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Tru Vue®, the Tru Vue logo, and UltraVue® Laminated Glass are registered trademarks of Tru Vue, Inc, McCook, IL USA. ©2017 Copyright Tru Vue, Inc. All rights reserved. HIGHLIGHTS Opening Reception at Art Institute of Chicago Tuesday, May 30 | 6:30-9:30pm | Early viewing at 5:30pm The meeting’s Opening Reception will be held Tuesday evening at the Art Institute of Chicago. The sponsorship of Huntington T. Block Insurance Agency, Inc. and the generous in-kind support provided by the Art Institute of Chicago helped make this evening spectacular. Get a head start on the evening by enjoying private viewings of the galleries. Buses will begin circulating at 5:30pm to bring you to the preview, then the main event begins at 6:30 pm. A view of the new Modern Wing at the Art Institute of Chicago © City of Chicago Both the preview viewings and reception are included with your meeting registration. You may also purchase a guest ticket at the DON’T MISS THESE EVENTS! registration desk. Enjoy drinks, delightful hors d’oeuvres, and world-class art with your colleagues. Monday, May 29 $: ticket purchase required 10:00am – 12:00pm Crystal Ballroom A (Lobby Level, West Tower) Latin American & Caribbean Scholars Program Pre-session: CAP, MAP, and StEPS: Collections Care Opportunities for Small Institutions The Foundation of the American Institute for Conservation of Historic and 1:00pm – 3:00pm Columbian (Concourse Level, West Tower) Artistic Works (FAIC) is delighted to support the attendance of 22 conservation Pre-session: Managing Risk: Conservators who care for collections - are professionals from Latin America and the Caribbean, thanks to a generous grant you insured inside and out? from the Getty Foundation. This program has brought 279 conservators from the Michigan 1 (Concourse Level, East Tower) region to AIC annual meetings since 1997. Please welcome them as they present 2:00pm – 3:30pm Pre-session: Scholarly Writing for Conservation - with JAIC editors their posters and papers. 3:30pm – 5:30pm Crystal Ballroom A (Lobby Level, West Tower) Networking: ECPN Poster Lightning Round Exhibit Hall in Riverside West 4:00pm – 6:00pm Michigan 1 (Concourse Level, East Tower) Pre-session: STASH FLASH IV Tuesday & Wednesday, May 30 & 31 | 10:00am – 5:30pm Tuesday, May 30 AIC’s 45th Annual Meeting features the largest U.S. gathering of suppliers in the conservation field. Mingle with exhibitors and discover new treatments and 8:45am – 5:00pm Toronto (Ballroom Level, West Tower) business solutions. For the list of exhibitors, see page 41. Posters on a range of Health & Safety: Respirator Fit Testing conservation topics (see pp. 49-53) will be on view in the Exhibit Hall, with an 12:30pm – 2:00pm Acapulco (Ballroom Level, West Tower) author question-and-answer session on Wednesday afternoon at 3:30pm. Luncheon $: Protecting the World’s Cultural Heritage Identifying and Protecting Looted Artifacts AIC Member Business Meeting 1:00pm – 1:45pm Columbian (Concourse Level, West Tower) Info Session: ECPN Informational Meeting Thursday, June 1 | 7:30 – 9:45am | Breakfast Available 1:00pm – 2:00pm Water Tower (Concourse Level, West Tower) Join your colleagues for breakfast while attending the AIC Member Business Info Session: NCPTT Grants Presentation, with Mary F. Striegel Meeting. Learn more about the current state of our organization, leadership Wednesday, May 31 plans, and participate in discussions about AIC’s future. Stop by early to bid farewell to board members Pam Hatchfield, Deborah Trupin, and Stephanie 12:00pm – 2:00pm Water Tower (Concourse Level, West Tower) Lussier as their terms on the board end. Luncheon $: Asbestos Safety and Current Practices in Cultural Properties 12:15pm – 1:45pm Tour Departure Area - Crystal Foyer Attendee Perks: Tour $: Sacred Spaces Walk Riverside West Exhibit Hall • Enjoy free Wifi at the Annual Meeting in Chicago! Details are posted at 3:30pm – 4:00pm Poster Session: Q&A with Poster Authors the AIC registration desk. • Enjoy free admission to the Art Institute of Chicago during your stay in Thursday, June 1 the city. Just show your badge at the entrance. 7:30am – 9:45am Regency A-B Business Meeting: AIC Member Business Meeting • NEW! Purchase tickets 24/7 at conservation-us.org/tickets 10:00am – 12:00pm Water Tower (Concourse Level, West Tower) Discussion Session: Socratic Dialogue

6 Join the conversation by using #AICmtg17 to tag your social media posts! PEOPLE WELCOME AIC Board of Directors Welcome to Chicago! After focusing a President: Pamela Hatchfield number of previous annual meetings on a Vice President: Margaret Holben Ellis variety of other aspects of our work, we are Secretary: Sue Murphy very much looking forward to exploring how Treasurer: Sarah Barack our approaches to treatment are evolving Director, Committees & Task Forces: Thomas J. Braun within the profession. Director, Communications: Brenda Bernier This year’s Opening Reception will be held at Director, Professional Education: Stephanie M. Lussier the Art Institute of Chicago. Join us for a night Director, Specialty Groups: Deborah Lee Trupin of delicious food and drink as you reconnect with friends across the museum and explore 2017 Program Committees this superb collection.

General Session The general session will present topics of vital relevance to our practice today. It will be followed by four tracks on a variety of interesting treat- Margaret Holben Ellis*, Suzanne Davis, Arlen Heginbotham, Corina Rogge, ment challenges, as well as specialty and interest group sessions, many of Kerith Koss Schrager, Patricia Silence which relate closely to the general meeting theme. Specialty & Interest Sessions Remember to attend AIC’s member business meeting on the last day of the conference, held Thursday morning before sessions begin. Architecture: Lacey Bubnash, Andrew Fearon*, Leslie Friedman I hope to see you while in Chicago. Enjoy the meeting! Book and Paper: Whitney Baker, Victoria Binder*, Debra Cuoco, Laura Neufeld, Mary Oey —Pam Hatchfield, AIC President Collection Care: Gretchen Guidess, Rebecca Kaczkowski, Karen Pavelka* Attendee Perks: Electronic Media: Patricia Falcao, Lauren Sorensen* Objects: Laura Lipcsei, Ariel O’Connor, Tony Sigel* • Enjoy free Wifi at the Annual Meeting in Chicago! Details are posted at the AIC registration desk. Paintings: Kelly Keegan*, Noelle Ocon, Desirae Peters • Enjoy free admission to the Art Institute of Chicago during your Photographic Materials: Saori Kawasumi Lewis, Sylvie Pénichon, Tram Vo* stay in the city. Just show your badge at the entrance. Private Practice: Scott Haskins, Susan Maltby Research & Technical Studies: Kristen deGhetaldi*, Corina Rogge, Karen Trentelman Sustainability: Tina Gessler, Christian Hernandez, Christine Romano, Melissa Tedone* Special thanks to: Textiles: Kathy Francis, Laura Mina*, Elizabeth Schaeffer Wooden Artifacts: Genevieve Bieniosek*, Tad Fallon, Anna Kosters National Endowment for the Poster Editors Humanities Crystal Sanchez, Desirae Peters, Laura McCann Getty Foundation Samuel H. Kress Foundation AIC & FAIC Staff Tru Vue, Inc. Executive Director: Eryl P. Wentworth Finance Manager: Linda Budhinata for their support of our annual meeting CAP Coordinator: Tiffani Emig programs. Development Associate: Renae Erichsen-Teal CAP Assistant: Elizabeth Handwerk Kurt Communications Associate: Carmina Lamare-Bertrand Membership & Marketing Associate: Katelin Lee Communications & Membership Director: Bonnie Naugle Credits: Cover image by Daniel Schwen, via Wikimedia Commons. Institutional Advancement Director: Eric Pourchot Page 3: Chicago Skyline from the North ©City of Chicago Education Associate: Sarah Saetren Program and meeting materials designed by Bonnie Naugle Meetings & Advocacy Director: Ruth Seyler Emergency Programs Coordinator: Jessica Unger Membership Coordinator: Ryan Winfield The AIC Annual Meeting is hosted by the American Institute for Conservation of Historic & Artistic Works 1156 15th St NW, Suite 320, Washington, DC 20005 2 www.conservation-us.org | [email protected] Disaster Planning & Response Art Rescue 24/7: 1.888.377.5669

Art Handling Assessments Conservation Storage WWW.DPRARTRESCUE.COM

Courtesy of Parma Conservation, Ltd. Image: Courtesy of Parma 3 TREATMENT 2017 InnovatIon In ConservatIon and ColleCtIon Care

AIC’s 45th Annual Meeting May 28-June 2, 2017 Chicago, IL

Whether item or collection-level, preventive or interventive, Congratulations to AIC’s treatment remains at the heart of what conservators do in order to preserve cultural heritage collections. The design and implementa- 2017 Award Recipients!

tion of an ethical and sound conservation treatment, even the Presented at the Opening Session, Tuesday, May 30 ultimate decision of no treatment at all, begin before its commence- ment and the consequences continue well beyond its completion. Sheldon & Caroline Keck Award In this meeting, papers were solicited that explore various facets Gary Albright, Judith Levinson, James Hamm of conservation treatments and collection care programs intended to prolong the lifetime of cultural property. Topics include, but are Conservation Advocacy Award not limited to, a reconsideration of historic procedures no longer Ann Frellsen in practice, cutting edge technologies employed in treatments, Honorary Membership effective preventive conservation or collection care steps that reduce Stephen Koob, Terry Drayman-Weisser the necessity or extent of interventive treatments, the incorporation of sustainability into conservation treatments, or innovations in Robert L. Feller Lifetime Achievement Award treatment design, execution, and documentation. Margaret Loew Craft Please enjoy the many tours, sessions, and learning experiences President’s Award available at this exciting Chicago meeting! Patti Dumbaugh

Special Recognition for Allied Professionals Teri Rofkar (posthumous award)

Ross Merrill Award for Outstanding Commitment to the Get the App! Preservation and Care of Collections Visit www.conservation-us.org/app to Vizcaya Museum and Gardens download the AIC Meeting App (or search Distinguished Award for Advancement of the Field of the Apple or Android store for AIC MTG Conservation 2017). You’ll have instant access to the The Library of Congress

schedule of events, maps, the speaker list/ Forbes Medal biographies, and you can now purchase U.S. Representative Eliot Engel, U.S. Representative Ed Royce tickets online! CAA/AIC Award for Distinction in Scholarship Note that last year’s app will update and Conservation 4 with this year’s information. Tom J. S. Learner THE GETTY CONSERVATION INSTITUTE

Learn more about research at the GCI to develop a cleaning treatment for Asian Lacquer. Wednesday, May 31, 4:55pm, Unique Objects/Unique Treatment Session. This work is undertaken as part of GCI’s project on the Characterization of Asian and European Lacquers.

VISIT OUR BOOTH (412) TO LEARN ABOUT

OUR WORK PROFESSIONAL OPPORTUNITIES Model fi eld projects, scientifi c research, and Graduate internship, post-doctoral fellowship, education initiatives and residential guest scholar programs

FREE ONLINE RESOURCES Sign up to receive the GCI Bulletin and Books, AATA online, bibliographies, videos, Conservation Perspectives, The GCI Newsletter newsletters, teaching resources, and more www.getty.edu/conservation © 2017 J. Paul Getty Trust

GCI AIC 2017 ProgmAd _2.indd 1 3/8/17 2:40 PM 5 GETTY CONSERVATION INSTITUTE AD PUB(S): AIC 2017 CONFERENCE PROGRAM

TRIM: 7.5” X 10” INSERTION: MARCH 2017 PROOF1 HIGHLIGHTS Opening Reception at Art Institute of Chicago Tuesday, May 30 | 6:30-9:30pm | Early viewing at 5:30pm The meeting’s Opening Reception will be held Tuesday evening at the Art Institute of Chicago. The sponsorship of Huntington T. Block Insurance Agency, Inc. and the generous in-kind support provided by the Art Institute of Chicago helped make this evening spectacular. Get a head start on the evening by enjoying private viewings of the galleries. Buses will begin circulating at 5:30pm to bring you to the preview, then the main event begins at 6:30 pm. A view of the new Modern Wing at the Art Institute of Chicago © City of Chicago Both the preview viewings and reception are included with your meeting registration. You may also purchase a guest ticket at the DON’T MISS THESE EVENTS! registration desk. Enjoy drinks, delightful hors d’oeuvres, and world-class art with your colleagues. Monday, May 29 $: ticket purchase required 10:00am – 12:00pm Crystal Ballroom A (Lobby Level, West Tower) Latin American & Caribbean Scholars Program Pre-session: CAP, MAP, and StEPS: Collections Care Opportunities for Small Institutions The Foundation of the American Institute for Conservation of Historic and 1:00pm – 3:00pm Columbian (Concourse Level, West Tower) Artistic Works (FAIC) is delighted to support the attendance of 22 conservation Pre-session: Managing Risk: Conservators who care for collections - are professionals from Latin America and the Caribbean, thanks to a generous grant you insured inside and out? from the Getty Foundation. This program has brought 279 conservators from the Michigan 1 (Concourse Level, West Tower) region to AIC annual meetings since 1997. Please welcome them as they present 2:00pm – 3:30pm Pre-session: Scholarly Writing for Conservation - with JAIC editors their posters and papers. 3:30pm – 5:30pm Crystal Ballroom A (Lobby Level, West Tower) Networking: ECPN Poster Lightning Round Exhibit Hall in Riverside West 4:00pm – 6:00pm Michigan 1 (Concourse Level, West Tower) Pre-session: STASH FLASH IV Tuesday & Wednesday, May 30 & 31 | 10:00am – 5:30pm Tuesday, May 30 AIC’s 45th Annual Meeting features the largest U.S. gathering of suppliers in the conservation field. Mingle with exhibitors and discover new treatments and 8:45am – 5:00pm Toronto (Ballroom Level, West Tower) business solutions. For the list of exhibitors, see page 41. Posters on a range of Health & Safety: Respirator Fit Testing conservation topics (see pp. 49-53) will be on view in the Exhibit Hall, with an 12:30pm – 2:00pm Acapulco (Ballroom Level, West Tower) author question-and-answer session on Wednesday afternoon at 3:30pm. Luncheon $: Protecting the World’s Cultural Heritage Identifying and Protecting Looted Artifacts AIC Member Business Meeting 1:00pm – 1:45pm Columbian (Concourse Level, West Tower) Info Session: ECPN Informational Meeting Thursday, June 1 | 7:30 – 9:45am | Breakfast Available 1:00pm – 2:00pm Water Tower (Concourse Level, West Tower) Join your colleagues for breakfast while attending the AIC Member Business Info Session: NCPTT Grants Presentation, with Mary F. Striegel Meeting. Learn more about the current state of our organization, leadership Wednesday, May 31 plans, and participate in discussions about AIC’s future. Stop by early to bid farewell to board members Pam Hatchfield, Deborah Trupin, and Stephanie 12:00pm – 2:00pm Water Tower (Concourse Level, West Tower) Lussier as their terms on the board end. Luncheon $: Asbestos Safety and Current Practices in Cultural Properties 12:15pm – 1:45pm Tour Departure Area - Crystal Foyer Attendee Perks: Tour $: Sacred Spaces Walk Riverside West Exhibit Hall • Enjoy free Wifi at the Annual Meeting in Chicago! Details are posted at 3:30pm – 4:00pm Poster Session: Q&A with Poster Authors the AIC registration desk. • Enjoy free admission to the Art Institute of Chicago during your stay in Thursday, June 1 the city. Just show your badge at the entrance. 7:30am – 9:45am Regency A-B Business Meeting: AIC Member Business Meeting • NEW! Purchase tickets 24/7 at conservation-us.org/tickets 10:00am – 12:00pm Water Tower (Concourse Level, West Tower) Discussion Session: Socratic Dialogue

6 Join the conversation by using #AICmtg17 to tag your social media posts! 7 8 9 OPUS INSTRUMENTS Saturday, Sunday, & Monday Day-by-Day Schedule

SATURDAY, MAY 27 MONDAY, MAY 29 TOUR* TOURS* *Tours will depart from Crystal Foyer (Lobby Level). Buses board and walking tours *All tours depart from Crystal Foyer (Lobby Level). Buses board and walking tour gather 15 minutes prior to noted departure time. gather 15 minutes prior to noted departure time. 5:00pm – 7:00pm 8:30am – 5:30pm OPUS Tour: Taste of the World Fair: Food and Architecture Walk with Tastings Tour: Essential Frank Lloyd Wright: Home and Studio, Oak Brook and Bach House INSTRUMENTS 9:00am – 11:30am SUNDAY, MAY 28 Tour: Art of Breakfast at the Union League Club Leaders in Infrared Refl ectography WORKSHOPS 10:00am – 12:00pm Tour: Historic Skyscrapers Walk 8:00am – 5:00pm Picasso (Concourse Level, West Tower) Workshop: Reading Between the Lines: Understanding Construction and 12:30pm – 5:30pm Exhibit Design Drawing Tour: Glessner House Museum and Historic Prairie Avenue Walk Sponsored by: AIC Collection Care Network 1:00pm – 3:00pm 8:30am – 5:00pm *Bus boards at 8:30am Tour: Chicago Modern Architecture Walk Workshop: Approaches to the Conservation of Contemporary Murals NOTE: Those going on both the Historic Skyscrapers Walk and this tour Sponsored by: Voices in Contemporary Art, Golden Artist Colors, National should remain in the area around CAF Headquarters, and gather in front Endowment for the Humanities, ICOM-CC Murals, Nova Color Artists’ of CAF at 1:10 pm for the tour Acrylic Paint, CPAG 1:00pm – 3:00pm 10:00am – 5:00pm Comiskey (Concourse Level, West Tower) Tour: Walking with Giants: The Sculptures of Lincoln Park Workshop: Tools and Techniques for UV/Visible Fluorescence Documentation 2:30pm – 5:00pm Tour: Art Deco and Decadence Walk 10:30am – 5:00pm Art Institute of Chicago (111 S Michigan Ave, Chicago, IL 60603) 4:00pm – 6:00pm Workshop: Out Damn Spot: An Exploration of Chelating Agents and Tour: Eastland Disaster: An Augmented Reality Tour Alternative Methodologies for Removing or Reducing Staining in Paper 6:30pm – 9:00pm Tour: Architecture River Cruise TOURS* *All tours depart from Crystal Foyer (Lobby Level). Buses board and walking tour WORKSHOPS gather 15 minutes prior to noted departure time. 8:30am – 12:30pm Acapulco (Ballroom Level, West Tower) 12:30pm – 8:00pm Workshop: Building Emergency Response Skills, Sponsored by: AIC Tour: Afternoon at the University of Chicago with Reception at the Smart Emergency Committee, FAIC National Heritage Responders Art Museum with Robie House, Sponsored by: UChicago Arts 9:00am – 3:00pm Comiskey (Concourse Level, West Tower) Tour: Afternoon at the University of Chicago with Reception at the Smart Workshop: Preservation on a Budget, Sponsored by: APOYOnline, Getty Art Museum without Robie House Foundation 2:15pm – 5:45pm 9:00am – 4:30pm Toronto (Ballroom Level, West Tower) Tour: Devil in the White City Workshop: Examining the Composition and Structure of Digital Collection Objects: Strategies and Guidance for Ongoing Management 4:00pm – 6:00pm and Preservation, Sponsored by: AIC Electronic Media Group Tour: A Gilded Afternoon: A visit to the Richard H. Driehaus Museum with Visit us at Booth 209 Wine Reception 9:00am – 5:00pm Water Tower (Concourse Level, West Tower) Workshop: Illumination of Collections: Optimization of the Visual 4:00pm – 6:00pm Experience, Sponsored by: National Endowment for the Humanities, to fi nd out more about why our Osiris camera is the world’s leading dedicated camera Tour: Chicago Bridge Walk Lighting Services Inc. for infrared refl ectography. Through its unique scanning system and automated stitching 4:00pm – 6:30pm 9:30am – 12:00pm Michigan 1 (Concourse Level, East Tower) software, it creates a full 16MP refl ectogram mosaic in just 10 minutes, meaning you can Tour: River North Walking Tour and Pub Crawl Workshop: Effectively Using Portable IR and Raman Instruments for Art spend less time acquiring images, and more time revealing them. Object Analysis 1:00pm – 5:00pm Art Institute of Chicago (111 S Michigan Ave, Chicago, IL 60603) www.opusinstruments.com Workshop: Advancing Leadership in Conservation – A Workshop and +44 (0) 1603 740397 Focus Group, Sponsored by Bruker Saturday, Sunday, & Monday Sunday, Saturday,

10 Join the conversation by using #AICmtg17 to tag your social media posts! OPUS INSTRUMENTS

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Leaders in Infrared Refl ectography

Visit us at Booth 209 to fi nd out more about why our Osiris camera is the world’s leading dedicated camera for infrared refl ectography. Through its unique scanning system and automated stitching software, it creates a full 16MP refl ectogram mosaic in just 10 minutes, meaning you can spend less time acquiring images, and more time revealing them.

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11 Monday & Tuesday Day-by-Day Schedule

Michigan 1C (Concourse Level, East Tower) 1:00pm – 5:00pm 9:00am – 9:30am CIPP Seminar: Using Innovative Tools to Enhance Your Business Revision & Reflection: The Conservation/Restoration Project of the Ghent Note: CIPP Business Meeting is 12pm to 1pm in the same room. Altarpiece PRE-MEETING SESSION Bart Devolder 10:00am – 12:00pm Crystal Ballroom A (Lobby Level, West Tower) 9:30am – 10:00am Pre-session: CAP, MAP, and StEPS: Collections Care Opportunities for When an Airplane Acts Like a Painting: Applying Established Conservation Small Institutions Methodologies to Ephemeral Aircraft Materials Lauren Horelick; Malcolm Collum 1:00pm – 3:00pm Columbian (Concourse Level, West Tower) Pre-session: Managing Risk: Conservators who care for collections - are 10:00am – 10:30am Riverside West Exhibit Hall you insured inside and out? Break in the Exhibit Hall 2:00pm – 3:30pm Michigan 1A-B (Concourse Level, East Tower) 10:30am – 10:45am Pre-session: Scholarly Writing for Conservation General Session Award Presentations (Part 2) 3:30pm – 5:30pm Crystal Ballroom A (Lobby Level, West Tower) 10:50am – 11:15am Pre-session: ECPN Poster Lightning Round Preventive Conservation in the Renovation of the Harvard Art Museums: 4:00pm – 6:00pm Michigan 1A-B (Concourse Level, East Tower) Before, During, and Ever After Pre-session: STASH FLASH IV Angela Chang; Penley Knipe, Kate Smith 5:30pm – 9:30pm Field Museum, Lecture Room 2 -- Bus boards at 5PM 11:15am – 11:40am Pre-session: A Facilitated Conversation about Inclusion and Equity in What Would Anselm Do? Revisiting the treatment of Osiris and Isis Conservation and Preservation, Sponsored by: Association of North Paula De Cristofaro American Graduate Programs in the Conservation (ANAGPIC), Suzanne Deal Booth, Concerned Conservators, AIC Inclusion Working Group, Tru 11:40am – 12:05pm Henri Matisse: The Cut-Outs Vue Inc., University of Illinois, and FAIC Karl Buchberg BUSES BOARD AT 5PM IN THE CRYSTAL FOYER 12:05pm – 12:15pm BUSINESS MEETINGS General Session Award Presentations (Part 3) 12:00pm – 1:00pm Michigan 1C (Concourse Level, East Tower) 12:15pm – 12:30pm Business Meeting: CIPP Business Meeting and Lunch General Session - Open Discussion 1:30pm – 3:30pm Acapulco (Ballroom Level, West Tower) Business Meeting: National Heritage Responders Business Meeting MIDDAY EVENTS 5:30pm – 6:30pm Atlanta 12:30pm – 2:00pm Acapulco (Ballroom Level, West Tower) Business Meeting: Publications Committee Meeting Luncheon (Ticketed, $39): Protecting the World’s Cultural Heritage: Identifying and Protecting Looted Artifacts RECEPTIONS 1:00pm – 1:45pm Columbian (Concourse Level, West Tower) 5:30pm – 7:00pm The Conservation Center (400 N. Wolcott, Chicago, Business Meeting: ECPN Informational Meeting IL 60622) 1:00pm – 2:00pm Water Tower (Concourse Level, West Tower) Reception: ECPN Happy Hour, Sponsored by The Conservation Center Workshop: National Center for Preservation Technology and Training Buses board at 5:30pm and shuttle until 7pm (NCPTT) Grants Presentation, Sponsored by NCPTT

TUESDAY, MAY 30 Specialty Sessions ARCHITECTURE + WOODEN ARTIFACTS WORKSHOP Crystal Ballroom A (Lobby Level, West Tower) 8:45am – 5:00pm Toronto (Ballroom Level, West Tower) Workshop: Respirator Fit Testing. Appointment required, details on Sched. 2:00pm – 2:30pm San Francisco (Ballroom Level, West Tower) The Framing of a Masterpiece: The History and Conservation of a Speaker Ready Room Monumental Tabernacle Frame William Adair; Stephan C. Wilcox General Sessions 2:30pm – 3:00pm OPENING SESSION Aimee Spencer Gorham’s Wood Marquetry of the Pacific Northwest Suzana Radivojevic, Nina Olsson Regency Ballroom (Ballroom Level, West Tower) 3:00pm – 3:30pm 8:15am – 9:00am Treatment of Appleton Organ at the Metropolitan Museum of Art Monday Monday & Tuesday Opening General Session - Welcome and Award Presentations (Part 1) Manu Frederickx; Jennifer Schnitker

12 NEW Visit Us In FROM THE GETTY Booth #414!

Forthcoming Cave Temples of Dunhuang The Restoration of Paintings Buddhist Art on China’s Silk Road in Paris, 1750–1815 When Galleries Shake Practice, Discourse, Materiality Earthquake Damage Mitigation Edited by Neville Agnew, Marcia Reed, and Tevvy Ball for Museum Collections Noémie Étienne THE GETTY CONSERVATION INSTITUTE / THE GETTY CONSERVATION INSTITUTE Jerry Podany THE GETTY RESEARCH INSTITUTE Paper $69.95 THE J. PAUL GETTY MUSEUM Hardcover $59.95 Paper $65.00 Hans Hofmann Color Science The Artist’s Materials Refashioning and Redress and the Visual Arts Dawn V. Rogala Conserving and Displaying Dress A Guide for Conservators, THE GETTY CONSERVATION INSTITUTE Edited by Mary M. Brooks Curators, and the Curious Paper $40.00 and Dinah D. Eastop Roy S. Berns THE GETTY CONSERVATION INSTITUTE THE GETTY CONSERVATION INSTITUTE Paper $65.00 Paper $55.00 Getty Publications

