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Popular Culture As Pharmakon: Metamodernism and the Deconstruction of Status Quo Consciousness
PRUITT, DANIEL JOSEPH, M.A. Popular Culture as Pharmakon: Metamodernism and the Deconstruction of Status Quo Consciousness. (2020) Directed by Dr. Christian Moraru. 76 pp. As society continues to virtualize, popular culture and its influence on our identities grow more viral and pervasive. Consciousness mediates the cultural forces influencing the audience, often determining whether fiction acts as remedy, poison, or simultaneously both. In this essay, I argue that antimimetic techniques and the subversion of formal expectations can interrupt the interpretive process, allowing readers and viewers to become more aware of the systems that popular fiction upholds. The first chapter will explore the subversion of traditional form in George Saunders’s Lincoln in the Bardo. Using Caroline Levine’s Forms as a blueprint to study the interaction of aesthetic, social, and political forms, I examine how Saunders’s novel draws attention to the constructed nature of identity and the forms that influence this construction. In the second chapter, I discuss how the metamodernity of the animated series Rick and Morty allows the show to disrupt status quo consciousness. Once this rupture occurs, viewers are more likely to engage with social critique and interrogate the self-replicating systems that shape the way we establish meaning. Ultimately, popular culture can suppress or encourage social change, and what often determines this difference is whether consciousness passively absorbs or critically processes the messages in fiction. POPULAR CULTURE AS PHARMAKON: -
Lols, Lulz, and ROFL: the Culture, Fun, and Serious Business of Internet Memes
LOLs, Lulz, and ROFL: The Culture, Fun, and Serious Business of Internet Memes by Noah David Levinson Bachelor of Philosophy, University of Pittsburgh, 2012 Submitted to the Faculty of The University of Pittsburgh Honors College in partial fulfillment of the requirements for the degree of Bachelor of Philosophy University of Pittsburgh 2012 UNIVERSITY OF PITTSBURGH University Honors College This thesis was presented by Noah David Levinson It was defended on July 30, 2012 and approved by Gabriella Coleman, PhD, Department of Art History & Communications, McGill University Dana Och, PhD, Film Studies Program Annette Vee, PhD, English Department Thesis Advisor: Daniel Morgan, PhD, Film Studies Program ii Copyright © by Noah David Levinson 2012 iii LOLs, Lulz, and ROFL: The Culture, Fun, and Serious Business of Internet Memes Noah David Levinson, BPhil University of Pittsburgh, 2012 This thesis takes an analytical look into the workings of Internet Memes and the culture that surrounds and nourishes them. Through a selection of Internet Meme case studies, a list of cultural qualities are compiled and then used to identify the attitudes of Internet Meme Culture. Then by comparing the relationship between Internet Memes and advertising, film, and television, a contrast between Old and New Media is established. Alongside using political Memes to find connections between Internet Memes and general expression and communication, the final hope is to understand Internet Meme Culture and where it might take Mass and Popular Culture as the digital millennial becomes the new digital citizens. iv TABLE OF CONTENTS 1.0 INTRODUCTION: WHY STUDY INTERNET MEMES? ............................................. 1 1.1 WEB 3.33333333… AND BRONIES ...................................................................... -
Click Here to Download The
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Movement SF and the Picaresque Robert Glen Wilson University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 5-2014 You Can't Get There from Here: Movement SF and the Picaresque Robert Glen Wilson University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the American Literature Commons, and the Modern Literature Commons Recommended Citation Wilson, Robert Glen, "You Can't Get There from Here: Movement SF and the Picaresque" (2014). Theses and Dissertations. 2337. http://scholarworks.uark.edu/etd/2337 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. You Can’t Get There from Here: Movement SF and the Picaresque You Can’t Get There from Here: Movement SF and the Picaresque A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English By Robert G. Wilson Campbellsville University Bachelor of Arts in English and History, 1999 Western Kentucky University Master of Arts in American Literature, 2002 May 2014 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. ______________________________________ Dr. M. Keith Booker Dissertation Director ______________________________________ ____________________________________ Dr. Robert Cochran Dr. William A. Quinn Committee Member Committee Member ABSTRACT This dissertation examines the crisis of authenticity in postmodern culture and argues that contemporary science fiction, specifically the subgenre of Movement SF, has evolved a unique answer to this crisis by adopting, perhaps spontaneously, the picaresque narrative structure. -
