Notice Dtd 16 October 2017

Total Page:16

File Type:pdf, Size:1020Kb

Notice Dtd 16 October 2017 पावर ग्रिड कारपोरेशन आफ इंडडया लिलिटेड उ配तर पूवी क्षेत्र पारेषण प्रणािी िानव संसाधन ववभाग : लशिांग Date : 16.10.2017 NOTICE With reference to Advt No. 01/2017 regarding engagement of Field Supervisors (Electrical & Civil) on Contract Basis for Consultancy Projects in North Eastern Region including North Eastern Region Power System Improvement Project (NERPSIP) in the states of NER except Arunachal Pradesh and Comprehensive Transmission & Distribution (T&D) Scheme in the state of Arunachal Pradesh, the following candidates are provisionally shortlisted for Written Test based on information furnished by them subject to further verifications, as per schedule mentioned below: Date of Written Test : 19.11.2017 (Sunday) Time of Written Test : 11:00AM to 12:00 Noon Venue : Guwahati. (Exact venue shall be mentioned in Admit Card) List of Provisionally Shortlisted Candidates: Field Supervisor (Electrical) SL. Roll No. Registration Id Candidate Name Guardian Name NO. 1 1110001 503196 AMIT KUMAR GUPTA OM PRAKASH GUPTA 2 1110002 505067 D S MOHAIDDEEN J MD SIRAJUDDEEN 3 1110003 503283 ANIL SAH SONAR PREM SAH SONAR 4 1110004 501644 MANAS DHAURIA SRI MANIKLAL DHAURIA 5 1110005 500468 KUSHAL KUMAR SINHA LATE KAMAL KUMAR SINHA 6 1110006 501388 jagdish chandra joshi kailash chandra joshi 7 1110007 505303 SOMANATHA SAHU LAXMAN SAHU 8 1110008 501301 DIPANKAR DUTTA DEBU DUTTA 9 1110009 500717 ABHIK ROY AMIT KUMAR ROY 10 1110010 502327 DIPANKAR BHANDARI LATE DILIP BHANDARI 11 1110011 501145 JOGADHRUTI SINGH JATINDRANARAYAN SINGH MOHAPATRA MOHAPATRA 12 1110012 501445 Manash Jyoti Dutta Roseswar Dutta 13 1110013 504563 MD SANJEER MD NAMEERUDDIN 14 1110014 502640 SOUMADIP CHATTERJEE MANGALA PRASAD CHATTERJEE 15 1110015 503218 Mahendra Gangaram Gawas Gangaram Waman Gawas 16 1110016 503419 FIROJ KUMAR SAHU KAILASH CHANDRA SAHU 17 1110017 502200 PUSHPENDRA SINGH NARPAT SINGH 18 1110018 502261 SOURABH MAHAPATRA SURJYA KANTA MAHAPATRA 19 1110019 502269 Debabrata Maiti Samir Kumar Maiti 20 1110020 500051 Abhijit Das Birendra Kumar Das 21 1110021 500055 RAJ KISHOR RAJENDRA KUMAR 22 1110022 500123 DEBAJIT KALITA THANESWAR KALITA 23 1110023 500141 PANKAJ KUMAR GUPTA YOGENDRA PRASAD 24 1110024 500154 SANDIP MONDAL UTTAM KUMAR MONDAL 25 1110025 500162 nalla rajan thayalan 26 1110026 500166 SOMSANKAR UDAY SANKAR BHATTACHARJEE BHATTACHARJEE 27 1110027 500171 MANIKANDAN V R VENKATESAN 28 1110028 500196 SANGANAGOUDA AMAREGOUDA 29 1110029 500197 sathish kannan 30 1110030 500294 E MOHAN RAO E SATYANARAYAN 31 1110031 500305 AMAR VIJAY PARSHOTAM LAL SHARMA 32 1110032 500420 SAYANDIP RAKSHIT SANJAY RAKSHIT 33 1110033 500437 MANAS PRATIM KAKATI NIKUNJA KAKATI 34 1110034 500459 BISWAJIT SHAW HAREKRUSHNA SHAW 35 1110035 500526 MAIDUL ISLAM SAIYEDUL ISLAM 36 1110036 500561 KAIBALYA SAHU SUSANTA