Nicolas Winding Refn the Irish Film Institute

Total Page:16

File Type:pdf, Size:1020Kb

Nicolas Winding Refn the Irish Film Institute JULY 2016 NICOLAS WINDING REFN THE IRISH FILM INSTITUTE The Irish Film Institute is Ireland’s national cultural institution for film. EXHIBIT It aims to exhibit the finest in independent, Irish and international cinema, preserve PRESERVE Ireland’s moving image heritage at the IFI Irish Film Archive, and encourage EDUCATE engagement with film through its various educational programmes. FRENCH FILM CLUB PETE WALSH AWARD This month’s French Film Club screening – where IFI and The winner of this year's Pete Walsh Critical Writing Alliance Française members pay just €7 a ticket – on the Award is Naomi Keenan O'Shea (pictured) who wrote a evening of July 19th is Catherine Corsini’s Summertime, stimulating piece on Jafar Panahi's Taxi which screened at starring Izïa Higelin and Cécile de France as lovers who the IFI in June 2015. Naomi wins a year of free films at the meet in Paris during the women’s liberation movement IFI. This annual award is inspired by the late, esteemed IFI of the 1970s. See page 8 for film notes. Please visit programmer Pete Walsh and rewards an outstanding piece www.ifi.ie or ask at the IFI Box Office for further details. of critical writing on film. You can read her winning review at www.ifi.ie/writingaward IFI FILM CLUB FEAST YOUR EYES Join IFI Head of Cinema Programming David O’Mahony with Our monthly pairing of a new release and a specially devised a guest on July 13th for a discussion about Nicolas Winding main course menu will be Ken Wardrop’s keenly anticipated Refn’s visually striking The Neon Demon following the second documentary feature, Mom and Me, on July 26th at 18.00 screening. In this special IFI Film Club event, audience 18.30. After the film, enjoy a meal inspired by the film in the members are invited to contribute to a conversation about the IFI Café Bar. Tickets €20, free list suspended. See also page film and the director’s previous work. Complimentary glass of 6 for details of our special Feast Your Eyes event for an open wine included during the discussion. See page 7 for film notes. captioned and audio described screening of Maggie’s Plan. 2 DIRECTOR’S NOTE The IFI’s July programme sees the return of IFI Open Day and a folk horror season. JULY (see page 6) AT THE IFI Maggie’s Plan Early this month, on July 2nd, we welcome back IFI Open Day News from Home (1977) and Jeanne Dielman, 23 Quai where once again the IFI is opening its doors to you with a du Commerce, 1080 Bruxelles (1975). day jam-packed with free film screenings. In addition to FREE sneak-previews, old favourites, cult classics and archive There are plenty of other great new releases on offer. films throughout the day, you will also have the chance to The Neon Demon will get a sneak preview at IFI Open Day, glimpse behind the scenes at the IFI with talks from the IFI and will then go on release from July 8th. Nicolas Winding Irish Film Archive staff on the amazing work they do and Refn’s follow-up to Drive and Only God Forgives divided the opportunity to take a rare trip to our projection booth! some at Cannes this year, but it’s a stylish, humorously This year, make sure to follow our NEW IFI Open Day disturbing tale that is also a vicious attack on the fashion ticketing instructions: film tickets will be released an hour world, and stars a mesmerising Elle Fanning. Irish before each film’s scheduled screening time. Simply queue documentary filmmaker Ken Wardrop follows the enormous at the relevant desk in the IFI foyer to pick up your tickets success of His and Hers (2009) with his hotly anticipated next (maximum two tickets per person per film) and then enjoy feature Mom and Me in which, using his signature warm your free movie. and compassionate style, he explores a series of mother/son relationships in Oklahoma. We’ll also be offering IFI Membership at a discounted rate throughout the day, allowing you to avail of free cinema Also this month, following on from the launch of our new tickets, previews