at the OLD GLOBE THEATRE JANUARY 2011

JANE AUSTEN'S

A MUSICAL ROMANTIC COMEDY Welcome to

THE GLOBE AT A GLANCE

The sixth-largest regional theatre in the country, For some time now, I’ve been The Old Globe offers more wanting the Globe to work with programming and a greater Paul Gordon, one of today's most gifted writers for the repertoire than any theatre J. Katarzyna Woronowicz of its size. musical theatre. I'm delighted • • • that Jane Austen's Emma is As a not-for-profit theatre the project bringing him to the with a budget of $20 million, Globe. Austen’s beloved story the Globe earns $10 million of a young woman who knows in ticket sales and must raise what’s best for everyone but an additional $10 million from herself has a timeless quality and is the perfect story for a musical. Paul's individual and institutional treatment reveals the passions and energy of Jane Austen’s characters tax-deductible donations. with a contemporary filter while remaining truthful to this story. At its • • • heart, Emma is a romantic comedy, and there’s a full measure of both here. Ultimately, this adaptation reminds us that beneath the corsets and The Globe provides more frock coats, these vital young people are as confounded by courtship and than 20 different community love as we are today. and education programs to nearly 50,000 people I’m so pleased to welcome our director Jeff Calhoun back to the Globe. annually. Jeff is an acclaimed Broadway director and choreographer who will • • • create a world at the beginning of the 19th century that will capture the The Old Globe has sent 20 imaginations of audiences in the beginning of the 21st century. productions to Broadway I wish you a great time with these beloved seekers of love who you may since 1987. fall in love with all over today. • • • In 1987, The Old Globe/ University of San Diego Master of Fine Arts program was established to provide the highest caliber in training of young classical actors. Louis G. Spisto Executive Producer

PERFORMANCES MAGAZINE 1 PRESENTS JANE AUSTEN'S EMMA A Musical Romantic Comedy

MUSIC, LYRICS AND BOOK BY PAUL GORDON

ADAPTED FROM THE NOVEL BY JANE AUSTEN

SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Tobin Ost Denitsa Bliznakova Michael Gilliam John H. Shivers David Patridge

ORCHESTRATIONS MUSIC DIRECTOR Paul Gordon and Brad Haak Laura Bergquist

VOCAL AND DIALECT COACH CASTING STAGE MANAGER Robert Barry Fleming Telsey + Company Thomas J. Gates*

MUSIC SUPERVISOR BRAD HAAK

DIRECTED AND CHOREOGRAPHED BY JEFF CALHOUN

Jane Austen's Emma was originally produced by TheatreWorks, Palo Alto, CA and was developed through TheatreWorks' New Works Initiative —————————————————— Old Globe Theatre, Donald and Darlene Shiley Stage January 15 - February 27, 2011

2ERFORMANCES P MAGAZINE THE CAST (in order of appearance) EMMA WOODHOUSE...... Patti Murin* MR. WOODHOUSE...... Richert Easley* MISS BATES...... Suzanne Grodner* MRS. BATES...... Kelly Hutchinson* MRS. WESTON...... Amanda Naughton* MR. WESTON...... Don Noble* MR. KNIGHTLEY...... Adam Monley* MR. ELTON...... Brian Herndon* HARRIET SMITH...... Dani Marcus* ROBERT MARTIN...... Adam Daveline JANE FAIRFAX...... Allison Spratt Pearce FRANK CHURCHILL...... Will Reynolds* MRS. ELTON...... Kelly Hutchinson*

The ensemble also plays citizens of Highbury.

Stage Manager...... Thomas J. Gates* Assistant Stage Manager...... Erin Gioia Albrecht*

ORCHESTRA Conductor/Keyboard I...... Laura Bergquist Keyboard II...... Steven Withers Cello...... Erica Erenyi Oboe/English Horn/Flute...... Deborah Avery Synthesizer Programming...... Steven Withers Orchestra Contractor...... Lorin Getline

SETTING The village of Highbury, south of London, 1815. There will be one 15-minute intermission.

PRODUCTION STAFF Associate Director...... James Vasquez Assistant Scenic Design ...... Sean Fanning Assistant Costume Design...... Michelle Hunt Souza Assistant Lighting Design...... Amanda Zieve, Jason Bieber Assistant to Jeff Calhoun...... Nick Stimler Stage Management Interns...... Kathryn Habib, Hanako Justice

*Member of Actors' Equity Association, the union of Professional Actors and Stage Managers in the United States.

All musicians are represented by the American Federation of Musicians of the United States and Canada.

Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher.

PERFORMANCES MAGAZINE 3 Board 0f Directors

Dear Friends,

Thank you for joining us as we continue in our 75th Anniversary year! One of the reasons The Old Globe remains a force in American theatre is the variety of productions presented on our three stages, and this season is certainly no exception. This is definitely the beginning of another great year to be involved with the Globe.

We’re so pleased that you are continuing to make the Globe an integral part of your lives. For 75 years, the Globe has relied upon its ever-growing family of dedicated subscribers, donors and volunteers to provide an environment for the development and education of theatre professionals, audiences, students and the San Diego community at large. Simply put, we could not thrive as the sixth-largest regional theatre in the country without the passion of your commitment and support.

I am proud to be able to tell you, once again, that when you contribute to The Old Globe, you are making a sound financial investment in San Diego culture. For the past seven years, the Globe has enjoyed balanced budgets — no easy task for a not- for-profit performing arts institution, particularly in recent years of serious economic challenges. And we look to you to help us continue this trend in 2011.

It has been my privilege throughout the last two years to serve as The Old Globe’s Board Chair and work with the Globe’s dedicated Board of Directors, devoted volunteers, generous donors, talented actors and hard-working staff. Thank you for being here today and for supporting The Old Globe.

Welcome and enjoy the performance!

Sincerely,

Donald L. Cohn, Chair BOARD OF DIRECTORS

BOARD OF DIRECTORS Donald L. Cohn* Kathy Hattox* Anthony S. Thornley* Sandra Redman* Susan Major* Harvey P. White* Chair Immediate Vice Chair, Finance Vice Chair, Vice Chair, Secretary Past Chair & Treasurer Nominating Development

DIRECTORS Jean-Marie Hamel, Ph.D. Julie H. Sullivan, Ph.D. Mrs. John H. Fox (1908–2003) Mary Beth Adderley Elizabeth Helming Dean Thorp Audrey Geisel Elizabeth Altman Nanci Hull Evelyn Mack Truitt Paul Harter Joseph Benoit Viviana Ibañez Debra Turner Gordon Luce (1925-2006) Pamela Cesak Deni Jacobs Stacey LeVasseur Vasquez Dolly Poet (1921-2007) Marsha Chandler Daphne Jameson Crystal Watkins Deborah Szekely Peter J. Cooper Jo Ann Kilty James A. Wening Hon. Pete Wilson Valerie S. Cooper Mitzi Yates Lizarraga June Yoder Stephen M. Cusato Rafael Pastor* Carolyn Yorston-Wellcome EMERITUS DIRECTORS Elaine Bennett Darwin Conrad Prebys* Garet B. Clark Bea Epsten Jeri Rovsek *Executive Committee Member J. Dallas Clark (1913–2005) Pamela A. Farr Reneé Schatz Sally Furay, R.S.C.J. Harold W. Fuson, Jr.* Jean Shekhter HONORARY DIRECTORS Bernard Lipinsky (1914-2001) Victor P. Gálvez Louis G. Spisto* Mr s. Richard C. Adams Delza Martin (1915–2005) Robert H. Gleason Ann Steck (1912–2005) Patsy Shumway Timothy P. Haidinger Daniel L. Sullivan, Ph.D. Clair Burgener (1921-2006)

4ERFORMANCES P MAGAZINE LEADERSHIP Production Sponsors

GIFTS Peter Cooper and Norman Blachford The Old Globe recognizes and thanks Peter Cooper and Norman Blachford are the following generous individuals longtime supporters of The Old Globe and who have made extraordinary gifts are well known for their major philanthropic of $1 million or more. These major activities and community activism. Norman contributions have been designated serves on the Board at the Mingei International for artistic, endowment and facilities Museum and is on the Founders Council of the Williams Institute at the UCLA School of projects, and help The Old Globe Law. A native of Montreal, Norman founded remain one of our country’s great a manufacturing firm that produced noise theatre institutions. control materials for the transportation industry and many international corporations. In 1981 H.L. Blachford and Louis $20,000,000 or greater Stankiewicz were awarded a Technical Achievement Award (stage operations) Donald and Darlene Shiley by the Academy of Motion Pictures and Arts Sciences. Peter, now a retired businessman, is a member of the Globe’s Board of Directors, chairs the $10,000,000 or greater Education Committee and also serves on the Nominating Committee. He is also a Founding Council member of the Williams Institute at the UCLA School of Law Conrad Prebys and is on the board of the Fishman Fund at the Sanford Burnham Institute.

$5,000,000 or greater

Sheryl and Harvey White

Kathryn Hattox HM Electronics, Inc. (HME) was the first company to develop a wireless intercom Karen and Donald Cohn system, which quickly became the industry standard among broadcast and entertainment professionals around the globe. In 2011 the National Academy $2,000,000 or greater of Television Arts & Sciences (NATAS) will present HME with an Emmy Award for the company’s “work in the Development of Wireless Intercom.” In tonight’s Viterbi Family Foundation performance, and many others throughout the year at The Old Globe, HME’s generous gift of equipment provides clear and reliable wireless communication $1,000,000 or greater among members of the Globe’s Production staff. California Cultural and Historical Endowment

Estate of Dorothy S. Prough

The Rivkin Family For nearly 20 years, Continental Airlines has provided Globe artists nonstop Estate of Beatrice Lynds service between San Diego and Continental Airlines’ New York area hub, Newark Liberty International Airport. Continental is the world’s fifth largest Audrey S. Geisel/ airline serving over 260 destinations with more than 2,700 daily departures San Diego Foundation throughout the Americas, Europe and Asia. Continental consistently earns Dr. Seuss Fund awards and critical acclaim for both its operation and its corporate culture. For nine consecutive years, FORTUNE magazine has ranked Continental as the Mr. and Mrs. Victor H. Ottenstein top U.S. airline on its World’s Most Admired Companies airline industry list. Mrs. Helen Edison Continental is committed to the communities it serves and supports numerous charitable organizations across the country. Continental Airlines’ previous The Stephen & production support includes underwriting for Boeing-Boeing, Six Degrees of Mary Birch Foundation Separation, Restoration Comedy, The Times They Are A-Changin’, Take Me Out and Bus Stop. The Kresge Foundation

PERFORMANCES MAGAZINE 5 About JANE AUSTEN by Vickie Rozell

ane Austen lived a quiet life in southern England. In J a time when single women were pitied, she had the support of a close-knit family and a talent for observation and for putting those observations on paper.

She was born in 1775 in Steventon, Hampshire, England, the seventh of eight children. Although her formal education ended at 12, her family valued literature and reading, and she had access to everything in the family’s extensive library. She also played the piano and her family performed plays and read aloud, both from their library and from original writings of family members. In this atmosphere, Austen started writing early. There is evidence of her work going back to age 12, including parodies of then-current novels.