SAHU 37 1110037 500565 IMRAN ALI BARBHUIYA Lt IUNUS ALI BARBHUIYA 38 1110038 500570 Abhay Kumar rai Vijay Rai 39 1110039 500577 N PRATHAP N MANOHAR NAIDU 40 1110040 500595 Manas kumar das Radhashyam das 41 1110041 500627 LIHIPATHI ROUT UPENDRA NATH ROUT 42 1110042 500634 JAKIRUL ISLAM MONDAL KHOBIRUL HOQUE MONDAL 43 1110043 500671 RAJU KUMAR JWALA PRASAD 44 1110044 500720 S MUNIAPPAN SITHAN 45 1110045 500828 TANMOY SAHA CHANDAN SAHA 46 1110046 500890 magol hussain FAZLUL HOQUE 47 1110047 500901 JITENDRA SINGH CHAUHAN SKS CHAUHAN 48 1110048 501023 smruti ranjan rout Artatran rout 49 1110049 501059 VIVEK ANAND DHANANJAY KUMAR MISHRA 50 1110050 501096 MANASH PRATIM KAKATI NIKUNJA KAKATI 51 1110051 501156 KUSHAL KUMAR SINHA LATE KAMAL KUMAR SINHA 52 1110052 501177 Manoj joshi Devendra KUMAR JOSHI 53 1110053 501339 NARESH SINGH RANDHER SINGH 54 1110054 501414 PANKAJ KUMAR SHARMA SOHAN LAL SHARMA 55 1110055 501459 KUNDAN KUMAR RAGHUBANSH THAKUR 56 1110056 501467 KAUSHIK KISHOR KALITA LATE LOKNATH KALITA 57 1110057 501519 CHAND MAKKAR OM PRAKASH MAKKAR 58 1110058 501547 RANJIT KALITA PADMA RAM KALITA 59 1110059 501577 Arkadip Das Asok Das 60 1110060 501585 Prasenjit Dhar Tapan kumar Dhar 61 1110061 501595 SOURAV PARAMANIK AMAR NATH PARAMANIK 62 1110062 501607 Pushpendra singh Kishor singh 63 1110063 501617 RAJU SINGH TRILOKI SINGH 64 1110064 501636 Mustakim Ali Late Muktada Ansari 65 1110065 501648 Ramandeep Saggu Sh Bhupinder singh 66 1110066 501649 SUJOY BHOWMIK SAMBHUNATH BHOWMIK 67 1110067 501656 PRANAB BORAH LATE ANANDA RAM BORAH 68 1110068 501715 Deepak Ranjan Dash Late Balaram Dash 69 1110069 501777 Diganta Kumar Das Late Kamala Kanta Das 70 1110070 501799 Prakash Mandal Badal Mandal 71 1110071 501820 RAHUL KUMAR RATAN LAL 72 1110072 501849 NAYANJYOTI NATH AMRIT CH NATH 73 1110073 501883 prasenjit bhunia Gourhari bhunia 74 1110074 501910 MD AFTAB ALAM MD RASUL 75 1110075 501913 DEEPAK KUMAR BIND PARASURAM BIND 76 1110076 501928 PRAVIN KUMAR MISHRA BYASH MISHRA 77 1110077 501933 BUDDHADEV GURIA ASHOK KUMAR GURIA 78 1110078 501958 Santu sarkar Samir sarkar 79 1110079 501978 VAISHNOV KUMAR SURENDRA LAL SRIVASTAVA SRIVASTAVA 80 1110080 502010 DIPTISH PARIDA DURBASA PARIDA 81 1110081 502025 MUKTAKI HUSSAIN BORA LATE AFTAB HUSSAIN 82 1110082 502026 CHOKKAR S M SUBRAMANI 83 1110083 502038 Subhashis Das Ashis Kumar Das 84 1110084 502072 VARUN KHAJURIA RAMESHWAR NATH KHAJURIA 85 1110085 502073 CHIRAG CHAUDHARY BHANWARARAM 86 1110086 502163 SIDDHARTHA GOSWAMI MR NARENDRA NATH GOSWAMI 87 1110087 502179 ARUN PRADHAN RATNAKAR FRADHAN 88 1110088 502216 ANOOP KUMAR TIWARI CHUNA MANI TIWARI 89 1110089 502245 MOUSUM DUTTA MOHAN DUTTA 90 1110090 502278 Jitendra Pattanaik Hari Shankar Pattanaik 91 1110091 502363 KUMUD RANJAN SINGH UDAY PRATAP SINGH 92 1110092 502368 IBRAHIM BACKY LUTFULSEIKH 93 1110093 502391 PARTHA PRATIM ROUTH NANI BHUSAN ROUTH 94 1110094 502436 