The Central Band of the Royal Air Force Performs in Excess of 580 Engagements and Travels More Than 45,000 Miles

Total Page:16

File Type:pdf, Size:1020Kb

The Central Band of the Royal Air Force Performs in Excess of 580 Engagements and Travels More Than 45,000 Miles The Central Band of the Royal Air Force Music has been a part of the Royal Air Force since 1912, when the Service existed as the Royal Flying Corps. In 1918 the Royal Air Force was formed and in 1920 the Central Band was formally established. In its short history The Central Band has achieved several notable firsts. In 1922 it was the first military band to be broadcast on BBC radio and is still the most frequently featured military band in that medium. More recent popular broadcasts have included a live concert broadcast on BBC Radio 3 from the Queen Elizabeth Hall in London’s South Bank Centre and in May 2012 they celebrated 100 years of military aviation and music with a special broadcast on BBC Radio 2’s ‘Listen to the Band’ program. They also played a leading role in celebrating the 70th Anniversary of the Dambusters with a performance on BBC Radio 2’s ‘Friday Night is Music Night”. Alongside this broadcasting success, the musicians of the Band are also well recognised for their recording prowess. Beginning in 1955, when it became the first military band to make a long-playing record with the release of Eric Coates’ 'The Dambusters March' (HMV), the Central Band remains at the forefront of Military Band and contemporary Wind Ensemble recording. The recent critical and popular success of “Reach for the Skies” (Decca Records), and their collaborations with composer Nigel Hess on “New London Pictures” (Chandos) and Euphonium Soloist Steven Mead on his CD “Diamonds”, stand as firm testament to their ongoing commitment to musical excellence and diversity. The Central Band is also at the forefront of many State and Ceremonial events. In another notable first, in 1986, the Central Band ended a 155 year old tradition by including women within its ranks whilst 'Changing the Guard' at Buckingham Palace. In 2011, the Fanfare Trumpeters from the Central Band performed at what could be described as one of the biggest ever TV events, The Royal Wedding. www.rafmusic.co.uk The Central band was also in the public eye during the 2012 Olympics. There they entertained audiences at many events including Tennis, Canoeing, Road Cycling and Beach Volleyball. Each year the Central Band of the Royal Air Force performs in excess of 580 engagements and travels more than 45,000 miles. Within the United Kingdom the Central Band enjoys supporting several charitable organisations. Most notable is their partnership with the RAF Charitable Trust Enterprises, with whom they undertake an annual concert tour covering a dozen cities and several of the country’s major concert halls. The band continues to build strong links within Britain’s musical community. The Band has presented several highly acclaimed concerts for the British and the World Associations of Symphonic Bands and Wind Ensembles (BASBWE & WASBWE) and for the Royal Welsh College of Music and Drama. The links forged with tertiary education providers are especially important as the Band recruits many of its musicians directly from the major Colleges and Conservatoires. As well as performing the length and breadth of the United Kingdom, the Central Band maintains a strong international presence. In another first, it has the distinction of being the first band outside the USA to be awarded the 'John Philip Sousa Citation for Musical Excellence'. In recent years the band has given performances in Holland, Germany, Russia, Poland, Hungary, Cyprus, Saudi Arabia, India, Australia, Canada and the USA. As members of the RAF, Central Band musicians are required to support British forces on operations abroad. Musicians are being deployed in roles as diverse as detainee handlers in Afghanistan, Watchkeepers in Iraq and ambulance drivers in the Falkland Islands. But, whether we are working as musicians or medics, our aim remains the same - to display, in our conduct and performance, the excellence for which the Royal Air Force has become renowned over its distinguished history. .
Recommended publications
  • Black US Army Bands and Their Bandmasters in World War I
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications: School of Music Music, School of Fall 8-21-2012 Black US Army Bands and Their Bandmasters in World War I Peter M. Lefferts University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicfacpub Part of the Music Commons Lefferts, Peter M., "Black US Army Bands and Their Bandmasters in World War I" (2012). Faculty Publications: School of Music. 25. https://digitalcommons.unl.edu/musicfacpub/25 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications: School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 1 Version of 08/21/2012 This essay is a work in progress. It was uploaded for the first time in August 2012, and the present document is the first version. The author welcomes comments, additions, and corrections ([email protected]). Black US Army bands and their bandmasters in World War I Peter M. Lefferts This essay sketches the story of the bands and bandmasters of the twenty seven new black army regiments which served in the U.S. Army in World War I. They underwent rapid mobilization and demobilization over 1917-1919, and were for the most part unconnected by personnel or traditions to the long-established bands of the four black regular U.S. Army regiments that preceded them and continued to serve after them. Pressed to find sufficient numbers of willing and able black band leaders, the army turned to schools and the entertainment industry for the necessary talent.
