Authentic Is How We Wish You Would Describe Vigier. Authentic Because
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Living Earth Festival2012
Living Earth Festival 2012 friday, july 20 | saturday, july 21 | sunday, july 22 Join the National Museum of the American Indian in our annual festival celebrating Native contributions to protecting the environment, promoting sustainability, and using indigenous plants to improve health and nutrition. Engage directly with Native researchers and practitioners; see music, dance, and films; and participate in hands-on family activities, a food market, and cooking and craft demonstrations that highlight the ways in which the earth’s gifts feed our creativity. This year, the Living Earth festival features informational talks on genetically modified foods and the impacts of climate change on marine habitats, goat cheese-making workshops, carving and birchbark basket-making demonstrations, dancers from Colorado to the Mariana Islands, and many other opportunities for you to experience the bounty of our living earth. Clockwise from above Corn; purple coneflowers; brown-eyed susan; and ladybugs on chile plants. All of these grow in the crop- and meadowlands in the NMAI's landscape. Photos by Alexandra Harris. FESTIVAL HIGHLIGHTS friday | 1:00 p.m.–2:30 p.m. saturday & sunday | 10:30 a.m.–12:00 p.m. | 1:30 p.m.–4:00 p.m. Goat Cheese-Making Workshop Room 4025, Fourth Level Nancy Coonridge of Coonridge Organic Goat Cheese, from Pietown, New Mexico, will teach you how to create cheeses using traditional vegetable and animal rennets. friday | 2:30 p.m. Genetically Engineered Foods: Gambling with our Health, Environment, and Future Generations Rasmuson Theater Jeffrey Smith, director of the Institute of Responsible Technology, discusses the dangers of consuming genetically modified foods and the importance of buying local and organic. -
COURSE CATALOG 2016-2017 Academic Calendar
COURSE CATALOG 2016-2017 Academic Calendar . 4 Academic Programs . 46 About LACM . .. 6 Performance LACM Educational Programs . 8 Bass . 46 CONTENTS Administration . 10 Brass & Woodwind . .. 52 Admissions . 11 Drums . .. 58 Tuition & Fees . 13 Guitar . 64 Financial Aid . 18 Vocal. 70 Registrar . 22 Music Composition International Student Services . 26 Songwriting . 76 Academic Policies & Procedures . 27 Music Production Student Life . 30 Composing for Visual Media . 82 Career Services . .. 32 Music Producing & Recording . 88 Campus Facilities – Security. 33 Music Industry Rules of Conduct & Expectations . 35 Music Business . 94 Health Policies . 36 Course Descriptions . 100 Grievance Policy & Procedures . .. 39 Department Chairs & Faculty Biographies . 132 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 FALL 2016 (OCTOBER 3 – DECEMBER 16) ACADEMIC DATES SPRING 2017 (APRIL 10 – JUNE 23) ACADEMIC DATES July 25 - 29: Registration Period for October 3 - October 7: Add/Drop January 30 - February 3: Registration Period for April 10 - April 14: Add/Drop Upcoming Quarter Upcoming Quarter October 10 - November 11: Drop with a “W” April 17 - May 19: Drop with a “W” August 22: Tuition Deadline for Continuing Students February 27: Tuition Deadline for November 14 - December 9: Receive a letter grade May 22 - June 16: Receive a letter grade October 3: Quarter Begins Continuing Students November 11: Veterans Day, Campus Closed April 10: Quarter Begins November 24: Thanksgiving, Campus Closed May 29: Memorial Day, Campus Closed November 25: Campus Open, No classes. June 19 - 23: Exams Week December 12-16: Exams Week June 23: Quarter Ends December 16: Quarter Ends December 24 - 25: Christmas, Campus Closed December 26: Campus Open, No classes. -
RUMBLE: the Indians Who Rocked the World Premieres on Independent Lens Monday, January 21, 2019 on PBS and PBS.Org
FOR IMMEDIATE RELEASE CONTACT Tanya Leverault, ITVS 415-356-8383 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom RUMBLE: The Indians Who Rocked the World Premieres on Independent Lens Monday, January 21, 2019 on PBS and PBS.org An Electrifying Look at the Native American Influence in Popular Music Despite Attempts to Ban, Censor and Erase Indian Culture (San Francisco, CA) — A musical celebration of how Native American musicians transformed blues, jazz and rock, RUMBLE: The Indians Who Rocked the World, will premiere on Independent Lens Monday, January 21, 2019, 10:00-11:30 PM ET (check local listings) on PBS, and will also be available simultaneously for online streaming at pbs.org. As the film reveals, early pioneers of the blues such as Charley Patton had Native as well as African American roots, and one of the first and most influential jazz singers, Mildred Bailey, had a voice trained on Native American songs. As the folk rock era took hold in the ‘60s and ‘70s, Native Americans such Link Wray. as Robbie Robertson and Buffy Sainte-Marie helped to define Credit: Bruce Steinberg, courtesy of its evolution, and Native guitarists and drummers like Link LinkWray.com Wray, Jimi Hendrix, Jesse Ed Davis and Randy Castillo forever changed the trajectory of rock and roll. The film is directed by Catherine Bainbridge (Reel Injun), co-directed by Alfonso Maiorana, executive produced by legendary rock guitarist Stevie Salas (Apache) and Tim Johnson (Mohawk), and produced by Christina Fon, VP and Executive Producer of Rezolution Pictures. -
