Mad and Bad Media: Populism and Pathology in the British Tabloids
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A Sheffield Hallam University Thesis
Taboo : why are real-life British serial killers rarely represented on film? EARNSHAW, Antony Robert Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20984/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20984/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Taboo: Why are Real-Life British Serial Killers Rarely Represented on Film? Antony Robert Earnshaw Sheffield Hallam University MA English by Research September 2017 1 Abstract This thesis assesses changing British attitudes to the dramatisation of crimes committed by domestic serial killers and highlights the dearth of films made in this country on this subject. It discusses the notion of taboos and, using empirical and historical research, illustrates how filmmakers’ attempts to initiate productions have been vetoed by social, cultural and political sensitivities. Comparisons are drawn between the prevalence of such product in the United States and its uncommonness in Britain, emphasising the issues around the importing of similar foreign material for exhibition on British cinema screens and the importance of geographic distance to notions of appropriateness. The influence of the British Board of Film Classification (BBFC) is evaluated. This includes a focus on how a central BBFC policy – the so- called 30-year rule of refusing to classify dramatisations of ‘recent’ cases of factual crime – was scrapped and replaced with a case-by-case consideration that allowed for the accommodation of a specific film championing a message of tolerance. -
Male and Female Murderers in Newspapers: Are They Portrayed Differently?
Male and female murderers in newspapers: Are they portrayed differently? Bethany O’Donnell Email: [email protected] Abstract This research aims to identify any similarities and differences in the reporting of male and female murderers in broadsheet and tabloid newspapers. In order to gain a stronger insight into the issue, two case studies have been selected, one male and one female. Through the method of thematic analysis, this article examines how the female serial murderer Joanna Dennehy was represented compared with the male serial murderer Stephen Griffiths in a selection of articles from national newspapers. During this process, reoccurring themes were discovered that are discussed in the analysis. These themes are ‘labelling’ and ‘blaming others’. ‘Labelling’ is divided into sub- themes of ‘mental illness’ and ‘sexualisation and de-humanisation’. The aforementioned themes are discussed in the analysis. It was found that the gender of a serial murderer does dictate how they are portrayed in tabloid newspapers. This is also true for broadsheet newspapers to a lesser extent. For example, this research shows that Joanna Dennehy is represented as mentally ill, whereas this is not as prominent for Stephen Griffiths, despite him committing similar acts. Furthermore, Dennehy is de-humanised in both types of newspaper, although to a greater degree in tabloid newspapers. It was discovered that Griffiths was not subjected to the same de-humanisation. These findings concur with previous research outlined in the literature review, though the themes mentioned in the discussion do not occur as blatantly as some researchers suggest they do for other female murderers in the media. -
Before the Murdoch Takeover: New Evidence Indicating the Need for a Further “Fit and Proper” Review
