20 th CENTURY & CONTEMPORARY 20th Century & Contemporary

Tuesday 3rd December 2019

I 3rd DECEMBER 2019

ST. EDMUND’S COURT I OKEHAMPTON STREET I EXETER EX4 1DU CC03

01392 413100 I [email protected] I www.BHandL.co.uk SALEROOM FORTHCOMING SALE DATES 2019-2020 St Edmund’s Court, Okehampton Street, Exeter EX4 1DU Telephone 01392 413100 [email protected] | www.bhandl.co.uk DECEMBER 2019

MANAGING DIRECTOR Tuesday 10th Antiques & Interiors EX240 C.J. Hampton, A.S.F.A.V.

DIRECTORS JANUARY 2020 D.J.K.Goddard, B.A. (Hons), A.S.F.A.V., R.E. Littlewood, B.A. (Hons), N.J. Saintey, A.S.F.A.V. Tuesday 7th Antiques & Interiors EX241 VALUATIONS Inheritance Tax Assessment and Probate: Bearnes Hampton & Littlewood Probate Valuation Tuesday 21st Department offer a complete and comprehensive service to Executors, Solicitors and Bank & Wednesday 22nd Quarterly Fine Art FS45 Trustees administering an Estate containing all forms of art and antiques including Books, Ceramics, Clocks, Furniture, Jewellery, Pictures, Silver, Works of Art including collections of coins and stamps. FEBRUARY 2020 Insurance: Bearnes Hampton & Littlewood are specialists with over sixty five years experience Tuesday 4th Antiques & Interiors in preparing insurance valuations and inventories for the purpose of substantiating claims in the including Jewellery EX242 event of losses resulting from accident, fire or theft. Wednesday 19th Bearnes Hampton & Littlewood will be pleased to give preliminary advice, without charge or & Thursday 20th Sporting & Collectors SC30 obligation to clients considering a valuation for Insurance, Capital Gains Tax, Family Division or other purposes. Tuesday 25th Antiques & Interiors EX243

For further information please contact: Andrew Thomas or Christopher Hampton MARCH 2020 ADMINISTRATION Operations Director: Rachel Littlewood Tuesday 10th Antiques & Interiors EX244 Company Secretary: Susan Tharby Wednesday 18th Antiquarian Books BK23

SPECIALIST DEPARTMENTS th Books, Manuscripts and Photographs Rachel Littlewood, Tuesday 24 Antiques & Interiors Roger Collicott (Consultant) including Jewellery EX245 Ceramics and Glass Nicholas Saintey, Andrew Thomas APRIL 2020 Clocks Leigh Extence Furniture Christopher Hampton, Tuesday 7th Antiques & Interiors EX246 Gillian Westell (Consultant) Jewellery Lucy Marles, Jethro Marles Tuesday 28th

Maritime, Sporting and Collectors Brian Goodison-Blanks IMPORTANT: & Wednesday 29th Quarterly Fine Art FS46 Pictures Daniel Goddard, Please note this list Martin Scadgell (Consultant) is printed only as a Silver Martin McIlroy guide and clients are Works of Art Martin McIlroy requested to contact MAY 2020 Valuations for Probate and Insurance Andrew Thomas A.S.F.A.V., Bearnes, Hampton Tuesday 5th Antiques & Interiors EX247 Christopher Hampton, & Littlewood for confirmation of sale Tuesday 19th 20th Century & Contemporary CC04 SALE ADVICE dates and special Bearnes Hampton & Littlewood make no charge for giving verbal advice on items brought to advisory days. their offices which are open: Monday to Friday 9.00am to 5.15pm and Saturdays when on view 9.00am to 12 noon. JUNE 2020 Alternatively a representative will be pleased to call by appointment without charge or obligation. nd Catalogue production by Tuesday 2 Antiques & Interiors Acanthus Press Ltd including Jewellery EX248 Dorset Representative: Sally Bartlett can be contacted on 01308 456208 www.acanthuspress.ltd.uk Cornwall Representative: Richard Hamm can be contacted on 01208 813593 Wednesday 17th 01823 663339 & Thursday 18th Sporting & Collectors SC31 Bearnes Hampton & Littlewood Ltd. Registered in England No. 3857887 Registered Office: St. Edmund’s Court, Okehampton Street, Exeter © Bearnes Hampton & Tuesday 30th Antiques & Interiors EX249 Littlewood 2019 Ref CC03 St Edmund’s Court, Okehampton Street, Exeter EX4 1DU Telephone 01392 413100 [email protected] | www.bhandl.co.uk

20th Century & Contemporary including Posters

Tuesday 3rd December 2019 Auction commences at 12.00 noon

ON VIEW: Friday 29th November 9.00am to 5.15pm Saturday 30th November 9.00am to 12.00 noon Monday 2nd December 9.00am to 5.15pm Tuesday 3rd December 9.00am to 12.00 noon

SALE ENQUIRIES: Dan Goddard: [email protected] Nic Saintey: [email protected]

Illustrated Catalogue £6

Members of the Society of Fine Art Auctioneers Front cover lot 38 Back cover lot 101 When leaving commission bids this sale may be referred to as CC03 For additional images of multiple lots please visit our website www.bhandl.co.uk

1 Two Pop Art Posters Die Pop Art Show Museum Ludwig Kohl, 21.1-20.4.92, 120 x 42cm & 84 x 60cm, unframed. [2] *£30 - 50

2 BilderLust August 1991, Museum Ludwig Koln, Erotische Photographie exhibition poster 84 x 59cm. *£30 - 50

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 2 3 4 • Alexander Calder [1898-1976] A 1980 David Hockney exhibition San Lazzaro [1975], poster, lithograph, for Grey Art Gallery and Study Centre, artist’s proof, signed in pencil in the New York University, bottom margin 71 x 50cm, unframed. *£40 - 60 sight size 37 x 26.5cm. *£300 - 500

5 A Le Corbusier Lithographs exhibition poster, Editions Alecto London June 1965, 8 Holland Street, London, W8, 74 x 50cm, unframed. *£50 - 100

* All lots subject to a buyers premium of 23% plus vat @ 20% 3 6 7 A 1964 Art Council Exhibition Poster, • Desmond Rayner [b.1928] Miro at The Tate Gallery, Summer Pudding, 76 x 50cm, unframed. *£150 - 200 gouache, signed, 53 x 34cm. *£80 - 120

Born in London and married to Claire Rayner. Exhibited through 1970s/80s hard-edged abstracts and landscapes. Stipulated that ‘my ashes should be sprinkled on the steps of The Tate because its the only way I am likely to get in’.

8 • Ti Parks [b.1939] Roxane; 10,000 Collages. No.1637, May 1986, signed and numbered 1637, inscribed and dated 1986 on the backboard mixed media collage, 15 x 10.5cm, together with a group of eight more 9 from the same series [9] and two small Andy Warhol, Go West-Go East With a sketch book pamphlets titled As Well II Truck 1986 and Thirty Folded Drawings 1991. two [duplicate] art exhibition posters, *£300 - 500 each 69 x 100cm. [2] *£30 - 50

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 4 10 • John Brunsdon [1933-1914] Room Royale; Blue Water, two coloured etchings, signed and inscribed in editions of 50 sheet sizes 57 x 80cm, unframed. [2] *£100 - 150

11 Three Posters for School Prints Ltd, comprising The Wreck by Edward Ardizzone, The Band by Raoul Dufy and This England by Felix Topolski each 49.5 x 76cm, unframed. [3] *£300 - 500

* All lots subject to a buyers premium of 23% plus vat @ 20% 5 12 A large folio group of exhibition posters, including Max Ernst Museum Ludwig Kohl 1990 & 91, The Museum of Modern Art New York, Rene Magritte, Osterweil Art Expo West 80, Paul Klee, Andy Warhol Go West-Go East With a Truck 1986, Stephen Bartlett CCA Galleries, Walter Lindner Verkerke Gallery, Dieter Kimmel Verkerke Gallery, Markus Baumann Musee d’Orsay Paris, Monet, Robert Offord, Matisse, Heinrich Schmid, Lionel Deriaz, etc. *£300 - 500 13 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 6 14 • Ann Thornycroft [b.1944] Four etchings titled Image; Three Planets; Walk in Space; Morocco, all signed and inscribed, sheet sizes 72 x 53cm and larger, unframed. [4] *£200 - 300 15 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 7 16 • Dame Laura Knight [1877-1970] Five Clowns, etching and aquatint, signed in pencil bottom right margin inscribed as titled under mount, numbered 1/20 image size 37 x 36cm. *£400 - 600

17 • David Hockney [b.1937] The Lake, etching and aquatint signed in pencil in the margin, No. 16 of 100 image 35 x 20cm. *£500 - 700

Literature. Fundevogel, Brothers Grimm Fairy Tale.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 8 18 • David Hockney [b.1937] The Boy Hidden in an Egg, etching, aquatint and drypoint signed in pencil in the margin, artist’s proof, inscribed on the reverse of the sheet ‘For Maurice’, image 19.5 x 17cm. *£500 - 700

Literature. From The Little Sea Hare Brothers Grimm Fairy Tale.

19 • David Hockney [b.1937] The Boy Hidden in a Fish, etching and aquatint signed in pencil in the margin, artist’s proof image 23 x 26.5cm. *£500 - 700

Literature. From The Little Sea Hare Brothers Grimm Fairy Tale.

20 Six Fairy Tales, from The Brothers Grimm with original etchings by David Hockney, one pocket size volume. *£20 - 30

* All lots subject to a buyers premium of 23% plus vat @ 20% 9 21 22 • Wilfred R E Fairclough [1907-1996] • Wilfred R E Fairclough [1907-1996] Venice, The Chef, Venetian Carnival Masks, etching, signed and dated 1984 three etchings, 1985-88, all signed plate size 19 x 14cm, together with two largest plate size 21 x 13cm. [3] market scenes and a cafe by the same *£100 - 200 hand. [4] *£100 - 200

For additional images of multiple lots please visit our website www.bhandl.co.uk

23 • Wilfred R E Fairclough [1907-1996] Venice - The Rose and The Writ, etching, signed and dated 1999 image size 22.5 x 16cm, together with two other Venetian etchings by the same hand. [3] *£100 - 200

24 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 10 25 • Terry O’Neill [b.1938] Jacqueline Bisset, gelatine silver print, signed and numbered 2/50 image 46 x 30cm. *£400 - 600

26 • Terry O’Neill [b.1938] Raquel Welch, gelatine silver print, signed and numbered 11/50 image 35 x 35cm. *£400 - 600

* All lots subject to a buyers premium of 23% plus vat @ 20% 11 27 28 • Luther Roberts [1923-1988] • Mark Clark [1959] King David & Abishag, Standing nude, etching, signed and wood engraving, dated ‘96, numbered 42/90 signed, inscribed and numbered 1/10 in plate size 15 x 10cm, together with an pencil Yvonne Ripa de Roveredo [1882-1976] image size 17.5 x 15cm. *£50 - 80 Musee de Louvre etching of a Running Nude, sheet size 32 x 38cm. *£50 - 80

29 • Wilfred R E Fairclough [1907-1996] Torcello umbrellas, two etchings, signed and dated 1980 / 1983 plate sizes 17.5 x 22cm & 16 x 19.5cm. [2] *£100 - 200

30 • Richard Beer [1928-2017] Riva Schiavoni; Ischia, two etchings with aquatint both signed and inscribed each image size 46 x 69cm. [2] *£100 - 200

31 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 12 32 • Reginald James Lloyd [b.1926] Hen, Cat and Cuckoo, signed and inscribed, watercolour and pencil drawing, 16 x 11cm, together with a small proof etching titled Comb Me Smooth, and one other by the same hand. [3] *£100 - 150

33 • Anthony Gross [1905-1984] La Poufette; figures in a street scene etching, signed, inscribed and numbered 9/70 image size, 20 x 24.5cm. *£100 - 150

34 • Wilfred R E Fairclough [1907-1996] El Kantara, Toldedo, etching, signed and dated 1937 plate size 24.5 x 33cm, together with a 1981 etching of The Venetian Lagoon by the same hand. [2] *£100 - 150

* All lots subject to a buyers premium of 23% plus vat @ 20% 13 35 • Henrietta Dubrey [b.1966] Touch and Go, signed and inscribed on the reverse oil on canvas 99 x 83cm *£500 - 700

36 37 • Terry Frost [1915-2003] • Anthony Frost [b.1951] Black,orange, yellow, Spiral Sun, coloured etching, A/P 1 mixed media and collage, 19 x 19cm, signed and dated ‘96 in pencil in the verso A Happy Darling, margin, mixed media, signed and dated 2010 in image size 28 x 28cm. *£100 - 150 pencil, along with Terry Frost facsimile signature *£200 - 300

Provenance. A gift from the artist to the vendor.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 14 38 • Howard Hodgkin [1932-2017] Swimming, 2011, screenprint signed in pencil and numbered 315/350 sight size 74 x 59cm. *£3000 - 4000

Commissioned for the 2012 London Olympics.

