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Just As the Priests Have Their Wives”: Priests and Concubines in England, 1375-1549
“JUST AS THE PRIESTS HAVE THEIR WIVES”: PRIESTS AND CONCUBINES IN ENGLAND, 1375-1549 Janelle Werner A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2009 Approved by: Advisor: Professor Judith M. Bennett Reader: Professor Stanley Chojnacki Reader: Professor Barbara J. Harris Reader: Cynthia B. Herrup Reader: Brett Whalen © 2009 Janelle Werner ALL RIGHTS RESERVED ii ABSTRACT JANELLE WERNER: “Just As the Priests Have Their Wives”: Priests and Concubines in England, 1375-1549 (Under the direction of Judith M. Bennett) This project – the first in-depth analysis of clerical concubinage in medieval England – examines cultural perceptions of clerical sexual misbehavior as well as the lived experiences of priests, concubines, and their children. Although much has been written on the imposition of priestly celibacy during the Gregorian Reform and on its rejection during the Reformation, the history of clerical concubinage between these two watersheds has remained largely unstudied. My analysis is based primarily on archival records from Hereford, a diocese in the West Midlands that incorporated both English- and Welsh-speaking parishes and combines the quantitative analysis of documentary evidence with a close reading of pastoral and popular literature. Drawing on an episcopal visitation from 1397, the act books of the consistory court, and bishops’ registers, I argue that clerical concubinage occurred as frequently in England as elsewhere in late medieval Europe and that priests and their concubines were, to some extent, socially and culturally accepted in late medieval England. -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
7 Tips from Philip Seymour Hoffman, Gandolfini, & Other
Robert W. Wood THE TAX LAWYER TAXES | 2/23/2014 @ 8:09PM 7 Tips From Philip Seymour Hoffman, Gandolfini, & Other Celeb Estates Storied estates can be salacious (Anna Nicole Smith) or amusing (Leona Helmsley’s $12M trust for her dog Trouble), but most are dull. Yet unexpected celebrity deaths like Philip Seymour Hoffman’s at 46 spark debate and impart lessons. Ditto from James Gandolfini, Amy Winehouse, Heath Ledger, and others. Although Mr. Hoffman had three children with Marianne O’Donnell, they were unmarried. Plus, he mentioned only one child in his will, not three. Amy Winehouse didn’t even have a will, so we don’t know what she would have wanted. Under the law, her parents inherited while her ex-husband got nothing. Heath Ledger’s five year old will gave his parents and 3 sisters his $20M estate, failing to mention Michelle Williams or their child. And after Mr. Gandolfini died at 51, reports said his will clumsily sent $30M of his $70M to the IRS. The stories should make tax advisers go to the mattresses. Key lessons? 1. Keep It Private. Incredibly, Hoffman, Ledger and Gandolfini, all ended up with wills in probate. Probate is public, expensive, time consuming and unnecessary. Like Amy Winehouse, It is worse not to even have a will (after dying without one, singer John Denver’s family spent six years in court). But a will still has to go through the courts. For very little money, a revocable trust disposes of your assets outside court. You still do a simple pour-over will. -
Cedric Jimenez
THE STRONGHOLD Directed by Cédric Jimenez INTERNATIONAL MARKETING INTERNATIONAL PUBLICITY Alba OHRESSER Margaux AUDOUIN [email protected] [email protected] 1 SYNOPSIS Marseille’s north suburbs hold the record of France’s highest crime rate. Greg, Yass and Antoine’s police brigade faces strong pressure from their bosses to improve their arrest and drug seizure stats. In this high-risk environment, where the law of the jungle reigns, it can often be hard to say who’s the hunter and who’s the prey. When assigned a high-profile operation, the team engages in a mission where moral and professional boundaries are pushed to their breaking point. 