Before the Murdoch takeover: new evidence indicating the need for a further “Fit and Proper” review AVAAZ, 8th March 2017. Submission for Karen Bradley, Secretary of State for Culture Media and Sport Introduction An acquisition of Sky Plc. by 21st Century Fox (21CF) would result in a major expansion of the influence of the Murdoch Family Trust (MFT) over Sky. In 2012 Ofcom was highly critical of the role of James Murdoch who was CEO and Chairman of News International during the period of criminal and other reprehensible conduct at that organisation. This submission details a long list of wrongdoings and criminal misgovernance that has emerged since Ofcom reviewed the licenses held by BSkyB in 2012. It also draws attention to an unfolding sexual harassment epidemic being unearthed at Fox News in the US. The Secretary of State notes in her 6th March 2017 letter1 to 21CF and Sky that 21CF’s record of compliance with the broadcasting code might reflect on the culture or corporate governance at 21CF. The “huge failings of corporate governance” at News Corporation, the precursor company to 21CF were noted in the Culture, Media and Sport Committee on News International and Phone Hacking and the Secretary of State herself acknowledges that James Murdoch’s actions during this time was a “failure of corporate governance.” The shocking scale of corporate misgovernance and criminal conduct make it incumbent upon the Secretary of State to exercise her powers under Section 58(3) of the Communications Act 2003, to refer the Sky bid on broader public interest grounds than those she currently says she is minded to exercise. -
Stories of Women's Fear During the 'Yorkshire Ripper' Murders Louise
Exploring Gender and Fear Retrospectively: Stories of Women’s Fear during the ‘Yorkshire Ripper’ Murders Louise Wattis* Department of Criminology, School of Social Sciences and Law, Teesside University, United Kingdom Clarendon Building Teesside University Borough Road Middlesbrough, United Kingdom Ts5 6ew (44) 1642 384463 [email protected] Ackn: N CN: Y Word count: 9103 Exploring Gender and Fear Retrospectively: Stories of Women’s Fear during the ‘Yorkshire Ripper’ Murders Abstract The murder of 13 women in the North of England between 1975 and 1979 by Peter Sutcliffe who became known as the Yorkshire Ripper can be viewed as a significant criminal event due to the level of fear generated and the impact on local communities more generally. Drawing upon oral history interviews carried out with individuals living in Leeds at the time of the murders, this article explores women’s accounts of their fears from the time. This offers the opportunity to explore the gender/fear nexus from the unique perspective of a clearly defined object of fear situated within a specific spatial and historical setting. Findings revealed a range of anticipated fear-related emotions and practices which confirm popular ‘high-fear’ motifs; however, narrative analysis of interviews also highlighted more nuanced articulations of resistance and fearlessness based upon class, place and biographies of violence, as well as the way in which women drew upon fear/fearlessness in their overall construction of self. It is argued that using narrative approaches is a valuable means of uncovering the complexity of fear of crime and more specifically provides renewed insight onto women’s fear. -
Linguistic Means of Expressing Gender in British Quality Newspapers
Jihočeská univerzita v Českých Budějovicích Pedagogická fakulta Katedra anglistiky Diplomová práce Linguistic Means of Expressing Gender in British Quality Newspapers Jazykové prostředky vyjadřující rodovou neutralitu v britském seriózním tisku Vypracovala: Radka Mrňová Vedoucí práce: Mgr. Jana Kozubíková Šandová, Ph.D. České Budějovice 2013 Acknowledgements First and foremost, I would like to thank my supervisor, Mgr. Jana Kozubíková Šandová, Ph.D, for her generous guidance, invaluable advice, constant encouragement and support. I am also very grateful to Sheldon Bassett, M.A., for his language supervision and editorial comments. Prohlášení Prohlašuji, že jsem diplomovou práci na téma Linguistic Means of Expressing Gender in British Quality Newspapers vypracovala samostatně pouze s použitím pramenů uvedených v seznamu citované literatury. Prohlašuji, že v souladu s § 47b zákona č. 111/1998 Sb. v platném znění souhlasím se zveřejněním své diplomové práce, a to v nezkrácené podobě elektronickou cestou ve veřejně přístupné části databáze STAG provozované Jihočeskou univerzitou v Českých Budějovicích na jejích internetových stránkách, a to se zachováním mého autorského práva k odevzdanému textu této kvalifikační práce. Souhlasím dále s tím, aby toutéž elektronickou cestou byly vsouladu s uvedeným ustanovením zákona č. 111/1998 Sb. zveřejněny posudky školitele a oponentů práce i záznam o průběhu a výsledku obhajoby kvalifikační práce. Rovněž souhlasím s porovnáním textu mé kvalifikační práce s databází kvalifikačních prací Theses.cz provozovanou Národním registrem vysokoškolských kvalifikačních prací a systémem na odhalování plagiátů. V Českých Budějovicích 24. června 2013 …………………………. ABSTRACT This diploma thesis analyses various ways of expressing gender neutrality in present- day English. This is a highly contemporary issue to be traced in both written and spoken language. -