    [Show full text]
  • HR14401 Military Band Recordings” of the White House Records Office: Legislation Case Files at the Gerald R
    The original documents are located in Box 18, folder “1974/12/31 HR14401 Military Band Recordings” of the White House Records Office: Legislation Case Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald R. Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Exact duplicates within this folder were not digitized. Digitized from Box 18 of the White House Records Office Legislation Case Files at the Gerald R. Ford Presidential Library THE WHITE HOUSE ACTION WASHINGTON Last Day: December 31 December 27, 1974 MEMORANDUM FOR THE PRE~ENT FROM: KEN corV SU'BJECT: Enrolled Bill H.R. 14401 Military Band Recordings Attached for your consideration is H.R. 14401, sponsored by Representative Hebert, which would authorize the official military bands to make recordings and tapes for commercial sale commemorating the Bicentennial. OMB recommends approval and provides additional back­ ground information in its enrolled bill report (Tab A). Phil Areeda and Max Friedersdorf both recommend approval. RECOMMENDATION That you sign H.R. 14401 (Tab B).
    [Show full text]
  • Nato Codification System
    the Danish Defence Acquisition and Logistics Organization, Brigadier Mark Dunn, Head of UK Supply Chain Management, and Major General Mohamed TAMDI, Head of the Joint Logistics Bureau of the Royal Moroccan Armed Forces. In addition to the keynote speeches, the forum will include a number of workshops and discus- sion groups on topics that may be of interest to your organization: ISO Standards th Codification – The Global Language of Logistics 18 Newsletter - October 2013 22745 and 8000 – Codification of Services – Use of Performance Based Logistics with the Joint Strike Fighter – Use of the Codification Contract Clause – Defence Industry cooperation on materiel data – ERP systems, etc. Your questions, com- On 6-7 November 2013, the NATO Group of ments and proposals in the workshops will stimulate the development of initiatives National Directors on Codification – in cooper- to promote better materiel data management. The exhibition running in parallel ation with the Danish Defence Acquisition and with the forum will provide opportunities for networking and direct contacts with Logistics Organization – will be holding the Industry representatives from Allan Web, Camcode, ILS, ESG, Aura and others to be 2nd World Codification forum in Copenhagen. announced. The forum will focus on industry engagement and the future framework for co-operation and The forum will take place in the Crowne Plaza consultation among nations. Industry is seen as Copenhagen Towers, with its spacious, Dan- a key partner in capabilities development through the whole life cycle, especially in ish-designed interiors and refreshing open the domain of materiel management. The forum will explore opportunities to draw areas.
    [Show full text]
  • In Search of the Wind-Band: an International Expedition
    In Search of the Wind-Band: An International Expedition By Daniel Rager Rager, Daniel. In Search of the Wind-Band: An International Expedition. Chardon, Ohio: Wind-Band Music, 2013. ISBN: 978-0615745169 This digital edition was prepared by MSL Academic Endeavors, the imprint of the Michael Schwartz Library at Cleveland State University (2015). Permission for MSL Academic Endeavors to reprint granted by the original rights holder. In Search of the Wind-Band: An International Expedition By Daniel Rager EXCERPT CHAPTER 13 In Search of the Wind-Band: An International Expedition By Daniel Rager In Search of the Wind-Band: An International Expedition is a new interactive E-book, exploring 16 countries. The first-of-a-kind, interactive encyclopedic e-book uses text, video, mp3 and pdf files to bring the history and development of the wind-band to life. The following pages contain a sample of Chapter 13: Russian Wind Music More chapter samples of In Search of the Wind-Band: An International Expedition can be found at http://engagedscholarship.csuohio.edu/clmusic_bks/3/ Copyrighted Material In Search of the Wind-Band: An International Expedition By Daniel Rager EXCERPT CHAPTER 13 In Search of the Wind-Band: An International Expedition By Daniel Rager EXCERPT CHAPTER 13 CHAPTER 13: Russian Wind Music This chapter is unlike any other in the book when it comes to ideologies, education and music traditions. The mere size of Russia has contributed to its cultural diversity among its population. Russia has over 100 distinctive cultures, each having its own linguistic and ethnic developments, traditions and heritages from which to draw.
