DOCSLIB.ORG

Wetcdrmeamosn'anpy/ WOWO 1:15 1DNI6H17 PEGGY ANN GARNER

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Wetcdrmeamosn'anpy/ WOWO 1:15 1DNI6H17 PEGGY ANN GARNER MOB mm THE LIMA PEWS OCTOBER! THC BUM ram Aft PRIINPiy A* THC *NT* BACK HOMI, HIT TMtVU HAM W DO! Alan Young's Memory Gets Current Films Are Held Going Over In Training Test Over At Sigma Theatre Alan (SluKBiMi Cerebellum) Younj?, deciding to have Ihe wheels in Whether it bus boon done before in beyond thin reviewer's comprc- his head completely overhauled, takes a course in memory trainluf heniilou but two filniH-"Born for Trouble" and "It All Came True"- during the "Alan Young Show," Tuesday at 8:30 p. m. over WJZ. Attempting to dwarf Hubwl Updike's (Jim Backup mentjil might, bolh returned films in the first place-are bviny ht-ld over at the Alan sludie.-, hard, but soon discovei-H thai in order to Krow a mighty Siirma theatre. Liubvlh Scott, the new find in Hollywood, pluya the Jole of » oak, there must first be an acorn. So in deviation, -.he young comic resorts to methods not according hostess and Kuide to three air corps men who are corainiH»ioii«d to Hoyllijy iue iin Oldeu* v* v*r tI'Wo impreb***• |^« • M*s* his &4.4 it\sonK 11 *^ v»ove» •> »r WEA-•-- F —at _9:3 . _0 . p, -. m-. t^o by the government to sell bonds friend Belly (Joan CillcspJoJ tickle your funny-bone with their ti'nd btamps. The film is B beau- Thetlr* Guide Warl W stful Vista vii t0r>> an<1 hUm r tiful picturization of a love thai Mike (t(thhe Falcon)) Wari,*"K ' Tnj' s ,>, tho show", you will remcm° '- OBIO— "Vou Came Along" wlUi attractivc leportcr from I ^ , ^y ii ;d- could not die, and to men with 1 CLACK, "m WSSfM 1EU. ME IF _ riul___, . meets an whcre evon {h( s pp< courujfc beyond that of physical Roueit Gumming ). Poll DcJ'Vre, (SONS ItffpHS ^aJT-^HlS^SWI^Tj \IWR%* a photoRiaphlaohvy marine and is | .^ ^omm(<rcia|s draw a chuckle. combat. The film in "You Came and Cliurlew Drake ni"l inlro- aroused to a sudden interest in At 10 p. tn. ivor WEAF Bob Along" and is now playing at the dui'lnK Li'/ubelh Scott. cameras only to realize that a. Hope, of the ski-jump nose, in- QUIXiMA — "Junloi Mlns" with P<-£- Ohio theatre. 1 dark room is a place where mur- t v,((](,s th(1 atmosphorc for anolhcr It's simply amazing how a girl gy Ann G.'inn ! and Allyn Joolyn; der can be developed too, m Mur- ^^ hollr wil[l tj,c craci(S and aim) "Cailbbean Myhterj." can tangle a family into so many der is a Snap," the "Advpntures of mm(jnts tnat, delighted our serv . __ * •• i ^ _ i _ L,. ,. uncivil i *•**" ••••" •*• * .._- knots (and the audience in laugh- WOMA— "Born Kor Trouble" wit'i the Falcon" drama to be heard icPinen and women overseas. The ter knots) bv merely overhearing Van Jolnihon and f'uye Jim^r- over WOR Tuesday, 8-JiO to 9 p.m British-born comedian, still p lay- one woid. That's exactly the sit- son: also "Jl All Camp Tju<5" Fibber McGee and Molly will !