* All lots subject to a buyers premium of 23% plus vat @ 20% 15 39 James Powell & Sons (Whitefriars) shouldered vase after the original by Geoffret Baxter, kingfisher blue, 25 cm high. *£80 - 100

40 James Powell & Sons (Whitefriars) shouldered vase after the original by Geoffrey Baxter, willow, 23.5 cm high. *£80 - 120

41 James Powell & Sons (Whitefriars) two clear vases one of dimpled square profile with raised diamond moulded neck, the companion of ribbed and footed trumpet shaped form, 39 and 22.5 cm high. *£50 - 70

42-3 No Lots

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 16 44 James Powell & Sons (Whitefriars) ‘drunken bricklayer’ vase after the original by Geoffrey Baxter, kingfisher blue, 20 cm high. *£100 - 120

45 James Powell & Sons (Whitefriars) three vases after the originals by Geoffrey Baxter and comprising a cased internally ribbed vase in kingfisher blue, a mould blown squat spherical vase in amethyst and a streaky amethyst example, 17 cm high. *£80 - 100

46 James Powell & Sons (Whitefriars) two vases comprising a large amethyst ribbon trailed vase together with an internally optic ribbed example in kingfisher blue, 22 and 24.5 cm high. *£80 - 100

47 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 17 48 49 • Emily Myers (b.1965) four terracotta • Emily Myers (b.1965) a terracotta faceted vases of slender form, the faceted vase of slender wrythen largest under matt white and rust colour form under matt blue green glazes, glaze, the remainder under matt blue impressed personal seal to underside, green glazes, impressed personal seals 39 cm high. *£60 - 90 under base, 8.5 - 31.5 cm high. *£80 - 120

50 • Emily Myers (b.1965) four terracotta faceted vases of slender form, three under bright matt blue glaze and one under ivory glaze, impressed personal seals under base, 9 - 35 cm high. *£80 - 120

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 18 51 • Charlotte Howison (Contemporary) three semi-porcelain bottles of slender oviform with elongated necks, comprising a raku fired example, another under crazed ivory glazes and one under tea dust glazes, two with painted marks, 27 - 39 cm high. *£50 - 100

52 • Susan Disley (Contemporary) three stoneware vessels of slender elongated jug- like form with small black lug handle on a textured ivory ground with lime interior, incised signature to base, 44, 46 and 47 cm high. *£80 - 120

Provenance - purchased Rufford Crafts Centre, Newark

* All lots subject to a buyers premium of 23% plus vat @ 20% 19 53 • Mark Dally (Contemporary) a pottery ‘black and white’ teapot and cover of dome shaped form profusely decorated with abstract slip trails and brushwork, with silver lustre handle and knop, signed under cover, 18 cm high. *£70 - 90

54 • Mark Dally (Contemporary) a pottery ‘Japanese Clouds’ vessel of wing shaped profile decorated in black and white with slip trails and stencils, signed under base, 43 cm high. *£70 - 90

55 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 20 57 • Claire Ireland (Contemporary) a hand built vessel in the form of a ship with four funnels with incised and painted decoration on a turquoise ground, signed on one flank, 21.5 cm long. *£40 - 60 56 Provenance - purchased from the artist’s • Richard Godfrey (1949-2014) a slab 1981 degree show, Camberwell built vessel of abstract obelisk form decorated front and verso with a vividly coloured panel reserved on a yellow orange ground, signed to the base, 45 cm high. *£120 - 180

59 • Claire Ireland (Contemporary) three hand built jars and covers of flattened two handled form, each incised and 58 painted with banded and almond shaped motifs on a yellow, turquoise • Richard Godfrey (1949-2014) a slab and salmon ground respectively, signed built jug of ‘rocket ship’ form decorated front and verso with simple black and close to the base, 25 - 28 cm high. orange motifs reserved on a yellow *£60 - 90 orange ground, signed to the base, 45 Provenance - purchased from the artist’s 1981 degree show, Camberwell. cm long. 38 cm long. *£200 - 250

* All lots subject to a buyers premium of 23% plus vat @ 20% 21 60 Daum Nancy a cased glass vase of tapering and lobed square profile the clear body applied with arbitrary puce splashes on a yellow, brown and green ground, the neck with a speckled brown band, signed Daum Nancy with the Cross of Lorraine, 27 cm high. *£200 - 400

61 An art glass bowl of deep ‘U’ shaped form with flaring rim, the red, blue and white swirling body set on a clear pad foot, indistinctly diamond point etched to the foot, 32 cm diameter. *£80 - 120

62 • Peter Wills (b.1955) three porcelain bowls of footed form under canary yellow with a narrow interior bronze band around an ivory centre, impressed personal seal and inscribed under the base, 12 - 12.5 cm diameter. *£120 - 180 63-4 No Lots.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 22 65 • Colin Kellam (b.1942) a large stoneware cockerel naturalistically modelled under blue, grey and coral glazes, 76 cm high. *£150 - 200

66 67 • Carlos Versluys (Contemporary) two • Linda Styles (Contemporary) a hand built stoneware jugs of flattened terracotta slab built vessel of helmet- tapering form with ribbed strap handles shaped form with lug handle brightly each with brushwork decoration, and chaotically decorated in vivid impressed personal seal close to base, colours, signed near foot, 29 cm high. 22 and 27 cm high. *£50 - 80 *£60 - 90 Provenance - purchased New Craftsman Gallery, St Ives

* All lots subject to a buyers premium of 23% plus vat @ 20% 23 68 De Biasi (Murano) a large amethyst glass charger decorated with two encircling gilt edged and textured grey geometric bands, inscribed on the rim, 49.5 cm diameter. *£200 - 300

69 • Rob Sollis (b.1966) a raku fired bowl of conical form with flat inverted rim, the interior with crazed ivory glazes, the exterior under matt black, impressed below rim Rob Sollis 2003, 26 cm diameter. *£50 - 80

70 • John Dunn (b.1944) a large raku charger of coiled construction, the interior under a lustrous turquoise glaze, impressed personal seal to the interior, 56 cm diameter. *£70 - 90

71 • Tobias Harrison (b.1950) three terracotta dishes each with silver or gold lustre decoration on a blue ground, incised Tobias to base, 23, 35 and 37 cm diameter. *£50 - 80

72 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 24 73 • James Alexander Campbell (b.1942) a large pottery bowl of ogee form with everted rim, the interior painted with a pair of circling fish within a broad blue brushwork border containing crescent moons, with textured exterior, the base incised J.C. 92-22 Campbell. 42 cm diameter. *£100 - 200

74 • Alan Caiger-Smith (b.1930) a pottery bowl of deep circular form, the interior and exterior decorated with lustrous brushwork foliage and fruit on a white ground, painted monogram and datecode for 1997, 28 cm diameter. *£120 - 180

75 • Svend Bayer (b.1946) a large wood 76 fired stoneware vase of squat oviform • Colin Kellam (b.1942) a large with raised neck, the shoulder with stoneware planter of quadrilobed form, incised linear and impressed chevron the body with brushwork floral and bands under salt glaze, impressed foliate decoration reserved on a grey personal seal below the neck, 49 cm ground, impressed personal seal inside high. *£200 - 400 rim, 43 cm wide. *£80 - 120

* All lots subject to a buyers premium of 23% plus vat @ 20% 25 77 78 • John Maltby (b.1936) a stoneware • John Maltby (b.1936) a mixed media sculpture modelled with a male and automata ‘A. Wallis...his house’ of female slender figure seated before arched form, the base with a bracket a wall under matt black and cream supporting a sailing vessel named staining, impressed personal seal and ‘Peter Grimes’, articulating by means of inscribed verso ‘Two seated figures and a suspended weight, primarily wood, a wall’ John Maltby, 22 cm high. paint and metal, signed verso John *£300 - 500 Maltby England, 41 cm high overall. *£200 - 300

79 • Paul Scott (Contemporary) Cumbrian Blue plate ‘Watchtree’ No.2, screen print on a Royal Worcester blank, printed marks verso numbered 4/5 and Spring 2003, 42.5 cm long. *£120 - 180

Provenance. Purchased directly from the artist in March 2003 80 Three Troika pottery vases comprising a cylinder vase decorated with a band of discs bisected by narrow linear bands on a textured blue ground by Anne Jones, a cube vase incised and decorated with abstract motifs in russet tones and a marmalade pot embossed and incised with circular and square motifs in russet and blue on a textured ground, both by the same hand. *£200 - 250

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 26 81 • Marianne Starck for Micheal Andersen a stoneware plaque of rectangular form decorated in high relief with seven stylised birds under brown and turquoise glazes on a textured matt 82 ground, impressed marks and ‘MS’ • Noomi Backhausen for Soholm two verso, 39.5 cm long. *£50 - 80 stoneware tiles one of rectangular form the other square both decorated in high relief with bird motifs under glossy brown and pools of red glaze, impressed marks the former incised Noomi, 35 and 18 cm high. *£80 - 120

83 • Cleo Mussi (b.1965) a ceramic mosaic ‘Platter Face 3’ the oval visage formed from broken domestic china, signed verso and dated 2003, 31 cm high. *£180 - 220

84 • Roger Cockram (Contemporary) a stoneware bowl of circular form with flattened rim applied with sea shells, the interior painted with a crab, shrimp and sea anemones, impressed personal and Chittlehampton Pottery seals, 34 cm diameter. *£100 - 150

* All lots subject to a buyers premium of 23% plus vat @ 20% 27 85 • Phil Lyddon (b.1948) five small porcelain bowls of distorted conical form, two under ivory and three with speckled blue under a bronze rim, each with a lustre square, impressed marks to underside, 5 - 7 cm high. *£50 - 70

