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Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
Issue How Detroit Let Siena Liggins Unleash Her Queer Superpowers on Her Debut Album
as a MICHIGAN'S LGBTQ+ NEWS SOURCE SINCE 1993 SUMMER OF PRIDE BOY FROM MICHIGAN John Grant on His Most Personal Album Yet PLUS LIVE SHOWS RETURN A Local Assault on 11 Must-See Artists Two Gay Men. Now, Coming To Town How to Heal The Queer Music Issue How Detroit Let Siena Liggins Unleash Her Queer Superpowers on Her Debut Album PRIDESOURCE.COM JULY 8, 2021 | VOL. 2928 | FREE 18 24 28 2 BTL | July 8, 2021 www.PrideSource.com 4 5 Queer Things You Can Do Right Now 6 Spotify Commissions Ruth Ellis Center Mural to Celebrate Queer Community VOL. 2928 • JULY 8, 2021 ISSUE 1178 10 Affirmations Telethon and Funding Campaign Raises $125,775, Jay Kaplan PRIDE SOURCE MEDIA GROUP Wins Jan Stevenson Award www.pridesource.com 10 How Do We Heal After an Anti-LGBTQ+ Hate Crime? Phone 734-263-1476 PUBLISHERS 12 Outed on the Job: Lesbian Prison Officer Sues Michigan Prison System Benjamin Jenkins Following ‘Horrible’ Harassment [email protected] 18 Publishers Emeritus: Jan Stevenson & Susan Horowitz 12 Transmissions: Musing on Loss DIRECTOR OF OPERATIONS 13 Parting Glances: OZ Updated Tom Wesley [email protected] 14 Michigan Supreme Court to Decide on Elliott-Larsen Civil Rights Case EDITORIAL Editorial Director 16 As Masc Lesbian As She Wants to Be Chris Azzopardi [email protected] 18 At Long Last, Live Shows Return to Michigan News & Feature Editor Eve Kucharski 20 John Grant on His Most Personal Album Yet [email protected] 22 Keep Your Pride Season Going News & Feature Writers With These 8 Queer Artists (and Allies Lawrence Ferber, Ellen Knoppow, Jason A. -
Demobilizing and Integrating the Nicaraguan Resistance 1990-1997
The International Commission for Support and Verification Commission (CIAV) Demobilizing and Integrating the Nicaraguan Resistance 1990-1997 ii Acknowledgements: This paper is a summary English version, written by Fernando Arocena, a consultant to CIAV-OAS, based on the original Spanish report: “La Comisión Internacional de Apoyo y Verificación, La Desmovilización y Reinserción de la Resistencia Nicaragüense 1990 – 1997”, prepared by Héctor Vanolli, Diógenes Ruiz and Arturo Wallace, also consultants to the CIAV-OAS. Bruce Rickerson, Senior Specialist at the UPD revised and edited the English text. This is a publication of the General Secretariat of the Organization of American States. The ideas, thoughts, and opinions expressed are not necessarily those of the OAS or its member states. The opinions expressed are the responsibility of the authors. Correspondence should be directed to the UPD, 1889 "F" Street, N.W., 8th Floor, Washington, DC, 20006, USA. Copyright ©1998 by OAS. All rights reserved. This publication may be reproduced provided credit is given to the source. TABLE OF CONTENTS ACRONYMS................................................................................................................................ix READER'S GUIDE ..................................................................................................................... xi INTRODUCTION......................................................................................................................xiii EXECUTIVE SUMMARY ....................................................................................................... -
Descent V 1999