IN THE UK AND EUROPE (44) 020 7079 4900 [email protected] A WORLD OF ART, RESEARCH, CONSERVATION, AND PHILANTHROPY IN THE US 800 223 3431 www.getty.edu/publications

© 2017 J. Paul Getty Trust

13 AIC 2017-03.indd 1 3/30/17 4:16 PM Tuesday Day-by-Day Schedule

3:30pm – 4:00pm Riverside West Exhibit Hall 3:00pm – 3:30pm Break in the Exhibit Hall Evaluation of Climate Control in Yale Peabody Museum of Natural History: Energy consumption and risk assessment 4:00pm – 4:30pm Lukasz Bratasz; Richard Boardman, Susan Butts, Catherine Sease, Stefan Structural Treatment of Wooden Beams Simon, Nathan Utrup, Tim White Mostafa Sherif 3:30pm – 4:00pm Riverside West Exhibit Hall 4:30pm – 5:00pm Break in the Exhibit Hall Exposing Graffiti in George Washington’s Cupola Steven Stuckey 4:15pm – 5:15pm Panel Discussion: A Review and Comparison of Anoxic Treatment Methods 5:00pm – 5:30pm for Pest Management Open Discussion Eric Breitung, Laura Mina, Elena Torok Moderator Andrew Fearon ELECTRONIC MEDIA BOOK & PAPER Comiskey (Concourse Level, West Tower) Regency A-B (Ballroom Level, West Tower) 2:00pm – 2:30pm 2:00pm – 2:30pm The Ballad of Little Bill: Collaboration in Time-Based Media Conservation Less is More Ariel O’Connor; Daniel Finn Adam Novak; Daria Keynan 2:30pm – 3:00pm 2:30pm – 3:00pm Digital Preservation Actions as Interventive Conservation Treatments at the Reducing Agent Tertbutylamine Borane Complex and Its Use in Stain Smithsonian Reduction on Paper-Based Artifacts Crystal Sanchez; Briana Feston-Brunet Crystal Maitland 3:00pm – 3:30pm 3:00pm – 3:30pm The Role of Conservation Treatment in a Mass-Digitisation Program Removing Oil from Paper: A Collaborative Conservation Challenge Felicity Corkill Holly Herro; Wendy Cowan, Scott Webster Nolley, Kristi Wright 3:30pm – 4:00pm Riverside West Exhibit Hall 3:30pm – 4:00pm Riverside West Exhibit Hall Break in the Exhibit Hall Break in the Exhibit Hall 4:00pm – 4:30pm 4:00pm – 4:30pm Me and My Kinetta Treatment 305: A Love Story Amy Belotti Kathy Lechuga 4:30pm – 5:30pm 4:30pm – 5:00pm 20th Anniversary of EMG Panel Medium Rare: An Innovative Treatment Approach to the Space between Peter Oleksik (panel chair), Christine Frohnert, Paul Messier, Crystal Sanchez, Special and General Collections Jill Sterrett, Glenn Wharton Quinn Ferris OBJECTS 5:00pm – 5:30pm Line up, Back to Back: Restoration of Korean Buddhist Sutra in accordion Crystal Ballroom B (Lobby Level, West Tower) book format Hsin-Chen Tsai; Tanya Uyeda 2:00pm – 2:30pm The Conservation of Della Robbia Sculpture: An Exhibition as Initiator of Work COLLECTION CARE Abigail Hykin Plaza Ballroom (Lobby Level, East Tower) 2:30pm – 3:00pm The Comprehensive Re-Treatment of a Renaissance Terracotta Altarpiece by 2:00pm – 2:30pm Benedetto Buglioni Unhappy Couples: Degradation of microscope slides due to their Rachel C. Sabino mounting media Mariana Di Giacomo 3:00pm – 3:15pm Truth Versus Beauty: Maintaining visual unity in the treatment of Florentine 2:30pm – 3:00pm polychrome terracotta sculpture Environmental Performance Assessments of Packing Cases Employed by Tony Sigel the J. Paul Getty Museum Vincent L. Beltran; Rita Gomez, Kevin Marshall 3:15pm – 3:30pm Conservation of 15th and 16th Century Italian Glazed Terracotta Leslie Ransick Gat; Erin Toomey

Tuesday 3:30pm – 4:00pm Riverside West Exhibit Hall Break in the Exhibit Hall

14 Join the conversation by using #AICmtg17 to tag your social media posts! 15 Tuesday Day-by-Day Schedule

4:00pm – 4:30pm PHOTOGRAPHIC MATERIALS Tempting Fate: Lessons Learned from the Treatment of Giovanni della Robbia’s Adam and Eve Michigan 1 (Concourse Level, East Tower) Gregory Bailey 2:00pm – 2:30pm 4:30pm – 5:00pm Respect for Photographs: An exploratory study of the public attitudes The Gap Between Ethics and Aesthetics in Italian Restoration: Experience towards different kinds of photo restoration in the laboratories of the Opificio delle Pietre Dure in Florence Andy Song; Kathryn Zeng especially on della Robbia works 2:30pm – 3:00pm Laura Speranza; Shirin Afra The Fiocruz Collections: Discussing the Preservation of its Photographic 5:00pm – 5:30pm Archives The Treatment of Two Terracotta Architectural Reliefs by Andrea della Nathália Vieira Serrano Robbia at The Metropolitan Museum of Art 3:00pm – 3:30pm Carolyn Riccardelli; Wendy Walker Moonlight and Midnight: The evolution of Edward Steichen’s ‘Moonrise’ 5:30pm – 6:00pm prints Open Round Table Discussion Kaslyne O’Connor; Ariel Pate Moderators: Ariel O’Connor, Tony Sigel 3:30pm – 4:00pm Riverside West Exhibit Hall Break in the Exhibit Hall PAINTINGS + RESEARCH & TECHNICAL STUDIES 4:00pm – 4:30pm Regency C-D (Ballroom Level, West Tower) New Original – Reprint in Fine Art Photography Hanako Murata; J. Luca Ackerman, Tatiana Cole, Peter Mustardo 2:00pm – 2:30pm Practice-led and Practice-based Collaborative Research at Tate: 4:30pm – 5:00pm Supporting the advancement of modern and contemporary painting The Re-creation and Conservation of Megalethoscope Slides conservation treatment practice Monique C. Fischer Bronwyn Ormsby 5:00pm – 5:30pm 2:30pm – 3:00pm Bellmer: Complexities of the Doll Re-examining Old Findings and Inferences: The Study of a Magus at a Krista Lough Table by Jan Lievens Shan Kuang RESEARCH & TECHNICAL STUDIES (SEE PAINTINGS) 3:00pm – 3:30pm Regency C-D (Ballroom Level, West Tower) A Confusion of Colors: Yellow and red pigments in the decorative scheme of the tablinum in the House of the Bicentenary at the archaeological TEXTILES site of Herculaneum Leslie Rainer and Kiernan Graves; Gilberto Artioli, Arlen Heginbotham, Crystal Ballroom C (Lobby Level, West Tower) Francesca Piqué, Michele Secco Riverside West Exhibit Hall 2:00pm – 2:30pm 3:30pm – 4:00pm You Say You Want a Revolution? An Innovative, Low-Tack Adhesive Treatment Break in the Exhibit Hall for 18th-Century Silk Flags 4:00pm – 4:30pm Camille Myers Breeze ® A Preliminary Investigation into Aquazol as an Alternative Lining 2:30pm – 3:00pm Adhesive for Paintings Identification of Skins in a Chewa Dance Garment from Malawi using DNA Blair Bailey; Raymond Aso, Richard Campbell, Ben Dawson, Sequencing Nicola Grimaldi, Kallum Moses, Dr. Roger Penlington, Dr. Charis Anne Peranteau Theodorakopoulos 3:00pm – 3:30pm 4:30pm – 5:00pm The Characterization of ‘Foxing’ on Textiles Gecko-inspired µ-Dusters for Cleaning: Ongoing Research and Potential Sophia Zweifel for Art Conservation Cynthia Schwarz; Hadi Izadi, Kyle Vanderlick 3:30pm – 4:00pm Riverside West Exhibit Hall Break in the Exhibit Hall 5:00pm – 5:30pm Pioneering Solutions for Treating Water Stains on Acrylic Paintings | Case 4:00pm – 4:30pm Study Composition, 1963 by Justin Knowles Oh, Bother: The Conservation of Winnie the Pooh and Friends Maureen Cross; Maggie Barkovic, Olympia Diamond Alison Castaneda 4:30pm – 5:00pm

Tuesday Making the Mold: A Use for Fosshape in Upholstery Conservation Kirsten Schoonmaker; Abby Zoldowski

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5:00pm – 5:30pm 9:30am – 10:00am From the Top Down: Dressing the Historic Bed—Developing Mounting Research, Encapsulation and Replication of the Original 1844 Trompe Systems from a 21st- century Conservation Perspective l’oeil Apse Mural in the Old Whaler’s Church, Sag Harbor, NY Deirdre Windsor Geoffrey Steward; Mary Aldrich 10:00am - 10:30am Riverside West Exhibit Hall WOODEN ARTIFACTS (SEE ARCHITECTURE) Break in the Exhibit Hall Crystal Ballroom A (Lobby Level, West Tower) 10:30am – 11:00am 500 Capp Street: Conservation of Interior Contemporary Finishes and Opening Reception Artwork by David Ireland Dena Kefallinos; Johana Moreno OPENING RECEPTION 11:00am – 11:30am Buses will depart from the Crystal Foyer starting at 5:30pm and will Conservation in Context: Considerations in Treatment Planning in Relation shuttle continuously between the Hyatt and the Art Institute. to the Safety of Conservators and the General Public 5:30pm – 6:30pm Art Institute of Chicago (111 S Michigan Ave, Beata Sasinska Chicago, IL 60603 ) 11:30am – 12:00pm Pre-Opening Reception: Gallery Viewing at the Art Institute of Chicago. Beyond Treatment: Monitoring before during and after conservation of the Extend your time at one of the world’s best museums. Some galleries at mural América Tropical by David Alfaro Siqueiros, 1932 the Art Institute of Chicago will be open for our private viewing from 5:30 Leslie Rainer; Kiernan Graves to 6:30pm. Sessions end at 5:30pm, so beat the crowds and head to the Art Institute of Chicago early. BOOK AND PAPER + RESEARCH & TECHNICAL STUDIES 6:30pm – 9:30pm Art Institute of Chicago (111 S Michigan Ave, Chicago, IL 60603 ) Regency A-B (Ballroom Level, West Tower) Opening Reception: Art Institute of Chicago 7:30am – 8:30am Sponsored by Huntington T. Block Insurance Agency with in-kind support BPG Business Meeting, breakfast starts at 7:15am from the Art Institute of Chicago. 8:30am – 9:00am Lessons from a Large-Scale Survey of Parchment Animal Origin and WEDNESDAY, MAY 31 Production Quality Matthew Collins BUSINESS MEETINGS (IN SESSION ROOMS) 9:00am – 9:30am 7:30am – 8:30am The Codex Eyckensis (8th century): Re-evaluation of the 20th century Business Meeting: Book & Paper Group (Light Breakfast at 7:15am) restoration & conservation treatments Business Meeting: Objects Specialty Group (Light Breakfast) Lieve Watteeuw; Marina Van Bos, Bruno Vandermeulen 8:00am – 9:00am 9:30am – 10:00am Business Meeting: Electronic Media Group (Light Breakfast) Contacts that Leave Traces: Investigations into the contamination of paper Business Meeting: Textiles Specialty Group (Light Breakfast) surfaces from handling 11:00am – 12:00pm Karin van der Pal; Wilhelm van Bronswijk, Simon Lewis, Rachel S. Popelka- Business Meeting: Wooden Artifacts Group Filcoff, Gregory D. Smith Riverside West Exhibit Hall 11:30am – 12:30pm 10:00am - 10:30am Business Meeting: Paintings Specialty Group Break in the Exhibit Hall Business Meeting: Photographic Materials Group (until 12pm) 10:30am – 11:00am Revisiting Paper pH Determination: 40 years of evolving practice in the Specialty Sessions Library of Congress Preservation Research and Testing Laboratory Cindy Connelly Ryan; Eric Breitung, Lynn Brostoff, Michelle Youket ARCHITECTURE 11:00am – 11:30am Crystal Ballroom A (Lobby Level, West Tower) Centuries of Cellulose: Lessons Learned from the Molecular Size of Cellulose in Naturally-Aged Paper Collections 8:30am – 9:00am Dr. Andrew R. Davis; Fenella France Learning Together from Preventive Conservation: Restoration of the Choir Room of the Convent of Mercedarian Sisters (S XVIII), Lima, Perú 11:30am – 12:00pm Erika Anticona Characterization of Aniline Dyes in Colored Papers of Jose Posada’s Prints Using (ToF-SIMS) 9:00am – 9:30am Stacey Kelly; Ashley Ellsworth, Jenny K. Hedlund, Jodie Utter, Amy Walker The Perfect Room: The Restoration of the Old Senate Chamber at the

Tuesday & Wednesday Tuesday Maryland State House, Annapolis Maryland David C. Overholt

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ELECTRONIC MEDIA 11:00am – 11:30am An Evaluation of Cold Paste Waxes Used in Conservation for Outdoor Bronze Comiskey (Concourse Level, West Tower) Sculpture 8:00am – 9:00am Julie Wolfe; Alessa Gambardella, Rosie Grayburn, Arlen Heginbotham, EMG Business Meeting Alan Phenix, Katrina Posner, Christina L. Simms, Magdalena Solano, Maria Olivia Davalos Stanton, Hope Welder 9:00am – 9:30am Obsolescent Technology: The viability of the cathode ray tube used in art 11:30am – 12:00pm Sara Moy; Algis Kizys Local Treatment for Outdoor Painted Metal Sculptures: Designing Suitable Paints for Retouching 9:30am – 10:00am Nikki van Basten; Ulysses Jackson, Rachel Rivenc Framing the Jones Buffer: Documenting the History and Preservation of an Iconic Image-Processing Tool PAINTINGS Athena Christa Holbrook 10:00am - 10:30am Riverside West Exhibit Hall Regency C (Ballroom Level, West Tower) Break in the Exhibit Hall 8:30am – 9:00am 10:30am – 11:00am Altered States: Conservation of the Ayala Altarpiece (Not) Freaking Out Over the Videofreex: Preserving a Video Collective Julie Simek Archive 9:00am – 9:30am Kristin MacDonough; Tom Colley The Monopoli Altarpiece: Rediscovery and recovery of a Cretan-Venetian 11:00am – 11:30am masterpiece Overcoming your Control Issues: Arduinos as an emulation strategy Caitlin Breare Martina Haidvogl; Sasha Dobbs 9:30am – 10:00am 11:30am – 12:30pm Mapping a Way Forward: Bringing an artwork back from self-destruction Demonstration & Discussion: Open Source Hardware and Media Per Knutås; Samantha Springer Conservation 10:00am - 10:30am Riverside West Exhibit Hall Sasha Dobbs, Mark Hellar Break in the Exhibit Hall

OBJECTS 10:30am – 11:30am Tips Session Crystal Ballroom B (Lobby Level, West Tower) 11:30am – 12:30pm 7:30am – 8:30am PSG Business Meeting OSG Business Meeting PHOTOGRAPHIC MATERIALS 8:30am – 8:45am To B-72 or Not To B-72? Alternative Adhesives for Archaeological Ceramics Michigan 1 (Concourse Level, East Tower) Rachael Perkins Arenstein; Elisheva Kamaisky 8:30am – 9:00am 8:45am – 9:00am Current Trends and Collaborations among Heritage Institutions in Latin America: Structural Repair of Plaster Using Polyvinyl Butyral Adhesive Systems Results of the APOYOnline 1st Heritage Preservation Regional Conference and L.H. (Hugh) Shockey Workshop on Photographic Conservation, Fundraising & Advocacy 9:00am – 9:30am Beatriz Haspo; Debbie Hess Norris, Amparo Rueda Carbon Fiber Fabric and its Potential for Use in Objects Conservation 9:00am – 9:30am Carolyn Riccardelli Preservation of Photography in Cuba as a Historic Memory of its Evolution 9:30am – 10:00am Gloria Alvarez Frigola So Delicate, yet So Strong: The Use of Paper in Objects Conservation 9:30am – 10:00am Paula Artal-Isbrand A Pilot Project to Treat Photogravures on Gampi paper from Edward Curtis’ 10:00am - 10:30am Riverside West Exhibit Hall “The North American Indian” Break in the Exhibit Hall Rachel Danzing; Ann Baldwin Riverside West Exhibit Hall 10:30am – 11:00am 10:00am - 10:30am Archaeological Glass Conservation: Comparative approaches & Break in the Exhibit Hall practicalities of using acrylic resin films as gap fills 10:30am – 11:00am Jan Cutajar; Hana Bristow Uncovering Irving Penn’s Chemical Treatment Techniques Laura Panadero Wednesday

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TheScientificPhotographer.com 805-689-8748 [email protected]

The Scientific Photographer, W. Scott Miles Scott’s interdisciplinary approach to documenting art combines scientific methodologies with a mature sensitivity to representing the object’s cultural heritage value for today’s demanding digital world. Image Production capture and deliver best-in-class technical quality Workflow Consultation creation and documentation for maximum digitization efficiency Design custom imaging and archiving systems and facilities Manage digital assets processes and training

Images Top: “Parallels” exhibit, Studio Channel Islands Art Center, Camarillo, CA - weavings by Michael F. Rohde, paintings by Richard Bruland. Bottom left: fishbone basket by Gerri McMillin; bottom right: wood sculpture by Thomas Matsuda. All images © W. Scott Miles, artwork © of the artist.

21 Wednesday Day-by-Day Schedule

11:00am – 11:30am 11:30am – 12:00pm Providing Access to ‘Overprotected’ Color Slides A Treatment Returns Undone Diana L. Diaz-Cañas Nancy Love 11:30am – 12:30pm PMG Business Meeting WOODEN ARTIFACTS Acapulco (Ballroom Level, West Tower) RESEARCH & TECHNICAL STUDIES (SEE BOOK AND PAPER) 8:30am – 9:00am Regency A-B (Ballroom Level, West Tower) Count Lamberg’s Roman Table in The Rijksmuseum Jan Dorscheid; Arie Pappot SUSTAINABILITY 9:00am – 9:30am Interpreting Thonet: Treatment of a Gebrüder Thonet Bentwood Rocking Chair Plaza Ballroom (Lobby Level, East Tower) Paige L. Schmidt; Dr. Aaron Shugar, Jonathan Thornton, Jiuan Jiuan Chen 8:30am – 8:50am 9:30am – 10:00am With Room to Grow: Design and Construction of a new Conservation Facility A New Tool for the Traditional Toolbox at the University of Washington Libraries Alton J. Bowman Justin P. Johnson 10:00am - 10:30am Riverside West Exhibit Hall 8:50am – 9:20am Break in the Exhibit Hall “What Do You Mean Telecom Servers and Preservation Don’t Mix?” Sustainable Preservation Environments and the Building of an Environmental Team 10:30am – 11:00am Jeremy Linden; Liz Dube Understanding Currently Accepted Practice: Wood fills and conservation material decision-making 9:20am – 9:40am Megan Narvey Neurons to the Task: How to balance resources with ingenuity in innovation Christine Perrier 11:00am – 12:00pm WAG Business Meeting 9:40am – 10:00am Students for Sustainability in Conservation MIDDAY EVENTS Caitlin Southwick Water Tower (Concourse Level, West Tower) 10:00am - 10:30am Riverside West Exhibit Hall 12:00pm – 2:00pm Luncheon (Ticketed $39): Asbestos Safety and Current Practices in Break in the Exhibit Hall Cultural Properties, Sponsored by Atlas Preservation 10:30am – 10:50am 12:00pm – 2:00pm Wrigley (Concourse Level, West Tower) Fast, Cheap, and Sustainable: 3-D printing exhibition book cradles Business Meeting: JAIC Editorial Board Meeting Fletcher Durant 12:15pm – 1:45pm Tour Departure Area - Crystal Foyer 11:00am – 12:00pm Tour (Ticketed, $25): Sacred Spaces Walk (Tour departs at 12:15pm, Tips Session gather at noon) 1:00pm – 2:00pm Gold Coast (Concourse Level, West Tower) TEXTILES Business Meeting: Archaeological Conservation Discussion Group Crystal Ballroom C (Lobby Level, West Tower) 8:00am – 9:00am General Sessions TSG Business Meeting FOUR CONCURRENT TRACKS

9:00am – 9:30am Regency A-B Tips and Tricks Beyond Treatment Treatment: Don’t Go it alone Regency C-D 9:30am – 10:00am Costume Loans: Challenges and Strategies Treatment: Going Big Crystal Ballroom A Cassandra Gero Unique Objects/Unique Treatment Crystal Ballroom B 10:00am - 10:30am Riverside West Exhibit Hall Break in the Exhibit Hall Beyond Treatment Regency A-B 10:30am – 11:00am 2:00pm – 2:05pm Learning from Treatments that Did Not Go as Planned Introduction of Sessions by Moderator Patricia Silence Suzan Meijer; Marjolein Koek 2:05pm – 2:30pm

Wednesday 11:00am – 11:30am What’s so Ethical about Doing Nothing? A Worthwhile Endeavor: The Conservation of a Worth and Bobergh Ensemble Jonathan Ashley-Smith Johanna Tower 22 23 Wednesday Day-by-Day Schedule

2:30pm – 2:55pm 4:30pm – 4:55pm Active conservation treatments and virtual retouching: what do people Re-exhibiting Akeley Mounts at the Field Museum, Chicago actually see? Lisa Goldberg; Thomas Gnoske, Ronald Harvey, Shelley Reisman Paine Dr. W. (Bill) Wei 4:55pm – 5:20pm 2:55pm – 3:20pm Flouting Convention: the Integration of Asian Paintings at Taliesin and their In Support of the Bigger Picture: Preventive Conservation as a Recognized Conservation Specialty T.K. McClintock; Lisa Berk, Deborah LaCamera, Lorraine J. Bigrigg Elena Torok; Meg Loew Craft 5:20pm – 5:30pm 3:20pm – 3:30pm Discussion Discussion Treatment: Going Big Crystal Ballroom A 3:30pm - 4:00pm Riverside West Exhibit Hall Break in the Exhibit Hall 2:00pm – 2:05pm 4:05pm – 4:30pm Introduction of Session by Moderator Suzanne Davis Cross Platform Use of iPads in Stained Glass Conservation Treatment & 2:05pm – 2:30pm Documentation Go Big or Go Home: Broader Considerations in the Treatment of Oversize Ariana Makau; Greer Ashman, Chloe Castro Objects at the Art Institute of Chicago 4:30pm – 4:55pm Rachel C. Sabino That Poor Cousin of Treatment: Documentation and Possibilities for Simple 2:30pm – 2:55pm Innovation When What Went Up Must Come Down: Triage treatment and disassembly Cybele Tom of two 15th century Chinese mud plaster murals 4:55pm – 5:20pm Madeleine Neiman; Emily Eifert Brown, Lynn Grant Visualizing the Hartog Plate: An Innovative Approach 2:55pm – 3:20pm Tamar Davidowitz, Dr. Robert Erdmann Puvis de Chavannes’ Philosophy: Condition Issues and Strategies for the 5:20pm – 5:30pm Removal of a Severely Detached Mural, its Conservation Treatment and Discussion Remounting Gianfranco Pocobene; Ian Hodkinson Treatment: Don’t Go it Alone Regency C-D 3:20pm – 3:30pm 2:00pm – 2:05pm Discussion Introduction of Session by Moderator Margaret Holben Ellis 3:30pm - 4:00pm Riverside West Exhibit Hall Break in the Exhibit Hall 2:05pm – 2:30pm Unraveling the Past to Inform the Present: Conservation of Egyptian 4:05pm – 4:30pm mummies at the Penn Museum Textiles as Architecture: Raising a Royal Persian Tent Molly C. Gleeson; Alexis North Robin Hanson 2:30pm – 2:55pm 4:30pm – 4:55pm A Pole with a Story: Innovative conservation and documentation of an Resurrecting della Robbia’s ‘Resurrection’: Challenges in the conservation American Indian Story Pole of a monumental Renaissance relief Lesley A. Day; J. Claire Dean, Ellen J. Pearlstein Sara Levin; Lisa Bruno, Nicholas Pedemonti 2:55pm – 3:20pm 4:55pm – 5:20pm Treatment of a White Louise Nevelson Installation Gilding the Lily? The Conservation Treatment of Alexander Calder’s Red Lily Sarah Nunberg; Soraya Alcala, Jens Dittmer, Mathew Eckelman, Michael Pads Henry, Cindie Kehlet, Chris McGlinchy, Carolyn Tomkiewicz Nathan Otterson; Tracey Bashkoff, Federica Pozzi, Carol Stringari, John Vitagliano 3:20pm – 3:30pm Discussion 5:20pm – 5:30pm 3:30pm - 4:00pm Riverside West Exhibit Hall Discussion Break in the Exhibit Hall Unique Objects/Unique Treatment Crystal Ballroom B 4:05pm – 4:30pm Not a Known Carcinogen: Health and Safety Considerations of New and 2:00pm – 2:05pm Innovative Treatments Introduction of Session by Moderator Cory Rogge Kerith Koss Schrager; Anne Kingery-Schwartz, Julie Sobelman 2:05pm – 2:30pm The 40-year Conservation Story of Bruce Conner’s CHILD Wednesday Megan Randall; Roger Griffith

