam Ma keba , Mandela and de Kle rk, Phil Ramone) The Scoldees (re cording artist, Nan cy Sirianni, Nan cy Wilson , Ho ward Ste rn , E!TV) Slaughter / Mark Slaughter (multi-pla tinu m hard ro ck artist, sound tra cks, produ cer) Rich Snyder (Barbara Streisand , jazz artist) Rick Wakeman (YES, solo artist, ke yboardist, compo ser, produ cer) Narada Michael Walden (Whitney Houston , Mariah Care y, The Bod yguard , Ste ve Winwood) Joe Wolfe (L ionel Ritchie , Urban Noma d, Earth Wind & Fire , produ cer)

Labels - Publishers Cala Music Inc. (Cla ssica l Music – London Symphon y, New York Philha rmonic, Mo zart, Wagner) Dynamik Records U.K. (Ele ctronica /Dan ce /Re-mix label group ) Hadley Music Group (Publisher - Bering Strait membe rs) Infinity Cat Records (Label – pop /ro ck/pun k; Mon key Bowl, L indse y Wea ver, The Se x) Sonic Voodoo Music Group (Label/Publish er – Mythic Films, Cormac Cleary)

Film/TV Production - Marketing BEN Marketing (Pro mo tion s/Marke ting Co mpany – Co ca Co la , Holiday Inn , L owe s, Castro l) Crystal Lake Entertainment (Film Produ ction Co mpan y - Frid ay 13 th , Spring Break, De ep Star Six) Mythic Films (Film & TV Produ cer/Dire ctor Ralph Heme cke r – Witchb lade , X-Files, Millenn ium)

** BME represents both Publishing & Master Rights to most of its catalogues – for easy “one-stop” Licensing; BME assist s wit h any t hird-part y clearance logist ics and cont act s, as necessary.

Los Angeles Office: TEL (818) 470-1018 • FAX (818) 337-7435 • Email: ma so n _ co o pe r@ BMEmu si c. co m Nashville Office: TEL (615) 320-7555 • FAX (615) 320-0007 • Email: in f o @ BMEmu sic. co m www.BMEmusic.com Summer/Fall 2004

Talent/Client Summary

Songwriters – Producers – Artists

T r e n n a B a r n e s (S taf f S o n gw r i ter , Ar ti s t)

S i ng er/ So ng w rit er Tr en na Ba rn es mov ed t o Nas hv i ll e f ro m he r n at iv e Tu ls a an d i m m e di at e ly bec a me k n o wn as a h ig h- en er gy f orc e on N as hv i ll e’s f a m ed M us ic R o w. H e r p os it iv e at t it u de b eg an a mo m ent u m t hat has m ov ed he r int o a n ac t iv e c a re er as a liv e p e rf o r me r, s o ng w rit er a nd r ec o rd in g art is t - - F ro m i nt e rn at i on al t o urs a nd p erf or m anc es (f r o m K or ea t o G er m any , Kos ov o t o Fi nl an d… ) t o be in g o ne of t h e mos t s o ug ht af t er de m o s i n ge rs in t he Nas hv i ll e mus ic c o m m un it y t o r ec o rd in g n at i on al c o m m erc ia l s p ot s f o r P E PSI CO LA a nd LI P TO N I C E D T EA, Tr en na lov es t hat h er day s a re f i ll ed wit h mus ic . B et w ee n he r s i ng in g gi gs , Tr en na has b ee n c r eat in g a s o ug ht af t er c at al og ue of o ri gi na l s on gs , c o- w rit t en w it h s uc h Nas hv i ll e hit m ak e rs as D O UG J O H N SO N, A D RI E N N E F O L LE SE, LE SLI E S A T C HE R, LI Z R OS E, an d A LE X C AL L. Wh il e in t he s t u di o wo rk i ng o n h e r s ol o a rt is t pr oj ec t wit h p ro duc er AL A N B R E WE R, T re nn a f o un d h ers elf in t he m id dl e o f a ne w en er gy - - a gr ou p of f el lo w f e ma le m us ic ia ns t h at c a m e t o get he r, a nd w it h he r a s t h e l ea d s i ng er, f or m ed t h e g ro up C O WB OY C R U S H. T his ex c it in g n e w b an d is c urr e nt ly in t he s t ud io w it h pr od uc e rs D ou g J o hns on an d A la n B re w er, rec o rd in g t h ei r d e but r el eas e f or C U R B- AS YL U M RE C O R DS. Tr en na is wr it i ng f or t h is rec or di ng pr oj ec t a n d ex pa nd in g he r s on g wr it i ng c ol la bo rat io ns , bu il di ng t o w ar ds a l on g, c re at iv e an d e x c it in g mus ic a l f ut ur e. (P u bl i s hi n g & M as te rs Co nt r ol l e d)

C h r i s B e n n e t t (Cl i e nt - Ar ti s t, S o n gw r i ter , Pr o d uc er )

G r a m my - no m in at e d C hr is B en net t h as b ec o m e on e of t h e mos t n ot a bl e a nd ac t iv e art is t s i n t he jaz z -s t a nd ar ds - po p f i el ds t o day . F ro m he r e ar ly as s oc i at i o n wit h GI O RGI O M O R O D E R, s he bec a me t he le ad s in ge r f o r t he ac c l ai m ed ba nd T H E M U NI C H MA C HI N E, c o- wr ot e ( w it h M o ro de r) t h e Gr a m my no m in at e d f i l m s on g “ T HE M E F R O M MI D NI G H T E X P RE SS, ” an d r ec o rd ed w it h DO N N A S U M M E R. J u mp in g t o a s o lo c a re er as a n a rt is t / wri t e r/ p ro duc er, s h e has wo rk e d wit h t he l ik es of K EB M O an d LE O N W A RE, an d h as h ad he r s o ngs r ec o rd ed by s uc h s u pe rs t a rs as TI NA T U R N E R an d T HE M A N HA T T A N T R A N S F E R. Be nn et t ’s rec or di ngs m ix h er or ig in al c o mp os it io ns wit h c l as s ic c ov e rs s uc h a s “I s n’t I t R o ma nt ic , ” “ My F un ny V al ent in e, ” “Sk y la rk ” an d mo re. I n a dd it i on t o of f er in g h e r rec or di ngs f o r l ic e ns i ng a nd r el eas in g h er n e w C hr is t mas al bu m, B en net t is als o f oc us in g m uc h of h er en er gy on c o ll ab or at i ng wit h L os An ge les ’ t op wr it e r/ p ro duc ers an d c r e at i ng m us ic f or s t ag e, f i l m a nd t el ev is io n p ro jec t s . (P ubl i s hi n g & Ma s t e rs C on t r ol l e d )