RAJASREE DEVI RAJEN SARMAH 95 1110095 502534 Dhirajsinh Dhirajsinh 96 1110096 502631 TADI SATISH TADI NAGESWARA RAO 97 1110097 502665 Deepak Mishra Subhash Chander 98 1110098 502682 SOUMI MONDAL PURNENDU MONDAL 99 1110099 502689 PRAVEEN SHARMA Manoj kumar sharma 100 1110100 502699 suraj kumar dash suresh chandra dash 101 1110101 502725 Manash jyoti bora Suren bora 102 1110102 502780 DEVBRAT KUMAR KAMDEO SINGH CHOUDHARY 103 1110103 502789 JADAB LAYEK BANSHIDHAR LAYEK 104 1110104 502797 KOUSHIK KAITY PREMANANDA KAITY 105 1110105 502827 ABHISHEK KAWADKAR SANJAY KAWADKAR 106 1110106 502848 DIPANKAR DUTTA ATUL DUTTA 107 1110107 502851 EZAZ AHMED AFAZ UDDIN AHMED 108 1110108 502859 Rideep gogoi sachin gogoi 109 1110109 502870 Lakhya Jit Paul Sailendu Paul 110 1110110 502990 YOUNES SALEEM BATT MOHD IQBAL BATT 111 1110111 503098 MAHENDRA UPADHYAY RAMESH KUMAR UPADHYAY 112 1110112 503151 SOMPRAKASH JANA MANI SANKAR JANA 113 1110113 503198 DEVIREDDY SREENIVASULU DEVIREDDY GOPAL 114 1110114 503220 NITIN NEGI NATTHI SINGH NEGI 115 1110115 503226 PRASANTA PAHARI NITAI PAHARI 116 1110116 503227 BISWADEB GIRI TAPAN KUMAR GIRI 117 1110117 503234 Darshan Inder Singh 118 1110118 503265 SHOAIB ALAM GHAYYUR SHAH 119 1110119 503268 CHINMAYA DASH SURESH KUMAR DASH 120 1110120 503285 VIKRAM MAURY RAM ASARE MAURY 121 1110121 503314 Jasvir Singh Ravi Singh 122 1110122 503370 MRINMOY CHANDA ASHOKE CHANDA 123 1110123 503392 PRADEEP VARSHNEY CHANDRAPAL VARSHNEY 124 1110124 503451 SANJAY ADAK RABINDRA NATH ADAK 125 1110125 503452 SHUBHAM KUMAR DAYASHANKAR TIWARY 126 1110126 503453 RAJENDRA SINGH RAVINDRA SINGH 127 1110127 503484 Amar jyoti saikia Naren saikia 128 1110128 503496 DEEPASHREE SARKAR DIPAK SARKAR 129 1110129 503508 PARTHA BAGCHI SAMAR BAGCHI 130 1110130 503529 SUDIP JANA SHAKTI JANA 131 1110131 503556 SOURAV DUTTA ANUP KUMAR DUTTA 132 1110132 503558 AYAN JANA NIRMAL KUMAR JANA 133 1110133 503572 SYED JEHERUL ISLAM SYED MAHSEN ALI 134 1110134 503580 MANAS JANA SATRUGHNA JANA 135 1110135 503595 ASHISH KUMAR SINGH SANJAY KUMAR SINGH 136 1110136 503615 SANDEEP KUMAR PANDEY RAKESH KUMAR PANDEY 137 1110137 503673 SHAHANAJ ALOM LASKAR AHMED ALI LASKAR 138 1110138 503679 PRAKASH KUMAR VEDUA AJAY KUMAR VEDUA 139 1110139 503711 SUSANTA SHEE SUBAL CHANDRA SHEE 140 1110140 503723 SUBHAJIT GHOSH LT BISWANATH GHOSH 141 1110141 503761 SANJEEV KUMAR SINGH GOPAL SINGH 142 1110142 503791 bishnu kumar lakhan lal shukla 143 1110143 503819 PRABHAT KUMAR NAYAK JITENDRA KUMAR NAYAK 144 1110144 503871 AJAY SHARMA SURESH KUMAR 145 1110145 503906 Raghvendra Singh Hari Mohan Singh 146 1110146 503950 smruti ranjan swain gautam swain 147 1110147 503961 Ravi Prakash Pandey Sanjay Pandey 148 1110148 503972 BIDYUT BHATTA TARUN BHATTA 149 1110149 503975 TAPAN KUMAR PANDA TRILOCHAN PANDA 150 1110150 504015 Krishan Battan Hukam Singh 151 1110151 504016 RIYA BISWAS SUBRATA BISWAS 152 1110152 