/e ing to soldier audiences, seems m uation, tho in "Junior Miss" the willi Huinh»"y BogHrt und Ann specialist in G. I. jokes, since his film which is now showing at the •ShPiidun. STATE— "Christinas In Connecti- i cloie association with the um- Quilna theatre. Peggy Ann Gar- Radio Guide d foice.0. ner has the lead and Allyn Joslyn cut" with BarbJia Stanwyck, Demita Morgan anJ Sydney Green- TUESDAY, OCT. 9 plavs the heckled father. P. M. If you happened to be passing street. also "Bev/itcheJ." 5.45—Front Pa«e Farr"ll Sfrnl—nb' Japanese Gold the State theatre any day this liYSIC— "Tonight and Eveiy Night." Sparrow and H*»v.k—cbs week and feel a light cold wind Tuth Rita Hay worth and Lee Tom Mix—mbs Hoard Guarded come rushing at you and heard Bowman, also "Belle 01 The Vu- Nick Carter—mln kon ' with Gysy Ro.«e L''". t:15—Echoes of Tropiri—nlii '. TOKYO. Oct. 0—(UP)—Armed jingling bells, what would your i *wi^. j ^J^\AfVv/\-' » \r^c^ -v-wsrfi— — first thoughts turn to? Of course, *LI>CV— "The Trail Of The Lone- KJwin C. Hill—cl« ' Kunr.it, of the Fir-t Cavalry Divis- iome Pine" and "Gamblej^ ^WL \ COO?\S. VCft\O VVOtO VS-^. Superman—mbs ion tonight suirounded the Japa- "Christmas" 01 better yet "Christ- j:30—Ted HUIIIJE—tb- 1 mas in Connecticut." That is the Choice" with Clyster Morris. 'vitWL ^>o S:<5—Lowell Thomay—nbc npse na\y rmm&try after U. S. of- Nancy Kelly and RnsBCll Hayden. Wor!d NOWB—cln ficiaK '•aid hoards of loot from name of the film now playing Tom Mir— rob5 ,there but it fits in fine in that OBirE-ZH — "Hollywood CantPen" 7:00—Como's Supptr Club- nbc fapan\ lost pmpire might be with John Garfield and Joan Fulton L*wisr—mbs «-tored in official government last sentence. 1 7:13—War J*PWE—nbc "Belle of the Yukon" tells the Lesli* 7:30—Bick Hajm-B i. Shov-nbc ' building*- eolorful story in a colorful way COMING UP American Melodi-"*— r!"5 A terse announcement said (technicolor) of the Alaskan gold OHIO— "Naughty Nineties" op^n Arthur Hale—ml« mcielv L'. S. officials had leained lush. Those were the days when Fi iday. Mu^ic-—mb^ that "prpnou'. metal," presumably QU1LHA— "Slate Fan ' coming Kil- 8 00—C O. Skimer «ho«—"be i :-tolpp in Japan's yeais, of mili- streets were merely mud puddles "R'K Tov,n —cbs and the men did not lay down uay News—mbfi tary conquest, was in the navy their coat? in Sir Walter Raleigh SIGMA — "StrdnEP Confetisioi." and 8:30—A Dat<> With .ludj—nbc ministry building-. manner. The film is now showing "Sky Bandits' start Satuiday. Theatre of Rom-inc-, Or —cos STATE — "Bedside Manner" and Bond Auction—mbs It \vab icliably reported that at the Lyric theatre. 