S t e v e n B l i s s (S taf f S on gw r i ter , Pr o d uc er , A r ti s t)

K n o wn f o r his pr ol if ic s o ng w rit in g f lex ib il it y , B lis s b ri ngs a bi lit ies as a m us ic ia n, t r ac k p r od uc e r, m el od ic c raf t s m an an d ly r ic is t t o his wr it i ng p ro jec t s . S pl it t i ng h is t i m e b et w ee n L os A ng el es a nd N as hv il le, Bl is s r ec e nt ly ho ok e d u p wit h h it s o lo roc k art is t R O B E R T TE P PE R, f o r mi ng t h e ba nd T H E T U M B LE W EE D S. O n T he T u m bl e we eds d eb ut a l bu m “ Su m m er B re ak , ” wh ic h d ra ws f ro m i nf l ue nc es s uc h as t h e Be at l es , T o m Pet t y an d t he R ol li ng St o nes , B lis s w as ab le t o c o m bi ne h is r oc k ro ot s , l ov e of po p me lo di es an d i nt ri gu in g ly ric s . Bl is s ’ s on g wr it e r wo rk et hic has als o h el pe d b ri ng h i m r ec e nt s uc c es s w it h s o ngs rec or de d by a rt is t s s uc h as C O N FE D E RA T E R AI L R OA D, W B’s J OLI E E D W A R D S a nd c u rr ent c ha rt s t ar S HE R RI E A US TI N. W it h mu lt i pl e s on gs pl ac e d i n SE A N C U N N I NG H A M ’s upc o mi ng f il m “E X T RE M E CL OS E- U P, ” dev el op m ent on a n e w r oc k b an d f or V ir gi n R ec o rds , a nd pr oj ec t c ol la bo rat io ns w it h in dus t ry s t al w art s s uc h as A LL A N R I C H ( Wh it ney H o us t o n, N Sy nc ), J OE W O L FE ( Li on el R it c hi e), W I L L R A MB EA U X, PA U L W I LLI A MS, GA R Y NI C HO LS O N, an d a rt is t s M AI A S H A RP, A MY D A LL EY ( C U RB ), an d J A ME S O T TO ( U NI V E RS AL ), B lis s has t ru ly b ec o m e a n ex a mp le of h o w t a le nt , d il ig enc e a n d p as s i on eq ua ls s uc c es s . ( Pu bl i s hi ng & M as te rs Co n t rol l e d )

A l a n B r e w e r (Pr o d uc er , S on gw r i ter , C om p any Pr es i de nt )

I nd us t ry v et e ra n Al an B re w er h as ov ers ee n art is t rec or di ngs an d f il m s o un dt r ac k pr oj ec t s i n t he s t u di os of N e w Y ork , Los A ng el es , N as hv il le, Lo nd on, T o ro nt o, a nd T ok y o. He h as w o rk ed as a p ro duc er, m ix e r, mus ic a l d ir ec t o r an d/ o r c o ll ab or at o r wit h a rt is t s s uc h as E R I C C LA P TO N, PE T E TO W N S HE N D, RI C K W AK E MA N, R U BE N BL A DE S, P HI L CO LLI N S, S I S T E R S LE D GE, C LA R E N CE C LE M O NS, an d J E F F BE C K, a nd is c u rr ent ly i n t h e s t u di o c o- pr od uc i ng ( w it h la be l h ea d D O UG J O H NS O N) ne w C U RB -A SY L U M RE C O R DS art is t C O W B OY C R U S H. B re w er ’s m us ic c re dit s i nc l ud e Fi l ms / S ou ndt rac k s as div ers e as D A VI D BO WI E’ S “ ZI GG Y S T A R D US T, ” P A UL Mc C A R T NE Y’ S “ R O CK S HO W, ” “B. C. R O CK, ” “ T OK Y O P OP, ” “ C R OS SO VE R D R EA M S, ” an d “ T H E S E C RE T PO LI CE M A N’ S P RI VA T E P A R T S, ” an d has m ot io n pic t ur e pr od uc t i on c r ed it s w it h M i ra m ax F il ms a nd U n iv e rs a l P ic t ur es . Br e we r is c ur re nt ly s erv in g as Bo ar d P res id ent of t h e Nas hv i ll e Fi l m Fes t iv a l, is a f o un di ng Bo ar d Me m be r of Fi l m Nas hv i ll e, a nd is a B oa rd an d Fo un di ng C ou nc i l m e m b er of t h e Nas hv i ll e Co m pos ers As s oc iat io n. (P ubl i s h i n g & M as t e rs C o nt r ol l ed )

C o w b o y M o u t h (Cl i e nt - Ar ti s t, S on gw r i ter )

H a i li ng f ro m N e w Or le ans , t ak i ng t h eir n a me f ro m a SA M S HE P HA R D p lay , an d s po ns o re d b y SO U T H E R N CO M F O R T, C o wb oy Mo ut h “… is a r oc k a nd r ol l o rg as m t hat da res t o c el eb rat e t he f ac t t h at w e’ re a ll a liv e! ” q uot es le ad s i ng er/ c raz e d dr u m me r F R E D L E BL A N C. Th es e pa rt y r oc k e rs a re of t e n r ef e rr ed t o as t he T alk in g He ads m eet s F ra nk Z a p pa wit h a t o uc h of i rr ev e re nt B ob S eg er -is ms . Af t er r el eas in g t wo a lb u ms on M C A a n d on e o n At la nt ic , t he b an d h as p ut t h e m us ic w he re t he ir M out h is . B ook ed by M o nt er ey Pe ni ns u la A rt is t s , an d pl ay i ng up t o 20 0 dat es p er y e ar, t h e b an d has t ak e n c ont ro l of t h e c r eat iv e ex pl os i on t h ey a re e nj oy i ng, s h ar in g t h e s t ag e wit h BE T T E R T H A N E Z R A, C R A CK E R, BE C K, M A T C HB OX T W E N T Y, a nd ot he rs . B M E is s e rv i ng as t h e e x c l us iv e Fi l m an d Te lev is i on c r eat iv e an d lic ens in g r ep res ent at iv es f or C o wb oy M out h, w h os e s o ngs h av e r ec e nt ly b ee n t ap pe d f or us es on ES P N an d t he O ut d oo r Lif e N et wo rk , a n d wh o a re c ur re nt ly inv olv ed in w rit in g f or upc o mi ng f il m pr oj ec t s as w el l as f o r t h ei r n ex t s t ud io al bu m . ( Pu bl i s hi ng & M as te r s C on t rol l e d )