w< >l F=Fli >w , ^ >< c Q. (5 (/) >< Q Q 3 ifl 1 u -i — — n 3 "0 3 ^ ?r S (11 • ii ir-ji I- ^ .*> a - i J The ajna Offensive is pro 1 ^ I <4 ( present a series of aui interpretations of visual / Recently the realization set in with me about my current surroundings and lack of inspirational environs, and the difference between those and newly rediscovered potentials. the self-limitations one imposes. since leaving europe it has been this way it seems, in general, the fountain of vision/creativity has been tapped a bit by a _ and shallow production outlook... it became clearer recently what was ULTRA fistic and characteristic expression and what wasn't. unfortunately, over the "ABANDONED"/ THIS LACK OF CREATIVE INFLUXLUX HAS SPILLED OVER TO MY WORK WITH THIS MAGAZINE, IT .AND FORGOTTEN' T SEVERAL NOT SO IMPORTANT (UPONON REFLECTION) IDEAS AND ATTITUDESATTITU CLOUDED OVER 7" OF MY WORK HERE, LUCKILY TYLER HAS KEPT•'-'•- THE- '- FIRE BURNING - HEART OF HANK YOU SO VERY MUCH MR. DAVIS. SO, THE DEATH ISSUE DO LLY HAVE IMPRESSIONS FROM HANS BELMER, MUCH TO DO WITH THE MAGAZINE ITSELF BUT IT'S RATHER A DOCUMENT OF PERSONAL LIMITED TO 300 COPIES ISSUES. AS I EMBARK AWAY FROM THE WEST COAST AGAIN FOR AN'T REALLY + 26 LETTERED AND SIGNED EDITIONS ENVISION WHAT IS NEXT FOR THIS PUBLICATION... OR OTHERWISE.... HER THAN ANNOUNCE OR $8 US/$10 OVERSEAS PREDICT THE NEXT MOVE AS WE HAVE IN THE PAST ;W NATURALLY THIS TIME, THE WAY IT SHOULD BE. IT'S ALWAYS A SLOW, PA IEND DESCRIBED IT) BUT MAYBE IT ALWAYS WAS SO BECAUSE VIOUS EXPECTATIONS. -
The Evolution of Ornette Coleman's Music And
DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style. -
S T U D E N Special Contributor
S T U D E N Tiffanie Amirante Andrea udala Denise Pricket!t Janice Barnet Laura Jane Gresey Gatherine Quigg Genevieve Betken Dee Hanson Jyoti Raghu Charles Boswell Jeanne H son Holly Rushakoff Casey Brookshier Jessica Huth Steve Shepard Neil Bucalo Kathy Kleiva Barbara Singer Joyce Butak Kristin Kolesiak Phillip Stahnke James Cates Barb Kottmeier Kathleen Struif Carol Coutts-Siepka Barbie Markay Frank Tebbe John Czapiga Anahid Melkoni Doriann Thompson Steven Davis Laurin Navratil Rosemary Vitale Erika Dobson Darraugh Nolan Kyle Van Wickevoort Tracey Dorus Mary Patanella Flora Wu Nanette Fabros Christine Pomroy Beth Zimmermann Kim Zurek Special Contributor Martin . Ry� The Harper Anthology of Academic Writing Issue IX 1997 William Rainey Harper College T h e Harper Anthology Human language has the potential to be insensitive, ugly, even brutish. And yet we want to think, too, Foreword that Aristotle was right, that words are indeed what set human beings apart from the balance of the ani mal kingdom. We want to trust that just around the corner from the vulgar phrase lurks a sentence that resonates with ravishing poetry. We hope, as we pass ungraspable utterances, that we will come upon the sounds of words that are clear, frank, and true. The HarperAnt hology Selection Committee is determined and optimistic about unearthing lan guage that possesses clarity, frankness, and truth; we believe that human beings will, in obedience to cer tain internal impulses, fashion words uniquely and express themselves transparently, sometimes beauti fully. Most of all, we believe that good writing poetic, lyrical, illustrative, substantive, altogether soulful writing-is perennial, like baseball. -
National Day of Prayer
