The BG News November 4, 1977
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Linden Leader " V O S I R Community Leader'
See Spring Home Improvement Section in Focus Linden Leader " V o s i r Community Leader' VOL. 30 NO 30 LINDEN, N J„ THURSDAY, MARCH 8, 1984 T« ° Section", 30 c e n ts Council refuses request to rehire ex-bus driver By PH ILIP HARTMAN reinstate Friedman Councilmen problems with tavern patrons who In closed session Monday the Linden James Iozzi, Richard Brzezicki, James might gather in the lanes after bars City Council restated that a Recreation Watson and Robert Gonor voted no. close "Whether they are under the Department employee, fired after Councilman George Milkosky, Joe weather or whether it will be a hangout, being found guilty of making obscene Suliga and Myles Hergert abstained I don't know what the situation will be,” phone calls from city phones, will not be Eckel did not give the result of the Eckel explained rehired consent vote taken during the closed " I ’m certainly going to fight against Personnel Chairman Malvin Eckel, session that," said Eckel, who has Linden 1st Ward Councilman, requested In other discussion, operators of the Lanes in his First Ward. Monday that the council reverse the city’s two bowling alleys have However, Iozzi said,that .the alley firing made two weeks ago and requested that their hours be increased bars are governed by the Alcoholic reconsider a resolution to transfer Neil to accomodate the expanding work Beverage Control Commission and Freedman, a former bus driver, to the force of the General Motors Assembly must close at 2 p.m., as do taverns Public Works Department. -
East-West Film Journal, Volume 5, No. 1
EAST-WEST FILM JOURNAL VOLUME 5 . NUMBER 1 SPECIAL ISSUE ON MELODRAMA AND CINEMA Editor's Note I Melodrama/Subjectivity/Ideology: The Relevance of Western Melodrama Theories to Recent Chinese Cinema 6 E. ANN KAPLAN Melodrama, Postmodernism, and the Japanese Cinema MITSUHIRO YOSHIMOTO Negotiating the Transition to Capitalism: The Case of Andaz 56 PAUL WILLEMEN The Politics of Melodrama in Indonesian Cinema KRISHNA SEN Melodrama as It (Dis)appears in Australian Film SUSAN DERMODY Filming "New Seoul": Melodramatic Constructions of the Subject in Spinning Wheel and First Son 107 ROB WILSON Psyches, Ideologies, and Melodrama: The United States and Japan 118 MAUREEN TURIM JANUARY 1991 The East-West Center is a public, nonprofit educational institution with an international board of governors. Some 2,000 research fellows, grad uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Editor's Note UNTIL very recent times, the term melodrama was used pejoratively to typify inferior works of art that subscribed to an aesthetic of hyperbole and that were given to sensationalism and the crude manipulation of the audiences' emotions. However, during the last fifteen years or so, there has been a distinct rehabilitation of the term consequent upon a retheoriz ing of such questions as the nature of representation in cinema, the role of ideology, and female subjectivity in films. -
2021 WSDG Company Profile Religious
Company Profile Religious 1 2 Table of Contents Company Background and Structure .................................................................................................................. 4 Company Background ......................................................................................................................................... 4 Company Structure .............................................................................................................................................. 4 Services | Architectural Acoustic Consulting .................................................................................................... 5 Acoustic Testing, Measurement and Assessment ............................................................................................... 5 Acoustic Simulation, Modeling, Auralization ........................................................................................................ 5 Room Acoustics Analysis and Surface Treatments Design ................................................................................. 5 Sound Isolation, Structural Acoustics Analysis and Design ................................................................................. 5 Peer Review, Expert Reports, Studies and Surveys ........................................................................................... 6 Media Facility Site, Facility, Master Planning, Feasibility Studies ....................................................................... 6 Broadcast and Recording Studio Design -
Elvis for Dummies‰