2 INTERVIEW WITH CEDRIC JIMENEZ What inspired you to make this film? In 2012, the scandal of the BAC [Anti-Crime Brigade] Nord affair broke out all over the press. It was difficult to escape it, especially for me being from Marseille. I Quickly became interested in it, especially since I know the northern neighbourhoods well having grown up there. There was such a media show that I felt the need to know what had happened. How far had these cops taken the law into their own hands? But for that, it was necessary to have access to the police and to the files. That was obviously impossible. When we decided to work together, me and Hugo [Sélignac], my producer, I always had this affair in mind. It was then that he said to me, “Wait, I know someone in Marseille who could introduce us to the real cops involved.” And that’s what happened. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Johnnie to Kei-Fung's
JOHNNIE TO KEI-FUNG’S PTU Michael Ingham Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2009 Michael Ingham ISBN 978-962-209-919-7 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Pre-Press Ltd. in Hong Kong, China Contents Series Preface vii Acknowledgements xi 1 Introducing the Film; Introducing Johnnie — 1 ‘One of Our Own’ 2 ‘Into the Perilous Night’ — Police and Gangsters 35 in the Hong Kong Mean Streets 3 ‘Expect the Unexpected’ — PTU’s Narrative and Aesthetics 65 4 The Coda: What’s the Story? — Morning Glory! 107 Notes 127 Appendix 131 Credits 143 Bibliography 147 ●1 Introducing the Film; Introducing Johnnie — ‘One of Our Own’ ‘It is not enough to think about Hong Kong cinema simply in terms of a tight commercial space occasionally opened up by individual talent, on the model of auteurs in Hollywood. The situation is both more interesting and more complicated.’ — Ackbar Abbas, Hong Kong Culture and the Politics of Disappearance ‘Yet many of Hong Kong’s most accomplished fi lms were made in the years after the 1993 downturn. Directors had become more sophisticated, and perhaps fi nancial desperation freed them to experiment … The golden age is over; like most local cinemas, Hong Kong’s will probably consist of a small annual output and a handful of fi lms of artistic interest. -
Production in Peril: What Happens When You Lose a Star? by Mary Craig Calkins and Record Some of His Lines
LOS ANGELES www.dailyjournal.com FRIDAY, DECEMBER 13, 2013 PERSPECTIVE Production in peril: What happens when you lose a star? By Mary Craig Calkins and record some of his lines. rect physical loss of or damage to tion, “loss-payee” endorsements Daniel H. Rylaarsdam Delays also come from inju- Covered Property.” Policies must can interfere with payments. For aul Walker’s untimely death ries. Final production of “Tristan ensure coverage for both direct example, if the feature film has is a tragedy for his family, & Isolde” was put on hold for six losses and mitigation costs — the been financed, the policy might be Pfriends and the entertain- months while James Franco recu- “necessary expenses incurred to structured that loss payments go to ment community. The unexpected perated from a knee injury. “Die the extent they reduce the amount third parties in the first instance — loss also causes significant busi- Another Day” was also delayed of loss that otherwise would be not to the producer. ness issues. Universal Studios when Pierce Brosnan suffered a payable” under the policy. And Insureds should be aware of has announced that production of knee injury. The planned release they must consider coverage be- abandonment clauses. If a pro- “Fast & Furious 7” will be shut of “The Hunted” was pushed back fore a loss. ducer elects to abandon a project, down to allow the parties to recov- when Benicio Del Toro broke his the insurance company might pay er and decide what to do. With an wrist. Likewise, a television ce- Production Policies a negotiated loss amount and then estimated budget of $150 million, lebrity cannot host if she loses her Production policies are key. -
With a Little Help from Their Friends Kate Mossman on the Artists Whocoveredthebeatles
