BC Law Magazine Winter 2019
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What Is the Meaning of All This? a Unit on Existential Thought in Literature
Craig 1 What is The Meaning of All This? A Unit on Existential Thought in Literature By Kevin Craig Dr. Peter Smagorinsky LLED 7408 The University of Georgia Rationale Craig 2 All great deeds and all great thoughts have a ridiculous beginning. -Albert Camus No matter what one’s social, ethnic, or religious status may be, we must all agree that adolescence is one of the more confusing times in life. Between a newly developing sense of personal identity and the inevitable, indecipherable hormonal changes taking place, students of high school age undergo transformations unlike any others they will ever experience. Because they occur as students enter the beginnings of adulthood, these changes may well inform, if not dictate, the rest of students’ lives. It is incumbent on the teachers of adolescents to stimulate young brains and transmit useful material that students may later use, but it is imperative that we help guide students through a time in their lives when they are just discovering their identities. The goal of this unit is not to assign everyone a new, more mature identity; rather, it is to provide students with an appropriate framework through which they may begin forming their own identities and continue to do so long after they graduate. In Bob Fecho’s words, I aim to provide students with “ample opportunities for students to use writing to explore who they are becoming and how they relate to the larger culture around them” (2011). Existentialism is a philosophical movement with many sub-movements, but the main question it asks is “Who am I in relation to the universe?” On existentialism, Raymond C. -
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 Application of Comcast Corporation, General Electric Company
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 Application of Comcast Corporation, ) General Electric Company and NBC ) Universal, Inc., for Consent to Assign ) MB Docket No. 10-56 Licenses or Transfer Control of ) Licenses ) COMMENTS AND MERGER CONDITIONS PROPOSED BY ALLIANCE FOR COMMUNICATIONS DEMOCRACY James N. Horwood Gloria Tristani Spiegel & McDiarmid LLP 1333 New Hampshire Avenue, N.W. Washington, D.C. 20036 (202) 879-4000 June 21, 2010 TABLE OF CONTENTS 1. PEG PROGRAMMING IS ESSENTIAL TO PRESERVING LOCALISM AND DIVERSITY ON BEHALF OF THE COMMUNITY, IS VALUED BY VIEWERS, AND MERITS PROTECTION IN COMMISSION ACTION ON THE COMCAST-NBCU TRANSACTION .2 II. COMCAST CONCEDES THE RELEVANCE OF AND NEED FOR IMPOSING PEG-RELATED CONDITIONS ON THE TRANSFER, BUT THE PEG COMMITMENTS COMCAST PROPOSES ARE INADEQUATE 5 A. PEG Merger Condition No.1: As a condition ofthe Comcast NBCU merger, Comcast should be required to make all PEG channels on all ofits cable systems universally available on the basic service tier, in the same format as local broadcast channels, unless the local government specifically agrees otherwise 8 B. PEG Merger Condition No.2: As a merger condition, the Commission should protect PEG channel positions .,.,.,.. ., 10 C. PEG Merger Condition No.3: As a merger condition, the Commission should prohibit discrimination against PEG channels, and ensure that PEG channels will have the same features and functionality, and the same signal quality, as that provided to local broadcast channels .,., ., ..,.,.,.,..,., ., ., .. .,11 D. PEG Merger Condition No.4: As a merger condition, the Commission should require that PEG-related conditions apply to public access, and that all PEG programming is easily accessed on menus and easily and non-discriminatorily accessible on all Comcast platforms ., 12 CONCLUSION 13 EXHIBIT 1 Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. -
Transpo Transcript.Indd
October 2013 Using Technology to Improve Transportation: All Electronic-Tolling and Beyond Transcript Introduction customer-facing and most customer- Underinvestment has put pressure on focused of all government services. STEVE POFTAK: Thanks to all of transportation providers to improve service. Trust in government is another aspect Fiscal pressures have limited the resources you for coming today and joining us. available to make those improvements. of transportation. And technology is a I’d also like to thank our partners who Technology off ers the opportunity to way for us to show our customers that leverage smaller investments by improving have put this together: Joseph Giglio customer services, enhancing operating we can improve their experience. from the Center for Strategic Studies effi ciencies, and increasing revenue. at the D’Amore-McKim School of I think the gold standard in our To explore the potential of new technologies to make transportation Business at Northeastern University business is giving more time back work more effi ciently, faster, and safer, the and Greg Massing at the Rappaport to people. Whether it’s standing on conference “Using Technology to Improve Transportation: All-Electronic Tolling and Center for Law and Public Service at a platform at Alewife or standing in Beyond” was held on May 7, 2013 at the Suffolk University. line at the Registry of Motor Vehicles, Suff olk University Law School. it is giving people more time back. Here in Massachusetts, we’ve just The Conference was co-sponsored by The Technology holds tremendous promise Rappaport Institute for Greater Boston, The gone through another round of Center for Strategic Studies at the D’Amore- to accomplish these goals that we have legislative and executive branch McKim School of Business at Northeastern in transportation. -
A Hip-Hop Copying Paradigm for All of Us