and discounts throughout the year, and accessible screenings for visually impaired and hard-of- we’ll have special gifts for IFI Friends. Whether you are a hearing audiences, this month we’re pleased to present regular visitor or it’s your first time through our front door, open-captioned and audio-described screenings of both the we welcome you to enjoy a wonderful film on one of our documentary, Notes on Blindness and Rebecca Miller’s latest, three big screens, grab a delicious bite in the IFI Café Bar, Maggie’s Plan (audio description will be available on all browse leisurely through our DVD collection in the IFI Film shows of these films). Shop, or simply linger over a good coffee in busy Temple Bar. Ross Keane Also this month, the IFI Season will focus on folk horror and Director films concerned with paganism and superstition. Key titles within the season include The Wicker Man (1973), The Devil Rides Out (1968) and The Blair Witch Project (1999). We’re delighted to welcome journalist, film critic and fiction writer Kim Newman as our special guest for the season who will introduce three of the films in the programme. This month we’re pleased to be presenting the final film made by Chantal Akerman before her death last year, No Home Movie, and to mark her work and passing, we’ll also be offering screenings of two of her earlier pieces, 3 NEW RELEASES, IFI SEASONS & DOCS & IFI CLASSICS EVENTS CALENDAR NO HOME MOVIE OPENS JUL 1ST DATE SCREENING TIME NOTES ON BLINDNESS OPENS JUL 1ST 1ST WILD STRAWBERRIES: WILD 11.00 FRI QUEEN OF EARTH OPENS JUL 1ST 2ND IFI OPEN DAY* MAGGIE’S PLAN OPENS JUL 8TH SAT 4TH NOTES ON BLINDNESS (ACCESSIBLE SCREENING)** 18.30 THE NEON DEMON OPENS JUL 8TH MON MEN AND CHICKEN OPENS JUL 15TH 5TH IFI CAFÉ BAR PUB QUIZ (FREE EVENT) 21.30 TUE MOM AND ME OPENS JUL 15TH 7TH NOTES ON BLINDNESS (ACCESSIBLE SCREENING)** 14.00 SUMMERTIME OPENS JUL 15TH THU 9TH CHANTAL AKERMAN: NEWS FROM HOME 15.00 CHEVALIER OPENS JUL 22ND SAT AUTHOR: THE JT LEROY STORY OPENS JUL 29TH 10TH CHANTAL AKERMAN: JEANNE DIELMAN, 15.00 23 QUAI DU COMMERCE, 1080 BRUXELLES THE COMMUNE OPENS JUL 29TH SUN 11TH ACCESSIBLE FEAST YOUR EYES: MAGGIE'S PLAN** 18.30 MON 12TH MAGGIE’S PLAN (ACCESSIBLE SCREENING)** 18.20 TUE GET SOCIAL! 13TH IFI FILM CLUB: THE NEON DEMON 18.00 WED FROM THE VAULTS: WARDROP'S SHORTS 18.30 Excited about this month’s programme? So are we! 14TH MAGGIE’S PLAN (ACCESSIBLE SCREENING)** 16.10 Tell your friends which film you’re planning to watch, THU share your movie reviews and show us your best pics on 15TH MOM AND ME + DIRECTOR Q&A 18.30 Instagram, Twitter and Facebook! FRI Join the IFI Community online: 16TH HAUNTED LANDSCAPES: WITCHFINDER GENERAL 18.30 SAT HAUNTED LANDSCAPES: THE WICKER MAN 20.45 @IrishFilmInstitute 17TH HAUNTED LANDSCAPES: QUATERMASS AND THE PIT 14.00 SUN @IrishFilmInstitute @IFI_Dub 18TH THE BIGGER PICTURE: TOKYO STORY 18.30 MON 19TH IRISH FOCUS: BORN AND REARED + Q&A 18.30 TUE 20TH HAUNTED LANDSCAPES: VALERIE AND HER WEEK 18.30 Open Captioned screening WED OF WONDERS 23RD HAUNTED LANDSCAPES: BLOOD ON SATAN'S CLAW 20.30 Audio Described screening SAT 24TH IFI FAMILY: SONG OF THE SEA 11.00 SUN HAUNTED LANDSCAPES: THE DEVIL RIDES OUT 14.00 26TH FEAST YOUR EYES: MOM AND ME 18.30 TUE IFI & AEMI PROJECTIONS 18.30 27TH WILD STRAWBERRIES: TO KILL A MOCKINGBIRD 11.00 WED HAUNTED LANDSCAPES: NIGHT OF THE DEMON 18.30 29TH WILD STRAWBERRIES: TO KILL A MOCKINGBIRD 11.00 FRI 30TH HAUNTED LANDSCAPES: THE BLAIR WITCH PROJECT 20.30 SAT 31ST THE HANGOVER LOUNGE: THE FRENCH 14.00 TIMES SUN LIEUTENANT'S WOMAN For a breakdown of times and dates of IFI New *See separate flyer or visit www.ifi.ie/openday for details Releases, IFI Docs & IFI Classics, check out our **Denotes screenings which are either open captioned or audio described. weekly schedule on www.ifi.ie/weekly-schedule For more information on our Accessible Screenings, please visit or the IFI ads in The Irish Times on Fridays and www.ifi.ie/accessible Saturdays. You can also sign up to receive our weekly ezine by joining at www.ifi.ie/signup. 