Corporate Responsibility Topic of Huntsman Talk Thunderbird Awards
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PRODUCTION BIOGRAPHIES COURTNEY KEMP AGBOH (Creator, Showrunner, Executive Producer)
PRODUCTION BIOGRAPHIES COURTNEY KEMP AGBOH (Creator, Showrunner, Executive Producer) Courtney Kemp Agboh started her career in the magazine world, publishing articles in GQ, Vibe, and Marie Claire. She then left New York to pursue television writing, starting out in comedy on “The Bernie Mac Show” (Fox), and transitioning into one-hour drama, with stints on “Eli Stone” (ABC) and “The Good Wife” (CBS), among others. She is the creator and show runner of “Power,” which in its first season doubled viewership from its premiere episode to its finale and generated the largest concentration of African American viewership of any scripted premium series since 2006. Kemp Agboh holds a B.A. from Brown University in English Literature and received her M.A. in English literature from Columbia University. She lives in Los Angeles. DAVID KNOLLER (Executive Producer, Director Episodes 203, 205) Working first as an actor in theater, television and film, David Knoller segued into live television producing, while still directing theater and teaching acting in the Los Angeles area. He produced Specials for CBS and HBO, and was soon asked to join Home Box Office as an executive. While at HBO, David produced the concert feature film Martin Lawrence: You So Crazy and the award winning mini-series “America’s Dream” with Danny Glover and Wesley Snipes. David also oversaw the productions of HBO’s “Comic Relief,” “One Night Stand,” “Women of the Night,” “Dream On” and “Larry Sanders,” along with pilots and series for its upstart HBO Independent Productions, which included FOX’s “Roc,” “Down The Shore” and “Martin”. -
Commercial Display Information
Townsquare Media Boise does not discriminate on the basis of race, sex or ethnicity in the placement, scheduling and completion of purchase of advertising. Any order for advertising that includes any such restriction will not be accepted. TOWNSQUARE MEDIA BOISE www.BoiseMusicFestival.com COMMERCIAL DISPLAY INFORMATION Outside Display Space Vendor Selling Locations: $250.00 per 10’x10’; $50.00 extra per corner booth. Event Time: 10am-10pm - Saturday June 28; Vendors access to grounds at 9am. Set Up: 9am-6pm - Friday June 27; No set up Saturday. No Exceptions! Tear Down: 10pm-12am - Saturday June 28; All displays must be gone by 12am. Floor Plan: All spaces are 10’x10’ Electricity not available at all locations, and must be pre-ordered. E All booth locations are on grass. N vS W To secure a vendor location or for more information contact David Beale: (208) 939-6426 ext. 29 -or- [email protected] www.spectraproductions.com n Event Recap for Annual Attendance: 2010-2013 Boise Estimated at 83,192 in 2013 Music Festival Previous years 60,000-75,000 (many from out of town) Live Music All Day: Main Stage has 5-8 National Artists Six Stages have up to 60 Local Acts Previous Main Stage Artists: Candlebox Sugar Ray Carly Rae Jepsen Karmin Vanilla Ice Alex Band Jason Derulo Andy Grammer Dakota Bradley Rock Mafia LL Cool J Ryan Star Joan Jett & Green River The Blackhearts Ordinance Brett Michaels James Durbin MC Hammer He Is We Kellie Pickler Chris Rene Backstreet Boys Vicci Martinez Macy Gray Days Difference Smashmourth Safety Suit Other Activities: 50+ Food Vendors 7 Beer/Wine Gardens 120+ Vendor Craft Fair & Flea Market Family & Child Play Area Boise 100 and RV & Boat shows Area Lodging/Business Impact: Area hotels sell out. -
Emotions, Situations and Music
Durham E-Theses A Framework of Distinct Musical Chills: Theoretical, Causal, and Conceptual Evidence BANNISTER, SCOTT,CRAIG How to cite: BANNISTER, SCOTT,CRAIG (2020) A Framework of Distinct Musical Chills: Theoretical, Causal, and Conceptual Evidence, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/13582/ Use policy This work is licensed under a Creative Commons Attribution Non-commercial 3.0 (CC BY-NC) Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk A Framework of Distinct Musical Chills: Theoretical, Causal, and Conceptual Evidence Scott Bannister Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the Department of Music Durham University, September 2019 ABSTRACT The phenomenon of musical chills has attracted extensive attention in previous music and emotion research, correlating the experience with musical structure, psychoacoustics parameters, individual differences in listeners, and the listening situation. However, there are three crucial limitations in the literature: 1) The emotional characteristics of musical chills have not been explored, and are poorly understood; 2) musical chills have never been causally manipulated, and no theories have been tested; and 3) it is unclear whether chills are a unified psychological construct, or a set of distinct experiences, distinguished at the levels of subjective feeling, psychophysiological -
