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2017 CRWR Newsletter
SPRINGSPRING 2015 2015 Interview with Visiting Assistant Professor Sara Jaffe by Sam Axelrod, MFA FicƟon ‘18 Sara Jaffe joined the program’s faculty for the 2016 academic year as a visiting profes- sor of fiction. Her first novel, Dryland, was published by Tin House Books in Septem- ber 2015. Her short fiction and criticism have appeared in Fence, BOMB, NOON, Paul Revere’s Horse, matchbook, and The Los Angeles Review of Books. Drawing on her experience as guitarist for post-punk band Erase Errata, she also co-edited The Art of Touring (Yeti, 2009), an anthology of writ- Sara Jaffe (SJ): So, to speak first about ing and visual art by musicians. the publishing experience, and the recep- Sara holds a BA from Wesleyan tion of having a book out in the world—I University and an MFA from the Universi- think it certainly felt very vulnerable at ty of Massachusetts Amherst, and has re- first to open myself up to readers I don’t ceived fellowships from the Virginia Cen- know, and to being reviewed and stuff, ter for the Creative Arts, RADAR Produc- but I think almost across the board when I tions, and the Regional Arts and Culture received unfavorable reviews, it seemed Council. She is also a co-founding editor of pretty clear to me that they were not my New Herring Press, a publisher of prose readers. That what they felt I had failed to chapbooks. do was not something I was trying to do anyway. So that was reassuring in a way, — — — — — — and sort of helped to clarify my intent. -
Frankfurt October
Translation Rights List Frankfurt October 1 1 Contents • About Bookouture p. 3 • Rights Department p. 4 • Historical p. 5 • Crime Thriller p. 21 • Women’s Fiction p. 78 • p. 104 • Schedule 2021 p. 106 • Rights Representatives p. 111 2 Digital publisher of brilliant fiction Bookouture is a fast-growing UK-based digital imprint specialising in a broad range of fiction and building authors globally. At just 8 years old, and with a team of 38 people, Bookouture has already scored 353 Amazon UK top 100 hits, and sold over 40 million copies. • From only 634 books and 154 authors, we sold 9.2 million copies in 2019 • We have had over 52 top-five Kindle bestsellers and over 78 top-ten Kindle bestsellers. 51% of all our titles have hit the Amazon UK Top 100. • We publish super-smart writing that keeps our readers up late into the night o Women’s fiction o Crime o Historical o Psychological suspense o Police procedurals o Chick lit o Paranormal romance o Young adult o Seasonal fiction o Sagas o Romance o Psychological thrillers o Thrillers o Holiday reads ‘Britain's Hottest Digital Publisher ’ 3 Rights Department ANDY HINE Rights Director Brazil, Germany, Italy, Poland, Scandinavia and the Baltic States [email protected] +44 (0) 20 3122 6545 KATE HIBBERT Rights Director Worldwide Spanish and Catalan, Portugal, Far East, the Netherlands, Flemish Belgium, the Indian Subcontinent and all of Eastern Europe excluding Poland [email protected] +44 (0) 20 3122 6619 HELENA DOREE Senior Rights Manager The USA, France, Greece, Hebrew -
Fall2011.Pdf
Grove Press Atlantic Monthly Press Black Cat The Mysterious Press Granta Fall 201 1 NOW AVAILABLE Complete and updated coverage by The New York Times about WikiLeaks and their controversial release of diplomatic cables and war logs OPEN SECRETS WikiLeaks, War, and American Diplomacy The New York Times Introduction by Bill Keller • Essential, unparalleled coverage A New York Times Best Seller from the expert writers at The New York Times on the hundreds he controversial antisecrecy organization WikiLeaks, led by Julian of thousands of confidential Assange, made headlines around the world when it released hundreds of documents revealed by WikiLeaks thousands of classified U.S. government documents in 2010. Allowed • Open Secrets also contains a T fascinating selection of original advance access, The New York Times sorted, searched, and analyzed these secret cables and war logs archives, placed them in context, and played a crucial role in breaking the WikiLeaks story. • online promotion at Open Secrets, originally published as an e-book, is the essential collection www.nytimes.com/opensecrets of the Times’s expert reporting and analysis, as well as the definitive chronicle of the documents’ release and the controversy that ensued. An introduction by Times executive editor, Bill Keller, details the paper’s cloak-and-dagger “We may look back at the war logs as relationship with a difficult source. Extended profiles of Assange and Bradley a herald of the end of America’s Manning, the Army private suspected of being his source, offer keen insight engagement in Afghanistan, just as into the main players. Collected news stories offer a broad and deep view into the Pentagon Papers are now a Iraq, Afghanistan, Pakistan, and the messy challenges facing American power milestone in our slo-mo exit from in Europe, Russia, Asia, the Middle East, and Africa. -
Barney Rosset by Win Mccormack
