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HAITI COUNTRY READER TABLE of CONTENTS Merritt N. Cootes 1932
HAITI COUNTRY READER TABLE OF CONTENTS Merritt N. Cootes 1932 Junior Officer, Port-au-Prince 1937-1940 Vice Consul, Port-au-Prince Henry L. T. Koren 1948-1951 Administrative Officer, Port-au-Prince Slator Clay Blackiston, Jr. 1950-1952 Economic Officer, Port-au-Prince Milton Barall 1954-1956 Deputy Chief of Mission, Port-au-Prince Raymond E. Chambers 1955-1957 Deputy Director of Binational Center, USIA, Port-au-Prince Edmund Murphy 1961-1963 Public Affairs Office, USIA, Port-au-Prince Jack Mendelsohn 1964-1966 Consular/Political Officer, Port-au-Prince Claude G. Ross 1967-1969 Ambassador, Haiti John R. Burke 1970-1972 Deputy Chief of Mission, Port-au-Prince Harry E. Mattox 1970-1973 Economic Officer, Port-au-Prince Robert S. Steven 1971-1973 Special Assistant to Under Secretary of Management, Department of State, Washington, DC Jon G. Edensword 1972-1973 Visa Officer, Port-au-Prince Michael Norton 1972-1980 Radio News Reporter, Haiti Keith L. Wauchope 1973-1974 State Department Haiti Desk Officer, Washington, DC Scott Behoteguy 1973-1977 Mission Director, USAID, Haiti Wayne White 1976-1978 Consular Officer, Port-au-Prince Lawrence E. Harrison 1977-1979 USAID Mission Director, Port-au-Prince William B. Jones 1977-1980 Ambassador, Haiti Anne O. Cary 1978-1980 Economic/Commercial Officer, Port-au- Prince Ints M. Silins 1978-1980 Political Officer, Port-au-Prince Scott E. Smith 1979-1981 Head of Project Development Office, USAID, Port-au-Prince Henry L. Kimelman 1980-1981 Ambassador, Haiti David R. Adams 1981-1984 Mission Director, USAID, Haiti Clayton E. McManaway, Jr. 1983-1986 Ambassador, Haiti Jon G. -
NZIFF19 Christchurch WEB.Pdf
CHRISTCHURCH 8 – 25 AUGUST 2019 TIMARU 15 – 25 AUGUST 2019 NZIFF.CO.NZ NZIFF0619_Christchurch-1.indd 1 3/07/19 1:40 PM NZIFF0619_Christchurch-1.indd 2 3/07/19 1:40 PM 43rd Christchurch International Film Festival Presented by New Zealand Film Festival Trust under the distinguished patronage of Her Excellency The Right Honourable Dame Patsy Reddy, Governor-General of New Zealand ISAAC THEATRE ROYAL LUMIÈRE CINEMAS MOVIE MAX DIGITAL PROUDLY SUPPORTED BY General Manager: Sharon Byrne Programmer: Sandra Reid Programme Manager: Michael McDonnell Assistant to the General Manager: Caroline Palmer Communications Manager: Melissa Booth Publicists (Christchurch): Jo Scott, Tanya Jephson Festival Host (Christchurch): Nick Paris Publicist: Sally Woodfield Animation NOW! Programmer: Malcolm Turner All Ages Programmer: Nic Marshall Incredibly Strange Programmer: Anthony Timpson Publications Manager: Tim Wong Programme Consultant: Chris Matthews Content Manager: Ina Kinski Content Assistant: Lauri Korpela Technical Adviser: Ian Freer Online Content Coordinator: Sanja Maric Audience Development Coordinator: Emma Carter Guest Coordinator: Lauren Day Social Media Coordinator: David Oxenbridge Communications Assistant: Lynnaire MacDonald Communications Assistant (Auckland): Camila Araos Elevancini Online Social Assistant: Bradley Pratt Festival Accounts: Alan Collins Festival Interns: Erin Rogatski (Auckland) Jessica Hof (Wellington) Publication Design: Ocean Design Group Publication Production: Greg Simpson Cover Design: Blair Mainwaring Cover Illustration: -
Local Ownership of Projects in Situations of Fragility and Instability
USAID FUNDS AND LOCALS OWN: LOCAL OWNERSHIP OF PROJECTS IN SITUATIONS OF FRAGILITY AND INSTABILITY. THE CASES OF IDEJEN IN HAITI AND BUILDING PEACE AND PROSPERITY IN CASAMANCE, SENEGAL by Joseph N. Sany A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Public Policy Committee: _______________________________________ Jack A. Goldstone, Chair _______________________________________ Janine Wedel _______________________________________ Allison Frendak-Blume _______________________________________ Terrence Lyons _______________________________________ Clare Ignatowski, External Reader _______________________________________ James P. Pfiffner, Program Director _______________________________________ Edward Rhodes, Dean Date: __________________________________ Spring Semester 2013 George Mason University Fairfax, VA USAID Funds and Locals Own: Local Ownership of Projects in Situations of Fragility and Instability. The cases of IDEJEN in Haiti and Building Peace and Prosperity in Casamance , Senegal A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University By Joseph Nzima Sany Master of Science George Mason University, 2005 Director: Jack Goldstone, Professor School of Public Policy Spring Semester 2013 George Mason University Fairfax, VA Copyright 2013 Joseph Nzima Sany All Rights Reserved ii DEDICATION To my wife, Melanie and our four children; I hope this work inspires them to continuously make a meaningful contribution for the betterment of humankind. iii ACKNOWLEDGEMENTS I am very grateful to my wife, Melanie, who advised, supported and encouraged me to move forward with this research, when obstacles seemed insurmountable. Writing a dissertation is not only an intellectual endeavor, it is also a psychological one. It tests one’s resolve, stamina and determination. -