At this time, novels were a relatively new literary form. Many early ones were written as a series of letters and were long and sprawling. Gothic novels, with their exotic foreigners and A drawing of ruined castles, were popular, as were sentimental or romantic Jane Austen by her sister novels full of exaggerated emotions and improbable plots. Cassandra. Many novels were considered immoral for women to read, despite the fact that women wrote many of them. Also, in this Pride and Prejudice (1813) followed, and the review by male-dominated society, women were believed incapable of The British Critic called it “very far superior to almost all writing work with literary merit. the publications of the kind which have come before us.” None of this deterred Austen. In 1795, at 20, she wrote Its success generated three printings in her lifetime. a draft of Elinor and Marianne. In 1796, after a budding Austen then tried a new style with Mansfield Park (1814). romance was squelched by family interference, she started It was a moralistic novel that Austen again had to publish at a novel called First Impressions, which was eventually her own expense. When it sold out in six months and her published as Pride and Prejudice. Within two years, she was publisher balked at a second edition, she moved to another working on what would be her first novel sold and one of the publisher. last published, Susan, which Austen renamed Catherine, but was published posthumously as Northanger Abbey. Her next novel was Emma in 1815. It was well received, with contemporary novelist Susan Ferrier saying it had “no story Between 1800 and 1810 she wrote one unfinished novel,The whatsoever, and the heroine is no better than other people; Watsons. It is unclear exactly why or when Austen stopped but the characters are all so true to life, and the style so writing, but those years were fraught with family issues piquant, that it does not require the adventitious aids of including the death of her father, several unhappy years in mystery and adventure.” Bath and a proposal of marriage that she accepted and then retracted the next morning. Austen completed her final novel,Persuasion , in 1816. Unfortunately, by this time her health was declining. She In 1810 Austen was writing again, turning Elinor and continued working, starting Sandition, which remained Marianne into Sense and Sensibility, published in 1811 at unfinished at her death on July 18, 1817.Persuasion and her own expense. Because of the stigma attached to female Northanger Abbey were published posthumously and her authors, she published it anonymously, as she did all her reputation continued to grow; now she is one of the most novels, but it received great acclaim. admired authors of the 19th century.

6ERFORMANCES P MAGAZINE WHY EMMA A NOTE FROM COMPOSER PAUL GORDON

In plotting out a musical, the had an inherently musical ethos simply When I started to create first thing I always ask myself beyond being a “period piece.” It soon the score I didn’t necessarily is: do these characters sing? became apparent that not only did determine in advance what style And really, why do we these characters sing, but they sang the music would be written in. I mostly want to hear them sing, quite effortlessly. let the story guide me, and I tried to even if they do? To the take my cues from the characters second question, I Jane Austen’s brilliant comedy themselves. It all felt quite natural. will simply say that provides the perfect bedrock for a What has emerged, I hope, is a sound art is subjective musical. In Emma Woodhouse we tinged with my early influences: Lennon and we all have have a protagonist who can’t help but and McCartney (leaning towards our particular be completely mistaken on almost George Martin’s alluring strings to tastes. But the first every point, and yet through Austen’s "Eleanor Rigby") and of course the question to me is more penetrating humor she remains amazing Stephen Sondheim who, interesting. I’ve seen surprisingly sympathetic to the reader. simply by listening to his genius, has many a musical where I was Musicalizing her felt natural, and taught me everything I know about thoroughly convinced that the answer Austen’s biting wit and intelligence writing for the theatre. to that question was a resounding “no.” lend themselves quite naturally to lyric writing. It should also be noted that I have When I first considered turningEmma already done three productions of Jane into a musical, I pondered the idea The makeover of Harriet Smith, Emma’s Austen's Emma with other actors and carefully before running to the piano. devoted protégé, was also ripe with another director. What I have gained Having seen several film versions and musical possibility. Her affection from working with these gifted and read the novel, I wanted to make sure it for the lowly farmer, Robert Martin, generous artists is too extensive to was superbly appealing for creating describe here. But suffice it to say that repeating motifs that would somehow the craft of musical theatre is all about imply the innocence of love and thread collaboration. On this production, I Emma’s continued wrongheadedness am grateful to be collaborating with about her friend’s future. director Jeff Calhoun, who has brought a modern sensibility to a classic story. Of course, the Knightley–Emma relationship was the most appealing But of course my first and main aspect of all. Here you have Austen collaborator is Jane Austen. I don’t take creating truly one of the first romantic lightly the presumptuousness of my comedies in literature. She shapes assuming a partnership with her. And the kind of banter that would later be since she can’t be here to scold me emulated by Hepburn and Tracy and on the creative liberties I have taken, paved the way for Woody Allen’s Annie I must leave that to our audiences Hall, Nora Ephron’s When Harry Met and our critics. All I can say is that the Sally and countless other films to follow production you see today is truly a in the same genre. (Yes, there was labor of love, for Jane Austen and for Beatrice and Benedict but Knightley the characters she has created. And and Emma have their own unique as to whether or not these characters charm and are as contemporary today sing: perhaps they will let you know as they were in the early 19th century themselves. when Jane Austen conjured them up.)

PERFORMANCES MAGAZINE 7 -in- ENGLAND 1815 by Vickie Rozell

As Jane Austen was writing her novels, England was dancing offered unprecedented opportunities for private experiencing great change. The population had nearly conversations that were forbidden anywhere but on the doubled since 1760, the Industrial Revolution was changing dance floor. lives and the Enclosure Acts were privatizing public grazing land. In addition, in 1811 King George III was declared insane The Regency was a difficult time for women. What little and his son became Prince Regent, giving rise to the period education they received was usually aimed at attracting called The Regency (1811–1820). a husband. Generally, women of the gentry did not work (there were exceptions including teachers and governesses) At the top of society was the aristocracy, about 200 families and had to marry in order to secure their social position of immense wealth and power. Below them were the landed and their livelihood. Courtship was complicated by rules gentry, often seen in Austen’s novels, some of whom were established to protect a woman’s reputation. For example, titled and some of whom were not. In these families the before a couple was engaged, they could not use first names, eldest son inherited the estate and the younger sons had to be alone together or correspond. Any deviation might imply find an income, usually from the church, the armed forces or a loss of virtue for the woman. the law. These were followed by the middle class, tradesmen and tenant farmers, laborers and servants and finally, the Women were usually married by 25, although many married poor. in their teens. Without birth control, they had many children and death in childbirth was not uncommon. Three of Life was ruled by a strict code of manners. For example, first Austen’s brothers lost wives in childbirth, two with their 11th names were rarely used outside the family, and between child. Women who never married had to rely on relatives for men and women their use was unthinkable unless they were their support or find work in a world of limited opportunity. engaged or related. Women such as Austen were beginning to break this mold. In the upper classes, most private activities, including The relatively new genre of the novel attracted a number reading, drawing or letter writing, were done before of female authors, although many looked down on them breakfast. Letter writing was a popular activity since it was and their work. It would be many years before the idea of the only way to communicate across long, or even short, independent women gained society’s respect. distances. Due to cost, most letters were one page, so people became expert at both writing in very small letters and writing crossways across already written text.

Dinner was the largest meal and biggest event of the day, served with as many courses as the budget allowed. After dinner, the women left the table for the drawing room, leaving the men to drink and smoke. After an hour or so, the men rejoined the women and the whole party had tea, which was still an expensive commodity, kept under lock and key.

In the evening, everyone would talk, play cards or enjoy live music that was played and sung primarily by the women of the party. Sometimes, after dinner, an impromptu dance would occur, but more exciting was to attend a ball. Like everything else in society, there were strict rules governing behavior, including J. Katarzyna Woronowicz a prohibition against casual conversation without a formal introduction, but

(l. to r.) Will Reynolds as Frank Churchill, 8ERFORMANCES P Patti Murin M AGAZINEas Emma Woodhouse and Adam Monley as Mr. Knightley. AUDITION FOR YOUR CHANCE IN THE SPOTLIGHT

There is nothing quite like the thrill of performing on stage in front of hundreds of fans in a world-class theatre like The Old Globe. It’s a rush unlike any other. Now high schoolers can experience that excitement for themselves through two special programs: the Summer Shakespeare Intensive and Globe Honors.

SUMMER SHAKESPEARE INTENSIVE 40 high school students will be selected in March to participate in the Summer Shakespeare Intensive. This four-week program guides students through workshops and rehearsals that culminate in a performance of one of Shakespeare’s plays in the outdoor Lowell Davies Festival Theatre. It is an unparalleled opportunity for serious high school students to develop their skills and perform at The Old Globe in front of their family, friends and theatre professionals. And through the generous support of the Globe’s family of donors, full scholarships are provided to all students accepted into the program.

AUDITION DATES: Saturday, March 19 and Sunday, March 20, 2011 REHEARSAL DATES: Monday through Friday, July 18 through August 16, 2011 PERFORMANCE DATE: Monday, August 16, 2011

GLOBE HONORS IN MAY Students compete for scholarships and national recognition in our Globe Honors awards program. The first step is an audition in which students present monologues or songs. Semi- finalists are selected from this initial audition process and are judged by a panel of professional adjudicators. The finals is a thrilling evening of monologues and songs performed on the Globe stage with winners announced that same night. Winners are provided scholarships to further their theatre studies. In addition, winners of the Best Performance in a High School Musical Award receive an all-expense-paid trip to New York to compete in the National High School Musical Theatre Awards in June 2011.

FIRST CALL AUDITIONS: May 7, 8 and 9, 2011 SEMI-FINALS: May 17, 2011 at 4:00 pm GLOBE HONORS: May 17, 2011 at 8:00 pm

Now is your child’s chance to feel the exhilaration that all of the Globe’s actors feel the moment they step onto our stages. For more information about the Summer Shakespeare Intensive or Globe Honors or to schedule an audition, please Photos by J. Katarzyna Woronowicz contact the Education Department at [email protected]. PERFORMANCES MAGAZINE 9 Profiles

ADAM DAVELINE SUZANNE GRODNER with Jane Austen's Emma and could not (Robert Martin) recently (Miss Bates) is so happy to be more pleased. He makes his home in made his Old Globe/USD be doing Jane Austen’s San Francisco and has performed all over M.F.A. debut as The Emma at The Old Globe. the Bay Area. His favorite roles include Shepherd in The Winter’s Ms. Grodner created the Seymour in Little Shop of Horrors, Dromio Tale. Some of his regional role of Miss Bates at of Syracuse in The Comedy of Errors, credits include Bruce in TheatreWorks in Palo Alto Charlie in The Foreigner and Leo Bloom Finding Nemo — The Musical (Walt Disney and has performed Jane Austen’s Emma in The Producers. Next summer he will be Creative Entertainment), Javert in Les at Cincinnati Playhouse in the Park, The performing as Iachimo in Cymbeline with Misérables, David in Company, Peter in Repertory Theatre of St. Louis and the the San Francisco Shakespeare Festival. Jesus Christ Superstar, Carl in Bus Stop, National Alliance for Musical Theatre Mr. Herndon teaches stage combat and Zoser in Elton John and Tim Rice’s Aida, Festival of New Musicals in New York. Her theatre at Solano College and Odyssey Adam in Seven Brides for Seven Brothers, Broadway credits include Bye Bye Birdie Middle School and is a proud member of Smudge in Forever Plaid and The Baker in (Roundabout Theatre Company) and The Actors' Equity, the PlayGround Company Into the Woods. His film and commercial Rose Tattoo (Circle in the Square and the Society of American Fight work includes Fire Creek (Lifesong Theatre). Her Off Broadway credits Directors. He holds a B.A. from Cornell Productions), City Search.com and Glow include Sarah, Sarah (Manhattan Theatre University, an M.F.A. in Acting from the After Dark (Jennifer Lopez Productions). Club), Cakewalk and Death Defying Acts Alabama Shakespeare Festival and is a His recordings include the concept (Variety Arts Center), Appelemando’s graduate of the Dell'Arte International albums of The Legend of Sleepy Hollow Dreams (Vineyard Theatre) and Waiting School of Physical Theatre. and Savior of the World. He has also for the Parade (A.W.E.). She has appeared performed as a featured soloist in in the National and International Tours of KELLY HUTCHINSON Carnegie Hall with the National Alliance The Phantom of the Opera and Brighton (Mrs. Bates, Mrs. Elton) for Excellence. Mr. Daveline received his Beach Memoirs. She has appeared has appeared on B.F.A. in Musical Theatre from Brigham regionally in Wintertime (A Contemporary Broadway in Desire Under Young University and is currently pursuing Theatre), Angels in America (Actors the Elms, Major Barbara his M.F.A. in Dramatic Arts from the Theatre of Louisville), The Smell of the Kill and Macbeth. Off University of San Diego/Old Globe. He is and Much Ado About Nothing (Cincinnati Broadway she has a proud member of Actors’ Equity Playhouse in the Park), I’m Not Rappaport appeared in Or (Women’s Project), The Association. (Pittsburgh Public Theater), Distracted, Voyage of the Carcass (Soho Playhouse), Twentieth Century, Living Out, The Fourth Tony Kushner’s Homebody/Kabul (New RICHERT EASLEY Wall and Into the Woods (TheatreWorks, York Theatre Workshop) and Romola and (Mr. Woodhouse) is happy Palo Alto), Enchanted April (Pioneer Nijinsky at (Primary Stages). Her regional to be returning to his Theatre Company), The Plexiglass credits include The Understudy favorite curmudgeon, Mr. Slipper, Tartuffe and Broadway Bound (Cincinnati Playhouse in the Park), Woodhouse, having (Asolo Repertory Theatre), The Sisters Penelope of Ithaca (Hangar Theatre), How played him previously at Rosensweig and The Importance of Being Shakespeare Won the West (Huntington Cincinnati Playhouse in Earnest (Indiana Repertory Theatre), The Theatre Company), The Unmentionables the Park and The Repertory Theatre of St. Princess and the Pea (Shakespeare Santa (Yale Repertory Theatre, directed by Louis. He is a veteran of regional theatres Cruz), Lost in Yonkers and Backsliding in Anna D. Shapiro), Touch(ed) (Pioneer throughout the U.S. including Studio the Promised Land (Syracuse Stage) and Theatre Company), Rocket to the Moon Arena Theater, Stage West, Riverside Red Herring (Florida Stage), among (directed by Daniel Fish), Baltimore Theatre and The Arrow Rock Lyceum others. Ms. Grodner’s television credits CENTERSTAGE, Barrington Stage Theatre, to mention only a few. He has include “Law & Order,” “Law & Order: Company, Indiana Repertory Theatre and appeared on Broadway in Jack O’Brien’s Special Victims Unit,” “Law & Order: others. On television Ms. Hutchinson has acclaimed revival of Porgy and Bess and, Criminal Intent,” “Ed” and HBO’s been seen on “Law & Order,” “Law & in a much younger and slimmer “Hidden Signs.” Order: Special Victims Unit,” “Hack” and incarnation, the infamous Oh! Calcutta! “The Jury,” as well as a recurring role on He has made the requisite appearances BRIAN HERNDON “Strangers with Candy.” Her films include on “Law & Order,” and his film (Mr. Elton) is thrilled to be Catch Me If You Can, Slippery Slope, appearances include the ahead-of-its- a part of Jane Austen's Hysterical Psycho and the upcoming The time Canadian film Outrageous. He Emma in the next chapter Sea Is All I Know with Melissa Leo. Ms. remains an avid collector of American of its journey! He Hutchinson is a founding member of the Dinnerware and 3D paraphernalia of the originated the role of Mr. theatre company Stage13. 50s. Elton in the very first staged reading in 2006 and has relished performing the show in Mountain View, Cincinnati, St. Louis and New York City. Mr. Herndon makes his Old Globe debut