4 JULY 2016 NO HOME MOVIE IFI DOC OPENS JULY 1ST The final film Chantal Akerman made documentary is made up of before her death last year, No Home conversations between the pair both FILM INFO: Movie is as radical and moving as in Natalia’s Brussels apartment where 115 mins, France-Belgium, the seminal Belgian director’s very Akerman regularly comes to visit 2015, Digital best work and as characteristically and via Skype while the filmmaker Notes by Alice Butler defiant as its powerful title suggests. is on the road. Desperate to glean details of a life before it’s too late, Scrutinising the filmmaker’s Akerman quizzes her mother about relationship with her ailing mother her traumatic past but as she does the Natalia, a Polish Jew and Auschwitz intense kinship and affection between CHANTAL AKERMAN FOCUS survivor whose experiences have them gets in the way, shedding See page 17 for details of more had a major influence on Akerman’s light on a deeply prized bond that is Chantal Akerman films showing life and art, this raw and intimate slowly and tragically being undone.
Recommended publications
  • The Neon Demon Belle, Belle, Belle Maxime Labrecque
    Document generated on 09/23/2021 8:43 p.m. Séquences : la revue de cinéma The Neon Demon Belle, belle, belle Maxime Labrecque André Forcier. Embrasse-moi comme tu m’aimes Number 304, October 2016 URI: https://id.erudit.org/iderudit/83860ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Labrecque, M. (2016). Review of [The Neon Demon : belle, belle, belle]. Séquences : la revue de cinéma, (304), 26–27. Tous droits réservés © La revue Séquences Inc., 2016 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 26 | NICOLAS WINDING REFN The Neon Demon Belle, belle, belle Une fois de plus, Nicolas Winding Refn polarise la critique et l’opinion publique avec son dernier film. Pourtant, le sujet lui sied à merveille : en filmant le milieu de la mode à Los Angeles, il combine un esthétisme glossy, léché, scintillant et envoûtant à une violence d’abord psychologique, qu’il convertit en violence physique poussée à l’extrême, dans un défoulement bestial qui s’inscrit en continuité avec Drive et Only God Forgives. MAXIME LABRECQUE ’emblée, on se demande si Jesse est vraiment l’ingénue tombent au ralenti sur le titre suivi du travelling arrière sur Jesse qu’elle laisse paraître.
    [Show full text]
  • The Criminal Underworlds of Nicolas Winding Refn
    The Philosophical Journal of Conflict and Violence Vol. IV, Issue 2/2020 © The Authors 2020 Available online at http://trivent-publishing.eu/ Slicing Up Eyeballs: The Criminal Underworlds of Nicolas Winding Refn M. Blake Wilson Department of Criminal Justice, California State University, Stanislaus, USA Abstract: From Buñuel and Dali’s Un Chien Andalou to recent works by Danish filmmaker Nicolas Winding Refn, the cinematic destruction of the eye has become iconic due to its striking effect upon film spectators’ visceral experiences as well as its ability to influence their symbolic or fetishistic desires. By exploiting the natural discomfort and disgust produced by these types of images and then situating them within an aesthetic and psychoanalytic framework, Refn and other filmmakers provide a visual showcase for a unique type of cinematic violence, one which demands that viewers reappraise the value of their own eyes as well as the values which reflect social attitudes towards law enforcement, crime, and justice. Keywords: Eyes; Film; Film Noir; Jacques Lacan; Philosophy; Nicolas Winding Refn; Violence. DOI: 10.22618/TP.PJCV.20204.2.1763002 The PJCV Journal is published by Trivent Publishing This is an Open Access article distributed in accordance with the Creative Commons Attribution Non Commercial (CC- BY-NC-ND 4.0) license, which permits others to copy or share the article, provided original work is properly cited and that this is not done for commercial purposes. Users may not remix, transform, or build upon the material and may not distribute the modified material (http://creativecommons.org/licenses/by-nc/4.0/) Slicing Up Eyeballs: The Criminal Underworlds of Nicolas Winding Refn M.