NZIFF 2019 Wellington Programme
WELLINGTON 26 JULY – 11 AUGUST 2019 BOOK AT NZIFF.CO.NZ NZIFF0719_WELLINGTON-1.indd 1 19/06/19 2:40 PM Join our newsletter or follow us on social media, to keep up with the centenary programme of events. @mccahonhouse mccahonhouse.org.nz mccahon100.org.nz MH1425FANZIFF0719_WELLINGTON-1.indd McCahon100 NZIFF ad.indd 2 2 12/06/1919/06/19 5:362:40 PM 48th Wellington International Film Festival Presented by New Zealand Film Festival Trust under the distinguished patronage of Her Excellency The Right Honourable Dame Patsy Reddy, Governor-General of New Zealand 26 JULY – 11 AUGUST 2019 EMBASSY THEATRE PENTHOUSE CINEMAS ROXY CINEMA LIGHT HOUSE CINEMA CUBA PROUDLY SUPPORTED BY LIGHT HOUSE CINEMA PETONE SOUNDINGS THEATRE, TE PAPA CITY GALLERY WELLINGTON READING CINEMAS, PORIRUA General Manager: Sharon Byrne Programmer: Sandra Reid Programme Manager: Michael McDonnell Assistant to the General Manager: Caroline Palmer Communications Manager: Melissa Booth Publicist: Sally Woodfield Wellington Festival Manager: Elizabeth Ireland Animation NOW! Programmer: Malcolm Turner All Ages Programmer: Nic Marshall Incredibly Strange Programmer: Anthony Timpson Publications Manager: Tim Wong Programme Consultant: Chris Matthews Content Manager: Ina Kinski Content Assistant: Lauri Korpela Technical Adviser: Ian Freer Online Content Coordinator: Sanja Maric Audience Development Coordinator: Emma Carter Guest Coordinator: Lauren Day Social Media Coordinator: David Oxenbridge Communications Assistant: Lynnaire MacDonald Communications Assistant (Auckland): Camila -
Fiscal Year Annual Report 01 WELCOME Sundance Institute Annual Report
Sundance Institute Fiscal Year Annual Report 01 WELCOME Sundance Institute Annual Report Welcome As we navigate another year of global events and changes that are defining our times, we again turn to artists for insight and inspiration. Artists who open our eyes to new worlds and new ways of understanding different perspectives. Artists who harness the power of storytelling to activate important conversations and actions. With deep and sustaining support provided to more than 1,400 artists, including over $16 million invested in labs, grants, and fellowships, Sundance Institute’s commitment to support the visionary work of independent artists is uncompromising this year. We’re excited to share with you our 2019 Annual Report that illuminates three critical pillars of our mission in action: supporting the most talented independent artists around the world and advancing their creative practices; fostering an inclusive community to hear from underrepresented voices on the screen and stage; and catalyzing the impact of independent storytelling. Thank you to the dedicated staff, volunteers, and community of supporters of Sundance Institute who all come together in the shared belief that a world more connected through storytelling and a common humanity is a better world. We look forward to what’s possible in the year ahead. Robert Redford President & Founder Pat Mitchell Chair, Board of Trustees Robert Redford Pat Mitchell 02 WELCOME Sundance Institute Annual Report Welcome I am constantly amazed by the curiosity and passion of artists, and inspired by their creative journeys—a process fueled by reflection, risk-taking, and an openness to new possibilities. In 2019, Sundance Institute continued its own creative journey as we saw great opportunities for learning and evolving our own work to respond to the changing environment for artists around the world. -
The Duvalier Years (Part 2) (Lecture 1)
HAT3564: Haitian Culture and Society The Duvalier Years (Part 2) (Lecture 1) [00:00:01.05] All right, welcome back to Haitian Culture and Society. My name is Ben Hebblethwaite. This is Module 12, and this is the first lecture of four. So let's get started. All right, so we are working on the Duvalier Years Continued. Module 11 introduced that historical period, and now we continue with it in today's lecture. Of course, you can find the measurable learning objectives on the Canvas page, and I advise you to check them out. [00:00:38.23] The first text that we are studying in this module is called Dance on the Volcano by Marie Chauvet, who was born in 1916 and is one of Haiti's most important 20th century voices. She wrote a number of important novels. I am best familiar with Amour, colete et folie-- Love, Anger, and Madness-- which I'll mention momentarily. She was a courageous social critic who laid bare the unjust long historical workings of race and class in Haiti. She's an incredible novelist and critic of Haitian society. [00:01:20.17] Chauvet traces the consequences of these injustices for Haitian women. The novel Dance on the Volcano follows the extraordinary career of real-life historical figure Minette, a mixed-race opera singer whose immense talent affords her great privilege despite the constraints of race and class in the colony. And intervening in the politics of the revolutionary moment, the character Minette becomes a tragic heroine in the literal theater of revolution that was Saint-Domingue. -