    [Show full text]
  • The Role of Turkish Percussion in the History and Development of the Orchestral Percussion Section
    Louisiana State University LSU Digital Commons LSU Major Papers Graduate School 2003 The oler of Turkish percussion in the history and development of the orchestral percussion section D. Doran Bugg Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_majorpapers Part of the Music Commons Recommended Citation Bugg, D. Doran, "The or le of Turkish percussion in the history and development of the orchestral percussion section" (2003). LSU Major Papers. 27. https://digitalcommons.lsu.edu/gradschool_majorpapers/27 This Major Paper is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Major Papers by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. THE ROLE OF TURKISH PERCUSSION IN THE HISTORY AND DEVELOPMENT OF THE ORCHESTRAL PERCUSSION SECTION A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the Requirements for the degree of Doctor of Musical Arts In The School of Music The College of Music and Dramatic Arts by D. Doran Bugg B.M.E., University of Mississippi, 1988 M.M., Baylor University, 1990 December 2003 ACKNOWLEDGMENTS I would like to express my sincere appreciation to the many persons who so generously contributed their time, knowledge, and support during the preparation and completion of this monograph. Special thanks are extended to Professor James Byo, Professor Larry Campbell, Professor Michael Kingan, Professor Patricia Lawrence, Professor John Raush, Professor Joseph Skillen, and Professor James West, members of my doctoral committee.
    [Show full text]
  • Commandant's Foreword
    The Bugle NEWSLETTER OF THE BALTIC DEFENCE COLLEGE In this Issue: June 2016 I Issue 23 Commandant’s Foreword 1 JCGSC 3 Commandant’s foreword HCSC 4 Hall of Fame 5 Visitors 6 Conference on Russia 8 History Conference 10 Roundtable Seminars 11 Publications 11 JCGSC IST 12 HCSC FST 15 CJSE 16 16 HCSC Exercises and tasks 19 JCGSC BDST 20 Hegemon 23 VTC’s at BALTDEFCOL 24 Sports activities 25 Dear Colleagues, er to generate the introduction of a Long-Term Summer Hike 27 Planning capacity for the college’s development, Another academic year at our institution is which was supported by the ‘Vision 2020’ Baltgirls Activities 28 coming to an end as well as my duty tour as the process, which eventually culminated in the Commandant of the Baltic Defence College. ‘Baltic Defence College Development The Bugle In December 2012, while assuming responsibil- plan 2017 -2025’, laying the groundwork for Est. 2009 ity for the college, I promised to you and our the college to further develop for the years to superiors that the key aspect of our joint en- come. Editor: deavour should be not only to maintain the Together, we have not only very successfully Ms Kadri Nestra impressive achievements of our predecessors – further developed existing courses and pro- [email protected] Office Tel: +372 717 6001 Commandants, Management Group, Faculty jects, but have also created new ones. The members and Supporting staff – but also to Higher Command Studies Course and Joint Language editor: further develop it as a modern, future-oriented, Command and General Staff Course were sig- Dr Kristina Prismantaite attractive and competitive Professional Military nificantly reshaped to better address the rapidly Mr James Rogers Educational institution.
    [Show full text]
  • The Howard Citation
    United States Navy Band - Washington DC RECIPIENTS AND CONDUCTORS USAFE Band - Germany Commander Philip Field (1991) United States Army Band - Washington DC Lieutenant Colonel Roger Sebby (1993) Commander Joseph Phillips (1992) Colonel Eugene Allen (1988) USAF Band of Flight - Wright Patterson AFB OH Lieutenant Commander John Pastin (1995) Colonel Bryan Shelburne (1992) Lieutenant Colonel Richard Shelton (1992) Commander Ralph Gambone (2000) Colonel Gary Lamb (2000) Captain Daniel W. Boothe (2013) THE COLONEL Captain George N. Thompson, Jr. (2007) Colonel Thomas Rotondi, Jr. (2005) USAF Band of Mid-America - Scott AFB IL Captain Brian O. Walden (2010) Colonel Thomas H. Palmatier (2011) GEORGE S. HOWARD Captain Kenneth C. Collins (2015) Captain Donald E. Schofield, Jr. (2007) Colonel Timothy J. Holtan (2014) Lieutenant Colonel Michael J. Willen (2017) U.S. Naval Academy Band - Annapolis MD Colonel Andrew J. Esch (2017) CITATION OF MUSICAL EXCELLENCE Commander Michael Burch-Pesses (1992) USAF Heritage of America Band - Langley AFB CA United States Army Field Band - Washington DC Lieutenant Colonel Lowell Graham (1988, 1991, 1994) FOR MILITARY CONCERT BANDS Navy Band Great Lakes – Great Lakes IL Colonel William Clark (1989) Lieutenant Colonel Douglas Monroe (2008) Lieutenant Patrick K. Sweeten (2013) Colonel Jack Grogan (1992) Colonel Finley Hamilton (2000) USAF Band of the Golden West - Travis AFB CA Navy Band Charleston - Naval Base Charleston SC Lieutenant Colonel Roger Sebby (1988) Lieutenant Jon. J. Miller (1994) Colonel Thomas H. Palmatier (2007) Colonel Timothy J. Holtan (2011) Captain Philip Chevallard (1991) Navy Band Northwest - Silverdale WA Lieutenant Colonel Jim R. Keene (2014) Major Douglas Monroe (2004) Lieutenant Bruce J.