Lightspeed Magazine, Issue 56
TABLE OF CONTENTS Issue 56, January 2015 FROM THE EDITOR Editorial, January 2015 SCIENCE FICTION Beautiful Boys Theodora Goss He Came From a Place of Openness and Truth Bonnie Jo Stufflebeam More Adventures on Other Planets Michael Cassutt Men of Unborrowed Vision Jeremiah Tolbert FANTASY Headwater LLC Sequoia Nagamatsu The Lonely Heart Aliette de Bodard The Archon Matthew Hughes Maiden, Mother, Crone Ann Leckie and Rachel Swirsky NOVELLA The Choice Paul McAuley NOVEL EXCERPTS A Darker Shade of Magic V.E. Schwab The Galaxy Game Karen Lord NONFICTION Interview: David X. Cohen The Geek’s Guide to the Galaxy Book Reviews Andrew Liptak Artist Gallery Zelda Devon Artist Spotlight: Zelda Devon Henry Lien AUTHOR SPOTLIGHTS Theodora Goss Bonnie Jo Stufflebeam Michael Cassutt Jeremiah Tolbert Sequoia Nagamatsu Aliette de Bodard Matthew Hughes Ann Leckie and Rachel Swirsky Paul McAuley MISCELLANY Coming Attractions Kickstarter Alert: Queers Destroy Science Fiction! Stay Connected Subscriptions & Ebooks About the Editor © 2015 Lightspeed Magazine Cover Art by Zelda Devon and Kurt Huggins Ebook Design by John Joseph Adams www.lightspeedmagazine.com Editorial, January 2015 John Joseph Adams Welcome to issue fifty-six of Lightspeed! This month marks the start of our next big project. Last year, we asked women to destroy science fiction, and they did — spectacularly — in our crowdfunded, all-women special issue, Women Destroy Science Fiction!. Never ones to rest on our laurels, we thought it best to continue with that fine tradition and engage in a little more destructive behavior. Thus, this year’s anniversary issue will be Queers Destroy Science Fiction!, guest edited by Seanan McGuire. -
Abraham Lincoln in the Twenty-First Century
Universität Duisburg-Essen Fakultät für Geisteswissenschaften Institut für Anglophone Studien POPULAR MEDIA MEMORY: ABRAHAM LINCOLN IN THE TWENTY-FIRST CENTURY Inaugural-Dissertation zur Erlangung des akademischen Grades Doktor der Philosophie (Dr. phil.) der Fakultät für Geisteswissenschaften der Universität Duisburg-Essen vorgelegt von JÖRN BENZINGER geboren in Mülheim an der Ruhr wohnhaft in Essen im Mai 2016 Gutachter: Prof. Dr. Josef Raab und Prof. Dr. Barbara Buchenau, Fakultät für Geisteswissenschaften, Institut für Anglophone Studien, Universität Duisburg-Essen Tag der mündlichen Prüfung: 28. März 2017 ii TABLE OF CONTENTS ACKNOWLEDGEMENTS ................................................................................................. iii LIST OF FIGURES .............................................................................................................. iv LIST OF TABLES ............................................................................................................... iv 1. INTRODUCTION ............................................................................................................ 1 1.1. On the Cultural Significance of Abraham Lincoln ............................................. 2 1.2. State of Research ................................................................................................ 6 1.1.1 Lincoln’s Lifetime ......................................................................................... 7 1.1.2 On Lincoln’s Afterlife ................................................................................ -
Green Planets Ecology and Science Fiction Edited by Gerry Canavan And
Green Planets ecoloGy and science Fiction Edited by Gerry Canavan and Kim Stanley Robinson Wesleyan University Press MiddletoWn, ConneCtiCUt Wesleyan University Press Middletown CT 06459 www.wesleyan.edu/wespress © 2014 Wesleyan University Press All rights reserved Manufactured in the United States of America Designed by Mindy Basinger Hill Typeset in Calluna Pro Wesleyan University Press is a member of the Green Press Initiative. The paper used in this book meets their minimum requirement for recycled paper. Hardcover ISBN: 978-0-8195-7426-8 Paperback ISBN: 978-0-8195-7427-5 Ebook ISBN: 978-0-8195-7428-2 Library of Congress Cataloging-in-Publication Data available on request. 