8 8 7 1 Mallams Wednesday Wednesday 15th August 2018 CHELTENHAM modern

MODERN LIVING - MALLAMS CHELTENHAM WEDNESDAY 15th AUGUST 2018 www.mallams.co.uk Cheltenham Modern Living 15th Aug Covers.qxp_Layout 1 03/08/2018 16:28 Page 1 Page 16:28 1 03/08/2018 Covers.qxp_Layout Aug 15th Living Modern Cheltenham Cheltenham Modern Living 15th Aug Covers.qxp_Layout 1 03/08/2018 16:28 Page 2 Cheltenham Modern Living 15th Aug.qxp_Layout 1 03/08/2018 16:21 Page 1

Mallams 1788

modernodernliving

Wednesday Viewing 15th August 2018 Friday 10th August 10am-3pm at 11am Monday 13th August 9am-5pm Tuesday 14th August 9am-5pm

Auction Enquiries Mallams Condition Reports & Images Grosvenor Galleries [email protected] 26 Grosvenor Street Cheltenham GL52 2SG Conditions of sale This auction is subject to Important Contact Notices, Conditions of Sale and Darren Ball Reserves. [email protected] Condition Reports Bids Please note that there are no condition 01242 235712 reports printed in the catalogue or on any 01242 241943 (Fax) website listing. To bid via the internet please go to They are available on request from the www.the-saleroom.com office or by email Or to view the catalogue online go to [email protected] www.mallams.co.uk

Cheltenham Modern Living 15th Aug.qxp_Layout 1 03/08/2018 16:21 Page 2

Mallams 1788

Order of Sale

modernodernliving Wednesday 15th August 2018 at 11am

Furniture 1 - 136A

Paintings, Prints, Textiles & Books 137 - 277

Ceramics 278 - 386

Glass 387 - 418

Silver, Jewellery, Collectables & Works of Art 419 - 456

Condition Reports and Images: cheltenham@mallams .co.uk

Important notice: Buyer’s premium 24% inclusive of VAT on each lot Credit card fees where applicable are 2.28% inclusive of VAT Condition Reports: Please note that condition reports are not printed in the catalogue or on our website however, we are happy to provide them when requested subject to our terms and conditions of sale. The absence of any reference to condition in any description does not imply the lot is without fault. Cheltenham Modern Living 15th Aug.qxp_Layout 1 03/08/2018 16:21 Page 3

Droite de Suite

Important Notices: and in addition to the buyer’s premium. The Changes to the Droite de Suite or Artist’s Artist’s Resale right is not subject to VAT. The Resale Rights charge for Works of Art sold at or above 1000 Euros and below 50,000 Euros is 4%. Pictures produced by European Artists can For items selling above this figure the fee is be subject to the Droite de Suite or Artist’s calculated on a sliding scale. These charges Resale Right which took effect in the United are paid to the Design and Artist’s Copyright Kingdom on the 14th February 2006. Under Society (DACS). No additional fees or handling this legislation Mallams is required to collect costs are retained by Mallams. a royalty payment for works by living artists For more information visit www.dacs.org.uk. which sell for more than 1000 Euros. This now also applies to works by artists who have died Please be aware of this extra charge and within the last seventy years. It is calculated on especially the recent changes if you intend the Rate of Exchange at the European Central to bid for any works which might fall into the Bank on the date of sale. It is charged to the above category. buyer as a percentage of the hammer price

Explanation of Picture Cataloguing Terms ‘Follower of ’ … in our opinion the work is A work catalogued with the full name of the executed in the named artist’s style. artist in our opinion, is or is probably a work ‘Manner of ’ … in our opinion the work is by that artist, however intending buyers executed in the named artist’s style but is of a are respectfully reminded to fully satisfy considerably later date. themselves prior to bidding as the catalogue ‘School (together with place or country and description does NOT represent a certificate of date)’ … in our opinion the work was executed authenticity. in that location at that time. Other wise the following terms are used: ‘After’ … in our opinion the work is a copy of a ‘Attributed to’ … in our opinion the work is known painting by the named artist. probably by the artist named in whole or in ‘Signed’ … in our opinion the signature is by the part. hand of the artist stated. ‘Circle of ’ … in our opinion the work is by an ‘Bears signature’ … in our opinion there is an artist influenced by the named artist and of the element of doubt over the signature or it has period. been added by another hand. Cheltenham Modern Living 15th Aug.qxp_Layout 1 03/08/2018 16:21 Page 4 Cheltenham Modern Living 15th Aug.qxp_Layout 1 03/08/2018 16:21 Page 5

Furniture Cheltenham Modern Living 15th Aug.qxp_Layout 1 03/08/2018 16:21 Page 6

1 In the manner of Hugh Baillie Scott Pair of oak and inlaid octagonal tables, the stretchers inlaid ears of wheat, 69cm high £200-300 (plus 24%BP*)

2 Style of Godwin Pair of oak octagonal occasional tables, the tops over turned supports 1 2 with arched feet, 69cm high £200-300 (plus 24%BP*)

3 Andrew Lapthorn (Contemporary) Corner table, inlaid, stamped maker’s mark, 190cm high £100-200 (plus 24%BP*)

4 Art Deco style Pair of circular revolving lacquered veneer stands, with single drawer and mirrored interior, each 69cm high, 71cm wide £200-300 (plus 24%BP*) 3 4

5 Arts & Crafts Oak tea trolley with inset slate shelves, of two tier form, with carved octagonal supports, all on castors, 73cm high, 61cm wide £60-80 (plus 24%BP*)

6 Gordon Russell Nest of three tables, the rectangular tops over tapering legs, largest 46cm high x 61cm wide £40-60 (plus 24%BP*)

5 6

7 Dryad School Wicker armchair, with Dryad applied label, 83cm high x 76cm wide £50-80 (plus 24%BP*)

8 Gordon Russell Oak occasional table, two tier with shaped top, Russell of Broadway label, 51cm high x 60cm wide £50-80 (plus 24%BP*)

7 8

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9 Gordon Russell Rectangular occasional table, Russell of Broadway label, 46cm high x 68cm wide £40-60 (plus 24%BP*)

10 In the manner of William Morris Nest of three ebonised tables, early 20th Century, 70cm high x 53cm wide £100-200 (plus 24%BP*) 9 10

11 Manner of Liberty & Co Oak stick stand, with heart-shaped cut-outs to each end, 77cm high, 58cm wide £50-80 (plus 24%BP*)

12 In the manner of Liberty & Co. Moorish style wall hanging shelves, circular frame with brass mounts, 80cm high £60-80 (plus 24%BP*)

11 12

13 In the manner of Liberty & Co. Mahogany jardiniere stand, with Moorish style decoration, circa 1900, 95cm high £80-120 (plus 24%BP*)

14 Edwardian School Oak filing cabinet with four drawers each with brass handle, retailed by The Midland Woodworkers Limited, Birmingham, 132cm high x 50cm wide £150-200 (plus 24%BP*)

13 14

15 Early 20th Century School Oak filing cabinet, four drawers each with brass handle, 130cm high x 37cm wide £100-150 (plus 24%BP*)

16 Art Deco Circular occasional table with green marble top over gilded base, with four angular supports, 72cm high x 58cm diameter £300-500 (plus 24%BP*)

15 16

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17 Advance Systems Oak filing cabinet, twelve numbered drawers, 74cm x 40cm, 70cm high £100-150 (plus 24%BP*)

18 Betty Joel for Token Works 17 18 Mahogany prie dieu kneeler, 1927, drop in leather seat, with original Token Works label, 76cm high x 36cm wide £180-250 (plus 24%BP*)

19 Gillows Aesthetic movement revolving stool, the base with turned and carved decoration, stamped Gillows C604, late 19th Century, 46cm high £100-200 (plus 24%BP*)

19 20 20 Aesthetic movement Two stools, with fabric tops over tubular supports, each 28cm high £100-200 (plus 24%BP*)

21 Manner of Ernest Gimson Three oak Clissett chairs, with ladder back and rush seats, circa 1900, each 107cm high £100-200 (plus 24%BP*)

21 22 Neville Neal Oak ladder back armchair, with rush seats and turned legs, 109cm high x 58cm wide £50-100 (plus 24%BP*)

23 Manner of Liberty & Co Oak circular occasional table, 66cm high x 45cm wide £60-80 (plus 24%BP*)

22

23

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24 Art Nouveau Oak wall cupboard, with embossed metal central panel of a lady holding fruit, circa 1910, 49cm high £50-100 (plus 24%BP*)

25 Arne Iversen for Mobelfabrik Danish rosewood vanity unit/desk of modular design, circa 1960, 76cm high, 81cm wide Sold with CITES certificate £200-300 (plus 24%BP*) 24 25

26 Art Deco Walnut veneered centre table in the manner of Adnet of Paris, 68cm high, 72cm wide £80-120 (plus 24%BP*)

27 Manner of Gordan Russell Oak desk/dressing table, mid-20th century, single drawer and cupboard finish with curved handles, 100cm x 55cm, 72cm high £100-200 (plus 24%BP*)

26 27

28 Gordon Russell Double ‘Helix’ sideboard, designed by David Booth and Judith Ledeboer, circa 1951, with Gordon Russell Broadway label, 83cm high x 122cm wide £300-500 (plus 24%BP*)

29 Reynolds of Ludlow Naturalistic yew coffee table in the style of George Nakashima, on turned legs, Reynolds of Ludlow brass label, 44cm high x 122cm wide £80-120 (plus 24%BP*)

28 29

30 In the manner of Liberty & Co Oak standing shelves, circa 1910, with Art Nouveau pierced motifs and pegged construction, 92cm high x 61cm wide £60-90 (plus 24%BP*)

31 Gordon Russell Oak sideboard, model R436, with four drawers to the right of sliding cupboards section, Gordon Russell Broadway label, 77cm high x 159cm wide £150-200 (plus 24%BP*)

30 31

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32 Attributed to Jas Shoolbred Set of four rush seat armchairs, circa 1880, 95cm high x 46cm deep £150-200 (plus 24%BP*)

33 In the manner of Edward William Godwin 32 33 Oak armchair, circa 1880, with comb back, reeded arms, on turned supports, 87cm high x 58cm wide £100-200 (plus 24%BP*)

34 In the manner of Edward William Godwin Ebonised side table, with aesthetic style design, 69cm high x 43cm wide £80-120 (plus 24%BP*)

34 35 35 Nigel Griffiths Carved oak corner cupboard, with single panelled door, 56cm high, 49cm wide £50-80 (plus 24%BP*)

36 Waring and Gillow Art Deco period side table, walnut veneered, two drawers, maker’s label to inside of drawer, 84cm high £80-120 (plus 24%BP*)

36 37 Roger Feraud Black painted metal coat rack, with red, green and blue finials, circa 1950, 63.5cm high £150-250 (plus 24%BP*)

38 In the manner of Mathieu Mategot Umbrella stand, with loop handle, 85cm high £60-80 (plus 24%BP*)

38 37

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39 In the manner of Heals Limed oak chest of drawers, circa 1930, two long drawers, 60cm high x 90cm wide £100-200 (plus 24%BP*)

39 40

40 In the manner of Heals Limed oak desk, two short drawers over knee hole and covered section, 78cm high x 97cm wide £100-200 (plus 24%BP*)

41 Heals Walnut sideboard, circa 1930, three short drawers over three cupboard sections, Heals Tottenham Court Road ivorine label, 90cm high x 150cm wide £400-600 (plus 24%BP*) 41

42 Heals Walnut extending dining table and set of four chairs, circa 1930s, the table with Heals ivory label, 77cm high x 135cm wide (unextended), the chairs all with Heals ivory label, 39cm high £300-500 (plus 24%BP*) 42 (part)

42 (part) 43 Arts and Crafts Folding book stand, heart shaped ends, 27cm across £20-30 (plus 24%BP*)

44 Heals Stained oak bedside cabinet with single cupboard raised on square supports, Heals ivorine label, 76cm high, 38cm wide £50-80 (plus 24%BP*) 43 44

45 Manner of Heals Oak refectory table, the legs and feet finished with bevelled edges, 183cm x 76cm, 75cm high £200-300 (plus 24%BP*)

45

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46 In the manner of Heals Limed oak wardrobe, circa 1930, with highlighting green and gold paint, 186.5cm high x 118cm wide £100-200 (plus 24%BP*)