86 • Peter Wills (b.1955) two semi- porcelain bowls of footed conical form under pale blue matt glazes around a white centre, impressed personal seal and inscribed under base, 21 and 16.5 cm diameter. *£80 - 120

87 • Alison Gautrey (Contemporary) four eggshell spun porcelain bowls of faceted hemispherical form applied with trails of coloured slip, 10 - 17.5 cm diameter. *£60 - 90

88 • Frances Pollard (Contemporary) a group of domestic stonewares comprising five graduating jugs and ten mugs in three sizes each with trailed white decoration on an oatmeal ground, impressed marks to underside. (15) *£50 - 80 89 No Lots.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 28 90 • Michael Cardew (1901-1983) a stoneware bowl of footed two handled form decorated below the rim with 91 an incised and notched band under • David Leach (1911-2005) a stoneware brown glazes, impressed personal and jar of shouldered and lobed form under Winchcombe seal above foot, 16.5 cm brown glazes, impressed personal and wide. *£50 - 80 Lowerdown seals, 20 cm. *£100 - 200

92 • Ray Silverman (b.1943) three porcelain ‘acorn’ vases each of oviform and under ash glazes, impressed personal seals, 12, 8 and 6 cm high, with fitted case. *£50 - 80

93 • Phil Rogers (b.1951) a stoneware vase of rounded square profile with raised flaring neck incised with fretted panels alternating with simple foliate motifs under pale celadon, impressed personal seal to base, 16 cm high. *£50 - 80

* All lots subject to a buyers premium of 23% plus vat @ 20% 29 94 95 A modernist Mexican sterling silver A pair of modernist salt and pepper jug, stamped Fabian, Sterling 0.925 shakers, maker Robert Welch, London, of ovoid form with angled spout and 1985 of plain hourglass form, 8.25cm. ribbed handle, 25.5cm. high, 806gms, high, together with a Robert Welch 25.91ozs. *£250 - 350 designed three-piece stainless steel carving set and a book, ‘Robert Welch Designer in a Cotswold Workshop’, total weight of silver 220gms, 7.09ozs. *£200 - 300

97 96 Richard Sapper for Alessi, a 9091 Carrol Boyes, cast aluminium figural harmonic whistling kettle of domed bowl stamped C. Boyes, 17cm. high. outline with Mohican style handle and *£40 - 60 hinged two-tone whistling spout, 24cm. high. *£30 - 50 98 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 30 100 • Peter Lane (b.1932) a stoneware vessel of squat globular and pierced 99 ‘seed head’ form under oatmeal glazes, • John Kershaw (Contemporary) a large signed under base, 32 cm diameter. stoneware vase of oviform, the heavily *£40 - 60 textured body under matt white glazes, 35 cm high. *£50 - 80

Provenance. Purchased directly from the artist’s studio in Windermere

102 • Colin Pearson (1923-2007) a 101 stoneware vase of boldly ribbed Peter Hayes (b.1946) a stoneware cylindrical form decorated with matt sculptural form of bow shape with russet and ivory glazes, impressed pierced keyhole, deeply textured and personal seal close to foot, 22 cm high. fractured ivory and brown stained body *£100 - 200 set on a polished stone base, 20 cm Provenance - purchased from the high overall. *£180 - 220 Craftsman Potters 1971.

* All lots subject to a buyers premium of 23% plus vat @ 20% 31 103 A Georg Jensen beaten silver two- piece coffee service model No 456, stamped marks of ovoid form, includes coffee pot and hot water jug, both 19cm. high, total weight of silver 743gms, 23.89ozs. *£400 - 500

104 A pair of Mexican modernist silver twin branch candlesticks, stamped Sterling 0.925 with conical nozzles on an S-shaped base, 20cm. wide. *£150 - 250

105 A pair of Georg Jensen silver and enamel salts, stamped marks and bears import marks for London, 1938 of circular outline with cobalt blue enamel interiors and stepped handles, 5.5cm. wide, together with matching spoons, total weight of silver 55gms, 1.78ozs. *£120 - 150

106 A silver plated four-division egg cup stand, by Hukin & Heath each cup in the form of a shattered egg on a circular dish base, the stand with oval loop carrying handle, 22cm. wide. *£80 - 120

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 32 107 108 Uno (b.1925) and Osten Kristiansson An Elizabeth II silver gilt facsimile of (1927-2003) for Luxus Vittsjo, table the Congress of Europe Standing Cup lamp the teak cylindrical base with and Cover, maker Aurum Ltd, London, opaque plexiglass shade with paper 1973 No 46 of 500, of cylindrical outline, label, 23cm. high, 10cm. diameter. 21.5cm. high, 580gms, 18.64ozs. *£200 - 250 *£180 - 220

109 An Elizabeth II silver novelty egg, maker Stuart Devlin, London, 1969 with textured exterior the lift- off top exposing a rabbit emerging from its burrow, numbered 206, 8cm. high, with original box, 177gms, 5.70ozs. *£250 - 300 110 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 33 111 Two Old Mill Studios Molesworth St. SE13 Art Exhibition Posters, comprising London Borough of Lewisham, Five Local Artists, Mike Sinclair, Niko Ismay, Eileen Cooper, Tim Allen, Clyde Hopkins and Tim Jones, 1982, signed in pencil bottom right, largest 76 x 56cm, unframed. [2] *£50 - 100

112 A Henri Deschamps, Cote d’Azur Picasso, exhibition poster, published by the French Government, 100 x 65cm, unframed, together with a January 1957 Gallerie H. Matarasso Picasso Exhibition poster, 70 x 51cm. [2] *£40 - 60

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 34 113 Ronald A. Glendening [b.1926] Cycle Racing poster, 48 x 71cm, unframed. *£80 - 120

114 Edward Ardizzone [1900-1979] Shelter Scene, 1941, lithograph in colours published by the Baynard Press for the National Gallery, 77 x 102cm, unframed. *£150 - 200

115 Edward Ardizzone [1900-1979] Shelter Scene, 1941, lithograph in colours published by the Baynard Press for the National Gallery, 77 x 102cm, unframed. *£150 - 200

116 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 35 117 A Doboujinsky poster for the Exhibition of Russia Art, 1 Belgrave Square, London, 1935, printed by Oliver Burridge , Woburn Place, W.C.1, 76 x 50cm, unframed. *£80 - 120

118 Three art exhibition posters, comprising David Hockney Drawings for the Theatre, Nishimura Gallery Tokyo 1983, Max Ernst Museum Ludwig 1991 and Andy Warhol Go West-Go East With a Truck 1986, largest 92 x 80cm. [3] *£40 - 80

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 36 119 120 A 1956 Marcel Mouly [1918-2008] A Jean Dubuffet Paintings Tate Gallery Berri-Lardy & Cie., Rue Des Beaux-Arts, Arts Council Exhibition poster, April- Paris, exhibition poster, May 1966, signed and numbered 7/30 in pencil 76.5 x 51cm, unframed. *£150 - 200 bottom right, 67 x 51cm, unframed. *£50 - 100

121 An Evert Lundquist Galerie Rive Gauche 1960 exhibition poster, 65 x 51cm, unframed. *£50 - 100 122 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 37 123 • Frank Roth [b.1936] Abstract, 1967, signed and dated 3/4/67 mixed media, 31 x 34cm, and one other similar. [2] *£200 - 300

124 • Joe Goode [b.1937] Untitled, lithograph, signed and dated ‘71 artist’s proof, 35.5 x 58.5cm. *£300 - 500

Provenance. Margo Leavin Gallery, Los Angeles.

125 • Alan Green [1932-2003] No.5; abstract, signed in pencil bottom right numbered and dated No.5 ‘67 bottom left etching and mixed media sheet size 59 x 79cm. *£150 - 250

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 38 126 • Michael Roy [20th Century British] Reclining Harmonic, signed and dated 1960 bottom right further signed, inscribed and dated 19 March 1960 on the reverse oil on panel, 24 x 34.5cm *£300 - 500

127 • Jaques Engel [1940-1982] Abstract with three green slats, signed and dated ‘80 mixed media collage on board 82 x 85cm. *£200 - 300

128 Pablo Picasso [1881-1973] Dove of Peace, 1962, lithograph 53 x 65cm. *£300 - 500 129 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 39 130 • Susan Jayne Hocking [b.1962] Dancer in My Head, mixed media, 29 x 20cm, together with two smaller figure studies by the same hand. [3] *£150 - 250

131 • Pol Bury [1922-2005] Music, lithograph, signed and numbered 29/150 sheets size 74 x 54cm, unframed, *£250 - 350

132 • Ahmed Moustafa [b.1943] Untitled, screenprint signed and dated ‘76 in pencil bottom right sheet size 63 x 89cm. *£200 - 300

133 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 40 134 • Patrick Hockey [1948-1992] Three Outback scenes, each signed, one dated ‘74 watercolours, each 24 x 34cm, unfarmed. [3] *£100 - 200 one of three in the lot

135 • Marco Ernesto [20th Century] Street entertainers, signed and dated Colon ‘53 oil on canvas board 64 x 79cm. *£150 - 250

136 137 • Robert Broadley [1908-1989] • Norman James Battershill [b.1922] The Miner’s Wives, South Wales, Wild flowers in a landscape, signed and dated ‘85 signed watercolour and bodycolour, 65 x 57cm. oil on board, 23 x 28.5cm. *£60 - 90 *£80 - 120

* All lots subject to a buyers premium of 23% plus vat @ 20% 41 138 139 • Robert O Lenkiewicz [1941-2002] • Robert O Lenkiewicz [1941-2002] Seated Girl; red hair, red shoes, Academic reading Paradise Lost, oil on canvas, 178 x 88cm, unframed. oil on canvas, 155 x 100cm. *£800 - 1200 *£600 - 900 Project 17. Observations on Local Project 17. Observations on Local Education, 1988. Education, 1988.

140 • Robert O Lenkiewicz [1941-2002] Girl with Red Hair, a fragment from The Fight, oil on canvas, 107 x 91.5cm, unframed.

Project 17. Observations on Local Education, 1988.

Part of a large and unwieldy canvas exhibited in 1987 and subsequently cut-up by Robert Lenkiewicz. For other fragments of the original canvas see the Sotheby’s in association with Bearne’s sale, 18th September 2003, Paintings & Drawings from The Studio of Robert Lenkiewicz, lots 113 - 117. *£800 - 1200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 42 141 • Robert O. Lenkiewicz [1941-2002] Street busker Edward Pike with guitar and harmonica, signed, inscribed and dated 1971 on the reverse oil on canvas, 130 x 62cm. This canvas is part of the monumental painting titled The Apotheosis of Albert Fisher, circa 1970, exhibited as part of The Vagrancy Project. Albert Ernest Fisher, a Plymouth vagrant known as The Bishop, was invited by Lenkiewicz to open the 1973 Vagrancy Project Exhibition. Lenkiewicz called him an ‘extraordinary and tragic man’ who could recite poetry he learned by rote at school and quote large sections of The Ancient Mariner; .....’The Albatross sleeps on the wing, I sleep on the wing!’. The rest of the original large canvas, now lost, depicted The Bishop rising into the air surrounded by dozens of local figures and policemen. *£1200 - 1800

Provenance. Bearne’s Exeter, 2nd November 2005, where sold for £2900.