Wendy’s Restaurant Fundraiser Sunday April 22nd, from 12-3pm Bethany’s Camper Fund will receive 15% of the proceeds from the Wendy’s on Gratiot north of 16 Compassion Thursday, April 23, 2015 Mile Road on the 4th Sunday of each 6 - 9 p.m. Pregnancy Center The Mirage Banquet Hall month. Remember to mention ‘Bethany’ to the 20TH ANNUAL cashier for your purchase to qualify. Your 16980 18 Mile Rd. FUNDRAISING BANQUET participation helps send Bethany’s youth to camp. Clinton Twp 586-783-2229 info Volume 4, Issue 4 April 2015 Helping our Community Kroger Community Rewards Welcome! Do you and your family shop at Kroger? Great news...now you can earn money for the I am very thankful to Hope Center simply by doing your normal, every day shopping at Kroger. have you with us. If you The Hope Center is enrolled in Kroger's Community Rewards Program. This program will are a first time guest to link purchases made with your Kroger's Plus Card to the Hope Center. To participate in the Kroger Bethany, please stop by Community Rewards Program: Simply register online at https://www.kroger.com/communityrewards. the Welcome Center, and give us the opportunity to meet you! For information on BETHANY CHURCH any of Bethany’s Sundays in April April 12th will begin a new series, ministries, pick up a Sermon Series “That’s Not Right.” In which we will 19700 15 Mile Road flyer at the Welcome look at many of the different things that Bethany has been situated on the corner of 15 Mile Road Palm Sunday - “The Plans of the King.” Clinton Twp. -
Open Forum on Decency Open Forum Committee On
S. PRT. 109–42 OPEN FORUM ON DECENCY OPEN FORUM BEFORE THE COMMITTEE ON COMMERCE, SCIENCE, AND TRANSPORTATION UNITED STATES SENATE ONE HUNDRED NINTH CONGRESS FIRST SESSION NOVEMBER 29, 2005 Printed for the use of the Committee on Commerce, Science, and Transportation ( U.S. GOVERNMENT PRINTING OFFICE 25–225 PDF WASHINGTON : 2006 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2250 Mail: Stop SSOP, Washington, DC 20402–0001 VerDate 0ct 09 2002 10:40 Jan 05, 2006 Jkt 025225 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 S:\WPSHR\GPO\DOCS\25225.TXT JACK PsN: JACKF SENATE COMMITTEE ON COMMERCE, SCIENCE, AND TRANSPORTATION ONE HUNDRED NINTH CONGRESS FIRST SESSION TED STEVENS, Alaska, Chairman JOHN MCCAIN, Arizona DANIEL K. INOUYE, Hawaii, Co-Chairman CONRAD BURNS, Montana JOHN D. ROCKEFELLER IV, West Virginia TRENT LOTT, Mississippi JOHN F. KERRY, Massachusetts KAY BAILEY HUTCHISON, Texas BYRON L. DORGAN, North Dakota OLYMPIA J. SNOWE, Maine BARBARA BOXER, California GORDON H. SMITH, Oregon BILL NELSON, Florida JOHN ENSIGN, Nevada MARIA CANTWELL, Washington GEORGE ALLEN, Virginia FRANK R. LAUTENBERG, New Jersey JOHN E. SUNUNU, New Hampshire E. BENJAMIN NELSON, Nebraska JIM DEMINT, South Carolina MARK PRYOR, Arkansas DAVID VITTER, Louisiana LISA J. SUTHERLAND, Republican Staff Director CHRISTINE DRAGER KURTH, Republican Deputy Staff Director DAVID RUSSELL, Republican Chief Counsel MARGARET L. CUMMISKY, Democratic Staff Director and Chief Counsel SAMUEL E. WHITEHORN, Democratic Deputy Staff Director and General Counsel LILA HARPER HELMS, Democratic Policy Director (II) VerDate 0ct 09 2002 10:40 Jan 05, 2006 Jkt 025225 PO 00000 Frm 00002 Fmt 5904 Sfmt 5904 S:\WPSHR\GPO\DOCS\25225.TXT JACK PsN: JACKF C O N T E N T S Page Open Forum held on November 29, 2005 ............................................................. -
Mill Valley Oral History Program a Collaboration Between the Mill Valley Historical Society and the Mill Valley Public Library
Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library JIMMY DILLON An Oral History Interview Conducted by Debra Schwartz in 2015 © 2015 by the Mill Valley Public Library TITLE: Oral History of Jimmy Dillon INTERVIEWER: Debra Schwartz DESCRIPTION: Transcript, 36 pages INTERVIEW DATE: October 26th, 2015 In this musically infused and engagingly narrated oral history, guitarist, songwriter, and musical educator Jimmy Dillon recounts his devotion to music since the age of 12 when he decided he wanted to be a guitarist. Born in 1951 in Los Angeles, “in the golden age of rock ‘n’ roll,” Jimmy moved to Michigan with his family as a teenager, where he started gigging with his first band, The Fugitives. In 1969, after finishing high school, he moved back to California with his sister Chloe, settling in Sausalito. Jimmy dates his “love affair with Marin County” back to this moment. He recalls the music scene of the early 1970s in San Francisco and Marin, as well as his own first bona fide Marin band, The Edge. Jimmy recounts his 20-year musical relationship with Clarence Clemons and his deep love of the blues, which prompted him to write a play (or “bluesical”) entitled Ascension of the Blues, documenting the West African origins of the blues, its maturation in the United States, and subsequent diffusion throughout the world. Throughout this oral history, Jimmy describes how his career in music has taken him around the world, how he moved back to Michigan and later to Maui, but how, through all these migrations and displacements, Mill Valley — and Mt. -
UN Digital Library
UNITED *-7’; NATIONS q -c L S PROVISIONAL S/PV.2792 17 February 1988 ENGLISH PROVISIONAL VERBATIM RECORD OF THE TWO THOUSAND SEVEN HUNDRED AND NINETY-SECOND MEETING Held at Headcuarters, New York, on Wednesday, 17 February 1988, at 10.30 a.m. President: Mr. WALTERS (United States of America) Members: Algeria Mr. ACHACHE Argentina Mr. DELPECH Brazil Mr. ALLENCAR China Mr. LI LUye France Mr. BLANC -_ -Germany, Federal Republic of Mr. VERGAU Italy Mr. BUCCI Japan Mr. KAGAMI Nepal Mr. RANA Senegal Mr. SARRE Union of Soviet Socialist Republics Mr. BELONOGOV United Kingdom of Great Britain and Northern Ireland Mr. BIRCH Yugoslavia Mr. PEJIC Zambia Mr. ZUZE This record contains the original text of speeches delivered in English and interpretations of speeches in the other languages. The'final~text will be printed in the Official Records of the Security Council. Corrections should be submitted to original speeches only. They should be &R?:nx~u&&r the signature of a member of the delegation concerned, within one week, to the Chief, Official Records Editing Section, Department of Conference Services, tbbm DC&750, 2 United Nations Plaza, and incorporated in a copy of the record. 88-6U286A 3286V (E) 2-d . 3 ..'. RW3 S/PV.2792 &&pi 2-5 The meeting was called to order a-t lo,55 a..m. ADOP.l!IONOF TBE AGENDA The agenda was adopted. LETTER DATED 18FEBRUARY 1988 FRa TBE PERMANENTOBSERVER OF THE REPUBLIC OF KOREA TD THE UNITED NATIONS ADDRESSED 'ID THE PRESIDENT OF THE SECURITY CXINCIL (s/19488) =m DATED 18 FEBRUARY 1988 FRW THE PERMANENT REPRESENTATIVE OF JAPAN 'IO THE UNITED NATIONS ADDRESSED IO THE PRESIDENT OF THE SECURITY CDUNCIL (S/19489) The PRESIDENT: In accordance with decisions taken by the Council at its 2791st meeting, I invite the representative of the Democratic People's Republic of Korea and the \ representative of the Republic of Korea to take places at the Council table. -
STEVEN POTACZEK 4309 Lakeshore Cv, Birmingham, AL 35242 · (317) 450-7519 [email protected] · ·