J e r r y D e a t o n ( Cl i en t - M ix er , Pr o d uc er )

D e at on h as b ec o m e a mus ic s pec ia lis t in t he d anc e, r e mix a nd f it n es s wo rl ds . H e h as w o rk ed o n f i l m pr oj ec t s r an gi ng f r o m J ULI A R OB E R TS ’ “ SA TI S FA C TI O N” t o J O H N T R A V OL T A’s “ T H E E XP E R TS ” an d C. T H O MA S HO W EL L’s “ T O P R O TE C T A N D SE R VE, ” a n d has wo rk e d w it h a rt is t s r an gi ng f r o m T H E BO YS t o h is rec ent re - mix f o r Ep ic R e c o rd ’s A N AS T A CI A. D e at on h as c r eat ed a hy br id of d anc e r e mix a nd “ re pr od uc t i on ” of h it s on gs , f r o m g en res ra ng in g f r o m r oc k t o c ou nt ry t o L at i n t o s ho wt u nes . B ME w il l m a rk et De at o n’s ex is t i ng da nc e mix a nd re pr od uc t i on c at al og ue t o t he F i l m an d T e l ev is io n in dus t ri es , as w el l as r ep De at o n f o r s pec ia lt y pr od uc t i on a nd s c or in g p r oj ec t s . (P u bl i s hi n g & M as te rs Co nt r ol l e d)

N e i l H e r m a n (S taf f S o n gwr i ter )

W it h h is i nit ia l p rof es s i on al gi gs c o m in g at t he r ip e o ld ag e of 14, gu it a r- pl ay i ng N ei l H e r m an s oo n f o r me d h is o w n b an d T H E P R ES S. Th e b an d, wh ic h H er m an pl ay ed gu it a r a n d wr ot e s o ngs f o r, was n a me d bes t b an d i n t he M a ry l an d/ D. C. ar ea an d s ec u re d a r ec or d de al w it h CA PI TO L RE C O R DS. Wit h a nu m be r of s i ng les r el eas ed (p ro duc ed by C R A C K T H E S KY ’s J O H N P AL U M BO ) a nd a n ex t ens iv e t ou r s c he du le, H er m an f ou nd h is s on gs be in g rec or de d by ot he r in de pe nd ent a rt is t s , w it h o ne s o ng be in g t ap pe d as t h e t he m e f or ma jo r D. C. roc k ra di o s t at i on 98 RO C K. F oc us in g o n s on g wr it i ng, he h as g on e o n t o w in t he BI LL BO A R D a nd R O C KY M O U N TAI N S O NG C O N TE S TS, s i gn w it h m us ic p u bl is h er B M E, an d h av e h is s o ngs a pp ea r o n Sat ur day Ni ght Liv e an d Nic k el od eo n. S p lit t in g h is t i me bet w ee n N e w Y ork a nd N as hv i ll e, He r ma n is e nj oy i ng c o ll ab or at i ng w it h t op s on g wr it e rs a nd art is t s i n b ot h c it i es . (P ubl i s hi n g & Ma s t e rs C on t r ol l e d )

M a t t K i n g (S taf f S o n gw r i ter ; R ec or di n g A r ti s t)

A f t e r a s t int o n At la nt ic R ec o rds , K in g we nt bac k t o h is ro ot s ( he c o m es f r o m t h e H at f i el d c l a n, as i n t h e HA T FI EL D S & Mc C OY S) t o bec o me on e of t he m os t u ni qu e s i n ge r/ s o ng w rit ers t o e me rg e f ro m N as hv il le i n r ec e nt y ea rs . H is s o un d a nd s o ngs hav e b e en r ef e rr ed t o as Bo b Dy la n me et s St ev e Ea rl e, f o rg in g a s t y le t hat mix es ro ot s mus ic a n d s m art ly r ic s , t ouc hi ng t he he art a nd s ou l of a c ros s br ee d of l is t e ne rs . H e h as w r it t en, r ec o rd ed an d pe rf o r me d wit h a wi de ra ng e of a rt is t s i nc l ud in g A LI S O N K R A US S, E A R L S C R UG GS, DA VI D WI L CO X, S NE AK Y PE T E, R OB E R T EA R L KE E N J R. an d H OO TI E & T H E BL O W FI S H. K in g, b ook ed by M ont er ey Art is t s an d ma na ge d by TB A’s B ob T it l ey , is b us y wr it i ng f o r h is upc o mi ng s ol o pr oj ec t , wo rk i ng w it h a lt e rn at iv e roc k an d ro ot s c ou nt ry a rt is t s , a nd is a bo ut t o e m ba rk on a ne w f i l m pr oj ec t as a t r ip le -t h re at a rt is t / s o ng w rit er/ ac t o r. (P u bl i s hi n g & M as te rs Co n tr ol l e d )

R o b e r t E l l i s O r r a l l (Cl i e nt - R ec or di n g A r ti s t; Pr o d u cer )