A Conversation with Barney Rosset by Win McCormack its heyday, the most influential alternative book press in the history of American publishing. Grove—and Grove’s magazine, the Evergreen Review, launched in 1957—published, among other writers, most of the French avant-garde of the era, including Alain Robbe-Grillet, Jean Genet, and Eugene Ionesco; most of the American Beats of the fifties, including Jack Kerouac, William Burroughs, and Allen Ginsberg; and most of the key radical political thinkers of the six- ties, including Malcolm X, Frantz Fanon, and Regis Debray. He pub- lished Samuel Beckett’s play Waiting for Godot after it had been scorned by more mainstream publishers—and sold two million copies of it in the bargain. He made a specialty of Japanese literature, and intro- duced the future Nobel Prize winner Kenzaburo Oe to an American public. He published the first unexpurgated edition of D. H. Law- A CONVERSATION WITH rence’s Lady Chatterley’s Lover and the first edition of Henry Miller’s BARNEY ROSSET Tropic of Cancer in America, partly to deliberately provoke the censors. Through his legal victories in the resulting obscenity cases, as well as in one brought on by I Am Curious (Yellow), a sexually explicit Swedish Win McCormack documentary film he distributed, he was probably more responsible than any other single individual for ending the censorship of litera- ture and film in the United States. In bestowing on Barney Rosset the honorific of Commandeur dans Grove Press was sold in 1985; its backlist is now part of Grove/ l’Ordre des Arts et des Lettres in 1999, the French Ministry of Cul- Atlantic Inc. -
Self-Publishing and Collection Development: Opportunities and Challenges for Libraries Robert P
Purdue University Purdue e-Pubs Purdue University Press Books Purdue University Press Fall 9-15-2015 Self-Publishing and Collection Development: Opportunities and Challenges for Libraries Robert P. Holley Wayne State University Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_ebooks Part of the Cataloging and Metadata Commons, and the Collection Development and Management Commons Recommended Citation Holley, Robert P., Self-Publishing and Collection Development: Opportunities and Challenges for Libraries. (2015). Purdue University Press. (Knowledge Unlatched Open Access Edition.) This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Self-Publishing and Collection Development Opportunities and Challenges for Libraries Charleston Insights in Library, Archival, and Information Sciences Editorial Board Shin Freedman Tom Gilson Matthew Ismail Jack Montgomery Ann Okerson Joyce M. Ray Katina Strauch Carol Tenopir Anthony Watkinson Self-Publishing and Collection Development Opportunities and Challenges for Libraries Edited by Robert P. Holley Charleston Insights in Library, Archival, and Information Sciences Purdue University Press West Lafayette, Indiana Copyright 2015 by Purdue University. All rights reserved. Cataloging-in-Publication data on file at the Library of Congress. Contents Foreword i Mitchell Davis (BiblioLabs) Introduction 1 Robert P. Holley (Wayne State University) 1 E-Book Self-Publishing and the Los Gatos Library: A Case Study 5 Henry Bankhead (Los Gatos Library) 2 Supporting Self-Publishing and Local Authors: From Challenge to Opportunity 21 Melissa DeWild and Morgan Jarema (Kent District Library) 3 Do Large Academic Libraries Purchase Self-Published Books to Add to Their Collections? 27 Kay Ann Cassell (Rutgers University) 4 Why Academic Libraries Should Consider Acquiring Self-Published Books 37 Robert P. -
Beat Generation Icon William S. Burroughs Found Love – and Loved Life – During His Years in Lawrence
FOR BURROUGHS, IT ALL ADDED UP BURROUGHS CREEK TRAIL & LINEAR PARK Beat Generation icon William S. Burroughs found love – and loved life – during his years in Lawrence William S. Burroughs, once hailed by In 1943, Burroughs met Allen Ginsberg America after charges of obscenity were 11th Street Norman Mailer as “the only American and Jack Kerouac. They became fast rejected by the courts. In the meantime, novelist living today who may conceivably friends, forming the nucleus of the Burroughs had moved to Paris in 1958, be possessed by genius,” lived in Lawrence nascent Beat Generation, a group of working with artist Brion Gysin, then on a few blocks west of this spot for the last 16 often experimental writers exploring to London in 1960, where he lived for 14 13th Street years of his life. Generally regarded as one postwar American culture. years, publishing six novels. of the most influential writers of the 20th century, his books have been translated Burroughs became addicted to narcotics In 1974, Burroughs returned to 15th Street into more than 70 languages. Burroughs in 1945. The following year, he New York City where he met James was also one of the earliest American married Joan Vollmer, the roommate Grauerholz, a former University of multimedia artists; his films, recordings, of Kerouac’s girlfriend. They moved Kansas student from Coffeyville, paintings and collaborations continue to to a farm in Texas, where their son Kansas, who soon became Burroughs’ venue venue A A inspire artists around the world. He is the Billy was born. In 1948, they relocated secretary and manager. -
