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Broacher of Our Instructional Dvds
Anthony De Longis Whip Video Products & Palpable Hit Productions Whip Cracking With The Masters - DVD With over 33 years of professional $34.95 stage and film experience, as a An introduction to bullwhip cracking - on the ground performer, choreographer and trainer to and horseback – featuring Anthony De Longis and the stars, Anthony De Longis has refined Colin Dangaard. Produced by the Australian Stock techniques that will assist any actor & Saddle Company. director in telling a compelling and dynamic story, safely and convincingly. Mastering the Bullwhip - DVD $34.95/volume A collegiate saber champion, he has or $64.95/set nearly 4 decades experience with swords, The De Longis rolling style utilizes structure and his first martial art. He trained to Black alignment to produce explosive energy in the Belt in Tae Kwon Do before beginning bullwhip with a minimum of effort. His methods training with Guro Dan Inosanto in 1985. combine knowledge and martial arts training to safely De Longis used this experience to create generate and focus the 700 mph velocity of the his unique “rolling” bullwhip style and world's fastest and most powerful flexible weapon. evolve effective multi-range combative whip techniques. Volume 1: Anatomy of the Bullwhip - De Longis teaches you to cultivate this supersonic ally and develop The mandate of Anthony’s company, safe and consistent accuracy, the essential foundation to Palpable Hit Productions, is to support mastering the intricate flowing combinations that are his the teaching of combat arts – historical trademark. It's step-by-step and as easy as walking. and modern, and to teach and promote Volume 2: Faster Than a Speeding Bullet - De & safe and exciting fight choreography in Longis assembles the individual throws presented in theatre, film and television. -
The Concealment of Violence in the History of Fencing: Semantics, Codification, and Deterritorialization
The Philosophical Journal of Conflict and Violence Vol. II, Issue 2/2018 © The Authors 2018 Available online at http://trivent-publishing.eu/ The Concealment of Violence in the History of Fencing: Semantics, Codification, and Deterritorialization Elise Defrasne Ait-Said Cognition and Action Group (UMR 8257, Université Paris-Descartes), France Abstract: Depending on historical periods and individual perspectives, fencing has been defined in various ways. Indeed, fencing has been regarded as an art, and/or a science, and/or a sport, and/or a game. This paper shows that those various attempts to define fencing throughout history are strategies aiming to conceal the founding violence of fencing (although these strategies do not prevent the emergence of further forms of violence). The study demonstrates that these strategies pertain to semantics, to regulation and codification of fencing, and to more recent phenomena which are linked to the deterritorialization of the practice of fencing. Keywords: Jules Barbey d'Aurevilly; Gilles Deleuze; Roger Caillois; Deterritorialization; Duelling; Fencing; Game; History; Sport; Violence. The PJCV Journal is published by Trivent Publishing. This is an Open Access article distributed in accordance with the Creative Commons Attribution Non Commercial (CC-BY-NC-ND 4.0) license, which permits others to copy or share the article, provided original work is properly cited and that this is not done for commercial purposes. Users may not remix, transform, or build upon the material and may not distribute the modified material (http://creativecommons.org/licenses/by-nc/4.0/) The Concealment of Violence in the History of Fencing: Semantics, Codification, and Deterritorialization Elise Defrasne Ait-Said Cognition and Action Group (UMR 8257, Université Paris-Descartes), France Abstract: Depending on historical periods and individual perspectives, fencing has been defined in various ways. -
NWFC MEMBER HANDBOOK Updated 5-1-18 Table of Contents
