Georgia State University ScholarWorks @ Georgia State University English Theses Department of English Summer 8-9-2012 Carnival, Convents, and the Cult of St. Rocque: Cultural Subterfuge in the Work of Alice Dunbar-Nelson Sibongile B. Lynch Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Recommended Citation Lynch, Sibongile B., "Carnival, Convents, and the Cult of St. Rocque: Cultural Subterfuge in the Work of Alice Dunbar-Nelson." Thesis, Georgia State University, 2012. https://scholarworks.gsu.edu/english_theses/136 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact
[email protected]. CARNIVAL, CONVENTS, AND THE CULT OF ST. ROCQUE: CULTURAL SUBTERFUGE IN THE WORK OF ALICE DUNBAR-NELSON by SIBONGILE B. N. LYNCH Under the Direction of Elizabeth J. West ABSTRACT In the work of Alice Dunbar-Nelson the city and culture of 19th century New Orleans fig- ures prominently, and is a major character affecting the lives of her protagonists. While race, class, and gender are among the focuses of many scholars the eccentricity and cultural history of the most exotic American city, and its impact on Dunbar-Nelson’s writing is unmistakable. This essay will discuss how the diverse cultural environment of New Orleans in the 19th century allowed Alice Dunbar Nelson to create narratives which allowed her short stories to speak to the shifting identities of women and the social uncertainty of African Americans in the Jim Crow south.