* All lots subject to a buyers premium of 23% plus vat @ 20% 43 142 • Ronald Ossory Dunlop [1897-1973] Portrait at the piano, signed bottom right oil on canvas, 60 x 50cm. *£400 - 600

143 • Ronald Ossory Dunlop [1897-1973] Portrait, signed top right oil on board, 64 x 49cm. *£400 - 600

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 44 144 • Ronald Ossory Dunlop [1897-1973] Portrait; blue beads, signed bottom left oil on canvas, 49 x 38cm. *£700 - 1000

* All lots subject to a buyers premium of 23% plus vat @ 20% 45 145 • Helen B. Kapp [1901-1978] Sitting room interior, signed and dated ‘36? bottom left oil and pencil drawing on card 38 x 47cm. *£60 - 90

146 • Richard Bawden [b.1936] Alderburgh, signed and dated ‘93, watercolour, 37 x 54cm. *£800 - 1200

147 Eric Ravilious [1903-1942] Clerical Outfitters, lithograph, 16 x 14cm. *£100 - 150

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 46 148 • Percy Wyndham Lewis [1882-1957] Anne; half-length portrait, signed and dated 1946 bottom right pastel and pencil drawing 48 x 40.5cm. *£2000 - 3000

Literature. Illustrated in Wyndham Lewis, Paintings & Drawings, by Walter Michel, Published by Thames & Hudson, plate 145 No.1079.

Provenance. Leicester Galleries

* All lots subject to a buyers premium of 23% plus vat @ 20% 47 149 • Gordon Richard Meeton [b.1945] The Window; The Bedroom; The Hill; three, the first signed bottom right acrylics on board, 31 x 24cm, 39 x 27.5cm & 14 x 9.5cm. [3] *£200 - 300

Exhibited. The Hill, Royal Academy Summer Exhibition, 1986

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 48 150 151 • John Eyles [1922-2002] • Attributed to Karl Weschke [1925-2005] Interior; Boy & Pet Dog, Standing Nude, signed and dated ‘60 bottom left signed with initial ‘W’ top right oil on canvas, 120 x 75cm. *£200 - 300 inscribed Weschke and with address at 167 Belsize Road, London on an old label on the reverse of the frame oil on canvas, 54 x 34cm. *£300 - 500

152 • Gilles Capton [b.1961] Toro Gris, signed, oil on canvas, 100 x 100, unframed. *£500 - 700

* All lots subject to a buyers premium of 23% plus vat @ 20% 49 154 153 Manner of The Grosvenor School, • Derek Menary [b.1943] 20th Century Syria; portrait of a young woman, Windy Shore, signed with initials bottom right woodblock print, 4th State, oil on board, 51 x 41cm. *£150 - 250 inscribed with title and dated 1946 in pencil in the bottom margin, image size 14.5 x 19.5cm. *£50 - 80

155 • Sam Haile [1909-1948] African Musicians, 156 signed and dated Haile 1939 bottom right • Hans Erni [1909-2015] pencil and watercolour heightened with The Family, white lithograph, 27 x 36.5cm. *£400 - 600 signed and numbered 52/100 in pencil sheet size 50 x 62cm. *£100 - 150 Exhibited. Mica Exhibitions, The Surrealist Paintings & Drawings of Sam Provenance. With The Zwemmer Gallery, Haile, 1967/68. Charing Cross Road, London. Provenance. The Marianne de Trey Collection, sold these rooms 28th January 2010, lot 517. An oil painting with the same title with Birch & Conran, 1987.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 50 156A • Hans Erni [1909-2015] Ronde de Chevaux, 157 lithograph, • Leo Davey [1924-1987] signed and numbered 96/100 in pencil Fisherman’s catch, sheet size 71 x 93cm. *£100 - 150 signed bottom right pen and ink drawing heightened with Provenance. With The Zwemmer Gallery, white Charing Cross Road, London. 36 x 26cm. *£500 - 700

158 • Leo Davey [1924-1987] Half-length figure study, signed and dated ‘59 bottom right oil and wash on paper heightened with white 24 x 17.5cm. *£250 - 350

159 • Attributed to Edmund Xavier Kapp [Greek, 1890-1978] Avra, signed, inscribed and dated ‘65 watercolour, 10 x 14.5cm. *£80 - 120

* All lots subject to a buyers premium of 23% plus vat @ 20% 51 160 • Clifford Fishwick [1923-1997] Still life; oranges on a plate, signed with initials and dated CF’53 bottom right oil on board, 26 x 36cm. *£150 - 250

161 • Fred Yates [1922-2008] Melon, signed bottom right oil on board, 18 x 29.5cm *£400 - 600

162 • Kit Barker [1916-1988] Chanterelles; still life, signed, inscribed and dated 1977 on the reverse oil on canvas, 25 x 40.5cm. *£150 - 200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 52 163 • Fred Yates [1922-2008] Sunday best hats, signed bottom right oil on board, 30.5 x 30.5cm. *£800 - 1200

164 • Fred Yates [1922-2008] Dawlish sea front, signed bottom right oil on board, 22 x 26.5cm. *£400 - 600

* All lots subject to a buyers premium of 23% plus vat @ 20% 53 165 • Fred Yates [1922-2008] Cotes d’Azure signed bottom right oil on board, 58 x 74cm. *£2000 - 3000

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 54 166 • Mary Fedden [1915-2012] The Black Teapot, signed and dated 1989 bottom right oil on board, 39.5 x 50cm. *£4000 - 6000

Provenance. Royal West of England Academy Exhibition 1989 where bought by the vendor.

* All lots subject to a buyers premium of 23% plus vat @ 20% 55 167 • John Piper [1903-1992] Bridgham Parish Church, (1989), screenprint, signed in pencil bottom right margin numbered 12/70 bottom left image size 40 x 52cm. *£800 - 1000

168 • John Piper [1903-1992] Overgrown churchyard with view to arched wooded door, screenprint, signed in pencil bottom right margin numbered 4/100 bottom left image size 45 X 56cm. *£800 - 1200

169 • John Piper [1903-1992] Long Sutton, Lincolnshire, screenprint in colours, 1985 signed in pencil and numbered 49/100 printed by Kelpa Press, image 61 x 82cm. *£800 - 1200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 56 170 • John Piper [1903-1992] Variation on a mid-19th Century engraving, 1982 signed bottom left, inscribed and dated on the backboard pen, ink, watercolour and gouache on paper 42 x 58cm. *£2500 - 3500

Provenance. Bohun Gallery. John Piper Exhibition, May-June 1983, No.19

171 No Lots

* All lots subject to a buyers premium of 23% plus vat @ 20% 57 Val Barry, Crouch End,1970s

Val Barry [1937-2018]

Born into a Barnsley mining family, Val Barry aspired to become a fashion designer, but became a nurse instead. However, at the age of 29, she left nursing and moved to Crouch End in London with her husband where a passion for studio pottery was realised. In spite of a period of ill health and rejections from the Craftsman Potters Association (CPA) and the Crafts Council, recognition came in 1971 with a solo exhibition in Gallery 273, Queen Mary’s College. Throughout the 1970s and 80s her work was well received and taken into collections by a number of international museums including the Victoria & Albert. In addition she was awarded a Gold Medal in the 1975 Florence International Ceramics Competition. As well as solo exhibitions, she exhibited in Hong Kong with Bernard, David and Janet Leach, Katherine Playdell-Bouverie, Michael Cardew, Colin Pearson, Henry Hammond and John Maltby amongst others.

The greatest influence on Val Barry’s work was a Craftsman Potters Association sponsored trip to China in 1978 where she drew inspiration from the Oriental aesthetic. An exhibition of Chinese jades inspired sword-form narrow pieces with dynamically cut rims and a blade-like appearance that looked as if they had received a precision strike from steel. From this came a series of flattened geometric forms, often with a discrete curve, primarily in muted colours, sparse brushwork or wax resist decoration. Produced in varying sizes and forms they were intended to be seen in groups, the spaces between them being equally important as the objects.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 58 172 • Val Barry (1937-2018) three stoneware ‘flattened bowls’ of narrow profile on demi-lune bases, one with shouldered rim, one with grey and green spotting and one with black speckling on an ivory ground, the remainder under bronze, impressed personal seals, 18 cm high. *£100 - 150

173 • Val Barry (1937-2018) five stoneware vessels of narrow slab built profile with angular rims, two with black speckling on ivory, two under glossy blue green the remainder under white with blue tinges, impressed personal seals, 25 - 36 cm high. *£120 - 180

174 • Val Barry (1937-2018) three stoneware ‘spheres’ and two ‘compressed spheres’ the largest coil built, the remainder of thrown form, three with wax resist bands in green, grey and cream, the remainder with textured finish, impressed personal seals, 6 - 20 cm high. *£120 - 180

* All lots subject to a buyers premium of 23% plus vat @ 20% 59 175 • Val Barry (1937-2018) three stoneware ‘flattened bowls’ of narrow profile on demi-lune bases, two with shouldered rims, under bronze glazes, impressed personal seals, 18 - 21 cm high. *£120 - 180

176 • Val Barry (1937-2018) four stoneware vessels of narrow slab built profile with angular rims, two with arbitrary pale blue and grey banding, one with arbitrary patches of pale blue and brown on an ivory ground, the remainder with white speckles on an ivory ground, impressed personal seals, 18 - 23 cm high. *£150 - 250

177 • Val Barry (1937-2018) five stoneware ‘double sentry’ vases each of narrow profile with notched margins, two under banded bronze glaze, three with black speckles on white, impressed personal seals, 19 - 27.5 cm high. *£120 - 180

178 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 60 179 • Val Barry (1937-2018) six porcelain bowls of thinly thrown form comprising three ribbed examples, two circular and one squashed decorated with bronze glazes, impressed personal seals, 15 - 21 cm diameter. *£120 - 180

180 • Val Barry (1937-2018) five stoneware ‘compressed spheres’ two decorated with wax resist radial bands in green, grey and cream, two under cream, the remainder with a textured finish, impressed personal seals, 7.5 - 10 cm high. *£120 - 180

181 • Val Barry (1937-2018) six bowls of thinly thrown conical form comprising three porcelain variously decorated and three stoneware with a wax resist stripe on a pale green ground, impressed personal seals, 14 - 18.5 cm diameter. *£100 - 150

182 • Val Barry (1937-2018) three stoneware ‘landscape sail’ vases of narrow slab built form with distorted profile decorated front and verso with wax resist mountainous landscapes on an ivory and grey ground, impressed personal seals, 22 cm high. *£150 - 200

* All lots subject to a buyers premium of 23% plus vat @ 20% 61 183 • Val Barry (1937-2018) stoneware ‘sword forms’ each of narrow tapering slab built form with diagonal rims, two with black speckles on white and one under buff, impressed personal seals, 42 - 44 cm high. *£120 - 180

184 • Val Barry (1937-2018) three stoneware ‘sentry’ vases each of narrow profile with notched margins, one under banded bronze glaze, two unglazed, impressed personal seals, 38 and 39 - 45 cm high. *£200 - 300

185 • Val Barry (1937-2018) three stoneware ‘sail’ vases of narrow slab built form with distorted profile decorated variously with ivory, russet, grey and green glazes, impressed personal seals, 31 - 35 cm high . *£120 - 180

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 62 186 • Val Barry (1937-2018) seven porcelain ‘chimney’ vases of thrown and squashed tapering form under vertically banded white and grey dolomite glazes, impressed personal seals, 19 - 28 cm high. *£200 - 300

187 • Val Barry (1937-2018) three stoneware ‘sentry’ vases each of narrow profile with notched margin, one under banded bronze glaze, two with black speckles on white, impressed personal seals, 38 and 39 - 44 cm high. *£200 - 300

188 • Val Barry (1937-2018) four stoneware vessels of narrow slab built profile with angular rims, one under crawling green and buff glaze, one bronze and one with black speckles on ivory, the largest decorated with arbitrary pale green, white and grey staining, impressed personal seals, 18 - 29 cm high. *£150 - 250

* All lots subject to a buyers premium of 23% plus vat @ 20% 63 Six lots from the Studio Collection of Robert John Offord [1951-2019], by family descent.