504018 SK FARIDUL ISLAM SK MONUAR HOSSAIN 153 1110153 504028 KRISHNA MONDAL KARTIK MONDAL 154 1110154 504043 PANKAJ MADHAB JAYANTA MADHAB GOSWAMI GOSWAMI 155 1110155 504069 sulaiman Sikander Farid Ahmed Zarger 156 1110156 504070 CHANDAN DAS SUKUMAR DAS 157 1110157 504078 RAJESH MONDAL KARUNAMOY MONDAL 158 1110158 504080 JYOTI SINGH RAM BHUWAN SINGH 159 1110159 504125 RAVI DUTT ATAR SINGH 160 1110160 504160 HARDEEP KUMAR RAJ KUMAR 161 1110161 504164 Shankar Jyoti Borah Ganesh Borah 162 1110162 504182 RAVINDRA SINGH YADAV KAPILDEVI SINGH 163 1110163 504253 SUBRATA SINGHA SATYENDRA KUMAR SINGHA 164 1110164 504262 GHANSHYAM KUMAR RANDHIR KUMAR RAVIDAS RAJAN 165 1110165 504276 PALASH SAMANTA PARESH SAMANTA 166 1110166 504288 Kishore Kumar Chandi Parsad 167 1110167 504314 Ankush Lilhare Shrikrishnaji 168 1110168 504317 HIRONYA KALITA LT TULASHI KALITA 169 1110169 504318 INDRAJEET KUMAR SANJEET SINGH 170 1110170 504348 Rimpi Aich Badal Aich 171 1110171 504358 MD AKHLAK HARUN SAIKH 172 1110172 504444 AMIYA
Recommended publications
  • Staff Selection Commission (SR) Chennai CONSTABLE(GD)
    Staff Selection Commission (SR) Chennai CONSTABLE(GD) IN CAPFs, NIA & SSF AND RIFLEMAN(GD) IN ASSAM RIFLES EXAMINATION 2015 - Result for Male Candidates to be called for Medical Examination List-1 - Male Candidates of Southern Region qualified against State-wise vacancies Sl. No Roll Number Name of the Candidate Cat1 Cat2 Cat3 1 8002000065 BANKI PRAVEEN 6 2 8002000097 DUGGA LINGA PRATAP REDDY 3 8002000121 NEETIPILLI PURUSHOTTAM 6 4 8002000207 GADDAM LAKSHMI NARAYANA 6 5 8002000223 ALLEM PRASHANTH 2 6 8002000273 R RAMESH 2 7 8002000332 BUTTI PRASHANTH KUMAR 1 8 8002000347 RACHIPOGULA SUDHAKAR 1 9 8002000389 RAMAVATH RAJA NAIK 2 10 8002000413 VELPULA RAJESH 1 11 8002000492 PATAKOTI RAJU 1 12 8002000530 NAGIREDDY NARAYANAREDDY 13 8002000548 S BALA SWAMY NAIK 2 14 8002000555 JAKKULA SUBHASH 6 15 8002000675 BAIRAVAPOGU CHANDRA 1 16 8002000681 NARMETA RANJITH KUMAR 6 17 8002000700 ANJILAPPA 6 18 8002000763 KANAGANTI CHANDRA SHEKER 6 19 8002000791 ARIGALI ASHOK KUMAR 1 20 8002000955 PANEM RAMAKOTI REDDY 21 8002000994 GONE LAXMAN KUMAR 6 22 8002000999 G SRINIVAS 6 23 8002001064 BUKYA REDYA 2 24 8002001076 RANDI SRIKANTH 6 25 8002001105 JUKANTI HAREESH 6 26 8002001207 RAMAVAT SOMLA NAIK 2 27 8002001226 MITTA DEVAIAH 6 28 8002001234 AJMEERA RAJU 2 29 8002001252 KONCHADA SURESH 6 30 8002001257 CHIRISATI SIVAKUMAR 1 31 8002001428 BILLA HARI PRASAD 6 32 8002001444 GARULLE JEJERAM 2 33 8002001550 BUSAPURAM GIRICHARY 6 34 8002001583 LAVUDYA MADAN 2 35 8002001623 MALOTHU DEVILAL 2 36 8002001670 BAKI RAJU 1 37 8002001683 AREE PRASHANTH 1 38 8002001685
    [Show full text]
  • New and Bestselling Titles Sociology 2016-2017