Images of Women in Haitian Sovereignty A
UNIVERSITY OF CALIFORNIA Los Angeles Fanm ak Pouvwa: Images of Women in Haitian Sovereignty A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Eva Heppelmann 2019 © Copyright by Eva Heppelmann 2019 ABSTRACT OF THE DISSERTATION Fanm ak Pouvwa: Images of Women in Haitian Sovereignty by Eva Heppelmann Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2019 Professor Sean Aaron Metzger, Chair This project analyzes the use of nineteenth and twentieth-century images of Haitian women as performances of sovereignty by looking at a varied archive of literary, theatrical, artistic, and political performances. Although frequently assimilated into nationalist and anti- nationalist struggles for liberty, these representations are not always liberating for Haitian women. I examine transtemporal and trinational representations of Haitian Revolutionaries, the play Antigon, the fifteenth century Taino queen Anacaona, and Ertha Pascal-Trouillot’s presidency. My project reads these representations through Édouard Glissant’s theory of relation and creolization to unpack ways sovereignty, gender, and race are reconfigured in depictions of ii women. Addressing the limitations of discourses of ‘exceptionalism’ and ‘primitivism’ that have narrated Haitian history, my work extends scholarship on Haitian nationalism and feminism to combat the repeated exclusion of women from histories of Haiti. My work draws from multiple theoretical lenses including performance studies, literary theory, postcolonial theory, and gender/feminist theory. I consider the ways narratives of the Haitian revolution over-determine discourses of Haiti, masking the role of the international community and obscuring the contributions of women. -
International Activism for Grassroots Democracy and Human Rights in New York, Miami, and Haiti, 1957 to 1994
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2013 Refugees and Resistance: International Activism for Grassroots Democracy and Human Rights in New York, Miami, and Haiti, 1957 to 1994 Carl Lindskoog The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1968 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Refugees and Resistance: International Activism for Grassroots Democracy and Human Rights in New York, Miami, and Haiti, 1957 to 1994 by Carl Lindskoog A dissertation submitted to the Graduate Faculty in History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2013 ii © 2013 Carl Lindskoog All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Joshua B. Freeman ______________________ ______________________________________ Date Chair of Examining Committee Helena Rosenblatt ______________________ ______________________________________ Date Executive Officer Thomas Kessner Nancy Foner Millery Polyné Amy Chazkel Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv Abstract Refugees and Resistance: International Activism for Grassroots Democracy and Human Rights in New York, Miami, and Haiti, 1957 to 1994 by Carl Lindskoog Advisor: Professor Joshua B. Freeman This dissertation explores the evolution of political activism among Haitians in the United States from the formation of Haitian New York in the late 1950s to the return of Haitian President Jean-Bertrand Aristide to Haiti in 1994. -
Economic Development in Ravaged Haiti: Is Democracy Really the Answer? Barbara L
Penn State International Law Review Volume 11 Article 3 Number 1 Dickinson Journal of International Law 9-1-1992 Economic Development in Ravaged Haiti: Is Democracy Really the Answer? Barbara L. Bernier Follow this and additional works at: http://elibrary.law.psu.edu/psilr Part of the Comparative and Foreign Law Commons, and the International Law Commons Recommended Citation Bernier, Barbara L. (1992) "Economic Development in Ravaged Haiti: Is Democracy Really the Answer?," Penn State International Law Review: Vol. 11: No. 1, Article 3. Available at: http://elibrary.law.psu.edu/psilr/vol11/iss1/3 This Article is brought to you for free and open access by Penn State Law eLibrary. It has been accepted for inclusion in Penn State International Law Review by an authorized administrator of Penn State Law eLibrary. For more information, please contact [email protected]. Economic Development in Ravaged Haiti: Is Democracy Really the Answer? Barbara L. Bernier* I. Introduction On Sunday, December 16, 1990, in fair and peaceful elections, the people of Haiti made what appeared to be a decisive change for democratic rule and social justice. Newly-elected Jean-Bertrand Aristide, Haiti's first democratically-elected president in more than 200 years, was a shining specter of hope for the Haitian people. A new constitution had provided for a decentralized government, but the enthusiastic vote for Aristide contrasted sharply with the vote in the parliamentary races. On September 30, 1991, a military coup ousted Aristide. Since then, the 6,000-man Haitian army and police have carried out a campaign of terror and intimidation against supporters of Aristide, who was popular with Haiti's poor people.' In addition, more than 16,0002 refugees fled the island, mostly in response to the political chaos and economic turmoil; the majority of those who escaped by sea were intercepted by the U.S. -