Robert Offord was born in North London. After schooling he studied jewellery and ceramic design and began painting mixed media images. A private man, he recoiled from exhibitions, occasionally though showing at the Mall Galleries and R.A. Summer Exhibition.

A distraction from painting was singing and music and he was a driving force in the founding of the London Gay Men’s Chorus in 1991. A memorial to his life 189 was held at the American Church in • Robert John Offord [1951-2019] Tottenham Court Road in October 2019. Moon Park, A large volume of his work is held by the oil on board, 68.5 x 68.5cm. *£300 - 500 family as well as in private collections Exhibited R.A. Summer Exhibition 2002.

191 • Robert John Offord [1951-2019] Horizon Lines, mixed media steel wire, nickle, gold, cotton, stone, feather, thorn, pencil on paper, 12 x 16cm. *£200 - 300 Provenance. Winner Jerwood Drawing Prize 2014. 190 • Robert John Offord [1951-2019] 192 Flotsam Angel,- • Robert John Offord [1951-2019] mixed media collage, 24 x 17cm. a buff terracotta vessel of abstract *£200 - 300 slab built form with embossed and Exhibited. Discerning Eye 2001. impressed decoration, 18 cm high. *£50 - 80

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 64 193 • Robert John Offord [1951-2019] The Shard and Milky Way, signed with initials bottom left oil on panel, 45.5 x 39.5cm. *£250 - 350

Exhibited The Mall Galleries, Royal Society of British Artists.

194 • Robert John Offord [1951-2019] Sub-Terranean, mixed media collage 96 x 46cm. *£400 - 600

* All lots subject to a buyers premium of 23% plus vat @ 20% 65 195 Francisco Sancha Lengo [1874-1936] Goring on Thames, October 1918, signed and inscribed, watercolour, pen and ink drawing, 29 x 22cm, together with three other similar landscapes by the same hand. [4] *£250 - 350

196 • Henry Anderson [20th Century] Convergence; Spring; Involvement, three oils on board each signed and dated ‘64, further signed and inscribed on the reverses, 50 x 54cm, 9 x 19cm & 20 x 25cm. [3] *£100 - 200

197 de Villiers [20th Century] Still life with fruit, signed and dated ‘de Villiers. 57’ bottom right oil on canvas, 46 x 61cm, unframed, together with an oil on canvas Figure Study with attribution to Derek Jarman. [2] *£100 - 200

198 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 66 199 • Martin Fuller [b.1943] Abstract; Abstract with Figure, two, both signed and dated 1997 on the reverse of the frames oils on canvas each 101 x 75cm. [2] *£200 - 300

200 • Jo Jones [1894-1989] Lakeside Conversation, signed bottom right further signed and inscribed on the overlap oil on canvas, 98 x 84cm, unframed. *£200 - 300 201 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 67 202 • Neil Murison [b.1930] The Protector; view into a room with figures reclining, signed and inscribed on the reverse oil on canvas, 45.5 x 45.5cm. *£200 - 300

203 • Jean Rees [1914-2004] Beach Huts & Houses, Positano, signed, inscribed on the reverse acrylic on board, 27 x 34cm, together with an etching of Sicily by the same hand. [2] *£150 - 200

204 British School 20th Century The Red Cart, oil on board, 89 x 108cm. *£100 - 200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 68 205 • Janet A. Freeman [20th Century] Yellow Jug and Diamonds, signed lower right oil on board, 37.5 x 42.5cm *£200 - 300

206 • Margaret Gregory [1927-2011] A blue pot from Cornwall, signed bottom right oil on board, 29 x 41cm. *£150 - 250

Provenance. The Artist’s Studio

207 • Margaret Gregory [1927-2011] Interior [Still life] and beyond, signed and dated ‘00 oil on board, 41 x 36cm. *£200 - 300

Provenance. The Artist’s Studio

208 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 69 209 • Joan Lindop [20th Century] Lewisham, Evening, signed bottom right oil on board, 60 x 74cm. *£100 - 200

Exhibited. Young Contemporaries.

210 • Derek Menary [b.1943] A view towards the Mountains, signed with initials bottom left further signed, inscribed as titled and dated ‘98 on the reverse oil on board, 63 x 89cm. *£250 - 350

211 • David Tindle [b.1932] Yellow Crane, oil on canvas, 45.5 x 45.5cm. *£800 - 1200

Provenance. The Piccadilly Gallery, 16a Cork St, London, W1, April 1959, where purchased by Sidney Gilliat

212 • Bob Crossley [1912-2010] Hill Top, signed and dated ‘87 bottom left further signed and inscribed on a label on the reverse oil on board, 34 x 29, in the artists’s painted frame. *£200 - 300

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 70 213 214 • Rowland Suddaby [1912-1972] • Rowland Suddaby [1912-1972] View of Maldon from Heybridge. Kentish landscape, Low Tide, signed and dated ‘47 bottom right signed, inscribed and dated ‘49 bottom watercolour, 40 x 55cm. *£200 - 300 right watercolour, 40 x 54cm. *£200 - 300

215 • Jeremy King [b.1933] Anvil Point, a pair both signed and dated ‘62 oils on board, each 21 x 28cm. [2] *£150 - 250

216 • William S. Taylor [1920-2010] Horseman in a dream, signed, watercolour, pen and ink drawing, 36 x 25cm. *£80 - 120

* All lots subject to a buyers premium of 23% plus vat @ 20% 71 217 • Dennis Orme Shaw [b.1944] Cottages in The Mournes, signed bottom right oil on canvas, 50 x 59cm. *£200 - 300

218 • Dennis Orme Shaw [b.1944] Farm buildings, Mournes, signed bottom right oil on canvas, 51 x 61cm. *£200 - 300

219 • Frank J. Archer [b.1912] Moored Narrow Boats, signed bottom right oil on board, 33.5 x 42.5cm. *£200 - 300

220 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 72 221 • Paul Bullard [1918-1996] Market Day, signed bottom left oil on canvas, 40 x 50cm. *£150 - 250

222 Miss Joy Trotman [20th Century] Holiday Landscape No.1, signed, further signed and inscribed on the reverse oil on board, 44 x 58cm. *£80 - 120

223 • Hubert Andrew Freeth [1912-1986] Piccadilly Circus, signed and dated 1978 bottom left watercolour, pen and ink drawing heightened with white 30 x 41cm *£200 - 300

* All lots subject to a buyers premium of 23% plus vat @ 20% 73 224 • Elspeth Buchanan [1915-2011] Tirini Woods Blair Atholl, signed and dated 1990 mixed media, 57 x 41.5cm. *£200 - 300

Exhibited. Scottish Artists and Artist Craftsmen.

225 • Camilla Nock [b.1944] Reclining nude, signed bottom right watercolour and pencil drawing, 55 x 74cm. *£100 - 200

226 • Elizabeth Vellacott [1905-2002] Coast drawing, North Wales, Circa 1958, pencil drawing, 38 x 50cm. *£200 - 300 227-8 No Lots

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 74 229 • John Banting [1902-1972] Abstract figure, multiple process print signed with initial B A/P in pencil bottom left signed and dated A/P 1945 on the mount sheet size 39 x 27cm. *£200 - 300

230 • Glenys Cour [b.1924] Golden Garden, signed and dated 1996 bottom right mixed media, 57 x 37cm. *£150 - 250

Provenance. The artist’s studio.

231 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 75 232 • Edward Bouverie Hoyton [1900-1988] The Kathleen May of Bideford; On The Hard, a pair of coloured etchings both signed and inscribed in pencil in the margins image sizes each 30 x 45cm. [2] *£100 - 150

233 • Adrian Ryan [1920-1988] St Just, signed, inscribed and dated ‘62 watercolour, pen and ink drawing, 33 x 40cm. *£100 - 150

234 • Pierre Lavarenne [b.1928] Paysage a La Charette, signed bottom right, inscribed with title on the stretcher oil on canvas, 65 x 81cm. *£100 - 200

Provenance. The Piccadilly Gallery, 16a Cork St, London, W1, March 1959, where purchased by ‘S. Gilliant, Esq.’.

235 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 76 236 • John Brunsdon [1933-2014] Print Room, coloured etching , signed, inscribed and numbered 1/50 in pencil in the margin image, 45 x 59cm. *£100 - 150

237 • Joseph Oppenheimer [1876-1966] Trafalgar Square, 1951, signed, inscribed and dated London 1951 in biro pastel drawing, 25 x 36cm. *£200 - 300

Provenance. With Agnews, Old Bond Street, London

238 • Matthew Perceval [b.1945] Seascape, signed oil on board, 61 x 74cm. *£250 - 350

239 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 77 240 • S. Horne Shepherd [1909-1993] Still life with Fish, Still life with fruit bowl and decanters, two, lithographs, both signed in pencil sheet sizes 55 x 44cm. [2] *£80 - 120 Biography. Painter, print-maker and teacher, studied at Glasgow School of Art under Maurice Greiffenhagen. Taught at Glasgow, Shoreditch Training College and St Martin’s School of Art. Has work in the V&A Collection.

241 • Jock McFadyen [b.1950] Trevor, etching in colours, signed, inscribed and numbered 15/15 sheet size 77 x 57cm, together with ‘Spud’ 1991, lithograph, signed, inscribed and numbered 4/15, sheet size 75 x 57cm [2] *£200 - 300 Provenance. William Jackson Gallery. Cork St., London.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 78 242 • Tom Phillips [b.1937] Three lithographs, all signed and numbered 46/75, sheet sizes 675 x 54cm, unframed. [3] *£100 - 150

243 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 79 245 244 • Osbert Lancaster [1908-1986] Archibald Wells [19/20th Century] Costume design for ‘Coppelia’, Martini, Covent Garden, inscribed on a label attached to the signed and inscribed reverse watercolour and pencil drawing watercolour, pen and ink drawing heightened with white 49 x 36cm. *£250 - 350 38 x 26.5cm. *£100 - 150 Provenance. Langton Gallery Limited, June 1979.