10ERFORMANCES P MAGAZINE DANI MARCUS is playing Euterpe and understudying original series “Remember WENN,” “Law (Harriet Smith) is Kira/Clio in Xanadu on Broadway. Her & Order: Criminal Intent,” “Law & Order: delighted to make her Old recent credits include playing Lysistrata Special Victims Unit,” “Payne” (with John Globe debut. Her regional Jones in Douglas Carter Beane's new Larroquette) and “Chappelle's Show.” She credits include Harriet musical, Give It Up! (Dallas Theater received her B.F.A. from Ithaca College. Smith in Jane Austen’s Center), Waverly in Next Thing You Know Ms. Naughton is married to Globe Emma (TheatreWorks, by Josh Salzman and Ryan Cunningham Associate Artist Ralph Funicello and they Cincinnati Playhouse in the Park and The (Berkshire Theatre Festival) and Nicole in have a daughter, Sophia. Repertory Theatre of St. Louis), The 25th Band Geeks! (Goodspeed Musicals). Ms. Annual Putnam County Spelling Bee (San Murin’s other favorite credits include DON NOBLE Jose Repertory Theatre), Beggar’s Belle in Disney’s Beauty and the Beast (Mr. Weston) is thrilled to Holiday (Marin Theatre Company, Bay (Theatre of the Stars), every production be at The Old Globe! He Area Theatre Critics Circle Award) and of David Zippel's Princesses (Goodspeed played Sam Carmichael in The Musical of Musicals (The Musical!) Musicals and 5th Avenue Theatre), Amber Mamma Mia! (National (Center REP Theatre). Ms. Marcus’ New in Hairspray (Cape Playhouse) and Tour) and has appeared York credits include the Drama Desk- originating the role of Sharpay Evans in Off Broadway inThat nominated The Pirates of Penzance the premiere professional production of Other Woman's Child and Perfect Crime. (The National Yiddish Theatre), River’s Disney's High School Musical (Theatre of Recent regional credits include Dr. End (New York Musical Theatre Festival) the Stars, directed by Jeff Calhoun). Winston in Cactus Flower, Atticus Finch and Civil War Voices (2010 Midtown Other than appearing on two episodes of in To Kill A Mockingbird and Gabriel International Theatre Festival). "All My Children," Ms. Murin has not been Conroy in James Joyce's The Dead Ms. Marcus is a proud member of on television, but she really likes to watch (Capital Repertory Theater). In Canada Actors' Equity. it. She holds a B.F.A. in Musical Theatre his many credits include Nicky Arnstein in from Syracuse University. Funny Girl, Lord Goring in An Ideal ADAM MONLEY www.pattimurin.com. Husband, Jack Worthing in The (Mr. Knightley) is excited Importance of Being Earnest, Reverend and grateful to be back at AMANDA NAUGHTON Morell in Candida, Captain Bluntschli in The Old Globe where he (Mrs. Weston) has Arms and the Man and The Narrator in was last seen in Working. previously appeared at Blood Brothers, as well as The Long He has appeared on the Globe in Lost in Weekend (Theatre Aquarius), Anne of Broadway in the original Yonkers, The Women, The Green Gables (Drayton Festival Theatre), cast of Mamma Mia!, and his National Constant Wife, Loves and The Last Resort (Stage West), Gross Tour credits include Raoul in The Hours and Paramour. Her Indecency: The Three Trials of Oscar Phantom of the Opera and Mark Twain Broadway credits include Into the Woods Wilde (Western Canada Theatre), and Voice of Huck in Deaf West's (2002 revival) and The Secret Garden Elizabeth Rex (Arts Club), The Tempest production of Big River, also directed by (also the National Tour, Jefferson Award and Henry IV Part 1 (Bard on the Beach), Jeff Calhoun. He has appeared Off nominee). She has appeared Off A Christmas Carol (Carousel Theatre) Broadway as Will Plenty in Fanny Hill Broadway in Romance in Hard Times, and The Diary of Anne Frank (Chemainus (York Theatre Company) and Harley in A Hundreds of Hats, 3 Postcards and Mr. Theatre Festival). Born in Scotland and Gingerbread House (Playwrights President. Regionally she has been seen in raised in British Columbia, he now resides Horizon). His regional credits include Paul A Midsummer Night’s Dream (La Jolla in New York. in Carnival! (Goodspeed Musicals, Playhouse), A Little Night Music directed by Darko Tresnjak), Curly in (Goodspeed Musicals, LA Opera and ALLISON SPRATT Oklahoma! and Romeo in Romeo and South Coast Repertory), Amour and PEARCE Bernadette (Paper Mill Playhouse) and O. Henry's Lovers (Goodspeed Musicals), (Jane Fairfax) was recently Henrik in A Little Night Music (North On the Town (Pittsburgh Civic Light seen in the Old Globe/ Shore Music Theatre). Mr. Monley Opera), Gypsy, Tartuffe, The Waves, USD M.F.A. production of received a B.F.A. from the University of Misalliance, Bedroom Farce and The The Winter’s Tale. Her Cincinnati College–Conservatory of Threepenny Opera (Hangar Theatre), Broadway and Off Music. Love and thanks to my family. For Anything Goes, Hello, Dolly!, The Sound Broadway credits include Cry-Baby, Sheila, of course. of Music, The Foreigner, Lend Me a Tenor, Curtains, Good Vibrations and Enter Steel Magnolias and Barefoot in the Park Laughing. She has appeared in the PATTI MURIN (Forestburgh Playhouse), The Royal National and European Tours of Cabaret, (Emma Woodhouse) is Family (Caldwell Theatre Company), The Grease and Jekyll & Hyde. Her New York honored to play the title Betrayal of Nora Blake (Cuillo Centre For and regional credits are Barnum, role in such an incredible The Arts), Another Kind of Hero (Walnut Footloose, Singin' in the Rain, Plane new work at this reputable Street Theatre) and Edith Stein (Geva Crazy, My Fair Lady (Capital Repertory theatre. Her favorite Theatre). Her television credits include Theater), The Girl in the Frame theatre experience so far the role of Betty Roberts on AMC's (Goodspeed Musicals and Manhattan

PERFORMANCES MAGAZINE 11 Profiles

Theatre Club), Cinderella (Arkansas at Rubicon Theatre Company in Ventura, directing debut was Tommy Tune Tonite!, Repertory Theatre), Oklahoma! (Casa California in the fall of 2009 where it and his collaboration with Mr. Tune led to Mañana) and Thoroughly Modern Millie received seven Ovation nominations the 1991 Tony for Best Choreography for and Seven Brides for Seven Brothers (Flat including Best Musical and Best Score. It the Will Rogers Follies. Mr. Calhoun is an Rock Playhouse). Mrs. Pearce’s film and has since gone on to play TheatreWorks, Associate Artist at Ford’s Theatre. television credits include The Smurfs Cincinnati Playhouse in the Park, The (spring 2011), He Got Game, NY-70 (NBC Broad Stage, Northlight Theatre, La BRAD HAAK pilot) and hosting on HSN. Her Mirada Theatre and Laguna Playhouse. (Music Supervisor) has served as music commercials include McCormick Spices, His other works include Lucky Break, director and conductor for Mary Poppins, Kohl’s, Empire City Casino and Lee Riders Death: The Musical, Being Ernest and now in its fourth year on Broadway. Jeans. She received her B.F.A. in Music Analogue and Vinyl. Mr. Gordon is Other Broadway credits include music Theatre from Elon University. currently working on Little Miss Scrooge, direction and arrangements for Elton www.allisonsprattpearce.com. a contemporary retelling of the Dickens John's Lestat, music direction for classic. Mr. Gordon won the 2007 Bay Chance and Chemistry: A Centennial WILL REYNOLDS Area Critics Circle Award for his original Celebration of Frank Loesser (featuring (Frank Churchill) is very script to Emma. He has written several Sir Paul McCartney) and orchestrations proud to be making his number-one pop songs and is the for Children and Art, a 75th birthday Globe debut. Previous recipient of nine ASCAP Awards. For celebration for Stephen Sondheim. As credits include the North more information please visit his website: music supervisor and orchestrator for American Tour of Mamma paulgordonmusic.com. Paul Gordon, he has supervised Jane Mia!, Curly in Oklahoma! Eyre in Tokyo, Japan, and Daddy Long and the title role in Candide (Chicago JEFF CALHOUN Legs (currently playing regionally in the Light Opera Works), Jean-Michel in La (Director and Choreographer) is U.S.), as well as Lucky Break (based on Cage Aux Folles (Maltz Jupiter Theatre), delighted to return to The Old Globe Woody Allen’s The Front) and Little Miss Frankie in Forever Plaid (Cape where he co-directed Himself and Nora Scrooge, both currently in development in Playhouse), Jason in Ordinary Days with Joe Hardy. Mr. Calhoun directed New York. His other international credits (Adirondack Theatre Festival) and Gerald the Broadway-bound production of include Honk! in Singapore and Manilla, in A Woman of No Importance (Pittsburgh Bonnie & Clyde at the Asolo Repertory Philippines. He served as assistant Irish and Classical Theatre). Mr. Reynolds Theatre following an award-winning conductor for the First National Tour of was nominated for a Connecticut Critics run at La Jolla Playhouse (Craig Noel The Lion King. His numerous regional Circle Award as Huck Finn in Big River Awards for Outstanding New Musical credits include Gypsy (Muny in St. (Goodspeed Musicals). His film credits and Outstanding Director of a Musical). Louis), Children of Eden (Ford’s Theatre include The Good Shepherd. As a writer, He directed and choreographed the in Washington D.C.) and Les Misérables Mr. Reynolds was honored to be selected First National Tour of the stage musical (Marriott Theatre In Lincolnshire, Jeff by ASCAP for the Johnny Mercer adaptation of the hit Dolly Parton Film Award nomination for Music Direction). Songwriters Project, and his musical The 9 to 5. Mr. Calhoun also directed the Mr. Haak is a graduate of Northwestern Greenwood Tree (with text by world premiere productions, domestic University and a native of Chicago. Shakespeare) was featured in the 2009 and international tours of Disney’s High New York Musical Theatre Festival and School Musical: On Stage and Disney’s TOBIN OST most recently at the Kennedy Center’s High School Musical 2: On Stage. He (Scenic Design) has worked on Page-to-Stage festival. Originally from directed and choreographed the Deaf the Broadway productions of The Chicago, Mr. Reynolds is a graduate of West Theatre production of Pippin at the Philanthropist (costume design and Carnegie Mellon. Mark Taper Forum. Mr. Calhoun directed associate scenic design) and Brooklyn www.willreynoldsonline.com. and choreographed the award-winning the Musical (costume design and Deaf West Theatre production of Big associate scenic design). His selected Off PAUL GORDON River (Tony and Drama Desk nominations, Broadway credits include Nightingale (Book, Music and Lyrics) was nominated Best Revival; Drama Desk nomination (scenic design, Manhattan Theatre for a 2001 Tony Award for composing for Best Director of a Musical; Ovation Club), Grace (scenic design, MCC the music and lyrics to the Broadway and L.A. Drama Critics Circle Awards Theater), The Overwhelming (costume musical Jane Eyre, directed by John for Direction and Choreography). Mr. design and associate scenic design, Caird and Scott Schwartz. Mr. Gordon's Calhoun was a producer as well as Roundabout Theatre Company), Zanna, musical, Emma, based on the novel by director/choreographer for the Broadway Don’t! (co-scenic and costume design), Jane Austen, premiered at TheatreWorks production of Brooklyn the Musical Almost Heaven: Songs of John Denver in Palo Alto in September 2007, breaking and the director/choreographer of the (costume design) and Fighting Words box office records.Emma went on to have 1994 Broadway revival of Grease! (Tony (scenic design). His selected regional successful runs at Cincinnati Playhouse nomination, Best Choreography). He credits include Bonnie & Clyde (costume in the Park and The Repertory Theatre co-choreographed the Broadway revival and scenic design, La Jolla Playhouse of St. Louis. Daddy Long Legs, written of Annie Get Your Gun (Tony Award, and Asolo Repertory Theatre), Pippin with John Caird, had its world premiere Best Revival). Mr. Calhoun’s Broadway (Mark Taper Forum), The Civil War and