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2:30pm – 2:55pm How Important is Knowing the Ropes? Thoughts on the ethics and practice THURSDAY, JUNE 1 of conserving ship model rigging BUSINESS MEETING Davina Kuh Jakobi Regency A-B (Ballroom Level, West Tower) 2:55pm – 3:20pm Regency A-B Reattaching Without Adhesive? Yes We Can! The reactivation of paint on 7:30am – 9:45am animation cels Business Meeting: AIC Member Business Meeting Continental breakfast will be available. Katharina Hoeyng, Art Kaplan, Joy Mazurek, Carolyn Carta, Vincent Beltran, Kristen McCormick, Michael Schilling DISCUSSION SESSION 3:20pm – 3:30pm Discussion 10:00am – 12:00pm Water Tower (Concourse Level, West Tower) Socratic Dialogue: High-tech Innovation in Conservation and Collection Riverside West Exhibit Hall 3:30pm - 4:00pm Care - Do we need a better high-tech mousetrap? Break in the Exhibit Hall Dr. W. (Bill) Wei 4:05pm – 4:30pm It’s About Time MIDDAY EVENTS Diana Galante; Beth Richwine, Dawn Wallace 12:00pm – 12:30pm Regency D (Ballroom Level, West Tower) 4:30pm – 4:55pm Business Meeting: Research & Technical Studies Nanocellulose Films: properties, development and new applications for 12:00pm – 12:45pm Regency A-B (Ballroom Level, West Tower) translucent and transparent artworks and documents Book & Paper Wiki Session Remy Dreyfuss-Deseigne; Anne-Laurence Dupont 12:00pm – 2:00pm Crystal Ballroom B (Lobby Level, West Tower) 4:55pm – 5:20pm Luncheon (Ticketed $49): Objects Tips Lunch Development of Cleaning Treatments for Asian Lacquer Sponsored by Testo, Inc. and R. Alden Marshall & Associates Marianne Webb; Herant Khanjian, Michael R. Schilling 1:00pm – 2:00pm Toronto (Ballroom Level, West Tower) 5:20pm – 5:30pm Collection Care Idea Fair, with coffee and cookies Discussion Sponsored by the Collection Care Network and Tru Vue, Inc. 2:00pm – 2:30pm Crystal Ballroom A RECEPTIONS Business Meeting: Architecture Specialty Group Buses will depart from the Crystal Foyer and will shuttle continuously from the Hyatt. Specialty Sessions 6:00pm – 9:00pm Video Data Bank, School of the Art Institute of ARCHITECTURE Chicago (112 S. Michigan Ave, Chicago, IL 60603) Crystal Ballroom A (Lobby Level, West Tower) Reception and Tour: Electronic Media at Video Data Bank Video Data Bank provided generous in-kind support 10:00am – 10:30am Newberry Library (60 West Walton St) The Majestic Grand Goddess Cibeles in Madrid and its Restoration in Gauzes 6:30pm – 9:00pm Julia Betancor; Daniel Munoz, Macarena Sanz Reception: BPG + RATS at Newberry Library Sponsored by Hollinger Metal Edge, TandD US, LLC, San-Jian Art & 10:30am – 11:00am Conservation Co., Ltd. Evaluation of an Injudicious Patch Repair Campaign on Exposed Reinforced 6:30pm – 9:30pm Chicago History Museum (1601 North Clark St, Concrete and How To Move On Chicago, IL 60614) Ana Paula Arato Gonçalves; Dr. Claudia T. de Andrade Oliveira Reception: Objects + Textiles at the Chicago History Museum 11:00am – 11:30am Sponsored by Bruker Corporation, Dorfman Museum Figures Preservation in “Cathedral-Time”: Conservation in the North Transept at the 6:30pm – 9:30pm Union League Club (65 West Jackson Blvd, Cathedral Church of St. John the Divine Chicago, IL) Laura Buchner Reception: PSG at the Union League Club Sponsored by Lighting Services Inc, Artex Fine Art Services 11:30am – 12:00pm A Comparative Study of Sacrificial Anti-graffiti Coatings for Outdoor Marble 7:00pm – 10:00pm Glessner House Museum (1800 South Prairie Ave, Jason Church; Dorothy Cheng Chicago, Il, 60616) Reception: Architecture + WAG at the Glessner House Museum 2:00pm – 2:30pm Sponsored by G.C. Laser Systems Inc., DPR Art Rescue ASG Business Meeting 9:00pm – 11:00pm Crystal C and Crystal Terrace 2:30pm – 3:00pm Reception: ANAGPIC Graduate Programs Reunions, reception with dessert. Conservation on a Grand Scale: The Development and Treatment of the New this year -- stickers for each program! Wear one so fellow alumni Masonry of the West Block of Parliament in Canada Wednesday & Thursday Wednesday can find you!Sponsored by Association of North American Graduate Mark Rabinowitz; Kelly Caldwell Programs in Conservation (ANAGPIC) 26 27 Thursday Day-by-Day Schedule

3:00pm – 3:30pm Art on Paper Discussion Group Solid CO2 Cleaning and Patina Preservation: Case studies in aluminum 2:30pm – 4:30pm and bronze Art on Paper Discussion Group - Multiple Perspectives on the Treatment Elizabeth Beesley; Mark Rabinowitz, Joseph Sembrat of Multiples: Innovative Thinking on the Conservation of Prints 3:30pm – 4:00pm Moderators: Rachel Freeman, Cyntia Karnes, Harriet K. Stratis Incorporating Conservation Methodology and Treatment Methods into Judith Walsh, Sarah Bertalan, Anisha Gupta Masonry Craftworker Training Roy Ingraffia ELECTRONIC MEDIA 4:00pm – 4:30pm Comiskey (Concourse Level, West Tower) Discussion Session Moderator: Andrew Fearon 10:00am – 10:30am The Conservation of Light: Managing a Collection of Light-Based Artwork Abigail Duckor; Charlotte Eng, Terry Schaffer BOOK AND PAPER 10:30am – 11:00am Regency A-B (Ballroom Level, West Tower) From Virtual to Reality: Dissecting Jennifer Steinkamp’s Software-Based 10:00am – 10:30am Installation Challenging the Myths Surrounding Paul Gauguin’s “Little Marvels” Shu-Wen Lin Mary Broadway; Harriet K. Stratis 11:00am – 11:30am 10:30am – 11:00am New Research and Developments in the Conservation of Computer- Sidewalks, Circles and Stars: Reviving the Legacy of Sari Dienes based Art Samantha Sheesley Joanna Phillips; Deena Engel 11:00am – 11:30am 11:30am – 12:00pm Ionic Fixatives on Water-Sensitive Media for Aqueous Treatment Establishing a Workflow for the Preservation of Software-Based Soyeon Choi Artworks Patricia Falcao; Tom Ensom, Dragan Espenschied, Klaus Rechert 11:30am – 12:00pm The Challenge of Scale Revisited: Lessons learned from treatment and 2:00pm – 2:30pm mounting an exhibition of 160 illuminated manuscripts Do You Hear What I Hear? Documentation and Assessment of Aural Alan Puglia; Debora Mayer Elements in Media Installation Art Amy Brost 12:00pm – 12:45pm Wiki Session, led by Katherine Kelly; Denise Stockman 2:30pm – 3:00pm SFMOMA’s Mediawiki: Prototyping a new object record BOOK AND PAPER CONCURRENT SESSIONS Martina Haidvogl; Rachael Faust 3:00pm – 3:30pm Regency A-B (Ballroom Level, West Tower) The David Wojnarowicz Knowledge Base: A Wiki-based Solution for 2:00pm – 2:30pm Conservation and Exhibition Documentation Re-engineering Broken Book Spines Deena Engel, Glenn Wharton Jana Dambrogio, Ayako Letizia, Mary Uthuppuru, Brien Beidler, Katherine 3:30pm – 4:00pm Beattie, Emily Hishta Cohen Repair, Replace, and Re-make: Negotiating/Navigating the Library Collections Conservation Discussion Group Conservation Treatment of Ann Hamilton’s ‘at hand’ Briana Feston-Brunet; Drew Doucette, Stephanie Lussier, Michal 2:30pm – 4:30pm Mikesell, Emily Nabasny Library Collections Conservation Discussion Group - Unexpectedly Expert: Diversifying your skills to cover all the bases 4:00pm – 4:30pm Moderators: Angela Andres, Sonya Barron, Anahit Campbell Finding Logic Within Integrated Circuits: The Restoration of Stephan Tap Dancer Sonya Barron, Deborah Howe, Elizabeth Stone, Janet Lee, Ashleigh von Huene’s Schieszer, Suzy Morgan, Justin P. Johnson, Susan Russick Julie Wolfe; Coleman Wood OBJECTS Michigan 1 (Concourse Level, East Tower) Crystal Ballroom B (Lobby Level, West Tower) 2:00pm – 2:30pm The Story not Told: The Examination and Treatment of Edward Steichen’s 10:00am – 10:30am Oochens Practical Evaluation and Application of Cleaning Techniques for Marble Linda M. Owen; Kathryn Morales Sculpture Thursday Raina Chao

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Transportation ■ Crating ■ Packing ■ Installation ■ Storage ■ Rigging Conservation ■ Project Management 800.652.7839 www.artexfas.com

BOSTON ■ NEW YORK CITY ■ WASHINGTON, DC ■ FT. LAUDERDALE ■ LOS ANGELES

29 Thursday Day-by-Day Schedule

10:30am – 11:00am 2:30pm – 3:00pm The Use of Medical Chelating Agents for the Removal of Iron Stains from Conservators as Collaborators: Working with artist Dan Colen Marble Suzanne Siano Anna Funke; Jason Church, Leah Poole, Martha Singer, Mary F. Striegel 3:00pm – 3:30pm 11:00am – 11:30am Conserving the Paintings of Romaine Brooks Well That Didn’t Work, Now What? Stain Reduction on a 10th-century Tiarna M. Doherty Iranian Ceramic Claire Cuyaubère; Ellen Chase 3:30pm – 4:00pm What the Folk Happened to Kitty James and other Folk Tales 11:30am – 12:00pm Nina Roth-Wells The Case for Cold: Using dry ice blasting to remove lacquer coating from the King Jagiello monument in Central Park 4:00pm – 4:30pm Matt Reiley A Colonial Portrait and a Mystery Rustin Levenson; Emily MacDonald-Korth 2:00pm – 2:30pm Treatment of Two Badly Damaged Egyptian Mummies and Associated RESEARCH & TECHNICAL STUDIES Wooden Coffins JP Brown; Mimi Leveque, Morgan Nau Regency D (Ballroom Level, West Tower) 2:30pm – 3:00pm 10:00am – 10:30am Sitting Pretty: Collaborative Treatment of an early Yayoi Kusama Soft- Conservation Science 2.0: The Northwestern University / Art Institute of Sculpture Chair Chicago Center for Scientific Studies in the Arts Fran Baas; Laura Eva Hartman Francesca Casadio, Marc Walton; Monica Olvera de la Cruz, Emeline Pouyet, Johanna Salvant, Kenneth Sutherland 3:00pm – 3:30pm New Technologies Applied to Restore a 19th-century Wax Medardo Rosso 10:30am – 11:00am Sculpture What Can Nanotechnology Do for Us? Evaluating novel cleaning tools Lluïsa Sàrries-Zgonc through the NanoRestArt project at Tate Dr. Lora Angelova, Rachel Barker, Bronwyn Ormsby, Gates Sofer 3:30pm – 4:00pm The Case of the Hydrating Hydra: Examination and treatment of a Blaschka 11:00am – 11:30am glass invertebrate model Sculpting in Color: The innovative glazes of the della Robbias and N. Astrid R. van Giffen followers in Renaissance Florence Richard Newman; Abigail Hykin 4:00pm – 4:30pm “Do What’s Right”: The conservation of a David Hammons mud sculpture 11:30am – 12:00pm Sasha Alexandra Drosdick; Roger Griffith, Lynda Zycherman Early Intervention for At-Risk 21st Century Fugitive Media Fenella France; Chris Bolser, Meghan A. Wilson PAINTINGS 12:00pm – 12:30pm Regency C (Ballroom Level, West Tower) RATS Business Meeting 10:00am – 10:30am 2:00pm – 2:30pm Our Lady of Mercy: The discovery of a hanging scroll painting by José Gil de Minimally Invasive Sampling for the Analysis of Proteins from Solids and Castro Surfaces Monica Perez Daniel Kirby 10:30am – 11:00am 2:30pm – 3:00pm Color Field Paintings and Sun-Bleaching: An approach for removing stains Conservation Science in Early 20th Century India: Dr. S. Paramasivan and the in unprimed canvas Chemical Conservation Laboratory at the Madras Government Museum Jay Krueger; Julia Langenbacher, Thomas Learner, Holly Krueger, Alan Phenix Sanchita Balachandran 11:00am – 11:30am 3:00pm – 3:30pm Using Butvar® B-98 as a Consolidant for Friable Matte Paint Stability of Polyvinyl Butyral Polymers with Light Exposure Claire Winfield David Thomas; Matthew Clarke, Blythe McCarthy 11:30am – 12:00pm 3:30pm – 4:00pm When the Dog Bites: Tear Mending a Large Steven Parrino Painting Understanding the Reactivity and the Dynamics of Lead Soaps in Oil Following a Dog Attack Paintings Laura Eva Hartman Jaclyn Catalano, Anna Murphy, Yao Yao, Nicholas Zumbulyadis, Silvia A. Centeno, Cecil Dybowski 2:00pm – 2:30pm 4:00pm – 4:15pm Thursday Conservation of Alexander Calder’s Last Work Mexico #3: The cross- disciplinary treatment supported by SEM and TEM paint cross-section Revealing the Text and Folds in 17th-century Locked Letters analysis using focus ion beam (FIB) sample preparation Jana Dambrogio; Dr. Graham Davis, Dr. David Mills 30 Sara J. Wohler; Ralph Wiegandt Visit us in Booth #716

31 Thursday & Friday Day-by-Day Schedule

TEXTILES 2:00pm – 2:30pm Technical Analysis and Conservation Treatment of a Mid-18th Century Crystal Ballroom C (Lobby Level, West Tower) Chinese Carved Wood Lacquer Bodhisattva Sculpture 10:00am – 10:30am Lisa A. Ackerman; Dr. Rebecca Ploeger, Dr. Aaron Shugar, Jonathan Deconstructed: Restoring the intent and integrity of a rare Kainai squirrel- Thornton, Jiuan Jiuan Chen lined baby quilt 2:30pm – 3:00pm Shirley Ellis Old Meets New: Consolidation Techniques 10:30am – 11:00am Elizabeth Peirce Agarose, Two Ways: Successes and challenges in large-scale gel 3:00pm – 3:30pm applications Conservation and Analysis of a Pair of Qing Dynasty Lacquer Clothes Dana Goodin Wardrobes in the Collection of the Philadelphia Museum of Art 11:00am – 11:30am Wei Kao; Kelly Conlin, Kate Duffy, Barbara Fisher, Hiromi Kinoshita, Peggy Sublime Applications: Creating an efficient cyclododecane barrier on Olley, Beth Price, Behrooz Salimnejad textiles Gennifer Majors TOURS* & EVENTS 11:30am – 12:00pm *All tours depart from Crystal Foyer (Lobby Level). Buses board and walking tour Panel Discussion on Wet Cleaning gather 15 minutes prior to noted departure time. 2:00pm – 2:30pm 5:00pm – 7:00pm Safely Mounting Figures with Extreme Actions Poses Tour: Art Deco Skyscrapers Walk Sunae Park Evans Tour: Chicago Bridge Walk Tour: Millennium Park Walk 2:30pm – 3:00pm 3D Modeling and CNC Routering of Mannequins for Displaying Costume 5:00pm – 8:00pm Brenna Cook; Carmen Li Tour: Secret Lives of Bars 7:30pm – 10:30pm PrivateBank Theater (18 W Monroe St, Chicago, IL 3:00pm – 3:30pm 60603) 3D Scanning to Create Custom Storage Forms for the Charles James Theater: Hamilton (Arrange own transportation). Plan to arrive by 7 for Collection in the Costume Institute, Metropolitan Museum of Art 7:30 curtain time. Sarah Scaturro, Taylor Healy 3:30pm – 4:00pm Making Ethafoam Mannequins using a CNC router Gail Niinimaa; Nils Sundstrom FRIDAY, JUNE 2 TOURS* 4:00pm – 4:30pm Panel Discussion on Mannequins *All tours depart from Crystal Foyer (Lobby Level). Buses board and walking tour gather 15 minutes prior to noted departure time. WOODEN ARTIFACTS 8:30am – 12:30pm Acapulco (Ballroom Level, West Tower) Tour: Behind the Scenes at the Art Institute of Chicago Tour: Frank Lloyd Wright Robie House and Rookery 10:00am – 10:30am Conservation of The Immaculate Conception at San Xavier del Bac 8:30am – 1:00pm Matilde Rubio; Timothy L. Lewis Tour: Crab Tree Farm: An Arts and Crafts Furniture Experience 10:30am – 11:00am 9:30am – 12:00pm Manufacture and Treatment Study of Coffin and Mummy Cartonnage, at Tour: Field Museum Anthropology Labs and Storage Egyptian Museum in Cairo Tour: National Museum of Mexican Art Behind the Scenes and Collections Mohammed A. Hussein; Rania El-Atfy, Randa El Helw, Moamen Othman, Sabah Abdel Razek, Eman H. Zidan WORKSHOPS 11:00am – 11:30am 8:00am – 4:00pm Hooke College of Applied Sciences Preservation of the Endangered Cultural Assets of the Traditional Egyptian (850 Pasquinelli Dr., Westmont, IL 60559) Storyteller’s Heritage and its Instruments and Tools Workshop: Printing Process Identification Dr. Hany Hanna 9:00am – 12:00pm CSOS Inc. (900 S. Des Plaines Ave, Forest Park, IL) Workshop: G.C. Laser Cleaning Workshop, Sponsor: G.C. Laser Systems 11:30am – 12:00pm Inc. Wood Working Tools as Art Jonathan Thornton 9:30am – 3:00pm DuSable Museum of African American History Thursday & Friday Thursday & Workshop: Emergency Response Training and Angels Project

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TandD US, LLC. EMail: [email protected] Ph: (518) 669-9227 www.tandd.com 33 Tuesday, May 30 Session Listings This grid lists primarily paper presentations. See daily listings for non-session events.

Comiskey Crystal Ballroom A Crystal Ballroom B Crystal Ballroom C Michigan 1 (East Tower) Plaza Ballroom Regency Ballroom (A-B-C-D)

8:30am 8:15-9AM (Opening General Session) Welcome and Award Presentations Pt 1

9:00am (Opening General Session) Revision & Reflection: The Conservation/Restoration Project of the Ghent Altarpiece 9:30am (Opening General Session) When An Airplane Acts Like a Painting; Applying Established Conservation Methodologies to Ephemeral Aircraft Materials 10:00am Break in the Exhibit Hall Break in the Exhibit Hall

10:30am 10:30-10:45AM (Opening General Session) Award Presentations Pt 2

11:00am 10:50AM (Opening General Session) Preventive Conservation in the Renovation of the Harvard Art Museums: Before, During, and Ever After

11:30am 11:15AM (Opening General Session) What Would Anselm Do? Revisiting the treatment of Osiris and Isis 11:40 (Opening General Session) Henri Matisse: The Cut-Outs 12:00pm 12PM – 12:15PM (Opening General Session) Award Presentations Pt 3 12:15PM – 12:30PM (Opening General Session) Open Discussion

Comiskey Crystal Ballroom A Crystal Ballroom B Crystal Ballroom C Michigan 1 (East Tower) Plaza Ballroom Regency A-B Regency C-D

2:00pm (Electronic Media) The Ballad of (Architecture + Wooden Artifacts) (Objects) The Conservation of Della (Textiles) You Say You Want a Revolution? (Photographic Materials) (Collection Care) Unhappy Couples: (Book & Paper) Less is More (Paintings + Research & Technical Studies) Practice- Little Bill: Collaboration in Time- The Framing of a Masterpiece Robbia Sculpture: An Exhibition as An Innovative, Low-Tack Adhesive Treat- Respect for Photographs: An Degradation of microscope slides led and Practice-Based Collaborative Research at Based Media Conservation The History and Conservation of a Initiator of Work ment for 18th-Century Silk Flags exploratory study of the public due to their mounting media Tate: Supporting the advancement of modern and Monumental Tabernacle Frame attitudes towards different contemporary painting conservation treatment kinds of photo restoration practice 2:30pm (Electronic Media) Digital Pres- (Architecture + Wooden Artifacts) (Objects) The Comprehensive Re- (Textiles) Identification of Skins in a Chewa (Photographic Materials) The (Collection Care) Environmental (Book & Paper) Reducing (Paintings + Research & Technical Studies) Re- ervation Actions as Interventive Aimee Spencer Gorham’s Wood Treatment of a Renaissance Terracotta Dance Garment from Malawi using DNA Fiocruz Collections: Discussing performance assessments of pack- agent tertbutylamine borane examining Old Findings and Inferences: The Study Conservation Treatments at the Marquetry of the Pacific Northwest Altarpiece by Benedetto Buglioni Sequencing the Preservation of its ing cases employed by the J. Paul complex and its use in stain of a Magus at a Table by Jan Lievens Smithsonian Photographic Archives Getty Museum reduction on paper-based artifacts 3:00pm (Electronic Media) The Role of (Architecture + Wooden Artifacts) (Objects) Truth Versus Beauty: Maintain- (Textiles) The Characterization of ‘Foxing’ (Photographic Materials) (Collection Care) Evaluation of (Book & Paper) Removing Oil (Paintings + Research & Technical Studies) A Conservation Treatment in a Treatment of Appleton Organ at the ing visual unity in the treatment of on Textiles Moonlight and Midnight: The climate control in Yale Peabody from Paper: A Collaborative Confusion of Colors: Yellow and red pigments in Mass-Digitisation Program Metropolitan Museum of Art Florentine polychrome terracotta sculpt evolution of Edward Steichen’s Museum of Natural History – energy Conservation Challenge the decorative scheme of the tablinum in the House 3:15 (Objects) Conservation of 15th ‘Moonrise’ prints consumption and risk assessment of the Bicentenary at the archaeological site of and 16th century Italian Glazed Herculaneum Terracotta 3:30pm Break in the Exhibit Hall Break in the Exhibit Hall

4:00pm (Electronic Media) Me and My (Architecture + Wooden Artifacts) (Objects) Tempting Fate: Lessons (Textiles) Oh, Bother: The Conservation of (Photographic Materials) New 4:15 start time (Book & Paper) Treatment (Paintings + Research & Technical Studies) A Prelimi- Kinetta Structural Treatment of Wooden Learned from the Treatment of Giovanni Winnie the Pooh and Friends Original – Reprint in Fine Art (Collection Care) Panel Discussion: 305: A Love Story nary Investigation into Aquazol® as an Alternative Beams della Robbia’s Adam and Eve Photography A Review and Comparison of Lining Adhesive for Paintings Anoxic Treatment Methods for Pest 4:30pm (Electronic Media) 20th Anniver- (Architecture + Wooden Artifacts) (Objects) The gap between ethics and (Textiles) Making the Mold: A Use for (Photographic Materials) The Management (Book & Paper) Medium (Paintings + Research & Technical Studies) Gecko- sary of EMG Panel Exposing Graffiti in George aesthetics in Italian restoration: experi- Fosshape in Upholstery Conservation Re-creation and Conservation Rare: An Innovative Treat- inspired µ-Dusters for Cleaning: Ongoing Research Washington’s Cupola ence in the laboratories of the Opificio of Megalethoscope Slides ment Approach to the Space and Potential for Art Conservation delle Pietre Dure in Florence especially between Special and General on della Robbia works Collections 5:00pm (Architecture + Wooden Artifacts) (Objects) The Treatment of Two Ter- (Textiles) From the Top Down: Dressing (Photographic Materials) (Book & Paper) Line up, (Paintings + Research & Technical Studies) Pioneer- Open Discussion racotta Architectural Reliefs by Andrea the Historic Bed—Developing Mounting Bellmer: Complexities of the Back to Back: Restoration ing Solutions for Treating Water Stains on Acrylic della Robbia at The Metropolitan Systems from a 21st- century Conservation Doll of Korean Buddhist Sutra in Paintings: Case Study Composition, 1963 by Justin Museum of Art Perspective accordion book format Knowles 5:30pm (Objects) Open Round Table Discussion

34 Tuesday, May 30 Session Listings This grid lists primarily paper presentations. See daily listings for non-session events.

