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Programming and a Greater Paul Gordon, One of Today's Most Gifted Writers for the Repertoire Than Any Theatre J at the OLD GLOBE THEATRE JANUARY 2011 JANE AUSTEN'S A MUSICAL ROMANTIC COMEDY Welcome to THE GLOBE AT A GLANCE The sixth-largest regional theatre in the country, For some time now, I’ve been The Old Globe offers more wanting the Globe to work with programming and a greater Paul Gordon, one of today's most gifted writers for the repertoire than any theatre Woronowicz Katarzyna J. of its size. musical theatre. I'm delighted • • • that Jane Austen's Emma is As a not-for-profit theatre the project bringing him to the with a budget of $20 million, Globe. Austen’s beloved story the Globe earns $10 million of a young woman who knows in ticket sales and must raise what’s best for everyone but an additional $10 million from herself has a timeless quality and is the perfect story for a musical. Paul's individual and institutional treatment reveals the passions and energy of Jane Austen’s characters tax-deductible donations. with a contemporary filter while remaining truthful to this story. At its • • • heart, Emma is a romantic comedy, and there’s a full measure of both here. Ultimately, this adaptation reminds us that beneath the corsets and The Globe provides more frock coats, these vital young people are as confounded by courtship and than 20 different community love as we are today. and education programs to nearly 50,000 people I’m so pleased to welcome our director Jeff Calhoun back to the Globe. annually. Jeff is an acclaimed Broadway director and choreographer who will • • • create a world at the beginning of the 19th century that will capture the The Old Globe has sent 20 imaginations of audiences in the beginning of the 21st century. productions to Broadway I wish you a great time with these beloved seekers of love who you may since 1987. fall in love with all over today. • • • In 1987, The Old Globe/ University of San Diego Master of Fine Arts program was established to provide the highest caliber in training of young classical actors. Louis G. Spisto Executive Producer PERFORMANCES MAGAZINE 1 PRESENTS JANE AUSTEN'S EMMA A Musical Romantic Comedy MUSIC, LYRICS AND BOOK BY PAUL GORDON ADAPTED FROM THE NOVEL BY JANE AUSTEN SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Tobin Ost Denitsa Bliznakova Michael Gilliam John H. Shivers David Patridge ORCHESTRATIONS MUSIC DIRECTOR Paul Gordon and Brad Haak Laura Bergquist VOCAL AND DIALECT COACH CASTING STAGE MANAGER Robert Barry Fleming Telsey + Company Thomas J. Gates* MUSIC SUPERVISOR BRAD HAAK DIRECTED AND CHOREOGRAPHED BY JEFF CALHOUN Jane Austen's Emma was originally produced by TheatreWorks, Palo Alto, CA and was developed through TheatreWorks' New Works Initiative —————————————————— Old Globe Theatre, Donald and Darlene Shiley Stage January 15 - February 27, 2011 2 PERFORMANCES MAGAZINE THE CAST (in order of appearance) EMMA WOODHOUSE..........................................................................................................................................Patti Murin* MR. WOODHOUSE ..........................................................................................................................................Richert Easley* MISS BATES ....................................................................................................................................................Suzanne Grodner* MRS. BATES ......................................................................................................................................................Kelly Hutchinson* MRS. WESTON ...........................................................................................................................................Amanda Naughton* MR. WESTON................................................................................................................................................................Don Noble* MR. KNIGHTLEY ..................................................................................................................................................Adam Monley* MR. ELTON ............................................................................................................................................................Brian Herndon* HARRIET SMITH......................................................................................................................................................Dani Marcus* ROBERT MARTIN...............................................................................................................................................Adam Daveline JANE FAIRFAX ........................................................................................................................................Allison Spratt Pearce FRANK CHURCHILL ..........................................................................................................................................Will Reynolds* MRS. ELTON ....................................................................................................................................................Kelly Hutchinson* The ensemble also plays citizens of Highbury. Stage Manager ..................................................................................................................................................Thomas J. Gates* Assistant Stage Manager ......................................................................................................................Erin Gioia Albrecht* ORCHESTRA Conductor/Keyboard I ....................................................................................................................................Laura Bergquist Keyboard II ...............................................................................................................................................................Steven Withers Cello ...................................................................................................................................................................................Erica Erenyi Oboe/English Horn/Flute ..............................................................................................................................Deborah Avery Synthesizer Programming ...............................................................................................................................Steven Withers Orchestra Contractor ............................................................................................................................................Lorin Getline SETTING The village of Highbury, south of London, 1815. There will be one 15-minute intermission. PRODUCTION STAFF Associate Director ...............................................................................................................................................James Vasquez Assistant Scenic Design .......................................................................................................................................Sean Fanning Assistant Costume Design ..................................................................................................................Michelle Hunt Souza Assistant Lighting Design ...................................................................................................Amanda Zieve, Jason Bieber Assistant to Jeff Calhoun ......................................................................................................................................Nick Stimler Stage Management Interns ..........................................................................................Kathryn Habib, Hanako Justice *Member of Actors' Equity Association, the union of Professional Actors and Stage Managers in the United States. All musicians are represented by the American Federation of Musicians of the United States and Canada. Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher. PERFORMANCES MAGAZINE 3 Board 0f Directors Dear Friends, Thank you for joining us as we continue in our 75th Anniversary year! One of the reasons The Old Globe remains a force in American theatre is the variety of productions presented on our three stages, and this season is certainly no exception. This is definitely the beginning of another great year to be involved with the Globe. We’re so pleased that you are continuing to make the Globe an integral part of your lives. For 75 years, the Globe has relied upon its ever-growing family of dedicated subscribers, donors and volunteers to provide an environment for the development and education of theatre professionals, audiences, students and the San Diego community at large. Simply put, we could not thrive as the sixth-largest regional theatre in the country without the passion of your commitment and support. I am proud to be able to tell you, once again, that when you contribute to The Old Globe, you are making a sound financial investment in San Diego culture. For the past seven years, the Globe has enjoyed balanced budgets — no easy task for a not- for-profit performing arts institution, particularly in recent years of serious economic challenges. And we look to you to help us continue this trend in 2011. It has been my privilege throughout the last two years to serve as The Old Globe’s Board Chair and work with the Globe’s dedicated Board of Directors, devoted volunteers, generous donors, talented actors and hard-working staff. Thank you for being here
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