Community Broadcasting Association of Australia 43Rd Annual General
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Page 1 CONTENTS - Acknowledgment of country and partnerships - President's Report - Treasurer's Report - Station Manager's Report - Year at a glance - The Stats - Financial Report - 2018 AGM Meeting Minutes Page 2 We would like to start my report with acknowledging the traditional owners of the land that we meet, the station resides, and that we broadcast from. We pay our respects to the Yugara and Turrbal people and recognise their continuing connection to land, waters and culture. We pay our respects to their Elders past, present and emerging. Page 3 PRESIDENT'S REPORT Hi everyone and welcome to our AGM. As you will have been aware there have been huge changes at the Station and I would like to just take a few moments to put things into perspective. We have lived through what is probably the fastest changing dynamic the world has ever seen and the momentum is growing. When I grew up all we had was radio and we listened faithfully to all the programmes as there was only one Station – the BBC in England and the ABC here. I worked at the BBC in the 50s and we had the huge tapes that I recognised when I came to 4RHP about 12 years ago. My first training on a computer was in the mid 70s and that was at one of the first companies to use computers. All very strange to us. The machines were big and bulky and the computer had a whole room to itself. We slowly got used to that and when I opened my own business in the early 80s we had home computers and can you believe it a mobile phone that was huge. -
Media Tracking List Edition January 2021
AN ISENTIA COMPANY Australia Media Tracking List Edition January 2021 The coverage listed in this document is correct at the time of printing. Slice Media reserves the right to change coverage monitored at any time without notification. National National AFR Weekend Australian Financial Review The Australian The Saturday Paper Weekend Australian SLICE MEDIA Media Tracking List January PAGE 2/89 2021 Capital City Daily ACT Canberra Times Sunday Canberra Times NSW Daily Telegraph Sun-Herald(Sydney) Sunday Telegraph (Sydney) Sydney Morning Herald NT Northern Territory News Sunday Territorian (Darwin) QLD Courier Mail Sunday Mail (Brisbane) SA Advertiser (Adelaide) Sunday Mail (Adel) 1st ed. TAS Mercury (Hobart) Sunday Tasmanian VIC Age Herald Sun (Melbourne) Sunday Age Sunday Herald Sun (Melbourne) The Saturday Age WA Sunday Times (Perth) The Weekend West West Australian SLICE MEDIA Media Tracking List January PAGE 3/89 2021 Suburban National Messenger ACT Canberra City News Northside Chronicle (Canberra) NSW Auburn Review Pictorial Bankstown - Canterbury Torch Blacktown Advocate Camden Advertiser Campbelltown-Macarthur Advertiser Canterbury-Bankstown Express CENTRAL Central Coast Express - Gosford City Hub District Reporter Camden Eastern Suburbs Spectator Emu & Leonay Gazette Fairfield Advance Fairfield City Champion Galston & District Community News Glenmore Gazette Hills District Independent Hills Shire Times Hills to Hawkesbury Hornsby Advocate Inner West Courier Inner West Independent Inner West Times Jordan Springs Gazette Liverpool -
2019-Information-Book-V1.Pdf
The information in this booklet is presented to give parents an appreciation of the objectives and operations of the Australian Boys Choir. If you wish to know more, you are invited to contact a member of staff or the ABCI Board. Contents Contact Details .............................................................................................. 4 Child Safety ................................................................................................... 5 Key People .................................................................................................... 7 A Brief History ................................................................................................ 8 Organisation and Management ...................................................................... 8 Staff ............................................................................................................. 10 The Training Program .................................................................................. 14 Rehearsals .................................................................................................. 16 Weekend Workshops ................................................................................... 18 Summer Music School ................................................................................. 18 Attendance Requirements ........................................................................... 19 Tours .......................................................................................................... -