Comiskey Crystal Ballroom A Crystal Ballroom B Crystal Ballroom C Michigan 1 (East Tower) Plaza Ballroom Regency Ballroom (A-B-C-D)

8:30am 8:15-9AM (Opening General Session) Welcome and Award Presentations Pt 1

9:00am (Opening General Session) Revision & Reflection: The Conservation/Restoration Project of the Ghent Altarpiece 9:30am (Opening General Session) When An Airplane Acts Like a Painting; Applying Established Conservation Methodologies to Ephemeral Aircraft Materials 10:00am Break in the Exhibit Hall Break in the Exhibit Hall

10:30am 10:30-10:45AM (Opening General Session) Award Presentations Pt 2

11:00am 10:50AM (Opening General Session) Preventive Conservation in the Renovation of the Harvard Art Museums: Before, During, and Ever After

11:30am 11:15AM (Opening General Session) What Would Anselm Do? Revisiting the treatment of Osiris and Isis 11:40 (Opening General Session) Henri Matisse: The Cut-Outs 12:00pm 12PM – 12:15PM (Opening General Session) Award Presentations Pt 3 12:15PM – 12:30PM (Opening General Session) Open Discussion

Comiskey Crystal Ballroom A Crystal Ballroom B Crystal Ballroom C Michigan 1 (East Tower) Plaza Ballroom Regency A-B Regency C-D

2:00pm (Electronic Media) The Ballad of (Architecture + Wooden Artifacts) (Objects) The Conservation of Della (Textiles) You Say You Want a Revolution? (Photographic Materials) (Collection Care) Unhappy Couples: (Book & Paper) Less is More (Paintings + Research & Technical Studies) Practice- Little Bill: Collaboration in Time- The Framing of a Masterpiece Robbia Sculpture: An Exhibition as An Innovative, Low-Tack Adhesive Treat- Respect for Photographs: An Degradation of microscope slides led and Practice-Based Collaborative Research at Based Media Conservation The History and Conservation of a Initiator of Work ment for 18th-Century Silk Flags exploratory study of the public due to their mounting media Tate: Supporting the advancement of modern and Monumental Tabernacle Frame attitudes towards different contemporary painting conservation treatment kinds of photo restoration practice 2:30pm (Electronic Media) Digital Pres- (Architecture + Wooden Artifacts) (Objects) The Comprehensive Re- (Textiles) Identification of Skins in a Chewa (Photographic Materials) The (Collection Care) Environmental (Book & Paper) Reducing (Paintings + Research & Technical Studies) Re- ervation Actions as Interventive Aimee Spencer Gorham’s Wood Treatment of a Renaissance Terracotta Dance Garment from Malawi using DNA Fiocruz Collections: Discussing performance assessments of pack- agent tertbutylamine borane examining Old Findings and Inferences: The Study Conservation Treatments at the Marquetry of the Pacific Northwest Altarpiece by Benedetto Buglioni Sequencing the Preservation of its ing cases employed by the J. Paul complex and its use in stain of a Magus at a Table by Jan Lievens Smithsonian Photographic Archives Getty Museum reduction on paper-based artifacts 3:00pm (Electronic Media) The Role of (Architecture + Wooden Artifacts) (Objects) Truth Versus Beauty: Maintain- (Textiles) The Characterization of ‘Foxing’ (Photographic Materials) (Collection Care) Evaluation of (Book & Paper) Removing Oil (Paintings + Research & Technical Studies) A Conservation Treatment in a Treatment of Appleton Organ at the ing visual unity in the treatment of on Textiles Moonlight and Midnight: The climate control in Yale Peabody from Paper: A Collaborative Confusion of Colors: Yellow and red pigments in Mass-Digitisation Program Metropolitan Museum of Art Florentine polychrome terracotta sculpt evolution of Edward Steichen’s Museum of Natural History – energy Conservation Challenge the decorative scheme of the tablinum in the House 3:15 (Objects) Conservation of 15th ‘Moonrise’ prints consumption and risk assessment of the Bicentenary at the archaeological site of and 16th century Italian Glazed Herculaneum Terracotta 3:30pm Break in the Exhibit Hall Break in the Exhibit Hall

4:00pm (Electronic Media) Me and My (Architecture + Wooden Artifacts) (Objects) Tempting Fate: Lessons (Textiles) Oh, Bother: The Conservation of (Photographic Materials) New 4:15 start time (Book & Paper) Treatment (Paintings + Research & Technical Studies) A Prelimi- Kinetta Structural Treatment of Wooden Learned from the Treatment of Giovanni Winnie the Pooh and Friends Original – Reprint in Fine Art (Collection Care) Panel Discussion: 305: A Love Story nary Investigation into Aquazol® as an Alternative Beams della Robbia’s Adam and Eve Photography A Review and Comparison of Lining Adhesive for Paintings Anoxic Treatment Methods for Pest 4:30pm (Electronic Media) 20th Anniver- (Architecture + Wooden Artifacts) (Objects) The gap between ethics and (Textiles) Making the Mold: A Use for (Photographic Materials) The Management (Book & Paper) Medium (Paintings + Research & Technical Studies) Gecko- sary of EMG Panel Exposing Graffiti in George aesthetics in Italian restoration: experi- Fosshape in Upholstery Conservation Re-creation and Conservation Rare: An Innovative Treat- inspired µ-Dusters for Cleaning: Ongoing Research Washington’s Cupola ence in the laboratories of the Opificio of Megalethoscope Slides ment Approach to the Space and Potential for Art Conservation delle Pietre Dure in Florence especially between Special and General on della Robbia works Collections 5:00pm (Architecture + Wooden Artifacts) (Objects) The Treatment of Two Ter- (Textiles) From the Top Down: Dressing (Photographic Materials) (Book & Paper) Line up, (Paintings + Research & Technical Studies) Pioneer- Open Discussion racotta Architectural Reliefs by Andrea the Historic Bed—Developing Mounting Bellmer: Complexities of the Back to Back: Restoration ing Solutions for Treating Water Stains on Acrylic della Robbia at The Metropolitan Systems from a 21st- century Conservation Doll of Korean Buddhist Sutra in Paintings: Case Study Composition, 1963 by Justin Museum of Art Perspective accordion book format Knowles 5:30pm (Objects) Open Round Table Discussion

35 Wednesday, May 31 Session Listings This grid lists primarily paper presentations. See daily listings for non-session events. Acapulco Comiskey Crystal Ballroom A Crystal Ballroom B Crystal Ballroom C Michigan 1 (East Tower) Plaza Ballroom Regency A-B Regency C Regency C-D

8:00am (Electronic Media) Business 7:30AM (Objects) Business Meeting (Textiles) Business 7:30AM (Book & Paper) Business Meeting, Meeting with a Light with a Light Breakfast Meeting with a Light with a Light Breakfast at 7:15am Breakfast Breakfast 8:30am (Wooden Artifacts) (Architecture) Learning Together from (Objects) To B-72 or Not To B-72? (Photographic Materials) Current (Sustainability) With Room to (Book & Paper + Research & Technical (Paintings) Altered States: Count Lamberg’s Preventive Conservation: Restoration Alternative Adhesives for Archaeo- Trends and Collaborations Grow: Design and Construc- Studies) Lessons from a Large-Scale Conservation of the Ayala Roman Table in The of the Choir Room of the Convent of logical Ceramics among Heritage Institutions tion of a new Conservation Survey of Parchment Animal Origin and Altarpiece Rijksmuseum Mercedarian Sisters (S XVIII), Lima, Perú 8:45AM (Objects) Structural repair in Latin America: Results of Facility at the University of Production Quality of plaster using polyvinyl butyral the APOYOnline Preservation Washington Libraries adhesive systems Regional Conference 8:50AM (Sustainability) “What Do You Mean Telecom 9:00am (Wooden Artifacts) (Electronic Media) (Architecture) The Perfect Room: The (Objects) Carbon fiber fabric and (Textiles) Tips and Tricks (Photographic Materials) Servers and Preservation (Book & Paper + Research & Technical (Paintings) The Monopoli Interpreting Thonet: Obsolescent Technology: Restoration of the Old Senate Chamber its potential for use in objects Preservation of Photography in Don’t Mix?” – Sustainable Studies) The Codex Eyckensis (8th cen- Altarpiece: Rediscovery and Treatment of a Gebrüder The viability of the cathode at the Maryland State House, Annapolis conservation Cuba as a Historic Memory of its Preservation Environments tury): Re-evaluation of the 20th century recovery of a Cretan-Venetian Thonet Bentwood ray tube used in art Maryland Evolution and the Building restoration & conservation treatments masterpiece Rocking Chair 9:20AM (Sustainability) 9:30am (Wooden Artifacts) (Electronic Media) Framing (Architecture) Research, Encapsulation (Objects) So Delicate, yet So (Textiles) Costume (Photographic Materials) A Pilot Neurons to the task: how (Book & Paper + Research & Technical (Paintings) Mapping a Way A New Tool for the the Jones Buffer: Docu- and Replication of the Original 1844 Strong: The Use of Paper in Objects Loans: Challenges and Project to treat photogravures to balance resources with Studies) Contacts that Leave Traces: Forward: Bringing an artwork Traditional Toolbox menting the History and Trompe l’oeil Apse Mural in the Old Conservation Strategies on Gampi paper from Edward ingenuity in innovation investigations into the contamination of back from self-destruction 9:40AM (Sustainability) Preservation of an Iconic Whaler’s Church, Sag Harbor, NY. Curtis’ ‘The North American paper surfaces from handling Image-Processing Tool Indian’ Students for Sustainability in Conservation 10:00am Break in the Exhibit Hall Break in the Exhibit Hall

10:30am (Wooden Artifacts) (Electronic Media) (Not) (Architecture) 500 Capp Street: Conser- (Objects) Archaeological Glass Con- (Textiles) Learning (Photographic Materials) Uncover- (Sustainability) Fast, Cheap, (Book & Paper + Research & Technical (Paintings) Tips Session Understanding Freaking Out Over the vation of Interior Contemporary Finishes servation: Comparative approaches from treatments that ing Irving Penn’s Chemical and Sustainable: 3-D printing Studies) Revisiting Paper pH Determina- Currently Accepted Videofreex: Preserving a and Artwork by David Ireland & practicalities of using acrylic resin did not go as planned Treatment Techniques exhibition book cradles tion: 40 years of evolving practice in Practice: Wood fills and Video Collective Archive films as gap fills the Library of Congress Preservation conservation material Research and Testing Laboratory decision-making 11:00am (Wooden Artifacts) (Electronic Media) (Architecture) Conservation in Context: (Objects) An evaluation of cold paste (Textiles) A Worthwhile (Photographic Materials) Provid- (Sustainability) Tips Session (Book & Paper + Research & Technical Business Meeting Overcoming your Control Considerations in Treatment Planning waxes used in conservation for Endeavor: The Conser- ing Access to ‘Overprotected’ Studies) Centuries of Cellulose: Lessons Issues: Arduinos as an in Relation to the Safety of Conservators outdoor bronze sculpture. vation of a Worth and Color Slides Learned from the Molecular Size of Cel- emulation strategy and the General Public Bobergh Ensemble lulose in Naturally-Aged Paper Collections 11:30am (Electronic Media) Demon- (Architecture) Beyond Treatment: (Objects) Local Treatment for (Textiles) A Treatment (Photographic Materials) Busi- (Book & Paper + Research & Technical (Paintings) Business Meeting stration & Discussion: Monitoring before during and after Outdoor Painted Metal Sculptures: Returns Undone ness Meeting Studies) Characterization of Aniline Dyes Open Source Hardware conservation of the mural, América Tropi- designing Suitable Paints for in Colored Papers of Jose Posada’s Prints and Media Conservation cal, by David Alfaro Siqueiros, 1932 Retouching Using (ToF-SIMS) (to 12:30pm) 12:00pm

Comiskey Crystal Ballroom A Crystal Ballroom B Crystal Ballroom C Michigan 1 Plaza Ballroom Regency A-B Regency C-D

2:00pm (Treatment: Going Big) Go Big or Go Home: Broader (Unique Objects/Unique Treatment) The 40-year Conserva- (Beyond Treatment) What’s so Ethical (Treatment: Don’t Go it alone) Unraveling the Past to Considerations in the Treatment of Oversize Objects at tion Story of Bruce Conner’s CHILD About Doing Nothing? Inform the Present: Conservation of Egyptian Mummies the Art Institute of Chicago at the Penn Museum 2:30pm (Treatment: Going Big) When What Went Up Must Come (Unique Objects/Unique Treatment) How Important is (Beyond Treatment) Active Conservation Treatment: Don’t Go it Alone) A Pole with a Story: Down: Triage treatment and disassembly of two 15th c Knowing the Ropes? Thoughts on the ethics and practice Treatments and Virtual Retouching: What Innovative Conservation and Documentation of an Chinese mud plaster murals of conserving ship model rigging do people actually see? American Indian Story Pole

3:00pm (Treatment: Going Big) Puvis de Chavannes’ (Unique Objects/Unique Treatment) Reattaching without (Beyond Treatment) In Support of the (Treatment: Don’t Go it Alone) Treatment of a White Philosophy: Condition Issues and Strategies for the adhesive? Yes we can! The reactivation of paint on Bigger Picture: Preventive Conservation Louise Nevelson Installation Removal of a Severely Detached Mural, its Conserva- animation cels as a Recognized Specialty tion Treatment and Remounting 3:30pm Break in the Exhibit Hall Break in the Exhibit Hall

4:00pm (Treatment: Going Big) Textiles as Architecture: Raising (Unique Objects/Unique Treatment) It’s About Time (Beyond Treatment) Cross Platform Use (Treatment: Don’t Go it Alone) Not a Known Carcinogen: a Royal Persian Tent of iPads in Stained Glass Conservation Health and Safety Considerations of New and Innova- Treatment & Documentation tive Treatments 4:30pm (Treatment: Going Big) Resurrecting della Robbia’s (Unique Objects/Unique Treatment) Nanocellulose (Beyond Treatment) That Poor Cousin of (Treatment: Don’t Go it Alone) Re-exhibiting Akeley ‘Resurrection’: Challenges in the conservation of a Films: Properties, development and new applications for Treatment: Documentation and Possibili- Mounts at the Field Museum, Chicago monumental Renaissance relief translucent and transparent artworks and documents ties for Simple Innovation 5:00pm (Treatment: Going Big) Gilding the Lily? The Conserva- (Unique Objects/Unique Treatment) Development of (Beyond Treatment) Visualizing the (Treatment: Don’t Go it Alone) Flouting Convention: The tion Treatment of Alexander Calder’s Red Lily Pads Cleaning Treatments for Asian Lacquer Hartog Plate: An Innovative Approach Integration of Asian Paintings at Taliesin & their Conservation

36 Wednesday, May 31 Session Listings This grid lists primarily paper presentations. See daily listings for non-session events. Acapulco Comiskey Crystal Ballroom A Crystal Ballroom B Crystal Ballroom C Michigan 1 (East Tower) Plaza Ballroom Regency A-B Regency C Regency C-D

8:00am (Electronic Media) Business 7:30AM (Objects) Business Meeting (Textiles) Business 7:30AM (Book & Paper) Business Meeting, Meeting with a Light with a Light Breakfast Meeting with a Light with a Light Breakfast at 7:15am Breakfast Breakfast 8:30am (Wooden Artifacts) (Architecture) Learning Together from (Objects) To B-72 or Not To B-72? (Photographic Materials) Current (Sustainability) With Room to (Book & Paper + Research & Technical (Paintings) Altered States: Count Lamberg’s Preventive Conservation: Restoration Alternative Adhesives for Archaeo- Trends and Collaborations Grow: Design and Construc- Studies) Lessons from a Large-Scale Conservation of the Ayala Roman Table in The of the Choir Room of the Convent of logical Ceramics among Heritage Institutions tion of a new Conservation Survey of Parchment Animal Origin and Altarpiece Rijksmuseum Mercedarian Sisters (S XVIII), Lima, Perú 8:45AM (Objects) Structural repair in Latin America: Results of Facility at the University of Production Quality of plaster using polyvinyl butyral the APOYOnline Preservation Washington Libraries adhesive systems Regional Conference 8:50AM (Sustainability) “What Do You Mean Telecom 9:00am (Wooden Artifacts) (Electronic Media) (Architecture) The Perfect Room: The (Objects) Carbon fiber fabric and (Textiles) Tips and Tricks (Photographic Materials) Servers and Preservation (Book & Paper + Research & Technical (Paintings) The Monopoli Interpreting Thonet: Obsolescent Technology: Restoration of the Old Senate Chamber its potential for use in objects Preservation of Photography in Don’t Mix?” – Sustainable Studies) The Codex Eyckensis (8th cen- Altarpiece: Rediscovery and Treatment of a Gebrüder The viability of the cathode at the Maryland State House, Annapolis conservation Cuba as a Historic Memory of its Preservation Environments tury): Re-evaluation of the 20th century recovery of a Cretan-Venetian Thonet Bentwood ray tube used in art Maryland Evolution and the Building restoration & conservation treatments masterpiece Rocking Chair 9:20AM (Sustainability) 9:30am (Wooden Artifacts) (Electronic Media) Framing (Architecture) Research, Encapsulation (Objects) So Delicate, yet So (Textiles) Costume (Photographic Materials) A Pilot Neurons to the task: how (Book & Paper + Research & Technical (Paintings) Mapping a Way A New Tool for the the Jones Buffer: Docu- and Replication of the Original 1844 Strong: The Use of Paper in Objects Loans: Challenges and Project to treat photogravures to balance resources with Studies) Contacts that Leave Traces: Forward: Bringing an artwork Traditional Toolbox menting the History and Trompe l’oeil Apse Mural in the Old Conservation Strategies on Gampi paper from Edward ingenuity in innovation investigations into the contamination of back from self-destruction 9:40AM (Sustainability) Preservation of an Iconic Whaler’s Church, Sag Harbor, NY. Curtis’ ‘The North American paper surfaces from handling Image-Processing Tool Indian’ Students for Sustainability in Conservation 10:00am Break in the Exhibit Hall Break in the Exhibit Hall

10:30am (Wooden Artifacts) (Electronic Media) (Not) (Architecture) 500 Capp Street: Conser- (Objects) Archaeological Glass Con- (Textiles) Learning (Photographic Materials) Uncover- (Sustainability) Fast, Cheap, (Book & Paper + Research & Technical (Paintings) Tips Session Understanding Freaking Out Over the vation of Interior Contemporary Finishes servation: Comparative approaches from treatments that ing Irving Penn’s Chemical and Sustainable: 3-D printing Studies) Revisiting Paper pH Determina- Currently Accepted Videofreex: Preserving a and Artwork by David Ireland & practicalities of using acrylic resin did not go as planned Treatment Techniques exhibition book cradles tion: 40 years of evolving practice in Practice: Wood fills and Video Collective Archive films as gap fills the Library of Congress Preservation conservation material Research and Testing Laboratory decision-making 11:00am (Wooden Artifacts) (Electronic Media) (Architecture) Conservation in Context: (Objects) An evaluation of cold paste (Textiles) A Worthwhile (Photographic Materials) Provid- (Sustainability) Tips Session (Book & Paper + Research & Technical Business Meeting Overcoming your Control Considerations in Treatment Planning waxes used in conservation for Endeavor: The Conser- ing Access to ‘Overprotected’ Studies) Centuries of Cellulose: Lessons Issues: Arduinos as an in Relation to the Safety of Conservators outdoor bronze sculpture. vation of a Worth and Color Slides Learned from the Molecular Size of Cel- emulation strategy and the General Public Bobergh Ensemble lulose in Naturally-Aged Paper Collections 11:30am (Electronic Media) Demon- (Architecture) Beyond Treatment: (Objects) Local Treatment for (Textiles) A Treatment (Photographic Materials) Busi- (Book & Paper + Research & Technical (Paintings) Business Meeting stration & Discussion: Monitoring before during and after Outdoor Painted Metal Sculptures: Returns Undone ness Meeting Studies) Characterization of Aniline Dyes Open Source Hardware conservation of the mural, América Tropi- designing Suitable Paints for in Colored Papers of Jose Posada’s Prints and Media Conservation cal, by David Alfaro Siqueiros, 1932 Retouching Using (ToF-SIMS) (to 12:30pm) 12:00pm

Comiskey Crystal Ballroom A Crystal Ballroom B Crystal Ballroom C Michigan 1 Plaza Ballroom Regency A-B Regency C-D

2:00pm (Treatment: Going Big) Go Big or Go Home: Broader (Unique Objects/Unique Treatment) The 40-year Conserva- (Beyond Treatment) What’s so Ethical (Treatment: Don’t Go it alone) Unraveling the Past to Considerations in the Treatment of Oversize Objects at tion Story of Bruce Conner’s CHILD About Doing Nothing? Inform the Present: Conservation of Egyptian Mummies the Art Institute of Chicago at the Penn Museum 2:30pm (Treatment: Going Big) When What Went Up Must Come (Unique Objects/Unique Treatment) How Important is (Beyond Treatment) Active Conservation Treatment: Don’t Go it Alone) A Pole with a Story: Down: Triage treatment and disassembly of two 15th c Knowing the Ropes? Thoughts on the ethics and practice Treatments and Virtual Retouching: What Innovative Conservation and Documentation of an Chinese mud plaster murals of conserving ship model rigging do people actually see? American Indian Story Pole

3:00pm (Treatment: Going Big) Puvis de Chavannes’ (Unique Objects/Unique Treatment) Reattaching without (Beyond Treatment) In Support of the (Treatment: Don’t Go it Alone) Treatment of a White Philosophy: Condition Issues and Strategies for the adhesive? Yes we can! The reactivation of paint on Bigger Picture: Preventive Conservation Louise Nevelson Installation Removal of a Severely Detached Mural, its Conserva- animation cels as a Recognized Specialty tion Treatment and Remounting 3:30pm Break in the Exhibit Hall Break in the Exhibit Hall

4:00pm (Treatment: Going Big) Textiles as Architecture: Raising (Unique Objects/Unique Treatment) It’s About Time (Beyond Treatment) Cross Platform Use (Treatment: Don’t Go it Alone) Not a Known Carcinogen: a Royal Persian Tent of iPads in Stained Glass Conservation Health and Safety Considerations of New and Innova- Treatment & Documentation tive Treatments 4:30pm (Treatment: Going Big) Resurrecting della Robbia’s (Unique Objects/Unique Treatment) Nanocellulose (Beyond Treatment) That Poor Cousin of (Treatment: Don’t Go it Alone) Re-exhibiting Akeley ‘Resurrection’: Challenges in the conservation of a Films: Properties, development and new applications for Treatment: Documentation and Possibili- Mounts at the Field Museum, Chicago monumental Renaissance relief translucent and transparent artworks and documents ties for Simple Innovation 5:00pm (Treatment: Going Big) Gilding the Lily? The Conserva- (Unique Objects/Unique Treatment) Development of (Beyond Treatment) Visualizing the (Treatment: Don’t Go it Alone) Flouting Convention: The tion Treatment of Alexander Calder’s Red Lily Pads Cleaning Treatments for Asian Lacquer Hartog Plate: An Innovative Approach Integration of Asian Paintings at Taliesin & their Conservation

37 Thursday, June 1 Session Listings This grid lists primarily paper presentations. See daily listings for non-session events.

Acapulco Comiskey Crystal Ballroom A Crystal Ballroom B Crystal Ballroom C Michigan 1 (East Tower) Regency A-B Regency C Regency D Water Tower

7:30am AIC Member Business Meeting, 7:30-9:45am

10:00am (Wooden Artifacts) Conserva- (Electronic Media) The Conserva- (Architecture) The Majestic (Objects) Practical Evaluation and (Textiles) Deconstructed: (Book & Paper) Challeng- (Paintings) Our Lady of Mercy: the (Research & Technical Studies) Conserva- (Socratic Dialogue) tion of The Immaculate tion of Light: Managing a Grand Goddess Cibeles in Application of Cleaning Techniques Restoring the intent and ing the Myths Surround- discovery of a hanging scroll painting by tion Science 2.0: The Northwestern High-tech Innovation Conception at San Xavier del Collection of Light-Based Artwork Madrid and its Restora- for Marble Sculpture integrity of a rare Kainai ing Paul Gauguin’s “Little José Gil de Castro University / Art Institute of Chicago in Conservation and Bac tion in Gauzes squirrel-lined baby quilt Marvels” Center for Scientific Studies in the Arts Collection Care - do we need a better high-tech 10:30am (Wooden Artifacts) Manufacture (Electronic Media) From Virtual (Architecture) Evaluation (Objects) The Use of Medical (Textiles) Agarose, Two (Book & Paper) Sidewalks, (Paintings) Color Field Paintings and (Research & Technical Studies) What Can mousetrap? and Treatment Study of Coffin to Reality: Dissecting Jennifer of an Injudicious Patch Chelating Agents for the Removal Ways: Successes and Circles and Stars: Reviving Sun-bleaching: An approach for removing Nanotechnology Do For Us? Evaluat- and mummy Cartonnage, at Steinkamp's Software-Based Repair Campaign on of Iron Stains From Marble Challenges in Large the Legacy of Sari Dienes stains in unprimed canvas ing novel cleaning tools through the Egyptian Museum in Cairo Installation Exposed Reinforced Scale Gel Applications NanoRestArt project at Tate Concrete and How To Move On 11:00am (Wooden Artifacts) Preservation (Electronic Media) New Research (Architecture) Preservation (Objects) Well That Didn't Work, (Textiles) Sublime (Book & Paper) Ionic (Paintings) Using Butvar® B-98 as a (Research & Technical Studies) Sculpting of the Endangered Cultural and Developments in the Conser- in “Cathedral-Time”: Now What? Stain Reduction on a Applications: Creating fixatives on water-sensitive Consolidant for Friable Matte Paint in color: the innovative glazes of the Assets of the Traditional vation of Computer-based Art Conservation in the North 10th-century Iranian Ceramic an Efficient Cyclododec- media for aqueous della Robbias and followers in Renais- Egyptian Storyteller's Heritage Transept at the Cathedral ane Barrier on Textiles treatment sance Florence and its Instruments and Tools Church of St. John the Divine 11:30am (Wooden Artifacts) Wood (Electronic Media) Establishing a (Architecture) A Compara- (Objects) The Case for Cold: Using (Textiles) Panel Discus- (Book & Paper) The Chal- (Paintings) When the Dog Bites: Tear (Research & Technical Studies) Early Working Tools as Art workflow for the preservation of tive Study of Sacrificial dry ice blasting to remove lacquer sion on Wet Cleaning lenge of Scale Revisited: Mending a Large Steven Parrino Painting intervention for At-Risk 21st Century software-based artworks anti-graffiti Coatings for coating from the King Jagiello Lessons learned from Following a Dog Attack Fugitive Media Outdoor Marble monument in Central Park. treatment and mounting an exhibition of 160 illuminated manuscripts 12:00pm (Objects) Tips Luncheon (Book & Paper) Wiki (Research & Technical Studies) RATS Session Business Meeting 12:30pm 12:00pm 1:00pm

2:00pm (Wooden Artifacts) Technical (Electronic Media) Do You Hear (Architecture) Business (Objects) Treatment of Two Badly (Textiles) Safely (Book & Paper) The Story (Book & Paper) Re- (Paintings) Conservation of Alexander (Research & Technical Studies) Mini- Analysis and Conservation What I Hear? Documentation and Meeting Damaged Egyptian Mummies and Mounting Figures with not Told: The Examination engineering Broken Book Calder’s Last Work Mexico #3: The mally Invasive Sampling for the Analysis Treatment of a Mid-18th Assessment of Aural Elements in Associated Wooden Coffins Extreme Actions Poses and Treatment of Edward Spines cross-disciplinary treatment supported by of Proteins from Solids and Surfaces Century Chinese Carved Wood Media Installation Art Steichen's Oochens SEM and TEM paint cross section analysis Lacquer Bodhisattva Sculpture using focus ion beam (FIB) sample preparation 2:30pm (Wooden Artifacts) Old Meets (Electronic Media) SFMOMA’s (Architecture) Conserva- (Objects) Sitting Pretty: Collabora- (Textiles) 3D Modeling (Book & Paper) Art on (Book & Paper) Library (Paintings) Conservators as Collaborators: (Research & Technical Studies) Conserva- New: Consolidation Techniques Mediawiki: Prototyping a new tion on a Grand Scale: tive Treatment of an early Yayoi and CNC Routering of Paper Discussion Group: Collections Conserva- Working with artist Dan Colen tion Science in Early 20th Century India: object record The Development and Kusama Soft-Sculpture Chair Mannequins for Display- Multiple Perspectives on tion Discussion Group: Dr. S. Paramasivan and the Chemical Treatment of the Masonry ing Costume Treatment of Multiples: Unexpectedly Expert: Conservation Laboratory at the Madras of the West Block of Innovative Thinking on the Diversifying your skills to Government Museum Parliament in Canada Conservation of Prints cover all the bases 3:00pm (Wooden Artifacts) Conserva- (Electronic Media) The David (Architecture) Solid CO2 (Objects) New Technologies (Textiles) 3D Scanning to (Paintings) Conserving the Paintings of (Research & Technical Studies) Stability tion and Analysis of a Pair of Wojnarowicz Knowledge Base: Cleaning and Patina Applied to Restore a 19th-century Create Custom Storage Romaine Brooks of Polyvinyl Butyral Polymers with Light Qing Dynasty Lacquer Clothes A Wiki-based Solution for Preservation: Case studies Wax Medardo Rosso Sculpture Forms for Charles James Exposure Wardrobes in the Collection Conservation and Exhibition in aluminum and bronze collection in Costume of the Philadelphia Museum Documentation Institute, Metropolitan of Art Museum of Art 3:30pm (Electronic Media) Repair, (Architecture) Incorporat- (Objects) The Case of the Hydrating (Textiles) Making (Paintings) What the Folk Happened to (Research & Technical Studies) Replace, and Re-make: Negotiat- ing Conservation Meth- Hydra: Examination and treatment Ethafoam Mannequins Kitty James and other Folk Tales Understanding the Reactivity and the ing/Navigating the Conservation odology and Treatment of a Blaschka glass invertebrate using a CNC router Dynamics of Lead Soaps in Oil Paintings Treatment of Ann Hamilton’s 'at Methods into Masonry model hand' Craftworker Training

4:00pm (Electronic Media) Finding Logic (Architecture) Discussion (Objects) “Do What’s Right”: The (Textiles) Panel Discus- (Paintings) A Colonial Portrait and a (Research & Technical Studies) Revealing Within Integrated Circuits: Session conservation of a David Hammons sion on Mannequins Mystery the Text and Folds in 17th-century The restoration of Stephan von mud sculpture Locked Letters Huene's Tap Dancer

38 Thursday, June 1 Session Listings This grid lists primarily paper presentations. See daily listings for non-session events.