Get Ebook » Articles on Black Sabbath Members, Including: Glenn
G1AYW2XWWMRP // PDF » Articles On Black Sabbath Members, including: Glenn Hughes, Ozzy Osbourne, Ronnie James... A rticles On Black Sabbath Members, including: Glenn Hugh es, Ozzy Osbourne, Ronnie James Dio, Dave W alker, Cozy Powell, Geezer Butler, Terry Ch imes, Tony Iommi, Ray Gillen, Bill W ard (musician), Eric S Filesize: 6.93 MB Reviews Extremely helpful to all category of individuals. I have got go through and that i am confident that i will likely to read through once again again later on. Once you begin to read the book, it is extremely difficult to leave it before concluding. (Nikita Herzog) DISCLAIMER | DMCA Q10QSCNZGLFH // Doc / Articles On Black Sabbath Members, including: Glenn Hughes, Ozzy Osbourne, Ronnie James... ARTICLES ON BLACK SABBATH MEMBERS, INCLUDING: GLENN HUGHES, OZZY OSBOURNE, RONNIE JAMES DIO, DAVE WALKER, COZY POWELL, GEEZER BUTLER, TERRY CHIMES, TONY IOMMI, RAY GILLEN, BILL WARD (MUSICIAN), ERIC S Hephaestus Books, 2016. Paperback. Book Condition: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Read Articles On Black Sabbath Members, including: Glenn Hughes, Ozzy Osbourne, Ronnie James Dio, Dave Walker, Cozy Powell, Geezer Butler, Terry Chimes, Tony Iommi, Ray Gillen, Bill Ward (musician), Eric S Online Download PDF Articles On Black Sabbath Members, including: Glenn Hughes, Ozzy Osbourne, Ronnie James Dio, Dave Walker, Cozy Powell, Geezer Butler, Terry Chimes, Tony Iommi, Ray Gillen, Bill Ward (musician), Eric S NT79A03UASBC ^ Doc « Articles On Black Sabbath Members, including: Glenn Hughes, Ozzy Osbourne, Ronnie James... Oth er Books The Book of Books: Recommended Reading: Best Books (Fiction and Nonfiction) You Must Read, Including the Best Kindle Books Works from the Best-Selling Authors to the Newest Top Writers Createspace, United States, 2014. -
ANSAMBL ( [email protected] ) Umelec
ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol. -
City Councilmembers
ITEM NO. 21 STAFFREPORT CITYOF OCEANSIDE DATE: December 16, 2020 TO: Honorable Mayor and City Councilmembers FROM: City Manager’s Office SUBJECT: DOWNTOWN OCEANSIDE PROPERTY AND BUSINESS IMPROVEMENT DISTRICT ANNUAL REPORT SYNOPSIS Staff recommends that the City Council receive and file the Downtown Oceanside Property and Business Improvement District's (DTOPBID) annual report for 2020-2021. BACKGROUND On August 7. 2019, the City Council conducted a public hearing regarding the proposed formation of the DTOPBID. authorized the City Clerk to count ballots received from affected property owners, and unanimously adopted Resolution 19-R0487—1 forming the DTOPBID, approving the Management District Plan, approving the assessment formula and levying the assessments. On December 19, 2019, the City Council approved an agreement with MainStreet Oceanside for implementation of the DTOPBID Management District Plan (MDP) and approved the draft by-Iaws proposed for the DTOPID Governing Committee. ANALYSIS The DTOPBID is a benefit assessment district with the primary purpose of providing improvements, maintenance and activities which constitute and convey a special benefit to assessed parcels. The DTOPBID began operation in January 2020 and is approved to operate for a period of five years. In accordance with the Property and Business Improvement District Law of 1994 and the DTOPBID MDP (Attachment 1), the City has contracted with MainStreet Oceanside (MSO) to manage the DTOPBID’s day-to-day operations with oversight from the DTOPBID Governing Committee and the Oceanside City Council. The DTOPBID MDP requires that MSO present an annual report (Attachment 2) at the end of each year of operation to the City Council. -
Stevie's Salas the Bio
Stevie's Salas The Bio A guitar player, writer, producer, and composer, Stevie Salas has recorded on over 70 different albums with artists as diverse as George Clinton, Justin Timberlake, Buddy Miles, T.I., Mick Jagger, and Rod Stewart. Having sold over two million solo albums around the world, Stevie has been cited as one of the top 50 guitarists of all time. Dreaming of a career in music, Stevie left the small town of Oceanside, California in 1985. Eight months later he was discovered by funk music legend George Clinton as the lead guitarist for Clinton’s albums. Stevie received his first major label producer credit with “Was (Not Was)” when he co-produced the UK hit “Out Come the Freaks” from the Album “What up Dog?” Rolling Stone Magazine listed “What up Dog?” as one of the top 100 records of the decade. In 1988, Stevie was asked to join Rod Stewart on a world tour as lead guitarist. Skipping cities in a private jet to sold-out stadiums led to Stevie signing the largest record deal Island Records had ever paid for a new artist. Stevie’s first record, “Colorcode,” is still a cult classic in the UK and Europe, and his second solo album, “Back from the Living,” ousted the Rolling Stones and Aerosmith for “Best Album” in Japan. An accomplished composer, Stevie is credited with providing the score for several films including Bill and Ted’s Excellent Adventure and the 2009 film Darfur. Over 50 of Stevie’s compositions have been released on major labels. -
