The Operatic Kitchen
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
F I R S T C O U R S E S E C O N D C O U R
FIRST COURSE Maine Lobster Salad 11 Organic “Fried” Egg, Parsley, Créme Fraîche and Caviar Cream Veal Sweetbreads 10 Buttermilk Celery Salad, Haricot Vert, Hedgehog Mushrooms and Sherry Vinaigrette Braised Pork Belly 9 Cider, Bourbon Barrel Soy Sauce, Caraway and Miso Caraway Gnudi 11 Hen of the Woods Mushroom, Braised Beef Cheeks and Swiss Chard Potato Wrapped Tuna 12 House Cured Bacon, Brussels Sprout Salad and Worcestershire Aioli Roasted Squab Breast 12 Yukon Gold Potato Salad and Hibiscus Sauce SECOND COURSE Oyster Velouté 10 Sweetbread Torchon, Tapioca Pearls and Poached Oyster Asian Style Chicken Broth 8 Vermicelli Galette, Kentucky Soy and Chicken Confit Mâche Salad 7 Fig and Brie “Grilled” Cheese, Port Wine Yuzu Vinaigrette and Candied Currants Blue Cheese Beignets 7 Spiced Honey Gastrique, Tart Greens, Butter Pears and Almond Tuile House Smoked Salmon 11 Tat Soi, Potato Pancake, Golden Raisin and Vidalia Onion Marmalade Salt Cured Foie Gras 13 Baby Arugula, Late Harvest Riesling and Pomegranate Gelée Baby Red Romaine Caesar 7 Grilled Crustini, White Anchovies and Garlic Parmesan Dressing Consuming raw or under cooked meat and seafood may increase your risk of food bourne illness. ENTRÉES Three Hour Prime New York Strip Loin 27 Semolina Gnocchi, Curly Spinach, Carrots and Red Wine Braised Ox Tails Braised Short Ribs 24 Spinach Gnudi, Salsify and Enoki Mushrooms Arctic Char 27 Littleneck Clams, Shimejii Mushrooms, Veal Sweetbreads and Verjus Sauce Roasted Duck 25 Braised Cabbage Pierogi, Cipollini Onions and Grain Mustard Sauce -
DISCOVERING LE MARCHE REGION Detailed Itinerary
DISCOVERING LE MARCHE REGION Departure: 16 June - 23 June 2021 (8 days/7 nights) The tour provides an excellent opportunity to experience the life in Italy’s best kept secret tourist destination: Le Marche Region, nestled between the Apennines and the Adriatic Sea. This tour leads you to fascinating hill towns vibrant with daily life surrounded by beautiful countryside. You will leisurely wander through cobbled streets and magnificent town piazze. The relaxed itinerary will allow time to enjoy the life on the Adriatic. The tour starts in Rome. There will be a relaxed walking tour of some of the main sites of Rome followed by an introductory dinner. Then it is off to the City of Pesaro in Le Marche Region, your home for the next 7 nights. From this base, guided day trips are organised to historical towns such as Urbino, Gradara and San Leo. One of the highlights will be a day in the Medieval town of Urbania for a unique cooking demonstration followed by a degustation lunch in an award winning osteria. You will have the possibility to experience the excellent hospitality of this beautiful Region which rivals its neighbours with its abundance of traditional local food and wine. You will enjoy leisurely lunches and special dinners in traditional restaurants and trattorie. This tour gives you the opportunity to enjoy the summer season when the entire Region is alive with music, markets and life. Detailed Itinerary Day 1 Rome (D) Your tour leaders will meet you at the hotel in the centre of Rome at 4.00pm. -
Discovery Marche.Pdf
the MARCHE region Discovering VADEMECUM FOR THE TOURIST OF THE THIRD MILLENNIUM Discovering THE MARCHE REGION MARCHE Italy’s Land of Infinite Discovery the MARCHE region “...For me the Marche is the East, the Orient, the sun that comes at dawn, the light in Urbino in Summer...” Discovering Mario Luzi (Poet, 1914-2005) Overlooking the Adriatic Sea in the centre of Italy, with slightly more than a million and a half inhabitants spread among its five provinces of Ancona, the regional seat, Pesaro and Urbino, Macerata, Fermo and Ascoli Piceno, with just one in four of its municipalities containing more than five thousand residents, the Marche, which has always been Italyʼs “Gateway to the East”, is the countryʼs only region with a plural name. Featuring the mountains of the Apennine chain, which gently slope towards the sea along parallel val- leys, the region is set apart by its rare beauty and noteworthy figures such as Giacomo Leopardi, Raphael, Giovan Battista Pergolesi, Gioachino Rossini, Gaspare Spontini, Father Matteo Ricci and Frederick II, all of whom were born here. This guidebook is meant to acquaint tourists of the third millennium with the most important features of our terri- tory, convincing them to come and visit Marche. Discovering the Marche means taking a path in search of beauty; discovering the Marche means getting to know a land of excellence, close at hand and just waiting to be enjoyed. Discovering the Marche means discovering a region where both culture and the environment are very much a part of the Made in Marche brand. 