12ERFORMANCES P MAGAZINE Shenandoah (Ford’s Theatre), Nightingale the Performing Arts and Arizona Theatre LAURA BERGQUIST (Mark Taper Forum and Hartford Stage), Company. He has received Los Angeles (Musical Director) conducted National Sleeping Beauty Wakes (Kirk Douglas Ovation Awards, Dramalogue Awards, Tours of The King and I, Titanic and Miss Theatre), Elegies (Barrington Stage Garland Awards and the 1999 Career Saigon. She is a frequent guest conductor Company), Himself and Nora (The Old Achievement Award from the Los Angeles in regional theatres and a clinician in Globe), Richard II and Romeo and Juliet Drama Critics Circle. universities and churches. An ASCAP (The Shakespeare Theatre of New Awards recipient for composition, her Jersey), Indoor/Outdoor (Portland Stage JOHN H. SHIVERS personal catalogue includes more than Company), Rice Boy (Yale Repertory (Sound Design) has sound designed 60 works in print and several recordings. Theatre) and Breaking Up is Hard to Do the Broadway productions of 9 to 5 (for Her other Paul Gordon collaborations and 33 Variations (Capital Repertory which he received a 2009 Drama Desk include the world premieres of Jane Eyre Theater). Mr. Ost is a graduate of the Yale Award nomination for Outstanding Sound and Daddy Long Legs plus Jane Austen’s School of Drama. Design and a 2008/2009 Ovation Award Emma at Cincinnati Playhouse in the Park nomination for Best Sound Design), Cat and The Repertory Theatre of St. Louis. DENITSA BLIZNAKOVA on a Hot Tin Roof, The Little Mermaid, Additional regional work includes Rubicon (Costume Design) is happy to return to Tarzan, In My Life, Billy Crystal’s 700 Theatre Company, Northlight Theatre, The Old Globe where she has previously Sundays and Julia Sweeney’s God Said Lyric Theatre in Oklahoma, Music Theatre designed The Whipping Man, The Merry “Ha!” He is also credited with associate of Wichita, Stage One and Atlanta’s Wives of Windsor and Opus. Her design sound design for the Broadway and Theatre of the Stars, as well as New York work elsewhere includes productions worldwide productions of The Lion King, Stage and Film, Julliard, New York Musical at Falcon Theatre, A Noise Within, New Mary Poppins, The Producers, Hairspray, Theatre Festival, Midtown International Repertory Theatre, Long Wharf Theatre, Elton John and Tim Rice’s Aida, Titanic, Theatre Festival and National Alliance Williamstown Theatre Festival and How to Succeed in Business Without for Musical Theatre. She has been on the others. Her previous work also includes Really Trying, Big: The Musical, The Who’s teaching faculties of Friends University touring shows for Kaiser Permanente’s Tommy, Guys and Dolls and The Buddy and NYU at Playwrights Horizon. Ms. Educational Theater Program and Holly Story. Other credits include the Bergquist resides in New York City with projects for The Santa Fe Opera, San sound design for Leap of Faith, work with her husband, Joe, and works as a music Diego Opera and “Law & Order.” Her Savion Glover and extensive concert director, pianist, performer and vocal design and stylist credits for other media touring with Dionne Warwick, Burt coach. For Ed Stern. include music videos for Switchfoot, Bigg Bacharach and Gregory Hines. Mr. Shivers Steele and John Mayer; the short films is happy to return to The Old Globe ROBERT BARRY FLEMING Midgetman, Sleep in Heavenly Peace and where he has previously sound designed (Voice and Dialect Coach) has served La Cerca; and the feature filmsJohnny productions of Robin and the 7 Hoods, as vocal and dialect coach for The Got His Gun and Undercover Kids. Denitsa Sammy and Ace. He is married to singer/ Old Globe productions of Sight is currently an Assistant Professor at San songwriter Catherine Porter with whom Unseen and Whisper House. His other Diego State University where she leads he has a gem of a daughter, Ruby. representative coaching credits include the M.F.A. Costume Design program. For A View from the Bridge and Death of more information visit www.denitsa.com. DAVID PATRIDGE a Salesman (Arena Stage) and the La (Sound Design) recently designed Robin Jolla Playhouse productions of Ruined MICHAEL GILLIAM and the 7 Hoods, Sammy and Ace at The (Huntington Theatre and Berkeley Rep (Lighting Design) has designed for the Old Globe. His other sound design credits co-production), The Adding Machine, Broadway productions of Brooklyn the include Mentiras in Mexico City, Angels Most Wanted, The Wiz and Bonnie & Musical, Big River and Stand-Up Tragedy. in America and Needfire in Toronto along Clyde, also directed by Jeff Calhoun. Mr. On the West End he has designed George with regional productions of Singin’ in Fleming, a Bay Area Critics Circle Award- Gershwin Alone, and Off Broadway the Rain, Disney’s Beauty and the Beast, winning director, will helm the upcoming he has designed Striking 12, Blue, End Ace, Sweeney Todd and Miss Saigon. productions of Stick Fly for Mo'olelo of the World Party, Zooman and the Credits as associate sound designer on Performing Arts Company and Blues in Sign and Menopause The Musical. His Broadway include Come Fly Away, 9 the Night for Center REP Theatre. National Tour credits include Brooklyn to 5, The Little Mermaid, Mamma Mia!, the Musical, Guys and Dolls and Big River. Tarzan, Cat on a Hot Tin Roof and In My TELSEY + COMPANY Regionally he has designed for Arena Life. Over the past 10 years, Mr. Patridge (Casting) Broadway/Tours: Sister Act, Stage, The Alley Theatre, The Old Globe has been responsible for multiple US and Catch Me If You Can, Priscilla Queen of Theatre, Mark Taper Forum, La Jolla international productions of Mamma Mia! the Desert, SPIDER-MAN Turn Off The Playhouse, Seattle Repertory Theatre, and We Will Rock You and has worked for Dark, Women on the Verge of a Nervous Goodman Theatre, Guthrie Theater, over 25 years as a mixer and production Breakdown, Million Dollar Quartet, Pasadena Playhouse, Geffen Playhouse, sound engineer. The Addams Family, Memphis, Rock of The Kennedy Center, Ford’s Theatre, Ages, Wicked, Next to Normal, 9 to 5, Philadelphia Theatre Company, Prince In the Heights, South Pacific, Peepshow Music Theater, The Denver Center for in Vegas; Off Broadway: Atlantic, MCC,