5 4 3 2 1 Title page and part title art: Brian Kinney | shutterstock.com "Cover illustration: Abstract art green stars backdrop on black background, © Brian Kinney. Shutterstock.com" For the FUtUre contents ix Preface 1 Introduction: If This Goes On Gerry CaNavaN Part 1 Arcadias and New Jerusalems 25 1 ► Extinction, Extermination, and the Ecological Optimism of H. G. Wells ChrISTINa alT 40 2 ► Evolution and Apocalypse in the Golden Age Michael PaGe 56 3 ► Daoism, Ecology, and World Reduction in Le Guin’s Utopian Fictions GIB PreTTyMaN 77 4 ► Biotic Invasions: Ecological Imperialism in New Wave Science Fiction roB laThaM Part 2 Brave New Worlds and Lands of the Flies 99 5 ► “The Real Problem of a Spaceship Is Its People”: Spaceship Earth as Ecological Science Fiction SaBINe höhler 115 6 ► The Sea and Eternal Summer: An Australian Apocalypse aNdrew MIlNer 127 7 ► Care, Gender, and the Climate-Changed Future: Maggie Gee’s The Ice People adelINe JohNS-PuTra 143 8 ► Future Ecologies, Current Crisis: Ecological Concern in South African Speculative Fiction elzeTTe STeeNkaMP 158 9 ► Ordinary Catastrophes: Paradoxes and Problems in Some Recent Post-Apocalypse Fictions ChrISToPher PalMer Part 3 Quiet Earths, Junk Cities, and the Cultures of the Afternoon 179 10 ► “The Rain Feels New”: Ecotopian Strategies in the Short Fiction of Paolo Bacigalupi eric C. -
Copyright by Paul Alton Gansky 2011
Copyright By Paul Alton Gansky 2011 The Thesis committee for Paul Alton Gansky Certifies that this is the approved version of the following thesis: “Cold Cuts: Visions of Refrigerators in United States Media, 1942-1968” APPROVED BY SUPERVISING COMMITTEE: Supervisor: ________________________________________ Michael Kackman ________________________________________ Mary Celeste Kearney “Cold Cuts: Visions of Refrigerators in United States Media, 1942-1968” by Paul Alton Gansky, B.A. Thesis Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2011 “Cold Cuts: Visions of Refrigerators in United States Media, 1942-1968” by Paul Alton Gansky, M.A. The University of Texas at Austin, 2011 SUPERVISOR: Michael Kackman Abstract: After World War II in the United States, the household refrigerator and freezer became interwoven into a domestic reality defined by consumption, mechanical innovation, and a tension between spatial isolation and cultural interconnectivity. This thesis positions narrative Hollywood cinema, television and print media as the dominant sites where the refrigerator and freezer’s social identities were formed and negotiated. These productions employ the devices to explore postwar family gender roles, the influence of culture industries and consumer economies within the home, and technological fantasies and fears. They also illustrate a fertile conversation between household media technologies and kitchen accessories. As a result, viewing the refrigerator and freezer through film and television representations substantially alters existing conclusions over who interacted with the objects on an everyday basis, and their effect for a culture increasingly reliant upon appliances to provide basic human needs and generate a satisfying, entertaining lifestyle. -
District Adds 2 Assistant Superintendents
IN SPORTS: TSA girls off to 4-0 start in defense of state championship B1 GIFTS, FOOD, ENTERTAINMENT, MEET SANTA AND MORE Don’t miss 1st Christmas at Patriot Hall A4 THURSDAY, DECEMBER 7, 2017 | Serving South Carolina since October 15, 1894 75 cents District adds 2 assistant superintendents Both will support school excellence, leadership development ing superintendent Debbie Hamm, Brenda Hafner, principal at Bly- given the district is undertaking sever- thewood High School in Richland BY BRUCE MILLS The Board of Trustees unanimously al new academic initiatives, she said. School District 2 in Blythewood, is the [email protected] approved the pair of positions with Norris Williams, formerly principal other selection. Hafner has been the the same title of assistant superinten- at Dutchman Creek Middle School in principal at Blythewood High for near- Sumter School District is bringing dent for leadership and school excel- York County District 3 in Rock Hill, ly four years, according to her resume. on two new assistant superintendent lence at its meeting Monday at the dis- has been selected for one of the posts. Before that, she served as principal at positions to the district staff, officials trict office. Williams has been the Dutchman voted Monday night. The positions were the idea of act- Creek principal since 2007. SEE ASSISTANTS, PAGE A6 Hospital helps bring 100 years man out of of the darkness BY KATIE GEER and TRACI QUINN Palmetto Health Tuomey LEARNING Special to The Sumter Item For Dan Wilson, losing the gift of sight was symbolic. He was al- ready in a dark place, a tough spot in a bumpy life. -
A Look to Burst the Brightest Neon Hearts: Attempts