Lobby Loyde: the G.O.D.Father of Australian Rock
Lobby Loyde: the G.O.D.father of Australian rock Paul Oldham Supervisor: Dr Vicki Crowley A thesis submitted to The University of South Australia Bachelor of Arts (Honours) School of Communication, International Studies and Languages Division of Education, Arts, and Social Science Contents Lobby Loyde: the G.O.D.father of Australian rock ................................................. i Contents ................................................................................................................................... ii Table of Figures ................................................................................................................... iv Abstract .................................................................................................................................. ivi Statement of Authorship ............................................................................................... viiiii Acknowledgements ............................................................................................................. ix Chapter One: Overture ....................................................................................................... 1 Introduction: Lobby Loyde 1941 - 2007 ....................................................................... 2 It is written: The dominant narrative of Australian rock formation...................... 4 Oz Rock, Billy Thorpe and AC/DC ............................................................................... 7 Private eye: Looking for Lobby Loyde ......................................................................... -
Music on PBS: a History of Music Programming at a Community Radio Station
Music on PBS: A History of Music Programming at a Community Radio Station Rochelle Lade (BArts Monash, MArts RMIT) A thesis submitted for the degree of Doctor of Philosophy January 2021 Abstract This historical case study explores the programs broadcast by Melbourne community radio station PBS from 1979 to 2019 and the way programming decisions were made. PBS has always been an unplaylisted, specialist music station. Decisions about what music is played are made by individual program announcers according to their own tastes, not through algorithms or by applying audience research, music sales rankings or other formal quantitative methods. These decisions are also shaped by the station’s status as a licenced community radio broadcaster. This licence category requires community access and participation in the station’s operations. Data was gathered from archives, in‐depth interviews and a quantitative analysis of programs broadcast over the four decades since PBS was founded in 1976. Based on a Bourdieusian approach to the field, a range of cultural intermediaries are identified. These are people who made and influenced programming decisions, including announcers, program managers, station managers, Board members and the programming committee. Being progressive requires change. This research has found an inherent tension between the station’s values of cooperative decision‐making and the broadcasting of progressive music. Knowledge in the fields of community radio and music is advanced by exploring how cultural intermediaries at PBS made decisions to realise eth station’s goals of community access and participation. ii Acknowledgements To my supervisors, Jock Given and Ellie Rennie, and in the early phase of this research Aneta Podkalicka, I am extremely grateful to have been given your knowledge, wisdom and support. -
COMMUNITY RADIO NETWORK PROGRAMS and CONTENT LIST - Content for Broadcast on Your Station
COMMUNITY RADIO NETWORK PROGRAMS AND CONTENT LIST - Content for broadcast on your station May 2019 All times AEST/AEDT CRN PROGRAMS AND CONTENT LIST - Table of contents FLAGSHIP PROGRAMMING Beyond Zero 9 Phil Ackman Current Affairs 19 National Features and Documentary Bluesbeat 9 Playback 19 Series 1 Cinemascape 9 Pop Heads Hour of Power 19 National Radio News 1 Concert Hour 9 Pregnancy, Birth and Beyond 20 Good Morning Country 1 Contact! 10 Primary Perspectives 20 The Wire 1 Countryfolk Around Australia 10 Radio-Active 20 SHORT PROGRAMS / DROP-IN Dads on the Air 10 Real World Gardener 20 CONTENT Definition Radio 10 Roots’n’Reggae Show 21 BBC World News 2 Democracy Now! 11 Saturday Breakfast 21 Daily Interview 2 Diffusion 11 Service Voices 21 Extras 1 & 2 2 Dirt Music 11 Spectrum 21 Inside Motorsport 2 Earth Matters 11 Spotlight 22 Jumping Jellybeans 3 Fair Comment 12 Stick Together 22 More Civil Societies 3 FiERCE 12 Subsequence 22 Overdrive News 3 Fine Music Live 12 Tecka’s Rock & Blues Show 22 QNN | Q-mmunity Network News 3 Global Village 12 The AFL Multicultural Show 23 Recorded Live 4 Heard it Through the Grapevine 13 The Bohemian Beat 23 Regional Voices 4 Hit Parade of Yesterday 14 The Breeze 23 Rural Livestock 4 Hot, Sweet & Jazzy 14 The Folk Show 23 Rural News 4 In a Sentimental Mood 14 The Fourth Estate 24 RECENT EXTRAS Indij Hip Hop Show 14 The Phantom Dancer 24 New Shoots 5 It’s Time 15 The Tiki Lounge Remix 24 The Good Life: Season 2 5 Jailbreak 15 The Why Factor 24 City Road 5 Jam Pakt 15 Think: Stories and Ideas 25 Marysville -
