Daft Punk - Random Access Memories

Total Page:16

File Type:pdf, Size:1020Kb

Daft Punk - Random Access Memories Daft Punk - Random Access Memories Daft Punk's Random Access Memories | Pic source: Amazon.com Anyone who says, "Disco is Dead" is dead wrong about this one. For the album Random Access Memories, Daft Punk pulled away from Electronic Dance Music (EDM) to shine light on pioneers of discotheque, a genre that influenced many of their productions up to date. Each track fuses funky grooves, grand orchestral segments, and pop lyrics. The first song of the album, "Give Life back to Music" is an invitation to hear something new, but brings out feelings of nostalgia. I'd say every song has differences in tone, lyrical content and instrumentation. Daft Punk used tools and methods of an older era to create an organic, authentic-disco record. I've been wanting to write about this album since it's debut last year, because of its impact on people I know. There was much talk and speculation during their 2013 viral ad campaign which my friends and I religiously followed (including billboards, posters and limited screen time), but once the album hit stores I didn't hear as many discussions after that. In my opinion, people expected Random Access Memories to sound like, "Get Lucky," the instant-favorite featuring Nile Rodgers and Pharrell Williams. I can say with confidence that the rest of the album sounds nothing like it. This may be good or bad, as it gives an opportunity to hear something completely different ... Hope you like surprises! The album features vocals of contemporary artists, including Pharrell Williams (N.E.R.D., The Neptunes), Julian Casablancas (The Strokes) and Panda Bear (Animal Collective), I'm assuming this was to broaden their audience. Some fans of Daft Punk's previous works will recognize other collaborative musicians, such as Todd Edwards ("Face to Face"), DJ Falcon (Roulé) and Chilly Gonzales ("Too Long" remix). The robots worked with their inspirations, Giorgio Moroder (producer), Paul Williams (songwriter) and Nile Rodgers (CHIC). Hands down, Daft Punk put together an all-star cast. Whether it's a CD or LP, Random Access Memories comes with booklet inserts. I know this because I own copies of both, in addition to a limited edition box-set; unfortunately, I cannot review the box-set because it is unavailable on Amazon.com. The inserts include song lyrics, helmet diagrams, photographs and production credits. Excuse the quality, but my friend and I recorded a short un-boxing video the week of its release: [PLAY VIDEO] Also, "The Collaborators" was created to further explain the artists featured in the album. In essence, it's a series of mini documentaries that premiered weeks before the album's release to gain insight on those who helped make the robot's electric dreams become reality. The reason I like Random Access Memories so much is because the music brings people together, to an influential era, or time forgotten by some. The album defines analog recording in our digital age: music made in the 21st century using classical production techniques. The concept of time traveling through sound may have been difficult for some to accept right away, but that's okay. For those that ever doubted Random Access Memories, Daft Punk was nominated for five Grammy Awards this year: Record Of The Year Album Of The Year Best Pop Duo/Group Performance Best Dance/Electronica Album Best Engineered Album, Non-Classical -- And they won EVERY SINGLE ONE! So congratulations to some of my favorite musicians and all their efforts. If you would like to experience this album, "Let the music in tonight, /Just turn on the Music!" Random Access Memories is available on iTunes, Amazon, CD & Vinyl format. DJ Approved. *** Paris Matic is a mixed bag of talent and trivia that requires sorting. A former living-room DJ turned into vinyl enthusiast, music motivates her. Casual gamer & spectator; standard arcade junkie. Paris is a published writer and illustrator, available for discussion and collaboration. She enjoys blogging and would like to share her words with you. Paris wears her Cap on ReviewHat with pride. .
Recommended publications
  • AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
    AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr.
    [Show full text]
  • Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales.