A Blueprint for Book Publishing Transformation: Seven Essential Processes to Re-Invent Publishing by David R
GILBANE GROUP G A DIVISION OF OUTSELL, INC. October 1st 2010 A Blueprint for Book Publishing Transformation: Seven Essential Processes to Re-Invent Publishing by David R. Guenette, Bill Trippe, and Karen Golden Outsell’s Gilbane Group: Research Report Table of Contents Page # Acknowledgements . 6 A Blueprint User’s Guide..................................................................... 7 Executive Summary . 9 Digital Comes to Book Publishing............................................................ 10 The State of Book Publishing Today . 11 E-book Market Sizing..................................................................... 14 Trade Book Publishing: How the Kindle Drove E-book Publishing . 18 Educational Publishing: Solutions Have to Address Both Market and Cost Problems ...............24 Agility, Flexibility, and XML Help STM Publishers Meet Demands . .26 Many Challenges, Many Opportunities......................................................28 Book Publishing’s Seven Essential Publishing Processes . 31 Mapping Processes to Specific Systems . 31 Planning Processes and Systems ........................................................... 32 Editorial and Production Processes and Systems . .48 Rights and Royalties Processes and Systems ................................................. 57 Manufacturing Processes and Systems......................................................59 Marketing and Promotion Processes and Systems ............................................69 Sales and Licensing Processes and Systems................................................. -
The End of Obscenity by Charles Rembar
Kentucky Law Journal Volume 57 | Issue 2 Article 13 1968 The ndE of Obscenity by Charles Rembar Paul Leo Oberst University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/klj Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Oberst, Paul Leo (1968) "The ndE of Obscenity by Charles Rembar," Kentucky Law Journal: Vol. 57 : Iss. 2 , Article 13. Available at: https://uknowledge.uky.edu/klj/vol57/iss2/13 This Book Review is brought to you for free and open access by the Law Journals at UKnowledge. It has been accepted for inclusion in Kentucky Law Journal by an authorized editor of UKnowledge. For more information, please contact [email protected]. 1969] BOOK REviws THE END OF OBSCENITY. By Charles Rembar. New York: Random House, 1968. Pp. 528. $8.95. The End of Obscenity was written, the author tells us, in "an at- tempt to offer an insight, to those who are not a part of it, into how our legal system works."' This slows the book considerably for the legal reader,2 but should not dissuade him. It offers insights of other sorts to lawyers and to law students, since it is one of those all-too-rare books in which a lawyer unfolds the history of an important piece of litigation. The book begins with the author's retention by Grove Press in 1959 to defend Lady Chatterley's Lover3 and ends in 1966 with his successful defense of Fanny Hill4 for Putnam before the Supreme Court. -
Award-Winning Fiction Writer Chinelo Okparanta Reads with Six Seniors in Princeton's Creative Writing Program
February 6, 2017 Award-Winning Fiction Writer Chinelo Okparanta Reads with Six Seniors in Princeton’s Creative Writing Program Writer in series organized by Princeton students in collaboration with Labyrinth Books Photo caption: Award-winning fiction writer Chinelo Okparanta Photo credit: Kelechi Okere What/Who: Reading by award-winning fiction writer Chinelo Okparanta and six seniors in Princeton’s Program in Creative Writing, part of the C. K. Williams Reading Series When: February 17 at 6:00 p.m. Where: Labyrinth Books, 122 Nassau St., Princeton Free and open to the public (Princeton, NJ) Writer Chinelo Okparanta and six seniors in the Lewis Center for the Arts’ Program in Creative Writing at Princeton University will read from their work on Friday, February 17 at Labyrinth Books. The reading is part of the C. K. Reading Series, which showcases senior thesis students of the Program in Creative Writing with established writers as special guests. Featuring student writers Harrison Blackman, Samantha Cody, Diana Liao, Zeena Mubarak, Robin Spiess, and Anna Windemuth, the reading begins at 6:00 p.m. at Labyrinth Books, located at 122 Nassau Street. The event is free and open to the public. Chinelo Okparanta is the author of Under the Udala Trees (2015) and Happiness, Like Water (2013). Her honors include an O. Henry Prize, two Lambda Awards in Fiction, and finalist selections for the Etisalat Prize, the New York Public Library Young Lions Award, the Caine Prize, and the Rolex Mentor and Protégé Arts Initiative. Okparanta has held fellowships and faculty appointments at Columbia University, City College of New York, Purdue University, Colgate University (Olive B. -