An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library
DOCUMENT RESUME ED 435 403 IR 057 553 AUTHOR Halliday, Blane TITLE An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library. PUB DATE 1999-05-00 NOTE 94p.; Master's Research Paper, Kent State University. Information Science. Appendices may not reproduce adequately. PUB TYPE Dissertations/Theses (040) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS *Audiodisks; Discographies; *Library Collection Development; *Library Collections; *Optical Disks; *Popular Music; *Public Libraries; Research Libraries; Tables (Data) IDENTIFIERS *Cleveland Public Library OH ABSTRACT In the 1970s and early 1980s, a few library researchers and scholars made a case for the importance of public libraries' acquisition of popular music, particularly rock music sound recordings. Their arguments were based on the anticipated historical and cultural importance of obtaining and maintaining a collection of these materials. Little new research in this direction has been performed since then. The question arose as to what, if anything, has changed since this time. This question was answered by examining the compact disc holdings of the Cleveland Public Library, a major research-oriented facility. This examination was accomplished using three discographies of essential rock music titles, as well as recent "Billboard" Top 200 Album charts. The results indicated a strong orientation toward the acquisition of recent releases, with the "Billboard" charts showing the largest percentages of holdings for the system. Meanwhile, the holdings vis-a-vis the essential discographies ran directly opposite the "Billboard" holdings. This implies a program of short-term patron satisfaction by providing current "hits," while disregarding the long-term benefits of a collection based on demonstrated artistic relevance. -
Koala Are Dropped J-Board Not Convinced That the Humor Publication Disrupted a Mecha Meeting by EVAN MCLAUGHLIN Nati Onal Spec Tacle
Summer sounds: The Jeep World Outdoor Festival brings rockers like Sheryl Crow, O.A.R. and Train to Coors Ampitheatre on July 25 . See hiatus, page 8 THE UCSD Circulation MONDAY 11,000 July 15, 2002 u : ~r\.'\ IJI[ (;O www. 1tcsdguflrdinn.org \ 'OI.L'.\IE 106. ISSL't- 21 Charges against the Koala are dropped J-board not convinced that the humor publication disrupted a MEChA meeting By EVAN MCLAUGHLIN nati onal spec tacle. " It is extrem ely IInpon ant to News Editor T he struggle between th e uni understand that the action t:lken versity and the Koala has gai ned by the ul1l vcrsity have nothing to Charg e::~ tha t the KUfl la disrupt attention from national media o ut do with the Koa la's coment, but ed ,\ ,'v1 ovmi ento Estudi'lntil lets, including TIN WflII S tru t rathe r with its conduct of behav C hlCana/o de Aztian meeting Nov. Journfll, Dr. Laura Schlessinger's ior," W atson sa id. 19, ]001, were dropped by the sy ndicated ra dio program a nd According to George Liddle, UCS[) administrati on after the United Press International. The editor in chi ef o f the KUflla, the ca mpus-wid e jud icial board found Freedom of Individual Ri ghts in media's attention o f the contlict has that there:: was ll1sufficient evidence Educa tion center has also posted a stelllmed fr om a set of e-mails against the snldent publication in a press release on its Web sitt! accus between /\1 EChA member Ernesto June S hearing. -
No-Go on Luttrell As Student Center Students at Its Downtown Anniston Renovated, the Asbestos Fibers Can Be Sororites and Fraternities, As Well As a Campus
FEATURES:Ethan & the Ewox .Page 6 SPORTS:Gamecocks win one Page 10 CHANTICLEER Right to speak to SCA raises debate By Philip Attinger and Thomas Webb Chanticleer News writers b,uilding ne,~Cam- This week's SGA meeting broke up early after a heated exchange erupted between members of the audience and some senators concerning the presence of Jose Martinez. Martinez, his mouth covered with by Beniamin Cunningham tape which read "SGA", walked back and forth Editor-in-Chief through the rows of empty chairs holding signs stat- ing his belief that the SGA- in particular, First Vice JSU may not be alone in the com- President Matt Crandon -was attempting to deprive prehensive higher education busi- him of his First Amendment rights. ness in Calhoun County for long, according to JSU President Harold The debate was sparked when, during the student body report, a student expressed her disappointment with the behavior of. some senators regarcring Martinez's presence. This included Environmental Committee Chairperson Daniel Dean's response, "I want to apologize. I'm not as well prepared as I should be Got anymore tape, dude?" when called upon by Crandon for his committee's report. The discussion centered around comments made space on Fort McClellan in a joint concerning Martinez's right to speak at the SGA educational project, Ayers is inter- meetings. Senator Jarrod Nichols pointed out that Martinez is no longer a student. "No one is trying to be immature. The problem that happens is we just think, that in order to speak one must have standing .. -