    [Show full text]
  • Daft Punk, La Toile Et Le Disco: Revival Culturel a L'heure Du Numerique
    Daft Punk, la Toile et le disco: Revival culturel a l’heure du numerique Philippe Poirrier To cite this version: Philippe Poirrier. Daft Punk, la Toile et le disco: Revival culturel a l’heure du numerique. French Cultural Studies, SAGE Publications, 2015, 26 (3), pp.368-381. 10.1177/0957155815587245. halshs- 01232799 HAL Id: halshs-01232799 https://halshs.archives-ouvertes.fr/halshs-01232799 Submitted on 24 Nov 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. © Philippe Poirrier, « Daft Punk, la Toile et le disco. Revival culturel à l’heure du numérique », French Cultural Studies, août 2015, n° 26-3, p. 368-381. Daft Punk, la Toile et le disco Revival culturel à l’heure du numérique PHILIPPE POIRRIER Université de Bourgogne 26 janvier 2014, Los Angeles, 56e cérémonie des Grammy Awards : le duo français de musique électronique Daft Punk remporte cinq récompenses, dont celle de meilleur album de l’année pour Random Access Memories, et celle de meilleur enregistrement pour leur single Get Lucky ; leur prestation live, la première depuis la sortie de l’album, avec le concours de Stevie Wonder, transforme le Staples Center, le temps du titre Get Lucky, en discothèque.
    [Show full text]
  • Music Quiz Questions
    Music Quiz Questions Check the box for all answers or click on each question for its answer. New! is an addition in the last month. 157. Though denied by its author as the source of his inspiration, what musical work has strong resemblance to the story of a mythical village called Germelshausen that fell under a curse and appears for only one day every century? Brigadoon by Alan Jay Lerner and music by Frederick Loewe The story involves two American tourists who stumble upon Brigadoon, a mysterious Scottish village that appears for only one day every hundred years. Tommy, one of the tourists, falls in love with Fiona, a young woman from Brigadoon. Lerner, however, denied that he had based the book on an older story and stated that he didn't learn of the existence of the Germelshausen story until after he had completed the first draft of Brigadoon. 156. In December 1971, Frank Zappa and The Mothers of Invention were playing in a concert when the casino venue they were in caught fire due to an over-zealous member of the audience firing a a flare gun into the rattan covered ceiling. This is the true origin story of what rock classic? "Smoke on the Water" by Deep Purple The resulting fire destroyed the entire casino complex, along with all the Mothers' equipment. The "smoke on the water" that became the title of the song (credited to bass guitarist Roger Glover, who related how the title occurred to him when he suddenly woke from a dream a few days later) referred to the smoke from the fire spreading over Lake Geneva from the burning casino as the members of Deep Purple watched the fire from their hotel.
    [Show full text]
  • Donna Summer, Giorgio Moroder, and “I Feel Love”
    Thamyris/Intersecting No. 26 (2013) 43–54 Turning the Machine into a Slovenly Machine: Donna Summer, Giorgio Moroder, and “I Feel Love” Tilman Baumgärtel The track “I Feel Love” by Donna Summer still seems to come out of another world. Even though the song was produced three decades ago, it still sounds alien and futurist. And the world, out of which “I Feel Love” came, has been built out of loops, nothing but loops. The song rattles on and on like a machine gun. The loops appear deceptively simple at first. “I Feel Love” is based on the electronic throb of a pattern out of a few synthesizer notes the sequencer repeats over and over and occasionally transposes. But in the framework of these minimalist preconditions the track develops a field of rhythmic differences, deviations, and shifts. The blunt, mechanical thumping of a machine turns into complex polyrhythms, strict rule turns into confusing diversity, and eventually becomes an organism out of repetitions. Even Donna Summer herself eventually got lost in the confusing labyrinth of rhythms in “I Feel Love.” In this essay I want to show how producer Giorgio Moroder succeeded in trans- forming the clatter of the synthesizer loops of “I Feel Love” into an organic pulse with the help of a relatively simple production trick. Then, I want to discuss how “I Feel Love” systematically dissolves and collapses antithetical oppositions. This pro- duction trick not only lends an organic quality to the mechanical loops, but, in the process, amalgamates nature and technology on a musical level.