R o b ert El lis O rr al l h as ha d T op 40 h it s as a s o lo a rt is t on t h e po p a nd c o unt ry c ha rt s , a n d is k n o wn as o ne of t he m os t m u lt if ac et ed t a le nt s i n N as hv il le. H i s h it “B oo m! I t W as O v e r” s o li dif ie d O rr al l’s s o un d t h at is r e mi nis c ent of a me lo dic H uey L e wis , an d h is c at c hy c o mp os it io ns hav e be en c ov er ed by a rt is t s as div ers e as c ou nt ry s u pe rs t a rs D I A MO N D RI O, RE BA M C E N TI RE a nd RI C KY SK AG GS t o F ra nc e ’s RO C H VOI SI NE, l at i n a rt is t P A T TI MO N T E RO LA, an d p op art is t O LI VI A NE W T O N-J O H N. Ri di ng hi g h wit h f i l m a n d s ou ndt rac k h it s “ Ult i mat e” ( rec or de d by LI N D SA Y LO H A N f or t h e f i l m “ F RE AK Y F R I D AY ”) an d “S u m me rt i m e G uy s ” ( rec or de d by N I K KI CL EA R Y f or t he D is ney f il m “ KI M P O SSI BL E” ), O rr al l has b ee n bus y p ro duc in g N as hv il le a rt is t C A R OLI N A R AI N, t he n e w p o p p ro jec t M O N KE Y B O WL, E ng la nd ’s S O ME T HI N G J O NE S a nd 1 7-y ea r- ol d p op f e m al e L I N DSI W EA VE R, al l f o r t h e h ip I nt e rn et l ab el I N FI NI T Y CA T. B ME is r ep res ent in g O rr al l’s n e w c r eat iv e w o rk s , l ic e ns i ng t he m as t ers f or f il m a nd t el ev is io n us es , an d d ev el op in g p ro jec t op po rt u nit ies f or hi m. (M as te rs Co nt r ol l e d; P ubl i s hi n g C oo r di na te d )

C e d r i c S a m s o n ( Cl i en t - S on gw r i t er , Pr o d uc er , V ocal A r r an ger )

G R A M M Y- no m in at e d C ed ric S a ms o n t r av e ls bet w ee n h is So ut h Af ric an ho m el an d t o t h e U . S. , br in gi ng his u ni qu e t a le nt s t o n e w p ro duc t io n p ro jec t s . P HI L RA M O NE rec ent ly c al le d o n S a ms o n t o w rit e an d p ro duc e t r ac k s f o r t he AI DS be nef it a lb u m “ So ngs F o r L if e, ” p ro duc in g a rt is t s MI RI A M MA KE BA, P A T TI L AB EL LE, J U D Y CO LLI N S, BI LL Y G I L M A N a nd t he H A RL E M B OY S C HOI R. H is w ork as a pr od uc e r/ wr it e r w it h w or ld - r e no w ne d s t ars s uc h as H UG H M AS EK EL A, Mi ri a m M ak e ba an d J O H N N Y CL EG G h as b r ou ght h i m ac c la i m i n t h e po p, r oc k a nd w orl d mus ic ma rk et s , an d his s c or in g f o r f i l ms s uc h as t he SI D NE Y P OI TI E R s t a rr er “ MA N D EL A A N D D E KL E RK ” h as a ll o we d h is p r o wes s as a m us ic i an, c o mp os e r an d a rr an ge r t o s h in e. Sa ms on ’s f ort e f o r v oc a l a rr a ng in g has b ee n ut i liz ed by t h e lik es of ALI CI A KE YS a nd D A VI D F OS T E R. B M E is a d m in is t e ri ng a nd r ep res ent in g Sa ms on ’s c at a lo gu e, as w el l as d ev e lo pi ng n e w p r od uc t i on an d s o ng w rit in g o pp ort un it i es f o r hi m int o n e w a rt is t an d f il m pr oj ec t s . ( P u bl i s hi n g & M as te rs Co nt r ol l ed )

T h e S c o l d e e s ( Cl i en t – A r ti s t, S o n gw r i ter )

F r o m “ T H E H O WA R D S T E R N S HO W ” t o t h e KE R R VI L LE FO LK FE S TI V AL, Th e Sc ol de es h av e c raf t ed a mix of Fo lk / P op t h at br in gs t he s t y l es of Ed ie B ric k el l a nd Fl eet w oo d M ac s m ac k i nt o 2 00 4. A lo ng w it h p erf or m in g on b il ls w it h t h e l ik es of N A N C Y WI LS O N, J O H N S E BA S TI A N a nd DA N HI CK S, t he b an d’s NA N C Y SI RI A N NI a nd J A C K HO F F M A N hav e h o ne d t he ir c r af t t o wa rds c re at i ng r ad io f r ie nd ly hit s (c u rr ent ly m ult i-f or m at pl ay on ov e r 2 5 0 s t at i ons ) wit h u ni qu e G re en w ic h Vi ll ag e a pp ea l. W it h t w o s uc c es s f u l a lb u ms i n r e le as e, an d a n u mb er of f i l m an d t e lev is i on lic ens es un de r t h ei r be lt , Th e Sc ol de es hav e c hos en B M E t o re pr es e nt t he m ex c lus iv e ly i n t he s y nc hr on iz e d us e a re na, an d ar e a l re ady c re at i ng m us ic f or a n u mb er of t e lev is i on pr oj ec t s . ( Pu bl i s hi ng & Mas t er s C on t rol l e d )

S l a u g h t e r / Ma r k S l a u g h t e r ( Cl i en t - S on gw r i t er , Ar ti s t)

A s t he f ou nd er, f r ont m an an d s on g wr it e r f o r t he s e mi na l roc k ba nd of t he ea rly 1 99 0’s – S l au ght er – Ma rk Sl au ght er br ou ght a un iq ue m us ic a l s e ns i bi lit y t o t he la nd of ha ir b an ds a n d h ar d r oc k . Se ll in g mi ll io ns of a lb u m, wit h r oc k s t an da rds s uc h as U P A LL NI G H T an d F L Y T O T HE A N GE LS, as w el l as c o mp os i ng m us ic f o r f il ms s uc h as t he t he m e t o “ BI L L & T E D ’ S BO G US J O U R N EY, ” Sl au ght er has b ec o m e k no w n as muc h f or h is s on g wr it i ng an d p r od uc t i on as f or his roc k in g p erf or m anc es . W it h t he ba nd en joy in g a hi gh ly s uc c es s f u l N o rt h A me ric an t o ur wit h Wa rr ant a nd Wh it es nak e d ur in g t he p as t y e ar, Ma rk ' s p ro lif ic c r e at iv it y ex p an de d i nt o s uc h d iv e rs e w or lds as c re at i ng ne w s p ort s m us ic c u es f o r FO X S P O R TS, c o m pos in g/ p ro duc in g j in gl es s uc h as h is n e w t h e me f o r A LA D DI N H O TE LS an d C A SI N OS, w ork i n an i mat io n as a s on g wr it e r, c o mp os e r an d v oic e- ov e r art is t , dev el op in g a ne w ge ne rat io n of y ou ng r oc k a rt is t s , an d c re at in g m us ic f or v ar io us f il ms . W he n y o u n e ed t h e re al d ea l – a ut h ent ic roc k a nd roc k mus ic – B ME an d M ark S la ug ht e r ar e r ea dy t o b ri ng it t o y ou. ( Ne w M as te r s & Pu bl i s hi ng Co nt r ol l ed ; Pa s t M as te r s /P u bl i s hi ng C o o rdi n at ed )