246 • John Pienkowski [b.1936] The Phantom Violin; The Monk; The Lady three designs for Theatre de Complicite, 88/89 mixed media collages, each 59 x 30cm. [3] *£250 - 350 • denotes lots affected by Artist’s resale rights - refer to conditions of sale. 80 248 247 • Beryl Cook [1926-2008] • Corinna Button [b.1960] Clubbing in The Rain, On The Pull II, coloured print published by Alexander collograph, hand-painted gallery signed in pencil, inscribed with title and signed and numbered 579/650 in pencil numbered 12 of 30 along the bottom, along the bottom margin plate size 85 x 59cm *£300 - 500 image size 51 x 36cm. *£200 - 300

249 • Laurence Stephen Lowry [1887-1976] Mrs Swindells Picture, coloured print, signed in pencil bottom right margin FATG blindstamp bottom left, image size 40.5 x 30cm. *£800 - 1200

250 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 81 251 H.Stern ‘Sapphire Collection’. A lady’s water resistant slim quartz wristwatch the rectangular dial approximately 33mm long x 24mm wide, with Roman numerals, single-stone diamond at 12 ‘o’ clock and dater aperture at 6 ‘o’ clock, on original dark blue mesh-link bracelet, together with fitted case, outer box and ‘SAFIRA’ booklet. *£800 - 1000

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 82 252 A mid 20th century Continental silver ‘Tank’ bracelet with a wide band of polished domed links, the tubular clasp with Continental control marks, 38mm wide, 180mm long. *£80 - 120

253 Georg Jensen. An oval brooch of pierced design depicting grape vines, design number 177B the reverse stamped ‘925 STERLING DENMARK’ and Georg Jensen maker’s mark ‘GJ’, circa 1930’s/40’s, approximately 53mm long overall, 13.5gms gross weight. *£100 - 150

254 A blue and green enamelled silver filigree panel bracelet approximately 18.5cm overall length. *£100 - 150

* All lots subject to a buyers premium of 23% plus vat @ 20% 83 255 Georg Jensen. A silver necklace of large open work links by Ibe Dahlquist, design number 192H the reverse stamped with Georg Jensen maker’s marks, also ‘925S DENMARK’ and with London import marks for 1974, approximately 52gms gross weight together with blue Georg Jensen case. *£400 - 600

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 84 256 Malcolm Betts. A platinum, yellow metal and diamond necklace, the attached cognac coloured, oval diamond stated to weigh 2.14cts and attached to a yellow metal chain of hammered finish, on platinum and single-stone diamond- set clasp, approximately 102gms gross weight, the clasp with London hallmarks for 2008 and with maker’s initials, together with original Malcolm Betts fitted case and two copies of the original invoice (available on request). *£6000 - 7000

Malcolm Betts invoice copy states ‘22ct gold hammered link necklace with platinum diamond clasp’.

* All lots subject to a buyers premium of 23% plus vat @ 20% 85 257 • Emma Rodgers (b.1974) a porcelain sculpture Raging Bull formed from torn slabs with blue, white and rust staining, 33 cm long, with polished marble stand, [glue repair to tip of horn] *£400 - 500

Provenance. Marshall Arts Totnes 2002

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 86 *£5000 - 7000 Provenance. The Where I Fell in Love Gallery, Shipston-on-Stour I Fell in Love Gallery, The Where Provenance. 258 • Emma Rodgers ( b.1974) her series in 2006 ‘beach dancers’ from bronze Three mounted on a stainless steel stand, 119cm. wide.

* All lots subject to a buyers premium of 23% plus vat @ 20% 87 259 • Pietro Cascella (Italian 1921-2008) A bronze abstract sculpture signed Pietro Cascella 89.on a circular base 43cm. diameter. *£800 - 1000

Provenance. Awarded to present owner by the European Commission for his prize winning TV documentary

260 Amadeo Albert Mother with chidren, abstract bronze signed to the bronze Amadeo Albert 96 and signed to the marble base Albert, on a wood plinth, overall height 49cm. *£300 - 500

261-162 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 88 263 264 • Jean Mahie • Jean Mahie (20th/21st Century Continental) (20th/21st Century Continental) Abstract bronze study ‘Admiration’ Abstract bronze study of a bearded indistinctly signed to the bronze, 11cm. man signed to the bronze Jean Mahie, high. *£200 - 300 on a polished wood plinth numbered 173, total height including plinth 22cm. high. *£300 - 400

265 • Emma Rodgers (b.1974) bronze study of a ‘Leaping Hare’ mounted on a polished marble base, 28cm. long, *£500 - 700

Provenance - purchased Marshall Arts, Totnes 2002

* All lots subject to a buyers premium of 23% plus vat @ 20% 89 266 A mid 20th Century steel rocking chair in the manner of R W Winfield & Son, unsigned, the curved steel frame with wooden seat covered by a suspended brown leather cushion with elbow pads to either side, 62cm wide. *£100 - 150

267 Nicky Haslam (20th Century) An Oka ‘The French Quarter Design’ steel three fold fire guard, with stylised pineapple decoration, 85 x 130 cm. *£40 - 60

268 Erik Worts for N Eliersen, a pair of rosewood and brown leather ‘Safari’ chairs, circa 1960s, factory label and Danish quality control labels to rear subframe. (2) CITES certificate 586538/01 *£250 - 350

Biography. Finn Juhl was born in 1912 and originally intended to become an Art Historian but was persuaded by his father to become an Architect. He began producing his own furniture designs in the 1930s and despite his background in architecture he was largely self-taught in furniture 269 making. He is considered one of the Finn Juhl (1912-1989) for France & most influential Danish designers of Daverkosen, a pair of teak Model 133 the 20th century and his designs were ‘Spade’ armchairs, the arched back some of the first to reach a wider with sprung support over broad arm international market. In 1953 Juhl supports, raised on tapering legs, designed the model 133 chair and it manufacturer’s label to front rail (2) was the first commercially produced *£400 - 600 chair to use teak.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 90 270 After Marcel Breuer (1902-1981) a ‘Laccio’ coffee table, unsigned, the two piece nickel plated tubular frame with a black laminate top, Italian made late 20th century, 133 x 48cm. *£40 - 60 271 A Danish rosewood nest of tables, unsigned, the largest table inset with a single Delft pattern tile, all raised on turned tapering legs, size of largest table 55 x 40cm. CITES certificate 586539/01 *£80 - 120

273 After Hans Wenger (1914-2000) a 272 Danish teak ‘The Chair’, with single section toprail and elbow supports A coffee table of Scandinavian influence, the triangular imitation over seat, raised on turned legs, Danish leather covered top with teak corners Quality control stamp to sub frame, and legs joined by a slender stretcher, together with original Heal’s retail label. 64 cm wide. £50 - £70 *£60 - 100 Hans Wenger is considered to be one of the most influential Danish furniture designers having designed over 500 chairs and gaining worldwide recognition for his designs including ‘The Peacock Chair’, ‘The Round Chair’ and ‘The Wing Chair’

274 A free standing Obelisk floor lamp (second half 20th Century), the wooden frame with marbled hand made paper in greens and blues on a square base, 146cm high, (some damage) *£40 - 60

* All lots subject to a buyers premium of 23% plus vat @ 20% 91 Artist Index

ARTIST LOT NUMBER ARTIST LOT NUMBER ARTIST LOT NUMBER Albert (A.) 260 Gautrey (A.) 87 Oppenheimer (J.) 237 Anderson (H.) 196 Glendening (R. A.) 113 Parks (T.) 8 Archer (F. J.) 219 Godfrey (R.) 56, 58 Pearson (C.) 102 Ardizzone (E.) 114, 115 Goode (J.) 124 Perceval (M.) 238 Backhausen (N.) 82 Green (A.) 125 Phillips (T.) 242 Banting (J.) 229 Gregory (M.) 206, 207 Picasso (P.) 128 Barker (K.) 162 Gross (A.) 33 Pienkowski (J.) 246 Barry (V.) 172 – 188 Haile (S.) 155 Piper (J.) 167, 168, 169, Battershill (N. J.) 137 Harrison (T.) 71 170 Bawden (R.) 146 Haslam (N.) 267 Pollard (F.) 88 Bayer (S.) 75 Hayes (P.) 101 Powell & Sons 39,40, 41, 44, (James) 45, 46 Beer (R.) 30 Hockey (P.) 134 Ravilious (E.) 147 Betts (M.) 256 Hocking (S. J.) 130 Rayner (D.) 7 Biasi (De) 68 Hockney (D.) 17, 18, 19 Rees (J.) 203 Boyes (C.) 96 Hodgkin (H.) 38 Roberts (L.) 27 Broadley (R.) 136 Howison (C.) 51 Rodgers (E.) 257, 258, 265 Brunsdon (J.) 10 Hoyton (E. B.) 232 Rogers (P.) 93 Brunsdon (J.) 236 Ireland (C.) 57, 59 Roth (F.) 123 Buchanan (E.) 224 Jensen (G.) 103, 105, 253, Roy (M.) 126 Bullard (P.) 221 255 Ryan (A.) 233 Bury (P.) 131 Jones (J.) 200 Sapper (R.) 97 Button (C.) 247 Juhl (F.) 269 Scott (P.) 79 Calder (A.) 3 Kapp (H. B.) 145 Shaw (D. O.) 217, 218 Campbell ( J. A.) 73 Kellam (C.) 65, 76 Shepherd (S. H.) 240 Capton (G.) 152 Kershaw (J.) 99 Silverman (R.) 92 Cardew (M.) 90 King (J.) 215 Sollis (R.) 69 Cascella (P.) 259 Knight (Dame L.) 16 Starck ( M.) 81 Clark (M.) 28 Koln (L.) 2 Stern (H.) 251 Cockram (R.) 84 Kristiansson (U & O) 107 Suddaby (R.) 213, 214 Cook (B.) 248 Lancaster (O.) 245 Taylor (W. S.) 216 Cour (G.) 230 Lane (P.) 100 Thornycroft (A.) 14 Craiger-Smith (A.) 74 Lavarenne (P.) 234 Tindle (D.) 211 Crossley (B.) 212 Leach (D.) 91 Trotman (J.) 222 Dally (M.) 53, 54, Lengo (F. S.) 195 Vellacott (E.) 226 Davey (L.) 157, 158 Lenkiewicz (R. O.) 138, 139, 140, 141 Versluys (C.) 67 Devlin (S.) 109 Lindop (J.) 209 Villiers (De) 197 Disley (S.) 52 Lloyd (R. J.) 32 Warhol (A.) 9 Dubrey (H.) 35 Lowry (L. S.) 249 Wells (A.) 244 Dunlop (R. O.) 142, 143, 144 Lyddon (P.) 85 Wills (P.) 62 Dunn (J.) 70 Mahie (J.) 264 Wills (P.) 86 Engel (J.) 127 Maltby (J.) 77, 78 Worts (E.) 268 Ernesto (M.) 135 McFadyen (J.) 241 Wundham Lewis (P.) 148 Erni (H.) 156, 156A Meeton (G. R.) 149 Yates (F.) 161, 163, 164, Eyles (J.) 150 Menary (D.) 153 165 Fairclough (W. R. E.) 21, 22, 23, 29, 34 Menary (D.) 210 Fedden (M.) 166 Moustafa (A.) 132 Fishwick (C.) 160 Murison (N.) 202 Freeman (J. A.) 205 Mussi (C.) 83 Freeth (H. A.) 223 Myers (E.) 48, 49, 50 Frost (A.) 37 Nock (C.) 225 Frost (T.) 36 O’Neill (T.) 25, 26 Fuller (M.) 199 Offord (R. J.) 189 – 194

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 92 Sold in our recent 20th Century & Contemporary Auction

Patrick Heron [1920 – 1999]

January 1973 Screenprint in colours Signed and numbered 45/72

Sold for £2,100

All enquiries please contact Dan Goddard or Nic Saintey Sold in our recent 20th Century & Contemporary Auction

Hans Coper [1920 – 1981]

A stoneware Cycladic vase

Sold for £305,000

All enquiries please contact Dan Goddard or Nic Saintey The art of insurance

From fine art and precious jewellery to antiques and collectables, Lycetts has nearly 60 years’ experience of protecting clients’ most treasured possessions.