47 Heals Oak book table, two shelves to each side finished with beaded edging, c1920, 59cm x 59cm, 63cm high £100-200 (plus 24%BP*) 46 47

48 Heals Oak dining table, extending three leaf panelled top, c1930s, 123cm x 100cm, 75cm high Listed in Heals Living Room & Dining Room Furniture Catalogue, c1930 £300-400 (plus 24%BP*)

49 Heals Oak side table, circular top on crossed braced legs, c1920, 61cm, 46cm high £100-200 (plus 24%BP*) 48 49

50 Heals Oak side table, circular top on crossed braced legs, c1920, 46cm, 46cm high £80-120 (plus 24%BP*)

51 Heals Limed oak refectory table, factory label to underside, c1920, 153cm x 74cm, 76cm high £300-400 (plus 24%BP*)

50 51 52 Heals Oak dresser, three shelve glass fronted unit on two drawers and cupboard, dovetail joints, factory label to drawer, c1920, 90cm x 47cm, 192cm high £600-800 (plus 24%BP*)

53 Heals Oak “Cottage” Bookcase, four shelves finish with a carved rounded top, c1910, 122cm x 23cm, 118cm high £400-600 (plus 24%BP*)

52 53

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54 Heals Oak “Tilden”, refectory table, on turned legs, c1920, 107cm x 60cm, 75cm high £500-600 (plus 24%BP*)

55 Heals Oak wardrobe, adaptable four shelves and hanging space, doors finished with beading, label to inside of door, c1920, 107cm x 44cm, 184cm high 54 55 £400-600 (plus 24%BP*)

56 Heals Oak work table, two drop leaves and pull out frame on a single drawer, c1910, 60cm x 67cm (closed), 76cm high £200-300 (plus 24%BP*)

57 Heals Oak bedside cabinet, with single cupboard, c1920, 38cm x 38cm, 68cm high £100-200 (plus 24%BP*)

56 57

58 Attributed to Heals Oak book table, the octagonal top over two tiers of drawers, two tiers of shelves, circa 1930, 62cm high x 60cm wide £50-100 (plus 24%BP*)

59 Heals Oak chest of drawers, circa 1930, with two short drawers and three long drawers, Heals Tottenham Court Road ivory label, 85cm high x 76cm wide £200-300 (plus 24%BP*)

58 59

60 In the manner of Philip Webb Arts & Crafts oak dresser, backed with two shelves over base section with two short drawers and cupboard section, 185cm high x 111cm wide £200-400 (plus 24%BP*)

61 Arts & Crafts Limed oak centre table, with inset slate top, 76cm high, 120cm wide £150-200 (plus 24%BP*)

60 61

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62 Minty Sectional oak secretaire bookcase, with four stacking sections, 150cm high, 89cm wide £200-300 (plus 24%BP*)

63 In the manner of Liberty & Co. Arts & Crafts oak stick stand, with brass strapped decoration, circa 1910, 77cm high x 46cm high 62 63 £100-200 (plus 24%BP*)

64 Liberty & Co. Oak “Stanmore” chair, with curved rail back, circa 1900, 76cm high x 51cm wide The Stanmore chair is illustrated in the Yule Tide Gifts Liberty catalogue of 1900 £200-300 (plus 24%BP*)

65 Arts & Crafts Oak armchair, with original embossed leather seat, the back pierced with floral motifs, circa 64 65 1920, 101cm high x 61cm wide £50-100 (plus 24%BP*)

66 In the manner of William Morris Set of six chairs, with ladder backs, turned supports and rush seats, circa late 19th Century, each 96cm high £100-200 (plus 24%BP*)

67 Arts & Crafts Oak drop leaf table, with simple pierced decoration, circa 1910, 71cm high x 85cm wide £50-100 (plus 24%BP*)

66 67

68 In the style of Robert Thompson (Mouseman) Carved oak joint stool, with Tudor Rose motif, 38cm high x 38cm wide £80-120 (plus 24%BP*)

69 Arts & Crafts Pokerwork three-legged stool, 35cm high £30-50 (plus 24%BP*)

68 69

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70 Arts & Crafts Moorish style side table, with two tiers, on turned and swept supports, 67cm high, together with a smaller Moorish style occasional table, 55cm high (2) £60-90 (plus 24%BP*)

71 Arts & Crafts 70 71 Wall hanging shelves, with circular metal embossed plaque depicting an eagle to top, over three shelves, circa 1920, 69cm high £40-80 (plus 24%BP*)

72 Arts & Crafts Circular top stool oak, on three square cut legs, 37cm high, 30cm wide £30-50 (plus 24%BP*)

72 73 73 Arts & Crafts Oak coffee table, the rectangular top with chip carved edge over pegged frame, 43cm high, 62cm wide £40-60 (plus 24%BP*)

74 Blanket Box Oak with brass carrying handles, 19th Century, 40.5cm high x 99cm wide £100-150 (plus 24%BP*)

74

75 Stickley Brothers Arts & Crafts oak table, single shelf below upon braces, c1905, 75cm, 75cm high £300-400 (plus 24%BP*)

76 Arts & Crafts Oak stacking bookcase, two glass fronted units finished with brass handles, c1920, 89cm x 23cm, 123cm high £100-200 (plus 24%BP*) 75

76

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77 Arts & Crafts attributed to Liberty & Co Oak hall stand, two shelves and drawer finished with heart cut-outs, c1900 £200-300 (plus 24%BP*)

78 Glasgow school Arts & Crafts mahogany occasional table with stylised top and pierced 77 78 cut outs, 71cm high x 41cm wide £100-200 (plus 24%BP*)

79 Arts & Crafts Oak occasional table, hexagonal top over tear-drop shaped cut outs shelf space, circa 1920, 56cm high x 22cm wide £50-100 (plus 24%BP*)

80 Arts & Crafts Oak three tier table, 73cm high x 59cm wide £40-70 (plus 24%BP*) 79 80

81 Arts & Crafts Walnut occasional table with square top on tapering legs, 65cm high x 50cm wide £50-100 (plus 24%BP*)

82 Arts & Crafts Rush seated oak side chair, with curved splats, acorn finials and turned legs, circa 1910, 110cm high x 39cm wide £60-90 (plus 24%BP*)

81 82

83 Nathan Teak nest of tables, sculpted curved plywood legs, largest 60cm x 43cm, 51cm high £80-120 (plus 24%BP*)

84 1960s School Yin and Yang coffee table, each section on three tapering legs, 38cm high x 62cm wide £80-120 (plus 24%BP*)

83 84

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85 Mid 20th Century School Yew wood and black lacquered 86 cocktail cabinet, the panelled doors enclosing cupboard space over stylised base, 84cm high, 92cm wide £100-150 (plus 24%BP*)

86 Mid 20th Century School Wooden coffee table, with three drawers that open on both sides, 41cm high, 150cm wide £80-120 (plus 24%BP*)

85 87

87 Danish School Ebonised low chair with wide back, on turned legs, 93cm high £50-100 (plus 24%BP*)

88 Arne Jacobsen (1902-1971) for Fritz Hansen Table and set of four ‘Ant’ chairs, 88 circa 1950s, lacquered wood and chrome each stamped FH Denmark, the table 77cm high x 120cm diameter, the chairs 77.5cm high £500-1000 (plus 24%BP*)

89 PEL Pair of armchairs, tubular chrome frames with black leather seats and arms, circa 1930, each with manufacturer sticker, 76cm high x 54cm wide £200-400 (plus 24%BP*)

89

90 Alessandro Albrizzi (1934-1994) Coffee table, lucite and chrome, 38cm high, 91cm across £200-300 (plus 24%BP*)

90

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90A A. Castelli for Kartell Plastic sectional side table, with chrome and plastic castors, 50cm high £100-150 (plus 24%BP*)

91 After Eileen Gray Chrome and glass side table, 68cm high £50-80 (plus 24%BP*)

90A 91

91A Mid 20th Century School Pair of white plastic chairs of curved form, each 82cm high £40-60 (plus 24%BP*)

92 Italian School Leather and chrome office chair, 92cm high £50-80 (plus 24%BP*)

92A Industrial School 91A 92 Tan-Sad swivel chair, green enamelled paint, c 1920/1930, 92cm high £150-200 (plus 24%BP*)

93 Display Cabinet Glass and metal with adjustable shelves, 99cm high x 78cm wide £50-80 (plus 24%BP*)

94 Andreas Hansen (Danish, b.1936) for Hadsten Traeindustri Standing writing desk, circa 1970s with two pen holders and drop leaf covered with leather, the inside divided into sections, manufacturer’s 92A 93 label, 125cm high, 81cm across, 53.5cm deep Andreas Hansen was Royal Academy trained and worked with Mogens Koch, Wholert and Klint. He owned his own company from the sixties £600-800 (plus 24%BP*)

95 Arne Wahl Iversen Teak bureau, circa 1960s, manufactured by Vinde Mobelfabrik, the fall front over two drawers, all raised on legs, 110cm high x 95cm wide £100-200 (plus 24%BP*)

94 95

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96 Ercol Bureau, the fall front over single drawer, all raised over carved supports joined by ‘X’ shape base, 104cm high x 81cm wide £180-250 (plus 24%BP*)

97 American School Pair of perspex coffee tables, with fitted glass tops, each 52cm high, 90cm wide 96 97 £200-300 (plus 24%BP*)

98 Modern School Minimalist glass coffee table, 38cm high, 127cm wide £80-120 (plus 24%BP*)

99 Contemporary School Italian composite marble hall table, the top sitting on rectangular base, 80cm high x 181cm wide 98 99 £100-200 (plus 24%BP*)

100 20th Century School Birdseye maple dining table, with two extra leaves, with fitted mirrored tops, retailed by Heals, 75cm high x 153cm wide (unextended) £100-200 (plus 24%BP*)

101 Industrial Style Aluminium pigeon hole shelving, 167cm high x 92cm wide £80-120 (plus 24%BP*)

100 101

102 Cotswold School Oak coffer, plank top over panelled sides, circa 1940, 46cm high x 124cm wide £200-300 (plus 24%BP*)

103 Cotswold School Oak stool, in the manner of Gordon Russell, circa 1920, with tapestry seat, 24cm high x 33cm wide £40-60 (plus 24%BP*)

102 103

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104 Cotswold School Oak nest of three tables, the two smaller tables fitting into each side of the larger table, largest 53cm high, 67cm wide £40-60 (plus 24%BP*)

105 Weather Vane 104 105 Old Father Time, ironwork, 130cm high £50-100 (plus 24%BP*)

106 Large model of a Ketch Rigged clinker built with various sails and with red painted interior and varnished exterior, with hardwood stand, late 19th/early 20th Century, 146cm across, 143cm high £400-600 (plus 24%BP*)

107 107 Casa Pupo, London Two ceramic lamp bases, blue and brown glaze, each with factory stamp to base, largest 36cm high (2) £40-60 (plus 24%BP*)

108 Arts and Crafts Mantel clock, with Roman numeral dial signed W.H. Skinner Late and F. White. Paris, 30cm high £150-200 (plus 24%BP*)

106

109 Art and Crafts style 108 Inlaid wooden frame/mirror, 63cm x 52cm £50-100 (plus 24%BP*)

110 Blonde turtle shell Arrau Turtle (Podocnemis expansa), late 19th/early 20th Century, resin lined wall hanging, 40cm x 34cm N.B. If shipped outside of the EU this will require a CITES Re-Export permit, listed CITES Apx 11/EC Annex B. £250-500 (plus 24%BP*)

109 110

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111 20th Century School Large terracotta vase with brown, white and black stripes, 98cm high £80-120 (plus 24%BP*)

112 Arts & Crafts Wrought iron fire companion set, 111 112 circa 1900, 52cm high £50-100 (plus 24%BP*)

113 In the manner of Gordon Russell Pair of oak corner chairs, circa 1930s, with leather seats, each 74cm high £80-120 (plus 24%BP*)

114 In the manner of William Birch A child’s oak rocking chair with 113 114 pierced back over rushed seats, circa 1880, 55cm high x 35cm wide £50-100 (plus 24%BP*)

115 Pair of octagonal wall mirrors Bevelled mirror contained in a wooden frame, 52cm across £80-120 (plus 24%BP*)

116 Alabaster lamp shade Bowl-form finished with metal 115 116 moulded fittings, 40cm across £80-120 (plus 24%BP*)

117 Industrial School Pair of Benjamin Limited Saaflux powerbolic angle lights with original wall brackets, from the Singer factory, one with original sticker, both 43cm high £100-150 (plus 24%BP*)