PERFORMANCES MAGAZINE 13 Profiles

Signature; Film: Margin Call, Howl, Sex LOUIS G. SPISTO The Invention of Love (Tony nominations: and the City 1 and 2, Jonah Hex, Main (Executive Producer) directs both the Best Director and Play), The Full Monty Street, Love and Other Impossible artistic and administrative activities (Tony nominations: Best Director and Pursuits, I Love You Phillip Morris, Rachel of The Old Globe. During his tenure, Musical), More to Love, Labor Day, St. Getting Married, Dan in Real Life, Then Mr. Spisto spearheaded the return of Louis Woman, Pride’s Crossing, The She Found Me, Across the Universe, Ira the Shakespeare Repertory Company, Little Foxes, Hapgood (Lucille Lortel & Abby, Rent, Pieces of April, Camp, revitalized the Globe’s new works Award for Direction, 1995), Damn The Grey Zone, Finding Forrester, program, resulting in 12 world premiere Yankees (Tony nomination Best Musical The Bone Collector; TV: "Ugly Betty" plays and 10 world premiere musicals, and Revival), Two Shakespearean Actors (pilot), "Whoopi," HBO’s Undefeated, produced more than 100 productions. (Tony nominations: Best Director and commercials. Under Mr. Spisto’s leadership, ticket Play), Porgy and Bess for Houston Grand sales and contributions have increased Opera and Broadway (Tony Award), as THOMAS J. GATES substantially, and the fiscal health of the well as Radio City Music Hall, Il Trittico, (Stage Manager) is very pleased to be organization has been strengthened to Metropolitan Opera. RECENT AWARDS: working once again with Jeff Calhoun. support the expanded artistic vision. 2008 Theatre Hall of Fame Inductee, His Broadway credits include Finian’s Mr. Spisto has successfully led the 2004 Thomas Degaetani Award (USITT), Rainbow, Hairspray, High Fidelity, Globe’s $75 million Capital Campaign 2002 “Mr. Abbott” Award (SDCF), 2001 Brooklyn the Musical and Noises Off. His and managed the development of the Joan Cullman Award for Extraordinary tours include White Christmas (Boston), Conrad Prebys Theatre Center, which Creativity, 2001 Joe A. Callaway Award Chicago, Joseph and the Amazing includes a state-of-the-art arena theatre (SDCF), the Drama League’s Julia Hansen Technicolor Dreamcoat, Brooklyn the and education center. An advocate of Award for Excellence in Directing, 2001. Musical and Grease. Off Broadway he has arts education, Mr. Spisto created a Honorary Doctorate, University of stage managed The Screwtape Letters, number of new programs that serve tens Michigan. Honorary Doctor of Humane Departure Lounge, Hamlet, Guardians, of thousands of young San Diegans each Letters, University of San Diego. Recipient The Normal Heart, The Exonerated and year. These programs include a bilingual of ArtServe Michigan’s 2008 International The Irish…and How They Got That Way. summer Shakespeare intensive, a major Achievement Award. Mr. O’Brien is a His regional credits include Radio Girl initiative in southeastern San Diego which member of the College of Fellows of the (Goodspeed Musicals) and Hairspray includes the development of new works American Theatre. (Paper Mill Playhouse). Mr. Gates is a for younger and more diverse audiences, proud member of Actors' Equity. and free student matinees of the Globe’s CRAIG NOEL regular productions. Mr. Spisto holds (Founding Director) was first appointed ERIN GIOIA ALBRECHT a Master’s degree from the University director in 1939, directing 15 productions (Assistant Stage Manager) has regional of Wisconsin and a Bachelor’s degree prior to World War II. Since then he stage management credits that include from the University of Notre Dame. He directed more than 200 plays of all styles Brighton Beach Memoirs, Broadway has served as chief executive for the and periods and produced an additional Bound, The Madness of George III, The Pacific Symphony, Detroit Symphony and 270 productions. His vision for The Old Taming of the Shrew, King Lear, Cyrano American Ballet Theatre. Globe resulted in the establishment de Bergerac, Twelfth Night, Coriolanus, of the Shakespeare Festival and the Working and Bell, Book and Candle (The JACK O’BRIEN San Diego Junior Theatre in the late Old Globe) and Creditors, The Third (Artistic Director Emeritus) served as ‘40s, the expansion to two theatres in Story, No Child… and a workshop of the Artistic Director of The Old Globe the ‘50s, Globe Educational Tours in The Weathermen (La Jolla Playhouse). from 1982 through 2007. Recent Globe the ‘70s and Teatro Meta and the Old Her New York credits include The Third productions: Dirty Rotten Scoundrels, Globe/University of San Diego MFA Story (MCC Theater), Marvin’s Room (T. Imaginary Friends, Twelfth Night, The Full program in the ‘80s. During the 1940s, Schreiber Studio), The Great American Monty, The Seagull, The Magic Fire, Dr. Mr. Noel served as dialogue director Desert (78th Street Theatre Lab) and The Seuss’ How the Grinch Stole Christmas! for the 20th Century Fox Studios and Chekhov Dreams (Manhattan Theatre West End: Love Never Dies (sequel to was the former director of the Ernie Source). Her UC San Diego credits Andrew Lloyd Webber’s The Phantom of Pyle Theatre in Tokyo. Described by include The Misanthrope, Surf Orpheus, the Opera), Hairspray (Olivier Award for Variety as the eminence grise of San Medea, Red State Blue Grass, Twelfth Best Musical, Best Director nomination). Diego theatre, Mr. Noel is one of the Night and The Labyrinth of Desire. Ms. Broadway: Impressionism (Creator/ few San Diegans to have had an entire Albrecht received her M.F.A. in Stage Supervisor), Dr. Seuss’ How the Grinch year (1987) proclaimed in his honor, Management from UC San Diego. Stole Christmas!, The Coast of Utopia and to be named one of San Diego’s (2007 Tony Award for Best Direction “Living Treasures.” He was a founder of of a Play, which won a total of seven the California Theatre Council and a Tony Awards, including Best Play), Dirty former vice president of the California Rotten Scoundrels (Tony nominations: Confederation of the Arts. His numerous Best Director and Musical), Henry IV honors include The San Diego Union- (Tony Award), Hairspray (Tony Award), Tribune list of 25 persons who shaped

14ERFORMANCES P MAGAZINE the city’s history; the Governor’s Award by the San Diego Theatre Critics Circle. This theatre operates under an agreement between the League of Resident Theatres for the Arts; University of Arizona Alumni In 2007, he received the National Medal and Actors’ Equity Association, the union of professional actors and stage managers in the Association’s Outstanding Citizen, of Arts – the nation’s highest honor for United States. for his contribution to their Fine Arts artistic excellence – in a ceremony at the department; San Diego State University’s White House. Craig Noel died on April 3,

Outstanding Alumnus; Conservator of 2010 at the age of 94. The Directors are members of the Society American Arts Award from American of Stage Directors and Choreographers, an independent national labor union. Conservatory Theater; the San Diego Press Club Headliner Award; San Diego Telsey + Company: Bernie Telsey CSA, Will Cantler CSA, David Vaccari CSA, This Theatre operates under an Agreement with Gentleman of Distinction Award; and a Bethany Knox CSA, Craig Burns CSA, the International Alliance of Theatrical Stage combined tribute from the Public Arts Tiffany Little Canfield CSA, Rachel Hoffman CSA, Employees Local No. 122. Justin Huff CSA, Patrick Goodwin CSA, Abbie Brady-Dalton, Advisory Council and the San Diego David Morris, Cesar A. Rocha County Board of Supervisors. Mr. Noel was particularly proud of the following The Scenic, Costume, Lighting and Sound three honors representing education and Designers in LORT Theatres are represented by United Scenic Artists Local USA-826, IATSE. theatre: Honorary Doctorate of Humane SPECIAL THANKS Letters, University of San Diego, Honorary Doctorate in Fine Arts, San Diego State Designer Fabrics The musicians are represented by the American University and the annual Awards for Jaunita Keller, Holiday Foliage Inc. Federation of Musicians, Local 325 San Diego. Excellence in Theatre named in his honor

GRUNDSWELL

March 12 - April 17, 2011 SHERYL & HARVEY WHITE THEATRE

WEST COAST PREMIERE By Ian Bruce Directed by Kyle Donnelly

March 19 - April 24, 2011 OLD GLOBE THEATRE By Ayub Khan-Din Directed by Jonathan Silverstein AN UNFORGETTABLE THRILLER Based on the play All in Good Time by Bill Naughton COMING SOON

May 7 - June 12 OLD GLOBE THEATRE By Tracy Letts Directed by Sam Gold “Best play of the decade.” -TIME MAGAZINE

PERFORMANCES MAGAZINE 15 The Old Globe is deeply grateful to its Season Sponsors, each of whom has made an annual donation of $50,000 or greater.

75th Anniversary Sponsors

Karen and Donald Cohn Joan and Irwin Jacobs Conrad Prebys and Debra Turner Donald and Darlene Shiley

Season Sponsors

The Legler Benbough Foundation John A. Berol Mary Ann Blair Peter Cooper and Norman Blachford Valerie and Harry Cooper David C. Copley The County of San Diego at the recommendation of Chairwoman Pam Slater-Price Audrey S. Geisel Lonnie Gettman - Designer Fabric Globe Guilders The Lipinsky Family Sheryl and Harvey White Anonymous

For additional information on how you may become a Season Sponsor, please contact Todd R. Schultz, Director of Development, at (619) 231-1941 x2310.

16ERFORMANCES P MAGAZINE SUBSCRIBE TODAY TO THE 20112011 SHAKESPEARESHAKESPEARE FESTIVALFESTIVAL

THE TEMPEST MUCH ADO ABOUT NOTHING AMADEUS By WILLIAM SHAKESPEARE By WILLIAM SHAKESPEARE By PETER SHAFFER Directed by ADRIAN NOBLE Directed by RON DANIELS Directed by ADRIAN NOBLE JUNE 5 - SEPTEMBER 25 MAY 29 - SEPTEMBER 24 JUNE 12 - SEPTEMBER 22 LOWELL DAVIES FESTIVAL THEATRE LOWELL DAVIES FESTIVAL THEATRE LOWELLPERFORMANCES DAVIES FESTIVAL THEATREMAGAZINE 17 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 629 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above)

The Legler Benbough Foundation Globe Guilders The Shubert Foundation City of San Diego Commission for The James Irvine Foundation The County of San Diego at the Arts & Culture The Parker Foundation recommendation of Chairwoman Audrey S. Geisel/The San Diego (Gerald & Inez Grant Parker) Pam Slater-Price Foundation Dr. Seuss Fund Donald* & Darlene Shiley

Season Sponsors ($50,000 to $99,999)

John A. Berol Valerie & Harry Cooper National Endowment for the Arts Mary Ann Blair David C. Copley Patrons of the Prado California Bank & Trust Lonnie Gettman - Designer Fabric Conrad Prebys & Debra Turner Continental Airlines HM Electronics, Inc. Qualcomm, Inc. J. Dallas & Mary H. Clark Fund at Joan & Irwin Jacobs Fund of the Jewish U.S. Bank The San Diego Foundation Community Foundation Wells Fargo Karen & Donald Cohn Las Patronas Sheryl & Harvey White Foundation Peter Cooper & Norman Blachford The Bernard & Dorris Lipinsky Fund of Advised Fund at the San Diego the Jewish Community Foundation Human Dignity Foundation

Production Sponsors ($25,000 to $49,999)

Bank of America Higgs Fletcher & Mack, LLP Sempra Energy Alan Benaroya Barbara Kjos Sheraton San Diego Hotel & Marina Richard & Kathy Binford National Corporate Theatre Fund Mickey Stern Arthur & Sophie Brody Fund of the The San Diego Foundation, a grant Gillian & Tony Thornley Jewish Community Foundation made possible by the Colonel Frank Union Bank Cohn Restaurant Group/ C. Wood Memorial Fund; Ariel W. Erna & Andrew Viterbi Prado Restaurant Coggeshall Fund; Kantor-Lebow- Mandell Weiss Charitable Trust Mr. & Mrs. Brian Devine Stroud Memorial Endowment Fund; Pamela & Marty Wygod Danah H. Fayman and Mary E. Hield and Robert R. Hield June E. Yoder Kathryn & John Hattox Endowment Fund

Director Circle ($10,000 to $24,999)

Anonymous Lee & Frank Goldberg Renee Schatz Mary Beth Adderley & Tim Haidinger Jean & Gary Shekhter Elizabeth Adderley Leonard & Elaine Hirsch Patsy & Forrest Shumway Jane Smisor Bastien The Hull Family Ms. Jeanette Stevens Barbara Bloom Deni & Jeff Jacobs Iris & Matthew Strauss Pamela & Jerry Cesak Daphne H. & James D. Jameson Anne Taubman & David Boyle Elaine & Dave Darwin Jo Ann Kilty Evelyn Mack Truitt Nina & Robert Doede Dr. Ronald & Mrs. Ruth Leonardi Brent V. Woods & Laurie C. Mitchell Dr. & Mrs. Robert Epsten Sue & John Major Carolyn Yorston-Wellcome Pamela A. Farr Dr. Patricia Montalbano* Robert & Deborah Young Hal & Pam Fuson Allison & Robert Price Robert Gleason & Marc Matys Price Family Charitable Fund