R i c h S n y d e r (Cl i e nt - S o n gwr i ter , A r ti s t)

R ic h Sny de r h as ma de his m ark as a c l as s ic s on g wr it e r a nd c re at iv e rec or di ng art is t . P r ev i ous ly o n U nit ed Art is t R ec o rds , he is c ur re nt ly i n t h e m id dl e of h is n e wes t r ec o rd in g p r oj ec t , f oc us i ng on his u ni qu e a pp ro ac h t o jaz z rec or di ngs of c l as s ic A m er ic a n s t an da rds . As a s on g wr it er, Sny de r is bes t k no w n as t he w r it e r of t h e s e mi na l BA R BA R A S T R EI SA N D t it l e c ut – “S up er m an, ” al on g w it h a r an ge of ot he r rec or di ngs f r o m art is t s i nc lu di ng PA U L A NK A an d D R. H O OK. S ny d er c o nt i nu es t o be a f orc e in b ri ng in g s t an da rd s o ng w rit in g ap pr oac hes t o t he Nas hv i ll e m us ic al l an ds c a pe. (P u bl i s hi n g & M as te r s C o n t rol l e d )

R i c k W a ke m a n (Cl i e nt – A r ti s t; C om p os er ; P r o du cer )

R ic k W ak e ma n is bes t k n o wn as t h e s up ers t ar k ey bo ar d w iz a rd of t h e pr og res s iv e r oc k b a nd YE S. H e h as als o f o un d s uc c es s in h is u ni qu e s o lo a lb u ms , s uc h as “J ou rn ey T o T h e C ent er Of T h e Ea rt h ” an d “ T he M y t hs a nd L eg en ds of K in g Art hu r, ” w h ic h m ix ed r oc k s on g wr it i ng a nd p ro duc t io n, c l as s ic al s c o ri ng an d c ha m be r m us ic , ut i liz in g a r oc k e ns e mb le, t h e LO N D O N SY M P HO N Y an d LO N D O N C H A MB E R C H OI R. W ak e ma n, w hos e c ar ee r h as a ls o enc o mp as s e d r ec o rd in g wit h a rt is t s s uc h as B LA C K SA BB A T H, A L S T E W A R T a nd D A VI D BO WI E, is c ur re nt ly e nj oy i ng d ua l s uc c es s , t o ur in g t o s up po rt bot h h is ne w s o lo re le as e ( Out T h er e – by R ic k W ak e m an a nd t h e Ne w E ng lis h R oc k E ns e mb le ) an d a re juv en at e d Y es , wh ic h is t ou ri ng t o c e le br at e t he ba nd ’s 3 5 t h a n niv ers ary , a nd wi ll s o on be r ec o rd in g a hi g hly a nt ic ip at e d ne w s t u di o a lb u m. C o m b in in g h is r oc k ex pe ri enc es an d h is f o r ma l t ra in in g i n c l as s ic al pi an o an d o rc hes t rat io n, W ak e m an has a ls o be en he av i ly inv olv ed in f il m s c o ri ng an d s o un dt r ac k p r od uc t i on, inc lu di ng t he his t or ic W int er Oly m pic s “ W HI TE R O CK ” pr oj ec t s , “ C R E EP S HO W 2, ” “ T HE B U R NI NG, ” KE N R U SS EL L’s “ C RI M ES O F PA SSI O N” an d “ LI S Z TO M A NI A, ” a nd t h e MI C H AE L C AI N s t a rr er “ MI D NI G H T I N S T. PE T E RS B U RG. ” B M E is re pr es e nt i ng W ak e m an f or s c or in g, p ro duc in g, s o ng w rit in g a nd lic ens in g o pp ort un it i es f or f il m an d t e lev is i on . (P ubl i s hi n g & Ma s t e rs C on t r ol l e d )

N a r a d a Mi c h a e l W a l d e n (Cl i e nt - S o n gwr i ter , P r o du cer , Ar ti s t)

W it h a s t r in g of #1 hit s f ro m a rt is t s ra ng in g f r o m W HI T NE Y HO U S TO N t o M A RI A H C A RE Y, A R E T H A F RA N KLI N & G EO R GE MI C H AE L t o S TA R S HI P …. . wit h G R A M MY A WA R D S f o r P r od uc e r of t he Ye ar, Al bu m of t h e Ye ar an d S on g of t he Ye ar, E m my A wa rds an d A C A D E MY A WA R D n o mi nat io n. . . . . N ar ad a M ic h ae l W al de n has c l ai m ed h is pl ac e a m on g t he el it e of a ll -t i m e m us ic pr od uc e rs an d s on g wr it e rs . H is c ur re nt w ork i nc l ud es p r od uc t i ons o n art is t s as d iv e rs e as W Y NO N N A, J A M ES B R O W N a nd E gy pt ’s HA KI M, s on g wr it i ng w it h roc k a rt is t s E D WI N Mc C AI N a nd R O BBI E WI L LI A M S, an d p ro jec t s f o r v ar io us c ha rit ab le c a us es ( inc lu di n g t he B re as t C anc er Soc iet y , L euk e mi a Soc iet y , an d t he R ai nf o res t F o un dat io n). A lo ng w it h b ui ld in g ne w s t a rs ( T EVI N C A M PB EL L, S HA NI C E, D T B ) a nd wo rk i ng wit h s up ers t ars (J E F F BE C K, LE VE L 42, S T EV E WI N WO O D), h e is p l ac i ng a re ne w ed e mp has is o n Fi l m a nd T el ev is io n mus ic p ro duc t io n a nd c o mp os it io n ( h e has b ee n ins t ru m ent al in ma jo r s ou ndt rac k s s uc h as “ T H E BO D YG U A R D” an d “ S T U AR T LI T T LE ”). ( Pu bl i s hi n g - c o n tr ol l e d o r c o o rdi n at ed )