Reclink Annual Report 2017-18
, Annual Report 2017-18 Partners Our Mission Respond. Rebuild. Reconnect. We seek to give all participants the power of purpose. About Reclink Australia Reclink Australia is a not-for-profit organisation whose aim is to enhance the lives of people experiencing disadvantage or facing significant barriers to participation, through providing new and unique sports, specialist recreation and arts programs, and pathways to employment opportunities. We target some of the community’s most vulnerable and isolated people; at risk youth, those experiencing mental illness, people with a disability, the homeless, people tackling alcohol and other drug issues and social and economic hardship. As part of our unique hub and spoke network model, Reclink Australia has facilitated cooperative partnerships with a membership of more than 290 community, government and private organisations. Our member agencies are committed to encouraging our target population group, under-represented in mainstream sport and recreational programs, to take that step towards improved health and self-esteem, and use Reclink Australia’s activities as a means of engagement for hard to reach population groups. Contents Our Mission 3 State Reports 11 About Reclink Australia 3 AAA Play 20 Why We Exist 4 Reclink India 22 What We Do 5 Art Therapy 23 Delivering Evidence-based Programs 6 Events, Fundraising and Volunteers 24 Transformational Links, Training Our Activities 32 and Education 7 Our Members 34 Corporate Governance 7 Gratitude 36 Founder’s Message 8 Our National Footprint 38 Improving Lives and Reducing Crime 9 Reclink Australia Staff 39 Community Partners 10 Contact Us 39 Notice of 2017 Annual General Meeting The Annual General Meeting for Members 1. -
Brisbane Used to Be Called the Deep North
Radical Media in the Deep North: The origins of 4ZZZ-FM by Alan Knight PhD Brisbane used to be called the Deep North. It spoke of a place where time passed slowly in the summer heat, where rednecks ran the parliament and the press, blacks died from beatings and the police thought themselves above the law. Even though Brisbane is situated in the bottom southeast quarter of the great northern state of Queensland, it's sobriquet represented a state of mind. Queensland was described as a cultural backwater lacking bookshops, political pubs, radio and television network headquarters and the publishing centres where Australian intellectuals could be seen and heard. It was fashionable, then as now, for many in Sydney and Melbourne to dismiss Queenslanders as naive, if not malignant conservatives. Yet in 1975, Brisbane created Australia's most radical politics and music station, 4ZZZ-FM. It broadcasts to this day. How did it come about and why? The Bitter Fight Queensland has a long, yet often forgotten history of conflict between conservatives and radicals. In a huge, decentralised state, the march to democracy has been signposted by demands for free speech expressed through a diversified media. ZZZ is an offspring of these battles, which were in part fought out in the state's mainstream and underground media. The bitter fight began in earnest in 1891, when Queensland shearers went on strike over work contracts. The strikers produced a flurry of cartoons, articles and satirical poems, which were passed around their camp fires. They joined armed encampments, which were broken up only after the government called in the military. -
Local Disaster Management Plan August 2021
Local Disaster Management Plan August 2021 logan.qld.gov.au This page is intentionally left blank 2 LOCAL DISASTER MANAGEMENT PLAN | August 2021 Important information about this document Certain sections of the Logan City Local Disaster Management Plan (the plan) are privileged and confidential and not available for distribution to the general public. Logan City Council permits the use of material contained in the Logan City Local Disaster Management Plan to be reproduced for research or planning purposes, provided that any material used remains unaltered and due recognition of the source of the materials is recognised. Any party using the information for any purposes does so at their own risk and releases and indemnifies Logan City Council against all responsibility and liability (including negligence, negligent misstatement and pure economic loss) for all expenses, losses, damages and costs as a consequence of such use. All requests for additional or clarifying information regarding this document are to be referred to: The Disaster Management Program Leader Logan City Council PO Box 3226 LOGAN CITY DC 4114 (07) 3412 3412 Website: logan.qld.gov.au Email: [email protected] LOCAL DISASTER MANAGEMENT PLAN | August 2021 3 Emergency contact list In an Emergency, Dial 000 TTY Emergency Calls, 106 Animal Emergencies or Lost Animals Logan City Council 3412 5397 APA Group Natural Gas Emergencies APA Group allgas.com.au 1800 427 532 Energex Energex energex.com.au Emergency (24/7) 13 19 62 General enquiries 13 12 53 Power outages -