spine=.76” Music ™ The ultimate introduction to the Making Everything Easier! life and works of the King Want to understand Elvis Presley? This friendly guide covers Open the book and find: all phases of Elvis’s career, from his musical influences as a • The significance of the major teenager in Memphis and his first recordings to his days at events in Elvis’s career Graceland and the mystery surrounding his death. You’ll discover little-known details about his life, appreciate his • Meanings behind Elvis’s music contributions to music and film, and understand why his • The controversy over his musical Elvis work still resonates with so many people today. performing style Elvis • Explore Elvis’s musical roots — see how Elvis’s childhood and his • Career highlights that no other Southern background influenced the development of his sound performer has accomplished • Trace the beginnings of his storied career — be there as Elvis • A typical Elvis concert — what it makes his first recordings for Sun Records was like and what it meant • Relive the magic — experience the frenzy and excitement that • Details on Elvis’s television surrounded Elvis’s entrance to the national music scene appearances • Take a fresh look at Elvis’s films — understand the • The many ways fans keep Elvis’s misconceptions surrounding Elvis’s Hollywood career memory alive • Watch as Elvis reinvents himself — witness his comeback to live • An appendix of the important performances, culminating with an historic act in Las Vegas people in Elvis’s life Learn to: Go to dummies.com® • Look objectively at Elvis’s major life events, for more! both on and offstage • Identify Elvis’s influence on music, society, and popular culture • Explain to your friends why Elvis is the undisputed King of Rock ’n’ Roll $21.99 US / $25.99 CN / £15.99 UK • Appreciate Elvis’s enduring legacy and his place as an American cultural icon Susan Doll, PhD, is the author of numerous books on Elvis Presley. -
Music and the Moving Image XVI MAY 28 – MAY 31, 2020 BIOS
Music and the Moving Image XVI MAY 28 – MAY 31, 2020 BIOS Marcos Acevedo-Arús is a music theorist from Puerto Rico. Marcos is currently a graduate student and teaching assistant at Temple University in Philadelphia, PA, studying towards a Master of Music degree in Music Theory. Marcos received his undergraduate degree in Piano Performance from the Puerto Rico Music Conservatory in San Juan, PR in 2015. Marcos’ current interests include video game and pop music analysis, music cognition, musical narrative, and affect theory. Marcos’ previous presentations include “Conflicts and Contrasts in Isaac Albéniz’s ‘Córdoba’” in the 5th Symposium of Musical Research “Puentes Caribeños”. Stephen Amico is Associate Professor of Musicology at the Grieg Academy/University of Bergen, Norway. He has published widely in the areas of popular music studies, Russian and post-Soviet popular culture, and gender and sexuality. His recent work has appeared in the journal Popular Music and Society and The Oxford Handbook of Music and Queerness, with forthcoming work to appear in The Oxford Handbook of Phenomenological Ethnomusicology and the Journal of Musicology. Richard Anatone is a pianist, composer, writer, teacher, and editor. He completed his Doctoral degree in piano performance from Ball State University, and currently serves as Professor of Music at Prince George’s Community College in Maryland. His primary interests are rooted in the music of Nobuo Uematsu, the use of humor and music in games, and early chiptunes, and has presented his research at NACVGM, SCI, and CMS conferences. He is currently editing a collection of chapters on the music Nobuo Uematsu in the soundtracks to the Final Fantasy video game series. -
Authorized Catalogs - United States
Authorized Catalogs - United States Miché-Whiting, Danielle Emma "C" Vic Music @Canvas Music +2DB 1 Of 4 Prod. 10 Free Trees Music 10 Free Trees Music (Admin. by Word Music Group, 1000 lbs of People Publishing 1000 Pushups, LLC Inc obo WB Music Corp) 10000 Fathers 10000 Fathers 10000 Fathers SESAC Designee 10000 MINUTES 1012 Rosedale Music 10KF Publishing 11! Music 12 Gate Recordings LLC 121 Music 121 Music 12Stone Worship 1600 Publishing 17th Avenue Music 19 Entertainment 19 Tunes 1978 Music 1978 Music 1DA Music 2 Acre Lot 2 Dada Music 2 Hour Songs 2 Letit Music 2 Right Feet 2035 Music 21 Cent Hymns 21 DAYS 21 Songs 216 Music 220 Digital Music 2218 Music 24 Fret 243 Music 247 Worship Music 24DLB Publishing 27:4 Worship Publishing 288 Music 29:11 Church Productions 29:Eleven Music 2GZ Publishing 2Klean Music 2nd Law Music 2nd Law Music 2PM Music 2Surrender 2Surrender 2Ten 3 Leaves 3 Little Bugs 360 Music Works 365 Worship Resources 3JCord Music 3RD WAVE MUSIC 4 Heartstrings Music 40 Psalms Music 442 Music 4468 Productions 45 Degrees Music 4552 Entertainment Street 48 Flex 4th Son Music 4th teepee on the right music 5 Acre Publishing 50 Miles 50 States Music 586Beats 59 Cadillac Music 603 Publishing 66 Ford Songs 68 Guns 68 Guns 6th Generation Music 716 Music Publishing 7189 Music Publishing 7Core Publishing 7FT Songs 814 Stops Today 814 Stops Today 814 Today Publishing 815 Stops Today 816 Stops Today 817 Stops Today 818 Stops Today 819 Stops Today 833 Songs 84Media 88 Key Flow Music 9t One Songs A & C Black (Publishers) Ltd A Beautiful Liturgy Music A Few Good Tunes A J Not Y Publishing A Little Good News Music A Little More Good News Music A Mighty Poythress A New Song For A New Day Music A New Test Catalog A Pirates Life For Me Music A Popular Muse A Sofa And A Chair Music A Thousand Hills Music, LLC A&A Production Studios A. -