J o e W o l f e ( Cl i en t - S on gw r i ter , Pr o d uc er , Pr o gr am m er , Ar ti s t)

T h e mu lt if ac et ed W olf e b ri ngs his s k il ls as a s on g wr it e r, p ro duc er, pr og ra m m er, an d a rt is t t o h is w ork . H e rec ent ly rec eiv ed w o rl d wi de ac c l ai m as a w rit er a nd p ro duc er f o r L I O N EL R I T C HI E (i nc lu di ng c o - wr it i ng/ c o- pr od uc i ng t h e hit “ C in de re ll a” ) an d pr od uc e d l iv e m ix es f o r t he R O LLI N G S TO N ES p erf or m anc e at t he T o ro nt o S A RS b en ef it . W o lf e is c urr e nt ly on t o ur as t h e k ey b oa rd p ro gr a m me r f or E A R T H, WI N D & F I RE, w h ic h f o ll o ws p as t t o urs w it h t he lik es of E RI C CL AP T O N a nd P HI L C OL LI NS. I n a dd it i on t o h is s on g wr it i ng an d p ro duc t io n f o r ot he r art is t s , h e h as r el eas ed h is o w n j az z a lb u ms (v ia h is L . A. J A Z Z SY N DI C A TE ), j us t r el eas ed his n e wes t ur ba n/ d anc e/ e lec t ro al bu m un de r t h e m o n ik e r U R BA N NO M A D an d has c o m pos ed an d w rit t en s o ngs o n T V an d f i l m pr oj ec t s , s uc h as “S O U T H C E N T RA L, ” “ FA KI N’ D A F U N K, ” an d “ T H E Q UE E N L A TI FA H S HO W. ” W o lf e mos t rec ent ly s c o re d t h e a w ar d- w in ni ng s ho rt f i l m “ LA S T NI G H T WI T H A N GE L, ” an d s ec u re d s on g p lac e me nt s in t he U SA CA BL E NE T W O RK/ S CI - FI C HA N N E L f il ms “B U GS ” a n d “ T H E HI D D E N S E C RE T S O F M. NI G H T S HY A MA LA N. ” B ME is re pr es e nt i ng W o lf e ’s c at a lo gu es f o r mus ic l ic e ns i ng, a nd W olf e f o r n e w o pp o rt u nit ies in art is t a nd f il m m us ic p r od uc t i ons . (P u bl i s hi n g & M as te rs Co nt r ol l e d)

L a b e l s – P u b l i s h e r s

C a l a R e c o r d s ( Cl i en t - R e c or d La b el /M us i c P u bl i s h er – Cl as s i cal )

C a l a Rec or ds , a U . K. bas ed c l as s ic al m us ic r ec o rd la be l, w as l au nc h ed i n 1 99 1 by i nt er nat io na lly r en o wn ed c o nd uc t o r GE O F F RE Y SI MO N, wh os e h is t o ry of e ng ag e me nt s i nc lu des t h e L O N DO N SY M P HO N Y, T HE P HI L HA R M O NI A, R OY AL P HI L H A R MO NI C an d I S RA EL P HI L H A R MO NI C o rc h es t r as . J E RE M Y S WE R LI NG, w hos e bac k gr ou nd i nc l ud es p os t s wit h t h e SA C R A ME N T O, I N DI A N AP OLI S, N O R T H E AS T T EX AS a nd I ll in ois ’ D A N VI LL E S Y MP H O NY w as br ou ght in t o ru n t he U. S. o pe rat io n. C al a’s c at a lo gu e of o v e r 10 0 a lb u ms s p ans ge nr es f r o m Cl as s ic al an d me di ev a l c h ant t o B ar oq ue an d R o m a nt ic an d m or e, pe rf o r me d by w or ld -c l as s orc hes t ras i nc l ud in g t he L on do n Sy mp ho ny O rc hes t ra, t h e Lo nd on P hi lh ar m on ic , LE OP OL D S T OK O WS KI w it h t h e P HI L A DE LP HI A O R C H E S T RA, t h e N E W Y O RK P HI L HA R M O NI C p ri nc i pa ls , an d t he un iq ue e ns e m bl es t h at c o mp ris e t he la be l’s t ra de m ark “L on do n S ou nd ” r ec o rd in gs . C al a’s div ers e r ep ert oi re of m u s ic i nc l ud es c l as s ic s by W AG N E R, M O ZA R T, BE E T HO VE N, DE B US SY, T C H AI K OV SK Y, a n d D VO R AK, as w el l as n e w s t a nd ar ds by B E R NS T EI N, G E RS H WI N, a nd EL LI NG T O N. B M E is p ro ud t o re pr es e nt t h es e s pec t ac u la r rec or di ngs an d a rr an ge m ent s , as w el l as t h e C a l a t al ent s f or lic ens in g a nd c r eat iv e op po rt u nit ies in t he f i l m, t e lev is i on, t ra il er an d c o m me rc i al m ark et s . ( Al l M as te rs an d M os t P u bl i s hi n g C o nt r ol l ed )

D y n a m i k Mu s i c (Cl i e n t - R ec or d La b el - Tr a nc e, El e ctr o ni ca, H o us e )

U . K. - bas ed Dy n a mik has b ee n r ep res ent in g a c a dr e of i nd ep en de nt r ec o rd l ab els , art is t s a n d re m ix e rs s inc e 19 94 al l at t he f o ref ro nt of t h e E U RO PE A N D A N CE M USI C ex p los io n. T h e s t y les t hey r ep res ent inc lu de T ec hn o, Tr anc e, Ho us e, a nd El ec t r on ic a/ Bi g Be at . W it h art is t s an d t rac k s f ro m E ng la nd t o H ol la nd t o G er m any , t he c o m pa ny re pr es e nt s m i x es by s up ers t ar BI G A U DI O DY N A MI TE, u nd er gr ou nd c l ub f av es F R I S C O, E S PI O N AG E, S KY BO X a nd m a ny mo re. Dy na m ik ’s n ot a bl e s uc c es s es inc lu de s ig ni ng t h e m u lt i- m il li on s el li ng s in gl e " Ch il dr en " by RO BE R T MI LE S w hic h s t ay ed in t h e UK t op 1 0 f or a n a maz in g 13 w e ek s , as w el l as hav in g re pr es e nt e d t he i nt e rn at i on al l ic e ns i ng f o r s uc h na m es as SO NI Q UE ( "I P ut A Sp el l On Y ou "), F A T BO Y SLI M, R O MI N A J O H NS O N, C H I C A NE ( " Of f s h or e" )a nd L U T RI CI A M C NE AL ( R& B d iv a w ho s c o re d f iv e UK t o p t e n h it s i n t h e mi d- ni net ies ). Dy n a mik is v e ry ex c it e d t o hav e B M E b ri ng t he ir t al ent an d t r ac k s t o t h e F il m, T e lev is i on an d C o m me rc i al i nd us t r ies . ( Al l M as t e rs c o nt r ol l ed ; s o m e P ubl i s hi n g c on t r ol l e d )