Stations Monitored
Stations Monitored 10/01/2019 Format Call Letters Market Station Name Adult Contemporary WHBC-FM AKRON, OH MIX 94.1 Adult Contemporary WKDD-FM AKRON, OH 98.1 WKDD Adult Contemporary WRVE-FM ALBANY-SCHENECTADY-TROY, NY 99.5 THE RIVER Adult Contemporary WYJB-FM ALBANY-SCHENECTADY-TROY, NY B95.5 Adult Contemporary KDRF-FM ALBUQUERQUE, NM 103.3 eD FM Adult Contemporary KMGA-FM ALBUQUERQUE, NM 99.5 MAGIC FM Adult Contemporary KPEK-FM ALBUQUERQUE, NM 100.3 THE PEAK Adult Contemporary WLEV-FM ALLENTOWN-BETHLEHEM, PA 100.7 WLEV Adult Contemporary KMVN-FM ANCHORAGE, AK MOViN 105.7 Adult Contemporary KMXS-FM ANCHORAGE, AK MIX 103.1 Adult Contemporary WOXL-FS ASHEVILLE, NC MIX 96.5 Adult Contemporary WSB-FM ATLANTA, GA B98.5 Adult Contemporary WSTR-FM ATLANTA, GA STAR 94.1 Adult Contemporary WFPG-FM ATLANTIC CITY-CAPE MAY, NJ LITE ROCK 96.9 Adult Contemporary WSJO-FM ATLANTIC CITY-CAPE MAY, NJ SOJO 104.9 Adult Contemporary KAMX-FM AUSTIN, TX MIX 94.7 Adult Contemporary KBPA-FM AUSTIN, TX 103.5 BOB FM Adult Contemporary KKMJ-FM AUSTIN, TX MAJIC 95.5 Adult Contemporary WLIF-FM BALTIMORE, MD TODAY'S 101.9 Adult Contemporary WQSR-FM BALTIMORE, MD 102.7 JACK FM Adult Contemporary WWMX-FM BALTIMORE, MD MIX 106.5 Adult Contemporary KRVE-FM BATON ROUGE, LA 96.1 THE RIVER Adult Contemporary WMJY-FS BILOXI-GULFPORT-PASCAGOULA, MS MAGIC 93.7 Adult Contemporary WMJJ-FM BIRMINGHAM, AL MAGIC 96 Adult Contemporary KCIX-FM BOISE, ID MIX 106 Adult Contemporary KXLT-FM BOISE, ID LITE 107.9 Adult Contemporary WMJX-FM BOSTON, MA MAGIC 106.7 Adult Contemporary WWBX-FM -
Tuning in to Community Broadcasting
F Appendix F - List of Stations Name of Organisation or Submitter Station ID Location Rhema FM 105.7 Mount Isa, QLD Wagga’s Life 101.9 FM Wagga Wagga, NSW Radio Alexandrina Community Broadcasters Association ALeX-FM Goolwa, SA Eastside Radio 89.7FM – Jazz Plus Paddington, NSW Bayside Community Radio Association 4BAY Cleveland, QLD South Gippsland Community Radio 3MFM Inverloch, VIC Channel 68 LINC TV 68 LINC TV Lismore, NSW Rhema - FM 89.7 FM Tamworth, NSW Huon FM 95.3 FM Geeveston, TAS Rainbow FM 4CCC - 89.3 Warwick, QLD National Indigenous Radio Service NIRS Fortitude Valley, QLD FBi 94.5 FM Strawberry Hills, NSW Western Radio Broadcasters stereo 97.4 FM Sunshine, VIC Community Radio Coraki Association 2RBR FM / 88.9FM Coraki, NSW Cooloola Christian Radio FM 91.5 Gympie, QLD 180 TUNING IN TO COMMUNITY BROADCASTING Orange Community Broadcasting FM 107.5 Orange, NSW 3CR - Community Radio 3CR Collingwood, VIC Radio Northern Beaches 88.7 & 90.3 FM Belrose, NSW ArtSound FM 92.7 Curtin, ACT Radio East 90.7 & 105.5 FM Lakes Entrance, VIC Great Ocean Radio -3 Way FM 103.7 Warrnambool, VIC Wyong-Gosford Progressive Community Radio PCR FM Gosford, NSW Whyalla FM Public Broadcasting Association 5YYY FM Whyalla, SA Access TV 31 TV C31 Cloverdale, WA Family Radio Limited 96.5 FM Milton BC, QLD Wagga Wagga Community Media 2AAA FM 107.1 Wagga Wagga, NSW Bay and Basin FM 92.7 Sanctuary Point, NSW 96.5 Spirit FM 96.5 FM Victor Harbour, SA NOVACAST - Hunter Community Television HCTV Carrington, NSW Upper Goulbourn Community Radio UGFM Alexandra, VIC -
Community Participation in the Development of Digital Radio: the Australian Experience
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Spurgeon, Christina, Rennie, Ellie, & Ming Fung, Yat (2011) Community participation in the development of digital radio: The Australian experience. In Lowes, N (Ed.) Record of the Communications Policy and Research Forum 2011. Network Insight Pty Ltd, Australia, pp. 166-179. This file was downloaded from: https://eprints.qut.edu.au/49677/ c First published November 2011. Copyright 2011 Network Insight Pty Ltd & C. Spurgeon, E. Rennie and Y. Fung. This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.networkinsight.org/ events/ cprf2011.html This is the published version of the following conference paper: Spurgeon, Christina L., Rennie, Elinor M., & Ming Fung, Yat (2011) Community participation in the development of digital radio : the Australian experience.