    [Show full text]
  • Cinema Oct - Dec 2016 Fantastic Beasts and Where to Find Them | Nov Find Them to and Where Beasts Fantastic
    Cinema Oct - Dec 2016 Fantastic Beasts and Where to Find Them | Nov Find Them to and Where Beasts Fantastic breweryarts.co.uk | 01539 725133 | @lakescinema 01 Brewery Cinema Oct - Dec 2016 MEET THE programmer Our film programmer Chris Ashton has worked at The Brewery for more than 14 years in a variety of roles such as Cinema Projectionist and Box Office Assistant. He has been the man in charge of choosing the movies you watch for the last five years: What does a typical day in your job involve? Monday is my busiest day, as it involves looking at the weekend’s admissions and deciding which films to keep or drop. Other tasks include renegotiating contracts with offers film distributors in London, arranging film delivery and uploading films to the box office system and website. It’s a very busy day, but I love the buzz of it! Get 10% Off Tickets What gives you most satisfaction from your role? Register online and join the cinema club I really enjoy the challenges of matching customer demand breweryarts.co.uk/cinema/cinema-club and film distributor strictures, with the limited number of Movie & a Pizza screens we have here at the Brewery. It’s not always easy, Get the Reel Deal. Only £14.50 Sun-Thu 5-8pm but very rewarding when we get it right! What type of films do you enjoy? Family Tickets Admits four people for just £26 I grew up watching a lot of fantasy and Anime & Manga films, which has stayed with me all my life.
    [Show full text]
  • An Intersectional Analysis of Venerated Beauty in Nicolas Winding Refn’S the Neon Demon (2016)
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals... Beauty ‘Beyond Feminism’? An Intersectional Analysis of Venerated Beauty in Nicolas Winding Refn’s The Neon Demon (2016) Isabella Maher Introduction Beauty is one of the most explored concepts in the Western world. Its inspiration of artworks, poetry, novels, films and other cultural products has positioned it as an object of study across disciplines such as philosophy, aesthetics, religious studies, and sociology. From the Ancient Greeks to the contemporary era, Western scholars and artists have attempted to understand the concept of beauty as a perceptual experience of pleasure. This obsession with beauty has led to a culture and industry that supports hierarchies in society based on perceived attributes of an ideal form of physical female beauty. As such, it has historically served in the subjugation of those who do not conform to such an ideal. As Naomi Wolf asserts “Beauty is a currency system… it is determined by politics, and in the modern age in the West it is the last, best belief system that keeps male dominance intact.”1 This article will examine how an idealised form of beauty is represented by Danish auteur Nicolas Winding Refn in his film The Neon Demon (2016). Refn makes the bold claim that his film is “beyond feminism” because “it’s not quote-unquote political. But is it all about women? Absolutely. There is no man that has a place as the movie progresses along.”2 The question is, considering the ramifications of beauty as it has historically served to regulate and subjugate women, to what extent can a film about beauty truly be ‘beyond feminism’? Through an intersectional analysis of gender, race, sexuality and sexual orientation, as Isabella Maher is an Honours student in Studies in Religion at the University of Sydney.
