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Copro Duction Market Rrrrrrrrmarseille 26/27 Novembre 2015 2015 CONTENT COPRO DUCTION MARKET RRRRRRRRMARSEILLE 26/27 NOVEMBRE 2015 2015 CONTENT GERMAN PROJECTS CONSTELLATION FACTORY ALIAS FILM & NITRO . 30-31 SPRACHTRANSFER GMBH ELIANEANTOINETTE GHOSTS . 4-5 THE OBSERVER EFFECT . .. 32-33 AUGENSCHEIN IDEALE AUDIENCE FILMPRODUKTION GMBH WHERE ARE YOU, MONSTER . 6-7 JOAO GILBERTO ? . 34-35 DANIEL FILM LES FILMS DE L’AUTRE COUGAR THE INVISIBLE BRIDGE . 8-9 YASMINA’S FLING . 36-37 GREENSTONEFILMS LES FILMS DU TAMBOUR ALCHIMISTS . 10-11 SIBEL . 38-39 MEDEA FILM FACTORY LES PRODUITS FRAIS FACTORY COWBOY . 12-13 WORLDS IN BETWEEN . 40-41 MOJO PICTURES NEON PRODUCTIONS TRANSMORPHOSIS . 14-15 A FAIRY IN THE REAR- OVAL MEDIA BERLIN GmbH - VIEW MIRROR . 42-43 MELANGE SARL - REAL LIFE FILM ORIFLAMME FILMS INTERNATIONAL GmBH BROWN SUGAR . 44-45 WAIT FOR ME . 16-17 PLUS DE PROD PARS MEDIA TRAVEL WITH A DONKEY THE BOOK JEANNE . 18-19 IN THE CEVENNES . 42-43 RHEA FILMS THE HOUSE OF THE JAGUAR . 44-45 FRENCH PROJECTS TALWEG PRODUCTION ATOPIC UNDER PARIS . 44-45 DON JUAN COMES BACK FROM THE WAR . 24-25 BATHYSPHERE PRODUCTIONS OTHER PROJECT 10,000 NIGHTS IN THE JUNGLE .26-27 MISTRUS MEDIA BLUE MONDAY PRODUCTIONS A BOY WITH A DOG . 44-45 LOLA PATER . 28-29 GERMAN PROJECTS ALIAS FILM English title: . .. GHOSTS & SPRACHTRANSFER GmbH Original title: . GEISTER Dagmar JACobseN Three young Europeans, KÄTHE, PAUL and BELLA, and a profound and inseparable three- Goethestr. 85•10623 Berlin, Germany way relationship. Jules et Jim for the 21st century, in Berlin. Email [email protected] Length: . 90’ Phone +49 (0)30 8871 0774 Genre: . Drama Fax +49 (0)30 8871 0775 State of development: . Confirmed engagement with Scriptwriter Mobile +49 (0)172 30 30 236 . .Screenplay version n°5 www.alias-film.com Producer: . Dagmar JACOBSEN Scriptwriter: . Judith ANGERBAUER Director: . Judith ANGERBAUER Shooting Period: . Autumn/Summer Shooting Locations: . Berlin, Ladakh, India Budget: . around 1 .5 M€ PRODUCER’S NOTE Secured financing: . none Partners attached: . None GHOSTS is a project I have been following for quite a while. Since our first meeting, the Looking for: . Co-producers, Distributor, World Sales, Funding screenplay has undergone some exciting changes and developments. Jules et Jim for the 21st century — that came straight to my mind when confronted by the dramatic twists and turns of this love triangle. This time, however, it's two women and one man who are entangled in their loves and desires: three people who cannot free them- SYNOPSIS selves from each other, and who must first reach high in the sky to finally, eventually, find their footing on solid ground again. Berlin — a loud, fast, and dirty city, and the place where three young people run into each other: PAUL, a talented musician from England who seems to be on the verge of his GHOSTS is also a "Berlin story", one that is difficult to imagine happening elsewhere. Berlin breakthrough; BELLA, a very beautiful young Frenchwoman who, though daring, outspoken is an engendering magnet for volatile, complex, searching young "citizens of the world". and direct, is still in search for her goal in life; and KÄTHE, a true-blue Berliner who works Berlin, a city that continually reinvents itself. as a social worker with street kids. These three fall in love with each other — completely, deeply, and intensely — and begin a shared life together as a threesome. In GHOSTS, three young Europeans from completely different worlds collide: PAUL, the musician from London; BELLA, the beautiful French woman who hasn't yet found her place A bittersweet love, the triangular relationship is in constant danger of falling apart: PAUL, in life; and KÄTHE, the native Berliner, the anchoring nucleus and point of reference for the a man as gifted as he is erratic, can be extremely destructive at times. Aside from music, other two — and as a result, she faces the danger of being crushed... he has one other obsession: he climbs and crosses the roofs high above the city. KÄTHE, who has a fear of heights and is very down-to-earth, is easily caught in the vortex of PAUL's Paul's music, which will give the movie its unique sound and rhythm, will also underscore "death wish" and verges on losing herself in her attempts to protect him. BELLA has to wit- the emotional turmoil of the protagonists. Music, however, will be a theme and leitmotif. ness how the two of them, whom she loves equally, begin to falter. She wants to save them, their love, and the three-way relationship — but is she able to? When PAUL develops an emotional crisis that threatens to tear the three apart and destroy the relationship, all three decide to undertake a joint journey to much higher rooftops: to the "roof of the world", deep into the mountain landscape of the Himalayas. PAUL has gone there often — whenever he's found himself in the need of regaining his footing. This is the first time, however, that he allows KÄTHE and BELLA to accompany him. There on the roof of the world, in total isolation, without the grounding stability of the familiar, their love is put to the ultimate test. 6 — GERMAN PROJECTS GERMAN PROJECTS — 7 AUGENSCHEIN English title: . .. MONSTER FILMPRODUKTION GMBH Original title . MONSTER Maximilian LEO Monster tells about holding on to someone by letting go and about how our greatest fear Neusser Straße, 5-7, 50670, Cologne, Germany can always give us a clue about what we miss the most. Email [email protected] Length: . 