STEVEN POTACZEK 4309 Lakeshore Cv, Birmingham, AL 35242 · (317) 450-7519 [email protected] · www.linkedin.com/in/stevenpotaczek · www.hereaftermusic.com EDUCATION AUGUST 2012 MASTERS OF SCIENCE IN MUSIC TECHNOLOGY, INDIANA UNIVERSITY Passed with Distinction | Thesis: “Music Technology Pedagogical Methods” MAY 2002 BACHELOR OF ARTS IN MUSIC BUSINESS, ANDERSON UNIVERSITY Graduated with honors Cum Laude | Minor: Christian Ministry ACADEMIC APPOINTMENTS 2019 – PRESENT ASSISTANT PROFESSOR, SAMFORD UNIVERSITY Fully developed a new undergraduate program that results in a B.A. in Commercial Music (NASM approval pending) with 4 unique concentration areas: • Music Business • Songwriting • Music Production • Live Performance and Touring 10 new courses were developed and are now being taught: • Introduction to Music Business • Music Business Revenue Streams • History of American Popular Music • Songwriting • Recording Techniques I • Recording Techniques II • Music Production • Live Performance and Touring • Commercial Music Ensemble • Commercial Music Seminar Furthermore, applied studies in 6 new areas previously unavailable at the university will be offered as a result of the program (guitar, bass, drums, songwriting, music production, keyboard programming). 2020 - PRESENT ADJUNCT INSTRUCTOR, ALABAMA SCHOOL OF FINE ARTS Created and teaching several pioneering courses in areas of music technology, production, and songwriting to select high school students from across the state of Alabama. Speaking at weekly music seminars on similar topics. 2008 – 2019 ADJUNCT PROFESSOR, ANDERSON UNIVERSITY Designed and taught curriculum for several new courses within the Music Business department: • Music Production • Artist Development • Booking and Concert Promotion • Introduction to Music Business • Record Label Management 2019 ADJUNCT INSTRUCTOR, BUTLER UNIVERSITY Taught Applications in Creative Media to students from multiple undergraduate programs across disciplines of music production/technology, film and TV production, marketing, and web development. -
An Abstract of the Thesis of Kim Glover for the Master Ofarts in World
An Abstract Of The Thesis Of Kim Glover for the Master ofArts in World History presented on April 30, 2003 Title: The Revolutionary Women ofNicaragua Abstract approved:9" A c5~ This thesis contends that women were active participants in the revolutionary events taking place in Nicaragua between the 1960s through the 1990s. I state in this thesis that women made huge contributions and sacrifices on both sides ofthe Nicaraguan civil war in order to take a part in determining the government oftheir country and to develop a better future for themselves and others. The first chapter ofthis thesis will explain the events leading up to the Sandinista Revolution and the participation of women in the revolt. In chapter 2, in addition to a general overview ofwomen's involvement in the Nicaraguan revolution the thesis will also briefly compare it to the women's involvement in the Cuban revolution years earlier. In the next chapter I will also give personal accounts of several women that fought in the Sandinista revolution and ofthose that fought in the Contra counter-revolution. I have tried to include profiles ofwomen from different social classes and ofthose who fought in either support or combat situations. Chapter 4 ofthe thesis explains the Catholic Church's involvement in recruitment and organization of Sandinista and Contra revolutionaries with an emphasis on the Church's impact on women's involvement in the FSLN (Frente Sandinista de Liberaci6n Nacional). Chapter 5 will list and describe the different women's organizations that formed during the Sandinista revolution and after as well as their effects on women's lives in Nicaragua.