8 I"*—News—'•bs "Leopard Man Of Africa" due more tioops may be placed shortly Tarzan is at home in the jungle 9 :oo— Xa%-y Prrwr'aTp—nbr at other Japanese buildings to Thursday Ini^r Sancturr—cb^ 0 but if ever he is called upon to Gab-iel Hrattcr—mb« guard similar hoard . leave this place, he is willing to go IiYRlC — "Comin' Around The 9 30—Victor BorKC—nbi- to save a fellow man. In Tarzan's Mountain" and "Escape In TJie This Is Uy Best. Drama—cbs Thp Tiopic of Capucorn is Fog" begin Wednesday. Acnenrap Fonim—mbs Desert Mystery" opening Wednes- INDIVIDUAL 10 00—Man Called X—nbc •-outh of the equator. day at the Allen theatre, this cir- ALLEN— "Tarzan's Desert MjstPry" PRANK'S 61 VIM' A &<—\ ice to the Front—rbs commence 3CIN4-O JO-30— Hildeaarde—nbc cumstance arises. ^____ foDjrre«q Sp**ak?—fbs Wjnsrs For Tomorrov ^mbs DBIVE-IM— 'Horn Blou? At Mid- Theatre 10.45—Dancing AJu«ic—cbs OK THE Navy Will Reduce night" open Wednesday. 11 00—Xer.s—nbc-baiic SQUAJUE The Supper Club in repea*— ALLEN Discharge Points nbc-west Di-r.c"—mM LA.ST TIMES TODAY WASHINGTON, Oct. 9—(UP) SCHOOL BUILDING PLANNED 11 13—Variety and N»«s to 1 a m — —Undersecretary Artemus L. COLUMBUS, Oct. 9—(AP)—A nbc "THE TRAIL OF THE Cates said today that the Navy war-delayed building program for LONESOME PINE" Boon will reduce the number of Ohio's schools soon may be under joints requ'-ed for discharge of way. Approximately $45,000,000 "GAMBLER'S CHOICE" men and officers. worth of school improvements, in WED. AND THURS. At f uress confeience with Adm the form of bond issues, will be Chester W. Nimitz, Gates said submitted to voters in November, 45c TILL NSmitz' leport on pi ogress _in j a survey of the secretary of state's NOW! 6 P. 31. closing bases and returning ships • office showed. iFrom the Pacific would make this W*' possible sooner than expected. ! HE \lf~ BONA FLEMING TO- ui At present 49 points aie re- IMTE. FIRST CHURCH OF THE O quired for discharge of male of- 'NAZARENE, ELM AND WEST j ficers and 44 for enlisted men. i STREETS. ( OUT OUR WAY BJ J. B. WILLIAMS! PLUS— / AT GUY'S PRIDE SHUT UP/ YOU \ MAKES ME SORE TALK. SO MUCH I - SOMETIMES-- HE'S COULDM'T THINK..' TOO PROUD TO PEOPLE'LI- BEC3 THUM& A T*lDE, YOU TO RIDE WHEN BUT I'VE NOTICED VOU'RE OUT FER HE ACCEPTS IT EXERCISE — AFTER- WE'VE BE A BUMMED WHEN) THEY'LL BE<3 YOU? HIARTIN'S Roadside Restaurant DOES YSR SISTEP 6REETIM6S,JC HELLO. WIMPY!!) MIDXITE PREMIERE I YOU 1H MUe* W. en riBdl»7 «*. KNOW YER HERE THTTRS. EVE. AT U P. Si- WISHED ¥f-3 ^£ / Seats Wow On Sale At Box Olfice WHEM » PROMISE THE PEOPLE RAIN FOR ME DHIVE OUT THE SUN SHINES, ANP WHEM I PROMISE- POPEVE NOT> FOR DELICIOUS SUMSH1MHIWE-E ; , />^r(CE YET, ?IT RAINS DINNERS !££v4P/«««ev.'r'iv7/-. ^/»J Steaks - Chops Sandwiches LIQUOR - WINE - BEER "t/y^^iv JffWIU.i'V^ THE STEP FROST BUNAS- TO C5EMTL£N1£M WLOK DIAL OUR BOARDING BOUSE with MAJOR BOO PL* '•{%S LIMA LOG / VtOUUD X ' r LIMA TIME COULD NAB TKE Younsr birds which emerge while young hatched from rela- HELP OVER 13ET6CT- J Russians have spent a higher per- | J'.