3 GEOGRAPHY On one side the Apen nines, THE CLIMATE od for beach tourism is July on the other the Adriatic The regionʼs climate is as and August. -
GNOCCHI and GNUDI for the Grain Free Foodie
GNOCCHI AND GNUDI For the Grain Free Foodie Simple and Scrumptious Gluten and Grain Free Gnocchi and Gnudi Recipes By FRESH DOH Shari McIntyre ©2018 FRESHDOH http://understandpublishing.com All Rights Reserved GNOCCHI AND GNUDI For the Grain Free Foodie© is solely owned by FRESH DOHTM, a division of Understand Publishing Inc. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any mean- electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. This e-book is licensed for your personal enjoyment only. This e-book may not be re-sold. If you would like to share this book with another person, please purchase an additional copy for each recipient. All recommendations are made without guarantee on the part of the author or Understand Publishing. Every effort has been made to ensure the information contained in this book is complete and accurate. However, neither the publisher nor the author is engaged in rendering professional advice or services to the individual reader. The ideas, procedures, and suggestions contained in this book are not intended as a substitute for consulting with your physician. All matters regarding your health require medical supervision. The author and publisher disclaim any liability in connection with the use of this information, and for any omissions that may have occurred. Limit of Liability/Disclaimer of Warranty: While the publisher and author have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. -
1. Early Years: Maria Before La Callas 2. Metamorphosis
! 1. EARLY YEARS: MARIA BEFORE LA CALLAS Maria Callas was born in New York on 2nd December 1923, the daughter of Greek parents. Her name at birth was Maria Kalogeropoulou. When she was 13 years old, her parents separated. Her mother, who was ambitious for her daughter’s musical talent, took Maria and her elder sister to live in Athens. There Maria made her operatic debut at the age of just 15 and studied with Elvira de Hidalgo, a Spanish soprano who had sung with Enrico Caruso. Maria, an intensely dedicated student, began to develop her extraordinary potential. During the War years in Athens the young soprano sang such demanding operatic roles as Tosca and Leonore in Beethoven’s Fidelio. In 1945, Maria returned to the USA. She was chosen to sing Turandot for the inauguration of a prestigious new opera company in Chicago, but it went bankrupt before the opening night. Yet fate turned out to be on Maria’s side: she had been spotted by the veteran Italian tenor, Giovanni Zenatello, a talent scout for the opera festival at the Verona Arena. Callas made her Italian debut there in 1947, starring in La Gioconda by Ponchielli. Her conductor, Tullio Serafin, was to become a decisive force in her career. 2. METAMORPHOSIS After Callas’ debut at the Verona Arena, she settled in Italy and married a wealthy businessman, Giovanni Battista Meneghini. Her influential conductor from Verona, Tullio Serafin, became her musical mentor. She began to make her name in grand roles such as Turandot, Aida, Norma – and even Wagner’s Isolde and Brünnhilde – but new doors opened for her in 1949 when, at La Fenice opera house in Venice, she replaced a famous soprano in the delicate, florid role of Elvira in Bellini’s I puritani. -
Composition Catalog
1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound. -
Bellini's Norma