    [Show full text]
  • Front of House Master Song List
    CURRENT ROTATION CONTEMPORARY DANCE Love on Top – Beyoncé 24K Magic – Bruno Mars Moves Like Jagger – Maroon 5 All About That Bass – Meghan Trainor Mr. Saxobeat – Alexandra Stan All of Me – John Legend No One – Alicia Keys American Boy – Estelle & Kanye West OMG – Usher Applause – Lady Gaga One Kiss – Calvin Harris, Dua Lipa Bang Bang – Jessie J, Ariana Grande, Nicki Minaj Only Girl (in the World) – Rihanna Blurred Lines – Robin Thicke On the Floor – Jennifer Lopez Boom Clap – Charlie XCX Party In The USA – Miley Cyrus Born This Way – Lady Gaga Party Rock Anthem – LMFAO Break Free – Ariana Grande Perm – Bruno Mars California Gurls – Katy Perry Poker Face – Lady Gaga Cake By The Ocean – DNCE Raise Your Glass – Pink Call Me Maybe – Carly Rae Jepsen Rather Be – Clean Bandit ft. Jess Glynn Can’t Feel My Face – The Weeknd Roar – Katy Perry Can’t Hold Us – Macklemore & Ryan Lewis Rock Your Body – Justin Timberlake Can’t Stop The Feeling – Justin Timberlake Rolling in the Deep – Adele Cheap Thrills – Sia Safe and Sound – Capital Cities Cheerleader – OMI Sexy Back – Justin Timberlake Closer – Chainsmokers ft. Halsey Shake It Off – Taylor Swift Club Can’t Handle Me – Flo Rida Shape of You – Ed Sheeran Confident – Demi Lovato Shut Up and Dance With Me – Walk the Moon Counting Stars – OneRepublic Single Ladies – Beyoncé Crazy – Gnarls Barkley Sugar – Maroon 5 Crazy In Love / Funk Medley – Beyoncé, others Suit & Tie – Justin Timberlake Despacito – Luis Fonsi ft. Justin Bieber Take Back the Night – Justin Timberlake DJ Got Us Falling in Love Again – Usher That’s What I Like – Bruno Mars Don’t Stop the Music – Rihanna There’s Nothing Holding Me Back – Shawn Mendez Domino – Jessie J This Is What You Came For – Calvin Harris ft.
    [Show full text]
  • Nile Rodgers in New York City, 1991
    Nile Rodgers in New York City, 1991 68 MUSICAL EXCELLENCE Nile Rodgers HE CREATES A DISTINCTIVE SOUND ON THE RECORDS HE WRITES, PRODUCES, ARRANGES, AND PLAYS ON. BY ROB BOWMAN Nile Rodgers’ influence on popular music over the past forty years is nearly unfathomable. As a guitarist, songwriter, producer, arranger, and funkster extraordinaire, Rodgers has left his imprint on a stun- ningly wide array of genres including disco, R&B, rock, mainstream pop, hip-hop, and EDM. Looking over the breadth of his career, a case could easily be made that no single individual has had a greater impact on the sound of pop, from the late 1970s to the present day. ¶ Alongside his partner, bass player wunderkind Bernard Edwards, Rodgers wrote and produced hit after hit for Chic, Sister Sledge, and Diana Ross, tearing up both the dance floor and the radio. After Chic broke up and Rodgers and Edwards went their separate ways, Rodgers broke free of the disco moniker and reinvented himself, producing, arranging, and playing guitar on David Bowie’s come- back album, Let’s Dance (1983), and Madonna’s breakout album, 69 Like a Virgin (1984). Along the way he took INXS and Chic in their prime then Duran Duran to new heights with “Original Sin” with Rodgers and and “The Reflex,” respectively, and produced albums by Bernard Edwards Mick Jagger, Jeff Beck, the B-52s, and David Lee Roth. center stage, 1979 He played key guitar parts on Steve Winwood’s “High- er Love” and Michael Jackson’s HIStory. More recent- ly he cowrote and played guitar on Daft Punk’s “Get Lucky,” winning two Grammy Awards in the process.