ASPIRE - INSPIRE - PERSPIRE NWFC MEMBER HANDBOOK Updated 5-1-18 Table of Contents ABOUT NWFC 7 OUR MISSION 7 ABOUT US 7 NONPROFIT 7 Fred Meyer Community Rewards & AmazonSmile 7 Employer matching 7 Personal donations 7 Areas of support include 8 BRIEF HISTORY 8 CLASSES 9 YOUTH: AGES 4-13 9 Youth Intro to Fencing 9 Mini Fencers (Ages 4-6) 9 Youth One (Ages 7-12) 9 Youth Two (Ages 7-12) 9 1 ASPIRE - INSPIRE - PERSPIRE Youth Two With Lessons 9 Homeschool 9 ADULT: AGES 13+ 10 Adult Intro to Fencing 10 Evening Epee 10 CORE = COmpetitive + REcreation 10 COMPETITIVE: AGES 14+ 10 TERM COMMITMENTS 10 Youth Two with Lessons & Competitive 10 ACTIVITIES BEYOND CLASSES 12 OPEN BOUTING 12 PRIVATE LESSONS 12 CAMPS 13 International Foil and Epee Winter Camp 13 Youth Camp - 5 days - summers 13 International Foil and Epee Camps - summer, 6 days plus tournament 13 Pre Nationals Camp - 5 days, the week before Summer challenge 13 Adult Camp - November, 3 days and Memorial Day weekend, 3 days 13 EVENTS 13 Fencing Soiree evenings 13 Game Nights 14 Star Wars Nights - December 14 Armory Clinics 14 MEMBERSHIP 15 BENEFITS 15 REQUIREMENTS 15 US Fencing Membership 15 RESIDENT MEMBERSHIPS 15 SPECIAL MEMBERSHIPS 16 Guest 16 2 ASPIRE - INSPIRE - PERSPIRE Associate 16 CODE OF CONDUCT 16 Sportsmanship 16 Scoring/Referees 17 No Discrimination 17 Payments 17 Physical Safety 17 COMMUNICATION AND ONLINE RESOURCES 18 NWFC COMMUNICATION 18 COACHES CORNER 18 Fencer evaluations: Twice a year, fencers schedule time with their coach to review progress, set training and competition goals, and map out future plans. -
Combat Maneuvers
Combat Maneuvers May be used with Combat Options Maneuver Option Description Movement Active Defenses Determined Melee: +4 to hit Ranged: +1 to hit Double Make 2 attacks. The first will unready unbalanced weapons. Feint Feint, then one attack. The Feint only applies to this attack. Strong +2 damage or +1/die, whichever is better All-Out Attack +1 yard of reach Half (forward) None No penalty to thrust attacks, -2 damage or -1/die to swing attacks, whichever is worse. Long The maneuver ends up in a kneeling position, any non two-handed weapon wielder can make a DX roll to end in a crouch. Can't be used with defensive grip. Suppression Fire Ranged weapon with RoF 5+. Spray area with fire for entire turn. Determined +2 to hit OR Committed +1 step Cannot parry/block with attack Attack Step weapon/arm or dodge if he kicked. +1 to damage OR All other defenses at -2. Strong -2 to hit, +1 damage, and +1 step Attack Make a melee, close combat, or ranged attack Step Any You can move and attack. Melee attacks suffer a -4 penalty and cannot exceed an effective skill of 9. Any, but cannot parry with the Move and Attack Ranged attacks suffer a -2 penalty or the bulk penalty, whichever is worse Full attacking weapon, nor can you If you aim previously, the aim bonuses are lost. retreat. -2 to damage or -1/die of damage whichever is worse, target gets +1 to defend Balanced against a grapple AND +1 to Parry or Block OR Defensive Attack with kick +2 on rolls to avoid Leg Grapples and to avoid falling. -
USA Fencing Rules for Competition Ii Version 6/1/18 Preface
FENCING RULES June 2018 Foreword This American Version of the international rules governing fencing competitions is translated and adapted from the 2001 French edition published by the FIE and incorporates changes made by the FIE Congresses and adopted by the USA Fencing Board of Directors through August 2016. Unless otherwise noted here or in the USA Fencing Operations Manual, these rules apply to fencing competitions in the United States. The publication in electronic format with year and revision dating at the bottom of each page is intended to simplify the incorporation of future changes to the rules. Updates to the rules will be made available as approved on the Fencing Officials Commission website. The United States Fencing Association, Inc. doing business as USA Fencing (founded as the Amateur Fencers League of America in 1891) is a not-for-profit, tax-exempt organization primarily engaged in increasing participation in the sport of fencing. Membership in USA Fencing, in an appropriate category, is open to anyone who has an interest in fencing. USA Fencing is the official governing body for amateur fencing activities in the