Bellini’s Norma - A discographical survey by Ralph Moore There are around 130 recordings of Norma in the catalogue of which only ten were made in the studio. The penultimate version of those was made as long as thirty-five years ago, then, after a long gap, Cecilia Bartoli made a new recording between 2011 and 2013 which is really hors concours for reasons which I elaborate in my review below. The comparative scarcity of studio accounts is partially explained by the difficulty of casting the eponymous role, which epitomises bel canto style yet also lends itself to verismo interpretation, requiring a vocalist of supreme ability and versatility. Its challenges have thus been essayed by the greatest sopranos in history, beginning with Giuditta Pasta, who created the role of Norma in 1831. Subsequent famous exponents include Maria Malibran, Jenny Lind and Lilli Lehmann in the nineteenth century, through to Claudia Muzio, Rosa Ponselle and Gina Cigna in the first part of the twentieth. Maria Callas, then Joan Sutherland, dominated the role post-war; both performed it frequently and each made two bench-mark studio recordings. Callas in particular is to this day identified with Norma alongside Tosca; she performed it on stage over eighty times and her interpretation casts a long shadow over. Artists since, such as Gencer, Caballé, Scotto, Sills, and, more recently, Sondra Radvanovsky have had success with it, but none has really challenged the supremacy of Callas and Sutherland. Now that the age of expensive studio opera recordings is largely over in favour of recording live or concert performances, and given that there seemed to be little commercial or artistic rationale for producing another recording to challenge those already in the catalogue, the appearance of the new Bartoli recording was a surprise, but it sought to justify its existence via the claim that it authentically reinstates the integrity of Bellini’s original concept in matters such as voice categories, ornamentation and instrumentation. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Jars Boards Appetizers Salads Pasta Mains Additions
DINNER JARS APPETIZERS BOARDS $8 $8/person Burrata v n gf $12 White Bean Dip, Cheese v n tomato confit, walnut pesto Walnut Pesto v n chef’s choice of cheeses, roasted garlic, Grape Compote, Ricotta, Mussels + $13 accoutrements white wine, fresh herbs, plum tomato, Basil, Orange Zest v fresno peppers, housemade ciabatta Meat Fig, Toasted Walnut, chef’s choice of Sautéed Calamari n + $12 Gorgonzola v n cured meats, olives, shallot, garlic, tomato, lemon, basil, fennel seed accoutrements Kalamata Olive Tapenade, Roasted Honey Roasted Bruschetta v $9 Meat & Cheese Combo Garlic Herb Cheese v roma tomato, basil, housemade ricotta SALADS Fennel Arugula v gf n $11 Panzanella v $11 pistachios, parmesan, black grapes, lemon shallot ciabatta, mozzarella, tomato, red onion, vinaigrette, white truffle berry compote kale, spring mix, balsamic vinegar House v gf $5/$9 Beet v n $ 11 spring mix, red onion, tomato, castelvetrano olives, walnuts, gorgonzola, spring mix, red wine vinaigrette lemon shallot vinaigrette Caesar + $5/$9 Warm Mushroom v gf n $11 romaine, pecorino cheese, anchovy fillets, croutons pine nuts, goat cheese, dried cherries, arugula, fresh herbs, caramelized onion vinaigrette PASTA ADDITIONS $5/each Wild Mushroom Ragu v n $17 housemade gnocchi Smashed Fingerling Potatoes v gf Sweet Corn Ravioli v $16 ricotta, shallots, basil brown butter Grilled Zucchini v gf Chicken Polpette (2) Clam Arrabiata + $19 fresno pepper, shallots, garlic, housemade spaghetti, rosemary tomato cream Caramelized Cauliflower v gf Local Mushroom Tortelloni v -
Philosophy and Music CVSP 295X
Philosophy and Music CVSP 295X This course intends to couple specific philosophical texts and concepts with related musical works, topics and styles (actual listening to music and viewing various operas and performances). Comparisons will as well cover material pertaining to artistic means besides music, such as sculpture, dance, theatre, cinema, literature and architecture. Although music, as artistic form will be the main focus, the course shall try to relate art in general and philosophy. The students shall learn to relate to philosophy not only intellectually or conceptually, but also esthetically; in a way, it will be a ludic (but serious) way to “philosophize”. On the other hand, they will be enticed to perceive art as an essential, profound element of human existence, rather than as mere entertainment. An effort will be made