Acapulco Comiskey Crystal Ballroom A Crystal Ballroom B Crystal Ballroom C Michigan 1 (East Tower) Regency A-B Regency C Regency D Water Tower

7:30am AIC Member Business Meeting, 7:30-9:45am

10:00am (Wooden Artifacts) Conserva- (Electronic Media) The Conserva- (Architecture) The Majestic (Objects) Practical Evaluation and (Textiles) Deconstructed: (Book & Paper) Challeng- (Paintings) Our Lady of Mercy: the (Research & Technical Studies) Conserva- (Socratic Dialogue) tion of The Immaculate tion of Light: Managing a Grand Goddess Cibeles in Application of Cleaning Techniques Restoring the intent and ing the Myths Surround- discovery of a hanging scroll painting by tion Science 2.0: The Northwestern High-tech Innovation Conception at San Xavier del Collection of Light-Based Artwork Madrid and its Restora- for Marble Sculpture integrity of a rare Kainai ing Paul Gauguin’s “Little José Gil de Castro University / Art Institute of Chicago in Conservation and Bac tion in Gauzes squirrel-lined baby quilt Marvels” Center for Scientific Studies in the Arts Collection Care - do we need a better high-tech 10:30am (Wooden Artifacts) Manufacture (Electronic Media) From Virtual (Architecture) Evaluation (Objects) The Use of Medical (Textiles) Agarose, Two (Book & Paper) Sidewalks, (Paintings) Color Field Paintings and (Research & Technical Studies) What Can mousetrap? and Treatment Study of Coffin to Reality: Dissecting Jennifer of an Injudicious Patch Chelating Agents for the Removal Ways: Successes and Circles and Stars: Reviving Sun-bleaching: An approach for removing Nanotechnology Do For Us? Evaluat- and mummy Cartonnage, at Steinkamp's Software-Based Repair Campaign on of Iron Stains From Marble Challenges in Large the Legacy of Sari Dienes stains in unprimed canvas ing novel cleaning tools through the Egyptian Museum in Cairo Installation Exposed Reinforced Scale Gel Applications NanoRestArt project at Tate Concrete and How To Move On 11:00am (Wooden Artifacts) Preservation (Electronic Media) New Research (Architecture) Preservation (Objects) Well That Didn't Work, (Textiles) Sublime (Book & Paper) Ionic (Paintings) Using Butvar® B-98 as a (Research & Technical Studies) Sculpting of the Endangered Cultural and Developments in the Conser- in “Cathedral-Time”: Now What? Stain Reduction on a Applications: Creating fixatives on water-sensitive Consolidant for Friable Matte Paint in color: the innovative glazes of the Assets of the Traditional vation of Computer-based Art Conservation in the North 10th-century Iranian Ceramic an Efficient Cyclododec- media for aqueous della Robbias and followers in Renais- Egyptian Storyteller's Heritage Transept at the Cathedral ane Barrier on Textiles treatment sance Florence and its Instruments and Tools Church of St. John the Divine 11:30am (Wooden Artifacts) Wood (Electronic Media) Establishing a (Architecture) A Compara- (Objects) The Case for Cold: Using (Textiles) Panel Discus- (Book & Paper) The Chal- (Paintings) When the Dog Bites: Tear (Research & Technical Studies) Early Working Tools as Art workflow for the preservation of tive Study of Sacrificial dry ice blasting to remove lacquer sion on Wet Cleaning lenge of Scale Revisited: Mending a Large Steven Parrino Painting intervention for At-Risk 21st Century software-based artworks anti-graffiti Coatings for coating from the King Jagiello Lessons learned from Following a Dog Attack Fugitive Media Outdoor Marble monument in Central Park. treatment and mounting an exhibition of 160 illuminated manuscripts 12:00pm (Objects) Tips Luncheon (Book & Paper) Wiki (Research & Technical Studies) RATS Session Business Meeting 12:30pm 12:00pm 1:00pm

2:00pm (Wooden Artifacts) Technical (Electronic Media) Do You Hear (Architecture) Business (Objects) Treatment of Two Badly (Textiles) Safely (Book & Paper) The Story (Book & Paper) Re- (Paintings) Conservation of Alexander (Research & Technical Studies) Mini- Analysis and Conservation What I Hear? Documentation and Meeting Damaged Egyptian Mummies and Mounting Figures with not Told: The Examination engineering Broken Book Calder’s Last Work Mexico #3: The mally Invasive Sampling for the Analysis Treatment of a Mid-18th Assessment of Aural Elements in Associated Wooden Coffins Extreme Actions Poses and Treatment of Edward Spines cross-disciplinary treatment supported by of Proteins from Solids and Surfaces Century Chinese Carved Wood Media Installation Art Steichen's Oochens SEM and TEM paint cross section analysis Lacquer Bodhisattva Sculpture using focus ion beam (FIB) sample preparation 2:30pm (Wooden Artifacts) Old Meets (Electronic Media) SFMOMA’s (Architecture) Conserva- (Objects) Sitting Pretty: Collabora- (Textiles) 3D Modeling (Book & Paper) Art on (Book & Paper) Library (Paintings) Conservators as Collaborators: (Research & Technical Studies) Conserva- New: Consolidation Techniques Mediawiki: Prototyping a new tion on a Grand Scale: tive Treatment of an early Yayoi and CNC Routering of Paper Discussion Group: Collections Conserva- Working with artist Dan Colen tion Science in Early 20th Century India: object record The Development and Kusama Soft-Sculpture Chair Mannequins for Display- Multiple Perspectives on tion Discussion Group: Dr. S. Paramasivan and the Chemical Treatment of the Masonry ing Costume Treatment of Multiples: Unexpectedly Expert: Conservation Laboratory at the Madras of the West Block of Innovative Thinking on the Diversifying your skills to Government Museum Parliament in Canada Conservation of Prints cover all the bases 3:00pm (Wooden Artifacts) Conserva- (Electronic Media) The David (Architecture) Solid CO2 (Objects) New Technologies (Textiles) 3D Scanning to (Paintings) Conserving the Paintings of (Research & Technical Studies) Stability tion and Analysis of a Pair of Wojnarowicz Knowledge Base: Cleaning and Patina Applied to Restore a 19th-century Create Custom Storage Romaine Brooks of Polyvinyl Butyral Polymers with Light Qing Dynasty Lacquer Clothes A Wiki-based Solution for Preservation: Case studies Wax Medardo Rosso Sculpture Forms for Charles James Exposure Wardrobes in the Collection Conservation and Exhibition in aluminum and bronze collection in Costume of the Philadelphia Museum Documentation Institute, Metropolitan of Art Museum of Art 3:30pm (Electronic Media) Repair, (Architecture) Incorporat- (Objects) The Case of the Hydrating (Textiles) Making (Paintings) What the Folk Happened to (Research & Technical Studies) Replace, and Re-make: Negotiat- ing Conservation Meth- Hydra: Examination and treatment Ethafoam Mannequins Kitty James and other Folk Tales Understanding the Reactivity and the ing/Navigating the Conservation odology and Treatment of a Blaschka glass invertebrate using a CNC router Dynamics of Lead Soaps in Oil Paintings Treatment of Ann Hamilton’s 'at Methods into Masonry model hand' Craftworker Training

4:00pm (Electronic Media) Finding Logic (Architecture) Discussion (Objects) “Do What’s Right”: The (Textiles) Panel Discus- (Paintings) A Colonial Portrait and a (Research & Technical Studies) Revealing Within Integrated Circuits: Session conservation of a David Hammons sion on Mannequins Mystery the Text and Folds in 17th-century The restoration of Stephan von mud sculpture Locked Letters Huene's Tap Dancer L OWER E AST W ACK PARKING GARAGE RAMP ER DR ExhibitorIVE Map AIC’s Exhibit Hall will be open Tuesday, May 30 CLE ANING / FDC & Wednesday, May 31, from 10:00am–5:30pm. The Exhibit Hall is located in Riverside West.

8' Enjoy refreshments during session breaks on Tuesday and

R Wednesday at 10:00am and 3:30pm.

EA POSTERS CL Don’t forget that you can visit the booths any time the KEEP Exhibit Hall is open!

805 807 809 813 815 817

BUSINESS Thanks to our Sponsors

CENTER N720 804 806 808 812 814 816 163 N720 Diamond Booth Sponsors 163

N720 163

N720 Huntington T. Block Insurance Agency, Inc. 163

N720 163 Lighting Services Inc ENTRANCE N720 KEEP CLEAR 705 707 709 713 715 717 163 Tru Vue, Inc. FHC ESK N720 D 163 CE VI ER

NS N720

S 163 MA ER EE Gold Booth Sponsors CK FR

O 704 706 708 712 714 716 L

IN N720 R TA TE

UN 163 WA FO Atlas Preservation Inc Bruker Corporation Dorfman Museum Figures, Inc. 605 607 609 613 615617 DPR Art Rescue, LLC G.C. Laser Systems Inc. 606 608 612 614 Hollinger Metal Edge, Inc. San-Jian Art & Conservation Co., Ltd. TandD US, LLC.

OOR 507 509 513 515 PD AR Testo Inc. LL -U RO PCLE EE K TRUCK Silver Booth Sponsors DOCK Crystalizations Systems, Inc. Gallery Systems Gaylord Archival Goppion MuseuM Services Corporation

UP 404 406 408 412414 416 OR L- University Products OL DO R KEEP CLEAR Zone Display Cases

117 PH

ELEC. 305 307 309 313 315 317 115 S ER CK O L Poster Author Q&A is 113 304 306 308 312 314 316 Wednesday, May 31, at 3:30-4pm.

109

207 209 213 215 Poster Session is sponsored by 107 West Dean College. 105 206 208 212 214 Stop by their table in the poster area!

Please be prepared to ask authors questions about their work! Poster abstracts are also listed in the abstract book.

ROLL-UP DOOR LOWER EAST SOUTH WATER STREET 40 WEST AIC’s Exhibit Hall in Riverside West Tuesday, May 30 & Wednesday, May 31 Exhibitor Profiles 10:00am–5:30pm Exhibitor Booth Exhibitor Booth AIC Committee: Emergency ...... 214 Inherent Vice Squad...... 207 AIC Committee: Health and Safety ...... 113/115 The Japanese Paper Place ...... 305 AIC Committee: Sustainability...... 109 Kremer Pigments Inc ...... 613 Allied Scientific Pro/Lighting Passport ...... 213 The Legacy Press ...... 313 Applied Surface Technologies ...... 605 Lighting Services Inc...... 704 Archetype Books ...... 316 Masterpak ...... 806 Archival Products ...... 813 MuseuM Services Corporation ...... 809 Art Preservation Services ...... 717/717 National Center for Preservation Technology and Training ...... 117 Atlas Preservation, Inc...... 315 Northeast Document Conservation Center ...... 808 Boxart, Inc...... 708 nSynergies, Inc...... 815 Bruker Corporation ...... 606/608/507/509 Opus Instruments (Artemis CCD) ...... 209 Carestream Non-Destructive Testing ...... 812 PolyGon USA Corporation ...... 208 ConservationSpace ...... 307 Print File, Inc...... 304 Crystalizations Systems, Inc...... 716 RH Conservation Engineering ...... 408 Delta Designs Ltd...... 215 San-Jian Art & Conservation ...... 609 Dorfman Museum Figures, Inc...... 404 ShipAndInsure.com ...... 816 DPR Art Rescue LLC ...... 804 SmallCorp ...... 612/614 Foster & Freeman USA ...... 206 Spacesaver Corporation ...... 406 G.C. Laser Systems ...... 308 Sponge-Jet, Inc...... 312 Gallery Systems ...... 314 TandD US, LLC ...... 515 Gamblin Conservation Colors ...... 317 Talas ...... 706 Gaylord Archival ...... 805 Taylor & Francis ...... 306 Getty Conservation Institute ...... 412 Testo Inc...... 712 Getty Publications ...... 414/416 TRI-Funori ...... 212 Goppion ...... 709 Tru Vue, Inc...... 705/707 Hiromi Paper, Inc...... 807 University Products ...... 615/617 Hirox-USA, Inc...... 607 Zarbeco, LLC ...... 309 Hollinger Metal Edge, Inc...... 713 Zone Display Cases ...... 714 Huntington T. Block Insurance Agency, Inc...... 513

AIC Committee: Emergency research, by collaboration with health and safety professionals and with other Booth # 214 health and safety organizations, and, periodically, by statistically valid surveys, the results of which facilitate establishing priorities. Contact: Co-Chairs, Kim Norman and Rosemary Fallon Emails: [email protected], [email protected] AIC Committee: Sustainability Website: www.conservation-us.org/emergencies Booth # 109 The charge of the committee to promote awareness and increase knowledge Website: www.conservation-us.org/sustainability of the AIC membership in the areas of emergency preparedness, response The charge of the committee is to provide resources for AIC members and and recovery for cultural heritage by: contributing to the production of articles other caretakers of cultural heritage regarding environmentally sustainable (published or web-based), brochures and handouts which provide pertinent approaches to preventive care and other aspects of conservation practice. They educational and technical information; organizing and developing lectures are also charged to define research topics and suggest working groups as and workshops that provide for a foundation of understanding and the skill needed to explore sustainable conservation practices and new technologies. sets/tools needed for this type of work; supporting the function and role of the National Heritage Responders; working with other AIC Committees and Allied Scientific Pro/Lighting Passport Specialty Groups to most completely and accurately disseminate information; Booth # 213 partnering with other collection-based institutions or organizations to develop 815 Boulevard Carriere, Gatineau, QC J8Y 6T4 Canada broad-reaching educational training tools. Contact: Luc Pilloud AIC Committee: Health and Safety Ph: 819-743-7851 Booth # 113-115 Email: [email protected] Website: www.lightingpassport.com & www.alliedscientificpro.com Website: www.conservation-us.org/healthandsafety Allied Scientific Pro brings to the museum and art market a series of helpful The Health & Safety Committee provides educational and technical information tools like spectrometers for light (and UV) measurements, observation to the AIC membership to increase knowledge of safety hazards and general lamp & laser cleaning system. We have the Lighting Passport spectrometer health issues related to the conservation profession. It offers information (380nm -780nm) handheld that can measure all your photo metric light through lectures, workshops, displays, AIC’s publications, AIC’s website, and data, the SRI2000 (250nm - 850nm) that can measure into UV, a utility lamp other electronic and print media. It also addresses health and safety issues of for Art work analysis and a robust laser cleaning system for many applica- concern to the AIC membership by maintaining current information through tions. Come for a demo! 41 Atlas Preservation Inc. Exhibitor Profiles Booth # 315 122 Spring St., Ste. B1, Southington, CT 06489 USA Applied Surface Technologies Contact: Jonathan Appell Booth # 605 Ph: 860-426-3111 Email: [email protected] 15 Hawthorne Drive , New Providence, NJ 07974 USA Website: atlaspreservation.com Contact: Robert Sherman Atlas Preservation was conceived based on the need for a one stop source for Ph: 908-464-6675 Fx: 585-475-7230 all monument restoration supplies. Our mission quickly expanded to include Email: [email protected] many other fields relating to conservation & historic preservation. such as Website: www.co2clean.com/art products for metal conservation, historic window repair, modern stone working, Applied Surface Technologies will demonstrate CO2 Snow Cleaning as applied and more. Jonathan Appell is the founder of Atlas Preservation Inc., with to cleaning and restoring art. We will demonstrate the CO2 Snow Cleaning over 30 years of experience he has personally conserved some of the oldest units, with and without heated compressed air about the CO2 snow stream, dated stones in America. He also performs the majority of historic gravestone for cleaning different materials and items. CO2 snow can remove soot, preservation workshops throughout America. hydrocarbon oils, fingerprints, dust, particles of all sizes, polishing residues and more. Examples shown include fingerprints on a polymer structure, polishing Boxart, Inc. and wax residues, soot and more. Booth # 708 Archetype Publications Ltd. 79 N 5th St., Brooklyn, NY 11249 USA Booth # 316 Contact: Margaret Colbert Ph: 718-782-6100 c/o International Academic Projects, 1 Birdcage Walk, London SW1H9JJ UK Email: [email protected] Contact: James Black Website: www.boxart.com Ph: 011 44 207 380 0800 Fx: 011 44 207 380 0500 Boxart is a fine art crating and packing company that specializes in top of the Email: [email protected] line crates for the care of art in transit. Each crate is unique to the object it Website: www.archetype.co.uk services, and is built to the client’s specifications. From museum exhibitions, Archetype Publications is a leading publisher of books related to the conservation to art fairs, to private collections and artist’s studios, Boxart provides a range of art and antiquities. Many Archetype titles are written or edited by current of services to fit multiple needs and concerns, with the safety of the art always or recent conservators, conservation scientists and other specialists. Archetype being the primary consideration. works with several well-known organizations (national museums, international organizations, universities) often publishing conference pre-prints or post-prints Bruker Corporation in association with them. Archetype has a US distributor and fulfilment agent, but Booth # 606, 608, 507, 509 distributes its own titles to Europe and the rest of the world from London. 5465 E. Cheryl Parkway, Madison, WI 53711 USA Archival Products Contact: Kodi Morton Booth # 813 Ph: 608-276-3017 Fx: 1-608-276-3006 Email: [email protected] PO Box 1413, Des Moine, IA 50306 USA Website: www.bruker.com/applications/environmental/ Contact: Bill Paxson, Division Manager art-conservation.html Ph: 866-518-1081 Fx: 888-220-2397 Bruker is one of the world’s leading analytical instrumentation companies. Email: [email protected] We cover a broad spectrum of advanced solutions in all fields of research and Website: www.archival.com development. Bruker’s innovative methods and non-destructive analytical Archival Products offers the best conservation products and materials on the techniques help to protect and preserve artifacts and historical monuments market. The nation’s most prestigious universities and museums rely on us all over the world. for the best handcrafted enclosures, unrivaled personal service, and quick turnaround times. If you can’t find a solution you’re looking for, call Archival Carestream Non-Destructive Testing Products. Together, we can custom design a product to fit your needs. Booth # 812 Art Preservation Services 1049 W Ridge Rd., Rochester, NY 14615 USA Booth # 715, 717 Contact: Paul Biver Ph: 585-627-8051 44-02 23rd St., Ste 102, Long Island City, NY 11101 Email: [email protected] Contact: Steven Weintraub Website: www.carestream.com/nondestructivetesting.html Ph/Fx: 718-786-2400 Carestream NDT is a worldwide provider of X-ray imaging systems used by Art Email: [email protected] Conservatories around the world. Products include digital computed radiography Website: www.apsnyc.com (CR) systems, digital radiography (DR) systems, imaging plates, cassettes, Art Preservation Services introduces the Connolux CL-1 Studio Luminaire. This DICONDE archiving, conventional film & chemicals, automatic film processing innovative light fixture is designed for conservators. The user can customize equipment and accessories. Our innovative solutions enable our customers’ light coverage to maintain high intensity when the fixture is placed outside success and reveal critical information on priceless pieces of art and artifacts. the conservation work zone. Exceptional color rendering properties make it Our award-winning products keep conservators at the forefront of technological ideal for color matching. Please visit the APS exhibit booth, try it for yourself, and find out how the Connolux Luminaire solves problems commonly advancements in art imaging. associated with light fixtures used by conservators. 42 ConservationSpace (presented by The National Gallery of Art) Booth # 307 Exhibitor Profiles 2000B S Club Drive, Landover, MD 20785 USA Contact: Michael Skalka DPR Art Rescue, LLC Ph: 202-842-6432 Booth # 804 Email: [email protected] 424 N. Oakley Blvd., Chicago, IL 60612 USA Website: conservationspace.org Contact: Stan Bernacki ConservationSpace is a web-based digital document management system Ph: 312-243-9747 Fx: 312-243-3573 developed specifically for the needs of conservators. The software marries the Email: [email protected] versatility of a word processor with the capabilities of a database. Manage Website: www.dprartrescue.com examination and treatment reports, images, notes, and all other records A consortium dedicated to conservation, disaster planning and response associated with a work of art in one location. Use task and workflow manage- services for artwork, including paintings, sculpture, works on paper, objects, ment tools. The system is highly configurable and designed to interface with murals, gilt frames, antique and fine furniture. Our network of conservators collection management systems. is on call 24/7 to respond to emergency situations nationwide. We ensure Crystalization Systems Inc. accurate inventory, safe evacuation, custom crating, transportation, and storage, Booth # 716 while maintaining maximum security and a climate controlled environment. DPR provides an accomplished and experienced staff focused on the preserva- 1401 Lincoln Ave., Holbrook, NY 11741 USA tion and conservation of artwork and artifacts. In addition to response services Contact: Patricia J. Ellenwood and treatment, we also provide consultation services, collection surveys, and Ph: 631-467-0090 Fx: 631-467-0061 the creation of disaster response plans. Email: [email protected] Website: www.csistorage.com Foster + Freeman USA We design, manufacture, and install safe-lightweight aerospace Aluminum Booth # 206 Collection Storage Systems that require no maintenance. Our industry-leading 46030 Manekin Plz., Ste. 170, Sterling, VA 20166 US Moving Painting and Rolled Textile Storage Systems are available in any size. Contact: Tobin David Floor, ceiling, and free-standing supported installations. Aisles are always Ph: 888-445-5048 track-free. Our re-engineered oversized flat and display/storage series cabinets Email: [email protected] are available in standard and custom sizes. We provide full budgeting and Website: www.fosterfreeman.com grant support. Visit our website, and see our new PerfectFit™ moving painting Foster + Freeman design and manufacture market-leading systems for the storage “kit” system. examination of questioned documents, latent fingerprints, trace evidence and Delta Designs Ltd. shoe prints. Established in 1978, Foster + Freeman has become one of the Booth # 215 foremost forensic science equipment suppliers in the world, exporting market leading, and in many cases unique products from the United Kingdom to more 1535 NW 25th St., Topeka KS 66618 USA than 155 countries worldwide. Contact: Peter Doucette Ph: 785-234-2244 ext. 220 Fx: 785-233-1021 G.C. Laser Systems, Inc. Email: [email protected] Booth # 308 Website: www.deltadesignsltd.com 900 S. Des Plaines Ave, Forest Park, IL 60130 USA Delta Designs Ltd specializes in the design and professional manufacture of Contact: Bartosz Dajnowski high-quality museum storage equipment. Our products meet the highest Ph: 773-594-1451 Fx: 773-353-9699 standards of conservation practices and storage of various collections. Email: [email protected] Dorfman Museum Figures, Inc. Website: www.gclasers.com Booth # 404 G.C. Laser Systems Inc. designs and builds unique laser systems specifically for art and architecture conservation. Our compact and portable systems, such as 6224 Holabird Ave., Baltimore, MD 21224 USA the GC-1, offer unmatched precision and control over the level of cleaning. We Contact: Chad Grob also offer custom built laser cleaning solutions and laser cleaning training. Ph: 410-284-3248 Fx: 410-284-3249 Email: [email protected] Gallery Systems Website: www.museumfigures.com Booth # 314 Dorfman Museum Figures, Inc. is the leader in creating three-dimensional 5 Hanover Sq., Ste. 1900, New York, NY 10004 USA Ethafoam™ Conservation Forms for archival display and storage of your Contact: Archer Sheena artifact garments. Choose between our full Economy ETHAFOAM™ Men Ph: 212-273-1131 Fx: 646-733-2259 Mannequins, our Dress and Suit Forms, Storage Hat Mounts, Storage Email: [email protected] Hangers, Classic Forms and more. We are continually adding to our line of Website: www.gallerysystems.com products so let us know if you need something that you don’t see on our Gallery Systems provides tools that help conservators work and document website, www.museumfigures.com. faster, with timesaving features in an easy-to-navigate, web-based solution. Manage complex projects and exhibition requirements, cross-link to related activities and annotate high-resolution images with ease. For over 30 years, Gallery Systems has developed specialized collection management software and web solutions for the world’s museums, collectors, libraries, foundations, and other fine cultural institutions. 43 Getty Publications Exhibitor Profiles Booth # 414, 416 1200 Getty Center Dr., Ste. 500, Los Angeles, CA 90049 USA Gamblin Conservation Colors Contact: Kimberley Westad Booth # 317 Ph: 310-440-7506 Fx: 310-440-7758 E-mail: [email protected] 323 SE Division Pl., Portland, OR 97202 USA Website: www.getty.edu/publications Contact: Robert Gamblin or Catherine Gamblin Getty Publications produces award-winning titles that result from or comple- Ph: 503-805-0410 Fx: 503-235-1946 ment the work of the J. Paul Getty Museum, the Getty Conservation Institute, Email: [email protected] and the Getty Research Institute. This wide variety of books covers the fields of Website: www.conservationcolors.com art, photography, archaeology, architecture, conservation, and the humanities Gamblin Conservation Colors makes aldehyde resin based colors for use in for both the general public and specialists. the conservation of paintings, objects, furniture, and photographs. Formulated by members of AIC in the 90’s, Conservation Colors are stable, lightfast, and Goppion reversible. Available in a ½ pan size, 15 ml. Other products include: Pigmented Booth # 709 Wax Resin for the filling of losses in paintings. 12 colors in this product range. 205 Mount Auburn St., Watertown, MA 02472 USA Gamvar, Regalrez, Laropal A-81, Galdehyde Resin solution. Contact: Ted Paschkis Gaylord Archival Ph: 617-297-2546 Fx: 617-848-2641 Booth # 805 Email: [email protected] Website: www.goppion.com PO Box 4901, Syracuse, NY 13212 USA Goppion designs, develops, builds, and installs state-of-the-art display cases Contact: Buck Ronda and museum installations. We work with curators, designers, and conservators Ph: 315-634-8519 Fx: 315-634-8923 to resolve all exhibition display-related issues with engineering solutions. Email: [email protected] Our tradition of innovation is sustained by our collaborations with our clients, Website: www.gaylord.com including some of the most highly regarded architects, designers, and cultural Visit Gaylord Archival to see our new and innovative Frank Showcase institutions throughout the world. System! It’s the first patented, fully demountable acrylic showcase system in the world—it ships flat! Let us help you bring your exhibit to life with Hiromi Paper, Inc. our unparalleled selection of cases, as well as everything you need to Booth # 807 prepare, install, display and protect your collections. If you are looking 9469 Jefferson Blvd., Ste. 117, Culver City, CA 90232 USA for something specific, we offer unlimited options for customization. Contact: Yiki & Hiromi Katayama We also carry a comprehensive selection of preservation products and Ph: 310-998-0098 Fx: 310-998-0028 conservation materials, many of which are handcrafted at our headquarters Email: [email protected] so we can respond quickly to your custom requirements. Our wide array of Website: www.hiromipaper.com museum-quality cabinets, art storage systems and flat files address your Specializing in papers from Japan and around the World since 1988, Hiromi long-term storage needs. To maintain your storage environment, look to Paper, Inc. has been devoted to the creation of a greater rapport between Gaylord Archival for environmental controls and monitoring devices that Japanese papermakers, conservators, printers, artists, and bookmakers, while will suit any need or budget. Visit us at booth #805 or learn more about developing new directions and a deeper understanding of Japanese papers our products by visiting our website. or WASHI. We not only strive to support papermakers and the traditions, but to The Getty Conservation Institute also grow with the present and future needs of the people that use the papers. Booth # 412 HIROX-USA Inc. 1200 Getty Center Dr., Ste. 700, Los Angeles, CA 90049 USA Booth # 607 Contact: Anna Zagorski 100 Commerce Way, Ste. 4, Hackensack, NJ 07601 USA Ph: 310-440-7325 Fx: 310-440-7712 Contact: Edvina Bassano Email: [email protected] Ph: 201-342-2600 Ext 205 Fx: 201-342-7322 Website: www.getty.edu/conservation Email: [email protected] The Getty Conservation Institute works to advance conservation practice Website: www.hirox-usa.com in the visual arts, broadly interpreted to include objects, collections, HIROX invented the first digital microscope over 25 years ago paving the road architecture, and sites. It serves the conservation community through for new innovative microscopy. HIROX’s high-quality optical, mechanical, and scientific research, education and training, model field projects, and the lighting designs have the capability of achieving an expansive magnification broad dissemination of the results of both its own work and the work of range from 0x-7000x. HIROX’s systems incorporate a variety of features, others in the field. In all its endeavors, the Getty Conservation Institute including 2D/3D measurement, HDR, anti-halation, and 2D/3D tiling. focuses on the creation and dissemination of knowledge that will benefit the professionals and organizations responsible for the conservation of the world’s cultural heritage.