The Soldiers Daughter Free
FREE THE SOLDIERS DAUGHTER PDF Rosie Goodwin | 448 pages | 28 Aug 2014 | Little, Brown Book Group | 9781472101723 | English | London, United Kingdom A Soldier's Daughter Never Cries () - IMDb From Coraline to ParaNorman check out some of our favorite family-friendly movie picks to watch this Halloween. See the full gallery. This fictionalized story, based on the family life of writer James Jones, is an emotionless slice-of-life story. Jones here is portrayed as Bill Willis, a former war hero and now successful author who obviously drinks too much and is starting to experience health problems. Living in France with his wife, daughter, and an The Soldiers Daughter son, the family travels an unconventional road that leaves all of them as outsiders The Soldiers Daughter others. Preaching a sexual freedom, his daughter's sexual acceptance begins at an early age and betrays her when the family moves to Hanover in America. Her sexuality is definitely not the normal for American teens and gives her a bad reputation and outcasts her. Meanwhile her brooding brother struggles with his own inner turmoils about his early desertion in life. Only within the tight knit confines of his family is he comfortable to even speak. This is an sensitive exploration of the family and place. The Soldiers Daughter noticed that Bill Willis was the only father in the picture, Billy and Francis did not have fathers. As a coming of age movie it really worked- for not only does Channe lose some of her innocence- it starts in the tree house- she also is able to accept her coming into adult status- as is evidenced by dumping The Soldiers Daughter jock and losing some of her self- centeredness. -
Jack Joseph Puig Girls Don’T Cry by Fergie
craft My Wings by Bette Midler plus Iris from the Goo Goo Dolls. Heavier Things by John Mayer, Big Jack Joseph Puig Girls Don’t Cry by Fergie. All of those are great, successful records. All were Grammy records — He’s one of the very few producer/engineers who also holds a job in A&R. JJP talks those records were what basically created the sound to NIGEL JOPSON about the fi rst draft, compressors, Waves plug-ins and doing of those acts — and that’s the notch on the belt: not how great the bass drum sounds, not how good something right. the cymbals sound or the cool thing on the electric guitar, none of that shit matters. When you have ack Joseph Puig is a Grammy Award-winning over a decade, arranging his huge collection of vintage that kind of success over a period of time, it gives engineer and producer with a long track record outboard equipment and music memorabilia into a you a level of confi dence — ‘You know what, I can of successful productions and chart-friendly creative cave resembling a million-dollar version of actually do it!’ Anyone can do it once, but when it’s mixes. He began his career engineering at a funky art-deco rehearsal hall. Recently, Waves that many times and that signifi cant, then you’re JMCA Whitney studios, later becoming the legendary launched the JJP plug-in collection (reviewed in doing something right. Bill Schnee’s protégé. Along with Schnee, he lists Resolution V7.6), emulations of Jack Joseph’s vintage Arif Mardin and Glyn Johns — Puig engineered 8 or Fairchild compressors and Pultec EQs. -
Universitá Degli Studi Di Milano Facoltà Di Scienze Matematiche, Fisiche E Naturali Dipartimento Di Tecnologie Dell'informazione
UNIVERSITÁ DEGLI STUDI DI MILANO FACOLTÀ DI SCIENZE MATEMATICHE, FISICHE E NATURALI DIPARTIMENTO DI TECNOLOGIE DELL'INFORMAZIONE SCUOLA DI DOTTORATO IN INFORMATICA Settore disciplinare INF/01 TESI DI DOTTORATO DI RICERCA CICLO XXIII SERENDIPITOUS MENTORSHIP IN MUSIC RECOMMENDER SYSTEMS Eugenio Tacchini Relatore: Prof. Ernesto Damiani Direttore della Scuola di Dottorato: Prof. Ernesto Damiani Anno Accademico 2010/2011 II Acknowledgements I would like to thank all the people who helped me during my Ph.D. First of all I would like to thank Prof. Ernesto Damiani, my advisor, not only for his support and the knowledge he imparted to me but also for his capacity of understanding my needs and for having let me follow my passions; thanks also to all the other people of the SESAR Lab, in particular to Paolo Ceravolo and Gabriele Gianini. Thanks to Prof. Domenico Ferrari, who gave me the possibility to work in an inspiring context after my graduation, helping me to understand the direction I had to take. Thanks to Prof. Ken Goldberg for having hosted me in his laboratory, the Berkeley Laboratory for Automation Science and Engineering at the University of California, Berkeley, a place where I learnt a lot; thanks also to all the people of the research group and in particular to Dmitry Berenson and Timmy Siauw for the very fruitful discussions about clustering, path searching and other aspects of my work. Thanks to all the people who accepted to review my work: Prof. Richard Chbeir, Prof. Ken Goldberg, Prof. Przemysław Kazienko, Prof. Ronald Maier and Prof. Robert Tolksdorf. Thanks to 7digital, our media partner for the experimental test, and in particular to Filip Denker. -