H a d l e y M u s i c G r o u p (Cl i e nt - M us i c P u bl i s her )

H a d ley is bes t k n o wn as t h e ho m e of t he Un iv e rs a l S out h’s BE RI N G S T RAI T. T his gr ou p h a ils f ro m R us s i a an d h as f or ge d a un iq ue c o unt ry / b lu eg ras s s ou nd, w h ic h ga rn er ed t h e m a G RA M M Y no m in at i on on t h ei r d eb ut s in gl e r el eas e. N ot wit hs t a nd in g t he gr ou p a p pr oac h, t h e i nd iv i du al m e m be rs of t his g ro up ar e v irt uos o mus ic i ans an d s on g wr it e rs , c r e at i ng m us ic in t he v ei n of No ra h J o nes , Al an is M or is s et t e, Mat c hb ox 2 0, a nd M a do nn a. W it h t h e ba nd c ur re nt ly r ec o rd in g t he ir s op ho m or e al bu m, B M E is a ls o b ri ng in g at t ent io n t o t hes e in div id ua l t al ent s f or f i l m an d t e lev is i on p ro jec t wr it i ng, a nd s pec ia l c ol la bo rat io ns wit h po p an d r oc k art is t s an d s on g wr it e rs . (M os t P ubl i s hi n g & M as te r s C o n t rol l e d)

I n f i n i t y C a t R e c o r d s (Cl i e nt – R e cor d La b el – R o ck, P o p, P os t- P u nk)

I nf i nit y C at R ec o rds is m ak i ng a nat io na l n a me f o r t h e ms e lv es t h ro ug h t h ei r ag gr es s iv e s up po rt of t h ei r a rt is t s ’ c r eat iv e an d u ni qu e v is io ns . Th e l ab el has s ig ne d a w id e a rr ay o f a rt is t s , f r o m t h e R OB E R T E LLI S O R RA LL p op pr od uc t i ons o n t h e ba nds S O ME T HI N G J O NE S, M O NK EY B O WL, a nd 1 7-y ea r- ol d f e ma le p ops t er LI N D SI W EA VE R, t o Liv er po ol ’s A N D Y WE S T, Ch ic a go ’s p o we rp unk b an d I NV E R TE D, an d t h e dis c or da nt p unk - wav e b an d T H E SE X. Ex c e rpt s a bo ut I nf in it y C at f r o m a rec ent art ic l e in a VI L LA GE VOI C E m a g az i ne rav e “ F e w s ub jec t s ar e of f -l i mit s …. . ; …a v ib ra nt c lut t er of v i nt a ge a m ps …. . an d p as t ed s c ra ps of po p-c ult ur e f l ot s a m …. . ; …s o me of t h e c it y ’s mos t i nt ri g ui ng un de rg ro un d a rt . ” Al l t h is ref ers t o m us ic a l c h oic es t hat r an ge f ro m M o nk ey B o wl ’s n at i on al h it “A L G O R E” ( wh ic h f eat ur es t he ex -V P hi ms elf ! ) t o t he t ec hn o/ n ois e gr ou p S N UG ( w hic h f eat ur es o ne of t h e me m be r’s g ui ne a pi g). M a rk et ed v i a t he I nt e rn et an d liv e p e rf o r ma nc es , B M E is b ri ng i ng t h e i nf i nit e w or ld of I nf in it y C at t o t he c r eat iv e w or lds of H o l ly wo od an d b ey o nd. (A l l M as t e rs & M os t Pu bl i s hi ng Co nt r ol l ed )

S o n i c V o o d o o M u s i c (Cl i e nt – R ec or d L a bel & M us i c P u bl i s her )

O w n ed by R A LP H H E M E CK E R as a s ubs id ia ry of his M Y T HI C F I L M S pr od uc t i on c o m pa ny , S o nic Vo od oo is w ork in g wit h t a l ent ed art is t s d is c ov er ed by H e mec k er, w h os e v is i on is t o f in d c o m me rc i al ly v ia bl e art is t s b as e d in c r eat iv e int eg rit y … a rt is t s w hos e roc k a nd po p s t y li ngs f in d i ns t a nt c o nn ec t i on t o t o day ’s au di enc es . Th e l ab el ’s d eb ut r el e as e by T o r ont o’s C O R MA C C L EA R Y, is a c ont e mp or ary w o rk t hat s t a nds u p al on g t od ay ’s r oc k ic o ns , as m ent io ne d in a r ec e nt rev ie w by S U M M Ma gaz in e: “ Wit h c a pt iv at i ng me lo di es a l on g t h e l in es of C O L DP LA Y a nd s t ag e pr es e nc e al on g t h e li nes of RA DI O HE A D, C or m ac d e m an ds t o be bot h s e en an d h ea rd. ” C or m ac h as a lr ea dy h ad m ult ip le s on gs us ed i n t h e w o r ld w id e t el ev is io n hit “ WI T C H BL A DE ”, inc lu di ng h is or ig in al c o m pos it i on “ P HO BI A ” an d h is c ov e r of t h e AL VI N L EE c l as s ic “I ’ D L OV E TO C H A N GE T H E W O RL D, ” an d d eb ut e d as a n ac t o r ( ro le of a …r oc k mus ic i an! ) i n o ne ep is o de. T he C D “ CO R M A C” is a lr ea dy m a k i ng t h e H ol ly wo od r ou nds , c o nc u rr ent t o t h e buz z t h at is be in g he ar d ar ou nd t h e w o r ld. B M E is ha ppy t o b e ad m in is t e ri ng S on ic V oo do o M us ic a nd h el pi ng t o g et C or m ac a n d H e mec k er ’s n e w dis c ov e ri es t o t he e ars of i nd us t ry t as t e mak ers . ( A l l Ma s t e rs & P u bl i s hi n g C o nt r ol l ed )