117

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118 Industrial Style Standing lamp, the circular shade on adjustable arm, the base with triform adjustable mechanism, 150cm high £80-120 (plus 24%BP*)

119 Art Deco 119 Wall mirror, rose glass of stepped design, 51cm high x 80cm wide £80-120 (plus 24%BP*)

120 1930s School Pair of Holophane ceiling lights, with white glass shades and nickel plated fixtures, stamped ‘Made in England’, approximately 25cm high £100-200 (plus 24%BP*)

121 1930s School Holophane ceiling light, with white glass shade and nickel plated fixtures, approximately 39cm high £70-100 (plus 24%BP*) 118 120

122 A. J. Rowley Marquetry panelled wooden pier mirror, “The Willows” with square panel depicting a rural landscape, Rowley stamp to panel and original paper label to verso £50-100 (plus 24%BP*)

123 Mid-20th century Pair of Perspex table lamps, 1970s, 48cm high £40-60 (plus 24%BP*)

121 122 123

124 Mid-20th century Pair of green enamelled and chromed table lamps, 1960s, 40cm high £40-60 (plus 24%BP*)

125 Jaeger Le Coultre “Recital” alarm clock, 1930s-60s, 8- day movement, 4.5cm across £50-100 (plus 24%BP*)

124 125

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126 Nils Kahler for Hermann A. Kahler (Danish, 20th century) Stoneware table lamp, blue glazed, signature, label and stamp to base, 26cm high £40-80 (plus 24%BP*)

127 Style of Arne Jacobsen Desk Lamp, 43cm high £50-80 (plus 24%BP*) 126 127

128 W.A.S Benson Dutch oven, with wrought iron decorative frame and copper back plate, reference no 774 from the W. A. S. Benson catalogue, page 255, 55cm high £250-350 (plus 24%BP*)

129 Cotswold style Pair of turned oak candlesticks, both 45cm high £40-70 (plus 24%BP*)

128 129

130 Industrial School Green painted metal pendant light, 31cm high £30-40 (plus 24%BP*)

131 Contemporary School Large modern convex wall mirror, 119cm diameter £70-100 (plus 24%BP*)

130 131

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132 Two wooden textile printing blocks adapted to wall hangings, the largest with repeating floral pattern, marked J. T. Larking, Hackney. E, the other with diamond shapes, 33cm x 32cm and 23cm x 23cm (2) £40-60 (plus 24%BP*)

132 133 133 A. J. Rowley Marquetry panelled wood pier mirror, decorated with a river scene, label to verso, 51cm x 19cm £50-100 (plus 24%BP*)

134 Maison Genet & Michon Art Deco uplighter, c1930, gilt bronze patina, 35cm high £100-200 (plus 24%BP*)

135 1970s School Perspex standing light, probably German, signed, 108cm high £60-80 (plus 24%BP*)

134 135

136 David Linley Contemporary burr maple veneered frame, makers stamp to verso, aperture 24cm x 20cm £70-100 (plus 24%BP*))

136A Art Deco Brass ceiling light fitting, 6 branches engraved with wave pattern, 73cm high £60-120 (plus 24%BP*)

136 136A

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Paintings, Prints, Textiles & Books Cheltenham Modern Living 15th Aug.qxp_Layout 1 03/08/2018 16:22 Page 26

137 Attributed to David Bomberg (1890-1957) The Family, circa 1919, pen, ink and wash, 26.3cm x 20.2cm £400-600 (plus 24%BP*)

138 1950s French hand painted wall hanging “Travelling Entertainer”, 130cm x 120cm 137 138 £150-200 (plus 24%BP*)

139 John Hartman (b.1950) Port Wemyss, Islay, 1998, signed in pencil (upper right), pastels on paper, 50.5.cm x 66.5cm Provenance: Hart Gallery £500-800 (plus 24%BP*)

140 Richard Cook (b.1947) Lelant, signed in pencil (lower right), watercolour, 56cm x 75.5cm £250-400 (plus 24%BP*)

139 140

141 Dennis Bowen (1921-2006) Desert Space, 1994, signed, titled and dated (to reverse), oils on wood, 50cm x 50cm £150-250 (plus 24%BP*)

142 Bridget Sohns (Contemporary) Breakfast room in The Old Vicarage, 2001, signed, dated and titled (to the reverse), oils on canvas, 24cm x 30cm £50-100 (plus 24%BP*)

141 142

143 Alice Van Heddeghem (British, early 20th century) Still life of flowers, oil on canvas, signed lower right, framed (95cm x 67cm) £300-500 (plus 24%BP*)

144 Herbert Arnauld Olivier (British, 1861-1952) Italian coastal view, oil on canvas, signed and dated lower left (1927), framed (81cm x 70cm) £800-1200 (plus 24%BP*)

143 144

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145 Davidson (late 18th/early 20th century) Farmyard scene, oil on canvas, signed and dated lower right (1897), framed (77cm x 63cm) £200-300 (plus 24%BP*)

146 Deborah Schneebeli Morrell (20th century) “The Hand of Vitality”, painted papier mâché wall hanging, title, signature and date to verso (1987), 48cm high £40-80 (plus 24%BP*) 145 146

147 Kevin Winstanley (British, 20th century) “Cosmopolitan”, pastels, signed and dated (1994), Bankside Gallery label to verso, framed and glazed (73cm x 63cm) £150-200 (plus 24%BP*)

148 Steve Empson (British, 1953) “Moroccan Landscape”, mixed media, signed lower right/verso, framed and glazed (58cm x 47cm) £60-80 (plus 24%BP*)

149 Marquetry picture 147 148 Buzzard in a Scottish landscape, 1930s, 64cm x 46cm £60-80 (plus 24%BP*)

150 Aline Flach (20th century) Cacti, oil on wood (panel), 152cm x 118 cm £100-150 (plus 24%BP*)

151 William Robert Hay (1886-1964) Two studies of boys, each pencil on paper, signed lower middle, framed and glazed (40cm x 35cm and 36cm x 31cm) (2) £80-120 (plus 24%BP*)

149 150

152 Sokol Jano (Serbian, 1909-1983) “Marriage”, oil on canvas, signed and dated lower right (1974), framed (56cm x 41cm) Born 1909, in Kovacica, near Pancevo, In 1938, Jano Sokol met the peasant painter Martin Paluska, who taught him the rudiments of painting. In 1952, he founded the Kovacica peasant painters group, following the example of many other villages in Yugoslavia, where painting by ordinary people was enjoying a singular success. (Benezit Dictionary of Artists, Oxford University Press) £100-200 (plus 24%BP*)

151 152

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153 Nguyen Dieu Thuy (b.1962) Strings, watercolour on rice paper, signed (upper right), 43cm x 67.5cm £100-200 (plus 24%BP*)

154 Vuong Duy Bien (b.1958) 153 154 Family Life, 1997, signed and dated in the lacquer (lower right), lacquer, 28.5cm x 38.5cm £50-100 (plus 24%BP*)

155 Bellamo Head with blue background, 2008, signed and dated (lower right), oils, 41cm x 29cm £50-100 (plus 24%BP*)

156 Bellamo 155 156 Head with pink background, 2008, signed and dated (lower right), oils, 41cm x 29cm £50-100 (plus 24%BP*)

157 James Everett Kessell (British, 1915-1978) Harbour scene, oil on canvas, signed and dated lower right (1959), framed (107cm x 102cm) £400-600 (plus 24%BP*)

158 Sergey Minyaev (1953) Harbour scene, oil on board, signed lower right, framed (94cm x 74cm) 157 £400-600 (plus 24%BP*)

159 Elena Petrova (1971) Still life of wild flowers and fruit, oil on canvas, signed lower left, framed (59cm x 40cm) £300-400 (plus 24%BP*)

158 159

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160 Ashley Shaw (British/New Zealand, 20th century) “Peppercorn”, oil on canvas, signed to verso, framed (81cm x 81cm) £250-300 (plus 24%BP*)

161 Ashley Shaw (British/New Zealand, 20th century) “White Vase”, oil on canvas, signed to verso, framed (81cm x 81cm) £250-300 (plus 24%BP*)

160 161 162 Frank Downton (British, 1936) Circular and triangular composition, cut vinyl on board, signed to verso, 50cm x 50cm £40-80 (plus 24%BP*)

163 Frank Downton (British, 1936) Shapes within a linear border, cut vinyl on board, signed to verso, 64cm x 44cm £40-80 (plus 24%BP*)

164 Ernest Hidderly Fairhurst. (Argentinean, 1911-1989) Nude study, pastels, mid 20th century, signed lower right, framed and glazed (80cm x 59cm) Born in Argentina, he trained at the 162 Academia De Bellas Artesin Buenos Aires and worked in the studio of Jorge Larco. In 1936 he came to England and furthered his studies. He then worked as an illustrator for Vogue before returning to Argentina in 1939. Over the next 25 years he worked in Buenos Aires and New York, finally returning to England in 1965. £100-150 (plus 24%BP*)

165 Martin Bowden (Cheltenham, 20th century) “Last Fall”, watercolour, signed lower right, framed and glazed (59cm x 48cm) £50-100 (plus 24%BP*)

163 164

166 Richard Parker Crook (British, 1953) Painted cello, decorated with text and architectural study’s, commissioned by the Cheltenham Music Festival 2009, 110cm high, with letter of certification and relating festival postcards £100-200 (plus 24%BP*)

167 Patricia Rhodes (British, 20th century) Still life of roses, pastels, signed and dated lower right (1958), framed and glazed (55cm x 43cm) £40-60 (plus 24%BP*)

165 166 167

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168 John Maclellan (British, 20th century) Two still lifes of flowers, each oil on board, signed, framed (39cm x 42cm and 35cm x 30cm) (2) £40-80 (plus 24%BP*)

168 169

169 Michael Gustavius Payne (Welsh, 1969) “The Black Lion (from the Mabinogion)”, oil on board, signed lower right, framed and glazed (33cm x 33cm) £80-120 (plus 24%BP*)

170 Robbie Wraith (British, 1952) Portrait of a lady, pencil drawing, signed and dated lower left (1988), 170 170A framed and glazed (50cm x 41cm) £150-200 (plus 24%BP*)

170A William John Bertram Newcombe (1907-1969) Hot Mood, 1969, signed (lower left), titled and dated (to reverse), oils on canvas, 70cm x 101cm Provenance: Nicholas Treadwell Gallery, London, 1969, Private Collection £100-200 (plus 24%BP*)

171 Interior Scene Charcoal, signed lower right (K Williams), framed and glazed (100cm x 80cm) £60-120 (plus 24%BP*)

172 Robert Jones (British, 1943) 171 “Gorse” 1997, oil on board, signed lower right, framed and glazed (55cm x 48cm) £150-200 (plus 24%BP*)

173 Robert Jones (British, 1943) “Dark sea”, oil on board, signed and dated lower right (1996), framed and glazed (57cm x 52cm) £150-200 (plus 24%BP*)

172 173

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174 Nuala (Elsa De Brun) (1896-?) Autumnal Mosaic, 1961, mixed media, 60cm x 75.5cm Provenance: Feingarten Galleries, New York, John Simon Guggenheim Memorial Foundation, Private Collection £40-80 (plus 24%BP*)

175 Yvonne Tocher (20th century) Still life of flowers, pastels, signed 174 175 lower right, framed and glazed (62cm x 55cm) £50-100 (plus 24%BP*)

176 Yvonne Tocher (20th century) “The Studio”, oil on canvas, signed lower left, framed and glazed (41cm x 37cm) £40-80 (plus 24%BP*)

177 Yvonne Tocher (20th century) Venice street scene, oils on board, signed lower right, framed and glazed (51cm 42cm) £50-100 (plus 24%BP*) 176 177

178 Colin David Kent (1934) “Winter Field”, watercolour, signed lower left, framed and glazed (54cm x 42cm) £100-150 (plus 24%BP*)

179 Colin David Kent (1934) “Backwater”, watercolour, signed lower right, framed and glazed (55cm x 48cm) £100-150 (plus 24%BP*)

178 179

180 John Blockley (1921-2002) “Spring Trees”, pastels, signed lower left, artists gallery label to verso, framed and glazed (66cm x 49cm) £100-200 (plus 24%BP*)