Friday September 11 2009 ...with a little help from their friends Kate Mossman on the artists whocoveredtheBeatles ‘Men run the studios and live their own fantasies through them’ Meryl Streep skewers Hollywood sexism. By Tim Teeman THETIMESFridaySeptember112009 THETIMESFridaySeptember112009 66 times2 times2 67 RETNA PHOTOSHOT tion.” She’s the most nominated? “Yes, I’ve Worstjournalisticfauxpas lostit 13times!” Next, her voice features as Mrs Fox in Twomembers ofthepresssharethis We all respond Wes Anderson’s animated adaptation of award.Thefirst istheAmericanreporter Roald Dahl’s The Fantastic Mr Fox, which whoassumedthatLourdes,abeautifully to instinct, and opens the Times BFI London Film Festival observed filmseton aCatholicpilgrimage, ‘‘ next month. “He’s very demanding,” wasaboutMadonna’sdaughter.Theother their inner boy Streep says of Anderson. “He hears every- istheAustraliantelevisionjournalistwho thing, even a quasi-breath. It’s almost like acquiredTildaSwinton’sfestivalaccredit- goes, ‘Yeah, I he’stasting,tasting, tasting . ‘Right, that’s ationpassandworeit forseveralhours wanna see enough salt’. It was more like working with untilsomebodypointedout themistake. a composer, like he was hearing music Bestuseofreptiles another GI Joe’ inside his head and you couldn’t hear it.” WernerHerzog’s BadLieutenant:Portof Later in the year she appears in a post- CallNewOrleansisa shambolicmessof a divorce comedy, It’s Complicated. The moviebutithasa coupleofmomentsof Norma Desmond role in the remake of madgenius.Themostmemorable ofthese Sunset Boulevard is still for the taking. iswhenNicCage,playingtheeponymous sadness for herself. Streep says, “There are “Ooh, yeeessss. It would be fun. But my rogue cop,startstohallucinate ascocaine big expectations a woman has for her life. friend Glenn [Close] really knocked it out psychosis kicksin. “Whatarethose All the script said was ‘I’m so happy’. -
May Insights
gstrustco.com May 2016 May Insights In April we allread about the passing of the musical celebrity, Prince. Prince is the latest example of a celebritywho died without a Will. Recent celebrities dying without a will include Philip Seymour Hoffman, James Gandolfini, Amy Winehouse, Heath Ledger, to name afew. You would think with all their monies that an estate plan would have beena priority. Accordingto the American Bar Association, recent statistical studies show that 55% ofAmericans die without a will or estate plan. These people don’t have up-to-date estate strategies to protectthemselves and their families in the event of illness, accidents, or untimelydeath. Are you one of 55%? Here aresome reasons you need an estate plan. And for those of you with an existingestate plan, reasons to update your plan: You probably will want to considerthe needs of a new child or grandchild in your estate plan. The death of your spouse or anotherbeneficiary can greatly affect your plan. So, too, can the death of your namedexecutor, your children’s guardian, or your trustee. An important part of an estate planis protecting yourself and your family against your possible incapacity ordeath. If you marry, you most certainlywill want to review your estate plan. Also when your children marry, you maywant to revise the plan. Most people review their estate planif they divorce, but many fail to consider the possible unintended consequencesof a beneficiary’s divorce on that beneficiary’s inheritance. For example, ifyour will gives your son and his wife joint ownership in your home, think ofthe problems that could arise if they divorce and you don’t revise your will. -
Friday 14 February 2020, London. BFI Southbank's TILDA SWINTON
Friday 14 February 2020, London. BFI Southbank’s TILDA SWINTON season, programmed in partnership with the performer and filmmaker herself, will run from 1 – 18 March 2020, celebrating the extraordinary, convention-defying career of one of cinema’s finest and most deft chameleons. The BFI today announce that a number of Swinton’s closest collaborators will join her on stage during the season to speak about their work together including Wes Anderson (Isle of Dogs, The French Dispatch, The Grand Budapest Hotel, Moonrise Kingdom), Bong Joon-ho (Snowpiercer, Okja), Sally Potter (Orlando) and Joanna Hogg (The Souvenir, Caprice). Also announced today is Tilda Swinton’s Film Equipment (28 February – 26 April) a free exhibit to accompany the season which has been curated in close collaboration with BFI and Swinton’s personal archive. Alongside a programme of feature film screenings, shorts and personal favourites, the season