United States, and is so recognized by the Unites States Olympic Committee and the International Fencing Federation (FIE). Accordingly, the authority to enact, amend, and repeal the rules governing amateur fencing in the United States rests solely with the Board of Directors of USA Fencing. As a matter of policy, USA Fencing normally follows the technical rules enacted for the sport by the FIE, with occasional minor exceptions that are duly announced. The rules for fencing, as set forth in this book, therefore apply to all USA Fencing championships and nationally-rated competitions, and, unless exceptions have been announced in advance by the appropriate authorities, apply also to all events scheduled by any Section or Division of USA Fencing, or held under USA Fencing auspices. -
Competition Rules and Regulations
Competition Rules and Regulations as at 1 January 2017 4 COMPETITION RULES - 01 GENERAL ASPECTS COMPETITION UIPM COMPETITION RULES AND REGULATIONS as at 1 January 2017 table of CONTENTS COMPETITION RULES 01MP - General Aspects Pg. 6 02MP - Fencing Pg. 30 03MP - Swimming Pg. 52 04MP - Riding Pg. 62 05MP - Laser-Run Pg. 80 06UIPM - Biathle Pg. 108 07UIPM - Triathle Pg. 116 EQUIPMENT REGULATIONS 01MP - General Aspects Pg. 123 02MP - Fencing Pg. 124 03MP - Swimming Pg. 138 04MP - Riding Pg. 140 05MP - Laser-Run Pg. 144 6 COMPETITION RULES - 01 GENERAL ASPECTS COMPETITION 01 GENERAL ASPECTS ABBREVIATIONS BAD Business Affairs Delegate NF National Federation CCh Continental Championships NTO National Technical Observer CISM Conseil Internationale du OG Olympic Games Sport Militaire PWR Pentathlon World Ranking EB Executive Board TC Technical Committee FOP Field of Play TD Technical Delegate HQ Headquarters TM Technical Meeting IJ International Judges UIPM Union Internationale de IOC International Olympic Pentathlon Moderne Committee WCC World Cup Competition LOC Local Organising Committee WCF World Cup Final Mins minutes WCh World Championships MD Medical Delegate YOG Youth Olympic Games MP Modern Pentathlon UIPM COMPETITION RULES AND REGULATIONS as at 1 January 2017 7 PART A MODERN PENTATHLON - CONTENTS COMPETITION RULES - 01 GENERAL ASPECTS COMPETITION 1.1 SPHERE OF APPLICATION 1.2 1 Age Groups 2 Calculating age AGE GROUPS 1.3 1 The Five Disciplines 2 Disciplines in Youth Competitions THE EVENTS 1.4 1 The Official UIPM Competitions in 3 OG -
Glossary of Terms, 2016 (PDF Version)
The Society of American Fight Directors GLOSSARY OF TERMS (revised as of 3/19/16) It is important to note that the terms listed below may not correspond to the proper definitions of the actions as they are applied to historical or modern fencing, swordplay, boxing or wrestling. These terms are theatrical in nature, not tactical, describing the action as it is executed in the performance environment. General Use Terms Active Hand: The non-weapon bearing hand used to block, check, lock, parry, strike, or trap the opposing weapon or parts of a partner’s body. Attacker (also called Aggressor): The actor/combatant who initiates the offensive action or attack. Center Line: An imaginary line that bisects the body. Horizontal Center Line (also called Mid Line): The imaginary line that bisects the body horizontally at waist level delineating High Line and Low Line. Vertical Center Line: The imaginary line that bisects the body vertically through the center delineating Inside Line and Outside Line. Cue: a physical action or event that is a signal for someone to do something. Cue-Reaction-Action: A basic stage combat principle/process used to achieve a safe and dramatically effective sequence of events Distance (also called Measure, Fighting Measure, and/or Fencing Measure): The proper measure between two or more combatants to safely execute any particular technique in stage combat. En Garde: The basic physical "ready" position of a combatant. Eye Contact: A look to one’s partner to assure mutual awareness and readiness to perform the techniques. Fighting Measure/Fencing Measure): see Distance Hand Positions: Pronation: The palm is turned down. -
Fencing Rules