181 Leo McDowell (1936-2011) “Grecian Bridge”, watercolour, signed lower left, framed and glazed (62cm x 51cm) £100-150 (plus 24%BP*)

180 181

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182 Reidar Aulie (Norwegian, 1904-1977) “On the Heath”, oil on canvas, signed and dated lower right (1971), framed (82cm x 67cm) £200-300 (plus 24%BP*)

183 Jane Moncur (British, 1891-1983) Street scene, oil on canvas, signed lower right, framed (62cm x 52cm) 182 183 £100-200 (plus 24%BP*)

184 Diran Garabedian (1882-1963) Abstract composition, drawing/watercolour, signed lower left, framed and glazed (46cm 41cm) £30-50 (plus 24%BP*)

185 John Britton (British, 20th century) A pair of abstract landscapes, each oil on board, signed lower left, framed (26cm x 26cm) £30-50 (plus 24%BP*)

184 185

186 Alex Williams (British, 20th century) “Models”, watercolour/drawing, signed and dated lower right (1995), farmed and glazed (56cm x 54cm) £20-40 (plus 24%BP*)

187 Allan Laycock (British, 1928) “Taddington”, acrylic/watercolour on board, signed and dated lower right (August 1985), framed and glazed (62cm x 55cm) £80-120 (plus 24%BP*)

186 187

188 Edwardian School Half length portrait of a seated lady with hands clasped, oils on canvas, 66cm x 85cm £80-120 (plus 24%BP*)

189 Rory Morrell (British,1944) “Cotswold Landscape”, oil on canvas, signed and dated lower right (2017, framed (95cm x 66cm) Rory Morrell is a Gloucestershire artist who founded the Cheltenham School of Fine Art. £200-300 (plus 24%BP*)

188 189

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190 Ben Maile (1922-2017) “Bridge Over the River Seine, Paris”, oil on canvas, signed lower right, date and title to verso (1972), framed (84cm x 58cm) £100-200 (plus 24%BP*) 191

191 Ben Maile (1922-2017) Harbour scene, oil on canvas, signed lower right, framed (114cm x 63cm) £100-200 (plus 24%BP*) 190

192

192 Ben Maile (1922-2017) Harbour scene, oil on canvas, signed lower left, framed (108cm x 52cm) £100-200 (plus 24%BP*)

193 Charles Warland (19th/20th century) Farming scene, oil on canvas, signed lower left, framed (47cm x 57cm) £150-250 (plus 24%BP*)

193 194

194 James Naughton (20th century) “Storm I”, oil on board, signed and dated to verso (2001), framed and glazed (32cm x 30cm) £40-80 (plus 24%BP*)

195 Jim Russell (British, 1933) “Jogger, Tuileries Gardens”, oil on board, signed lower right, exhibition label to verso (The Mall Galleries 2001), framed (64cm x 54cm) £50-100 (plus 24%BP*) 195 196

196 Reginald Smith (20th century) “Caprigliola”, oil on canvas, signed lower left, framed (89cm x 74cm) £100-200 (plus 24%BP*)

197 Peterson Laurent (Haitian, 1888-1958) A study of two mackerel, oil on board, signed and dated (March 1954), framed (68cm x 59cm) Peterson Laurent was a Haitian painter. Born in Saint-Marc, Laurent worked as a blacksmith. He typically painted scenes of rural life and United States battleships. Laurent died at the age of 70 in Saint-Marc. £1500-2500 (plus 24%BP*)

197

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198 Manner of Julian Trevelyan (British, 1910-1988) Abstract land scape with palm trees, watercolours/drawing, framed and glazed (78cm x 61cm) £30-60 (plus 24%BP*)

198 199

199 Attributed to Charles Keeping (British, 1924-1988) Boy and hooded figure, ink on paper, unsigned, annotated “wow symbol” and “half page”, framed and glazed, 44cm x 39cm £60-100 (plus 24%BP*)

200 Nicholas Hely-Hutchinson (b.1955) Spring Flowers with Yellow Ochre, 1984, signed and dated (to reverse), pencil and gouache, 59.3cm x 50cm 200 Provenance: The Montpelier Gallery, 1964, Private Collection £100-200 (plus 24%BP*)

201 Charles Robert Doyly-John (British, 1906-1993) “Cap Ferrat”, oil on canvas, signed lower right, title to verso, framed (89cm x 54cm) £400-700 (plus 24%BP*)

201

202 John Piper (British, 1903-1992) Figures in a rural landscape, watercolour/gouache, signed and dated to the bottom (1938), framed and glazed (44cm x 31cm) £600-800 (plus 24%BP*)

202

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203 John Piper (British, 1903-1992) Abstract floral composition, oil on paper, signed lower right, framed and glazed (43cm x 30cm) £1000-1500 (plus 24%BP*)

204 Muriel Elise Crooke (British, 1901-1975) Two rural scenes, 1930s, each an oil on board, framed and glazed (33cm 204 x 29cm) £100-150 (plus 24%BP*)

205 Peter W. Ibbetson (British, 1909-1973) “Roses”, oil on board, signed lower left, inscription and date to verso (1962), framed (44cm X 34cm) £100-150 (plus 24%BP*)

203

206 Patrick Hall (British, 1906-1992) Tree lined avenue, watercolours, signed lower right, framed and glazed (66cm x 55cm) £60-120 (plus 24%BP*)

206

207 Tom Gamble (British 20th, century) Shipyard scene, watercolours, signed and dated lower right (1963), framed and glazed (65cm x 52cm) 205 £60-80 (plus 24%BP*)

208 Hugh Barnden (British, 1946) Still life of flowers on a dressing table, pastels, signed lower right, framed and glazed (59cm x 50cm) £60-100 (plus 24%BP*)

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209 Edwin La Dell (British, 1914-1970) “Christ Church” Oxford, print/mixed media, artists proof, signed lower right, framed and glazed (81cm x 62cm) £80-120 (plus 24%BP*)

210 Richard Thornton (British, 20th 209 210 century) “Broncroft Castle, oil on canvas, signed and dated lower left (1977), framed (65cm x 54cm) £200-250 (plus 24%BP*)

211 Pat Hurley (British, 20th century) “Harbour II”, gouache, signed lower right, framed and glazed (56cm x 45cm) £60-80 (plus 24%BP*)

211 212

212 David Gentleman (British, 1930) Challacombe Manor (Devon), drawing/water colour, framed and glazed (74cm x 57cm) £200-250 (plus 24%BP*)

213 Vilém Plocek (Czech, 1905-2001) Village and harbour scene, pastels and watercolours, each signed, framed and glazed (55cm x 38cm and 52cm x 48cm) (2) £60-120 (plus 24%BP*) 213 215

214 After Ben Nicholson (British, 1894-1982) “1937”, screen-print laid on board, labels to verso, frame contemporary to artwork (78cm x 65cm) £1000-2000 (plus 24%BP*)

215 20th Century School Landscape, pastels, indistinct signature to lower right, framed and glazed (71cm x 60cm) £100-150 (plus 24%BP*)

214

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216 20th Century School Manor house, pastels, indistinct signature to lower right, framed and glazed (71cm x 60cm) £100-150 (plus 24%BP*)

217 Bernard Dufour (French, 1922-2016) Mediterranean street scene, oil on canvas/cloth, signed lower right, framed and glazed (70cm x 54cm) £30-60 (plus 24%BP*) 216 217

218 Allan Laycock (British, 1928) “Cotswold Barn, Windrush”, acrylic on board, signed lower right, framed (62cm x 55cm) £50-100 (plus 24%BP*)

219 Barbara Heseltine (British, 1906-1996) “Gail in the Mountains”, oil on canvas, signed lower right, inscription including title to verso, framed (67cm x 52cm) £50-100 (plus 24%BP*)

218 219

220 Dale Devereux Barker (b.1962) Vessel 1, 2000, signed, dated and inscribed in pencil (in the margin), monoprint, 25cm x 20cm Provenance: Jill George Gallery, London, Private Collection £30-60 (plus 24%BP*)

221 Tom Merrifield (b.1932) Lady, 24/150, signed and numbered in pencil, lithograph, 40cm x 25cm £30-50 (plus 24%BP*)

220 221 222 Gillian Lawson (20th Century) The View, 1980, 6/300, signed, titled, dated and numbered in pencil (in the margin), aquatint, 37.5cm x 44cm £40-70 (plus 24%BP*)

223 Books Art reference, Charles Rennie Mackintosh and the Modern Movement by Thomas Howarth, Bernard Leach, Hamada & their Circle, and Art Deco by Victor Arwas plus thirteen other similar publications (16) £40-60 (plus 24%BP*)

222 223

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224 John Piper (1903-1992) for David Whitehead Ltd Foliate Heads, screen printed cotton textile, 52cm x 60cm £100-200 (plus 24%BP*)

225 Abstract study “Landscape”, etching, 2/10, signed and dated (Anna, Dubienka, 1958), framed and glazed (58cm x 47cm) £40-60 (plus 24%BP*)

224 225

226 Abstract study “The Boat”, lithograph, artist proof, signed and dated (Hill, 1985), framed and glazed (94cm x 71cm) £40-80 (plus 24%BP*)

227 Graham Clarke (British, 1941) “The Sweet Night in Yale” 44/400, coloured etching, signed lower right, framed and glazed (50cm x 50cm) £50-150 (plus 24%BP*)

226 227 228 Russian Perestroika (rebuilding) movement posters 1988, lithographs, each 55cm x 43cm (13) Perestroika was a political movement for reformation within the Communist Party of the Soviet Union during the 1980s. £100-200 (plus 24%BP*)

229 Kit Boyd (British, 20th century) “Another World”, etching, 3/30, signed and dated lower right (2013), framed and glazed (49cm x 40cm) £60-120 (plus 24%BP*)

228 229 230 Photographs Four landscapes, each by the same artist, 20th century, limited edition, indistinct signature to margin, framed and glazed (approx, 55cm x 45cm) £50-100 (plus 24%BP*)

231 William Walker (British, 1942) St James Palace, etching, signed lower left, framed and glazed (45cm x 39cm), and Frederick Farrell (1882-1935), Horse Guards Parade, etching, signed lower right, framed and glazed (56cm x 42cm) (2) £80-120 (plus 24%BP*)

230 231

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232 Anthony Dawson (British, 20th century) Three etchings, each a signed limited edition, c1980s, each framed and glazed (largest 28cm x 23cm) (3) £80-120 (plus 24%BP*)

233 Kenneth Rowntree (British, 1915-1997) Untitled, screen print, 16/75, signed and dated (1975), framed and glazed (83cm x 63cm) £80-120 (plus 24%BP*) 232 233

234 Kenneth Rowntree (1915-1997) Untitled, screen print, 3/25, signed and dated (1970), framed and glazed (83cm x 63cm) £80-120 (plus 24%BP*)

235 Valerie Thornton (1931-1991) Untitled, aquatint in colours, artists proof, signed lower right, 76cm x 60cm £100-150 (plus 24%BP*)

234 235 236 After Charles Frederick Tunnicliffe (British, 1901-1979) Three uncut book illustrations, each of a bird, the first with C T mark lower left, unframed (55cm x 26cm) £30-60 (plus 24%BP*)

237 James Priddey (British, 1916-1980) “Pont Aberglaslyn” (Wales) and “In the Elem Valley”, aquatints in colour, artists proofs, each with signature, stamp and title to lower margin, framed and glazed (50cm x 40cm) (2) £30-60 (plus 24%BP*)

238 Sheila Horton (British, 20th 236 237 century) “Shakespeare’s Garden”, coloured etching, artists proof, signed and dated lower right (1976), framed and glazed (55cm x 42cm) £30-60 (plus 24%BP*)

239 Sheila Horton (British, 20th century) Fourteen original Illustrations, each inspired by The Waste Land and other poems by T. S. Eliot, coloured engravings, each with the poems title to the lower margin, contained in one frame, glazed (118cm x 87cm) £100-200 (plus 24%BP*)

238 239

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240 Richard Bawden (b.1936) Stokesay Castle, 8/75, signed, titled and numbered in pencil (in the margin), etching and aquatint, 36cm x 52cm £70-90 (plus 24%BP*)

241 Michael Rothenstein (1908-1993) Butterfly on grey, signed and inscribed ‘experimental press’ in pencil, monoprint and silkscreen, 112cm x 76cm 240 241 £100-200 (plus 24%BP*)