18ERFORMANCES P MAGAZINE FOUNDER CIRCLE Deede Gales Nancy Steinhart & Robert & Doris Reed ($5,000 to $9,999) Elaine & Murray Galinson Rebecca Goodpasture Jeffrey & Vivien Ressler Lawrence G. Alldredge & Dawn Moore Barbara & Albert Garlinghouse Hannah & Eugene Step Dr. Joseph & Carol Sabatini The Louis Yager Cantwell Bill & Judy Garrett Pat & Jack Thomas Marilies Schoepflin, PhD. Private Foundation Drs. Thomas H. & Jane D. Gawronski Cherie Halladay Tirschwell Alice & Lewis Silverberg Nikki & Ben Clay Nancy Reed Gibson Carol Vassiliadis Alan & Esther Siman The Colwell Family Fund at Wendy Gillespie Doris & Lou Vettese Nancy & George Stassinopoulos The San Diego Foundation Sheila & Tom Gorey Merle Wahl Jack & Louise Strecker Ms. Heidi Conlan/The Sahan Ms. Cheryl Haimsohn Mary R. Warkentin Margery & John Swanson Daywi Foundation Norm Hapke & Valerie Jacobs Hapke Jan Harden Webster & Raul Ortega Linda Terramagra R. Patrick & Sharon Connell Patricia & Richard Harmetz Chris & Pat Weil Celeste & Gene Trepte Bernard J. Eggertsen & Drs. Patrick Harrison & Eleanor Lynch James & Kathryn Whistler Stan & Anita Ulrich Florence Nemkov Susan & Dr. Ronald Heller Christian Winther Rosetta & Michael Volkov Barbara & Dick Enberg Dr. & Mrs. Peter K. Hellwig Alice M. Young Brendan M. & Kaye I. Wynne Carol Spielman-Ewan & Joel Ewan Rhonda Heth & Thomas Mabie M.J. Zahnle Diane & Elliot Feuerstein Dr. & Mrs. Harry F. Hixson, Jr. ($1,500 to $2,499) Christy & Howard Zatkin Mary Ann & Arnold Ginnow Richard & Janet Hunter Anonymous Alexa Kirkwood Hirsch Hutcheson Family Fund at Anita Busquets & William Ladd GOLD William Karatz The San Diego Foundation Lisa & David Casey ($500 to $999) Carol & George Lattimer Andrew & Sonia Israel Fund of the Devora & Ron Eisenberg Elaine & Bob Algeo Peter & Inge* Manes Jewish Community Foundation of Great News! Anonymous (5) Paul I. & Margaret W. Meyer Jerri-Ann & Gary Jacobs Joy & Dr. Fred Frye George Amerault Money/Arenz Foundation, Inc. Al* & Pat JaCoby Gary & Carrie Huckell Drs. Michael & Gabriela Antos Harle Garth Montgomery* Mary & Russell Johnson William & Edythe Kenton Alicia Atun & Elaine Rendon* Arthur & Marilyn Neumann Jackie Johnston Sherry & Larry Kline The Backman Family Brian & Paula Powers Katleman Family Fund of the Christopher & Cheryl Lee Beverly Bartlett & Barbara Sailors Jeannie & Arthur Rivkin Jewish Community Foundation Robin J. Lipman & Miro Stano Richard & Linda Basinger Paul Scott Silvera Bob* & Gladys King Elizabeth Meyer Deron & Toni Bear Robert & Julie Sullivan Ken & Sheryl King Akiko Charlene Morimoto & Bruce & Patricia Becker Deborah Szekely Webster & Helen Kinnaird Hubert Frank Hamilton,Jr. Amnon & Lee Ben-Yehuda Dixie & Ken Unruh Cindy & John Klinedinst Nancy & James Mullen Bob & Joyce Blumberg Jordine Skoff Von Wantoch Jane & Ray Klofkorn Dolly* & Jim Poet Nancy Brock Judy & Jack White Curt & Nancy Koch Marie & Don Prisby Dr. & Mrs. Simon C. Brumbaugh, Jr. Brooke & Dan Koehler Marisa SorBello & Peter Czipott Ruth Mary Campbell CRAIG NOEL CIRCLE Betty & Leonard Kornreich Pamela J. Wagner Greg & Loretta Cass As of July 2008, the Craig Noel Circle Rosalie Kostanzer & Mike Keefe Z.J. Waxenberg Fund of the Luc Cayet & Anne Marie Pleska includes gifts of $2,500 - $4,999. For Regina Kurtz & Al Isenberg Jewish Community Foundation Lynne Champagne & Wilfred Kearse donors who contributed to the Paver Bob & Laura Kyle James & Ellen Weil Ronald D. Culbertson Campaign, the phase-in period for the Dr. Eric Lasley & Judith Bachner Shirli Fabbri Weiss Dr. & Mrs. William Davidson new gift level runs through 2012. Terry & Mary Lehr Dr. Steve & Lynne Wheeler Wes & Elaine Dillon Dr. & Mrs. Wayne Akeson Ms. Sherrill Leist Sam Dolnick in memory of Gail, John & Jennifer Andrade James & Pamela Lester DIAMOND Edith Dolnick Anonymous (3) Jerry Lester, M.D./Rosarito, Mexico ($1,500 to $2,499) Dr. Donald & Eilene Dose Mr. & Mrs. Richard Baldwin Levinson Family Fund of the Anonymous Jackie & Stan Drosch Diana J. Barliant & Nowell Wisch Jewish Community Foundation Mrs. Lazare F. Bernhard Elisabeth K. Ecke Melissa Garfield Bartell & Barbara & Mathew Loonin Steve G. Bjorg Patricia Eichelberger Michael Bartell Merriel F. Mandell, Ph.D. Enid & Martin Gleich Bill Eiffert & Leslie Hodge Joan & Jeremy Berg Charlie & Jackie Mann Elspeth & Jim Myer Pauline Forman & Jack Burke Charles & Charlotte Bird Elizabeth & Edward McIntyre Susan Parker Susan & Steven Garfin Paul Black Harold O. McNeil Serenity Grace Foundation Arthur & Judy Getis Dr. Herman & Irene Boschken Scott & Grace Miller WD-40 Company Norman & Patricia Gillespie Dr. & Mrs. Edgar D. Canada Rebecca Moores Louise & Doug Goodman George & Ellen Casey Mr. & Mrs. David Mulliken PLATINUM Edry & Robert Goot Rudy & Carol Ceseña Ruth & Jim* Mulvaney ($1,000 to $1,499) Drs. Barbara & Leonard Gosink Marsha & Bill Chandler Joyce & Martin Nash Anonymous Chris Graham & Michael Albo Carol & Jeff Chang Lawrence Newmark Edward Anderson Carol & Don Green Garet & Wendy Clark Tom & Lisa Pierce Dr. Bob & Jill Andres Theodore Gryga Jack & Carol Clark Matthew & Judith Pollack Jeff & Donna Applestein George C. Guerra Richard & Stephanie Coutts Mo & Bill Popp Gary & Barbara Blake Family Fund of Richard & Candace Haden Susan B. Cowell Dr. & Mrs. Daniel Porte the Jewish Community Foundation Mrs. Helen M. Hammond Gigi & Ed Cramer Joanne Powers Mary-Kay Butler Mr. & Mrs. Arnold Hess Ann & John Davies The Arthur & Jeanette Pratt Ken Crouch Stephen Hopkins & Dr. Carey Pratt Darlene G. Davies in Memorial Fund Dorothy Dring Susan D. Inot memory of Lowell Davies Joseph & Jane Rascoff Paul & Clare Friedman Dr. & Mrs. Clyde W. Jones Pat & Dan Derbes Sarah B. Marsh-Rebelo & In Memory of John A. Geisel Kathy & Rob Jones Mrs. Philip H. Dickinson John G. Rebelo Mr. & Mrs. Arthur A. Greenberg David & Susan Kabakoff Jim & Sally Ditto Mrs. Charlotte Rees Leo S. Guthman Fund Mr. & Mrs. Henry P. Kagey Marion Eggertsen Roger & Christine Roberts Kenneth & Marilyn Jones Patricia & Alexander Kelley Mr. & Mrs. Ira S. Epstein Nancy J. Robertson Jerome & Gayle Klusky Gerald & Phyllis Kelly Carol Fink Carole Sachs Dr. & Mrs. James E. Lasry Kaaren H. Kerlin Mary & David Fitz Warren & Beverly Sanborn Don & Mary Jane Lincoln Bill & Linda Kolb Susanna & Michael Flaster Gabriela & Charles Sanders Dr. Robert & Marcia Malkus Marvin Kripps, M.D. Jean & Sid Fox Sanderson Family Donor Advised Fund Jasna Markovac & Gary Miller LABS, Inc./Silvia Dreyfuss Karen Fox & Harvey Ruben at the Rancho Santa Fe Foundation Valorie McClelland Dixon & Pat Lee Samuel I. & John Henry Fox Jay & Julie Sarno Dr. & Mrs. M. Joseph McGreevy Sherry & Rick Levin Foundation at Union Bank Drs. Joseph & Gloria Shurman Rena Minisi & Rich Paul Marshall & Judy Lewis Fund of the of California Dee E. Silver, M.D. Judith & Neil Morgan Jewish Community Foundation Chuck Freebern Herbert & Elene Solomon Virginia Oliver Mrs. Victor Y. Lindblade Charles & Millicent Froehlich Nancy & Alan Spector and Family Ben & Joan Pollard Dr. & Mrs. David D. Lynn Martha & George Gafford Dr. Julie Prazich & Dr. Sara Rosenthal Edward & Nancy Lyon

PERFORMANCES MAGAZINE 19 Annual Fund Donors

(continued) Mary Ruth Carleton & Bruce Hunt Richard V. McCune Mr. & Mrs. Fred C. Stalder William & Shirley Carrington Oliver McElroy & Karen Delaurier Alan & Eve Stall Carl Maguire & Margaret Sheehan Leslie & Shlomo Caspi Teresa McEuen Susanne Stanford & Tom Matthews Sally & Luis Maizel Chortek Family Fund of the Andrew & Kerri McPherson Ann & Robert Steiner Steve & Yvonne Maloney Jewish Community Foundation The Michael Family Dave & Jan Stormoen Jeanne Maltese Janet & Maarten Chrispeels Dr. & Mrs. Paul E. Michelson Herbert & Ruth Strauss Drs. Betty Joan Maly & John Meyers Richard Clampitt & Rachel Hurst James & Dorothy Mildice Mr. & Mrs. Eric Suggs Ron & Mercy Mandelbaum Anne C. Coleman Brenda Moore & Bob Rollbusch Mrs. J.B. Swedelius Russell Mangerie Janet Costic Dr. & Mrs. Robert F. Morrison Linda Tallian F. Dale & Lois Marriott Gertrude Lee Coyte Mary Jo Murphy Janet & Brian Taylor Martin & Joanne Marugg Alicia Cuadros Maggie & Wayne Myers Dr. Marshall & Leila Taylor Rev. Stephen J. Mather Ruth F. Davis Thomas & Tanya O’Donnell Neli Tena Ron McCaskill & Robyn Rogers Margaret DeCaro Dr. David & Elizabeth Ostrander Reed & Solange Thompson Charles & Billie McKnight Caroline S. DeMar Susan & Jim Oxford Nancy Alice Vaughn Estelle D. & Jim Milch Bethany Derrough Clifford T. Pentrack & Hal Walba Carole S. Miller Dutch & Dawn Dershem Mary E. Giovaniello Barbara C. Ward Steve & Jill Morris Thomas Difiore & Bridget Meckley Dr. & Mrs. Richard & Patricia Perlman Dave & Kim Washkowiak Charles & Susan Muha Stephen & Sandra Drew Abigail G. Pike Mr. & Mrs. James D. Welterlen Shirley Mulcahy Mr. & Mrs. Victor Engleman Drs. Paul & Katherine Ponganis Judith L. White Marsha J. Netzer Nate & Margaret Englund Mr. & Mrs. Kedar Pyatt Sandy Wichelecki Katherine Newton Dr. Susan D. Fee Kathleen & C. Jay Rains Olivia & Marty Winkler Mark Niblack Esther & Robert Feier Irl R. Robinson Mr. & Mrs. John W. Witt Barbara B. Oswalt Richard & Beverly Fink Stuart & Linda Robinson Perri L. Wittgrove Anthony Passante & Family Foundation Laura Roos Patricia Woodbury Maureen Hallahan Judy & Ira Frazer Judith Rosen Elizabeth Zeigler & Bernard Kuchta Julius J. Pearl Fund at Randee & Dick Friedman Dr. Richard & Marilynn Rowen RADM. & Mrs. Guy Zeller The San Diego Foundation Charles & Jeanne Gahagan Barbara & Norman Rozansky Vicky Zollweg & Michael Dunteman Dr. Ken Pischel & Peter & Christine Gault Crystal A. Rubin Dr. Katherine Ozanich Dana & Brad Gemeinhardt Samiljan Family Fund of the In Memory of Margaret Peninger Diane Glimm Jewish Community Foundation *In Memoriam Kathleen H. Porter Florence Goldfarb The Saverino Family in The Ralph B. Rogers Foundation Carole & Howard Goldfeder Fund at loving memory of Fraction Jack & Carol Sanders The San Diego Foundation Lillian Schafer This list current as of December 3, 2010 Simon & Ruth Sayre Mike Goupill & Ernie Castro Norman Schiewe & Elli Johns Linda J. Seifert Euvoughn L. Greenan Carl Schott As announced in July 2008, the names Mr. & Mrs. Randall Silvia Martin & Deanna Greenberg Martin & Connie Schroeder of Annual Fund donors at the Silver Mr. William D. Smith & Dr. Carol Harter Mr. & Mrs. Gary Grim RAdm. & Mrs. H. James T. Sears level are published semi-annually, once Gloria Penner Snyder & Bill Snyder Maggi Hall Lori Severson & Eric Longstreet in the Shakespeare Festival program Helga & Sam Strong Elizabeth Hansen Glenda Shekell and again in a winter Globe program. Ron & Susan Styn Jay & Mary Hanson Laurel Shupp Clifford & Kay Sweet George D. Hardy Dr. Hano & Charlotte Siegel For additional information on how you Eric Leighton Swenson Betty & Hank Harriman Beverly & Howard Silldorf may support The Old Globe’s artistic, Dr. Terry & Naomi Tanaka James & Ruth Harris of the Jerry & Beth Silverman education and community programs, Dr. Charles & Brita Tesar Jewish Community Foundation Eunice M. Simmons, M.D. please visit our website at Gertrude Trebon Mark & Corrine Harvey Anne & Ronald Simon www.TheOldGlobe.org, or contact Jeffrey & Sheila Truesdell Joan Henkelmann Mr. & Mrs. Bruce Smith Rachel Plummer, Development Manager, Natalie C. Venezia & Paul A. Sager Suzanne Hess Malcolm E. Smith Individual Annual Giving, at R. Douglas Wallingford Donald J. Hickey Dave & Phyllis Snyder (619) 231-1941 x2317 or Kathy & Jim Waring Christine Hickman & Dennis Ragen Norman & Judith Solomon [email protected]. Jo & Howard Weiner Charlotte Hockstein Bill & Barbara Sperling David & Irene Weinrieb John & Peggy Holl Katherine White Bill & Nancy Homeyer Dennis & Carol Wilson Mark & Nance Hunter Cass Witkowski Family Robert Hyman Bill & Betty Witman Pat & Bonnie Hyndman Public Support Joseph & Donna Hynes SILVER Isaacs Brothers Foundation at ($250 to $499) The San Diego Foundation Charles Halligan Adair Bill & Cheri James Sybil & B.J. Adelson Mr. & Mrs. David James Mark & Carlene Albrecht Ed & Linda Janon Janet Anderson & John Glascock Dr. James & Sharon Justeson Anonymous (5) Dr. & Mrs. Irvin Kaufman John & Elizabeth Bagby J. Kenyon Ruth & Jim Batman Kathleen Kim & Zachary Rattner Sharon & Bill Beamer Leona Krevat Sally & John Berry Elizabeth Lasley Nicholas B. Binkley Mitzi & Rafael Lizarraga Stanley Birstein Fred & Lupe Luevano Robert Blanton & Ann Clark Mr. Robert E. Mackey, Jr. Kathleen Blossfield Janet & Jim Madden Sam Boodman Ms. Jain Malkin Gaylyn N. Boone & James Dorcy Judge & Mrs. Frederick Mandabach Debby Boyd Patricia Manning LaVerne & Blaine Briggs Donor Harold & Beverly Martyn Advised Fund at the Rancho Cdr. & Mrs. John C. Matthews III Major funding provided by the City of San Diego Commission for Arts and Santa Fe Foundation Wilfred & Natalie Mathewson Culture. The Old Globe is funded by the County of San Diego at the Mr. & Mrs. Hal W. Brown Marcia Mattson recommendation of Chairwoman Pam Slater-Price and the Julia Brown The Mayflower County of San Diego Board of Supervisors. David Burns & Diane Lischio Meredith McConahey & David Toft Helen M. Caldwell Dennis A. McConnell