    [Show full text]
  • The Global Rise of Military Musicians and Their Music
    Erschienen in: Itinerario : International Journal on the History of European Expansion and Global Interaction ; 41 (2017), 2. - S. 327-352 https://dx.doi.org/10.1017/S0165115317000390 Itinerario, Vol. 41, No. 2, 327–352. © 2017 Research Institute for History, Leiden University doi:10.1017/S0165115317000390 Cultural Brokers in Uniform: The Global Rise of Military Musicians and Their Music MARTIN REMPE* E-mail: [email protected] The article assesses the role of the military in the global dissemination and exchange of music in the long nineteenth century. It shows that, first, Western military music and its instrumentation were influenced by cross-cultural encounters, primarily with the Ottoman Empire. Second, I argue that educational professionalization and instrumental standardization were important vehicles for the global rise of the military band beyond its original purpose. Third, tracing the transnational careers of some German military musicians will make evident that competition with respect to national prestige, rising imperialism, and the increasing commercialization of musical life were crucial features of the spread of military musicians all over the world, making them cultural brokers not only of military music. Keywords: military band, Germany, imperialism, professionalisation, commercialisation. Introduction In the spring of 1909, a debate in the German Reichstag about the budget for the army witnessed a peculiar detail: Eduard von Liebert, one of the speakers, had heard through the grapevine that blacks were serving in military bands of the German army, one of them even as a bandmaster: “If this turns out to be true,” he complained, “this would constitute an egregious act. I would like to see a Briton or an American subordinated to a coloured man—this is unthinkable! It would end in rebellion and mutiny.”1 The bandmaster that von Liebert had heard about was Gustav Sabac el Cher (1868–1934), the son of the Nubian August Sabac, who was donated to Prince Albert of Prussia during his trip to Egypt in 1843.
    [Show full text]
  • Janissary Music in the Western Classical Idiom: 1775-1824
    JANISSARY MUSIC IN THE WESTERN CLASSICAL IDIOM: 1775-1824 Kira Weiss Music History 349: Music History 1750 - Present Revised September 19, 2017 1 Kira Weiss Music History Professor Nick Lambson 15 May, 2017 Janissary Music in the Western Classical Idiom: 1775-1824 As Europe became a more unified entity toward the end of the 18th century, the lands and people that existed “outside” of Europe became more boldly delineated in European consciousness. Present-day Turkey, then the Ottoman Empire, was just enough beyond the realm of what was considered European at the time, yet close enough to be in contact with Eastern European countries such as Austria and Hungary. Turkish janissary music came into vogue during the classical era because the music brought a sense of alterity and intrigue to European works. I will argue that the use of janissary music in the Western classical compositions of Haydn, Mozart, and Beethoven served to create the "Other” as a tool for defining what would become traditional European music. The "Other” is a term coined by Edward Said in his monumental work, Orientalism.1 Orientalism, as he defines it, is the Western manner of representing the global East in a way that both purports and permits cultural domination. Turkish music was an optimal choice for representation of the Other because it symbolized the “real Orient” as opposed to the “just-round- the-corner-Orient,” which would have been represented by approximations of Spanish music.2 The 1 Edward W. Said, Orientalism (New York: Pantheon Books: 1978). 2 Stefano Leoni, "Western Middle-East Music Imagery in the Face of Napoleon's Enterprise in Egypt: From Mere Eurocentric Exoticism, to Very Organized Orientalistic Ears," in International Review of the Aesthetics and Sociology of Music (2007), 174.