    New and Bestselling titles Sociology 2016-2017 www.sagepub.in Sociology | 2016-17 Seconds with Alice W Clark How is this book helpful for young women of Any memorable experience that you hadhadw whilehile rural areas with career aspirations? writing this book? Many rural families are now keeping their girls Becoming part of the Women’s Studies program in school longer, and this book encourages at Allahabad University; sharing in the colourful page 27A these families to see real benefit for themselves student and faculty life of SNDT University in supporting career development for their in Mumbai; living in Vadodara again after daughters. It contributes in this way by many years, enjoying friends and colleagues; identifying the individual roles that can be played reconnecting with friendships made in by supportive fathers and mothers, even those Bangalore. Being given entrée to lively students with very little education themselves. by professors who cared greatly about them. Being treated wonderfully by my interviewees. What facets of this book bring-in international Any particular advice that you would like to readership? share with young women aiming for a successful Views of women’s striving for self-identity career? through professionalism; the factors motivating For women not yet in college: Find supporters and encouraging them or setting barriers to their in your family to help argue your case to those accomplishments. who aren’t so supportive. Often it’s submissive Upward trends in women’s education, the and dutiful mothers who need a prompt from narrowing of the gender gap, and the effects a relative with a broader viewpoint.
    [Show full text]
  • HBA PKD Tahasil.Xlsx
    Name of the Amount Sl. No. CR No. Name of the Beneficiaries Detail address Tahasil involved 123 4 56 1 Paralakhemundi 106/2018 P.Madhaba Rao Dhamunigam 3200 s/o P.Poteya 2 Goudu Sayamma Dhamunigam 3200 w/o G.Chinnaya 3 Siripuram Narayana Rao Dhamunigam 3200 s/o S.Wannari 4 Tulasi Dharma Rao Dhamunigam 3200 s/o T.Taudu 5 Lakoji Kumar Dhamunigam 5200 s/o L.Kurma Rao 6 Kalacheti Dileswar Rao Dhamunigam 3200 s/o K.Krushnamurty 7 Giri Chitamma Dhamunigam 3200 w/o G.Laxman Rao 8 A.Rupabati Dhamunigam 3200 w/o A.Rama Rao 9 K.Dilwswari Dhamunigam 5200 w/o K.Ganga Rao 10 K.Sairaju Dhamunigam 5200 s/o K.Krishnamurty 11 R.Kanta Rao Dhamunigam 3200 s/o R.Laxmi 12 Siripuram Dudamma Dhamunigam 3200 w/o S.Prakash 13 K.Kesava Rao Dhamunigam 3200 s/o K.Gopal Rao 14 Vangareddi Dasrathi Dhamunigam 3200 s/o A.Ramakrishana 15 S.Dandasi Dhamunigam 3200 s/o S.Lachana 16 R.Guneya Dhamunigam 3200 s/o R.Appudu 17 S.Chinaya Dhamunigam 5200 s/o S.Suri 18 S.Vasu Dhamunigam 5200 s/o S.Adinaraya 19 S.Bheema Rao Dhamunigam 5200 s/o S.Chineya 20 R.Appana Dhamunigam 3200 s/o R.Laxminarayan 21 G.Chiranjibulu Dhamunigam 3200 s/o G.Simana 22 G.Sitama Dhamunigam 3200 d/o G.Appana 23 P.Chineya Dhamunigam 3200 s/o P.Mukhalingama 24 B.Kumaraswamy Dhamunigam 3200 s/o B.Aneya 25 B.Padamabati Dhamunigam 3200 w/o B.Dharamalingam Page 1 of 439 Name of the Amount Sl.