    [Show full text]
  • TRANSIENT SPACES in NICOLAS WINDING REFN's – Drive, Only God Forgives & the Neon Demon –
    UNIVERSITÉ TOULOUSE II JEAN JAURÈS Mémoire de Master 2 Recherche Département Études du Monde Anglophone TRANSIENT SPACES IN NICOLAS WINDING REFN'S – Drive, Only God Forgives & The Neon Demon – Lola PONS | n° étudiant : 21300462 Sous la direction de M. David ROCHE 2016/2018 ACKNOWLEDGEMENTS I would first like to express my gratitude to M. David Roche, for his precious advice, and especially for his trust, patience, and understanding. His guidance enabled me to successfully complete this thesis as well as the one preceeding it. I would also like to thank Flo for his uncanny ability to make an appearance at the right time, and Unnie for her constant support in the face of my dramatic whining. Finally, I would also like to thank the professors of the Film Studies Department of the DEMA for sparking my interest in Film Studies and Cinema (and for keeping the spark very much alive over the past five years). CONTENTS INTRODUCTION.................................................................................................................................. 1 CHAPTER 1: SHAPING TRANSIENCE AND TRANSIENT SPACES......................................................... 9 ➢ TRANSIENT CHARACTERS...................................................................................................... 9 ➢ TRANSIENCE AND CORPOREALITY......................................................................................... 20 ➢ TRANSIENT SPACES................................................................................................................ 27
    [Show full text]
  • Adventures in Film Music Redux Composer Profiles
    Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017).
    [Show full text]
  • Film Reviews
    Page 104 FILM REVIEWS “Is this another attack?”: Imagining Disaster in C loverfield, Diary of the Dead and [ Rec] Cloverfield (Dir. Matt Reeves) USA 2007 Paramount Home Entertainment Diary of the Dead (Dir. George A. Romero) USA 2007 Optimum Home Entertainment [Rec] (Dir. Jaume Balagueró & Paco Plaza) S pain 2007 Odeon Sky Filmworks In 1965, at the height of the Cold War, Susan Sontag declared in her famous essay ‘The Imagination of Disaster’ that the world had entered an “age of extremity” in which it had become clear that from now until the end of human history, every person on earth would “spend his individual life under the threat not only of individual death, which is certain, but of something almost insupportable psychologically – collective incineration which could come at any time”. Sontag went on to claim that narratives in which this fate was dramatised for the mass audience in fantastical form – like the monster movies of the 1950s – helped society deal with this stress by distracting people from their fate and normalising what was psychologically unbearable: a kind of vaccination of the imagination, if you will. If this is the case, then Cloverfield, in which Manhattan is destroyed by an immensely powerful sea monster, George A. Romero’s latest zombie movie, Diary of the Dead, and claustrophobic Spanish hit [Rec] are not so much pre­emptive vaccinations against probable catastrophe, but intermittently powerful, if flawed, reminders of actual calamity. In all three films some of the most destabilising events and anxieties of the past decade – including 9/11 (and the fear of terrorist attacks striking at the heart of American and European cities), Hurricane Katrina, the 2004 Tsunami, and the SARS virus– are reconfigured as genre­based mass market entertainment.
    [Show full text]
  • British Film Institute Report & Financial Statements 2006
    British Film Institute Report & Financial Statements 2006 BECAUSE FILMS INSPIRE... WONDER There’s more to discover about film and television British Film Institute through the BFI. Our world-renowned archive, cinemas, festivals, films, publications and learning Report & Financial resources are here to inspire you. Statements 2006 Contents The mission about the BFI 3 Great expectations Governors’ report 5 Out of the past Archive strategy 7 Walkabout Cultural programme 9 Modern times Director’s report 17 The commitments key aims for 2005/06 19 Performance Financial report 23 Guys and dolls how the BFI is governed 29 Last orders Auditors’ report 37 The full monty appendices 57 The mission ABOUT THE BFI The BFI (British Film Institute) was established in 1933 to promote greater understanding, appreciation and access to fi lm and television culture in Britain. In 1983 The Institute was incorporated by Royal Charter, a copy of which is available on request. Our mission is ‘to champion moving image culture in all its richness and diversity, across the UK, for the benefi t of as wide an audience as possible, to create and encourage debate.’ SUMMARY OF ROYAL CHARTER OBJECTIVES: > To establish, care for and develop collections refl ecting the moving image history and heritage of the United Kingdom; > To encourage the development of the art of fi lm, television and the moving image throughout the United Kingdom; > To promote the use of fi lm and television culture as a record of contemporary life and manners; > To promote access to and appreciation of the widest possible range of British and world cinema; and > To promote education about fi lm, television and the moving image generally, and their impact on society.