Load more

Recommended publications
  • The Coast Advertiser (Established 1893)
    \ Go often to the house of thy friend; for weeds soon choke up the unused path. •oeluar Free Public I hr >. —■Scandinavian ProV&b&a.T ,Neve Jersey ’’ l The Coast Advertiser (established 1893) Fifty-Third Year, No. 16 BELMAR, NEW JERSEY, FRIDAY, AUGUST 31 1945 Single Copy Four Cents Faculty Announced 350 PERSONS ATTEND J. A. Mohn New Pres. CONCERT HERE For Belmar School The concert for the benefit of the Al- | Central of N. J. Ry. Orders bert Einstein fund for Jewish refugee Of Bell Telephone Co. Three teachers have been hired by war orphans in Soviet Russia, held in [ J. Allen Mohn has been appointed the Belmar board of education to fill the Hebrew community center last manager for the New Jersey Bell Tele­ the vacancies in the faculty of the Wednesday, attracted more than 350 phone company at Asbury Prak in Belmar grammar school according to persons. Improvements at Belmar place of Harry W. Crawford, manager an announcement made by Mrs. Ella Miss Esther Schatzow, well-known Labor Day . there since 1942 who has been trans­ At Tesday’s meeting of the Bel­ S. Ricketts, supervising principal of soprano along the shore, appeared on WITHOUT LABOR there would not the school. ferred to the staff of the company’s the program accompanied by Helen C. mar Board of Commissioners Mayor- have been a force to resist the enemy Marion S. Cleaver will teach the General Commercial Engineering as EARLY COPY! Hummed. Also appearing was Jacque an engineer. Leon T. Abbott announced that as a. in war, much less conquor him.
    [Show full text]
  • In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
    In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity.
    [Show full text]
  • Silhouettes of Stars, Players, and Directors of Warner Bros. Pictures
    library! THE MUSEUM 0F MODERN ART j Received: Scanned from the collection of The Museum of Modern Art Library Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from John McElwee Digitized by the Internet Archive in 2014 https://archive.org/details/silhouettesofstaOOunse I : SILHOUETTES Of Stars, Players, and Directors Of WARNER BROS. PICTURES, INC. LIBRARY THS MUSEUM OF MODERN ART Received: From in ?2 WARNER BROS. PICTURES, INC. jT* 321 West 44th Street New York City PRINTED IN U.S.A. FL >l 5-3 FOREWORD This unpretentious volume contains a wealth of material in bio- graphical form covering all important stars, players, and directors of Warner Bros. Pictures, Inc. It should be invaluable to the motion picture editor, or to anyone doing editorial work pertaining to motion pictures. This volume went to press in October, 1937. All data, therefore, is up-to-date, and most of it is accurate for several months to come. You will note that the end of each biography contains the list of pictures the player has been featured in. It is suggested that you — the editor — may keep each biography up to the minute as to performances by adding each new picture a star is cast in, as you receive a new announcement. TABLE OF CONTENTS How It All Began 1 Nagel, Anne 125 STARS AND PLAYERS O'Brien, Pat 127 O'Connell, Hugh 130 Acuff, Eddie 8 Oliver, Gordon 132 Aherne, Brian 9 O'Neill, Henry 134 Baker, Kenny 12 Perry, Linda 136 Blondell, Joan 16 Powell, Dick 138 Blondell, Gloria 20 Purcell, Dick 141 Bogart, Humphrey
    [Show full text]
  • Image of PR Practitioner in Movies and Television 1901-‐2011 1 The
    Image of PR Practitioner in Movies and Television 1901-2011 1 The Image of the Public Relations Practitioner in Movies and Television 1901-2011 Joe Saltzman1 Professor of Journalism Director, The Image of the Journalist in Popular Culture (IJPC) A Project of the Norman Lear Center Annenberg School for Communication and Journalism University of Southern California Los Angeles, CA [email protected] Introduction In this article, we examine images of public relations practitioners in film and television appearing in more than 327 English-speaking films and television programs from 1901 to 2011.2 This is the largest study of its kind ever attempted and one of the first to include the image of the public relations practitioner in television programs. Many public relations practitioners believe the image of the publicist and the PR professional is one of the most negative in history. But this analysis indicates that the images of the PR practitioner are far more varied and even more positive than previously thought. Literature Review There have been previous studies on the image of the PR practitioner in film. They include Karen Miller’s landmark study in 1999 (which included film and print images),3 Larry Tavcar’s 1993 look at 17 films depicting public relations in the movies,4 Donn James Tilson’s brief look at public relations and Hollywood in 2003,5 and Carol Ames’ comprehensive follow-up to Miller’s study in 2010.6 In addition, Mordecai Lee studied images of the public relations practitioner in government and public administration, sampling 20 films from 1944 to 2000 in a 2001 study,7 and in a 2009 update8 added seven more films from 1996 to 2008.