90’ Phone +49 (0)221 16950500 Genre: . Love story & family road movie / Dramedy Fax +49 (0)221 16950509 State of development: . Confirmed engagement with Scriptwriter Mobile +49 (0)163 2860097 . .Screenplay version n°7 www.augenschein-filmproduktion.de Producer: . Jonas KATZENSTEIN, Maximilian LEO Scriptwriter: . Kerstin POLTE Director: . Kerstin POLTE Shooting Period: . May - June 2016 Shooting Locations: . Germany, Switzerland Budget: . 2 .5 M€ PRODUCER’S NOTE Secured financing: . 770,000 € Partners attached: . CognitoFilms (Switzerland) When we read Kerstin Polte’s first synopsis of MONSTER we knew that this is the right story Looking for: . French Co-Producer, Distributors, World Sales for her great poetic style. With her final shorts she already had proven her skill in blen- . .and other financing partners ding the awkwardness of strange daily life situations with the deep almost surreal depths of human emotions. We knew that the director’s handwriting and the emotional and yet accessible story were a very good package right from the start. Charlotte’s main conflict is SYNOPSIS easy to understand, she does not have the time to wait anymore. She embarks on a journey thus leading her whole family, her husband, her daughter and her granddaughter into a Simply living towards the grave is not what Charlotte (58) wants. Her husband Paul (62) route towards life and love. During this trip each family member faces his own “monster” is a recently retired risk assessor who is trying to keep himself busy. He doesn`t notice his and by overcoming these fears, everyone finds the access to love. It is a wonderful story wife`s restlessness. The passion she is longing for is not to be expected from the quiet stoic though never has been an easy one to write. The script for MONSTER was developed wit- any time soon. To make things worse there is a growing suspicion that something is not hin The Munich Screenplay Workshop and was elected by the European Training program right with her. Lately, a lot of little details vanish from her memory. Their daughter Vera (36) of EKRAN. MONSTER also enabled us to already raise the interest of the German broad- is a hot-tempered driving instructor who is deeply entangled in her own unhappiness. To casters SR and WDR. Kerstin Polte is a Suisse-German filmmaker and according to the avoid getting hurt she is a keen practitioner of the pre-emptive strike in emotional matters. border crossing script, the project was set up as an international co-production from the It is hardly surprising that she is quite lonely. But she doesn’t believe in love anyway. Her start. The Rendez-Vous in Marseille would be the best place for finding a matching French daughter Jo (12) has been declared highly talented and Vera tries everything to transform partner with whom we can fulfill the project’s high potential to attract an international her into a normal girl. Jo has more important things on her mind though. With analytical audience skill and the unspoiled mind of an underage philosopher she tackles the big questions of life and death not at last because her cat Bootsmann has just died after falling from the balcony. The tightly scheduled eventlessness of Charlotte’s everyday life and the fact that the truly important things are always left unsaid in this family becomes more suffocating. Charlotte’s fear of disappearing before her life even started prompts her to rebel more and more. When Charlotte eventually leaves her old life behind at a filling station to go on a roadtrip with her granddaughter and the dead cat, Paul and Vera are left puzzled and somewhat shocked. Charlottes and Jo’s first impulse just to run away develops more and more into a self-determined new beginning. Far away from their old patterns they dive into the here and now, encountering their fear, their monsters, and they welcome the surprises that life and love has to offer. But Paul catches up to Charlotte. And on her way to struggle back to her daughter Vera falls deeply in love with someone she would have never expec- ted. Paul’s plan to bring Charlotte back to their old life quickly gives way to realize that life will never again be what it was.
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