    [Show full text]
  • Catalogue Fair Timings
    CATALOGUE Fair Timings 28 January 2016 Thursday Select Preview: 12 - 3pm By invitation Preview: 3 - 5pm By invitation Vernissage: 5 - 9pm IAF VIP Card holders (Last entry at 8.30pm) 29 - 30 January 2016 Friday and Saturday Business Hours: 11am - 2pm Public Hours: 2 - 8pm (Last entry at 7.30pm) 31 January 2016 Sunday Public Hours: 11am - 7pm (Last entry at 6.30pm) India Art Fair Team Director's Welcome Neha Kirpal Zain Masud Welcome to our 2016 edition of India Art Fair. Founding Director International Director Launched in 2008 and anticipating its most rigorous edition to date Amrita Kaur Srijon Bhattacharya with an exciting programme reflecting the diversity of the arts in Associate Fair Director Director - Marketing India and the region, India Art Fair has become South Asia's premier and Brand Development platform for showcasing modern and contemporary art. For our 2016 Noelle Kadar edition, we are delighted to present BMW as our presenting partner VIP Relations Director and JSW as our associate partner, along with continued patronage from our preview partner, Panerai. Saheba Sodhi Vishal Saluja Building on its success over the past seven years, India Art Senior Manager - Marketing General Manager - Finance Fair presents a refreshed, curatorial approach to its exhibitor and Alliances and Operations programming with new and returning international participants Isha Kataria Mankiran Kaur Dhillon alongside the best programmes from the subcontinent. Galleries, Vip Relations Manager Programming and Client Relations will feature leading Indian and international exhibitors presenting both modern and contemporary group shows emphasising diverse and quality content. Focus will present select galleries and Tanya Singhal Wol Balston organisations showing the works of solo artists or themed exhibitions.
    [Show full text]
  • Contextual Modernism’ in the Silk Paintings of Maniklal Banerjee
    The Chitrolekha Journal on Art and Design (E-ISSN 2456-978X), Vol. 1, No. 2, 2017 DOI: https://dx.doi.org/10.21659/cjad.12.v1n205 PDF URL: www.chitrolekha.com/ns/v1n2/v1n205.pdf The ‘Contextual Modernism’ in the Silk Paintings of Maniklal Banerjee Ashmita Mukherjee Research Scholar, Jadavpur University. Email: [email protected] Abstract The paper tries to analyze the silk paintings of Maniklal Banerjee (1917-2002) who was greatly influenced by the artists of the so-called Bengal school of art. The school started by Abanindranath Tagore did not remain confined to its own time and space, but grew into dynamic new modernisms over a span of nearly a century. Art historian Sivakumar invoked a number of artists of Santiniketan and called it a “contextual modernism”. The paper tries to re-read the spirit of Santiniketan artists on the more recent and un- researched art of Maniklal Banerjee- who contextualized in his own way the Bengal ‘school’ that had by now turned into a ‘movement’. The spirit of freedom runs at the core of this movement and finds a new language in the late twentieth century artist’s renderings of daily life and Puranic narrations. Keywords: Bengal School, Maniklal Banerjee, Abanindranath Tagore, Nandalal Bose, Indian art, Puranic art, aesthetics Introduction: Maniklal Banerjee (1917-2002) Barely remembered beyond textbooks of art schools, Maniklal Banerjee was one of the first innovators of the technique of using water-color on silk in India. In order to engage in any critical discussion on his works, it is ironical that this painter- a recipient of the prestigious Abanindra Puraskar in 1999- needs an introduction (Plate 1 and 2).
    [Show full text]
  • 1481186712P4M12TEXT.Pdf
    PAPER 4 Detail Study Of Kathak, Nautch Girls, Nritta, Nritya, Different Gharana-s, Present Status, Institutions, Artists Module 12 Pioneers Of Kathak 1930-1950 Pioneers are those who show the path not attempted before. They lead us to light to the new ways of doing something. These are people with vision to fulfill a mission and they are given divine support by history and circumstances to do so. Thus, pioneers are people, ordinary in appearance but with special abilities and mind backed by hard work. Once a form that was long forgotten and got known and established as Kathak, many stars of other forms, most notably Bharatanatyam and Kathakali did much to learn and promote Kathak and help it reach national acclaim. In this, Bharatanatyam trained Ram Gopal, Kathakali trained Uday Shankar and pioneers in films like Menaka and Sadhona Bose took this form further and can be called pioneers, in addition to the generation that followed their example. It would not be wrong to call Uday Shankar a cult figure of the early part of the 20th century. He was a showman, a creator of magical spectacles and a dancer par excellence. He was not a trained dancer, so his movements flowed from the heart. He 1 created the Indian ballet scene because nothing like it existed before. Originally a painter, on his museum visits to delve into books, Uday got fascinated with pictures of sculptures of Hindu gods and goddesses in varied poses. He began imitating the poses. Although unfamiliar with dance techniques, the images provided inspiration to translate into dance movement.