will include Tilda Swinton in Conversation with host Mark Kermode on 3 March, during which Swinton will look back on her wide- reaching career as a performer across independent and Hollywood cinema, as well as producer, director and general ally of maverick free spirits everywhere. On the same evening will be Tilda Swinton and Wes Anderson on stage: A Magical Tour of Cinema – a unique chance to hear from two of the most fervent disciples of the church of make believe, as Swinton and Anderson take to the BFI stage to discuss their many collaborations and their film passions. The event will offer a glimpse into their intimate partnership as the two long-time co-conspirators and voracious cinephiles select and explore personal favourite gems from throughout cinema’s history. -
22Nd NFF Announces Screenwriters Tribute
FOR IMMEDIATE RELEASE NANTUCKET FILM FESTIVAL ANNOUNCES TOM MCCARTHY TO RECEIVE 2017 SCREENWRITERS TRIBUTE AWARD NICK BROOMFIELD TO BE RECOGNIZED WITH SPECIAL ACHIEVEMENT IN DOCUMENTARY STORYTELLING NFF WILL ALSO HONOR LEGENDARY TV CREATORS/WRITERS DAVID CRANE AND JEFFREY KLARIK WITH THE CREATIVE IMPACT IN TELEVISION WRITING AWARD New York, NY (April 6, 2017) – The Nantucket Film Festival announced today the honorees who will be celebrated at this year’s Screenwriters Tribute—including Oscar®-winning writer/director Tom McCarthy, legendary documentary filmmaker Nick Broomfield, and ground-breaking television creators and Emmy-nominated writing team David Crane and Jeffrey Klarik. The 22nd Nantucket Film Festival (NFF) will take place June 21-26, 2017, and celebrates the art of screenwriting and storytelling in cinema and television. The 2017 Screenwriters Tribute Award will be presented to screenwriter/director Tom McCarthy. McCarthy's most recent film Spotlight was awarded the Oscar for Best Picture and won him (and his co-writer Josh Singer) an Oscar for Best Original Screenplay. McCarthy began his career as a working actor until he burst onto the filmmaking scene with his critically acclaimed first feature The Station Agent, starring Peter Dinklage, Patricia Clarkson, Bobby Cannavale, and Michelle Williams. McCarthy followed this with the equally acclaimed film The Visitor, for which he won the Spirit Award for Best Director. He also shared story credit with Pete Docter and Bob Peterson on the award-winning animated feature Up. Previous recipients of the Screenwriters Tribute Award include Oliver Stone, David O. Russell, Judd Apatow, Paul Haggis, Aaron Sorkin, Nancy Meyers and Steve Martin, among others. -
Educational Newsletter
Educational Newsletter http://campaign.r20.constantcontact.com/render?llr=zg5n4wcab&v=001K... The content in this preview is based on the last saved version of your email - any changes made to your email that have not been saved will not be shown in this preview. February 2012 Educational Newsletter French Consulate in Boston Our Academic News In This Issue Formation pour professeurs de français Offre de formation "Réaliser une "Voyages en Francophonie" production audiovisuelle" Our 2011 Contest! Nous avons la possibilité de faire SPCD Grant intervenir à Boston un formateur du The Green Connection Centre de liaison de l'enseignement et des médias d'information (CLEMI) sur le CampusArt thème suivant : "Réaliser une production Hewmingway Grant Program audiovisuelle en classe de français langue étrangère" (détails ICI ). Elle La FEMIS pourrait accueillir une trentaine de Merrimack College Language professeurs de middle schools et high schools. La formation se Programs déroulerait sur deux fois 3 heures en "afterschool" les 27 et 28 "Voyages en Francophonie" février, ou le 28 février sur 6 heures en journée (il est possible de n'assister qu'à la première session, mais en faisant l'impasse Printemps des Poètes sur la partie pratique). Tous les frais sont pris en charge par les "A Preview of 2012 in France" services culturels de l'ambassade de France. Si cette formation Clermont-Ferrand International Short intéresse un nombre suffisant d'entre vous, nous serions Film Festival heureux de l'organiser. Dans ce cas, merci de le faire savoir rapidement à Guillaume Prigent compte tenu des délais très Providence French Film Festival courts.