242 Michael Rothenstein (1908-1993) Butterfly on violet, signed and inscribed ‘experimental press’ in pencil, monoprint and silkscreen, 112cm x 76cm £100-200 (plus 24%BP*)

243 Music posters To include “The Who”, lithograph, 77cm x 52cm, “Jethro Tull”, lithograph, 76cm x 50cm, “Nazareth”, lithograph, 74cm x 49 cm and an advertisement for a publication on Rock album artwork, 76cm x 50cm, each unframed (4) £50-100 (plus 24%BP*) 242 243

244 Aviation poster B.O.A.C. (British Overseas Airways Corp) x Rolls-Royce 707, original mid-20th Century, lithograph, unframed (76cm x 50cm) £60-120 (plus 24%BP*)

245 Aviation poster B.O.A.C. (British Overseas Airways Corp) x Rolls-Royce 707, original mid-20th century, lithograph, unframed (76cm x 50cm) £60-120 (plus 24%BP*)

244 245 246 Travel posters To include Shiraz, and Isfahan, lithographs, 1960s, each published by the International Tourist Year Passport to Peace, unframed (98cm x 66cm) £30-60 (plus 24%BP*)

247 Art and exhibition posters To include “Edward Burne-Jones” for Birmingham Museums and art Gallery, 1967, plus three 1970s reproduction lithographic prints of “lithograph originales” by Georges de Feure, “Four Arts” and “Seasons” by Alphons Mucha, lithograph (4) £100-150 (plus 24%BP*)

246 247

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248 Events posters To include Cheltenham Cup, 1972, a signed Poster for the Dutch f-16 Aviation team, the reopening of Gorringers and one other (4) £30-60 (plus 24%BP*)

249 Kweti Ndzube (1943) “Everybody Goes to Town”, woodblock, 96/300, signed and dated lower right (1994), framed and glazed (72cm x 50cm) £30-50 (plus 24%BP*) 248 249

250 John Loker (British, 1938) “Safety Zone 21”, screen print, 98/100, signed and dated lower right (1989), unframed (105cm x 85cm) £40-60 (plus 24%BP*)

251 Vikki Slowe (British, 1947) Three abstract compositions, coloured etchings, each signed and dated (1980s), framed and glazed (72cm x 56cm) £60-80 (plus 24%BP*) 250 251

252 Peter Markwick (Australian, 20th century) “No Exit”, linocut, 1/12, unframed, 110cm x 78cm £60-120 (plus 24%BP*)

253 David Whitehead Fabric Fabric length, decorated with instruments and other still life studies on a red ground, mid 20th Century, 240cm x 200cm £30-60 (plus 24%BP*)

252 253 254 Cory Silken (U.S.A., 20th century) “Starboard Side II”, black & white photograph, gallery label to verso, framed and glazed (122cm x 70cm) £60-120 (plus 24%BP*)

255 Book Blonde & Brunette by “Jason”, containing 32 photographic plates, original dust jacket, mid 20th century, published by Chapman & Hall, contained in the original postage packing (dated 1941) £30-50 (plus 24%BP*)

254 255

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256 Mary McNeile Panorama of the 1937 King George VI Coronation procession, contained in a boxwood case, approximately 550cm, limited edition £100-200 (plus 24%BP*)

257 After Henry Moore (British, 1898-1986) Study of a recumbent figure, 256 257 lithograph, framed and glazed (72cm x 57cm) £100-200 (plus 24%BP*)

258 Michael Fairclough (British, 1940) Four British coastal and rural views, aquatints, each signed to margin, framed and glazed (50cm x 46cm) £100-150 (plus 24%BP*)

259 Eight 1950’s educational posters Artwork by Elizabeth Skilton (British, 258 259 20th century), “General service” screen prints on canvas, printed in Great Briton by Lowe & Brydone, each 104cm x 77cm (8) £500-600 (plus 24%BP*)

260 Robert Tavener (British, 1920-2004) St. Pauls Cathedral, screen-print, signed and dated lower left (1964), artist proof 5/12, framed and glazed (75cm x 61cm) £200-300 (plus 24%BP*)

260

261 Robert Tavener (British, 1920-2004) All Souls College, Oxford series, screen-print, signed and dated lower left (1962), artist proof 11/16, framed and glazed (65cm x 52cm) £200-300 (plus 24%BP*)

262 John Piper (British, 1903- 1992) Church, lithograph, signed to the lower right, framed and glazed (47cm x 35cm) £300-600 (plus 24%BP*)

261 262

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263 John Piper (British, 1903-1992) French architectural study, lithograph, artist proof, signed lower right, framed and glazed (69cm x 58cm) £400-600 (plus 24%BP*)

264 Valerie Thornton (1931-1991) 263 “The Guildhall Lavenham”, etching, 21/100, signed and dated lower right (1977), framed and glazed (64cm x 51cm) £100-150 (plus 24%BP*)

265 Danish School (mid-20th century) Village scene with horse and cart, etching, indistinct signature and date to lower right (1958), framed and glazed (85cm x 50cm) £60-80 (plus 24%BP*)

264 265

266 Carlos Nadal (Spanish, 1917-1998) Street scene, lithograph in colours, 41/150, signed lower right, framed and glazed (73cm x 62cm) £150-250 (plus 24%BP*)

267 Carlos Nadal (Spanish, 1917-1998) Restaurant interior with view over beach, lithograph in colours, 113/150, signed lower right, framed and glazed (73cm x 62cm) £150-250 (plus 24%BP*) 266

268 Edwin La Dell (British, 1914-1970) “Goldfish”, lithograph in colours, artists proof, signed lower right, framed and glazed (81cm x 61cm) £100-200 (plus 24%BP*)

267 268

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269 Glynn Thomas (British, 1946) “Corn Exchange”, woodblock, artist proof, signed and dated lower right (1965), framed and glazed (86cm x 63cm) £60-120 (plus 24%BP*)

270 Robert Tavener (British, 1920-2004) “Country Garden”, artists hand print, 3/75, signed lower right, framed and glazed (80cm x 64cm) £80-120 (plus 24%BP*)

269 270 271 Architectural Drawings Including commercial building designs and domestic interiors, approximately 40 contained in a labelled portfolio (J. N. Chalkley, London) £100-150 (plus 24%BP*)

272 Collection of 1930s Shell guide posters “Shell Guide to Devon” and 12 others from the same series, together with eight from the Shell Nature Studies series (21) £60-100 (plus 24%BP*)

273 Hilary Paynter (British, 1943) “Richmond Bridge”, woodblock, 45/50, signed and dated lower right (1971), framed and glazed (29cm x 271 272 30cm) £40-60 (plus 24%BP*)

274 After Christopher Dresser (British, 1834-1904) Book, Studies in Design, published by Cassell, Petter & Galpin, London, c.1870s, containing lithographed title-page and sixty lithograph plates with captioned tissue guards, gilt decorated cloth binding, folio £200-400 (plus 24%BP*)

275 Book George Ashdown Audsley and Maurice Ashdown The Practical Decorator and Ornamentist: for the use of architects, practical painters, decorators, and designers. With descriptive notices and an introductory essay on artistic and 273 274 practical decoration, Containing 100 plates in colours and gold, Blackie & Son Limited, Glasgow, c.1890s, unbound in original publisher’s wrap-around folder £100-200 (plus 24%BP*)

276 Jean Lurcat (French, 1892-1966) Tapestry, flower motif, signed lower left “lurcat”, 125cm x 120cm £80-120 (plus 24%BP*)

277 Richard Shirley F. Smith (British, 1935) Five rural scenes, woodcut, 7/100, signed and dated (1964), framed and glazed (42cm x 31cm) £50-100 (plus 24%BP*)

275 276 277

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Ceramics Cheltenham Modern Living 15th Aug.qxp_Layout 1 03/08/2018 16:23 Page 46

278 Joanna Wason for Leach Pottery (British, 1946) Vase, with dripped glaze, impressed potter’s and pottery seals to base, 37cm high £100-200 (plus 24%BP*)

279 Ephraim Pottery (U.S.A) Small yellow Art Nouveau style vase by Laura Klein, factory stamp and artist’s signature to base, 12cm high £40-60 (plus 24%BP*) 278 279

280 Poole Pottery Pair of “Delphis” plates, c1960s-70s, makers mark and factory stamp to base, 26cm across together with one other (3) £40-60 (plus 24%BP*)

281 Anji Davenport for Moorcroft Modern Collectors’ Club ‘Angel’s Trumpet’, c1998, impressed factory stamp and signature to base, number 445, 18.5cm high £80-120 (plus 24%BP*)

280 281

282 Cobridge Pottery Dolphin vase, impressed factory stamp and painted marks to base, c1998, 16.5cm high £30-50 (plus 24%BP*)

283 Sue Pointon for Moorcroft Vase decorated with flowers, impressed factory marks and painted marks to base, 10cm high, a tulip shaped vase, decorated with flowers, 13cm high (2) £60-80 (plus 24%BP*)

282 283 284 Moorcroft Moorcroft Collectors’ Club, comprising of four pin dishes, each decorated with flowers, impressed factory mark stamp and painted marks to base, 11.5cm across (4) £50-80 (plus 24%BP*)

285 Moorcroft “Peacock Pattern” enamel vase, c2000, painted marks on base, 8.5cm high, and an enamel hinged and lidded box, “Peacock Pattern”, 5cm across £100-150 (plus 24%BP*)

284 285

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286 Royal Winton “Jazz” coffee set, Art Deco, coffee pot, six coffee cans, six saucers, jug and bowl, printed marks to base (Made in England, Pat. No.301262), pot 18cm high £150-250 (plus 24%BP*)

286 287 287 Mario Bellini for Rosenthal Coffee set, floral pattern designed by Fiorella Cupola, factory mark to base, coffee pot 27cm high £200-300 (plus 24%BP*)

288 Royal Doulton Wash set, Art Nouveau “Aubrey” pattern in a green and yellow colour way, factory marks to base, jug 34cm high (7) £150-250 (plus 24%BP*)

288 289 289 Attributed to Mike Dodd (b.1943) Vase decorated with floral sprig, 25cm high £30-60 (plus 24%BP*)

290 Mike Dodd (b.1943) Vase of ribbed form, impressed potter’s seal, 11.5cm high £20-40 (plus 24%BP*)

291 Eben Stewart (Contemporary) 290 291 Vase, dripped volcanic glazes, uneven rim, 23cm high £30-60 (plus 24%BP*)

292 Michael Casson (British, 1925-2003) Large stoneware lidded pot, salt glazed with slip decoration, impressed potter’s seal to base, 30cm high £80-120 (plus 24%BP*)

292

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293 David Eeles (British, 1933) Stoneware charger, decorated with a rural scene, impressed potter’s seal to base, 41cm across £40-60 (plus 24%BP*)

294 Mark Griffiths (British, 1956) Stoneware flask, salt glazed, impressed potter’s seal to handle, 21cm across, and a salt glazed pot and cover, indistinct mark to base (2) £40-80 (plus 24%BP*)

295 Doulton Lambeth 293 Faience vase, late 19th century, decorated with flowers, impressed factory seal to base, 36cm high £150-200 (plus 24%BP*)

296 Jonathan Chiswell Jones (British, 1944) “Pomegranates and Carnations” lustreware vase, painted potter’s mark to base, 23cm high £200-300 (plus 24%BP*)

297 Pilkingtons Royal Lancastrian 294 295 Large ceramic bowl, turquoise and purple glaze, impressed mark to base, 34cm across £80-120 (plus 24%BP*)

298 Moorcroft Small vase, blue and green experimental glaze, 15cm high Provenance: Mallams 27/06/13, from the estate of descendant Mr Simpson (colour glaze chemist at Macintyre) £150-200 (plus 24%BP*)

296 297 298

299 David & Hermia Boyd (Australian, 1924-2011 and 1931-2000) ‘Bull’ bowl, black and blue glazes, signed, 24cm diameter £200-300 (plus 24%BP*)

300 Charlotte Rhead for Crown Ducal (1885-1947) Two handled vase, with floral tubeline decoration on a blue ground, artist signature and factory stamp to base, 19cm high £30-60 (plus 24%BP*)

299 300

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301 Crown Ducal Vase, c1920-1930, multi coloured dip glazed, impressed factory seal to base, 23cm high £20-40 (plus 24%BP*)