The Long History of Indigenous Rock, Metal, and Punk
UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories. -
Black Sabbath the Complete Guide
Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N. -
ANTI LLESE South American Artists
711 . ird I I 11VkJ 1 1V1.111111 1_ 11V V guage descended from the drum, their politi- cally charged songs give us all a deeper under- BRINGING FRESH AND FORWARD standing of black and African culture. It can't be called rap. It can't be called R &B. It's a new MUSIC TO THE '90s state of being, incorporating funk and religion. They can't be called rappers. They can't be By MIKE BONE, President, ISLAND RECORDS called a group. They're messengers of a move- ment, united in culture and spirit. Dino: He will have a new album this year to follow his near platinum debut that closed the decade. He's truly a man with a mission. He writes, arranges, produces and performs all his own material. Robert Owens: This artist has carved a niche for himself in the underground dance club scenes of two continents. He's ready to break ISLAND wide open, and whatever he does is an indica- tor of what's going to happen on the club scene. Ar LaQuan: This young artist will be known real Stevie Salas Colorcode soon. It's groundbreaking rap music with pow- e. erful lyrics that reflect the thoughts of a seri- ous, socially conscious 16- year -old. This year Island Records celebrates 28 years For more than 15 years now, people have as one of the world's pioneering record la- looked to Mango records for the most exten- bels. Few record companies can boast the his- sive and cultural roster of reggae, African, and tory and reputation of Island. -
Julien's Auctions Announces Property from the Estate
For Immediate Release JULIEN’S AUCTIONS ANNOUNCES PROPERTY FROM THE ESTATE OF RONNIE JAMES DIO Heavy Metal Music Icon and “Black Sabbath” Frontman’s Signature Wardrobe, Guitars, Stage Props and More Roar onto the Auction Stage at Hard Rock Cafe New York SEPTEMBER 14 & 15, 2018 Los Angeles, California – (July 19, 2018) – Julien’s Auctions, the world-record breaking auction house, will pay tribute to one of the most influential heavy metal heroes and forefathers of the head-banging music genre with PROPERTY FROM THE ESTATE OF RONNIE JAMES DIO, taking place Friday, September 14 and Saturday, September 15 live at Hard Rock Cafe in New York and online at juliensauctions.com. (photo left to right: Dio’s stage worn shirt and Barry Jackson painting used as cover of The Last in Line album and Charvel guitar) Born July 10, 1942 in Portsmouth, NH and raised in Cortland, NY, Ronald James Padavona, whom the whole world would later revere as Ronnie James Dio or simply Dio’s powerhouse falsetto voice, commanding stage presence and impact on the genre and fandom–from his signature horn salute to his style of wearing black t-shirts–would catapult heavy metal’s trajectory into pop culture iconography. Dio began his music career at the age of 5, where he played the trumpet and listened to opera particularly American tenor, Mario Lanza. It was in high school that he formed his first rock-n-roll group, The Vegas Kings, which later was changed to Ronnie & The Rumblers then to Ronnie and the Redcaps and eventually Ronnie Dio and the Prophets. -
Mto.16.22.3.Murphy.Pdf
Volume 22, Number 3, September 2016 Copyright © 2016 Society for Music Theory Cohn’s Platonic Model and the Regular Irregularities of Recent Popular Multimedia Scott Murphy NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.16.22.3/mto.16.22.3.murphy.php REFERENCE: http://mtosmt.org/issues/mto.16.22.2/mto.16.22.2.cohn.html KEYWORDS: asymmetrical meter, syncopation, film music, television music, popular music ABSTRACT: Richard Cohn’s Platonic model of funky rhythms can be converted into a property that closely matches the asymmetrical temporal successions that most frequently occur in recent popular English-language multimedia. In the case of quintuple and septuple meters, this property also closely matches successions that most frequently occur in other forms of popular music as well. The movies from which the evidence for this claim comes range from The Magnificent Seven of 1960 to Kung Fu Panda 3 of 2016. Some short but close analyses of filmic scenes demonstrate this property's effectiveness as a hermeneutical tool. A related property of “near realization” recruits Christopher Hasty’s projective model to explain this stylistic bias, and connects these asymmetrical successions with another seemingly dissimilar class of syncopated rhythms favored in popular music. Received August 2016 I. A Stylistic Generalization [1.1] Cohn’s recent article ( 2016 ) explores the phenomenon whereby a series of triple durations—like a succession of dotted quarter notes, or an iterated pattern of three eighth notes—unfolds over, and then reconciles with, a pure duple meter—like 2/4 or 4/4.