We offer specialist, impartial advice on your personal insurance requirements, in addition to an extensive range of products and services for estates, farms, equestrian and commercial enterprises.

01392 479 111 [email protected] www.lycetts.co.uk

Lycetts is a trading name of Lycett, Browne-Swinburne & Douglass Limited which is authorised and regulated by the Financial Conduct Authority. Lycetts is a trading name of Lycetts Financial Services Limited which is authorised and regulated by the Financial Conduct Authority.

Proud to protect your home and your valued possessions Information for Buyers 1. Introduction. The following informative notes are intended whether an export licence is required and (b) whether there is to assist Buyers, particularly those inexperienced or new any specific prohibition on importing goods of that character to our salerooms. All sales are conducted on our printed because, e.g. they may contain prohibited materials such as Conditions of Sale which are readily available for inspection ivory. Ask us if you need help. and normally accompany catalogues. Our staff will be happy 9. Bidding. Bidders may be required to register before the to help you if there is anything you do not fully understand. sale commences and lots will be invoiced to the name and 2. Agency. As auctioneers we usually contract as agents for address on the registration form. Some form of identification the seller whose identity, for reasons of confidentiality, is may be required if you are unknown to us. Please enquire in not normally disclosed. Accordingly if you buy your primary advance about our arrangements for telephone bidding. contract is with the seller. 10. Commission bidding. Commission bids may be left with 3. Estimates. Estimates are designed to help buyers gauge the auctioneers indicating the maximum amount to be what sort of sum might be involved for the purchase of a bid excluding buyers’ premium. They will be executed as particular lot. The lower estimate may represent the reserve cheaply as possible having regard to the reserve (if any) and price and certainly will not be below it. Estimates do not competing bids. If two buyers submit identical commission include the Buyer’s Premium or VAT (where chargeable). bids the auctioneers may prefer the first bid received. Please Estimates are prepared some time before the sale and may enquire in advance about our arrangements for the leaving of be altered by announcement before the sale. They are in no commission bids by telephone. sense definitive. 11. Methods of Payment. If a purchaser is unknown to the 4. Buyer’s Premium. The Conditions of Sale oblige buyers auctioneers and is intending to pay by credit or debit card we to pay a buyer’s premium at 23% + VAT (27.6%) which shall will require the card holder to attend in person with suitable include VAT on the premium at the rate imposed by law (see photographic identification, otherwise payment is required by below). There is a surcharge when bidding on the internet. BACS/CHAPS or electronic bank transfer. As a general rule any cheques tendered will need to be cleared before removal of the 5. VAT. A ‘dagger’ symbol indicates that VAT is payable by the purchaser at the standard rate (presently 20%) on the goods is permitted. Please discuss with our Office in advance of hammer price as well as being an element in the buyer’s the sale if other methods of payment are envisaged. premium. This imposition of VAT is likely to be because the Card payments where the card holder is not present will only seller is registered for VAT within the European Union and is be accepted for transactions up to £1,000 not operating the Dealers Margin Scheme or because VAT is Collection and storage. Please note what the Conditions of Sale due at 15% on importation into the UK. The double ‘dagger’ state about collection and storage. It is important that goods are symbol indicates that the lot has been imported from outside paid for and collected promptly. Any delay may involve the buyer the European Union and the present position is that these in paying storage charges. lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols Methods of Payment indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin All payments by mail, bank transfer, etc, must be made in Scheme and it should be noted that the VAT included within sterling. The following methods of payment are available: the Premium is not recoverable as input tax. CASH (up to a sterling equivalent of the EU limit) CHEQUE; STERLING BANK DRAFT; ELECTRONIC 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may BANK TRANSFER IN STERLING; CREDIT CARD inspect lots and act reasonably in taking a general view about (VISA AND MASTERCARD ISSUED IN THE UK them we are normally unable to carry out a detailed or any ONLY); DEBIT CARDS (SWITCH, CONNECT, ETC) examination of lots in order to ascertain their condition in the Cheques and drafts should be made payable to way in which it would be wise for a buyer to do. Intending Bearnes, Hampton & Littlewood . buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and ELECTRONIC BANK TRANSFERS should be made to: investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of National Westminster Bank, lots contained in the Conditions of Sale. Neither the seller 59 High Street, Exeter. EX4 3DP nor we, as the auctioneers, accept any responsibility for their Sort Code: 56-00-49 condition. In particular, mechanical objects of any age are For all the account of Bearnes, Hampton & not guaranteed to be in working order. However, in so far Littlewood. as we have examined the goods and make a representation Account Number 32303483 about their condition, we shall be liable for any defect which IBAN Number GB88 NWBK 560049 32303483 that examination ought to have revealed to the auctioneer SWIFT Number NWBK GB2L but which would not have been revealed to the buyer had Card payments where the card holder is not present will the buyer examined the goods. Additionally, in specified only be accepted for transactions up to £1,000 circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). Clearance Times Sterling cheques drawn on UK banks and supported by 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with a cheque card valid for the amount due can be cleared safety regulations by a qualified electrician first. immediately. All other sterling cheques drawn on UK banks will generally clear on the fifth working day after receipt. 8. Export of goods. The export of any lot from the UK or import into any other country may be subject to one or more Sterling bank drafts drawn on UK banks can generally be export or import licences being granted. It is the buyers cleared immediately. responsibility to obtain any relevant export or import licence. Bank transfers clear as soon as our bank receives funds The denial of any licence required or delay in obtaining such (which does not happen instantaneously after payment licence cannot justify the cancellation of the sale or any delay instructions are given). in making payment of the total amount due. Credit and debit card payments can be cleared immediately, Buyers intending to export goods should ascertain (a) subject to paragraph 11 above. Glossary of cataloguing terms Any statement as to authorship, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of representation of fact. 1. SIDNEY RICHARD PERCY – In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.) 2. ATTRIBUTED TO SIDNEY RICHARD PERCY – In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. 3. STUDIO OF SIDNEY RICHARD PERCY – In our opinion a work by an unknown hand in the studio of the artist which may or may not have been executed by under the artist’s direction. 4. CIRCLE OF SIDNEY RICHARD PERCY - In our opinion a work by an as yet unidentified but distinct hand – closely associated with the named artist but not necessarily his pupil. 5. STYLE OF . . . ; FOLLOWER OF SIDNEY RICHARD PERCY - In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. 6. MANNER OF SIDNEY RICHARD PERCY – In our opinion a work in the style of the artist and of a later date. 7. AFTER SIDNEY RICHARD PERCY – In our opinion a copy of a known work of the artist. 8. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. 9. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. 10. Dimensions are given height before width. Artist’s resale right (“droit de suite”) If a lot is affected by this right it will be identified by the symbol ”•” next to the lot number. The buyer agrees to pay Bearnes Hampton & Littlewood an amount equal to the resale royalty and we will pay such amount to the artist’s collecting agent. Resale royalty applies where the hammer price is 1,000 Euro or more and the amount cannot be more than 12,500 Euro per lot. The amount is calculated as follows: Royalty for the portion of the Hammer Price (in Euro) 4.00% up to 50,000 3.00% between 50,000.1 and 200,000 1.00% between 200,000.01 and 350,000 0.50% between 350,000.01 and 500,000 00.25% in excess of 500,000 Invoices will, as usual, be issued in Pounds Sterling. For the purposes of calculating the resale royalty the Pounds Sterling/Euro ratio rate of exchange will be European Central Bank reference rate on the day of the sale. Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling. Cites Regulations Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Bearnes Hampton & Littlewood certificate or are aware of its reference number. It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Bearnes Hampton & Littlewood Fine Art Auctioneers. Items are clearly marked with their certificate number where appropriate. Conditions of Sale Bearnes, Hampton & Littlewood carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS S. VALUE ADDED TAX In these Conditions: Value Added Tax on the hammer price is imposed by law on all items affixed with a ‘dagger’ or double ‘dagger’. Value Added (a) “auctioneer” means the firm of Bearnes, Hampton & Tax is charged at the appropriate rate prevailing by law at the Littlewood or its authorised auctioneer, as appropriate; date of sale and is payable by buyers of relevant lots. (Please (b) “deliberate forgery” means an imitation made with the refer to “Information for Buyers” for a brief explanation of the intention of deceiving as to authorship, origin, date, age, VAT position). period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator 6. PAYMENT and SHIPPING and which at the date of the sale had a value materially less (1) Immediately a Lot is sold you will: than it would have had if it had been in accordance with the (a) give to us, if requested, proof of identity, and description; (b) pay to us the total amount due in cash or in such other way as is agreed by us. (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the (2) Any payments by you to us may be applied by us towards hammer; any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether (d) “terms of consignment” means the stipulated terms and express or implied. rates of commission on which Bearnes Hampton & Littlewood accepts instructions from sellers or their agents; (3) Unfortunately Bearnes Hampton and Littlewood are unable to provide any other wrapping, packing and despatch service (e) “total amount due” means the hammer price in respect of their own but can provide a list of Companies to contact. of the lot sold together with any premium, Value Added Competitive rates have been negotiated with Mail Boxes Etc., Tax chargeable and any additional charges payable by a specialist in the provision of wrapping, packing and despatch defaulting buyer under these Conditions; services to the Antiques and Fine Art business sector. They (f) “sale proceeds” means the net amount due to the seller, provide for all services for lots purchased from our saleroom. being the hammer price of the lot sold less commission at Mail Boxes Etc. collect items weekly from our saleroom, the stated rate, Value Added Tax chargeable and any other though special collections can be arranged if required. They amounts due to us by the seller in whatever capacity and offer a professional, domestic and International service by however arising; post, courier, road, air and sea, depending on the lot size, (g) “You”, “Your”, etc. refer to the buyer as identified in destination and speed required. Bespoke cases can also Condition 2. be made up for your lot or lots. While indicative pricing is always obtainable by contacting Mail Boxes Etc., firm pricing (h) The singular includes the plural and vice versa as appropriate. is agreed after wrapping and packing prior to despatch. 2. BIDDING PROCEDURES AND THE BUYER The minimum cost with Mail Boxes Etc., is £24.50 plus VAT, which will include collection, professional (a) Bidders are required to register their particulars before wrapping, packing and domestic delivery. bidding and to satisfy any security arrangements before Payment can be made with all major credit and debit cards. entering the auction room to view or bid; (b) The maker of the highest bid accepted by the auctioneer 7. TITLE AND COLLECTION OF PURCHASES conducting the sale shall be the buyer at the hammer (1) The ownership of any Lots purchased shall not pass to you price and any dispute about a bid shall be settled at the until you have made payment in full to us of the total amount auctioneer’s absolute discretion by reoffering the Lot during due. the course of the auction or otherwise. The auctioneer shall (2) You shall at your own risk and expense take away any lots act reasonably in exercising this discretion. that you have purchased and paid for not later than 3 working (c) Bidders shall be deemed to act as principals. days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be (d) Our right to bid on behalf of the seller is expressly reserved responsible for any removal, storage and insurance charges. up to the amount of any reserve and the right to refuse any bid is also reserved. (3) No purchase can be claimed or removed until it has been paid for. 3. INCREMENTS 8. EXPORT Bidding increments shall be at the auctioneer’s sole discretion. The export of any lot from the UK or import into any other country 4. THE PURCHASE PRICE may be subject to one or more export or import licences being The buyer shall pay the hammer price together with a premium granted. It is the buyers responsibility to obtain any relevant of 23% + VAT (27.6%), which shall include VAT on the premium export or import licence. The denial of any licence required or at the rate imposed by law. There is a surcharge when using delay in obtaining such licence cannot justify the cancellation of internet bidding. the sale or any delay in making payment of the total amount due. 9. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT 14. TERMS OF SALE PURCHASES The seller acknowledges that Lots are sold subject to the (1) If any Lot is not paid for in full and taken away in accordance stipulations of these Conditions in their entirety and on the with these Conditions or if there is any other breach of Terms of Consignment as notified to the consignor at the time these Conditions, we, as agent for the seller and on our of the entry of the lot. own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to 15. DESCRIPTIONS AND CONDITION exercise one or more of the following rights and remedies: (1) Whilst we seek to describe lots accurately, it may be impractical (a) to proceed against you for damages for breach of contract; for us to carry out exhaustive due diligence on each lot. (b) to rescind the sale of that Lot and/or any other Lots Prospective buyers are given ample opportunities to view and sold by us to you; inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy (c) to resell the Lot (by auction or private treaty) in of any description applied to a lot. Prospective buyers also which case you shall be responsible for any resulting bid on the understanding that, inevitably, representations or deficiency in the total amount due (after crediting statements by us as to authorship, genuineness, origin, date, any part payment and adding any resale costs). Any age, provenance, condition or estimated selling price involve surplus so arising shall belong to the seller; matters of opinion. We undertake that any such opinion (d) to remove, store and insure the Lot at your expense shall be honestly and reasonably held and accept liability and, in the case of storage, either at our premises or for opinions given negligently or fraudulently. Subject to the elsewhere; foregoing neither we the auctioneer nor our employees or (e) to charge interest at a rate not exceeding 1.5% per agents nor the seller accept liability for the correctness of month on the total amount due to the extent it such opinions and all conditions and warranties, whether remains unpaid for more than 3 working days after the relating to description, condition or quality of lots, express, sale; please note there will be an additional late implied or statutory, are hereby excluded. This Condition is payment penalty of £40 if your account is unpaid subject to the next following Condition concerning deliberate after 28 days. forgeries and applies save as provided for in paragraph 6 “information to buyers”. (f) to retain that or any other Lot sold to you until you pay the total amount due; (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any 16. FORGERIES such bids shall be accepted; Notwithstanding the preceding Condition, any Lot which proves (h) to apply any proceeds of sale of other Lots due or in to be a deliberate forgery (as defined) may be returned to us future becoming due to you towards the settlement by you within 21 days of the auction provided it is in the same of the total amount due and to exercise a lien (that is condition as when bought, and is accompanied by particulars a right to retain possession of) any of your property in identifying it from the relevant catalogue description and a our possession for any purpose until the debt due is written statement of defects. If we are satisfied from the evidence satisfied. presented that the Lot is a deliberate forgery we shall refund the (2) We shall, as agent for the seller and on our own behalf money paid by you for the lot including any buyer’s premium pursue these rights and remedies only so far as is provided that (1) if the catalogue description reflected the reasonable to make appropriate recovery in respect of accepted view of scholars and experts as at the date of sale or breach of these conditions (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. 10. THIRD PARTY LIABILITY The right of return provided by this Condition is additional to any All members of the public on our premises are there at their right or remedy provided by law or by these Conditions of Sale. own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor GENERAL our employees or agents shall incur liability for death or personal 17. We shall have the right at our discretion, to refuse admission injury (except as required by law by reason of our negligence) or to our premises or attendance at our auctions by any person. similarly for the safety of the property of persons visiting prior to or at a sale. 18. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these 11. COMMISSION BIDS Conditions and any exclusions provided by them shall be Whilst prospective buyers are strongly advised to attend the available to the seller and/or the auctioneer as appropriate. auction and are always responsible for any decision to bid (2) Such rights and exclusions shall extend to and be deemed for a particular Lot and shall be assumed to have carefully to be for the benefit of employees and agents of the seller inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. and/or the auctioneer who may themselves enforce them. Neither the auctioneer nor our employees or agents shall be 19. Any notice to any buyer, seller, bidder or viewer may be given responsible for any failure to do so save where such failure is by first class mail or Swiftmail in which case it shall be deemed unreasonable. Where two or more commission bids at the same to have been received by the addressee 48 hours after posting. level are recorded we reserve the right in our absolute discretion 20. Special terms may be used in catalogue descriptions of to prefer the first bid so made. particular classes of items in which case the descriptions must 12. WARRANTY OF TITLE AND AVAILABILITY be interpreted in accordance with any glossary appearing at The seller warrants to the auctioneer and you that the seller the commencement of the catalogue. is the true owner of the property consigned or is properly 21. Any indulgence extended to bidders buyers or sellers by us authorised by the true owner to consign it for sale and is able notwithstanding the strict terms of these Conditions or of the to transfer good and marketable title to the property free from Terms of Consignment shall affect the position at the relevant any third party claims. time only and in respect of that particular concession only; in all 13. AGENCY other respects these Conditions shall be construed as having full force and effect. The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 22. English law applies to the interpretation of these Conditions. Wrapping, Packing and Despatch