Fixing Haiti: MINUSTAH and Beyond
United Nations University Press is the publishing arm of the United Nations University. UNU Press publishes scholarly and policy-oriented books and periodicals on the issues facing the United Nations and its peoples and member states, with particular emphasis upon international, regional and transboundary policies. The United Nations University was established as a subsidiary organ of the United Nations by General Assembly resolution 2951 (XXVII) of 11 December 1972. The United Nations University undertakes a wide range of activities focused on knowledge generation (basic and applied re- search, and foresight and policy studies), education and capacity develop- ment (developing human and organizational capabilities), and knowledge transfer and sharing (communications, dissemination and outreach). The University operates through its institutes and programmes located throughout the world, and its planning and coordinating centre in Tokyo. Fixing Haiti The Centre for International Governance Innovation (CIGI) is an inde- pendent, non-partisan think tank that addresses international governance challenges. Led by a group of experienced practitioners and distinguished academics, CIGI aims to anticipate emerging trends in international gov- ernance and to strengthen multilateral responses to the world’s most pressing problems. CIGI advances policy ideas and debate by conducting studies, forming networks and convening scholars, practitioners and policymakers. By operating an active program of publications, events, conferences and workshops, CIGI builds capacity to effect change in international public policy. CIGI was founded in 2001 by Research In Motion (RIM) co-CEO and philanthropist Jim Balsillie, who serves as CIGI’s chair. CIGI is advised by an International Advisory Board. www.cigionline.org Fixing Haiti: MINUSTAH and beyond Edited by Jorge Heine and Andrew S. -
US Department of State Self Study Guide for Haiti, May 2003
Description of document: US Department of State Self Study Guide for Haiti, May 2003 Requested date: 11-March-2007 Released date: 25-Mar-2010 Posted date: 19-April-2010 Source of document: Freedom of Information Act Office of Information Programs and Services A/GIS/IPS/RL U. S. Department of State Washington, D. C. 20522-8100 Fax: 202-261-8579 Note: This is one of a series of self-study guides for a country or area, prepared for the use of USAID staff assigned to temporary duty in those countries. The guides are designed to allow individuals to familiarize themselves with the country or area in which they will be posted. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. -
Halti, Human Rights. and the Influence of the International Community
THE POLITICS OF INTERVENTION: HALTI, HUMAN RIGHTS. AND THE INFLUENCE OF THE INTERNATIONAL COMMUNITY. 1957- 1994 Andrew S. Thompson Department of History Submitted in partial fulfillment of the requirements for the degree of Masters of Arts Faculty of Graduate Studies The University of Western Ontario London, Ontario September 1999 @Andrew S. Thompson -- 1999 National Library Bibliotheque nationale )*Iof Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON KIA ON4 Ottawa ON K1 A ON4 Canada Canada Your hle Votrr relerenm Our hie Norre rslwence The author has granted a non- L'auteur a accorde une licence non exclusive licence allowing the exclusive pennettant a la National Library of Canada to Bibliotheque nationale du Canada de reproduce, loan, distribute or sell reproduire, prGter, distribuer ou copies of this thesis in microform, vendre des copies de cette these sous paper or electronic formats. la forme de microiiche/film, de reproduction sur papier ou sur format electronique. The author retains ownershp of the L'auteur conserve la propriete du copyright in hsthesis. Neither the droit d'auteur qui protege cette these. thesis nor substantial extracts from it Ni la these ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent etre imprimes reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT From 1957 to 1994, the various governments of Haiti have for the most part practiced autocratic and oppressive means of maintaining order. With the exception of a brief ten month period from December 1 990 to October 199 1 in which the democratically elected Father Jean-Bertrand Aristide was president.