A Better Death in a Digital Age: Post
Publishing Office Aims and scope Abramis Academic ASK House Communication ethics is a discipline that supports communication Northgate Avenue practitioners by offering tools and analyses for the understanding of Bury St. Edmunds ethical issues. Moreover, the speed of change in the dynamic information Suffolk environment presents new challenges, especially for communication IP32 6BB practitioners. UK Tel: +44 (0)1284 700321 Ethics used to be a specialist subject situated within schools of philosophy. Fax: +44 (0)1284 717889 Today it is viewed as a language and systematic thought process available Email: [email protected] to everyone. It encompasses issues of care and trust, social responsibility and Web: www.abramis.co.uk environmental concern and identifies the values necessary to balance the demands of performance today with responsibilities tomorrow. Copyright All rights reserved. No part For busy professionals, CE is a powerful learning and teaching approach that of this publication may be reproduced in any mate- encourages analysis and engagement with many constituencies, enhancing rial form (including pho- relationships through open-thinking. It can be used to improve organization tocopying or storing it in performance as well as to protect individual well-being. any medium by electronic means, and whether or not transiently or incidentally Submissions to some other use of this Papers should be submitted to the Editor via email. Full details on submission – publication) without the along with detailed notes for authors – are available online in PDF format: written permission of the www.communication-ethics.net copyright owner, except in accordance with the provisions of the Copyright, Subscription Information Designs and Patents Act Each volume contains 4 issues, issued quarterly. -
Cultural Representations of the Moors Murderers and Yorkshire Ripper Cases
CULTURAL REPRESENTATIONS OF THE MOORS MURDERERS AND YORKSHIRE RIPPER CASES by HENRIETTA PHILLIPA ANNE MALION PHILLIPS A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages School of Languages, Cultures, Art History, and Music College of Arts and Law The University of Birmingham October 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis examines written, audio-visual and musical representations of real-life British serial killers Myra Hindley and Ian Brady (the ‘Moors Murderers’) and Peter Sutcliffe (the ‘Yorkshire Ripper’), from the time of their crimes to the present day, and their proliferation beyond the cases’ immediate historical-legal context. Through the theoretical construct ‘Northientalism’ I interrogate such representations’ replication and engagement of stereotypes and anxieties accruing to the figure of the white working- class ‘Northern’ subject in these cases, within a broader context of pre-existing historical trajectories and generic conventions of Northern and true crime representation. Interrogating changing perceptions of the cultural functions and meanings of murderers in late-capitalist socio-cultural history, I argue that the underlying structure of true crime is the counterbalance between the exceptional and the everyday, in service of which its second crucial structuring technique – the depiction of physical detail – operates. -
References for L'affaire Wakefield: Shades Of