FENCING RULES 1995 Edition United States Fencing Association, Inc. © United States Fencing Association, Inc. 1995 FOREWORD This American version of the international rules governing fencing competitions is translated and adapted from the 1994 French edition published by the FIE and incorporates changes made by the FIE Congresses through 1995. Unless otherwise noted here or in the USFA Operations Manual, these rules apply to fencing competitions in the United States. Two appendices are included with this 1995 edition: Appendix A – The Fencer’s Publicity Code is part of the FIE Rules for Competitions. Appendix B – The FIE has published a number of “Temporary Provisions” concerning competition formats and certain other rules. The complete, updated text is included in Appendix B; notes are also located in the text in appropriate locations. The USFA, Inc. (founded as the Amateur Fencers League of America in 1891) is a not-for-profit, tax-exempt organization primarily engaged in increasing participation in the sport of fencing. Membership in the USFA, in an appropriate category, is open to anyone who has an interest in fencing. The USFA is the official governing body for amateur fencing activities in the United States, and is so recognized by the United States Olympic Committee and the International Fencing Federation (FIE). Accordingly, the authority to enact, amend, and repeal the rules governing amateur fencing in the United States rests solely with the Board of Directors of the USFA. As a matter of policy, the USFA normally follows the technical rules enacted for the sport by the FIE, with occasional minor exceptions that are duly announced. -
African-Americans Taking a Stand 6Th – 8Th Grade Note: This Is a Sample of What Can Be Done Over Two Weeks
Title/Grade Level African-Americans Taking a Stand 6th – 8th Grade Note: This is a sample of what can be done over two weeks. Please use the texts of your choice and feel free to add activities, questions, protocols, graphic organizers, etc.… Teachers are encouraged to introduce students to multiple historical African-American figures, past and present, that took a stand for social justice. Essential Question(s) How has an African American Leader taken a stand for social justice in the United States? CCSS Standard (s): CCSS.ELA-LITERACY.RL.6.1 Cite textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text. CCSS.ELA-LITERACY.RL.6.2 Determine a theme or central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments. CCSS.ELA-LITERACY.RL.6.4 Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of a specific word choice on meaning and tone. CCSS.ELA-LITERACY.RL.6.7 Compare and contrast the experience of reading a story, drama, or poem to listening to or viewing an audio, video, or live version of the text, including contrasting what they "see" and "hear" when reading the text to what they perceive when they listen or watch. CCSS.ELA-LITERACY.W.7.2.B Develop the topic with relevant facts, definitions, concrete details, quotations, or other information and examples. CCSS.ELA-LITERACY.W.7.2.C Use appropriate transitions to create cohesion and clarify the relationships among ideas and concepts. -
Pietro Monte
THE COLLECTION OF RENAISSANCE MILITARY ARTS AND EXERCISES OF PIETRO MONTE A TRANSLATION OF THE EXERCITIORUM ATQUE ARTIS MILITARIS COLLECTANEA BY MIKE PRENDERGAST AND INGRID SPERBER THE COLLECTION OF RENAISSANCE MILITARY ARTS AND EXERCISES OF PIETRO MONTE Translation © 2018 Mike Prendergast Translation by Mike Prendergast and Dr. Ingrid Sperber. This translation is freely available for non-commercial use. THE TRANSLATORS MIKE PRENDERGAST Mike Prendergast has been researching, practising and teaching historical strategy and martial arts since 1999. His main focus is on the art of fencing of Renaissance Italy. Initially studying Bolognese fencing, he moved to specialise in the system of Fiore dei Liberi (c. 1410) and the rapier style of Nicoletto Giganti (1606), before embarking on his study of Monte. Having initially started with Japanese martial arts, Mike discovered historical European fencing through the international medievalist group, the Society for Creative Anachronism, where he has received the society's highest