    [Show full text]
  • The Neon Demon a Film by Nicolas Winding Refn
    69TH CANNES INTERNATIONAL FILM FESTIVAL - OFFICIAL SELECTION - COMPETITION GAUMONT, WILD BUNCH & NICOLAS WINDING REFN PRESENT A SPACE ROCKET PRODUCTION IN ASSOCIATION WITH VENDIAN ENTERTAINMENT LLC AND BOLD FILMS LLC THE NEON DEMON A FILM BY NICOLAS WINDING REFN STARRING ELLE FANNING / KARL GLUSMAN / JENA MALONE / BELLA HEATHCOTE / ABBEY LEE / DESMOND HARRINGTON WITH CHRISTINA HENDRICKS & KEANU REEVES USA, DENMARK & FRANCE - 117 MIN - COLOR - 2.39 - 5.1 INTERNATIONAL SALES: INTERNATIONAL PRESS: GAUMONT WILD BUNCH GAUMONT 30 avenue Charles de Gaulle - 92200 Neuilly sur Seine 65 rue de Dunkerque - 75009 Paris 30 avenue Charles de Gaulle - 92200 Neuilly sur Seine IN CANNES: IN CANNES: Contact: Sophie Bollotte / [email protected] 2 rue Bivouac Napoleon, 6th Floor 4 La Croisette, 1st Floor IN CANNES: Phone: +33 4 93 68 90 20 Phone: +33 4 93 30 17 00 2 rue Bivouac Napoleon, 6th Floor Phone: +33 4 93 68 90 20 THE STORY When aspiring model Jesse moves to Los Angeles, her youth and vitality are devoured by a group of beauty-obsessed women who will use any means necessary to get what she has. FRAGMENTS BY NWR THE DEMON RISES “For a number of years, I’ve had this interest in making a film about beauty, because, in my life, I’m surrounded by it,” NWR says, referring to his wife, filmmaker LIV CORFIXEN (MY LIFE DIRECTED BY NICOLAS WINDING REFN), his two young daughters, and, presumably, the myriad actresses and models he’s encountered directing both feature films and fashion advertisements for brands like Gucci, YXL, H&M and Hennessey. “And I see a lot of female empowerment with beauty.” “The currency of beauty continues to rise and never falls.
    [Show full text]
  • Id Title Year Format Cert 20802 Tenet 2020 DVD 12 20796 Bit 2019 DVD
    Id Title Year Format Cert 20802 Tenet 2020 DVD 12 20796 Bit 2019 DVD 15 20795 Those Who Wish Me Dead 2021 DVD 15 20794 The Father 2020 DVD 12 20793 A Quiet Place Part 2 2020 DVD 15 20792 Cruella 2021 DVD 12 20791 Luca 2021 DVD U 20790 Five Feet Apart 2019 DVD 12 20789 Sound of Metal 2019 BR 15 20788 Promising Young Woman 2020 DVD 15 20787 The Mountain Between Us 2017 DVD 12 20786 The Bleeder 2016 DVD 15 20785 The United States Vs Billie Holiday 2021 DVD 15 20784 Nomadland 2020 DVD 12 20783 Minari 2020 DVD 12 20782 Judas and the Black Messiah 2021 DVD 15 20781 Ammonite 2020 DVD 15 20780 Godzilla Vs Kong 2021 DVD 12 20779 Imperium 2016 DVD 15 20778 To Olivia 2021 DVD 12 20777 Zack Snyder's Justice League 2021 DVD 15 20776 Raya and the Last Dragon 2021 DVD PG 20775 Barb and Star Go to Vista Del Mar 2021 DVD 15 20774 Chaos Walking 2021 DVD 12 20773 Treacle Jr 2010 DVD 15 20772 The Swordsman 2020 DVD 15 20771 The New Mutants 2020 DVD 15 20770 Come Away 2020 DVD PG 20769 Willy's Wonderland 2021 DVD 15 20768 Stray 2020 DVD 18 20767 County Lines 2019 BR 15 20767 County Lines 2019 DVD 15 20766 Wonder Woman 1984 2020 DVD 12 20765 Blackwood 2014 DVD 15 20764 Synchronic 2019 DVD 15 20763 Soul 2020 DVD PG 20762 Pixie 2020 DVD 15 20761 Zeroville 2019 DVD 15 20760 Bill and Ted Face the Music 2020 DVD PG 20759 Possessor 2020 DVD 18 20758 The Wolf of Snow Hollow 2020 DVD 15 20757 Relic 2020 DVD 15 20756 Collective 2019 DVD 15 20755 Saint Maud 2019 DVD 15 20754 Hitman Redemption 2018 DVD 15 20753 The Aftermath 2019 DVD 15 20752 Rolling Thunder Revue 2019
    [Show full text]
  • For More Than Seventy Years the Horror Film Has