Pace University DigitalCommons@Pace Pace Law Faculty Publications School of Law 2011 No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson Jr. Elisabeth Haub School of Law at Pace University Follow this and additional works at: https://digitalcommons.pace.edu/lawfaculty Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Horace E. Anderson, Jr., No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us, 20 Tex. Intell. Prop. L.J. 115 (2011), http://digitalcommons.pace.edu/lawfaculty/818/. This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Law Faculty Publications by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. No Bitin' Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson, Jr: I. History and Purpose of Copyright Act's Regulation of Copying ..................................................................................... 119 II. Impact of Technology ................................................................... 126 A. The Act of Copying and Attitudes Toward Copying ........... 126 B. Suggestions from the Literature for Bridging the Gap ......... 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying ................................................................. 129 IV. The Hip-Hop Imitation Paradigm ............................................... -
Capturing Hip Hop Histories
capturing hip hop histories SOUTH-WEST HEADZ Master Blast Roadshow poster by Raz (Kilo), 1986. Photograph: Kilo. First published 2021 2021 Adam de Paor-Evans Cover graff by Remser Remser started writing in 1997 after seeing dubs and pieces by Sceo, Fixer, Teach, and G-Sane at the M5 pillar spot in Exeter. His school bus used to loop around Sannerville Way and the pieces could be seen from the road as well as the train. A couple of years prior to this, Remser’s mum randomly bought him a copy of Spraycan Art, and he knew straight away that it was something he wanted to be part of. In early 2000 he moved to London and hooked up with the DNK/CWR boys, they were way better than him and super-active but this experience pushed him to develop his style and learn about all aspects of graffiti writing. Respect and love to all of the South-West writers and hip hop headz, too many to mention but you know who you are! DNK CWR Waxnerds forever... Approved for free Cultural Works Creative Commons Licence Attribution 4.0 International Published by Squagle House, United Kingdom Printed in Great Britain Although every precaution has been taken in the preparation of this publication, the publisher and author assume no responsibility for errors or omissions. Neither is any liability assumed for damages resulting from the use of information contained herein. RHYTHM•obscura: revealing hidden histories through ethnomusicology and cultural theory is a long-term research venture that explores the relationships of the non-obvious and regional-rural phenomena within music cultures. -
RAPPAPORT POLICY BRIEFS Instituterappaport for Greater Boston INSTITUTE Kennedy Schoolfor of Government, Greater Harvard University Boston June 2008
RAPPAPORT POLICY BRIEFS InstituteRAPPAPORT for Greater Boston INSTITUTE Kennedy Schoolfor of Government, Greater Harvard University Boston June 2008 Reducing Youth Violence: Lessons from the Boston Youth Survey By Renee M. Johnson, Deborah Azrael, Mary Vriniotis, and David Hemenway, Harvard School of Public Health In Boston, as in many other cities, aggressive behavior, assault, weapon Rappaport Institute Policy Briefs are short youth violence takes an unacceptably carrying, feelings of safety, and overviews of new scholarly research on important issues facing the region. This high toll. Reducing the burden of gang membership. It also inquired brief reports on the results of the Boston youth violence is a priority for the about risk and protective factors for Youth Survey 2006 (BYS), an in-school survey of Boston high school youth conducted City’s policymakers, civic leaders, violence (e.g., alcohol and drug use, biennially by the Harvard Youth Violence Prevention Center in collaboration with the and residents. To date, however, depressive symptoms, family violence, City of Boston. More information is available little information has been available developmental assets, academic at www.hsph.harvard.edu/hyvpc/research/. about the prevalence, antecedents and performance, perceptions of collective Renee M. Johnson impacts of youth violence in Boston. effi cacy within one’s neighborhood), Renee M. Johnson is a Research Associate at the Harvard School of Public Health and The Boston Youth Survey (BYS) and health behaviors (e.g., nutrition Core Faculty at the Harvard Youth Violence and physical activity). Although 1,233 Prevention Center. addresses this gap in knowledge. It is Deborah Azrael students took the survey, the analytical an in-school survey of Boston high Deborah Azrael is a Research Associate at the school students conducted by the sample includes only the 1,215 who Harvard School of Public Health. -
Boston Bound: a Comparison of Boston’S Legal Powers with Those of Six Other Major American Cities by Gerald E
RAPPAPORT POLICY BRIEFS Institute for Greater Boston Kennedy School of Government, Harvard University December 2007 Boston Bound: A Comparison of Boston’s Legal Powers with Those of Six Other Major American Cities By Gerald E. Frug and David J. Barron, Harvard Law School Boston is an urban success story. It cities — Atlanta, Chicago, Denver, Rappaport Institute Policy Briefs are short has emerged from the fi nancial crises New York City, San Francisco, and overviews of new and notable scholarly research on important issues facing the of the 1950s and 1960s to become Seattle — enjoy to shape its own region. The Institute also distributes a diverse, vital, and economically future. It is hard to understand why Rappaport Institute Policy Notes, a periodic summary of new policy-related powerful city. Anchored by an the Commonwealth should want its scholarly research about Greater Boston. outstanding array of colleges and major city—the economic driver This policy brief is based on “Boston universities, world-class health of its most populous metropolitan Bound: A Comparison of Boston’s Legal Powers with Those of Six Other care providers, leading fi nancial area—to be constrained in a way Major American Cities,” a report by Frug and Barron published by The Boston institutions, and numerous other that comparable cities in other states Foundation. The report is available assets, today’s Boston drives the are not. Like Boston, the six cities online at http://www.tbf.org/tbfgen1. asp?id=3448. metropolitan economy and is one of are large, economically infl uential the most exciting and dynamic cities actors within their states and regions, Gerald E. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