302 Clive Bowen (British, 1943) Casserole dish, slip decoration on yellow ground finished with twisted handles, 27cm across 301 302 £60-120 (plus 24%BP*)

303 Clive Bowen (British, 1943) Lidded jar, slip decorated in a yellow and brown colour way, 20cm high £50-80 (plus 24%BP*)

304 Agnete Hoy (1914-2000) Vase, brushwork motifs impressed marks, 15.5cmhigh £40-60 (plus 24%BP*) 303 304

305 Toff Milway (b.1949) Puzzle jug, salt glaze, painted mark, 11.5cm high £20-40 (plus 24%BP*)

306 Anne and Peter Stougaard (Contemporary) Tea bowl and jug, painted marks, 7.7cm and 11cm high (2) £30-50 (plus 24%BP*)

305 306

307 Heidi Hentze (Contemporary) Vessel, white porcelain highlighted in pink, 11.3cm high £40-60 (plus 24%BP*)

308 Aldermaston Pottery Stoneware vase, blue abstract pattern on a white ground, unmarked, 27cm high £30-60 (plus 24%BP*)

307 308

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309 Alan Caiger-Smith (British, 1930) Circular tray, painted with abstract patterns, painted potter’s monogram to base, 32cm across £80-120 (plus 24%BP*)

310 Aldermaston pottery Mug by Jenny Jowett, painted potter’s monogram to base, 9cm high, and a nibble dish (2) £40-60 (plus 24%BP*)

309 310

311 Neil Ions (British, 1949) Ceramic sculpture of a grebe, with separate base, signature and date to underside (1987), 31cm high £150-250 (plus 24%BP*)

312 Gilly Humphries (20th century) Shallow stoneware bowl, with stencilled leaf decoration on a blue ground, impressed seal mark to base, 32cm across £40-80 (plus 24%BP*)

311 312 313 Barry Huggett (20th century) Stoneware bottle vase, impressed seal mark to base, 17cm high, and a selection of studio pottery to include works by Jane Hanson and Mary White (5) £50-100 (plus 24%BP*)

314 John Reeve Warren (20th century) Stoneware pedestal bowl, speckled glaze, impressed seal marks to underside, 17.5cm across and a selection of studio pottery to include an ovoid vase by Keith Smith, a jug by Warrel Browns and others (7) £50-100 (plus 24%BP*)

313 314 315 David Leach (British, 1911-2005) A miniature stoneware vase, impressed seal mark to base, 7cm high, and two bowls, each with celadon glaze, impressed seal mark to underside, 14.5cm across (3) £40-60 (plus 24%BP*)

316 Mary Rich (British, 1940) Miniature teapot, with celadon glaze and hand painted floral patterns, impressed seal mark to base, 11cm high, and two small tapering vases, each with impressed seal mark to base (3) £40-60 (plus 24%BP*)

315 316

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317 Mary Rich (British, 1940) Small ceramic vase, painted with a banded design in gold on a blue ground, impressed seal mark to base, 19cm high, and a miniature teapot of similar style (2) £40-60 (plus 24%BP*)

318 Alan Caiger-Smith (British, 1930) Aldermaston Pottery goblet, painted with a red abstract pattern, signature and stamp to base, 16cm high and an Aldermaston Pottery jug by Julian Bellmont, signature to base, 13cm 317 318 high (2) £30-50 (plus 24%BP*)

319 John Calver (British, 1947) Tray, blue ground with wave pattern, signature to base, 36cm across, together with a small and larger jug plus miniature teapot, each with signature to base (4) £50-80 (plus 24%BP*)

320 Penny Simpson (British, 20th century) Millennium bowl, with incised and painted fish decoration, 10/100, potters inscription to base, 21cm across £40-60 (plus 24%BP*) 319 320

321 Steve Woodhead (British, 20th century) Stoneware vase, with incised decoration, impressed potters seal to base, 24cm high, together with a teapot, lidded pot and large jug, each with impressed potters seal to base (4) £60-80 (plus 24%BP*)

322 Russell Collins (British, 20th century) Hook Norton pottery vase, green dip glaze and painted abstract patterns, impressed potters seal to base, 17cm high £30-60 (plus 24%BP*) 321 322

323 A collection of studio pottery To include a vase by Michael and Barbara Hawkins, 24cm high, a hand constructed vase by Gillian Acieman and pot and vase by Jan Bunyan together with five other pieces (9) £80-120 (plus 24%BP*)

324 Port Isaac Pottery Ewer, designed by Michael and Barbara Hawkins, swan design, 36cm high £50-100 (plus 24%BP*)

323 324

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325 Steve Woodhead (British, 1956) Tea pot and jug, red and blue glazed finished with incised decoration, each with impressed potters marks to base, teapot 18cm high, together with a book “The Teapot Book”, a publication by Steve Woodhead (3) £60-80 (plus 24%BP*)

326 Carlos Van Reigersberg- Versluys (Moroccan/British, 1950) 325 326 Stoneware jug, yellow and blue glazed with pulled decoration, impressed potters mark to base, 27cm high £20-40 (plus 24%BP*)

327 Barbara Cass (German, 1921 - 1992) Two vases, each with a wood ash glaze, potters inscription to base, tallest 14cm high (2) £60-120 (plus 24%BP*)

328 Studio pottery Jug by John Calver, vase by Keith Smith, and a small bowl, tallest 327 328 16cm (3) £20-40 (plus 24%BP*)

329 Studio pottery Charger, decorated with a blue and brown splash glaze, 33cm across £30-40 (plus 24%BP*)

330 Studio pottery Large jug, decorated with a brown splash glaze, unidentified “E” potters impress mark to base, 29cm high £30-40 (plus 24%BP*)

329 330 331 Mary Rich (British, 1940) Ceramic footed bowl, painted with a banded design in gold on a green and blue ground, impressed seal mark to foot and gold painted signature to base, 23cm across £100-200 (plus 24%BP*)

332 Hazel Johnson (British, 20th century) Vase and bowl, muted glazes, the bowl finished with a gilt band, each with an impressed seal mark to the base, vase 15cm high (2) £50-100 (plus 24%BP*)

331 332

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333 Waistel Cooper (1921-2003) Squat stoneware vase, ribbed and textured finish, painted signature to base, 14cm high £80-120 (plus 24%BP*)

334 Waistel Cooper (1921-2003) Stoneware lamp base, textured finish, painted signature to base, 15cm high £80-120 (plus 24%BP*) 333 334

335 Mary Arundell Rich (British, 1940) Two miniature teapots, each decorated with gilt abstract patterns on a cream ground, impressed mark to base, 8cm across (2) £40-60 (plus 24%BP*)

336 William Moorcroft ‘Wisteria’ vase, c1925, impressed factory stamps and painted marks base, 26cm high £150-200 (plus 24%BP*) 335 336

337 William Moorcroft ‘Pansy’ vase, c1930, impressed factory stamps to base, 17cm high £150-200 (plus 24%BP*)

338 Rachel Bishop for Moorcroft “Professor Hope Daffodil” vase, c2006, impressed factory stamp and painted marks to base, signed R Bishop, 182/250, 29cm high £80-120 (plus 24%BP*)

337 338

339 Walter Moorcroft “Marine” vase, impressed factory stamps and painted marks to base, 18cm high £200-250 (plus 24%BP*)

340 Alan Caiger-Smith (British, 1930) Goblet, painted potter’s monogram to base, 13cm high £20-40 (plus 24%BP*)

339 340

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341 Alan Caiger-Smith (British, 1930) Pot, painted with fruits and floral patterns, painted potter’s monogram to base, 11cm high £20-40 (plus 24%BP*)

342 Alan Caiger-Smith (British, 341 1930) Aldermaston pottery lamp base, painted with abstract patterns on a white ground, base 36cm high £80-120 (plus 24%BP*)

343 A collection of studio pottery Vase by Michael Bayley, four pots by Richard freeman and a footed bowl by Vera Tollow plus two cylindrical vases (8) £80-120 (plus 24%BP*)

344 Aldermaston Pottery 343 342 Small pot by Angela Monckton, painted with a repeating leaf and abstract design, 11cm high, coffee mug by Jane O’Connor, 7cm high, and an unmarked jug, 13cm high (3) £40-60 (plus 24%BP*)

345 Alan Caiger-Smith (British, 1930) Jug, painted with a green and yellow abstract pattern, 17cm high, footed bowl, smaller jug and blue painted pot (4) £60-100 (plus 24%BP*)

344 345

346 Wendy Mason for Moorcroft Vase, 1993, in pinks, greens and yellows, manufacturer’s marks, signed and dated, 16.5cm high £80-120 (plus 24%BP*)

347 Richard Batterham (British, 1936) Bowl, dip glazed with faceted sides, 18cm across £40-60 (plus 24%BP*)

346 347

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348 John Maltby for Stonehill Pottery Coffee set, c1960-70, four cups and a pot, studios seal to base, pot 14cm high (5) £40-60 (plus 24%BP*)

349 Ray Silverman (b.1943) Two stoneware bowls, oatmeal banded glazes, one impressed with potter’s seal to base, 35cm and 348 349 31cm across £100-200 (plus 24%BP*)

350 Colin Pearson (British, 1923-2007) Stoneware coffee pot, brown dipped glaze, and teapot with cane handle, c1960, each with impressed potter’s seal to base, tallest 23cm (2) £50-100 (plus 24%BP*)

351 Brannam Pottery Arts & Crafts vase with twin handles, in brown and green glaze, probably 350 retailed for Liberty & Co, 16cm high £20-50 (plus 24%BP*)

352 Stig Lindberg for Gustavsberg Ceramic vase from the “Karneval” series, polychrome depictions of revellers including a nude woman riding a chicken, c1960, painted artist signature, marks and original factory label to base, 29cm high £400-500 (plus 24%BP*)

352

353 Wemyss Pottery Dog bowl, decorated with pink 351 cabbage roses, hand painted French inscription “the more I know men, the more I admire dogs”, 22cm across £200-300 (plus 24%BP*)

354 George Jones Majolica teapot, milk jug and sugar bowl, late 19th century, decorated with white blossom on cobalt ground, handles in the form of a monkeys, each with marks to the base, teapot 14cm high (3) £600-800 (plus 24%BP*)

353 354

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355 F. G. Moore (British, 20th century) A studio pottery figural group of Norman soldiers in a ship, 23cm high £60-120 (plus 24%BP*)

355 356 356 Joan Elizabeth Woollard (British, 1916-2008) Ceramic sculpture of a cavalryman and lion, 40cm across Member of the Royal British Society of Women Sculptors and of the Royal Birmingham Society of Artists (RBSA) as well as being its first female President between 1978 and 1980 £100-150 (plus 24%BP*)

357 Charlotte Rhead for Crown Ducal Charger, decorated with tubelined foliate patterns, factory stamp and potters signature to base, 36cm diameter £40-60 (plus 24%BP*) 357 358

358 Mary Wondrausch (British, 1923-2016) Large pottery tile, decorated with a hand painted still of flowers in a vase, label with the artist’s address and name to verso, 35cm x 27cm £50-100 (plus 24%BP*)

359 John Maltby (British, b.1936) Dish, decorated with abstract patterns in lustre glazes, impressed potter’s seal to base, 26cm across £80-120 (plus 24%BP*)

359 360 Michael & Barbara Hawkins (for Port Isaac Studio) Jug, decorated with a painted and incised depiction of a circus performer, 20cm high £30-60 (plus 24%BP*)

361 Ruthanne Tudball (American, 1948) Teapot and cover, of twisted form, impressed potter’s seals to bottom rim, 16cm high £40-80 (plus 24%BP*)

360 361

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362 A collection of studio pottery To include a teapot by Richard Batterham, a Crowan Pottery lidded pot, and tall vase by John Lomas, each with impressed potters mark (3) £80-120 (plus 24%BP*)

363 In the Manor of David Roberts (British, 1947) Large charger, iridescent glaze, indistinct impressed potters mark to 362 363 the top, 54cm across £100-150 (plus 24%BP*)

364 Studio pottery A tall stoneware vase, with brown pitted glaze, marked “R T” to the base, 37cm high and green glazed vase, 39cm high (2) £30-60 (plus 24%BP*)

365 Moorcroft Phoenix pattern, impressed factory stamps and painted marks to base (JH), 26cm high £50-70 (plus 24%BP*) 364 365

366 Rachel Bishop for Moorcroft Swallow pattern, impressed factory stamps and painted marks to base, numbered 259/500, 26cm high £80-120 (plus 24%BP*)