    [Show full text]
  • Just the Right Song at Just the Right Time Music Ideas for Your Celebration Chart Toppin
    JUST THE RIGHT SONG AT CHART TOPPIN‟ 1, 2 Step ....................................................................... Ciara JUST THE RIGHT TIME 24K Magic ........................................................... Bruno Mars You know that the music at your party will have a Baby ................................................................ Justin Bieber tremendous impact on the success of your event. We Bad Romance ..................................................... Lady Gaga know that it is so much more than just playing the Bang Bang ............................................................... Jessie J right songs. It‟s playing the right songs at the right Blurred Lines .................................................... Robin Thicke time. That skill will take a party from good to great Break Your Heart .................................. Taio Cruz & Ludacris every single time. That‟s what we want for you and Cake By The Ocean ................................................... DNCE California Girls ..................................................... Katie Perry your once in a lifetime celebration. Call Me Maybe .......................................... Carly Rae Jepson Can‟t Feel My Face .......................................... The Weeknd We succeed in this by taking the time to get to know Can‟t Stop The Feeling! ............................. Justin Timberlake you and your musical tastes. By the time your big day Cheap Thrills ................................................ Sia & Sean Paul arrives, we will completely
    [Show full text]
  • Rob Stringer, Ceo Sony Music Entertainment, Receives the 2017 Music Industry Trusts Award
    ROB STRINGER, CEO SONY MUSIC ENTERTAINMENT, RECEIVES THE 2017 MUSIC INDUSTRY TRUSTS AWARD Rob Stringer, global CEO of Sony Music Entertainment, tonight became the 2017 recipient of the highly prestigious Music Industry Trusts Award. Stringer, one of the most well-regarded, respected and successful executives in the worldwide music business, joined the ranks of previous honourees including Roger Daltrey CBE, Sir Elton John & Bernie Taupin, Sir George Martin, Simon Cowell, Michael Eavis CBE and Annie Lennox OBE. In a London ceremony at the Grosvenor House Hotel, hosted by BBC radio and television personality Jo Whiley, Nicky Wire of Manic Street Preachers - an artist and band Stringer signed in 1991 as they were starting out – presented Rob with the award. During the evening, the audience enjoyed performances by Harry Styles, Jeff Lynne’s ELO, George Ezra and Camila Cabello, all chart-topping artists who have worked with the executive during his career. The esteem in which Stringer is held by the biggest names in music was further emphasised as guests viewed a unique tribute film, featuring contributions from such superstars as Bruce Springsteen, Barbra Streisand, Adele, Celine Dion, John Legend, Pharrell, Solange and Sade. Attendees on the night included Simon Cowell, Andy Fletcher (Depeche Mode), Ian Broudie (The Lightning Seeds), Kirsty Young, Steve Norman, Gary Kemp, Paloma Faith, Bring Me The Horizon, Mark Ronson, Laura Whitmore, The Script, Hozier, London Grammar, Damon Hill, Jeff Lynne, Manic Street Preachers. Celebrating its 26th year, the Music Industry Trusts Award is recognised as one of the true benchmarks of achievement in the UK music business, and continues to benefit great causes year after year.
    [Show full text]
  • Retrospective Analysis of Plagiaristic Practices Within a Cinematic Industry in India – a Tip in the Ocean of Icebergs
    Retrospective analysis of plagiaristic practices within a cinematic industry in india – a tip in the ocean of icebergs Item Type Article Authors Sivasubramaniam, Shiva D; Paneerselvam, Umamaheswaran; Ramachandran, Sharavan Citation Umamaheswaran, P., Ramachandran, S. and Sivasubramaniam, S.D., (2020). 'Retrospective Analysis of Plagiaristic Practices within a Cinematic Industry in India–a Tip in the Ocean of Icebergs'. Journal of Academic Ethics, pp.1-11. DOI: 10.1007/ s10805-020-09360-7 DOI 10.1007/s10805-020-09360-7 Publisher Springer Journal Journal of Academic Ethics Download date 27/09/2021 02:43:07 Link to Item http://hdl.handle.net/10545/624527 Journal of Academic Ethics https://doi.org/10.1007/s10805-020-09360-7 Retrospective Analysis of Plagiaristic Practices within a Cinematic Industry in India – aTip in the Ocean of Icebergs Paneerselvam Umamaheswaran1 & Sharavan Ramachandran2 & Shivadas D. Sivasubramaniam3 # The Author(s) 2020 Abstract Music plagiarism is defined as using tune, or melody that would closely imitate with another author’s music without proper attributions. It may occur either by stealing a musical idea (a melody or motif) or sampling (a portion of one sound, or tune is copied into a different song). Unlike the traditional music, the Indian cinematic music is extremely popular amongst the public. Since the expectations of the public for songs that are enjoyable are high, many music directors are seeking elsewhere to “borrow” tunes. Whilst a vast majority of Indian cinemagoers may not have noticed these plagiarised tunes, some journalists and vigilant music lovers have noticed these activities. This study has taken the initiative to investigate the extent of plagiaristic activities within one Indian cinematic music industry.