Film/TV Production - Marketing

B E N Ma r k e t i n g G r o u p (Cl i e n t - M ar ke ti n g & Pr o m oti ons A g en cy )

B E N M ark et i ng, r ec e nt ly pu rc h as e d by t o p adv ert is i ng ag e nc y O GI L VY A N D M A T HE R, h as b ec o me o ne of t h e p re m ie r ma rk et in g/ p ro m ot i ons ag enc ies i n t h e c o unt ry . Wit h c l ie nt s s uc h as C O CA - CO LA, H OLI D AY I N N, L O WE ’S, S PE N C E R’ S GI F TS, SE A- D OO, C A S T RO L a n d ot h ers . BE N has ho ne d it s s t rat egy of b ra nd es s enc e o n b eh alf of it s c li ent s an d p r o mot io ns p art ne rs . T hr ou gh a s t r at e gic a ll ia nc e w it BE N, B M E w il l br in g it s r e lat io ns h ips an d ex p ert is e in t h e a re a of i nt e rf ac in g m us ic a nd ent ert ai n me nt pr oj ec t s , t al ent s an d p ro pe rt i es t o BE N ’s c r eat iv e c onc ept t ea m. B ME w il l b e t he ac c es s c on du it b et w ee n B E N a nd t h e e nt e rt a in m ent i nd us t ry , an d als o c o nc e pt an d p ro duc e s pec ia lt y m u s ic pr od uc t s f o r B E N a nd t he ir c li ent s .

C r y s t a l L a ke E n t e r t a i n m e n t (Cl i en t - Fi l m Pr o d u cti on C o m pa ny )

T h is L A- bas ed f il m pr od uc t i on c o mp any is o w ne d by f a me d d ir ec t o r/ p ro duc er SE A N C U N N I NG H A M, a nd is bes t k no w n as t h e h o me of J as o n ( of “ F RI DA Y 1 3 t h” f a m e). Be in g r es po ns i bl e f o r m any of t he F r id ay 1 3 t h f il ms , C u nn in gh a m h as als o ha d s uc c es s es w it h a r a ng e of pr oj ec t s , me rg in g c u lt a nd ge nr e-s pec if ic f ar e wit h c o m m erc ia l v i ab il it y , i nc lu di ng i nv o lv e m ent in “ SP RI N G B R EA K, ” “ D EE P S T A R SI X ” a nd mo re. Cry s t al Lak e r ec ent ly c o m pl et e d “ T E R MI NA L I NV ASI O N, ” w h ic h ai re d o n t he S CI - FI N E T WO R K, a nd t h e s us p ens e t hr il le r “ EX T R E ME CL OS E- U P, ” w hic h is f i na liz in g d is t r ib ut i on, i n a dd it i on t o w o rk in g wit h WE S C RA VE N as t h e P ro duc e r o n t h e r ec e nt Ne w Li ne b ox - of f ic e s mas h “ F R E D DI E V S. J AS O N” f e at u re f il m. B M E s erv es as M us ic C ons ult ant a nd M us ic S u pe rv is or f or C ry s t a l L ak e an d it s pr od uc t i on pr oj ec t s .

M y t h i c F i l m s (Cl i e nt - Fi l m P r o du cti o n C om pa ny ; R e c or d La b el s u bs i di ar y )

T h r ou gh his My t hic F i l ms p ro duc t io n c o m pa ny , R AL P H HE M E CK E R h as bec o me on e of t h e m o s t u ni qu e m ult i-t al ent s i n H ol ly wo od: D i rec t or, P ro duc er, W r it e r an d Bus in es s ma n, w it h s uc c es s in bot h f i l m a nd t el ev is io n. Fr o m a s t int at Mi ra m ax d ur in g t h e ea rly day s of t he c o m pa ny t o s t ea dy w ork as a d ir ec t o r of c o m m erc ia ls a nd on -a ir p ro m os , t h e FO X N e t wo rk t ap pe d hi m t o d ir ec t ep is o des of it s t o p rat ed s h o ws “X - FI L ES ” an d “ MI L LE N NI U M. ” H o ni ng h is s t y le t h ro ug h his w o rk on p il ot s s uc h as t h e H EA T H L E DG E R s t ar re r “ R OA R, ” M T V’s “ D EA D A T 21, ” U SA N et w ork ’s hit “P A CI FI C BL U E, ” a nd t h e O R I O N PI C T U R E f i l m “A M E RI CA N D R AG O NS, ” He m ec k e r w as c a ll ed u po n by ex ec ut iv e p r od uc e rs O LI V E R S TO N E a nd D A N H AL S TE D t o di rec t t h e T V mov ie “ WI T C H BL A DE. ” T h e T N T/ WB f il m hit c u lt s t at us , a nd He m ec k e r was hi re d as t h e s h o wr un ne r/ ex ec p r od uc e r/ wr it e r of t h e “ WI T C HB LA D E” t el ev is io n s e ri es , w hic h h as go ne on t o u n pr ec e de nt e d w or ld w id e s uc c es s . T h is s uc c es s al lo w ed H e m ec k e r t o f ol lo w h is pas s io n o f mus ic -- l au nc h in g his n e w r ec o rd l ab el/ m us ic pu bl is h in g v ent ur e SO NI C VO O DO O as a v eh ic l e t o s y ne rg iz e his f il m/ t el ev is io n p ro jec t s wit h n e w a rt is t s t o c r os s - m ark et t h e m u s ic t o a w id e a ud ie nc e. T h e l ab el ’s d eb ut art is t , roc k er C O R M A C CL EA R Y, has j us t r e le as e d h is e po ny m ous ly n a me d C D in F eb ru ary 2 00 4. H e mec k er has w r ap pe d p r od uc t i on/ di rec t io n on t h e W B pi lot “ C H ASI N G ALI C E, ” a nd is wr it i ng t he f i l m s c ri pt “ B R OT H E R S F R A NK E NS T EI N” f or C A ME LO T PI C T U R ES. B ME s e rv es as Mus ic C o ns ult ant a nd M us ic S u pe rv is or f o r My t h ic F il ms , an d a d mi nis t rat or a nd adv is o r f o r S o nic Vo od oo ’s mus ic v e nt u res .