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T H E S I S Mdllfehe's DOM JUAN and Byron's DON JUAN

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T H E S I S Mdllfehe's DOM JUAN and Byron's DON JUAN THESIS MDLlfeHE'S DOM JUAN AND BYroN'S DON JUAN : - two dlffarant appTB«ch»s to theBwaam th e w . Unlvarsidads Fedarvl de Santa Catarina Oapartamanto de Língua • Literatura Estrangeiras UOLIÈRE*S OOM JUAN ANO BrRON*S OON JUAN : - tao differsnt appnaaches to the swwi theme»- Tese submetida à tfciiversidade Federal da Santa Catarina paxv a obtenção do grau de Mestre «n Artes . BEmAOETE PASOLO Fevereiro, 1979« li. Esta tese foi Julgada adequada para a obtenção do título de lESTRE EM a r tes Especialidade L Í n ^ a Inglesa e Literatura Correspondente e aprovadaen sua forma final pelo Programa de PÓs Graduação. Prof. HLlárlo/í^clo Bcho Oaord^ador do Qùrso Apresentada persnte a Oomls^o Examinadora composta pelos professores : Prof. >tàgh Beràard Poxt PhD Presidente fVof• Andrietta Lenard» PhD Prof. Nona Fóx, PhD iü - mau maridOf rainha filha* e rainha inaê. En raeraoria de Rosato Evangelista» e de Luiz Gonzaga Philippi. iv. AGRADECIMENTOS Ao ProlP. Hugh Bernard Fox, pala orientação final do trobalto; Ao Prof* John Bnœe Derrick, pela orientação inicial do trabalho e colabora ção c^anto ao material bibliográfico* tos Lúcia Serafim de Oliveira e Ant»iio Mariaux de Oliveira, meus queridos tios,' por terera proFKircionado as condições de ambiente favoráveis a rea­ lização desta trabalho* A Pral^ssora Anna Theresinha Lins Kumm, cuja bondade ise propiciou o tempo necessário peuna redigir esta dissertação* - A Professora Edda Arzua Ferraira, por ter rae aberto novas perspectivas no estudo da litarertura e rxir sua orientação no tocante ao estruturalisoa litararLoo A Professora Maria Marta Laus Pereira Oliveira, querida amiga, pelo indis­ pensável auxílio na aquisição de material biblic^ráfioo* Ao Professor Fioravante Ferro, pelas sugesl^s a duvidas suscitadas* % Professora Andrietta Lenard , não só pelo apóio ramo também pela tradu­ ção de textos em italiano e ampréstimo de livros* % Professora Suzana Maria Fontes Ranos, pelo apoio e auxílio na aquisição de material bibliográfico*^ A Prafessora Alba Maria da Silveira, pela tradução de textos italianos;* A Dante Braz Limongi, muito querido irmão,' r^la compra e remessa dos l i ­ vros solicitados;^ As fYofessoras Dilza Oélia Outra, Maria Hel«ia Almançae Ana Antônia de Assis lielo empréstino de materdLal bibliográfico. Aos Professores Evaldo Psull, Celestino Sachet e José Ouri« pelo empréstino de livros. Aos Professores Loni Kreis Taglieber , Rosa Konder # José Luiz Usurer s FtiLláxrlo Inácio Bofm, pelo apoio e disponibilidade. A todos aqueles que» de alguma forma, contribuíram pare que este trabalho fosse realizado. «i. TABLE OF CONTENTS Introductory. .......................... ................................................................. 1 1 . Oonjuanism. ............................................. ................................. .................... ^3 1.1. Kierk^aard*s Theory....................... ............................. ...................... ^5 1«2. Otto Rank’s Theory................................ .................. .......... 31 1 .3 . Oenis de Rtiugeniont's Theory.............................................. ................ ,;V 34 1.4. Albert Gamus'a Interpretation................................... .................... 37 1 .5 . Other Currant Interpretations of Oon .«fcian........................ 40 1 .6 . F^ersonal Reflexions ......... ........................... 40 Blblic^rraphlcal fteferences.................................. .............................. 42 2 ^ The Plot and its Relationship with Theme. ........................................... 44 2.1* El Burlador de Sevilla y Convldack) de Piedra....................... 44 2 .2 . Moliere's Oon Juan............................................ ...................................... 2«'3. A f^irallel betwerai Molina's Plot and Uoliere'3'Plot .« V t t 50 2.14« Byron's Oon Juan......................................... .............. .................. ......... 54 2 ;S . A Paz«llel between Moliere'e Plot and Byron's Plot . V . ......... 62 Bibliographioal References......................... ............................... 71- 3 . The Literary Genres and their Relationship with Plot............... 72 3 .1 . The Epic. ............................................. ................................ ......... 72 3.^. The Tragedy ;V............ ............................................................................ 78 3.13. The Comedy......................................... ................................................... 8 ° Satire ......................................................................... .............................. 85 Application of the Theory of Oomedy and Tragedy to M o lin e 's Ooni Juan ................ ................................................................... 97 v U . .3.6« Application of the Theozy of the Epic and ^ t l z « to Byron's Oon Juan.................. ............................................................•••^104 S.*?. The iSbnerlc X^licatlons upon Plot....................... 112 Bibliographical References....................... ........................................... 114 4« • The Characters and their Ralationships...................................... 117 4 .1 . Greimas and Stzucturalism....... ............................................. ........... « 1 1 7 4.2. Mcilina's El Burlador......................... ..................................... 1 1 9 4^3. Itolierets Oom Juan ............V ............................................... ....... 121 4 .4 . Byron's Don Juan........... ....................................................... 123 4.^5. Some Reroazks about the Previous Analyses........... •’ ...................... 4.‘6. The Women's Role in KbliWe's May •% ...••••..................... 129 4^7^ The Women's in Byrcffi's fltow«....................... ......... .............. • 1 3 0 4 .6 . The> Xmportance of Siganarelle in Moliera's Dom Juan • • . • • • • • • . • • . • ^ ^ 3 1 4«9. The Importance of the Narrator in Byron's .........Roere ................ 132 Bibliographical fteferences J ........... ......................................... 134 Oonclusic»!! ......................................................... ..................... ............«'^133 Appendix .................. .................. .................................•1 3 8 Bibliography ......... ................................... ...........................................1 3 9 wlii. ABSTRACT The present dissertation draws the comparLson, based uptm literary stziKsturBllsm, between Moliere's play, Dom Juan ou le Festln de Plerra, and Byron's poem, Don Juan« In-an, attempt to detect similarities which would Jus tlfy tte Identity of the titles, and possible differences. The dlssertatloni begins with a theoretical chapter, emphasizing the va rlety of Judgements on the l^endai:y character, due both to the great numter of versions of the subject and to the fact that critics, in general, do not refto a specific Eton. Juan. Then tip^works are analyzed and contrasted in regard to theme, plot, characters, and the literaxy genres used. In the conclusion, the siioLlarltles detected are synthetically present ed, as well as the numerous differences, making it evident tNtt Möllere and Byron used two different approaches to the same theme. ix RESUMO A prsssfite dissertação efetua a coroparsçãot com base no estruturallsao 11 terario, entre a peça de Molière» Dom Juan ou le Festin de F^erre » e o po»> na Don Juan , de B/ron» procurando detectar as slmilaridadss; te|ue Justiflqu a identidade dos titules, assim como as possíveis diferenças. 0 traisalho principia com um capítulo teórico, ressaltando que existe uma diversificação de ligamentos quanto ao lendário personagem, devida quer ao grande número de veraões sobre o assunto» quanto ao fato de os críticos, em gez«tl, não se^ referirem a um Oom Juan específico* En seguida as duas obz>as são analisadas e contrastadas do ponto de vista do tema» do enredo» das personagens» e dos gêneros literários utilizados* Na conclui^» saõ apresentadas» sinteticamente» as similaridades encontra das e as inúmeras diferenças, evidenciando c^e Mollèra e Gyron realizam duas abordagens distintas sobre o mesmo temal INTRODUCTORY 1, Statereant of Rirpose Sines our first reading of Byrm's Don Jüan we were struck ity tte satirical tone of the poem which differed corapletely, at least apparently« frcMu filollere's Do« Joan ou le Festln de Pierre« a play we had pareviously read. Thus« the purpose of this dissertation is to establish a parallel between H e r e 's play and i r o n 's poem« In an attempt to depict the two authors* ap­ proach to the theme of donjuanism. Starting with ths analysis of tbs theme provided tiy some theorists« we will compare isoliere* s play to Qyron*s poen in regard to the plot, the literary genres« the main characters« the treat - ment of the female characters and dcmjuanism, A study of the two authors* style is not intended since their u ^ of two different narrative stxticturss- poetry and drama- makes it inpossible any parallelism in this field. It is necessary to state that it is not our aim to compare either Mö­ llere* s Dom Juan to his other plays« or Qyron’s poem to his other poems« but but to compare one Don Juan to the other« trying to depict similarities and differences between the two. In an attempt to draw the evolution of the theme we will occasicm^iy refer to Tirso de Molina's El Burlador de Sevilla y Ocgivldado de Piedra» as the first literary version of tha subject. 2 . MBthodolocical Aspects Adopting Benedetto Croce*s viewpoint
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