20ERFORMANCES P MAGAZINE Globe Ambassadors

Globe Ambassadors are generous supporters Marion Eggertsen Jeannie & Arthur Rivkin of The Old Globe who contribute major gifts Be rnard J. Eggertsen & Florence Nemkov Donald & Darlene Shiley◆ to the Annual Fund, attend special Globe Ca rol Spielman-Ewan & Joel Ewan Ms. Jeanette Stevens meetings and activities and serve as advocates Danah H. Fayman◆ Evelyn Mack Truitt in the community for the Globe’s mission and Susanna & Michael Flaster Dixie & Ken Unruh goals. As a group, Ambassadors sponsor one Mary Ann & Arnold Ginnow Doris & Lou Vettese◆ Globe production each season. Alexa Kirkwood Hirsch Pamela J. Wagner◆ Leonard & Elaine Hirsch◆ Jordine Von Wantoch◆ La wrence G. Alldredge & Dawn Moore Pat Jacoby Paul Black◆ Mary & Russell Johnson◆ *In Memoriam Dr. & Mrs. Edgar D. Canada Bob* & Gladys King◆ Carol & Rudy Ceseña Rosalie Kostanzer & Mike Keefe ◆Denotes increased giving in 2010 Mary H. Clark Bob & Laura Kyle Steven J. Cologne James & Pamela Lester For additional information on how you may R. Patrick & Sharon Connell Dr. Jerry Lester◆ become a Globe Ambassador, please contact Susan B. Cowell Merriel F. Mandell, Ph.D.◆ Marilyn McAvoy, Major Gifts Director, at Gigi & Ed Cramer◆ Peter & Inge* Manes (619) 231-1941 x2309 or Elaine & Dave Darwin Paul I. & Margaret W. Meyer [email protected]. Darlene G. Davies◆ David & Noreen Mulliken Mrs. Philip H. Dickinson Arthur & Marilyn Neumann Nina & Robert Doede Joanne C. Powers

Corporate Donors

SEASON SPONSORS ($50,000 or more) FOUNDER CIRCLE ($5,000 - $9,999) Bertrand at Mister A’s Hyatt Regency La Jolla M2000 Corporation Take A Break Service

CRAIG NOEL CIRCLE ($2,500 - $4,999) Break-Away Tours Cubic Corporation Ladeki Restaurant Group – Roppongi Restaurant PRA Destination Management

National Corporate Theatre Fund is a not-for-profit corporation created to increase and strengthen support from the business community for ten of this country’s most distinguished professional theatres. The following foundations, individuals and corpo- rations support these theatres through their contributions to NCTF:

Addams Family Broadway, LP Ne derlander Producing Company of Bank of America America, Inc. Bingham McCutchen Ogilvy & Mather PRODUCTION SPONSORS ($25,000 - $49,999) Bloomberg Frank Orlowski BNY Mellon Wealth Management Ovation TV Steven Bunson Pfizer, Inc. Ch ristopher Campbell/Palace Karen Pritzker & Michael Vlock Production Center Thomas Quick Cisco Systems, Inc. RBC Wealth Management Citi RVM/Vincent Brunetti Credit Suisse Samuel French, Inc. Dorsey & Whitney Foundation Sharp Electronics Dramatists Play Service, Inc. Skadden, Arps, Slate, Meagher & Flom LLC Ernst & Young George S. Smith, Jr. Richard Fitzburgh The McGraw-Hill Companies Goldman, Sachs & Co. Theatermania.com/Gretchen Shugart JPMorgan Chase Foundation James S. Turley KPMG Evelyn Mack Truitt Eugene & Brooke Lee UBS Marsh & McLennan Companies USA Today ($10,000 - $24,999) McCarter & English LLP Wells Fargo DIRECTOR CIRCLE MetLife Willkie Farr & Gallagher LLP City National Bank Torrey Pines Bank Morgan Stanley NBC/Saturday Night Live KPMG, LLP Vistage International Neiman Marcus The Westgate Hotel Corporate Partners enjoy benefits and recognition, including the opportunity to ResMed Foundation entertain clients and employees with exclusive receptions at the Theatre, behind-the- scenes tours, and preferred seating at our shows. For information, please contact Todd Schultz at (619) 231-1941 x2310.

PERFORMANCES MAGAZINE 21 Supporting The Old Globe Forever

Members of the Craig Noel League are ensuring a successful future for The Old Globe by contributing to the Endowment Fund or including the Globe in their Estate Plans. We thank our members for their legacy gifts and urge others to join them in the Craig Noel League.

Earnings generated from the Endowment Fund support the Theatre’s artistic and educational programming, helping sustain the Globe’s high level of artistic excellence. As future generations discover great theatre at the Globe, they will have our Craig Noel League donors to thank. Globe staff can advise how to leave a lasting gift to the Globe whether it is a cash contribution, a charitable bequest in your will or living trust, a Charitable Remainder Trust, Lead Trusts, Gift Annuities, Life Estates or a number of other available options. Craig Noel in 1957 As we celebrate the Globe’s 75th Anniversary as a local cultural landmark and national icon, it is time to build for the future. Join those listed below who have chosen to support our Theatre forever and help secure the future of The Old Globe — for the next 75 years — and beyond!  Craig Noel League  Planned Giving Society of The Old Globe

Anonymous (15) Bob Jacobs B. Sy & Ruth Ann silver Diana Barliant Grace Johnston Stephen M. Silverman Nancine Belfiore Gladys H. King Roberta Simpson Alan Benaroya Marilyn Kneeland Dolores & Rod Smith Ronald Brown Jean & David Laing Marisa SorBello & Peter Czipott Dr. & Mrs. Edgar D. Canada Jerry Lester Foundation John & Cindy Sorensen Garet & Wendy Clark Heather Manion Nancy A. Spector & Alan R. Spector Mary H. Clark Chris & Jill Metcalf Jeanette Stevens R. Patrick & Sharon Connell Paul I. & Margaret W. Meyer Eric Leighton Swenson Patricia W. Crigler. Ph. D., CAPT/USN/Ret. Steve Miller Anne C. Taubman Carlos & Patricia Cuellar Dr. Robert W. Miner Cherie Halladay Tirschwell Mrs. Philip H. Dickinson Shirley Mulcahy Evelyn Mack Truitt Dr. & Mrs. Robert Epsten Laurie Dale Munday Ginny Unanue Frank A. Frye, III Stanley Nadel & Cecilia Carrick Carol & Lawrence Veit Mr. Alan Gary & Ms. Joanee Udelf Alice B. Nesnow Jordine Von Wantoch Nancy Reed Gibson Arthur & Marilyn Neumann Merle Wahl Robert Gleason & Marc Matys Ronald J. Newell Holly J. B. Ward Marcy Goldstone Greg & Polly Noel Sheryl & Harvey P. White Carol & Don Green PACEM (Pacific Academy of Ecclesiastical Music) Mrs. Jack Galen Whiteney Kathryn Hattox Jim Poet Julie Meier Wright David & Debbie Hawkins Sarah B. Marsh-Rebelo & John Rebelo Carolyn Yorston-Wellcome Jill Denison Holmes Darlene Shiley Craig & Mary Hunter Patsy & Forrest Shumway

For additional information on how you may join the Planned Giving Society, please contact Bridget Cantu Wear, Associate Director of Development, Planned Giving, at (619) 231-1941 x2312 or [email protected].