Movies and Mental Illness Using Films to Understand Psychopathology 3Rd Revised and Expanded Edition 2010, Xii + 340 Pages ISBN: 978-0-88937-371-6, US $49.00
New Resources for Clinicians Visit www.hogrefe.com for • Free sample chapters • Full tables of contents • Secure online ordering • Examination copies for teachers • Many other titles available Danny Wedding, Mary Ann Boyd, Ryan M. Niemiec NEW EDITION! Movies and Mental Illness Using Films to Understand Psychopathology 3rd revised and expanded edition 2010, xii + 340 pages ISBN: 978-0-88937-371-6, US $49.00 The popular and critically acclaimed teaching tool - movies as an aid to learning about mental illness - has just got even better! Now with even more practical features and expanded contents: full film index, “Authors’ Picks”, sample syllabus, more international films. Films are a powerful medium for teaching students of psychology, social work, medicine, nursing, counseling, and even literature or media studies about mental illness and psychopathology. Movies and Mental Illness, now available in an updated edition, has established a great reputation as an enjoyable and highly memorable supplementary teaching tool for abnormal psychology classes. Written by experienced clinicians and teachers, who are themselves movie aficionados, this book is superb not just for psychology or media studies classes, but also for anyone interested in the portrayal of mental health issues in movies. The core clinical chapters each use a fabricated case history and Mini-Mental State Examination along with synopses and scenes from one or two specific, often well-known “A classic resource and an authoritative guide… Like the very movies it films to explain, teach, and encourage discussion recommends, [this book] is a powerful medium for teaching students, about the most important disorders encountered in engaging patients, and educating the public. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Wonderful Words: Stevie Wonder’s Musical Politics During the 1970s and 1980s Permalink https://escholarship.org/uc/item/6x1960j0 Author Kilman, Sandra Marie Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Wonderful Words: Stevie Wonder’s Musical Politics During the 1970s and 1980s A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in African American Studies by Sandra Marie Kilman 2017 © Copyright by Sandra Marie Kilman 2017 ABSTRACT OF THE THESIS Wonderful Words: Stevie Wonder’s Musical Politics During the 1970s and 1980s by Sandra Marie Kilman Master of Arts in African American Studies University of California, Los Angeles, 2017 Professor Robin Davis Gibran Kelley, Chair The problem of racial injustice in the United States continued to plague the nation during the 1970s despite the gains made by the Civil Rights Movement during the preceding decades. Under Republican administrations during the 1970s and 1980s, working Americans encountered new financial challenges as the lion’s share of economic growth benefitted the wealthiest citizens. As socially and politically conscious popular music faded in popularity, Stevie Wonder continued to express his concerns about the obstacles to the promise of freedom and equality that many Americans continued to face. This paper examines four songs, written and performed by Wonder - “Living for the City,” “You Haven’t Done Nothing,” “Happy Birthday,” and “It’s Wrong,” - to track the trajectory of his commentary from local, community-based issues to national, political topics and, finally, to international causes. -
Newsletter August 06.Pub
A P A PLACE FOR JAZZ O R August 2006 Editor: Tim Coakley WEBSITE: HTTP://WWW.APLACEFORJAZZ.ORG—UPDATED DAILY Here Comes the Fall Season By Tim Coakley A Place for bers and offi- Web Site News VOLUNTEER HELP Jazz is ready cers will be WANTED to go with an- posted on our other season On our own Web site There's a new way to reach our web site! The We need help: of top-quality soon: jazz for your www.aplacefo old URL Labeling newsletters (1 hour listening en- In other news, rjazz.org. (www.timesunion.com/com every 3 months…can be done in the process munities/jazz) will still at home) joyment. We of continuing We will still work, so if you've already will kick off our got it in your Favorites, you Writing music reviews the tradition rely on our 2006 season board mem- don't have to do anything. Working on a young people’s Friday, Sept. established by But otherwise, you can project at the Hamilton Hill Butch Conn, bers and vol- 15 with the unteers to out- now get to our web site Art Center our late foun- with Winard Harper line and carry Sextet. This der, A Place www.aplaceforjazz.org. out the many Much simpler and more If you can help, please call top-notch for Jazz is in tasks and du- professional, don't you Tim Coakley at drummer and the process of establishing ties that go think? 518-393-4011 his group with present- have been itself as a non- or e-mail him at profit entity, ing a concert appearing at series like [email protected] festivals and with a board of directors ours. -