    [Show full text]
  • Performance in EDM - a Study and Analysis of Djing and Live Performance Artists
    California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 12-2018 Performance in EDM - A Study and Analysis of DJing and Live Performance Artists Jose Alejandro Magana California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Music Performance Commons Recommended Citation Magana, Jose Alejandro, "Performance in EDM - A Study and Analysis of DJing and Live Performance Artists" (2018). Capstone Projects and Master's Theses. 364. https://digitalcommons.csumb.edu/caps_thes_all/364 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Magaña 1 Jose Alejandro Magaña Senior Capstone Professor Sammons Performance in EDM - A Study and Analysis of DJing and Live Performance Artists 1. Introduction Electronic Dance Music (EDM) culture today is often times associated with top mainstream DJs and producers such as Deadmau5, Daft Punk, Calvin Harris, and David Guetta. These are artists who have established their career around DJing and/or producing electronic music albums or remixes and have gone on to headline world-renowned music festivals such as Ultra Music Festival, Electric Daisy Carnival, and Coachella. The problem is that the term “DJ” can be mistakenly used interchangeably between someone who mixes between pre-recorded pieces of music at a venue with a set of turntables and a mixer and an artist who manipulates or creates music or audio live using a combination of computers, hardware, and/or controllers.
    [Show full text]
  • 2019.11.29 WDR Bigband Funkhausorchester Und
    PRESSEMITTEILUNG WDR Big Band & WDR Funkhausorchester und Chilly Gonzales zu Gast bei den Ruhrfestspielen 2020 Der Vorverkauf für die zwei hochkarätigen Musik-Acts im Ruhrfestspielhaus läuft. Wenn das WDR Funkhausorchester auf eine der weltbesten Big Bands, die WDR Big Band, trifft, ist musikalisch plötzlich alles möglich. Wenn dann auch noch der Komponist und Trompeter Markus Stockhausen seine Finger mit im Spiel hat, gibt es keine Genregrenzen mehr. Der WDR Jazz-Preisträger von 2005 fühlt sich nicht nur im Jazz, sondern auch in der zeitgenössischen und klassischen Musik, sowie im Dialog mit anderen Musikkulturen heimisch. Der Sohn des berühmten Komponisten Karlheinz Stockhausen, mit dem er viele Jahre auch künstlerisch erfolgreich zusammenarbeitete, zählt damit zu den vielseitigsten Künstler*innen der Musikszene Nordrhein-Westfalens. Sein umfangreiches Schaffen ist auf über 90 CD- Einspielungen dokumentiert. Einst als Auftragskomposition der Camerata Bern und des Swiss Jazz Orchestra an Stockhausen herangetragen, ist der 2020 im Ruhrfestspielhaus präsentierte Abend mit dem Titel „Tanzendes Licht“ eine Hommage an das Werk Paul Klees. Nachdem der Musiker den direkten Bezug zu Klees Bildern als unpassend empfand, sah er selbst ein Bild vor seinem inneren Auge, das er vertonen wollte – die meisten Menschen kennen es: man steht an einem großen Gewässer, einem See, oder am Meer, die Sonne senkt sich und man sieht eine Lichtstraße auf dem Wasser: abertausende kleine tanzende Lichtfunken. Dieses Bild hat für Stockhausen etwas von der ewigen Seelenwanderung, die Funken entstehen und sind blitzartig wieder verschwunden. Aber alle tanzenden Funken zusammen sind das Leben, voll impulsiver Kraft. Und so vertonte Markus Stockhausen für diesen Abend ein Meer von abertausenden Lichtfunken.
    [Show full text]