Donors to the Endowment The Mr. Isaac C. Malamud and In Memorium Gifts Craig Noel John A. Berol Mrs. Agustina R. Malamud Foundation to the Endowment or Annual Fund Mrs. Margaret F. Peninger Ronald Brown The Mission Valley Community Fund Robert S. Albritton Velda Pirtle Ava Carmichael Mr. Stephen B. Nielander & Ms. Dorothy Brown Florence Borgeson Plunkert Harry & Valerie Cooper Dominique K. Alessio Joe Callaway Dolly Poet Maria Correia La Nona Royalty Funds J. Dallas & Mary H. Clark Jessie Polinsky Jane Cowgill National Endowment for the Arts Patricia & Donn DeMarce Donald Shiley Darlene G. Davies Jeannie Polinsky Rivkin Artistic Fund Barbara Iredale Dorothy Shorb Prough Danah Fayman The San Diego Foundation Joseph E. Jessop, Jr. Marje Spear Mr. & Mrs. Feldman Pat Thomas J. Robert H. King Marian Trevor Ellis Construction San Diego Trust & Savings Dr. Bernard Lipinsky Harvey Von Wantoch Kathryn Hattox Celeste & Gene Trepte Calvin Manning Phil Wahl The Hollis Foundation Tim & Ellen Zinn Judy & George Miller Stanley E. Willis II

22ERFORMANCES P MAGAZINE Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as Associate Artists the following individuals who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe. William Anton Tim Donoghue Mark Harelik Jonathan McMurtry Ken Ruta Irene Tedrow * Gregg Barnes Richard Easton Bob James Stephen Metcalfe Douglas W. Schmidt Sada Thompson Jacqueline Brooks Tovah Feldshuh Charles Janasz Robert Morgan Seret Scott Paxton Whitehead Lewis Brown Monique Fowler Peggy Kellner* Patrick Page David F. Segal James Winker Victor Buono* Robert Foxworth Tom Lacy Ellis Rabb* Richard Seger Robert Wojewodski Wayland Capwell * Ralph Funicello Diana Maddox Steve Rankin Diane Sinor G Wood* Kandis Chappell Lillian Garrett-Groag Dakin Matthews William Roesch Don Sparks Eric Christmas* Harry Groener Deborah May Robin Pearson Rose David Ogden Stiers * In Memoriam Patricia Conolly A.R. Gurney Katherine McGrath Marion Ross Conrad Susa George Deloy Joseph Hardy John McLain Steven Rubin Deborah Taylor

Patron Information

TICKET SERVICES HOURS may be given alternative seating and will be seated at an Monday: Closed appropriate interval. Tuesday - Sunday: Noon – last curtain Hours subject to change. Please call ahead. YOUNG CHILDREN Phone (619) 23-GLOBE or (619) 234-5623 Children five years of age and under will not be admitted to FAX (619) 231-6752 performances. Email [email protected] ELECTRONIC DEVICES AND CAMERAS ADMINISTRATION HOURS Monday - Friday: 9am – 5pm Use of recording devices and cameras is not permitted. Phone (619) 231-1941 Please silence all digital watches, pagers and cellular Website www.TheOldGlobe.org phones prior to entering the theatre. Address The Old Globe P.O. Box 122171 ASSISTED LISTENING SYSTEM San Diego, CA 92112-2171 For the convenience of the hearing impaired, the assisted listening system is available in the Old Globe Theatre and ORDERING TICKETS/CHANGE OF ADDRESS the White Theatre. Lightweight headsets may be obtained The Old Globe accepts Visa, Discover, MasterCard, or from the house manager prior to performances, free of American Express. Phone orders for non-subscribers charge. are subject to a $3.50 per ticket service charge. Ticket exchanges are subject to a service charge for non- PUBLIC TOURS subscribers. If you have moved, please notify the Ticket Go behind the scenes at The Old Globe to learn about the Services Office to update our records. Call (619) 234-5623 history, three stages, shop and craft areas. Open tours: most during Ticket Services hours, mail your change of address Saturdays and Sundays at 10:30am. Groups by reservation. to the Ticket Services Office, or email us at $5 adults; $3 seniors and students. Phone (619) 231-1941 [email protected]. x2142 for information/reservations.

UNABLE TO ATTEND? LOST AND FOUND If you find you are unable to use your tickets, please give If you have misplaced a personal item while at the theatre, them to a friend, or turn them in to the Ticket Services please contact the Ticket Services Office or Security as Office and receive a tax receipt for your donation. Tickets soon as possible. If we are unable to locate your item, must be received by show time. we’ll happily take down your contact information and a description of the item and contact you if it is found. The RESTROOMS Old Globe does not assume liability for items left behind on Restrooms are located in the lower lobby of the Old Globe the premises. Theatre, the lobby of the White Theatre and adjacent to the Festival Theatre. Natural Herb Cough Drops - Courtesy of Ricola USA, Inc., are available upon request. Please ask an usher. SEATING OF LATECOMERS Although we understand parking is often at a premium, the seating of latecomers is extremely disruptive. Latecomers

PERFORMANCES MAGAZINE 23 Staff

Louis G. Spisto...... Executive Producer Josh Camp, Patricia Rutter...... Craftspersons Donor Services Michael G. Murphy...... General Manager David Medina...... Properties Buyer Lee Conavay, Monica Jorgensen, Barbara Lekes, Dave Henson...... Director of Marketing and Communications Trevor Hay...... Property Master, Globe Pamela Malone, Richard Navarro, Stephanie Reed, Todd Schultz...... Director of Development David Buess...... Property Master, White Judy Zimmerman...... Suite Concierges Mark Somers...... Director of Finance Trevor Hay...... Property Master, Festival Richard Seer...... Director of Professional Training MARKETING Robert Drake...... Director of Production Lighting Jeffrey Weiser...... Public Relations Director Roberta Wells-Famula...... Director of Education Nate Parde...... Lighting Director Mike Hausberg...... Public Relations Associate Shawna Cadence...... Lighting Assistant Kelly Barry...... Digital and Print Publications Coordinator ARTISTIC Tonnie Ficken...... Master Electrician, Globe Marissa Haywood...... Marketing Assistant Adrian Noble...... Shakespeare Festival Artistic Director Jim Dodd...... Master Electrician, White Monica Jorgensen, Susie Virgilio...... Marketing/Events Assistants Matthew Lopez...... Playwright-in-Residence Kevin Liddell...... Master Electrician, Festival Jack DePalma...... Play Development Director Kristen Flores, Steve Schmitz...... Follow Spot Operators Subscription Sales Samantha Barrie...... Casting Director Kevin Anthenill, Eric Baum, Jason Bieber, Scott Cooke...... Subscription Sales Manager Bernadette Hanson...... Artistic Associate Katie Brost, Troy Castelblanco, Mark Dewey, Kevin Liddell, Andy Lowe, Amanda Zieve...... Electricians Anna Bowen-Davies, Arthur Faro, Andy Fink, Pamela Malone, Yolanda Moore, PRODUCTION Sound Jessica Morrow, Keith Perkins, Ken Seper, Debra Pratt Ballard...... Associate Director of Production Cassandra Shepard, Jerome Tullmann, Paul Peterson...... Sound Director Ron Cooling...... Company Manager Grant Walpole...... Subscription Sales Representatives Carol Donahue...... Production Coordinator Erik Carstensen...... Master Sound Technician, Globe Jeremy Siebert...... Master Sound Technician, White Ticket Services Dana Pickop...... Mic Runner, Globe Stage Management Bob Coddington...... Ticket Services Manager Leila Knox...... Production Stage Manager Marsi Fisher...... Ticket Operations Manager ADMINISTRATION Dani Meister...... Group Sales Manager Technical Brian Franko...... Assistant General Manager Tony Dixon, Benjamin Thoron...... Technical Director Bryan Scott...... Executive Assistant Rob Novak...... Lead Ticket Services Representatives Wendy Berzansky...... Associate Technical Director Brian Abraham, Kari Archer, Sarah Ditges, Sean Fanning...... Resident Design Assistant Information Technology Stephen Greenhalgh, Merri Fitzpatrick, Eric Kessler...... Assistant Technical Director Dean Yager...... Information Technology Manager Angela Juby, Claire Kennelly, Cassie Lopez, Eliza Korshin...... Technical Assistant/Buyer Thad Steffen...... Information Technology Assistant Manager Caryn Morgan, Christopher Smith, Rico Zamora...... Ticket Services Representatives Christian Thorsen...... Stage Carpenter/Flyman, Globe John Ralston...... Information Technology Assistant Carole Payette...... Charge Scenic Artist Edee Armand , W. Adam Bernard, Human Resources PATRON SERVICES Victoria Erbe, David Garcia...... Scenic Artists Sandra Parde...... Human Resources Director Mike Callaway...... Theatre Manager Gillian Kelleher...... Master Carpenter Brian Davis, Jessica Talmadge...... House Managers Robert Dougherty...... Master Carpenter, Festival Maintenance A. Samantha Beckhart...... Front of House Assistant Andrew Young...... Charge Carpenter, White Randy McWilliams...... Facilities Manager Elaine Gingery...... Food and Beverage Manager Laura McEntyre...... Assistant Master Carpenter Violanda Corona, Ismael Delgado, Miguel Gaspar, Timothy Acosta, Samantha Harper, Amanda Rhoades, Valerie Rhodes, Andrew Recker, Dan Klebingat...... Globe Run Crew Roberto Gonzalez, Reyna Huerta, Jose Morales, Ben Salazar-Dunbar, Jason Smith...... Pub Staff Chris Chauvet, Jason Chohon, Aaron Garcia, Albert Rios, Maria Rios, Vielka Smith, Nicolas Torres, Thomas Hawkins, Jack Hernandez, Rashaad Howell, Leonardo Rodriguez ...... Building Staff Rose Espiritu, Stephanie Rakowski, Stephanie Reed...... Gift Shop Supervisors Dan Klebingat, Josh Letton...... Carpenters PROFESSIONAL TRAINING Costumes Llance Bower...... Program Coordinator Security/Parking Services Rachel “Beahr” Garcia...... Security Supervisor Stacy Sutton...... Costume Director Maria Carrera, Cynthia Caywood, Ray Chambers, Dallas Chang, Sherisa Eselin, Bernardo Holloway, Charlotte Devaux Shields...... Resident Design Associate Gerhard Gessner, Jan Gist, Fred Robinson, Liz Shipman...... MFA Faculty Janet Larson, Jeffrey Neitzel...... Security Officers Maureen Mac Niallais...... Assistant to the Director Jeannie Marie Galioto, Ben Seibert, Patricia Ceja, Lee Conavay, Shelly Williams...... Design Assistant/Shopper George Yé...... MFA Production Staff Jeff Howell...... Parking Lot Attendants Michelle Souza...... Design Assistant Norman Ramos, Danny Wilcox...... V.I.P. Valet Attendants Erin Cass, Marsha Kuligowski, Wendy Miller...... Drapers EDUCATION Babs Behling, Anne Glidden Grace, Kim Montelibano Heil...... Education Associate Joan Mathison...... Assistant Cutters Carol Green...... Speakers Bureau Coordinator Mary Miller...... Costume Assistant Jack O’Brien...... Artistic Director Emeritus David Carson, Amanda Cooley Davis, James Cota, Craig Noel...... Founding Director Marnee Davis, Maria De La Mora, Tracy Graham, Marisela De la Parra, Brian Hammond, Jason Maddy, Noel Laws, Somsi Norfolk, Susan Sachs, Sarah Price-Keating, Jennifer Barclay Newsham, Megan Schmidt, Joanna Stypulkowska, Radhika Rao...... Teaching Artists Veronica Von Borstel...... Stitchers Erin Carignan...... Craft Supervisor/Dyer/Painter FINANCE Sharon King, Stephanie Parker...... Crafts Artisans Carly Bennett...... Senior Accountant Molly O’Connor...... Wig and Makeup Supervisor Trish Guidi...... Accounts Payable/Accounting Assistant Kim Parker...... Assistant to Wig and Makeup Supervisor Adam Latham...... Payroll Coordinator/Accounting Assistant Danielle Griffith...... Wig Assistant Tim Cole...... Receptionist Beverly Boyd...... Wardrobe Supervisor Globe/White Beth Merriman...... Crew Chief Globe DEVELOPMENT Anna MacDonald...... Crew Chief White Marilyn McAvoy...... Major Gifts Director Kristin Bongiovanni, Danielle Griffith, Noelle Van Wyk...... Wardrobe Crew Globe Annamarie Maricle...... Associate Director, Institutional Grants Marie Jezbera...... Rental Agent Bridget Cantu Wear...... Associate Director, Planned Giving Eileen Prisby...... Events Manager Properties Rachel Plummer...... Development Manager, Individual Annual Giving Neil A. Holmes...... Properties Director Diane Addis...... Membership Administrator Kristin Steva Campbell...... Assistant to the Director Kacie Bluhm...... Development Assistant M.H. Schrenkeisen...... Shop Foreman Katie Dupont...... VIP Donor Ticketing Rory Murphy...... Lead Craftsman

24ERFORMANCES P MAGAZINE