Amy S. Wyngaard TRANSLATING SADE
Translating Sade Amy S. Wyngaard TRANSLATING SADE: THE GROVE PRESS EDITIONS, 1953–1968 n the last paragraph of their foreword to the 1965 Grove Press edition of IThe Complete Justine, Philosophy in the Bedroom, and Other Writings, the translators Richard Seaver and Austryn Wainhouse quote the marquis de Sade’s wish, expressed in his last will and testament, that acorns be scattered over his grave, “in order that, the spot become green again, and the copse grown back thick over it, the traces of my grave may disappear from the face of the earth, as I trust the memory of me shall fade out of the minds of men” (xiv). Seaver and Wainhouse, who believed in the importance of Sade’s writings and were deeply invested in their efforts to produce the frst unexpurgated American translations of his works, express doubt that this prophecy would ever come to pass. The success of the Grove Press translations, however, has in fact caused certain aspects of Sade’s (critical) history to be forgotten. Five decades after their original publication in the 1960s, and two decades after their reissue in the early 1990s, these once-controversial editions of Sade’s works can now be considered mainstream. Widely referenced and readily available, they are more or less an accepted part of the American literary landscape, with only their original prefatory materials left to bear witness to what was one of the most fraught and revolutionary moments in the history of American publishing, not to mention Sade studies. Grove Press publisher Barney Rosset saw the publication of Sade’s works as integral to his fght for the freedom of the press. -
View and Download Fall 2018
GROVE PRESS Hardcovers SEPTEMBER A frank, smart, and captivating memoir by the daughter of Apple founder Steve Jobs Small Fry A Memoir Lisa Brennan-Jobs MARKETING “Here is a literary coming-of-age memoir of the highest order, the story of a Brennan-Jobs has written for Vogue, child trying to fi nd her place between two radically different parents, identities, O Magazine, Southwest Review, and worlds. Compassionate, wise, and fi lled with fi nely-wrought detail, Small Massachusetts Review, and The Fry is a wonder of a book, and Lisa Brennan-Jobs is a wonder of a writer.” Harvard Advocate, among others —Jamie Quatro, author of Fire Sermon prepublication reading copies e-galleys available on NetGalley orn on a farm and named in a fi eld by her parents—artist Chrisann Brennan and Edelweiss and Steve Jobs—Lisa Brennan-Jobs’s childhood unfolded in a rapidly 4-city tour Bchanging Silicon Valley. When she was young, Lisa’s father was a mythi- (Boston • New York City • Los Angeles • cal figure who was rarely present in her life. As she grew older, her father took San Francisco) an interest in her, ushering her into a new world of mansions, vacations, and national TV and radio interviews private schools. His attention was thrilling, but he could also be cold, critical, major review coverage and unpredictable. When her relationship with her mother grew strained in online reviews and features high school, Lisa decided to move in with her father, hoping he’d become the national print and feature attention parent she’d always wanted him to be. -
Evergreen Review on Film, Mar 16—31
BAMcinématek presents From the Third Eye: Evergreen Review on Film, Mar 16—31 Marking the release of From the Third Eye: The Evergreen Film Reader, a new anthology of works published in the seminal counterculture journal, BAMcinématek pays homage to a bygone era of provocative cinema The series kicks off with a week-long run of famed documentarian Leo Hurwitz’s Strange Victory in a new restoration The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Feb 17, 2016/Brooklyn, NY—From Wednesday, March 16, through Thursday, March 31, BAMcinématek presents From the Third Eye: Evergreen Review on Film. Founded and managed by legendary Grove Press publisher Barney Rosset, Evergreen Review brought the best in radical art, literature, and politics to newsstands across the US from the late 1950s to the early 1970s. Grove launched its film division in the mid-1960s and quickly became one of the most important and innovative film distributors of its time, while Evergreen published incisive essays on cinema by writers like Norman Mailer, Amos Vogel, Nat Hentoff, Parker Tyler, and many others. Marking the publication of From the Third Eye: The Evergreen Review Film Reader, edited by Rosset and critic Ed Halter, this series brings together a provocative selection of the often controversial films that were championed by this seminal publication—including many distributed by Grove itself—vividly illustrating how filmmakers worked to redefine cinema in an era of sexual, social, and political revolution. The series begins with a week-long run of a new restoration of Leo Hurwitz’s Strange Victory (1948/1964), “the most ambitious leftist film made in the US” (J.