award for research, the Laurel. In 2015 he was appointed one of the three premier Masters of Defence for the European branch of the society. Mike instructs in rapier and longsword with SCA Dun in Mara and interprets and teaches the martial arts of Pietro Monte, as chief instructor with the Historical Combat Academy, in Dublin, Ireland. He also teaches internationally at Historical European Martial Arts events and hosted the 2015 International Rapier Seminar. Mike competes internationally in tournaments and has taken medals in a variety of weapon forms including gold in rapier and sword & buckler. He also trained for several years in Hyoho Niten Ichi Ryu, the traditional Japanese style of swordsmanship founded by the famous duellist and strategist Miyamoto Musashi. -
SCA Fencing Marshals' Handbook April 2020 Page 1 of 41
Copyright © 1985, 1989, 1992, 1994, 2000, 2002, 2006, 2007, 2008, 2012, 2013, 2015, 2018, 2020 by The Society for Creative Anachronism, Inc. All Rights Reserved. This handbook is an official corporate publication of the Society for Creative Anachronism, Inc., a nonprofit organization dedicated to researching and recreating the customs, combat and courtesy of the Middle Ages and the Renaissance. Copies of this document can be ordered from SCA Marketplace, PO Box 360789, Milpitas, CA 95036-0789 Members of the Society for Creative Anachronism, Inc., may photocopy this work in whole or in part for SCA use provided that copyright credit is given and no changes are made to the text. The contents of this document will be posted at http://www.sca.org and further reproduction on other Internet sites is expressly forbidden. SCA Fencing Marshals’ Handbook April 2020 Page 1 of 41 Society Marshal’s Forward to the April 2020 Edition The document you are reading is the result of a number of years’ effort and has been worked on by countless people. Over 500 comments were received during the recent period for public commentary alone. Further, the document has been the subject of not one, but several committees along the way. The objectives of all this work are to provide an updated, re-organized handbook for fencing in the Society, to expand our game by making available new activities and weapons, as well as to document rules for activities that have been in use but unregulated for some years. Further, we have attempted to organize a document which, over the years, has often been added to, but seldom fully revised. -
Terms of Use Under a Creative Commons License
Terms of Use under a Creative Commons license. You are free to copy, distribute, and display this article under the following conditions: You must provide attribution to the author and the Lord Collection, and make these license terms clear to others. You may not modify the article, and you may not use it for commerical purposes. You may view the complete terms of the license below: creativecommons.org/licenses/by-nc-nd/2.5/ To download other works in the Lord Collection, and for more information, please visit: www.umass.edu/renaissance/lord Practice for the Duel Dr. Patri J. Pugliese Academia in Artibus Desuetis Many manuals were pub- ous staff weapons. lished in Sixteenth Century Europe He then turns to on the use of arms both in war and “The Second Part in individual combat. For the most intreatinge of De- part, these manuals give detailed in- ceites and Falsing- structions on the manner of doing es of Blowes and great harm to your opponents while Thrustes.” Di Gras- contravening their attempts to harm si explains that he is you. Occasionally, however, these including this sec- Figure 3. Photograph of tip of prac- manuals will discuss activities that tion because he had tice rapier in the Victoria & Albert are part of a training regimen rather promised to do so Museum, London. than, in themselves, movements that earlier in the treatise, one would carry out in combat. These and also “to satisfie those who are greatly delighted discussions sometimes explicitly ad- to skirmish, not with pretence to hurt or overcome, dress what might better be called but rather for their exercise & pastime.”3 He explains sport fencing than actual combat.