REFERENCES FOR L’AFFAIRE WAKEFIELD: SHADES OF DREYFUS 1 Alpha-1-Antitrypsin, Autism, And Coeliac Disease, John Walker-Smith and Judith Andrews, The Lancet, 1972; cited by Professor Walker-Smith in his autobiography, Enduring Memories, 2012, p. 211-3; Perinatal Measles Infection And Subsequent Crohn’s Disease. Ekbom A, Wakefield AJ, Zack M, Adami HO. Lancet 1994; Detection Of Immunoreactive Antigen, With A Monoclonal Antibody To Measles Virus, In Tissue From A Patient With Crohn's Disease, Hiroyuki Miyamoto, Tomoyuki Tanaka, Noritoshi Kitamoto, Yoshihiro Fukuda, Takashi Shimoyama, Journal of Gastroenterology, 1995 2 Closed Financial Loops, Kevin De Jesus-Morales and Vinay Prasad , The Hastings Center, 2017 3 Of Measles and Flu, Editor’s Choice, Fiona Godlee, October 2006 4 The Tamiflu Trials, Editorial by Elizabeth Loder, David Tovey, and Fiona Godlee, BMJ, 2014 5 The Next MMR – Could We Do Better? Fiona Godlee, Head of BMJ Knowledge, power point presentation, British National Formulary, 2004 6 Reflections on Investigating Wakefield, Brian Deer, BMJ, February 2, 2010 7 Deposition of Jane Smith, BMJ Deputy Editor June 28, 2012, Wakefield vs. BMJ (Texas litigation) BMJ 8523, p. 45-46 8 How The Case Against The MMR Vaccine Was Fixed, BMJ, January 6, 2011; How The Vaccine Crisis Was Meant To Make Money, BMJ, January 11, 2011; The Lancet’s Two Days To Bury Bad News, BMJ, January 18, 2011 9 Wakefield’s Article Linking MMR Vaccine And Autism Was Fraudulent , Editorial by Fiona Godlee, Editor-in-Chief; Jane Smith, Deputy Editor; Harvey Marcovitz, Associate Editor, BMJ, January 5, 2011 10 CNN, Anderson Cooper 360 Degrees, January 5, 2011 92 11 Merck’s MMR is the only one used in the U.S. -
“Dead Cities, Crows, the Rain and Their Ripper, the Yorkshire Ripper”: the Red Riding Novels (1974, 1977, 1980, 1983) of David Peace As Lieux D’Horreur ______
International Journal of Criminology and Sociological Theory, Vol. 6, No.3, June 2013, 43-56 “Dead Cities, Crows, the rain and their Ripper, The Yorkshire Ripper”: The Red Riding Novels (1974, 1977, 1980, 1983) of David Peace as Lieux d’horreur ________________________________________________________________________ Martin S. King1 Ian D. Cummins2 Abstract This article explores the role and importance of place in the Red Riding novels of David Peace. Drawing on Nora’s (1989) concept of Lieux de mémoire and Rejinders’ (2010) development of this work in relation to the imaginary world of the TV detective and engaging with a body of literature on the city, it examines the way in which the bleak Yorkshire countryside and the city of Leeds in the North of England, in particular, is central to the narrative of Peace’s work and the locations described are reflective of the violence, corruption and immorality at work in the storylines. While Nora (1984) and Rejinders (2010) describe places as sites of memory negotiated through the remorse of horrific events, the authors agree that Peace’s work can be read as describing L’ieux d’horreur; a recalling of past events with the violence and horror left in. Introduction Pierre Nora’s (1989) concept of Lieux de mémoire examines the ways in which a “rapid slippage of the present into a historical past that is gone for good” (Nora, 1989:7) is compensated for by the focus of memory on particular physical spaces. Nora (1989) outlines an idea of a modern world obsessed with the past and in search of roots and identity that are fast disappearing, a loss of collectively remembered values replaced by a socially constructed version of history as a representation of the past. -
Masaryk University Brno
MASARYK UNIVERSITY BRNO FACULTY OF EDUCATION Department of English Language Serial killers in the British press Diploma thesis Brno 2020 Supervisor: Author: Mgr. Renata Jančaříková, Ph.D. Bc. Lukáš Kačinetz 1 Deklarace „Prohlašuji, že jsem diplomovou práci vypracoval samostatně, s využitím pouze citovaných pramenů, dalších informací a zdrojů v souladu s Disciplinárním řádem pro studenty Pedagogické fakulty Masarykovy univerzity a se zákonem č. 121/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů (autorský zákon), ve znění pozdějších předpisů.“ V Brně dne 30.3.2020 ……………………………….. Bc. Lukáš Kačinetz 2 Acknowledgement I would like to express my gratitude to my supervisor Mgr . Renata Jančaříková, Ph.D. for her patience, kind and tolerant guidance and her support and help through the process of my writing. 