    [Show full text]
  • EXCERPT CHAPTER 2 in Search of The
    In Search of the Wind-Band: An International Expedition By Daniel Rager EXCERPT CHAPTER 2 In Search of the Wind-Band: An International Expedition By Daniel Rager In Search of the Wind-Band: An International Expedition is a new interactive E-book, exploring 16 countries. The first-of-a-kind, interactive encyclopedic e-book uses text, video, mp3 and pdf files to bring the history and development of the wind-band to life. The following pages contain a sample of Chapter 2: Introduction into European History & Development (France, Prussia, Germany, Spain) More chapter samples of In Search of the Wind-Band: An International Expedition can be found at http://engagedscholarship.csuohio.edu/clmusic_bks/3/ Copyrighted Material In Search of the Wind-Band: An International Expedition By Daniel Rager EXCERPT CHAPTER 2 In Search of the Wind-Band: An International Expedition By Daniel Rager EXCERPT CHAPTER 2 CHAPTER 2: Introduction into European History & Development (France, Prussia, Germany, Spain) It is reasonable to say that over the centuries, most music, evolved somewhere in Europe before moving abroad. European styles and genres have influenced cultures far abroad and manufactures of instruments, music publishers and engraving all began in Europe where they continue to thrive today. Much of the world’s greatest music has come from this part of the world, making it one of the richest and innovative regions. The world’s first and finest composers and musicians began to be educated in music while the rest of the world was still being discovered and settled. Few cultures can boast of such rich musical heritage.
    [Show full text]
  • Transformation Through Training II/2014
    TABLE OF CONTENTS 4 The JFTC Going Strong as It Celebrates Its 10th Birthday 10 Different logics Underpinning the COPD Some Useful Foundations To Advice 4 The “TA” During Phase II 16 JFTC Hosts JFC Brunssum Trident Joust 14 Exercise 18 Interview with COM JFC Brunssum 20 Counter-Terrorism Policies 18 10 & the Cost to the West Part II - Gunpowder, Treason & Plot 29 2015 CWIX Is Promising to Be the Biggest Yet 31 CAX Forum 32 Life at the JFTC 32 2014 in Retrospect 29 2 • Transformation Through Training • Issue No: 6 • December 2014 „Transformation Through Training“ The aim of this magazine is to provide a forum for Publishing Institution: exchange of information and expertise among train- Joint Force Training Centre Bydgoszcz (JFTC) ing and educational institutions across NATO in the area of training, military professional education, and Managing director: related technological support. In the context of The Brigadier General László SZABÓ, NATO “Smart Defense” approach, there is grow- JFTC Deputy Commander / Chief of Staff ing importance for cooperation with partner states and international organizations, such as the United Chief Editor: Nations, the European Union, the Organization for MAJ Goran Pijetlovic, JFTC Public Affairs Officer Security and Cooperation in Europe and others. With the above in mind, the JFTC invites authors from Editorial Board: countries and institutions beyond the NATO envi- Mrs. Kamila SIERZPUTOWSKA, PhD, Kazimierz Wielki ronment, to publish in the Transformation Through University, Poland Training magazine. The magazine will focus on the BG Ing. Jaromír ZŮNA, MSc., PhD, Director of the Logistics best practices in the areas of command and staff train- Agency, Army of the Czech Republic ing, professional military education, simulations and simulation technologies, distributed training, military Advisory Committee: training development as well as other related areas.
    [Show full text]
  • Turkish Military Band Brings European Touch to Qatar National Day Parade
    06 Thursday, January 3, 2019 Reports by Ashraf Siddiqui For events and press releases email [email protected] or Slice of the West call (974) 4000 2222 Mehter contigent at Qatar National Day 2018 parade on the Doha Corniche. Turkish military band brings European touch to Qatar National Day parade MEHTER puts up a fabulous show of centuries-old musical tradition, a combination of classical and Sufi genres, to jazz up QND celebrations HE tunes played by a 74-member contingent of highly skilled Turkish mili- tary band Mehter, one of the world’s oldest military bands, Tprovided European touch to the recently held Qatar National Day Parade 2018 and added to the gravitas of the occasion. Standing out in their amazing traditional outfit, especially ‘Tuğ’ and ‘Sancak’, the Turkish band was an object of attraction not only at the parade on the Doha Cor- niche but also at the family hotspot of Ka- tara Cultural Village. The band was led by Col. Metin Kasgan. Doha- based Turkish Defence Atta- che Col Mehmet Aksoy said that he was Turkish Air Force Defence Atttache, Colonel Mehmet Aksoy (left), and Military Defence Attache, Colonel deeply touched to see Mether members Kerim Kem (right), seen with members of Turkish army’s band. perform along with the inspiring and gorgeous units of brotherly country of HE Ikret Ozer with a section of Mehter at Katara Cultural Village Foundation, Doha. Qatar at the grand National Day parade. Col Aksoy said that the presence of De- cultural contacts, trade, visits of physi- pated in the Qatar National Day events on fence Minister of Turkey HE Hulusi Akar cians, scientists, religious scholars and December 18 last year.
    [Show full text]