367 Moorcroft Vase decorated with flowers, impressed factory stamp and marks to base, 21.5cm high £100-200 (plus 24%BP*)

366 367 368 Walter Moorcroft for Moorcroft Clematis Pattern vase, impressed factory stamps and marks to base, 21cm high, Literature:- Paul Atterbury Moorcroft Pottery, Page 149 £50-70 (plus 24%BP*)

369 Moorcroft Poppy vase impressed factory stamps and painted marks to base, 18.5cm high, and a Moorcroft vase decorated with flowers, 19.5cm high £100-200 (plus 24%BP*)

368 369

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370 Doulton A pair of vases, decorated in flowers, impressed factory mark to base, 30cm high, with a floral Doulton vase 23cm high (3) £80-120 (plus 24%BP*)

371 Philip Gibson for Moorcroft Swift Pattern vase, impressed factory stamp and painted marks to base, 27cm high £60-80 (plus 24%BP*) 370 371

372 William John Moorcroft for Moorcroft Floral design vase, impressed factory stamp and painted factory marks to base, 36cm high, a similar floral design vase by William John Moorcroft, 31cm high, £100-200 (plus 24%BP*)

373 William Moorcroft for Moorcroft Hibiscus pattern vase, impressed factory stamp and painted marks to base, 19.5cm high, a small Hibiscus vase, 11cm high, a Hibiscus pattern 372 373 bowl, 16cm wide and a small Hibiscus pattern bowl, 8cm wide £120-160 (plus 24%BP*)

374 Clarice Cliff Conical sugar caster, decorated with a central flower, 14cm high £80-120 (plus 24%BP*)

375 Walter Moorcroft for Moorcroft Albany pattern ginger jar, impressed factory stamp and painted marks to base 15cm high, a ginger jar, 11cm high and a jug, 23.5cm high £100-200 (plus 24%BP*) 374 375

376 Doulton Vase, impressed with flowers and leaves, impressed factory mark to base, 20.5cm high £20-40 (plus 24%BP*)

377 Moorcroft Clematis pattern pedestal bowl, impressed factory stamp to base 9cm high £80-120 (plus 24%BP*)

376 377

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378 Doulton Vase decorated with floral motifs, impressed factory seal to base, 21cm high, and a Doulton vase, 19.5cm high £60-80 (plus 24%BP*)

379 Clarice Cliff Two 1930s “Biarritz” plates, The Blue Peter and Cruiseware designs, 378 379 each 23cm x 19cm (2) £100-150 (plus 24%BP*)

380 Casa Pupo Ceramic table lamp, leaf design, factory label to base, base 30cm high £40-60 (plus 24%BP*)

381 Art pottery charger Abstract floral design finished with gilt details, 39cm across £40-60 (plus 24%BP*)

380 381

382 Gouda Art Pottery Hanging pot/planter, painted with a bold naturalistic design, c1920s, Arnhem, 20cm across £40-60 (plus 24%BP*)

383 Keith Murray (1892-1981) for Wedgwood Vase of tapering form with fluted decoration, in moonstone glaze, printed manufacturer’s marks, 23cm high £60-100 (plus 24%BP*)

382 383

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384 Piero Fornasetti (1913-1988) Vide Poche dish, ceramic, manufacturer’s marks, 12.6cm across and a Fornasetti box, Greek key pattern £30-60 (plus 24%BP*)

384 385

385 Agnete Hoy (British, 1914- 2000) for Bullers Studio, Stoke-on-Trent Porcelain bowl, light green celadon glaze over engraved floral decoration, incised marks to base, 21cm diameter £40-80 (plus 24%BP*)

386 Heljä Liukko-Sundström (Finnish, 1838) Two ceramic tiles for Arabia, each painted with a rural village scene, signed lower right, factory stamp to verso, 35cm x 18cm and 25cm x 21cm £50-80 (plus 24%BP*)

386

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Glass Cheltenham Modern Living 15th Aug.qxp_Layout 1 03/08/2018 16:24 Page 62

387 William Wilson and Harry Dyer for Whitefriars ‘Knobbly’ vase, c1960, streaky blue glass, pattern no. 9610, 25.5cm high £30-60 (plus 24%BP*)

388 Scandinavian School Tall blue glass vase, 44cm high £30-60 (plus 24%BP*) 387 388 389

389 Art Glass Clear vase, decorated with a faceted pattern in the Art Deco style, 27cm high £20-40 (plus 24%BP*)

390 Art Glass Clear vase, indistinct inscription to the base, 20cm high £20-40 (plus 24%BP*)

390 391

391 Art Glass Blue/clear cylindrical vase, ribbed with faceted sides, 20cm high £30-40 (plus 24%BP*)

392 Isle of Wight Glass Blue Aurene “Axe Vase”, blue swirling decoration, Impressed flame pontil mark to base, c1975- 79, 18cm high £20-40 (plus 24%BP*)

392

393 Art Glass Bottle vase, iridescent finish with overlaid purple abstract pattern, in the Art Nouveau style, 22cm high £20-40 (plus 24%BP*)

394 Koloman Moser for Meyr’s Neffe “Meteor” wine glass, Art Nouveau, c1900, 20cm high £200-300 (plus 24%BP*)

393 394

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395 A pair of vintage blue glass bowls each 24cm across £20-30 (plus 24%BP*)

396 Sea green art glass bottle vase 30cm high £50-80 (plus 24%BP*)

395 396

397 Two blue glass vases A near pair, possibly Whitefriars, 26cm high (2) £60-120 (plus 24%BP*)

398 Three large glass bowls Possibly Whitefriars, the largest 47cm diameter (3) £100-200 (plus 24%BP*)

397 398 399 Whitefriars Two clear glass bowls, 30cm and 25cm across (2) £40-60 (plus 24%BP*)

400 Domhnall Ó Broin (British, 1934-2005) Glass Scaraben decanter, for Caithness Glass (Scotland), 1960s, 16cm high £50-80 (plus 24%BP*)

401 Kaj Franck (Russian, 399 400 1911-1989) Six glass bowls and saucers, for Nuutajärvi Notsjö (Finland), contained in two original boxes, saucer 14cm across (6) £40-80 (plus 24%BP*)

402 Bob Crooks (British, 20th century) Large blue glass bowl, with ripple decoration, signature to base, 41 cm across £200-300 (plus 24%BP*)

401 402

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403 Art Nouveau Tall Glass decanter, twisted form finished with a naturalistic moulded silver mount, Sheffield 1997, 40cm high £40-80 (plus 24%BP*)

404 René Lalique Frosted crystal vase of foliate form in the Art Nouveau style, 20th/21st century, engraved to base, 19cm high 403 404 £150-200 (plus 24%BP*)

405 René Lalique Molinard frosted glass Atomiser decorated with nude figures and gilt metal mount, engraved to base and mount, 14 cm high £300-500 (plus 24%BP*)

406 Venetian millefiori paperweight Geometric form, flower design, mid- 20th century, 10cm high £150-200 (plus 24%BP*)

405 406

407 Bengt Edenfalk for Skruf Two “Spun” vases, clear crystal threading on a purple ground, etched signature to base, c1960, 27cm and 20cm high (2) £100-200 (plus 24%BP*)

408 Mona Morales Schildt for Kosta “Ventana” vase and bowl, each blue with a clear base, etched marks to base, c1960, tallest 26cm (2) £150-250 (plus 24%BP*)

407 408

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409 Mona Morales Schildt for Kosta Bowl, window cut decoration with a 409 blue flash, etched signature and marks to base, c1960, 12cm high £150-200 (plus 24%BP*)

410 Sven Palmqvist for Orrefors “Kraka” vase, blue with clear base, internally decorated with bubble in the form of a fishnet, etched 410 (detail) 410 signature and marks to base (Orrefors, Kraka, Sven Palmqvist, 968240), 34cm high £300-400 (plus 24%BP*)

411 Erik Hoglund for Boda Two decanters, each designed in figural form including a female torso and decorated with applied blue glass prunt details, c1960, tallest 15cm high £100-200 (plus 24%BP*)

411

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412 Timo Sarpaneva for iittala ‘Orkidea’ (Orchid) vase, originally designed c1950, etched signature and marks to base, original factory label to top, 16cm high £100-150 (plus 24%BP*)

413 Asta Stromberg for 412 Strombergshyttan Paperweight, decorated with internal rings of air, etched signature and marks to base, 10cm high £50-100 (plus 24%BP*)

414 Isle of Wight Glass Pair of ‘Pink & Blue Swirls’ vases, cylindrical, ‘flame’ Pontil marks to base, c1975, each 26cm high (2) £250-350 (plus 24%BP*)

414

413 415 Scandinavian School Blue glass bowl, decorated with swirling patterns, inscribed indistinct signature and date to base (2002), 18cm high £80-120 (plus 24%BP*)

416 Piell & Putzle Mushroom shaped glass table lamp shade, mid-20th century, 26cm high £60-100 (plus 24%BP*)

415 416 417 Andy Warhol for Rosenthal Studio-Line ‘Golden Angels’ glass dish, 30cm x 30cm £40-60 (plus 24%BP*)

418 Ove Sandberg for Kosta Cameo table lamp, purple and frosted glass, decorated with horses, etched Kosta 11020 Sandberg, 15cm high £60-90 (plus 24%BP*)

417 418

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Silver, Jewellery, Collectables & Works of Art Cheltenham Modern Living 15th Aug.qxp_Layout 1 03/08/2018 16:24 Page 68

419 S. Mordan & Co Silver Pen, London 1921, 18cm across and silver 23cm ruler, indistinct marks (2) £60-80 (plus 24%BP*)

420 Soviet Russia Four cloisonné silver gilt salts, each decorated with a repeating daisy pattern, and four mother-of-pearl spoons, complete with presentation 419 420 box £100-150 (plus 24%BP*)

421 Girard Perregaux Gyromatic 39 jewels gent’s wristwatch, 1960s £50-80 (plus 24%BP*)

422 Universal Geneve Gent’s wristwatch, mid 20th century and Eternamatic wristwatch of a similar style (2) £60-90 (plus 24%BP*)

421 422

423 Russian School Pair of salts, silver and enamel with glass liners, stamped marks, 6.4cm across £60-90 (plus 24%BP*)

424 Georg Jensen Sterling silver dolphin brooch, No. 317, makers marks to back, 4cm across, with original box £100-150 (plus 24%BP*)

423 424 425 Art Nouveau Silver buttons, each decorated with a lady’s profile and flower, stamped with an importer mark for Robert Friedrich (R F), together with a pair of cufflinks of a similar style (7) £80-120 (plus 24%BP*)

426 Art Deco Chocolate box, decorated with a lady holding a bird, printed on paper and finished with hand painted details, possible Venetian, 34cm across £60-80 (plus 24%BP*)

425 426

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427 Archibald Knox for Liberty & Co Pewter tankard, naturalistic relief decoration, c1900, 13cm high £200-300 (plus 24%BP*)

427 428

428 Oscar De La Renta (American, 1932-2014) Red silk scarf, flower design on a red ground, 130cm x 25cm £60-90 (plus 24%BP*)

429 Jacques Fath (French, 1912-1954) Silk scarf, decorated with a floral motif on a cream ground finished with brown piping, 77cm x 77cm (2) £60-90 (plus 24%BP*)

430 Art Deco Ironwork panel depicting smelters, possibly German, 30cm x 30cm £60-120 (plus 24%BP*) 429 430

431 Attributed to Christopher Dresser (British, 1834-1904) Brass ewer, 40cm high £200-300 (plus 24%BP*)

432 Manner of W. A. S. Benson Copper kettle, of flattened circular form with caned loop handle, 22cm high £40-60 (plus 24%BP*)

431 432

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433 William Hair Haseler Arts & Crafts enamelled copper bowl, factory marks to base, 21cm across £150-200 (plus 24%BP*)

434 Arts Nouveau Two Orivit Pewter bowls, cut-out naturalistic design, each 18cm across 433 434 £20-40 (plus 24%BP*)

435 Art Nouveau style Metal wall hanging, in the form of a woman’s head, hand beaten, 23cm across £40-60 (plus 24%BP*)

436 Art Deco French bronze sculpture of a gazelle, on a marble base, inscribed Limousin, base 55cm across £150-200 (plus 24%BP*) 435 436