    [Show full text]
  • Film Noir Database
    www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.
    [Show full text]
  • A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952. Carol Isaacs Pratt Louisiana State University and Agricultural & Mechanical College
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1976 A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952. Carol Isaacs Pratt Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Pratt, Carol Isaacs, "A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952." (1976). LSU Historical Dissertations and Theses. 3043. https://digitalcommons.lsu.edu/gradschool_disstheses/3043 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image.
    [Show full text]
  • Allyn Joslyn Papers, 1920S-1970S
    http://oac.cdlib.org/findaid/ark:/13030/kt509nd9r9 No online items Finding Aid for the Allyn Joslyn papers, 1920s-1970s Processed by Amanda Neal and Julie Graham; machine-readable finding aid created by Julie Graham. Performing Special Collections University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm © 2008 The Regents of the University of California. All rights reserved. Finding Aid for the Allyn Joslyn 293 1 papers, 1920s-1970s Descriptive Summary Title: Allyn Joslyn papers, Date (inclusive): 1920s-1970s Collection number: 293 Creator: Joslyn, Allyn, d. 1981 Extent: 18 Boxes(9 linear ft)2 Flat Boxes Abstract: Versatile character actor Allyn Joslyn's acting career spanned from the 1920's to the1970's. The collection documents Joslyn's professional accomplishments as an actor and entertainer, and includes scripts for motion pictures, television, radio, and stage; press clippings focused on Joslyn's career; photographs (mainly stills) from various film, television, and stage productions; and a small amount of correspondence and ephemera. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research.
    [Show full text]
  • ABSTRACT “What's the Matter with Bigamy?” the American Family In
    ABSTRACT “What’s the Matter with Bigamy?” The American Family in the Wartime Comedies of Preston Sturges Felix M. Gonzalez, Jr., M.A. Thesis Chairperson: James M. Kendrick, Ph.D. The 1940s comedies of writer-director Preston Sturges are known for their satirical narratives and eccentric characters. They were made during a period in Hollywood history when filmmakers adhered to the strict Production Code, ensuring that movies projected a wholesome image of American society. The purpose of this study was to explore the reflection of America during World War II as a troubled and disordered society through the unconventional depictions of the American family in five Sturges films: The Great McGinty (1940), The Lady Eve (1941), The Palm Beach Story (1942), The Miracle of Morgan’s Creek (1944), and Hail the Conquering Hero (1944). Content analyses revealed a pessimistic viewpoint that defied the moral principles of the Production Code and the typical representations of American society in popular wartime films. Sturges’ depiction of the family is one of disunity and deception, in contrast to the cheerful surfaces of his narratives. “What’s the Matter with Bigamy?” The American Family in the Wartime Comedies of Preston Sturges by Felix M. Gonzalez, Jr., B.A. A Thesis Approved by the Department of Communication Studies ___________________________________ David W. Schlueter, Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ James M. Kendrick, Ph.D., Chairperson ___________________________________ Christopher J. Hansen, M.F.A. ___________________________________ Sara J.
    [Show full text]
  • HUDSON THEATER, 139-141 West 44Th Street, Manhattan
    Landmarks Preservation Commission November 17, 1987; Designation List 196 LP-1340 HUDSON THEATER, 139-141 West 44th Street, Manhattan. Built 1902-04; architects J.B. McElfatrick & Son and Israels & Harder. Landmark Site: Borough of Manhattan Tax Map Block 997, Lot 15. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Hudson Theater and the proposed designation of the related Landmark Site (Item No. 36). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-two witnesses spoke or read statements into the record in favor of designation. One witness spoke in opposition to designation. The then owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Hudson Theater survives today as one of the historic playhouses that symbolize American theater for both New York and the nation. Built in 1902-04, the Hudson was part of a burst in theater construction that shaped the character of Times Square as the new heart of New York's theater district. It survives today as one of the very few turn-of-the-century theaters in the Broadway/Times Square area. The Hudson was bui 1 t for Henry B. Harris, one of the era's top Broadway producers. Harris, who grew up in Boston, worked in theaters in Boston and on the road, managing such stars as Lilly Langtry.