44 Hollinger Metal Edge Inc. Booth # 713 Exhibitor Profiles 6340 Bandini Blvd., Commerce, CA 90040 USA Contact: Bob Henderson Kremer Pigments Inc. Ph: 323-721-7800 Fx: 800-947-8814 Booth # 613 Email: [email protected] 247 West 29th St., Frnt. 1, New York, NY 10001 USA Website: www.hollingermetaledge.com Contact: Roger Carmona Hollinger Metal Edge, Inc. has been the leading supplier of archival storage Ph: 212-219-2394 Fx: 212-219-2395 products for Conservators, Museums, Government and Institutional Archives, Email: [email protected] Historical Societies, Libraries, Universities, Galleries and Private Collectors for Website: www.kremerpigments.com over 65 years. Famous for The Hollinger Box – the metal edged gray document Kremer Pigments has been discovering and redeveloping historical pigments cases that fill the shelves of thousands of organizations, we offer a wide variety and mediums since 1977. Our professional assortment consists of over 100 dif- of box styles made with various appropriate materials to store any collectible. ferent mineral pigments made from precious and semiprecious stones, which We also supply conservation materials, inert polyester, polypropylene and we offer in various grinds and qualities, over 70 natural earth colors, several Tyvek products, archival folders, buffered and unbuffered envelopes, Permalife hundred ground glass pigments, mineral and organic pigments. Binders, bond papers, and buffered and unbuffered tissue paper. Hollinger Metal Edge glues, balsams, natural resins, oils, etc., round off our pallet. Our large stock manufactures custom orders on a daily basis and is committed to educational and fast mailing service guarantee a quick supply. support for preservation workshops. Please contact us regarding your workshop, and we will provide free catalogs and samples as required. The Legacy Press Booth # 313 Huntington T. Block Insurance Agency, Inc. Booth # 513 1513 Long Meadow Trl., Ann Arbor MI 48108 USA Ph: 734-277-2276 1120 20th St. NW, Ste. 600, Washington, DC 20036 USA Contact: Cathleen A. Baker Contact: Ever Song Email: [email protected] Ph: 800-424-8830 Fx: 202-331-8409 Website: www.thelegacypress.com Email: [email protected] The Legacy Press’s award-winning books center around the Printing, Paper, Website: www.huntingtontblock.com and Bookbinding Arts. Many of our titles are of especial interest to paper and The American Institute for Conservation of Historic and Artistic Works (AIC) and book conservators because they provide fundamental information about the Huntington T. Block Insurance Agency, Inc. (HTB) have partnered to provide materials and technologies of works of art, archival collections, and books. AIC’s members with customized insurance programs. HTB’s specialized fine art policy for conservators protects artwork while in your possession for restoration Lighting Services Inc and conservation. Each unique program provides broad coverage at affordable Booth # 704 rates and is serviced by HTB’s knowledgeable and responsive team of risk 2 Holt Dr., Stony Point, NY 10980 USA professionals. Contact: Sales Department Inherent Vice Squad Ph: 845-942-2800 Fx: 845-942-2177 Booth # 207 Email: [email protected] Website: www.lightingservicesinc.com 3951 Colby Way, San Bruno, CA 94066 USA Lighting Services, Inc. (LSI) is the premier manufacturer of track, accent, display Contact: Angela Yvarra McGrew and LED lighting systems. Since 1958, LSI has been dedicated to designing, Ph: 650-355-5392 engineering and manufacturing lighting fixtures of the highest quality. Our Email: [email protected] reputation for creativity and innovative design, coupled with specification Website: www.inherentvicesquad.com grade products and intelligent personalized service, has made us the Inherent Vice Squad was established in 2009 by three object conservators to manufacturer of choice amongst the most discriminating specifiers of lighting provide supplies and tools designed with the philosophy that function can also for Museum environments. be fun and beautiful. Primarily for the conservation and preservation community, IVS believes that its product line will also be useful for the broader museum Masterpak community and for people who work with their hands in the arts or sciences. Booth # 806 The Japanese Paper Place 145 East 57th St., 5th Floor, New York, NY 10022 USA Booth # 305 Contact: Caroline Smith Ph: 800-922-5522 Fx: 212-586-6961 103 The East Mall, Unit 1, Toronto, ON M8Z 5X9 Canada Email: [email protected] Contact: Nancy Jacobi Website: www.masterpak-usa.com Ph: 416-703-0089 Fx: 416-538-0563 Unique & archival materials for the packing, shipping, storing and display of Email: [email protected] fine art, artifacts, and antiques. Hard-to-find materials for conservators, artists, Website: www.japanesepaperplace.com museums, galleries, collectors, framers, and art shippers. Best everyday prices. The Japanese Paper Place stocks a wide range of sheets and rolls of conserva- Products include: Archival Rolling and Storage Tubes, Tissues, Softwrap® Tyvek® tion quality. Included are Kurotani, Hosokawa, Usumino and Sekishu papers or Nomex® & Hardwrap® Tyvek® Liners by DuPont, Ethafoam® & Cellu-Cushion®, all from 100% Japanese kozo. Also, dyed Matsuo kozo, Japanese tools, brushes Volara® Foam, Dartek® Cast Nylon Film, Marvelseal®, Glassine Paper, Archival and adhesives including funori. A wide range of Kashiki kozo and gampi rolls Corrugated Boards, Masterpak® Art Shipping Boxes, MasterCrate®, Oz Clips, in varying weights and tones. Delivered with deep knowledge gained on our PEM2® Data Loggers, humidity & temperature tracking software, and much more. visits to Japan and connections there over the past 37 years. All products available in small or large quantities. We ship within 24 hours. 45 • XRaman, a combination XRF/Raman system, capable of analyzing the Exhibitor Profiles same 1mm spot size with both spectroscopies; • CRONO, an optimized fast mapping system for areas up to 60X45 cm2, with spot sizes of 0.5, 1 and 2 mm. MuseuM Services Corporation Booth # 809 Opus Instruments (Artemis CCD) 385 Bridgepoint Way, South St. Paul, MN 55075 USA Booth # 209 Contact: Linda Butler Unit 8 Lodge Farm Barns, New Rd., Norwich, Norfolk NR9 3LZ UK Ph: 651-450-8954 Fx: 651-554-9217 Contact: Chambers Stephen Email: [email protected] Ph: +44 1603 740397 Website: www.museumservicescorporation.com Email: [email protected] Providing equipment, supplies and services for institutions and individuals for Website: www.opusinstruments.com over 37 years, Museum Services Corporation is pleased to once again attend Opus Instruments are the team behind Osiris, the world’s leading camera for the AIC Annual Meeting. Please stop by our booth to enjoy hands-on demon- infrared reflectography. Created in collaboration with the National Gallery strations of equipment, take home some supply samples, and talk about what (London), the Osiris provides high-resolution, high-speed images in a portable else we can do to help you in your future treatments! camera. It’s been used to examine hundreds of artworks at leading institutions and art galleries around the world as the go-to equipment for the study of National Center for Preservation Technology & Training underdrawing. It’s also used to help uncover the history and provenance of (NCPTT) paintings, and document restoration work. Booth # 117 645 University Parkway, Natchitoches, LA 71457 Polygon US Corporation Contact: Jason Church Booth # 208 Ph: 318-356-7444 Fx: 318-356-9119 15 Sharpener’s Pond Road, Building F, North Andover, MA 01845 Email: [email protected] Ph: 800-422-6379 Fx: 800-422-6379 Website: www.ncptt.nps.gov Email: [email protected] The National Park Service’s National Center for Preservation Technology and Website: www.polygongroup.us Training protects America’s historic legacy by equipping professionals in the With five document restoration facilities throughout the US and Canada, field of historic preservation with progressive technology-based research and Polygon offers the most advanced techniques for document recovery and training. Since its founding in 1994, NCPTT has awarded over $7 million in media restoration. Our complete offerings include paper, books, blueprints, grants for research that fulfills its mission of advancing the use of science and X-rays, film restoration, copying, secured destruction and scanning services. technology in the fields of archaeology, architecture, landscape architecture For forty years, Polygon has provided quick response, absolute reliability and and materials conservation. outstanding results from our 300 global offices. Northeast Document Conservation Center Print File, Inc. Booth # 808 Booth # 304 100 Brickstone Sq., Andover, MA 01810 USA 1846 S. Orange Blossom Trl., Apopka, FL 32703 USA Contact: Julie Martin, Marketing and Public Relations Manager Contact: Gene Amoroso Ph: 978-470-1010 Fx: 978-475-6021 Ph: 407-886-3100 Fx: 407-886-0008 Email: [email protected] Email: [email protected] Website: www.nedcc.org Website: www.printfile.com Founded in 1973, the Northeast Document Conservation Center is the first Print File Archival Storage at www.printfile.com, is your complete source for nonprofit conservation center in the U.S. to specialize in the preservation innovative product solutions that include traditional or digital photographic of paper-based materials for cultural institutions and private collections. presentation and storage needs as well as the lowest prices on all document NEDCC serves clients nationwide, providing conservation treatment for book, and paper-borne storage materials. With Print File’s expertise, spanning more photograph, and paper collections, including works of art on paper, Asian than 50 years, institutions have been using Print File products in housing their art, and oversize works. NEDCC provides digital imaging, audio preservation, valuable collections and archives. Print File’s commitment to deliver only the assessments, consultations, and disaster assistance, and is a trusted resource highest quality products throughout the world has established our reputation for preservation information and training. as the world leader in museum quality storage. Print File Archival Storage will continue to be your partner in preserving the memories of yesterday, for the nSynergies, Inc. appreciation of tomorrow’s generations. Booth # 815 1580 Reed Rd. # C-2, Pennington, NJ 08534 USA RH Conservation Engineering Contact: Nicholas C. Barbi Booth # 408 Ph: 609-303-0578 “Meakins Rise” 16 Meakins Rd., Flinders, Victoria 3929, Australia Email: [email protected] Contact: Robin Hodgson Website: www.nsynergies.com Ph: +61 3 5989 1199 nSynergies represents XGLab SRL in the US, Canada, and Mexico. Together, Email: [email protected] we offer: Website: www.rhconservationeng.com • ELIO, a 1mm spot size, non-contact XRF system with on-tripod Established in 1991 by conservator Robin HODGSON, RH Conservation mapping; Engineering is a research driven supplier of the most innovative, technically

46 advanced and aesthetically pleasing equipment available, providing consistent quality results in the conservation of human artistic and cultural heritage. Many Exhibitor Profiles of the materials and manufacturing techniques used in our equipment come from the aerospace, electronics, and advanced manufacturing industries. Sponge-Jet, Inc. San-Jian Art & Conservation Co., Ltd. Booth # 312 Booth # 609 14 Patterson Ln, Newington, NH 03801 USA 1F., No. 100, Ligong St., Taipei 11261 Taiwan Contact: Tony Anni Contact: Fan Tingfu Ph: (603) 610-7957 Ph: +886-2-28978829 Email: [email protected] Email: [email protected] Website: www.spongejet.com San-Jian Art & Conservation (SJAC) has been providing professional museum- Sponge-Jet provides professionals with a dry, low-dust, micro-abrasive level quality of conservation services in Chinese paintings and calligraphy composite to clean multiple substrates across many applications: removal of since 2008, in Taiwan & Hong Kong. In 2016, together with Qianmu Culture, environmental contaminants; historic structures & monument rehabilitation; we began to promote the modernization of Chinese paintings, and calligraphy graffiti removal; lead pain remediation; efflorescence & exfoliation; soot, char conservation development in China. & smoke damage; stone & marble cleaning. Materials can be selected that can ShipAndInsure.Com remove contaminants without damaging the surface. This controllable system Booth # 816 allows the operator to adjust pressures and media rates to match the needs of the project. The low rebound nature of Sponge Media prevents damage to 3002 Hempland Rd., Ste. B, Lancaster, PA 17601 USA adjacent surfaces, while the low dust feature enables the operator to visually Contact: Elaine Lockard watch and control contaminant removal during the process. Ph: 877-393-5310 Fx: 717-393-5670 Email: [email protected] TandD US, LLC Website: shipandinsure.com Booth # 515 Insuring inbound and outbound shipments of value, with no deductible, 534 N. Guadalupe St., #32886, Santa Fe, NM 87501 USA sent by FedEx, UPS, USPS or FedEx Freight, up to $500,000.00+ at extremely Contact: Steve Knuth reasonable rates. Claims are paid promptly for loss or damage. Discounts of up Ph: 518-669-9227 to 40% off FedEx shipping rates are available through our program. Email: [email protected] SmallCorp Website: www.tandd.com Booth # 612, 614 T&D Corporation manufactures a complete line of wireless and stand-alone Data Loggers offering a variety of web based data collection, remote monitoring and 19 Butternut St., Greenfield, MA 01301 USA notification features. Wireless data collection options include an innovative hand- Contact: Michael Dunphy held portable unit with graphical display, a network connected data collector with Ph: 413-772-0889 Fx: 413-773-7386 built in Ethernet or Wi-Fi interface and even an option for remote monitoring Email: [email protected] and data collection over a GSM cellular network. Developed specifically for Website: www.smallcorp.com Museum and Archive applications, TandD produces a 4 in 1 logger that records SmallCorp manufactures products for the display, conservation and storage Temperature, Humidity, Illuminance, and Ultra Violet, and also maintains an of works of art, textiles and objects. Our frames and display cases figure internal running exposure total. New this year are Temperature and Humidity prominently in museum and corporate collections. SmallCorp customers loggers with integrated Wi-Fi capability that can auto upload readings to T&D’s include picture framers, galleries, art conservators and related institutions and free Cloud based WebStorage Service, or that can be logged onto directly from professionals. a Smartphone or Tablet using T&D’s free ThermoWeb App. T&D Corporation, the Spacesaver Corporation world’s leading supplier of wireless data loggers, is headquartered in Matsumoto Booth # 406 Japan, and has been engaged in the design, development and manufacture of high reliability, high quality electronic measurement systems since 1986. 1450 Janesville Ave., Fort Atkinson, WI 53538 USA Contact: Jim Dolan Talas Ph: 708-846-9916 Booth # 706 Email: [email protected] 330 Morgan Ave., Brooklyn, NY 11211 USA Website: www.spacesaver.com Contacts: Jacob Salik Spacesaver helps improve collections care at museums worldwide. Our clients Ph: 212-219-0770 Fx: 212-219-0735 include the Field Museum of Chicago, the California Academy of Sciences, and Email: [email protected] many other museums, large and small, in the US and abroad. Product offerings Website: www.talasonline.com range from high-density mobile storage (compactors) and art racks to a Bookbinding, Conservation and Archival supplies. Visit our booth for copies of multitude of shelving, drawers, and cabinet options. Our network of authorized our most recent catalogs, samples, and featured new products. affiliates provides design assistance, installation, and maintenance. Contact us to arrange a free space assessment.

47 Laminated Glass, are trusted by conservation and fine art professionals to Exhibitor Profiles protect and display the most celebrated artworks in the world. We work closely with the museum community to develop products that meet superior aesthetic and conservation standards. Features include: Anti-Reflective | Anti-Static | Taylor & Francis Abrasion Resistant | UV Protection | Color Neutral Booth # 306 Taylor & Francis Group Limited, 4 Park Square, Milton Park, Abingdon, University Products, Inc. Oxfordshire, OX14 4RN, UK Booth # 615, 617 Contact: Katie Gilbert PO Box 101, Holyoke, MA 01041 USA Phone: +44 207 017 4370 Contact: John A. Dunphy Website: www.tandfonline.com Ph: 413-532-3372 Fx: 800-532-9281 Routledge is proud to publish the Journal of the American Institute for Con- Email: [email protected] servation. Visit our stand at AIC & CAC to browse the latest research published Website: www.universityproducts.com in the journal and to find out how you can submit your own paper. We look University Products is the leading international supplier of conservation tools forward to meeting you! www.tandfonline.com/yjac. and equipment, as well as archival storage products. The company distributes products directly to dozens of countries around the world as well as through Testo, Inc. our many partners throughout Europe, Asia, South America, Mexico, and Booth # 712 Australia, just to name a few. 40 White Lake Rd., Sparta, NJ 07871 USA Contact: Krys Krawczyk Zarbeco, LLC Ph: 800-227-0729 Booth # 309 Email: [email protected] 1240 Sussex Turnpike, Suite 5, Randolph, NJ 07869 USA Website: www.testo.com Contact: Meryl Zweig Testo offers the software-free Saveris 2 Testo Cloud solution to monitor exhibits Ph: 973-933-2043 Fx: 973-933-2336 and storage conditions of the artwork in your care. The Saveris 2 external cable Email: [email protected] humidity probe is used to monitor enclosed display cases. Temperature and Website: www.zarbeco.com humidity readings and alarms are accessible from any device with a browser, Zarbeco manufactures handheld digital microscopes and imaging software or from PDF reports. Reading intervals are fully adjustable from 1 minute to 24 serving art conservators for over 15 years. See our new extended field MiScope hours, and alarm notifications can be sent by text message to your phone or Megapixel 2 with 5x-140x magnification and up to 4-inch field of view with emailed. optional IR and UV LEDs and tripod mount. TRI-Funori Zone Display Cases Booth # 212 Booth # 714 26 Barrett St., Port Hope, ON L1A 1M7 Canada 660, rue de l’Argon, Charlesbourg, Quebec G2N 2G5 Canada Contact: Rod Stewart Contact: Pierre Giguere Ph: 905-269-0812 Ph: 418-554-4029 Fx: 418-841-2866 Email: [email protected] Email: [email protected] Website: http://tri-funori.com Website: www.zonedisplaycases.com TRI-Funori is an easy to use freeze-dried conservation product that is effective in Zone Display Cases is a Canadian-based company that designs, manufactures a variety of applications: and installs museum quality display cases all across North America and Mexico. • As a fixative for friable paint on architectural surfaces or works of art. We offer custom-built and standard cases, all built through a unique CAD/ • As a light adhesive for works of art on paper, parchment and related CAM process that guarantees an extreme precision and quality. Our first cases materials. were designed and built over 10 years ago with the help of the Centre de • As a poultice cleaning agent for delicate and ornate architectural Conservation du Québec (CCQ) and with the Canadian Conservation Institute surfaces. (CCI). All our cases follow and even surpass strict conservation guidelines in • As a protective coating that facilitates the easy removal of graffiti and their fabrication. Zone Display Cases is committed to constantly improving other unwanted markings. our approach and products for unsurpassed results: Airtight archival display Extracted from two species of red seaweed that grow only in the Sea of Japan, cases that offer a very low air leakage rate, for an efficient climate control within TRI-Funori is entirely organic. Transparent when applied, TRI-Funori dries matte the exhibit chamber. You will find our display cases in many Canadian and and is fully reversible with water. American Museum Institution, Universities, and more and more of the open reserves projects. Contact us for any special needs. We are solution-orientated Tru Vue, Inc. people, and we share your passion with conservation. Our mission is to Present, Booth # 705, 707 Protect, and Preserve our clientele’s valuable collections. 9400 West 55th St., Countryside, IL 60525 USA Contact: Dianna Kornita Ph: 708-485-5080 Email: [email protected] Website: tru-vue.com/museums-collections/ With over 45 years of proven protection and preservation, Tru Vue fine art acrylic and glass solutions, including Optium® Acrylic Glazing and UltraVue®

48 POSTERS

Join us in the Exhibit Hall on Tuesday and Wednesday to discover research from more than 100 planned posters. Read the poster abstracts at the end of the Abstract Book to familiarize yourself with the topics, then meet the poster authors to discuss their research in the Exhibit Hall on Wednesday, May 31, during the 3:30pm break. Posters will be on view during all Exhibit Hall hours, Tuesday and Wednesday, from 10:00am to 5:30pm. Poster Session sponsored by West Dean College.

01. Identification and Analysis of Hard Water 10. Towards Nondestructive Characterization of Black Staining on Granite in the Western United States Drawing Media and Comparative Study for Cleaning Methods Nathan Daly, Lynn Lee, Michelle Sullivan, Karen Alex Beard, Jason Church, Ifrah Jamil, Caitlin O’Grady, Trentelman Bilal Khurshid 11. Moth Larvae Infestation of Books and Materials 02. Rescuing Schools: Conservation program of from Syracuse University Libraries historical educational buildings in the city of Marianne S. Hanley Rosario, Argentina Carolina Rainero 12. A Study on the Design to Store Asian Painting Scrolls 03. Cellulose Nanocrystals and Nanofibrils for Jun Yin Hsiao Coating of Paper Artifacts MSc. Camilla Camargos, Dr. João Figueiredo Junior, Dr. 13. Innovational Drying Wall for Asian Paintings Fabiano Pereira Yi-Hsia Hsiao 04. Local Cleaning of Stained Artworks on Paper: The 14. 21st Century Loss Compensation for a 19th new possibilities of rigid gels Century Binding Sophie Barbisan, Anne-Laurence Dupont, Catherine I. Kathy Lechuga Maynor 15. An Unconventional Approach to Cover-Binding 05. Analysis of Synthetic Dyes and the Treatment Reattachment of 1910s - 1950s Historic Chinese Wedding Kimberly Kwan Documents 16. Measuring the Stiffness of Brittle Paper Paul Chun-Wo Chan, Edward Chun-Yiu Law, Angela Andrea Hall, Thomas O’Connor, Molly K. McGath, Wai-Sum Liu Patricia McGuiggan *The 3M Approach to Preventing Mould Growth 06. 17. Acid Transport through Mylar Encapsulation in the National Collection at the Heritage Andrea Hall, Molly K. McGath, Bill Minter, Patricia Conservation Centre (HCC), Singapore McGuiggan Jingyi Zhang 18. Development of a User-Driven Adhesives Database A Novel Conservation Treatment Developed for 07. Shaina Palmer, Andrea Hall, Molly K. McGath, Sara the Restoration of The Psalms of David Relievo Zaccaron, Robert Leheny, Patricia McGuiggan Papier-mâché Binding Designed by Owen Jones Malina Belcheva 19. Polishing Methods and Their Impact on Results in the Oddy Test Conservation and Restoration of the Document 08. Chloe Cao, Andrea Hall, Molly K. McGath, Patricia called ‘Carta sincronológica de Historia Universal’ McGuiggan (Chronological Chart of Universal History) translated by Francisco J. Zavala, 1884 20. Cellulose Acetate Lamination: Composition and María Victoria Casado Aguilar, María del Pilar Tapia Condition López Molly K. McGath, Emily Rezes, Vicki Lee, Andrea Hall, Patricia McGuiggan, Jenn Foltz Cruickshank 09. Election Cake and Tea Cookies: The Conservation of Historic Cherry Hill’s Receipt Book Collection Samantha Couture *Cannot attend, as of presstime

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21. Memory of the World: Opportunities for 34. NAGPRA and Conservation: Documenting preservation and promotion of documentary repatriation materials from the perspective of a heritage conservation professional Ingrid Frederick Dr. Elyse Canosa, Dr. Nancy Odegaard 22. Captain America Encounters Klucel M® 35. Between the Ephemeral and the Immortal: Michiko Adachi, Catherine Magee Considerations about the process of conservation of Ticuna’s barkcloth 23. *Ancient Repairs in Limp, Laced-Case Sixteenth- Ana Carolina Delgado Vieira, Paula Aline Durães Century Bindings: Record, analysis and Almeida, Edson Tosta Matarezio Filho, Marcia de interpretation Almeida Rizzutto Pilar Tapia López, María Fernanda Martínez Rocha 36. Conserving and Interpreting the Mechanical Jacks 24. History, Treatment, and Preparation for from the Queen Anne’s Revenge Digitization of 14th-century Estate Rolls Arianna DiMucci Annabel Pinkney 37. Mending Baskets: Revisiting older approaches 25. Thoughtful Withdrawal of Monographs from with new techniques and inventing better Academic Libraries: Knowing the risks to our solutions cultural print heritage Leah Bright, Betsy Burr, Skyler Jenkins, Dr. Nancy Jennifer Hain Teper Odegaard, Nicole Peters, Marilen Pool, Gina Watkinson 26. Innovación en Conservación y Cuidado de las 38. Guns and Ships: Using dry ice blasting in the Colecciones en soporte papel conservation of cast iron Alicia Tonello William Hoffman, Laurie King 27. (I Can’t Get No) Documentation: Preservation 39. What Makes the White in White-on-red Ware? A reporting in the Archives study of two white-on-red Etruscan pithoi Marissa Vassari, Julia Welby Sara Levin, Lynn Lee, Jeffrey Maish 28. Necessity is the Mother of Invention: DIY iron 40. Investigation of Gold Residues on Glazed (II) test paper Renaissance Sculpture: Gilding the virtues Cyntia Karnes, Yasmeen Khan, Julie Biggs, Claire Dekle, Abigail Hykin, Casey Mallinckrodt Susan Peckham 41. The Emergence of the Science of Botany: 29. An Enclosure for a 3-D Object in a Scrapbook Preservation of personal herbaria Noah Smutz Olga Souza Marder, Kelsey Osborn Miller, and Catherine 30. Conservation in Miniature: The merger of Stephens museum object and historic interior in the 42. Treatment and Reconstruction of a Badly treatment of a Victorian era dollhouse Damaged Hopi Katsina Doll Made of Gourd Sarah Giffin Hayley Monroe 31. Under Close Observation: A pilot study 43. Exploring Methods for Determining the Age of monitoring change in objects’ conditions Clock Mainsprings Vincent L. Beltran, Ashley Freeman, Foekje Boersma, Mostyn Gale Michal Lukomski, Joel Taylor, Jim Druzik 44. Applying Fills to Losses in a Flexible Polyurethane 32. Treatment of a Shattered Bark Basket from Foam Chair at the Museum of Modern Art Australia Alexandra Nichols Marci Jefcoat Burton 45. The USS Monitor Gun Carriages: Treatment steps 33. Fatal Attraction: Trials and tribulations in toning and innovations for the conservation of complex rare earth magnets composite artifacts Morgan Blei Carbone William Hoffman, Elsa Sangouard, Kathleen M. Sullivan