Preferential rates have been negotiated with Mail Boxes Etc., specialist in the provision of wrapping, packing and despatch services to the Antiques and Fine Art business sector. They provide for all services for lots purchased from our saleroom.

Unfortunately Bearnes Hampton & Littlewood are unable to provide any other wrapping, packing and despatch service of their own.

Mail Boxes Etc. collect items regularly from our saleroom, though special collections can be arranged if required. They offer a professional, domestic and International service by post, courier, road, air and sea, depending on the lot size, destination and speed required. Bespoke cases can also be made up for your lot or lots. While indicative pricing is always obtainable by contacting Mail Boxes Etc., firm pricing is agreed after wrapping and packing prior to despatch. The minimum cost with Mail Boxes Etc. is £15.00 plus VAT for small, lightweight non fragile items under 2kgs. This will include collection, professional wrapping, packing and domestic delivery. Payment can be made with all major credit and debit cards.

Insurance If you do not have your own transit insurance, enhanced compensation cover is available from Mail Boxes Etc., to provide either full cover or loss only, as required. For any further information please call the team at Mail Boxes Etc. Tel: 0800 783 1381 or 01752 257224 Email: [email protected] Fax: 01752 257225 Website: www.mbeplymouth.co.uk Mail Boxes Etc., 91 Mayflower Street, Plymouth PL1 1SB

Delivery instructions Please complete the following and leave or return to: Bearnes Hampton & Littlewood St. Edmund’s Court, Okehampton Street, Exeter EX4 1DU. Telephone 01392 413100 or send direct to Mail Boxes Etc.

Name

Address

Postcode

Telephone Mobile

Lot No. Description

Lot No. Description

Lot No Description Mail Boxes Etc. will call you after collecting prior to despatch to confirm costs and payment instructions SALEROOM FORTHCOMING SALE DATES 2019-2020 St Edmund’s Court, Okehampton Street, Exeter EX4 1DU Telephone 01392 413100 [email protected] | www.bhandl.co.uk DECEMBER 2019

MANAGING DIRECTOR Tuesday 10th Antiques & Interiors EX240 C.J. Hampton, A.S.F.A.V.

DIRECTORS JANUARY 2020 D.J.K.Goddard, B.A. (Hons), A.S.F.A.V., R.E. Littlewood, B.A. (Hons), N.J. Saintey, A.S.F.A.V. Tuesday 7th Antiques & Interiors EX241 VALUATIONS Inheritance Tax Assessment and Probate: Bearnes Hampton & Littlewood Probate Valuation Tuesday 21st Department offer a complete and comprehensive service to Executors, Solicitors and Bank & Wednesday 22nd Quarterly Fine Art FS45 Trustees administering an Estate containing all forms of art and antiques including Books, Ceramics, Clocks, Furniture, Jewellery, Pictures, Silver, Works of Art including collections of coins and stamps. FEBRUARY 2020 Insurance: Bearnes Hampton & Littlewood are specialists with over sixty five years experience Tuesday 4th Antiques & Interiors in preparing insurance valuations and inventories for the purpose of substantiating claims in the including Jewellery EX242 event of losses resulting from accident, fire or theft. Wednesday 19th Bearnes Hampton & Littlewood will be pleased to give preliminary advice, without charge or & Thursday 20th Sporting & Collectors SC30 obligation to clients considering a valuation for Insurance, Capital Gains Tax, Family Division or other purposes. Tuesday 25th Antiques & Interiors EX243

For further information please contact: Andrew Thomas or Christopher Hampton MARCH 2020 ADMINISTRATION Operations Director: Rachel Littlewood Tuesday 10th Antiques & Interiors EX244 Company Secretary: Susan Tharby Wednesday 18th Antiquarian Books BK23

SPECIALIST DEPARTMENTS th Books, Manuscripts and Photographs Rachel Littlewood, Tuesday 24 Antiques & Interiors Roger Collicott (Consultant) including Jewellery EX245 Ceramics and Glass Nicholas Saintey, Andrew Thomas APRIL 2020 Clocks Leigh Extence Furniture Christopher Hampton, Tuesday 7th Antiques & Interiors EX246 Gillian Westell (Consultant) Jewellery Lucy Marles, Jethro Marles Tuesday 28th

Maritime, Sporting and Collectors Brian Goodison-Blanks IMPORTANT: & Wednesday 29th Quarterly Fine Art FS46 Pictures Daniel Goddard, Please note this list Martin Scadgell (Consultant) is printed only as a Silver Martin McIlroy guide and clients are Works of Art Martin McIlroy requested to contact MAY 2020 Valuations for Probate and Insurance Andrew Thomas A.S.F.A.V., Bearnes, Hampton Tuesday 5th Antiques & Interiors EX247 Christopher Hampton, & Littlewood for confirmation of sale Tuesday 19th 20th Century & Contemporary CC04 SALE ADVICE dates and special Bearnes Hampton & Littlewood make no charge for giving verbal advice on items brought to advisory days. their offices which are open: Monday to Friday 9.00am to 5.15pm and Saturdays when on view 9.00am to 12 noon. JUNE 2020 Alternatively a representative will be pleased to call by appointment without charge or obligation. nd Catalogue production by Tuesday 2 Antiques & Interiors Acanthus Press Ltd including Jewellery EX248 Dorset Representative: Sally Bartlett can be contacted on 01308 456208 www.acanthuspress.ltd.uk Cornwall Representative: Richard Hamm can be contacted on 01208 813593 Wednesday 17th 01823 663339 & Thursday 18th Sporting & Collectors SC31 Bearnes Hampton & Littlewood Ltd. Registered in England No. 3857887 Registered Office: St. Edmund’s Court, Okehampton Street, Exeter © Bearnes Hampton & Tuesday 30th Antiques & Interiors EX249 Littlewood 2019 Ref CC03 20 th CENTURY & CONTEMPORARY 20th Century & Contemporary

Tuesday 3rd December 2019

I 3rd DECEMBER 2019

ST. EDMUND’S COURT I OKEHAMPTON STREET I EXETER EX4 1DU CC03

01392 413100 I [email protected] I www.BHandL.co.uk