    [Show full text]
  • The Sixth String of Vilayat Khan
    Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration.
    [Show full text]
  • RTI Handbook
    PREFACE The Right to Information Act 2005 is a historic legislation in the annals of democracy in India. One of the major objective of this Act is to promote transparency and accountability in the working of every public authority by enabling citizens to access information held by or under the control of public authorities. In pursuance of this Act, the RTI Cell of National Archives of India had brought out the first version of the Handbook in 2006 with a view to provide information about the National Archives of India on the basis of the guidelines issued by DOPT. The revised version of the handbook comprehensively explains the legal provisions and functioning of National Archives of India. I feel happy to present before you the revised and updated version of the handbook as done very meticulously by the RTI Cell. I am thankful to Dr.Meena Gautam, Deputy Director of Archives & Central Public Information Officer and S/Shri Ashok Kaushik, Archivist and Shri Uday Shankar, Assistant Archivist of RTI Cell for assisting in updating the present edition. I trust this updated publication will familiarize the public with the mandate, structure and functioning of the NAI. LOV VERMA JOINT SECRETARY & DGA Dated: 2008 Place: New Delhi Table of Contents S.No. Particulars Page No. ============================================================= 1 . Introduction 1-3 2. Particulars of Organization, Functions & Duties 4-11 3. Powers and Duties of Officers and Employees 12-21 4. Rules, Regulations, Instructions, 22-27 Manual and Records for discharging Functions 5. Particulars of any arrangement that exist for 28-29 consultation with or representation by the members of the Public in relation to the formulation of its policy or implementation thereof 6.
    [Show full text]
  • Tradition and the Individual Dancer
    1: Tradition and the Individual Dancer History and Innovation in a Classical Form Critical accounts and promotional materials frequently refer to bharata natyam as “ancient.” The dance form’s status as traditional and classical seems to render it fixed, even timeless. A connection to the past appears to be a given for this dance practice. Even on closer examination, a relationship to the past seems integral to the dance form’s identity, its content, and its structure. Present-day bharata natyam choreography draws from the dance practices of earlier decades and centuries. Its movement vocabulary derives from sadir, the solo dance per- formed by temple and court dancers in precolonial and colonial South India. The margam—the concert order that determines when in a program each dance piece appears—was standardized in the nineteenth century by the renowned musician- composers of the Thanjavur Quartet. The roots of bharata natyam extend still further back. For example, the mudras, or hand gestures, used today accord in both shape and meaning with those described in the Natyasastra, a Sanskrit dra- maturgical text, dating from the beginning of the Christian era. Similarly, an arangetram, or initial performance, described in the fifth-century Tamil epic Silappadikaram correlates with that of devadasi practitioners of the nineteenth century, which then established the protocol for twentieth-century debuts. Bharata natyam’s repertoire consists largely of songs written between the sev- enteenth and twentieth centuries. The poems of love and religious devotion that form the basis of the bharata natyam canon emerged from the musical and lit- erary traditions of previous centuries.