437 Art Deco Bronze sculpture of a dancing women, finished with a rust coloured patina, on a red marble base, 45cm high £600-800 (plus 24%BP*)

438 Danish School White metal “Mushroom” pepper pots, blue and yellow enamelled, stamped 830, each 4cm high £60-80 (plus 24%BP*)

437 438

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439 Demétre H. Chiparus (1886-1947) “Skittles”, gilded bronze and ivory sculpture, inscribed signature and number to side (3828), on a white marble base, 33cm across £5000-8000 (plus 24%BP*)

439

440 Demétre H. Chiparus (1886-1947) “Three girls”, gilded bronze and ivory sculpture, inscribed signature and number to side (6361), on a white marble and bronze detailed base, 16cm across £4000-6000 (plus 24%BP*)

441 Demétre H. Chiparus (1886-1947) “Windy Day”, gilded bronze and ivory sculpture, inscribed signature, foundry (Etling, Paris) and number (6361) to side, on a white marble base, 9.5cm across £1500-2500 (plus 24%BP*)

440 441

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442 Pair of vintage Minolta Binoculars 10x80, made in Japan £30-60 (plus 24%BP*)

443 Kodak Bantam Special rangefinder Camera C1930-1940, 35mm with Ektar 2/45 mm lens, with original box £100-200 (plus 24%BP*) 442 443

444 Arts and Crafts Pewter mirror, flower relief decoration finished with Ruskin style roundels, 31cm across, plus a pewter tray and fruit bowl of similar style (3) £50-100 (plus 24%BP*)

445 Robert ‘Mouseman’ Thompson Oak fruit bowl, shallow circular form, carved with signature mouse to centre, 29cm across £100-200 (plus 24%BP*)

444 445

446 Cotswold style Miniature model of an oak coffer, 13cm high x 29cm wide £30-40 (plus 24%BP*)

447 J Sankey & Sons Art Nouveau breadboard holder, copper with embossed motifs, holding oak breadboard, stamped marks, 31.5cm across, together with an Art Nouveau letter rack (2) £60-90 (plus 24%BP*)

446 447

448 Bird sculpture formed from welded black painted sheet metal, 33cm high £40-60 (plus 24%BP*)

449 Taxidermy Hawksbill Turtle (Eretmochelys imbricata), early late 19th/early 20th century, 45cm across CITES Re-Export permits will be required for shipping outside of EU £50-100 (plus 24%BP*)

448 449

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450 Neil Dalrymple (British, 1949) Bronze sculpture of a salmon, signature, date and edition to base (1988, 2/9), 45cm across £200-400 (plus 24%BP*)

451 Julius Paul Schmidt-Felling (German, 1835-1920) Bronze sculpture of a labourer, 450 451 signature to the base, 58cm high £700-900 (plus 24%BP*)

452 Jill Cowie Sanders (British, 1930) Bronze sculpture of a dog’s head, signature and edition to back (1/7), 31cm high £200-400 (plus 24%BP*)

453 Barbara Tribe (Australian, 1913-2000) 452 453 Bronze sculpture of a seal and pup, signature and edition to back (1/10), 36cm high £200-400 (plus 24%BP*)

454 Lindsey Balkweil (British, 1985) Art Deco revival ceramic sculpture of a man, metallic glaze, signed “Lindsey B”, 40cm high £50-100 (plus 24%BP*)

454 455 455 Art Deco period cigarette dispenser Walnut veneered and inlaid with a circular pattern, 12cm high £40-80 (plus 24%BP*)

456 Dressing table clock Early 20th century, crazed ceramic painted with fairies contained within a silver frame, initialled N H to front, 12cm high £30-60 (plus 24%BP*)

456

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CONDITIONS OF SALE

Mallams carries on business with bidders, buyers and all those present in the auction room 10. COMMISSION AND TELEPHONE BIDS prior to or in connection with a sale on the following General Conditions and on such Whilst prospective buyers are strongly advised to attend the auction and are always other terms, conditions and notices as may be referred to herein. responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly 1. DEFINITIONS and in writing execute bids on their behalf or by telephone. Neither the auctioneer nor our In these Conditions: employees or agents shall be responsible for any failure to do so save where such failure is (a) “auctioneer” means the firm of Mallams or its authorised auctioneer, as appropriate; unreasonable. Where two or more commission bids at the same level are recorded we (b) “deliberate forgery” means an imitation made with the intention of deceiving as to reserve the right in our absolute discretion to prefer the first bid so made. authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the 11. WARRANTY OF TITLE AND AVAILABILITY date of the sale had a value materially less than it would have had if it had been in The seller warrants to the auctioneer and you that the seller is the true owner of the accordance with the description; property consigned or is properly authorised by the true owner to consign it for sale and is (c) “hammer price” means the level of bidding reached (at or above any reserve) when able to transfer good and marketable title to the property free from any third party claims.

the auctioneer brings down the hammer; 12. AGENCY (d) “terms of consignment” means the stipulated terms and rates of commission on which The auctioneer normally acts as agent only and disclaims any responsibility for default by Mallams accepts instructions from sellers or their agents; sellers or buyers. (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a 13. TERMS OF SALE defaulting buyer under these Conditions; The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in (f) “sale proceeds” means the net amount due to the seller, being the hammer price of their entirety and on the Terms of Consignment as notified to the consignor at the time of the lot sold less commission at the stated rate, Value Added Tax chargeable and any the entry of the Lot. other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. 14. DESCRIPTIONS AND CONDITION (h) The singular includes the plural and vice versa as appropriate. (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to 2. BIDDING PROCEDURES AND THE BUYER view and inspect before any sale and they (and any independent experts on their behalf) (a) Bidders are required to register their particulars before bidding and to satisfy any must satisfy themselves as to the accuracy of any description applied to a lot. Prospective security arrangements before entering the auction room to view or bid; buyers also bid on the understanding that, inevitably, representations or statements by us as (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be to authorship, genuineness, origin, date, age, provenance, condition or estimated selling the buyer at the hammer price and any dispute about a bid shall be settled at the price involve matters of opinion. We undertake that any such opinion shall be honestly and auctioneer’s absolute discretion by reoffering the Lot during the course of the auction reasonably held and accept liability for opinions given negligently or fraudulently. Subject to or otherwise. The auctioneer shall act reasonably in exercising this discretion. the foregoing neither we the auctioneer nor our employees or agents nor the seller accept (c) Bidders shall be deemed to act as principals. liability for the correctness of such opinions and all conditions and warranties, whether (2) Our right to bid on behalf of the seller is expressly reserved up to the amount of any relating to description, condition or quality of lots, express, implied or statutory, are hereby reserve and the right to refuse any bid is also reserved. excluded. This Condition is subject to the next following Condition concerning deliberate (3)The Auctioneers reserve the right to charge a deposit for certain lots. These will be forgeries and applies save as provided for in paragraph 6 “information to buyers”. indicated before the sale. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

3. INCREMENTS 15. FORGERIES Bidding increments shall be at the auctioneer’s sole discretion. Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same 4. THE PURCHASE PRICE condition as when bought, and is accompanied by particulars identifying it from the relevant The buyer shall pay the hammer price together with a premium thereon of 20%. This catalogue description and a written statement of defects. If we are satisfied from the evidence premium is subject to VAT at the rate imposed by law. presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the 5. VALUE ADDED TAX accepted view of scholars and experts as at the date of sale or (2) you personally are not able Value Added Tax on the hammer price is imposed by law on all items affixed with an to transfer a good and marketable title to us, you shall have no rights under this condition. asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by The right of return provided by this Condition is additional to any right or remedy provided law at the date of sale and is payable by buyers of relevant Lots. (Please refer to by law or by these Conditions of Sale. “Information for Buyers” for a brief explanation of the VAT position). GENERAL 6. PAYMENT 16. We shall have the right at our discretion, to refuse admission to our premises or (1) Immediately a Lot is sold you will: attendance at our auctions by any person. (a) give to us, if requested, proof of identity, and 17 (1) any right to compensation for losses liabilities and expenses incurred in respect of (b) pay to us the total amount due in cash or in such other way as is agreed by us. and as a result of any breach of these Conditions and any exclusions provided by them (2) Any payments by you to us may be applied by us towards any sums owing from you to shall be available to the seller and/or the auctioneer as appropriate. us on any account whatever without regard to any directions of you or your agent, (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of whether express or implied. employees and agents of the seller and/or the auctioneer who may themselves enforce them. 7. TITLE AND COLLECTION OF PURCHASES 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or (1) The ownership of any Lots purchased shall not pass to you until you have made Swiftmail in which case it shall be deemed to have been received by the addressee 48 payment in full to us of the total amount due. hours after posting. (2) You shall at your own risk and expense take away any lots that you have purchased 19. Special terms may be used in catalogue descriptions of particular classes of items in and paid for not later than 3 working days following the day of the auction or upon which case the descriptions must be interpreted in accordance with any glossary the clearance of any cheque used for payment after which you shall be appearing at the commencement of the catalogue. responsible for any removal, storage and insurance charges. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict (3) No purchase can be claimed or removed until it has been paid for. terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES respects these Conditions shall be construed as having full force and effect. (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or 21. English law applies to the interpretation of these Conditions. if there is any other breach of these Conditions, we, as agent for the seller and on ENDANGERED SPECIES LAWS our own behalf, shall at our absolute discretion and without prejudice to any other Due to international laws, any item on the Endangered species list (i.e. Ivory, Rhino horn rights we may have, be entitled to exercise one or more of the following rights and etc.), whether it dates from the 18th/19th Century or the 1930s, requires re-export permits remedies: for bidders outside the EU (CITES). Some countries also require import permits as well and (a) to proceed against you for damages for breach of contract; all permits must be in place prior to shipment. Mallams cannot be held liable if a purchaser (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; buys a lot that comes within this field and then import/export licences cannot be arranged. (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible Certain countries, particularly the USA, have their own Endangered Species Act (USESA) for any resulting deficiency in the total amount due (after crediting any part payment and possession or being involved in a commercial transaction with any item on this list can and adding any resale costs). Any surplus so arising shall belong to the seller; be an offence for a US resident. Therefore, it is the potential buyers responsibility to check (d) to remove, store and insure the Lot at your expense and, in the case of storage, either Federal regulations before bidding for a lot, which comes under these or similar regulations. at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to Please note no license is required to sell or advertise within the EU if items are pre-1947. the extent it remains unpaid for more than 3 working days after the sale; ONLINE BIDDING (f) to retain that or any other Lot sold to you until you pay the total amount due; Mallams Fine Art Auctioneers offer an online bidding service via the-saleroom.com (g) to reject or ignore bids from you or your agent at future auctions or to impose for bidders who cannot attend the sale. In completing the bidder registration on conditions before any such bids shall be accepted; www.the-saleroom.com and providing your credit card details and unless alternative (h) to apply any proceeds of sale of other Lots due or in future becoming due to you arrangements are agreed with Mallams Fine Art Auctioneers, you: towards the settlement of the total amount due and to exercise a lien (that is a right to 1. authorise Mallams Fine Art auctioneers, if they so wish, to charge the credit card given in retain possession of) any of your property in our possession for any purpose until the part or full payment, including all fees, for items successfully purchased in the auction via debt due is satisfied. the-saleroom.com, and (2) We shall, as agent for the seller and on our own behalf pursue these 2. confirm that you are authorised to provide these credit card details to Mallams Fine Art rights and remedies only so far as is reasonable to make appropriate Auctioneers through www.the-saleroom.com and agree that Mallams Fine art recovery in respect of breach of these conditions Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. 9. THIRD PARTY LIABILITY Please note that any lots purchased via the-saleroom.com live auction service All members of the public on our premises are there at their own risk and must note the will be subject to an additional 3% commission charge + VAT at the rate lay-out of the accommodation and security arrangements. Accordingly neither the imposed on the hammer price. auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale. Cheltenham Modern Living 15th Aug.qxp_Layout 1 03/08/2018 16:25 Page 75

HIGH STREET

END TOPAGE BE CAMBRAY PLACE SUPPLIED

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MODERN LIVING - MALLAMS CHELTENHAM WEDNESDAY 15th AUGUST 2018 www.mallams.co.uk Cheltenham Modern Living 15th Aug Covers.qxp_Layout 1 03/08/2018 16:28 Page 1 Page 16:28 1 03/08/2018 Covers.qxp_Layout Aug 15th Living Modern Cheltenham