Crossroads 8-09 Ed
ross COfficial newsletter R ads of the August 2009 Suwanee makes ‘Money’s’ Summer doldrums? best places to live list – Suwanee’s got the again ‘Tonic’ and more Once again, Money maga- Two bands with huge hits in the mid to late 1990s zine has found life in Suwanee and early 2000s will rock Suwanee with free concerts in to be sweet. Suwanee is includ- August and September. ed in the magazine’s 2009 list of America’s 100 best places to live. A regional model for open space preservation and creation of parks as well as smart- growth development, Suwanee was ranked number 35 in Money’s 2009 list of best small towns. “We’re so proud to have our community recognized nationally,” says Suwanee Mayor Dave Williams. “As a community, we’ve Concert in the Park undertaken some bold measures, that through collaboration and diligence, have helped to create an outstanding quality of life. We’ll Following a several-year hiatus, Grammy-nominated, continue to build on this momentum to ensure that Suwanee platinum-selling Tonic is back on tour and will headline remains a great place to live.” Suwanee’s annual Concert in the Park on August 15. “If You Could Only See,” from the band’s debut In compiling this year’s best places list, Money paid particular album Lemon Parade was the most-played song of attention to economic-related factors. Other data that Money used in 1998. In 2003, Tonic received two Grammy nomina- its consideration of more than 2,400 small towns with populations tions for Best Rock Performance by a Duo or Group Continued on page 4 for “Take Me as I Am” and for Best Rock Album for Head on Straight. -
FOX SEARCHLIGHT PICTURES Presents in Association with TSG Entertainment a PACIFIC STANDARD / 26 KEYS Production Natalie Portman
FOX SEARCHLIGHT PICTURES Presents In Association with TSG Entertainment A PACIFIC STANDARD / 26 KEYS Production Natalie Portman Jon Hamm Zazie Beetz Dan Stevens Colman Domingo and Ellen Burstyn Directed by………………………………………………………………………...Noah Hawley Screenplay by………………………Brian C Brown & Elliott DiGuiseppi and Noah Hawley Story by……………………………………………………Brian C Brown & Elliott DiGuiseppi Produced by………………………………………………………………..Reese Witherspoon …………………………………………………………………………Bruna Papandrea, p.g.a. ……………………………………………………………………………...Noah Hawley, p.g.a. …………………………………………………………………………….John Cameron, p.g.a. Executive Producers………………………………………………………………...Molly Allen ……………………………………………………………..…………………………Leigh Kittay ……………………………………………………………..……………………...Brian C Brown ………………………………………………………………………………….Elliott DiGuiseppi Director of Photography…………………………………………….Polly Morgan, ASC, BSC Production Designer……………………………………………………………..Stefania Cella Film Editor………………………………………………………………………….Regis Kimble Costume Designer………………………………………………………………Louise Frogley Music by……………………………………………………………………………….Jeff Russo Casting by………………………………………………………………………….Ronna Kress Music Supervisor………………………………………………………………..Maggie Phillips http://www.foxsearchlight.com/press Running Time: 124 minutes Rating: R Los Angeles New York Regional Lauren Gladney Samantha Fetner Isabelle Sugimoto Tel: 310.369.5918 Tel: 212.556.8696 Tel: 310.369.2078 [email protected] [email protected] [email protected] -1- In LUCY IN THE SKY, Natalie Portman plays Lucy Cola, a strong woman whose determination -
What Is Theatre's Role As a Worship Tool in a Messianic Synagogue?
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2007 What Is Theatre's Role As A Worship Tool In A Messianic Synagogue? Jennifer Pedraza University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Pedraza, Jennifer, "What Is Theatre's Role As A Worship Tool In A Messianic Synagogue?" (2007). Electronic Theses and Dissertations, 2004-2019. 3296. https://stars.library.ucf.edu/etd/3296 WHAT IS THEATRE’S ROLE AS A WORSHIP TOOL IN A MESSIANIC JEWISH SYNAGOGUE? by JENNIFER ELIZABETH PEDRAZA B.F.A. Shenandoah University, 2004 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Theatre for Young Audiences in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2007 ©2007 Jennifer Pedraza ii ABSTRACT In this study, I worked with an ensemble of teenagers from Ayts Chayim Messianic Synagogue in Boca Raton, Florida to develop an original Purim play to be presented for the congregation and the public. I specifically explored “What is theatre’s role as a worship tool in a Messianic Jewish Synagogue?” My ultimate goal in this process was to honor God through the creative arts, and I used the process of creating the play to discover the specific ways that theatre can be used as a worship tool, from script development to theatrical presentation.