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46. Reconstructed, Re-cut, and Re-interpreted: 58. TMI? Non-destructive Redacting Options for Dionysos and Maenad at the Museum of Fine Archival Collections Arts, Boston (in Abstract Book as “Ancient Figures Erin Hammeke Become an English Pleasure”) Gerri Strickler, Casey Mallinckrodt 59. Cutting Edge Technologies in Non-invasive Organic Analytical Techniques 47. Case Study of Regalrez 1126 Used as an Adhesive Amanda Jones and Consolidant in the Conservation Treatment of an 18th Century Chinese Amber Cup at The 60. Conservation and Art Historical Data goes Digital Metropolitan Museum of Art at the Art Institute of Chicago Tong Tong Kaslyne O’Connor, Ariel Pate, Sylvie Pénichon 48. Practical Solutions to The Challenges of 61. Corn and Tobacco Residue: Development of Documenting Large-Scale Objects protocol for sampling and analysis Jessica Walthew Wendy Lindsey, Dr. Nancy Odegaard 49. Rutabaga: In: The Sky – Creative Solutions to 62. Evaluating (poly)ethylene vinyl acetate (EVA) Modern Treatment Problems Adhesives for Use in Wax Conservation Stephanie Barnes, Craig Huzway, Antje Neumann, Marina B. Gibbons Jia-sun Tsang 63. Impact of Airborne Mycobiota on the 50. The Sharp End of Conservation: Reintroducing Biodeterioration of Materials and Human Health paint to a mid-nineteenth century American in Three Cuban Heritage Institutions stained-glass window Alian Molina Veloso, Sofía Borrego Alonso, Oderlaise Amanda Chau, Drew Anderson Valdés Pérez 51. Five Van Goghs 64. The Evolution of a Method: Optimizing the Use Thomas Heller of Evolon® CR to Poultice Varnish on a Large Scale 52. Alternative Methodology for Traditional Kari Rayner Intervention: Loose lining in colonial paintings Damasia Gallegos, Ana Morales, Dolores González 65. Elucidating Daguerreotype Degradation Through Pondal Surface Species Formation Using Localized Surface Plasmon Resonance Spectroscopy 53. Chinese Handscrolls: A systematic approach to Andrea E. Schlather, Silvia A. Centeno treatment solutions for common problems Xiangmei Gu, Grace Jan 66. National Argentinian Flags, the Bicentennial and the Change of Criteria Regarding Conservation 54. Blue Period?: Analysis muddies Tintoretto Maria Sol Barcalde, Patricia Lissa, Ivana Rigacci attribution and working practice Dr. Amanda J. Norbutus, Lourdes Nunez 67. Initial Treatment Techniques for Japanese Lacquer-based Metallic Thread and Cut Paper 55. Innovation of an Early Unknown Pioneer: Steam Appliqué jennies, long arms, and battle flags Elinor Dei Tos Pironti Ann Frisina 68. Hey Jute: A new approach to visual compensation 56. From Scroll to Panel and Back Again: Changing for hooked rugs formats and the challenges they pose when Kirsten Schoonmaker remounting Asian paintings Sara Ribbans 69. Conservation and Restoration Strategies of Rare and Large Historical Carpet 57. Improvements in 2D X-Radiography and Prof. Dr. Harby E. Ahmed Volumetric X-Ray Tomosynthesis Dr. Dan Boye

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70. Preserving the Art Works 83. The Bay Area Conservation Science Initiative Aida Marcela Avalos de Cerna Elise Effmann Clifford, Elizabeth S. Peña, Susan Roberts- Manganelli 71. What Happened to Them? Preliminary approaches from conservation discipline in cases 84. Lifting the Microfiber Veil: Utilizing Evolon fabric of human rights violations during the military at the Mauritshuis to remove aged varnish from dictatorship in Chile Hendrick Heerschop’s A Visit to the Doctor Daniela Bracchitta, Iván Cáceres, Kenneth Jensen, María Julie Ribits José Manneschi, Roxana Seguel 85. Future Prospects of Conservation Treatments with 72. Best Practices, Creative Problem Solving and a Micro-Aspirator Tool Balancing Compromises in Conservation Friederike Steckling, Markus Gross, Stefan Zumbühl, Treatments Nadim C. Scherrer Elizabeth Curran Boody 86. Teamwork in its Best: The Stack Numbering 73. Conservation of Exhibited Works in the Museums Project at the Library of Congress of the Office of the Historian of the City of Beatriz Haspo, Dallas Grubbs, Megal Moltrup, Madeline Havana Morehouse, Escarlet Silva Joyce Hidalgo-Gato Barreiro 87. Sampling of Microorganisms from Egyptian 74. The Development and Testing of Gel Cleaning Mummies at the National Museum of Rio de Systems for Cleaning Inorganic Supports in Janeiro, Brazil: A successful adaptation of a Argentina, Curazao, and the Dominican Republic vacuum cleaner model Viviana Dominguez, Giselle Canosa, Ruahidy Lombart Ricardo Reis, Sheila Mendonça de Souza 75. Expanded Descriptive Terminology for 88. The Royal Treatment: Conservation of Contemporary Collages archaeological material from Revolutionary War Stephanie Lussier, Michal Mikesell vessel Royal Savage Shanna Daniel, Kate Morrand 76. Replacement of Toxic Solvents: A practical approach for art conservation studios 89. *A SEM Study of Funori (Green material) to Luciana Murcia Consolidate Archaeological Papyrus Mohamed Abdel-Rahman, Ahmed Tarek 77. Microorganisms Inhabiting our Collections A. Echávez, J.D. Dorado, Maria Camila Patiño, John 90. *Preservation and Management of the Collection Simmons of the Museu da Vida (Museum of Life) Mayara Manhães de Oliveira 78. Preservation and Conservation of Pablo Neruda Collection: Intrinsic and environmental 91. *An Alternative Approach to Ink Corrosion: considerations Biosorption Yerko Andrés Quitral Gizem Erdem, Rumeysa Ozen, Yasemin Unlu Yokus 79. Project for Training Preservation and Historic 92. Chemical Cleaning and Intervention Criteria in a Services Staff for Historic and Heritage Buildings Brass Dial Clock from the XIX Century Maria Pia Tamborini, Giselle Canosa, Alba Pereiro João Henrique Ribeiro Barbosa, Luiz Antônio Cruz Souza 80. Bedbugs: A pesky problem 93. *Conservation Challenges in Digital Collections: Meredith Wilcox-Levine The importance of documentation and value recognition procedures - the case of Family Album 81. Preservation Week: Ludwig von Mises Library, collection University Francisco Marroquín, Guatemala Ximena Paola Bernal Castillo Marisol Zuñiga 94. *Fill in the Gap: The challenge of bringing the lab 82. Environmental Preservation Practices to Avoid to the building being restored William P. Lull Marcela Lydia Cedrola *Cannot attend, as of presstime 52 Join the conversation by using #AICmtg17 to tag your social media posts! POSTERS

95. Conservation of Evidence: Howard Carter’s 101. The Preservation of Mummy Bundles in Peru: A journals, the Morning Post and Egyptian Gazette methodological proposal Nagm eldeen Morshed Hamza Selene Isabel Figueroa Cueva, Rubén Héctor Buitron Picharde 96. Michigan Papyri Fragments from Excavations to Display: Egyptian Museum of Cairo 102. Packaging Systems for Pre-Hispanic Mummy Sara M. Nour Bundles in Peru Rubén Héctor Buitron Picharde, Selene Isabel Figueroa 97. Advances in State-of-the-Art in XRF Elemental Cueva Analysis for Art Conservation Dr. Bruce Kaiser, Dr. Lee Drake 103. Mend or Historical Evidence? Alicia Nathalia Cañiza Pereida, Urani Correa Pérez, Valeria 98. Performance Evaluation of UV Inhibiting Acrylic López Mancera, Inés del Ángel Mejía Martínez, Rosa Lorena Resin Coated Glass with Modern and Historic Román Torres, Ana Julia Poncelis Gutiérrez, Martha Contreras Glazing Systems Sainz, Abner Gutiérrez Ramos, Nicolás Gutiérrez Zepeda Andrew Fearon, Janelle Elyse Sahutski 104. The Use of CT Numbers to Quantitatively 99. Impact of Gaseous Pollutants in Silver Artifacts Classify Cultural Heritage Materials Corrosion Brittany Dolph Dinneen, Dr. John A. Malko, Renee A. Dr. Yussri Salem Stein 100. Studying the Manufacture Technology on 105. String Theory: An innovative insert and Tutankhamun’s Leather Cuirass investigation of Yves Klein’s Untitled Pink Islam Abd el Maksoud Shaheen Monochrome (MP 21), 1961 Kristin Robinson

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AIC’s 46th Annual Meeting will be AIC’s 47th Annual Meeting will be held May 29-June 2, 2018, held in May 13-17, 2019, in Houston, Texas. in New England. www.conservation-us.org/meeting 54 Special Thanks

A special thank you to the ASG/WAG Reception Poster Session Sponsor Chicago conservation community who DPR Art Rescue, LLC West Dean College G.C. Laser Systems, Inc. have been so helpful in arranging the Diamond Booth Sponsors receptions and tours. BPG/RATS Reception Huntington T. Block Insurance Agency, Inc. Hollinger Metal Edge, Inc. Lighting Services Inc Special thanks to Frank Zuccari at the San-Jian Art & Conservation Co., Ltd. Tru Vue, Inc. TandD US, LLC Art Institute of Chicago. Gold Booth Sponsors OSG/TSG Reception Atlas Preservation Inc Chicago’s museums have thrown open Bruker Corporation Bruker Corporation Dorfman Museum Figures, Inc. Dorfman Museum Figures, Inc. their doors for us, and we could not DPR Art Rescue, LLC have done this without you. PSG Reception G.C. Laser Systems, Inc. Lighting Services Inc Hollinger Metal Edge, Inc. Thank you to our sponsors! Artex Fine Art Services San-Jian Art & Conservation Co., Ltd. TandD US, LLC. Tote Bag Sponsor OSG Tips Luncheon Testo, Inc. Tru Vue, Inc. Testo, Inc. R. Alden Marshall & Associates, LLC. Silver Booth Sponsors Lanyard Sponsor Crystalizations Systems, Inc. R. Alden Marshall & Associates, LLC. CCN Idea Fair Gallery Systems Tru Vue, Inc. Gaylord Archival Opening Reception Sponsor Goppion Huntington T. Block Insurance Agency, Inc. Sched Mobile App MuseuM Services Corporation with generous in-kind support provided by the Zone Display Cases University Products Art Institute of Chicago Zone Display Cases ECPN Happy Hour Sponsor Health & Safety Luncheon Sponsor The Conservation Center Atlas Preservation, Inc.

Come Visit the Health & Safety Booth!

Health & Safety experts to discuss your every need! Booth #113-115 is open Tuesday, May 30, & Wednesday, May 31 Proper safety garb demonstration from “Sustainability for the Conservator: Mold Remediation,” at the H&S Session at the AIC 42nd Annual Meeting.

• Don’t know where to start? See our NEW introductory resources guide! • Need a Safety Specialist to help you with your treatments? We have the contacts! • Worried that your gloves won’t protect against the solvents you use? See our Glove Selection Chart • Concerned about chemicals or safety equipment in your studio? Come talk to us! Plus...  Representatives from OSHA & NIOSH  First Aid Brochures Email: [email protected]  Personal Protective Equipment samples Web: www.conservation-us.org/healthandsafety

55 Speakers are listed here. Full bios and co-authors are Directory of Speakers listed online in Sched and in the Annual Meeting App (p.4).

Mohamed Abdel-Rahman, Library Director Sonya Barron, Conservator, Iowa State Marci Jefcoat Burton, Graduate Student, Jan Cutajar, UCL Research Assitant, UCL, and Scientific Publishing, Ministry of University, Parks Library, Ames, IA UCLA/Getty Conservation Program, Los London, United Kingdom Angeles, CA Antiquities, Egypt Nikki van Basten, Private Practice, Utrecht, Claire Cuyaubère, Fellow in Objects Lisa A. Ackerman, Graduate Intern in Netherlands Camilla Camargos, Substitute Professor, Conservation, Freer Gallery of Art and Arthur Objects Conservation, SUNY Buffalo & Universidade Federal de Minas Gerais, Belo M. Sackler Gallery, Washington, DC Alex Beard, Materials Conservation Horizonte, Minas Gerais, Brazil Metropolitan Museum of Art, New York, NY Research Assistant, National Center for Nathan Daly, Graduate Intern in Conserva- Michiko Adachi, Sherman Fairchild Fellow, Preservation Technology and Training, Anahit Campbell, Book Conservator, tion Science, Getty Conservation Institute, Museum of Fine Arts, Boston, Boston, MA Louisville, KY Conservation Science Student, University of Los Angeles, CA Wisconsin - Milwaukee, Milwaukee William Adair, Gilding Conservator, Elizabeth Beesley, Conservator & Project Jana Dambrogio, Thomas F. Peterson International Institute for Frame Study, Manager, Conservation Solutions, Inc., Dr. Elyse Canosa, Conservation Scientist, (1957) Conservator, MIT Libraries, Curation Washington, DC Washington, DC University of Arizona, Tucson, AZ & Preservation Services, Cambridge, MA Prof Dr. Harby E. Ahmed, Associate Malina Belcheva, Conservator, Chicago, IL Chloe Cao, Student, Johns Hopkins Shanna Daniel, Lead, Conservation Professor of Conservation, Faculty of University, Baltimore, MD & Outreach, Naval History & Heritage Amy Belotti, Digital Collections Manager, Command, Washington, DC Archeology, Cairo University, Giza, Egypt Chicago Film Archives, Chicago, IL Morgan Blei Carbone, Conservator, Angela Andres, Special Collections Museum Textile Services, Andover, MA Rachel Danzing, Conservator of Art on Vincent L. Beltran, Assistant Scientist, Getty Paper, Rachel Danzing Art Conservation, LLC, Conservator, University of Kansas Libraries, Conservation Institute, Los Angeles, CA Francesca Casadio, Conservation Scientist, Lawrence, KS Art Institute of Chicago, Chicago, IL Brooklyn, NY Sarah Bertalan, [PA], Conservator and Tamar Davidowitz, Metals Conservator, Gordon Anson, Deputy Chief of Design, Consultant, Works on Paper, New York, NY Victoria Casado, Professor, ENCRyM-INAH, Head of Exhibitions Production, and Chief Mexico City, Mexico Rijksmuseum, Amsterdam, Netherlands Julia Betancor, PR Fine Art and Customer Lighting Designer, National Gallery of Art, Alison Castaneda, Conservator, Textile Dr. Andrew R. Davis, Chemist, Library of Washington, DC Care Specialist; Paintings Restorer, Garanza Congress, Washington, DC Rehabilitación SL, Madrid Area, Spain Conservation Workshop, Bronx, NY Erika Anticona, Artistic Property restoration, Suzanne Davis, [Fellow], Curator and Elizabeth Curran Boody, Assistant Silvia Centeno, Research Scientist, Museo de Arte Religioso Catedral de Lima, Metropolitan Museum of Art, New York, NY Head of Conservation, Kelsey Museum of Lima, Peru Conservator, Dartmouth College Library, Archaeology, Ann Arbor, MI Hanover, NH Aida Marcela Avalos de Cerna, Director of Rachael Perkins Arenstein, Conservator Lesley A. Day, Samuel H. Kress Foundation Alton J. Bowman, [PA], Senior Conservator, Registry and Documentation, Museo de Arte & Principal, A.M. Art Conservation, LLC, de El Salvador, San Salvador, El Salvador Conservation Fellow, Shelburne Museum, Scarsdale, NY Alton Bowman Studio, Flower Mound, TX Shelburne, VT Paul CW Chan, Assistant Conservator in Paula Artal-Isbrand, Objects Conservator, Dr. Dan Boye, Professor of Physics, Peter Dennis, Vice President of Operations, Davidson College, Davidson, NC Paper Conservation, Conservation Office, Worcester Art Museum, Worcester, MA Leisure & Cultural Services Department, Environmental Analysis, Inc., Chicago, IL Jonathan Ashley-Smith, Head of Daniela Bracchitta, Head Conservator, HKSAR, Hong Kong, China Michele Derrick, [Fellow], Schorr Family Conservation (Retired), Victoria and Albert Laboratory of Archeology, Centro Nacional de Associate Research Scientist, Museum of Conservacion y Restauracion, Santiago, Chile Angela Chang, [PA], Assistant Director Museum, Cambridge, UK and Conservator of Objects and Sculpture, Fine Arts, Boston, Boston, MA Fran Baas, Associate Conservator, Dallas Lukasz Bratasz, Head of Sustainable Harvard Art Museums/Straus Center Bart Devolder, Onsite Coordinator for the Museum of Art, Dallas, TX Conservation Lab, Yale Institute for the for Conservation and Technical Studies, Restoration of the Ghent Altarpiece, Royal Preservation of Cultural Heritage, New Cambridge, MA Institute for Cultural Heritage, Brussel, Blair Bailey, Selby Painting Conservation Haven, CT Fellow, John & Mable Ringling Museum of Raina Chao, Assistant Objects Conservator, Belgium Art, Cincinnati, OH Caitlin Breare, Assistant Conservator, Saint Louis Art Museum, Saint Louis, MO Diana L. Diaz-Cañas, Conservator of Museum of Fine Arts, Boston, Boston, MA Gregory Bailey, Booth Family Rome Prize Amanda Chau, Andrew W. Mellon Fellow Photographs, Harry Ransom Center, Recipient, American Academy in Rome, Camille Myers Breeze, [Fellow], Director, in Objects Conservation, Worcester Art University of Texas at Austin, Austin, TX Rome, Italy Museum Textile Services, Andover, MA Museum, Worcester, MA Arianna DiMucci, Conservator, Queen Whitney Baker, [PA], Head of Conservation Eric Breitung, Senior Research Scientist, Soyeon Choi, Head Conservator, Works Anne’s Revenge Project, North Carolina Services, University of Kansas Libraries, Metropolitan Museum of Art, Washington, on Paper, Yale Center for British Art, New Department of Natural and Cultural Lawrence, KS DC Haven, CT Resources, Greenville, NC Sanchita Balachandran, [Fellow], Associate Leah Bright, Graduate Fellow, Winterthur/ Jason Church, Materials Conservator, Brittany Dolph Dinneen, Mellon Fellow Director, Johns Hopkins Archaeological University of Delaware Program in Art National Center for Preservation Technology in Objects Conservation, Michael C. Carlos Museum, Baltimore, MD Conservation, Tucson, AZ and Training, Natchitoches, LA Museum, Atlanta, GA Joseph Barabe, Senior Research Mary Broadway, Associate Conservator of Elise Effmann Clifford, [Fellow], Head of Yavor Djonev, CEO, Sirma Group Inc., Microscopist, Director of Scientific Imaging, Prints and Drawings, Art Institute of Chicago, Paintings Conservation, de Young Museum, Jersey City, NJ Barabe & Associates LLC, Oak Park, IL Chicago, IL San Francisco, CA Sasha Dobbs, Exhibitions Technical Sophie Barbisan, Fellow, Smithsonian Amy Brost, Andrew W. Mellon Fellow in Matthew Collins, Professor, Statens Assistant, San Francisco Museum of Modern American Art Museum, Washington, DC Media Conservation, Museum of Modern Naturhistoriske Museum, Copehagen, Art, San Francisco, CA Art, New York, NY João Henrique Ribeiro Barbosa, Graduate Denmark Tiarna M. Doherty, [PA], Chief of Conserva- Student, Universidade Federal de Minas JP Brown, Regenstein Associate Conser- Brenna Cook, Conservator, Textiles, Royal tion, Smithsonian American Art Museum, Gerais, Belo Horizonte, MG, Brazil vator, The Field Museum, Chicago, IL Alberta Museum, Edmonton, Canada Area Washington, DC Maria Sol Barcalde, Textile Conservator, Karl Buchberg, Senior Conservator Felicity Corkill, Senior Conservator, Viviana Dominguez, [PA], Chief Conser- Museo de Arte Hispanoamericano Isaac (Retired), Museum of Modern Art, New Digitisation, State Library of NSW, Sydney, vator, Art Conservators Lab, LLC, Miami, FL Fernandez Blanco, Buenos Aires, Argentina York, NY NSW, Australia Nicholas Dorman, Chief Conservator, Stephanie Barnes, Conservator of Paint- Laura Buchner, Senior Conservator, Samantha Couture, Conservator, Flyleaf Seattle Art Museum, Seattle, WA ings, Barnes, Ottawa, ON, Canada Building Conservation Associates, Inc. (BCA), Bindery, Reading, MA Jan Dorscheid, Junior Conservator of New York, NY Rahmaan Barnes, Street Artist and Paula De Cristofaro, Paintings Conservator, Furniture, Rijksmuseum, Amsterdam, Muralist, Chicago, IL L. Burgess, Attorney at Law, Cultural San Francisco Museum of Modern Art, San Netherlands Heritage Partners, LLC, Washington, DC Joyce Hidalgo-Gato Barreiro, Chief of Francisco, CA Remy Dreyfuss-Deseigne, Researcher, Design Department / Museographer, Office Betsy Burr, Samuel H. Kress Conservation Maureen Cross, Lecturer, Courtauld Centre de Recherche sur la Conservation des of the Historian of the City of Havana, Fellow, Arizona State Museum, Tucson, AZ Institute of Art, London, United Kingdom Collections, Paris, France Havana, Cuba 56 Directory of Speakers