3 Annotation The aim of this thesis is the analysis of the medial image of British serial killers. The analysis is conducted through the research of contemporary articles from newspapers, which report about three British serial killers - so called “Jack the Ripper'', Peter Sutcliffe (“The Yorkshire Ripper”) and Steve Wright (“The Suffolk Strangler”). The thesis describes briefly the case and its media portrayal, leading to the comparative analysis of the described cases. The thesis is divided into theoretical and practical part.The theoretical part describes medial English, news values and other phenomena, used by news reporting (Binary opposition, apeal of the negative news). The theoretical part also describes the research questions that the thesis focuses on. The practical part describes the three cases and comments their medial image. The frequential analysis is also presented. -
Download a PDF File of the Index for Volume 34
A index to volume 34 – 2012 compiled by h.e. knox Z INDEX Index of Authors: books reviewed are listed by author, with the title in italics and the reviewer’s name in brackets, followed by the issue number. Index of Reviewers: books reviewed are listed by reviewer, with the author’s name after the title. Subject Index: the subject is followed by the name of the author of the book discussed, with the reviewer’s name in brackets. Corres. refers to letters sent to the editor in response to the article listed, and printed in subsequent issues. Index of Original Contributions: all articles which are not strictly book reviews (features, diaries, poems, short stories) are listed here, as well as appearing in the index of authors. Index of Authors Abulafia, D.: The Great Sea: A Human History of the Bianchini, P.: Suret-Canale de la Résistance à l’anticolonialisme. Cockburn, P.: A Prehistory of Extraordinary Rendition. Mediterranean. (McGilchrist, N.) 34.6 (Johnson, R.W.) 34.18 (Feature) 34.17 Achebe, C.: There Was a Country: A Personal History of Biafra. Biggs, J.: Among the Writers. (Feature) 34.9 Coggan, P.: Paper Promises: Money, Debt and the New World (Adichie, C.) 34.19 Binet, L.: Translator Taylor, S. HHhH. (Newton, M.) 34.21 Order. (Kunkel, B.) 34.9 Acosta-Hughes, B. and Stephens, S.: Callimachus in Bloomer, M.: The School of Rome: Latin Studies and the Cohen, L.: All We Know: Three Lives. (Castle, T.) 34.18 Context. (Green, P.) 34.24 Origins of Liberal Education. (Whitmarsh, T.) 34.11 Coll, S.: Private Empire: ExxonMobil and American Power. -
The Expressive/Transformative Process of Violence Lee Mellor A
I Kill, Therefore I Am: The Expressive/Transformative Process of Violence Lee Mellor A Thesis In the Individualized Program Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Individualized Program) at Concordia University Montreal, Quebec, Canada July 2018 ©Lee Mellor, 2018 !"#!"$%&'()#&*+$,&-.( ,!/""0("1(2$'%)'-+(,-)%&+,! This is to certify that the thesis prepared By: Lee Mellor Entitled: I Kill, Therefore I Am: The Expressive Transformative Theory of Violence and submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Individualized program (INDI)) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: "#$%&! '&(!"#$&)*+!,*%++! !-./*&0$)!-.$1%0*&! '&(!2$&%0$!34&45#%0+6%! !-./*&0$)!/4! 7&48&$1! '&(!9&*8!:%*)+*0! !-.$1%0*&! '&(!-&%5!;%56*<! !-.$1%0*&! '&(!=1<!3>%??*0! -.$1%0*&! !'&(!@%A*6!@*06$/*+#! B#*+%+!3CD*&A%+4&! '&(!E*$0F,45#!G$C&*05*! =DD&4A*H!I<! '&(!,$5#*)!J*&8*&K(9&$HC$/*!7&48&$1!'%&*5/4&! !'*5*1I*&!LK!MNOP! '&(!7$C)$!Q44HF=H$1+K!'*$0! !35#44)!4?!9&$HC$/*!3/CH%*+ Abstract I Kill, Therefore I Am: The Expressive/Transformative Process of Violence Lee Mellor, Ph.D. Concordia University, 2018 Before the late-Industrial age, a minority of murderers posed their victims’ corpses to convey a message. With the rise of mass media, such offenders also began sending verbal communications to journalists and the authorities. Unsurprisingly, the 21st century has seen alienated killers promote their violent actions and homicidal identities through online communications: from VLOGs to manifestos, even videos depicting murder and corpse mutilation.