to relate both art (music) and philosophy to historic and sociological context such ad wars, scientific discoveries, technology…etc. 5 different topics will be presented. An attempt shall be made at creating bridges between the various topics in the goal of synthesizing an overall panoramic view: 1- Bach/Leibniz and the Baroque 2- The Dionysian and the Apollonian 3- German romanticism 4- Kierkegaard’s stages of life 5- Artistic creation: the old and the new Literature: Hemingway, Heine, Rilke, Goethe, Novalis, Schiller, Holderlin, Merimée, Lou Salome, Anais Nin, Thomas Mann ...etc. Composers: Bach, Mozart, Beethoven, Schumann, Schubert, Mahler, Brahms, Schoenberg, Kurtag, Nietzsche, Webern, Ligeti, Berio, Xenakis, Boulez, Debussy…etc. Artists and performers: Kandinsky, Velasquez, Monet, Manet, Escher, Durer, Maurice Bejart, Pina Bausch, Pollock, Warhol, Klee, Glenn Gould, Maria Yudina, Maria Callas, Placido, Domingo…etc. -
Emilia Romagna
EMILIA ROMAGNA DIR. RESPONSABILE: Nicola Brillo COORDINAMENTO DI EDIZIONE: Giorgio Govi ([email protected]) Mariagiovanna Bonesso ART DIRECTION: Daniele Vian ([email protected]) IMPAGINAZIONE & GRAFICA: Diana Lazzaroni, Riki Kontogianni, Giorgia Vellandi HANNO COLLABORATO: Federica Iacobelli, Chiara Caliandro, Rossella Neri, Elisabetta Pasqualetti, Marco Baraldi. COPERTINA: Daniele Vian STAMPA: Chinchio Industria Grafica - Rubano (PD) AREA COMMERCIALE & PUBBLICITA’: [email protected] - [email protected] testata reg. presso il Trib. di Venezia, n. 1444 13 Marzo 2003 pubblicato in Italia, 2009 anno VI, numero 70, Giugno 2010 2night Magazine è in 11 edizioni: Milano, Roma, Veneto, Friuli V.G., Puglia, Bologna, Bergamo/Brescia, Torino/Varese Laghi, Campania/Abruzzo, Toscana, Sicilia. Scopri cos’è su reader.kaywa.com! con il patrocinio di «Il calcio pare esser diventato una scienza, anche se non sempre esatta. Tuttavia, per me, si tratta prima di tutto e soprattutto di un gioco.» Enzo Bearzot A curA di MAriAgiovAnnA Bonesso, nicolA Brillo, rossellA neri, elisabettA PAsquAletti Un mese ad alte temperature, palpitazioni e tensione snervante che coinvolge la Nazione tutta, e non solo la nostra. A curA di MAriAgiovAnnA Bonesso, nicolA Brillo, rossellA neri, elisabettA PAsquAletti La febbre mondiale è un'epidemia anomala che colpisce solo ogni quattro anni, nella stagione estiva e con decorso positivo, o “letale”, a seconda della fede calcistica dell'ammalato. Quest'anno si registra un alto tasso di contagio in Sudafrica, epicentro a Johannesburg, dall'11 giugno all'11 luglio. Ironicamente, ma nemmeno tanto, questa è l'atmosfera in cui l'Italia Campione del Mondo si prepara a difendere il titolo conquistato in Germania dopo una semi finale da: "Chiudete le valigie amici, andiamo a Berlino! Andiamo a prenderci la coppa!" in stile Caressa-Bergomi che ha toccato i sentimenti nazional-popolari di tutti. -
The Role of Music in European Integration Discourses on Intellectual Europe
The Role of Music in European Integration Discourses on Intellectual Europe ALLEA ALLEuropean A cademies Published on behalf of ALLEA Series Editor: Günter Stock, President of ALLEA Volume 2 The Role of Music in European Integration Conciliating Eurocentrism and Multiculturalism Edited by Albrecht Riethmüller ISBN 978-3-11-047752-8 e-ISBN (PDF) 978-3-11-047959-1 e-ISBN (EPUB) 978-3-11-047755-9 ISSN 2364-1398 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. © 2017 Walter de Gruyter GmbH, Berlin/Boston Cover: www.tagul.com Typesetting: Konvertus, Haarlem Printing: CPI books GmbH, Leck ♾ Printed on acid free paper Printed in Germany www.degruyter.com Foreword by the Series Editor There is a debate on the future of Europe that is currently in progress, and with it comes a perceived scepticism and lack of commitment towards the idea of European integration that increasingly manifests itself in politics, the media, culture and society. The question, however, remains as to what extent this report- ed scepticism truly reflects people’s opinions and feelings about Europe. We all consider it normal to cross borders within Europe, often while using the same money, as well as to take part in exchange programmes, invest in enterprises across Europe and appeal to European institutions if national regulations, for example, do not meet our expectations.