Sasha Alexandra Drosdick, MSc Student Ashley Freeman, Research Lab Associate, Andrea Hall, Senior Research Specialist, Mohammed A. Hussein, Conservator, in Conservation Studies, University College Getty Conservation Institute, Los Angeles, CA Johns Hopkins University, Baltimore, MD Egyptian Museum, Cairo, Egypt London in Qatar, Los Angeles, CA Rachel Freeman, Associate Paper Conser- Erin Hammeke, Senior Conservator Abigail Hykin, [PA], Objects Conservator, Abigail Duckor, Andrew W. Mellon Fellow vator, Art Institute of Chicago, Chicago, IL for Special Collections, Duke University Museum of Fine Arts, Boston, Boston, MA in Objects Conservation, Los Angeles Ann Frellsen, Collections Conservator, Libraries, Durham, NC Roy Ingraffia, [PA], Director of Industry County Museum of Art, Los Angeles, CA Emory University Libraries, Atlanta, GA Nagm el Deen Morshed Hamza, Development and Technical Services, Susan Duhl, Conservator/Collections Gloria Alvarez Frigola, Director, Historic Conservator, Grand Egyptian Museum - International Masonry Institute, Ardmore, PA Consultant, Conservator/Collections Photo Archive, Office of the Historian of Old Conservation Center, Giza, Egpt Paul Ingram, Kravis Professor of Business, Consultant/AIC CERT Working Group/AIC Havana, Havana, Cuba Marianne S. Hanley, Preservation Columbia Business School, New York, NY Emergency Committee, Bala Cynwyd, PA Ann Frisina, Textile Conservator, Minnesota Librarian, Syracuse University, Syracuse, NY Davina Kuh Jakobi, Junior Conservator Fletcher Durant, Preservation Librarian, Historical Society, Golden Valley, MN Dr. Hany Hanna, Chief Conservator, for Ship and Scale Models, Rijksmuseum, University of Florida Libraries, Gainesville, FL Astrid Fuller, Artist of historic murals, General Director of Conservation, Helwan, Amsterdam, Netherlands Antoinette Dwan, [Fellow], Paper Chicago, IL El-Saf and Atfeh Sector, Supreme Council Grace Jan, Assistant Chinese Painting Conservator, Art Conservation Services, of Antiquities (SCA), Ministry of Antiquities, Conservator, Freer and Sackler Galleries of Sebastopol, CA Anna Funke, Materials Conservation Intern, Cairo, Egypt NCPTT, Natchitoches, LA Art, Washington, DC Rebecca Elder, [PA], Principal, Rebecca Robin Hanson, [Fellow], Associate Diana Galante, Objects Conservator, Bill Jarema, Engineer/Principal, EwingCole, Elder Cultural Heritage Preservation, Austin, Conservator of Textiles, Cleveland Museum Philadelphia, PA TX National Museum of American History, of Art, Cleveland, OH Washington, DC Skyler Jenkins, Project Conservator, Shirley Ellis, Textile Conservator, Royal Laura Eva Hartman, Associate Paintings Arizona State Museum, University of Arizona, Alberta Museum, Edmonton, AB, Canada Mostyn Gale, Owner/Conservator, Saving Conservator, Dallas Museum of Art, Dallas, TX Time, Santa Barbara, California Area Tucson, Arizona Area Margaret Holben Ellis, [Fellow], Eugene Beatriz Haspo, Collections Officer / Damasia Gallegos, Head of Easel Painting, Justin P. Johnson, Senior Conservator, Thaw Professor of Paper Conservation, NYU Executive manager, Library of Congress, University of Washington, Seattle, WA Institute of Fine Arts, New York, NY Instituto de Investigaciones sobre el Rockville, MD Patrimonio Cultural, Buenos Aires, Argentina Amanda Jones, Preservation Specialist in Tiffani Emig, CAP Program Coordinator, Pamela Hatchfield, [Fellow], Robert P. Leslie Ransick Gat, Conservator, Art the Research and Testing Division, Library of Foundation of the American Institute for and Carol T. Henderson Head of Objects Congress, Washington, DC Conservation, Washington, DC Conservation Group, Long Island, NY Conservation, Museum of Fine Arts, Boston, Cassandra Gero, Assistant Conservator, Boston, MA Dr. Bruce Kaiser, Chief Scientist, Bruker Deena Engel, Clinical Professor, Depart- Corporation, Fitchburg, WI ment of Computer Science at the Courant Metropolitan Museum of Art, New York, NY Taylor Healy, Pre-Program Student, Institute of Mathematical Sciences / New Mariana Di Giacomo, Conservation Fellow, Costume Institute, Metropolitan Museum of Wei Kao, Mellon Fellow in Furniture & York University, New York, NY Smithsonian National Museum of Natural Art, New York, NY Woodwork, Philadelphia Museum of Art, Philadelphia, PA Dr. Robert Erdmann, Senior Scientist, History, Washington, DC Mark Hellar, Owner, Hellar Studios, San Rijksmuseum, Amsterdam, Netherlands Marina B. Gibbons, Assistant Conservator, Francisco, CA Cyntia Karnes, Paper Conservator, Private Practice, Toronto, ON , Canada Sunae Park Evans, [PA], Senior Costume Natural History Museum of Los Angeles Thomas Heller, Diablo, CA County, Los Angeles, CA Dena Kefallinos, Asst Project Manager, Conservator, National Museum of American Holly Herro, Book and Manuscript History, Washington, DC N. Astrid R. van Giffen, [PA], Associate Conservator, ARG Conservation Services, San Conservator, National Institutes of Health, Francisco, CA Patricia Falcao, Time-Based Media Conservator, The Corning Museum of Glass, National Library of Medicine, Bethesda, MD Conservator, Tate, London, United Kingdom Corning, NY Katherine Kelly, Book Conservator, Library Robert Herskovitz, [PA], Outreach of Congress, Washington, DC Andrew Fearon, [PA], Chief Architectural Sarah Giffin, Assistant Conservator, Rosa Conservator, Minnesota Historical Society, Conservator, Materials Conservation, Lowinger and Associates, Los Angeles, CA Saint Paul, MN Stacey Kelly, Paper Conservation Fellow, Philadelphia, PA Molly C. Gleeson, Schwartz Project Amon Carter Museum of American Art, Fort Jeff Hirsch, Principal, EwingCole, Worth, TX Quinn Ferris, Rare Book Conservator, Conservator, Penn Museum, Philadelphia, PA Philadelphia, PA Tara Kennedy, Preservation Services University of Illinois, Urbana, IL Lisa Goldberg, [Fellow], Conservator, Katharina Hoeyng, Research Associate, Private Practice, Corning, NY Librarian, Yale University Library, Greater Briana Feston-Brunet, Conservator of Getty Conservation Institute, Los Angeles, CA New York City Area Sculpture and Variable Media, Hirshhorn Ana Paula Arato Gonçalves, researcher, William Hoffman, Senior Conservator and Museum and Sculpture Garden, Wash- Faculdade de Arquitetura e Urbanismo da Yasmeen Khan, Senior Book Conservator, Project Manager, The Mariners’ Museum, Library of Congress, Washington, DC ington, DC Universidade de São Paulo, Sao Paulo, Brazil Williamsburg, VA Selene Figueroa, Conservator mummy Dana Goodin, Conservation Assistant, Narayan Khandekar, [Fellow], Director, Athena Christa Holbrook, Collection Straus Center for Conservation and Technical bundles, Arturo Jiménez Borja-Puruchuco Cathedral Church of Saint John the Divine Specialist, Museum of Modern Art, Brooklyn, Site Museum, Lima-Peru Textile Conservation Laboratory, New York, NY Studies, Harvard Art Museums/Straus Center NY for Conservation and Technical Studies, Monique C. Fischer, [Fellow], Senior Kiernan Graves, Wall Painting Conservator, Lauren Horelick, [PA], Objects Conservator, Cambridge, MA Photograph Conservator, Northeast Docu- Getty Conservation Institute, Los Angeles, CA National Air and Space Museum, Arlington, ment Conservation Center, Andover, MA Laurie King, Assistant Conservator, The Rebecca Gridley, Graduate Student, VA Mariners’ Museum, West Point, VA Fenella France, [Fellow], Chief of the Conservation Center, The Institute of Fine Deborah Howe, Collections Conservator, Daniel Kirby, Conservation Scientist, Self Preservation Research and Testing Division, Arts, NYU, Brooklyn, NY Dartmouth College Library, Hanover, NH Library of Congress, Washington, DC employed, Milton, MA Xiangmei Gu, Chinese Painting Julio M. Del Hoyo-Meléndez, Research Kathy Francis, Textile Conservator, Francis Conservator, Freer and Sackler Galleries of Per Knutås, Chief Conservator, Cleveland Scientist, National Museum in Krakow, Museum of Art, Cleveland, OH Textile Conservation, LLC, North Falmouth, Art, Washington, DC Krakow, Poland MA Jay Krueger, [Fellow], Head of Painting Olivia Gude, School of the Art Institute of Jun Yin Hsiao, Paper Conservator, JC Ingrid Frederick, World Heritage Chicago, Muralist and Professor, Chicago, IL Conservation, National Gallery of Art, Cultural and Creative Service Co., Ltd., Tainan Washington, DC Studies Master’s Program Student, BTU Anisha Gupta, Andrew. W. Mellon Fellow, City, Taiwan Brandenburg University of Technology Shan Kuang, Samuel H. Kress Fellow in Fine Arts Museums of San Francisco, San Yi-Hsia Hsiao, Assistant conservator on Cottbus-Senftenberg, Paris, France Francisco, CA Painting Conservation, Conservation Center Chinese paintings, Cleveland Museum of of the Institute of Fine Arts, New York Manu Frederickx, Associate Conservator for Martina Haidvogl, Associate Media Art, Cleveland, OH Musical Instruments, Metropolitan Museum University, New York, NY Conservator, San Francisco Museum of Jeff Huebner, Journalist, Chicago, IL of Art, New York, NY Modern Art, San Francisco, CA

57 Speakers are listed here. Full bios and co-authors are Directory of Speakers listed online in Sched and in the Annual Meeting App (p.4).

Kimberly Kwan, Bollinger Conservation Casey Mallinckrodt, Assistant Conservator, Sara M. Nour, Paper Conservator, Museum Christine Perrier, Technical conservator, Fellow, Book Lab, Harry Ransom Center, Sculpture and Decorative Arts, Virginia of Egyptian Antiquities, Cairo, Egypt Laboratory of Archaeology, National Centre Austin, TX Museum of Fine Arts, Richmond, VA Adam Novak, Paper Conservator, Daria K. for Conservation and Restoration, Santiago, Chile Mike Lawrence, Chief of Design, Office Olga Souza Marder, Conservator, LuEsther Conservation LLC, New York, NY of Exhibits, National Museum of Natural T. Mertz Library, New York Botanical Garden, Sarah Nunberg, Conservator, The Objects Joanna Phillips, Conservator, Time-based History, Washington, DC Bronx, NY Conservation Studio, LLC, Brooklyn, NY Media, Solomon R. Guggenheim Museum, New York, NY Kathy Lechuga, Book Conservator, Indiana Angela Matchica, Principal, Engineer, Kaslyne O’Connor, Paper Conservator, Historical Society, Indianapolis, IN EwingCole, Philadelphia, PA Pointe Aux Roches, ON, Canada Rubén Héctor Buitron Picharde, Archaeologist-Conservator, Arturo Jiménez Janet Lee, Conservation Assistant, New-York Catherine l. Maynor, Paper Conservator, Ariel O’Connor, [PA], Objects Conservator, Borja-Puruchuco Site Museum, Lima-Peru Historical Society, New York, NY Smithsonian American Art Museum, Smithsonian American Art Museum, Washington, DC Washington, DC Lisa Marie Pickens, Independent Consul- Lynn Lee, Assistant Scientisst, Getty tant to Nonprofits, including Philanthropy, Conservation Institute, Los Angeles, CA T.K. McClintock, [Fellow], Director, Studio Noelle Ocon, Conservator of Paintings, Chicago, IL Rustin Levenson, [Fellow], President and TKM Associates, Inc., Cambridge, MA North Carolina Museum of Art Foundation, Raleigh, NC Annabel Pinkney, Student, The Ohio State Founder, ArtCare Conservation, A Rustin Molly K. McGath, Andrew W. Mellon University, Columbus, OH Levenson Company, Miami, FL Postdoctoral Fellow, Johns Hopkins Dr. Nancy Odegaard, [Fellow], Conservator/ University, Baltimore, MD Professor, Arizona State Museum/University Elinor Dei Tos Pironti, Textile Conservator, Sara Levin, Assistant Objects Conservator, Fashion Institute of Technology, Brooklyn, NY Mack Art Conservation, Red Hook, NY Patricia McGuiggan, Associate Research of Arizona, Tucson, AZ Professor, Department of Materials Science Mary Oey, Preservation Specialist, Library of Nancy Plax, Community Organizer, Alicia Tonello Lic., Archivist/Conservator, Chicago, IL National Archive Montevideo, Uruguay, and Engineering, Johns Hopkins University, Congress, Washington, DC Montevideo, Uruguay Baltimore, MD Porter Olsen, Ph.D. candidate, University of Gianfranco Pocobene, John L. and Susan Suzan Meijer, Head of Textile Conservation, Maryland, College Park, MD K. Gardner Chief Conservator, Isabella Shu-Wen Lin, Associate Time-Based Media Stewart Gardner Museum, Boston, MA Conservator, M+ Museum, Hong Kong Rijksmuseum, Amsterdam, Netherlands Nina Olssen, President, Heritage Conserva- Sameena Merchant, Assistant Vice tion Group, LLC, Portland, OR Jon Pounds, Executive Director Emeritus, Jeremy Linden, Senior Preservation Chicago Public Art Group, Chicago, IL Environment Specialist, Image Permanence President, Huntington T. Block Insurance Bronwyn Ormsby, Principal Conservation Institute, Rochester, NY Agency, Inc., Washington, DC Scientist, Tate, London, UK Alan Puglia, [PA], Senior Rare Book Michal Mikesell, Post-Graduate Fellow in Conservator, Harvard Library, Weissman Wendy Lindsey, Graduate Student, Nathan Otterson, Senior Conservator, Preservation Center, Arlington, MA University of Arizona, Tucson, AZ Paper Conservation, Hirshhorn Museum and Objects, Guggenheim Museum, New York, Sculpture Garden, Denver, CO Yerko Andrés Quitral, Research Associate, Laura Lipcsei, Senior Conservator of NY Laura Mina, Associate Conservator, The Biological deterioration, University of Chile, Ceramics, Stone and Glass, Royal Ontario David C. Overholt, Senior Project Manager, Santiago, Chile Museum, Toronto, ON, Canada Costume Institute, The Metropolitan The Christman Company, Washington, DC Museum of Art, New York, NY Mark Rabinowitz, [Fellow], Senior Patricia Lissa, Textiles Conservator, Linda M. Owen, Associate Paper Hayley Monroe, Master’s Student, UCLA/ Conservator, Conservation Solutions, Inc, Museum Hispanic American Art Isaac Conservator, Baltimore Museum of Art, Newport, RI Fernandez Blanco, Buenos Aires, Argentina Getty Conservation Master’s Program, Los Baltimore, MD Angeles, CA Suzana Radivojevic, Founder, Ligno Logic, Ruahidy Lombert, Executive Director, Karin van der Pal, PhD Student, Curtin LLC, Eugene, Oregon Area Institute for Conservation and Heritage Suzy Morgan, Preservation Specialist, University, Bentley, WA Research, Santo Domingo Arizona State University Libraries, Tempe, AZ Leslie Rainer, Wall Paintings Conservator, Shaina Palmer, Student, Johns Hopkins Senior Project Specialist, Getty Conservation Krista Lough, Andrew W. Mellon Fellow in Kate Morrand, Director, Archaeology & University, Baltimore, MD Conservation Laboratory, Naval History & Institute, Los Angeles, CA Photograph Conservation, Art Institute of Laura Panadero, Student, The Conservation Chicago, Chicago, IL Heritage Command, Washington, DC Carolina Rainero, Professor, Universidad Center, Institute of Fine Arts, New York Nacional de Rosario, Facultad de Arquitec- Nancy Love, Owner, Philadelphia Textile Sara Moy, Project Conservator, The Art University, New York, NY Institute of Chicago, Chicago, IL tura, Planeamiento y Diseño, Rosario, Santa Conservation, Philadelphia, PA Maria Camila Patiño, Coordinator of Con- Fe, Argentina Sara Munoz-Abramowicz, President and William P. Lull, President, Garrison/Lull Inc., servation and Documentation Department, Manju Rajendran, Facilitator, AORTA, Garrison/Lull Inc., Princeton Jct, NJ CEO, Environmental Analysis, Inc., Chicago, Universidad Militar Nueva Granada, Art and IL Durham, NC Stephanie Lussier, Paper Conservator, Culture Section, Bogotá, Colombia Hanako Murata, [PA], Conservator of Megan Randall, Sculpture Conservation Hirshhorn Museum and Sculpture Garden, Ellen Pearlstein, [Fellow], Professor, UCLA/ Fellow, Museum of Modern Art, New York, NY Washington, DC Photographs, The Better Image, New York, NY Getty Graduate Conservation Program, Los Luciana Murcia, Paintings Conservator, Angeles, CA Kari Rayner, Paintings Conservator, Bertram Lyons, Senior Consultant, National Gallery of Art, Washington, DC AVPreserve, Madison, WI Ministry of Treasury’s Department of Cultural Elizabeth Peirce, Andrew Mellon Fellow in Heritage Recovery, Buenos Aires, Argentina Chris Reich, Chief Administrator, Office of Kristin MacDonough, Digitization Conservation, Historic New England, Greater Megan Narvey, Object Conservation Boston Area Museum Services, Institute of Museum and Specialist, Video Data Bank, Chicago, IL Library Services, Washington, DC Intern, UCL/Canadian Conservation Institute, Elizabeth S. Peña, Project Consultant, Catherine Magee, Mellon Fellow in Book Ottawa, Canada Matt Reiley, Associate Director of Conservation, The Walters Art Museum, Bay Area Conservation Science Initiative, Madeleine Neiman, Project Conservator, Berkeley, CA Conservation/Lead Conservator, Central Park Baltimore, MD Conservancy, New York, NY Penn Museum, Philadelphia, PA Sylvie Pénichon, Senior Conservator, Crystal Maitland, Conservator, Works of Art Ricardo Reis, Professor of Biology, Escola on Paper, Canadian Conservation Institute, Richard Newman, Head of Scientific Department of Photography, Art Institute of Research, Museum of Fine Arts, Boston, Chicago, Chicago, IL Nacional de Saúde Pública Sergio Arouca - Ottawa, ON, Canada ENSP/Fiocruz, Rio de Janeiro, Brazil Boston, MA Anne Peranteau, Textile Conservator, Gennifer Majors, Los Angeles Country Geoffrey Alan Rhodes, Full-Time Faculty, Museum of Art, Los Angeles, CA Alexandra Nichols, Samuel H. Kress Museum of New Zealand Te Papa, Wel- Fellow in Time-based Media, Solomon R. lington, New Zealand Department of Visual Communication Ariana Makau, [PA], Principal Conservator Guggenheim Museum, New York, NY Design, School of the Art Institute of Chicago, & President, Nzilani Glass Conservation, Inc., Monica Perez, Conservator, Centro Nacional Chicago, IL Oakland, CA Gail Niinimaa, President/CEO, Niinimaa de Conservacion y Restauracion, Santiago, Enterprises Inc., Calgary, AB, Canada Chile Sara Ribbans, Assistant Asian Paintings Kathryn Makos, Industrial Hygienist Conservator, Cleveland Museum of Art, (Retired), Smithsonian Institution (Ret.), Dr. Amanda J. Norbutus, Visiting Assistant Cleveland, OH Rockville, MD Professor, Rollins College, Winter Park, FL

58 Directory of Speakers

Julie Ribits, NEH Fellow in Paintings Kerith Koss Schrager, Objects Conservator, Geoffrey Steward, CEO/Managing Director, Ana Carolina Delgado Vieira, Conservator, Conservation, Chrysler Museum of Art, Ann The Found Object Art Conservation, White International Fine Arts Conservation Studios Museu de Arqueologia e Etnologia - Arbor, MI Plains Inc., Atlanta, GA Universidade de Sao Paulo (MAE/USP), Sao Carolyn Riccardelli, [Fellow], Conservator, Cynthia Schwarz, Assistant Conservator of Denise Stockman, Associate Conservator Paulo, Brazil The Metropolitan Museum of Art, New York, Paintings, Yale University Art Gallery, New of Paper, Barbara Goldsmith Preservation Judith Walsh, [Fellow], Professor emerita, NY Haven, CT Division, New York Public Library, Long Island Paper Conservation, Buffalo State Program in Danyelle Rickard, Museum Assessment Nathália Vieira Serrano, Conservator, City, NY Art Conservation, Buffalo, NY Program Officer, American Alliance of Fundação Oswaldo Cruz, Rio de Janeiro, Elizabeth Stone, Assistant Conservator, Jessica Walthew, Fellow, Bard Graduate Museums, Washington, DC Brazil University of Iowa Libraries, Iowa City, IA Center and American Museum of Natural Susan Roberts-Manganelli, Director, Jennifer McGlinchey Sexton, Conservator, Gerri Strickler, Associate Conservator, History, American Museum of Natural Art+Science Learning Lab, Cantor Arts McGlinchey Sexton Conservation, LLC, Objects, Museum of Fine Arts, Boston, History, New York, NY Center, Stanford, CA Colorado Springs, CO Boston, MA Marc Walton, Senior Scientist, North- Dawn Rogala, [Fellow], Paintings Conser- Islam Abd el Maksoud Shaheen, Mary F. Striegel, [Fellow], Chief of Materials western University / Art Institute of Chicago vator, Smithsonian Museum Conservation Conservation Scientist, Grand Egyptian Conservation, NCPTT, Natchitoches, LA Center for Scientific Studies in the Arts (NU-ACCESS), Evanston, IL Institute, Suitland, MD Museum, Nassar, Al Haram, Giza, Egpyt Steven Stuckey, Architectural Conservator, Corina Rogge, [PA], Research Scientist, Will Shank, [Fellow], Independent George Washington’s Mount Vernon Estate, Lieve Watteeuw, Coordinator, Illuminare Museum of Fine Arts, Houston, Houston, TX Conservator and Curator, Rescue Public Mount Vernon, VA & Book Heriage Lab, KU Leuven, Leuven, Belgium Nina Roth-Wells, [Fellow], Nina A Roth- Murals, Barcelona, Spain Kathleen M. Sullivan, Conservator, Wells, Nina A Roth-Wells LLC, Georgetown, Samantha Sheesley, Paper Conservator, Mariners’ Museum, Newport News, VA Steve Weaver, Executive Director, Chicago Public Art Group, Chicago, IL ME Virginia Museum of Fine Arts, Richmond, VA Michelle Sullivan, Assistant Paper Matilde Rubio, Art Conservator, Tohono Mostafa Sherif, Control Unit Manager, Conservator, J. Paul Getty Museum, Los Marianne Webb, Conservator, Webb Restoration, Tucson, AZ Ministry of Antiquites, Rasheed, ALX, Egypt Angeles, CA Conservation Services, Halfmoon Bay, BC, Canada Susan Russick, Special Collections L.H. (Hugh) Shockey, [PA], Head of Tom Tague, Ph.D., Applications Manager, Conservator, Northwestern University Library, Conservation, Saint Louis Art Museum, St. Bruker Corporation, Fitchburg, WI John Pitman Weber, Artist, Chicago, IL Wilmette, IL Louis, MO Maria Pia Tamborini, Conservator, Dr. W. (Bill) Wei, Senior Conservation John Russick , Vice President for Suzanne Siano, [Fellow], Paintings Museum of the National Chamber of Scientist, Rijksdienst voor het Cultureel Interpretation and Education, Chicago Conservator/Director, Modern Art Conserva- Deputies of the Argentine Nation, Buenos Erfgoed, Amsterdam, Netherlands History Museum, Chicago, IL tion, New York, NY Aires, Argentina Steven Weintraub, [PA], Principal, Art Cindy Connelly Ryan, [PA], Conservation Tony Sigel, Senior Conservator of Objects Ahmed Tarek, Conservator, Grand Egyptian Preservation Services, Inc., Long Is City, NY Scientist, Library of Congress, Silver Spring, and Sculpture, Harvard Art Museums/ Museum - Conservation Center, Cairo, Egypt Julia Welby, Assistant Archivist, Collections MD Straus Center for Conservation and Technical Jennifer Hain Teper, [Fellow], Velde Management, Rockefeller Archive Center, Rachel C. Sabino, Associate Conservator, Art Studies, Cambridge, MA Professor and Head, Preservation Services, Greater New York City Area Institute of Chicago, Chicago, IL Patricia Silence, Director of Preventive University of Illinois Libraries, Urbana, IL Glenn Wharton, [Fellow], Clinical Associate Janelle Elyse Sahutski, Architectural Conservation, Colonial Williamsburg David Thomas, Researcher, Freer and Professor, New York University, Museum Conservator, Preservation Virginia, Foundation, Williamsburg, VA Sackler Galleries of Art, Washington, DC Studies, New York, NY Richmond, VA Julie Simek, Associate Paintings Conser- Jonathan Thornton, [Fellow], Professor, Casey Wigglesworth, Account Executive, Martha Contreras Sainz, Teacher, ENCRyM, vator, Art Institute of Chicago, Chicago, IL Objects Conservation, Buffalo State Program Huntington T. Block Insurance Agency, Inc., Coyoacan, Mexico Margaret Skimina, Associate Director in Art Conservation, Buffalo, NY Washington, DC Dr. Yussri Salem, Lecturer in Conservation for Environmental Health, Safety, and Fire Cybele Tom, Assistant Conservator, Art Meredith Wilcox-Levine, Textile Department, Faculty of Archaeology, South Protection, Art Institute of Chicago, Chicago, Institute of Chicago, Chicago, IL Conservator, Textile Conservation Workshop, IL Yonkers, NY Valley University, Qena, Egypt Tong Tong, Andrew W. Mellon Founda- Crystal Sanchez, Video and Digital Noah Smutz, Book Conservator, Smithso- tion Objects Conservation Fellow, The Bernard Williams, Artist and restorer, Preservation Specialist, Digital Asset nian Institution Libraries, Washington, DC Metropolitan Museum of Art, Department Chicago, IL Management System, Smithsonian Institu- Andy Song, Visiting Scholar, George of Objects Conservation, New York, NY Deirdre Windsor, [PA], Principal, Windsor tion, Washington, DC Eastman House, Rochester, NY Oya Topçuoğlu, Lecturer, Northwestern Conservation, Dover, MA Elsa Sangouard, Senior Conservator, The Ever Song, Conservators’ Program, Fine University, Evanston, IL Claire Winfield, [PA], Associate Painting Mariners’ Museum, Newport News, VA Art Division, Huntington T. Block Insurance Elena Torok, Project Conservator, Yale Conservator, Saint Louis Art Museum, St. Lluïsa Sàrries-Zgonc, Conservator for Agency, Inc., Washington, DC University Art Gallery, New Haven, CT Louis, MO Paintings and Sculpture, Peter Freeman Inc., Liz Sorokin, Associate Paper Conservator, Johanna Tower, Assistant Conservator, Sara J. Wohler, Assistant Paintings Conser- New York, NY Midwest Art Conservation Center, Min- Windsor Conservation, Dover, MA vator, Kuniej Berry Associates, Chicago, IL neapolis, MN Beata Sasinska, Conservator, EverGreene Karen Trentelman, Senior Scientist, Getty Julie Wolfe, Conservator, J. Paul Getty Architectural Arts, Inc., Newington, CT Caitlin Southwick, Student, MA Conservation Institute, Los Angeles, CA Museum, Los Angeles, CA Sarah Scaturro, Head Conservator, Costume Conservation and Restoration of Cultural Caryl Yasko, Muralist, Chicago, IL Heritage, University of Amsterdam, Gouda, Nikhil Trivedi, , Chicago, IL Institute, Metropolitan Museum of Art, New Lisa Young, [Fellow], Objects Conservator, York, NY Netherlands Hsin-Chen Tsai, Associate Conservator, Museum of Fine Arts, Boston, Boston, MA National Air and Space Museum, Annandale, Ashleigh Schieszer, Co-manager and Laura Speranza, Funzionario storico VA Conservator of Special Collections, The dell’arte, Opificio delle Pietre Dure, Florence, Jessica Unger, Emergency Programs Italy Coordinator, Foundation of the American Marisol Zuñiga, Collection Coordinator, Preservation Lab, Cincinnati, OH Ludwig von Mises Library, Guatemala, Laura Hortz Stanton, Executive Director, Institute for Conservation of Historic and Andrea E. Schlather, Postdoctoral Fellow, Artistic Works, Washington, DC Guatemala Metropolitan Museum of Art, New York, NY Conservation Center for Art & Historic Artifacts, Philadelphia, PA Marissa Vassari, Assistant Archivist and Sophia Zweifel, Isabel Bader Fellow in Paige L. Schmidt, Graduate Fellow, Buffalo Textile Conservation and Research, Agnes Chris Stavroudis, [PA], Paintings Conser- Educator, Rockefeller Archive Center, Sleepy State Program in Art Conservation, Clyde, NC Hollow, NY Etherington Art Centre, Queen’s University, vator, West Hollywood, W Hollywood, CA Kingston, On, Canada Kirsten Schoonmaker, Assistant Conser- Alian Molina Veloso, Graduate in Micro- vator, Shelburne Museum, Shelburne, VT Friederike Steckling, Conservator, Fonda- tion Beyeler, Riehen, Switzerland biology, National Archive of the Republic of Cuba, Havana, Cuba 59 Tour and Bus Hotel Maps Meet here Departures for Tours, All buses to tours and Receptions receptions, plus all walking tours, will depart from the Crystal Foyer, East Tower

Plaza Ballroom: Collection Care, Sustainability Sessions Crystal Ballroom: Architecture (and joint WAG) in A, Objects in B, Textiles in C Two General Session tracks

Comisky: Electronic Media (Most workshops, Michigan 1: Photographic luncheons, and discussion Materials, Art on Paper DG sessions on this level)

Acapulco: Wooden Artifacts Regency Ballroom: Book & Paper in A-B Paintings in C General RATS in D Sessions Exhibit Registration Hall

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