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2014 A Look to Burst the Brightest Neon Hearts: Attempts Eric Fershtman University of Central Florida Part of the Creative Writing Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Fershtman, Eric, "A Look to Burst the Brightest Neon Hearts: Attempts" (2014). Electronic Theses and Dissertations, 2004-2019. 4669. https://stars.library.ucf.edu/etd/4669 A LOOK TO BURST THE BRIGHTEST NEON HEARTS: ATTEMPTS by ERIC FERSHTMAN BA, University of Central Florida, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2014 © 2014 Eric Fershtman ii ABSTRACT A Look to Burst the Brightest Neon Hearts is an inquiry, via constellation of stories diffuse in structure and subject matter, into the various (and really weird) phenomena comprising contemporary American existence. Cumulatively, the stories seek to: (1) kick up, like bottom feeders searching biogenous sediment, an underlying value system, and (2) explore how language both breastfeeds and like, weans this value system—e.g., what dark matter is it that tethers bromances to reality TV? Quantum mechanics to pop music? How can a country be responsible for both the world’s highest incarceration rates, and OKCupid1? These stories also explore various American conceptions and embodiments of love, plotting out a strange attractor2 of cultural reflection and refraction. -
Some Notes Towards a Rhetoric of Time Travel A
SOME NOTES TOWARDS A RHETORIC OF TIME TRAVEL A DISSERTATION SUBMITTED IN FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN'S UNIVERSITY DEPARTMENT OF ENGLISH, SPEECH AND FOREIGN LANGUAGES COLLEGE OF ARTS AND SCIENCES BY EDWARD J. ROYSTON, B.A., M.A. DENTON, TEXAS MAY 2018 Copyright © Edward J. Royston DEDICATION For all the time travelers hiding in the wings. ii ACKNOWLEDGMENTS The following individuals deserve my undying thanks. I would like to thank my committee chair Dr. Gretchen Busl for introducing me to Narratology and guiding me through this process. I would also like to thank Drs. Brian Fehler and Graham Scott for their invaluable feedback and guidance. I am grateful to the faculty at Texas Woman's University for challenging me and helping me grow as a scholar. Additionally, I am grateful to all the staff in the English, Speech, and Foreign Language department and Graduate School. This document would not exist but for their assistance. Many further thanks go to my classmates and colleagues, especially Dr. Maureen Johnson who has been an invaluable friend and support through this process. Finally, I would like to thank my parents for being immensely patient and generally awesome. iii ABSTRACT EDWARD J. ROYSTON SOME NOTES TOWARDS A RHETORIC OF TIME TRAVEL MAY 2018 This project aims to examine time travel not as a scientific possibility, but as a narrative device employed towards various rhetorical aims. Drawing on Narratology, this project first establishes a terminology to discuss how time travel functions as a narrative device related to anachronies and metalepses. -
Fascism and the Politics of Representation in Interwar America Wilson Kaiser a Dissertation Submitted To
Partial Affinities: Fascism and the Politics of Representation in Interwar America Wilson Kaiser A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department English and Comparative Literature. Chapel Hill 2011 Approved by: Richard Cante (co-director) Federico Luisetti (co-director) Jay Garcia Minrose Gwin Matthew Taylor Abstract Partial Affinities: Fascism and the Politics of Representation in Interwar America (under the direction of Federico Luisetti and Richard Canti) Partial Affinities: Fascism and the Politics of Representation in Interwar America, is grounded in a comparatist sensibility, arguing that American culture can be fruitfully explored in its relation to socio-historical contexts extending beyond the borders of the United States. This is exemplified in the assertion, stemming from my research, that we cannot fully understand American culture without a careful investigation into our past engagements with the question of fascism. Cultural changes between the wars, such as the Great Depression, technological modernity, mass consumerism, and urbanization, all generated points of reflection that served to amplify American self-scrutiny. Americans from across the political and social spectrum mirrored their uncertainties about this period of social turmoil in their contradictory descriptions of fascism. Between the wars, Americans asked about the future of democracy, the feasibility of mass culture, and the difficulties of a diverse polity as they were posed through the fears, hopes, and fantasies that circulated around the notion of fascism. This work explores a wide variety of figures across disciplinary boundaries, as literature, film, radio, and the visual arts intersect in the political/aesthetic representations of the American cultural imaginary.