    [Show full text]
  • Online Film Festival Raytoday by Films Division
    A Report Films Division Govt. of India, Min. of I & B, 24- Dr. G Deshmukh Marg, Mumbai -26 Dated the 10th May, 2021 Online Film Festival RayToday by Films Division Satyajit Ray, one of the greatest film makers of all the time, is credited with taking Indian cinema to the global level. A true renaissance man, Ray earned worldwide fame for himself and to the art of cinema as well, with his poetic realism and cinematic imagination. Films Division marked beginning of the year-long birth centenary celebrations of the legendary filmmaker by screening Shyam Benegal’s eponymous biopic, Satyajit Ray on 2nd May 2021 on its website. Continuing with the celebrations of the auteur, Films Division has organized an online film festival, RayToday, a curated package of non-feature works by Ray along with films on him and his oeuvre, on FD website from 7th to 9th May 2021. RayToday included, among others, a rare documentary made by him on Nobel laureate, Rabindranath Tagore, the one and only television film by Ray on a short story by Munshi Premchand and the much acclaimed biopic by Shyam Benegal. The following films werestreamed in the festival : Sadgati (Satyajit Ray/Doordarshan/52 Mins/1981) - a television film set on rural India which throws light on caste system in society. Two (Satyajit Ray/Esso World Theatre/15 Mins/1964) - a simple but hard hitting societal commentary on the class struggle shows an encounter between a child of a rich family and a street child, and displays attempts of one-upmanship between kids in their successive display of toys.
    [Show full text]
  • Pandit Ravi Shankar—Tansen of Our Times
    Occ AS I ONAL PUBLicATION 47 Pandit Ravi Shankar—Tansen of our Times by S. Kalidas IND I A INTERNAT I ONAL CENTRE 40, MAX MUELLER MARG , NEW DELH I -110 003 TEL .: 24619431 FAX : 24627751 1 Occ AS I ONAL PUBLicATION 47 Pandit Ravi Shankar—Tansen of our Times The views expressed in this publication are solely those of the author and not of the India International Centre. The Occasional Publication series is published for the India International Centre by Cmde. (Retd.) R. Datta. Designed and produced by FACET Design. Tel.: 91-11-24616720, 24624336. Pandit Ravi Shankar—Tansen of our Times Pandit Ravi Shankar died a few months ago, just short of his 93rd birthday on 7 April. So it is opportune that we remember a man whom I have rather unabashedly called the Tansen of our times. Pandit Ravi Shankar was easily the greatest musician of our times and his death marks not only the transience of time itself, but it also reminds us of the glory that was his life and the immortality of his legacy. In the passing of Robindro Shaunkar Chowdhury, as he was called by his parents, on 11 December in San Diego, California, we cherish the memory of an extraordinary genius whose life and talent spanned almost the whole of the 20th century. It crossed all continents, it connected several genres of human endeavour, it uplifted countless hearts, minds and souls. Very few Indians epitomized Indian culture in the global imagination as this charismatic Bengali Brahmin, Pandit Ravi Shankar. Born in 1920, Ravi Shankar not only straddled two centuries but also impacted many worlds—the East, the West, the North and the South, the old and the new, the traditional and the modern.
    [Show full text]
  • Download Brochure
    Celebrating UNESCO Chair for 17 Human Rights, Democracy, Peace & Tolerance Years of Academic Excellence World Peace Centre (Alandi) Pune, India India's First School to Create Future Polical Leaders ELECTORAL Politics to FUNCTIONAL Politics We Make Common Man, Panchayat to Parliament 'a Leader' ! Political Leadership begins here... -Rahul V. Karad Your Pathway to a Great Career in Politics ! Two-Year MASTER'S PROGRAM IN POLITICAL LEADERSHIP AND GOVERNMENT MPG Batch-17 (2021-23) UGC Approved Under The Aegis of mitsog.org I mitwpu.edu.in Seed Thought MIT School of Government (MIT-SOG) is dedicated to impart leadership training to the youth of India, desirous of making a CONTENTS career in politics and government. The School has the clear § Message by President, MIT World Peace University . 2 objective of creating a pool of ethical, spirited, committed and § Message by Principal Advisor and Chairman, Academic Advisory Board . 3 trained political leadership for the country by taking the § A Humble Tribute to 1st Chairman & Mentor, MIT-SOG . 4 aspirants through a program designed methodically. This § Message by Initiator . 5 exposes them to various governmental, political, social and § Messages by Vice-Chancellor and Advisor, MIT-WPU . 6 democratic processes, and infuses in them a sense of national § Messages by Academic Advisor and Associate Director, MIT-SOG . 7 pride, democratic values and leadership qualities. § Members of Academic Advisory Board MIT-SOG . 8 § Political Opportunities for Youth (Political Leadership diagram). 9 Rahul V. Karad § About MIT World Peace University . 10 Initiator, MIT-SOG § About MIT School of Government. 11 § Ladder of Leadership in Democracy . 13 § Why MIT School of Government.
    [Show full text]