    WE BELONG DEAD FEARBOOK Covers by David Brooks Inside Back Cover ‘Bride of McNaughtonstein’ starring Eric McNaughton & Oxana Timanovskaya! by Woody Welch Published by Buzzy-Krotik Productions All artwork and articles are copyright their authors. Articles and artwork always welcome on horror fi lms from the silents to the 1970’s. Editor Eric McNaughton Design and Layout Steve Kirkham - Tree Frog Communication 01245 445377 Typeset by Oxana Timanovskaya Printed by Sussex Print Services, Seaford We Belong Dead 28 Rugby Road, Brighton. BN1 6EB. East Sussex. UK [email protected] https://www.facebook.com/#!/groups/106038226186628/ We are such stuff as dreams are made of. Contributors to the Fearbook: Darrell Buxton * Darren Allison * Daniel Auty * Gary Sherratt Neil Ogley * Garry McKenzie * Tim Greaves * Dan Gale * David Whitehead Andy Giblin * David Brooks * Gary Holmes * Neil Barrow Artwork by Dave Brooks * Woody Welch * Richard Williams Photos/Illustrations Courtesy of Steve Kirkham This issue is dedicated to all the wonderful artists and writers, past and present, that make We Belong Dead the fantastic magazine it now is. As I started to trawl through those back issues to chose the articles I soon realised that even with 120 pages there wasn’t going to be enough room to include everything. I have Welcome... tried to select an ecleectic mix of articles, some in depth, some short capsules; some serious, some silly. am delighted to welcome all you fans of the classic age of horror It was a hard decision as to what to include and inevitably some wonderful to this first ever We Belong Dead Fearbook! Since its return pieces had to be left out - Neil I from the dead in March 2013, after an absence of some Ogley’s look at the career 16 years, WBD has proved very popular with fans.
    [Show full text]
  • This Is a List of the Titles and Classmarks of the Library's DVD Collection As of November 2018 for Quick Reference. the Colle
    St John’s College Library DVD Collection This is a list of the titles and classmarks of the Library’s DVD collection as of November 2018 for quick reference. The collection can be browsed in the AV Room on the First Floor, and current availability can be found via the online catalogue. The collection is constantly being updated so for the most up to date titles, please search the online catalogue. The first section of this guide is organised alphabetically by title. The second section is organised by language/country. Title Call Number 8 1/2 DVD ITA.ott.fel 8 1/2 DVD ITA.ott.fel 36 DVD FRE.tre.mar 1871 DVD ENG.eig.mcm 1984 DVD ENG.nin.rad 2046 DVD CHI.twe.won 10 Cloverfield Lane DVD ENG.ten.tra 10 things I hate about you DVD ENG.ten.jun 1000 Dollari sul nero = Blood at Sundown DVD ITA.mil.sir 10000 dollari per un massacro = $10000 blood money DVD ITA.die.gue 12 years a slave DVD ENG.twe.mcq 20,000 days on Earth DVD ENG.twe.for 2001 : a space odyssey DVD ENG.two.kub 28 days later DVD ENG.twe.boy 2point4 children the complete series three DVD ENG.two.mar 3 godfathers DVD ENG.thr.for 45 years DVD ENG.for.hai 47 ronin DVD JAP.shi.ich 50 years of the Cuban revolution DVD SPA.fif.cub 50 years of the Cuban revolution DVD SPA.fif.cub 50 years of the Cuban revolution DVD SPA.fif.cub 50 years of the Cuban revolution DVD SPA.fif.cub 60s collection DVD FRE.god.god 8 women DVD FRE.hui.ozo A beautiful mind DVD ENG.bea.how A bit of Fry and Laurie the complete fourth series DVD ENG.bit.spi A bronx tale DVD ENG.bro.den A bullet for the general DVD ITA.qui.dam A Christmas tale a film by Arnaud Desplechin.
    [Show full text]