    [Show full text]
  • 1950-08-04, [P ]
    ' Friday, August 4,1956 TOLEDO UNION JOURNAL ■ —■-’f 4. Page Thref \Twirikle9 Twinkle, Little foes Teddy Scholten From Holland /Pause/ Guest From Holland ? To Be Guest Of Coca-Cola Pert, aftd talented Teddy Scholten from Holland will .be Percy F u h’s singing gn? st on The Pause That Refreshes on the Air” Sunday, Auguit 6, over CBS and Station WJR at 8 p. m. EDT. Miss Scholten is the fifth artist from outside the United States to appear with the Fa-’dr orchestra on this popular sum­ mer musicale. She will be I >< ard Completed And Entertain at Luncheon in throe tvrirrl jrdc'w from With Colorful, Tasty, her native lax.d, iieci aj Unreleased always with fitting Faith ar­ “THE PETTY GIRL” Techni­ \ ;1 Easily Prepared Menus ‘V ‘i.’ rangements. color. Producer: Nat Perrin; Di­ -AV* Orb’ 24-years-cW, the “im­ rector: Henry Levin. Cast: Rob­ ENTERTAINING YOUR church, portation” from the land 'of tu­ ert Cummings, Joan Caulfield, club or friends at luncheon during lips and wifidn ills ha; won a the warm weather need.be no prob­ Elsa Lanchester, Melville Coop­ firm place in the hearts of }i<r er, Movita. lem if you start out with ready countrymen for her tin. ’sh­ "FRIGHTENED CITY”—Pro­ made menus that are easily pre­ ed supper club as pared. Those giv­ ducer: Robert Cohn; Director: well as a successful .'erics of ra­ Earl McEvoy; Cast: Evelyn en in th’e Col­ dio broadcasts heard throughout umn today have Keyes, Charles Korvin, William Europe and by shortwave to Bishop, Lola Albright, Dorothy been planned for Dutch colonial outposts .
    [Show full text]
  • The Hollywood Victory Committee BOND SELLING
    Actors Equity Association American Federation of Radio Artists American Guild of Musical Artists, Inc. American Guild of Variety Artists American Society of Composers, Authors and Publishers Artists' Managers Guild Association of Motion Picture Producers, Inc. S INCE the Hollywood Victory Committee BOND SELLING .. in six war loan drives was organized on Dec. 10, 1941, three days THE activities summarized in 233 Victory Committee volunteers have made Hollywood Writers Mobilization after Pearl Harbor, 3564 performers-the stars extended tours for the Treasury Department, this report are the result of a and featured players of screen and radio, con­ others have taken part in 214 broadcasts, 93 mobilization of forces through­ Independent Motion Picture cert artists, celebrities of stage ad night clubs, transcriptions, and 527 individual personal ap­ Producers Association variety artists-have traveled an estimated pearances. out Hollywood's entertainment 4,000,000 miles to make 37,979 free appear­ PATRIOTIC BROADCASTS . .. one hundred Independent Publicists Association ances. They have served the armed forces, industry, to the end that all ma­ broadcasts and transcriptions have been made government agencies, war relief and charity for the Co-ordinator of Inter-American Affairs, jor organizations and their mem­ Public Information Committee and our allies in 5680 events, with an average of the Motion Picture Industry 317 for OWI and other government agencies, bers might best contribute to the of 35 players appearing every day. [In the 116 for charity. Victory Committee's third year they have total effect of free appearances Motion Picture Producers stepped up the average to 48 appearances a AID FOR CANADA .
    [Show full text]