KRS-One My Philosophy
My Philosophy KRS-One So, you're a philosopher? Yes, yes, yes, yes, yes I think very deeply, I think very deeply, I think very deeply I think, I think, I think very deeply, I think, I think very deeply Let's begin, what, where, why, or when Will all be explained like instructions to a game See I'm not insane, in fact, I'm kind of rational When I be asking you, "Who is more dramatical?" This one or that one, the white one or the black one Pick the punk, and I'll jump up to attack one KRS-One is just the guy to lead a crew Right up to your face and ditched you Everyone saw me on the last album cover Holding a pistol something far from a lover Beside my brother, S C O T T I just laughed, 'cause no one can defeat me This is lecture number two, 'My Philosophy' Number one, was 'Poetry' you know it's me This is my philosophy, many artists got to learn I'm not flammable, I don't burn So please stop burnin', and learn to earn respect 'Cause that's just what KR collects See, what do you expect when you rhyme like a soft punk You walk down the street and get jumped You got to have style, and learn to be original And everybody's gonna wanna diss you Like me, we stood up for the South Bronx And every sucka mc had a response You think we care? I know that they are on the tip My posse from the Bronx is thick and we're real live, we walk correctly A lot of suckas would like to forget me but they can't 'Cause like a champ, I have got a record of knocking out The frauds in a second on the mic, I believe that you should get loose I haven't come to tell -
No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change. -
Abstract Humanities Jordan Iii, Augustus W. B.S. Florida
ABSTRACT HUMANITIES JORDAN III, AUGUSTUS W. B.S. FLORIDA A&M UNIVERSITY, 1994 M.A. CLARK ATLANTA UNIVERSITY, 1998 THE IDEOLOGICAL AND NARRATIVE STRUCTURES OF HIP-HOP MUSIC: A STUDY OF SELECTED HIP-HOP ARTISTS Advisor: Dr. Viktor Osinubi Dissertation Dated May 2009 This study examined the discourse of selected Hip-Hop artists and the biographical aspects of the works. The study was based on the structuralist theory of Roland Barthes which claims that many times a performer’s life experiences with class struggle are directly reflected in his artistic works. Since rap music is a counter-culture invention which was started by minorities in the South Bronx borough ofNew York over dissatisfaction with their community, it is a cultural phenomenon that fits into the category of economic and political class struggle. The study recorded and interpreted the lyrics of New York artists Shawn Carter (Jay Z), Nasir Jones (Nas), and southern artists Clifford Harris II (T.I.) and Wesley Weston (Lii’ Flip). The artists were selected on the basis of geographical spread and diversity. Although Hip-Hop was again founded in New York City, it has now spread to other parts of the United States and worldwide. The study investigated the biography of the artists to illuminate their struggles with poverty, family dysfunction, aggression, and intimidation. 1 The artists were found to engage in lyrical battles; therefore, their competitive discourses were analyzed in specific Hip-Hop selections to investigate their claims of authorship, imitation, and authenticity, including their use of sexual discourse and artistic rivalry, to gain competitive advantage. -
How Massachusetts Can Stop the Public-Sector Virus by Thomas A
March 2011 How Massachusetts Can Stop the Public-Sector Virus By Thomas A. Kochan (MIT Sloan School of Management) America is in the early stages of what are these the causes or convenient This Policy Brief is based on remarks could be the largest labor protest of scapegoats and targets? made by Professor Thomas A. Kochan our lifetime. Starting in Wisconsin, at “Collective Bargains: Rebuilding and Let me be clear about the deeper issue Repairing Public Sector Labor Relations the battle over public-sector wages, at stake in these debates that give them in Diffi cult Times,” a Boston 101 event on benefi ts, and collective bargaining February 23, 2011. A full video of the event such a viral character. Wisconsin’s can be found at http://www.hks.harvard. rights is now spreading like a virus to governor would strip employees of edu/centers/rappaport/events-and-news/ Indiana, Ohio, New Jersey, and God audio-and-video-clips/collective-bargains- their rights to collective bargaining rebuilding-and-repairing-public-sector- knows where next. So, like exposure and make it essentially impossible labor-relations-in-diffi cult-times. to any virus, we have two questions for any union to represent its Thomas A. Kochan on our mind: Will we get it here in Thomas A. Kochan is the George M. Bunker members in a stable and responsible Professor at MIT Sloan School of Massachusetts? Is there a treatment fashion. In doing so, he is attacking a Management. He is also co-Director at the that makes us immune and stops it MIT Institute for Work and Employment fundamental human right, the freedom Research.