30 Odd Years
30 Odd VIC GODARD Years 1976 2014 The Monkey and Debussy’s Cat but we went on to record what was to be released as the End of The Surrey People LP and the collaboration with Edwyn continued ( and still does, he’s producing 1979 Now) with him producing Long Term Side Effects as well. Common Thief was one of the first songs I tried out on my own 4 Track. Sansend was recorded in Sands End Fulham, basically a collaboration with old friend Nick Brown and was quite a challenge as I played nearly all the instruments and it was a step into the unknown technologically speaking as we were using a lot of computer programming. It took a long, long time to finish. Getting together and singing with the Bitter Springs in the ‘90’s led to a busy period with lots of gigs, the set list occasionally stretching to 28 songs!!. Towards the end of the decade we started recording the Ir- vine Welsh Blackpool Musical songs - still haven’t finished but do have a few that were completed includ- ing Blackpool and The Wedding Song. Our live version of Ambition quickly evolved from punk to a Maggie’s Farm inspired, slow ‘’boogie’’ and is a refreshing change (for me at least) from the original. The ‘Wet Dog’ Subway Sect with Paul ‘Trigger’ Williams and Leigh Curtis was fairly short lived, we did several gigs over about a year and recorded a few demos in a rehearsal room in Denmark St with The Rebel and his four track, including That Train which really captures the spirit of the group at the time. -
Download File
Race and Performative Historiography in the American Theatre, 1991-2014 Rosa Elizabeth Schneider Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2019 © 2019 Rosa Elizabeth Schneider All Rights Reserved Abstract Race and Performative Historiography in the American Theatre, 1991-2014 Rosa Elizabeth Schneider The history play is among the United States' oldest theatrical forms, and since its inception the genre has been used to represent and interrogate questions of identity and citizenship. Over the last quarter of the twentieth century until the present day, there has been a dramatic increase in the number of history plays that focus on questions of race and representation. “Race and Performative Historiography in American Theatre, 1991-2014” provides an explanation for this surge, revealing that theatre-makers (playwrights, directors, actors, and designers) drew on a long tradition of metatheatrical techniques on the American stage to make race central to their representation and creation of history. This dissertation scrutinizes some of these techniques, which I have termed Performative Historiography, as these techniques rewrite the way the audience understands our national and racial past. Combining extensive performance analysis, archival work, race theory, and American theatre history, "Race and Performative Historiography" expands the discipline's understanding of the role of the theater in representing America’s racial past, present, and future. Each chapter of “Race and Performative Historiography” describes one of these techniques: sedimented time, historical synecdoche, and revision and repetition. These techniques provide theater-makers new ways of making vivid the past, exposing embedded power structures and forms of prejudice, as well thinking through and against national myths and structures of thought. -
Stevie Wonder's Musical Politics During the 1970S and 1980S a Thesis
UNIVERSITY OF CALIFORNIA Los Angeles Wonderful Words: Stevie Wonder’s Musical Politics During the 1970s and 1980s A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in African American Studies by Sandra Marie Kilman 2017 © Copyright by Sandra Marie Kilman 2017 ABSTRACT OF THE THESIS Wonderful Words: Stevie Wonder’s Musical Politics During the 1970s and 1980s by Sandra Marie Kilman Master of Arts in African American Studies University of California, Los Angeles, 2017 Professor Robin Davis Gibran Kelley, Chair The problem of racial injustice in the United States continued to plague the nation during the 1970s despite the gains made by the Civil Rights Movement during the preceding decades. Under Republican administrations during the 1970s and 1980s, working Americans encountered new financial challenges as the lion’s share of economic growth benefitted the wealthiest citizens. As socially and politically conscious popular music faded in popularity, Stevie Wonder continued to express his concerns about the obstacles to the promise of freedom and equality that many Americans continued to face. This paper examines four songs, written and performed by Wonder - “Living for the City,” “You Haven’t Done Nothing,” “Happy Birthday,” and “It’s Wrong,” - to track the trajectory of his commentary from local, community-based issues to national, political topics and, finally, to international causes. ii The thesis of Sandra Marie Kilman is approved. Richard Yarborough Shana Redmond Robin Davis Gibran Kelley, Committee Chair University of California, Los Angeles 2017 iii Acknowledgments This paper is dedicated to my family, whose love has sustained me throughout my life.