Edition 3 | 2019-2020
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Digital Playbill
IRISH REPERTORY THEATRE Little Gem BY ELAINE MURPHY DIRECTED BY MARC ATKINSON BORRULL A PERFORMANCE ON SCREEN IRISH REPERTORY THEATRE CHARLOTTE MOORE, ARTISTIC DIRECTOR | CIARÁN O’REILLY, PRODUCING DIRECTOR A PERFORMANCE ON SCREEN LITTLE GEM BY ELAINE MURPHY DIRECTED BY MARC ATKINSON BORRULL STARRING BRENDA MEANEY, LAUREN O'LEARY AND MARSHA MASON scenic design costume design lighting design sound design & original music sound mix MEREDITH CHRISTOPHER MICHAEL RYAN M.FLORIAN RIES METZGER O'CONNOR RUMERY STAAB edited by production coordinator production coordinator SARAH ARTHUR REBECCA NICHOLS ATKINSON MONROE casting press representatives general manager DEBORAH BROWN MATT ROSS LISA CASTING PUBLIC RELATIONS FANE TIME & PLACE North Dublin, 2008 Running Time: 90 minutes, no intermission. SPECIAL THANKS Irish Repertory Theatre wishes to thank Henry Clarke, Olivia Marcus, Melanie Spath, and the Howard Gilman Foundation. Little Gem is produced under the SAG-AFTRA New Media Contract. THE ORIGINAL 2019 PRODUCTION OF LITTLE GEM ALSO FEATURED PROPS BY SVEN HENRY NELSON AND SHANNA ALISON AS ASSISTANT STAGE MANAGER. THIS PRODUCTION IS MADE POSSIBLE WITH PUBLIC FUNDS FROM THE NEW YORK STATE COUNCIL ON THE ARTS, THE NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS, AND OTHER PRIVATE FOUNDATIONS AND CORPORATIONS, AND WITH THE ASSISTANCE OF THE MANY GENEROUS MEMBERS OF IRISH REPERTORY THEATRE’S PATRON’S CIRCLE. WHO’S WHO IN THE CAST MARSHA MASON (Kay) has summer 2019, Marsha starred in Irish received an Outer Critics Rep’s acclaimed production of Little Gem Circle Award and 4 Academy and directed a reading of The Man Who Awards nominations for her Came to Dinner with Brooke Shields and roles in the films “The Goodbye Walter Bobbie at the Bucks County Girl,” “Cinderella Liberty,” Playhouse and WP Theater in NYC. -
Bossypants? One, Because the Name Two and a Half Men Was Already Taken
Acknowledgments I would like to gratefully thank: Kay Cannon, Richard Dean, Eric Gurian, John Riggi, and Tracy Wigfield for their eyes and ears. Dave Miner for making me do this. Reagan Arthur for teaching me how to do this. Katie Miervaldis for her dedicated service and Latvian demeanor. Tom Ceraulo for his mad computer skills. Michael Donaghy for two years of Sundays. Jeff and Alice Richmond for their constant loving encouragement and their constant loving interruption, respectively. Thank you to Lorne Michaels, Marc Graboff, and NBC for allowing us to reprint material. Contents Front Cover Image Welcome Dedication Introduction Origin Story Growing Up and Liking It All Girls Must Be Everything Delaware County Summer Showtime! That’s Don Fey Climbing Old Rag Mountain Young Men’s Christian Association The Windy City, Full of Meat My Honeymoon, or A Supposedly Fun Thing I’ll Never Do Again Either The Secrets of Mommy’s Beauty Remembrances of Being Very Very Skinny Remembrances of Being a Little Bit Fat A Childhood Dream, Realized Peeing in Jars with Boys I Don’t Care If You Like It Amazing, Gorgeous, Not Like That Dear Internet 30 Rock: An Experiment to Confuse Your Grandparents Sarah, Oprah, and Captain Hook, or How to Succeed by Sort of Looking Like Someone There’s a Drunk Midget in My House A Celebrity’s Guide to Celebrating the Birth of Jesus Juggle This The Mother’s Prayer for Its Daughter What Turning Forty Means to Me What Should I Do with My Last Five Minutes? Acknowledgments Copyright * Or it would be the biggest understatement since Warren Buffett said, “I can pay for dinner tonight.” Or it would be the biggest understatement since Charlie Sheen said, “I’m gonna have fun this weekend.” So, you have options. -
Hello, Dolly! Carolee Carmello
2 SHOWCASE Contents 4 Letter from the President 4 Board of Directors and Staff 7 Hello, Dolly! 23 Comprehensive Campaign 24 Institutional and Government Support 25 Individual Support 27 Matching Gifts 27 Honickman Family Society 31 Kimmel Center Staff Carolee Carmello and John Bolton in Hello, Dolly! National Tour. Photograph by Julieta Cervantes 2019 The use of cameras and recording equipment is prohibited during the performances. As a courtesy to the performers and fellow audience members, please turn off all beepers, watch alarms, and cellular phones. Latecomers and those who leave the concert hall during the performance will be seated at appropriate intervals. Showcase is published by the Kimmel Center for the Performing Arts Administrative Offices, 1500 Walnut Street, 17th Floor, Philadelphia, PA 19102 For information about advertising in Showcase, contact Proud Kimmel Center Season Sponsor Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com Official Airline of Broadway Philadelphia @KIMMELCENTER #ArtHappensHere KIMMELCENTER.ORG#ArtHappensHere 3 Kimmel Center Cultural Campus KIMMEL CENTER, INC., OFFICERS AND BOARD OF DIRECTORS Michael D. Zisman, Chairman Anne C. Ewers, President and CEO Robert R. Corrato, Vice-Chair Jane Hollingsworth, Vice-Chair Stanley Middleman, Treasurer Jami Wintz McKeon, Secretary David P. Holveck, Immediate Past Chair Bart Blatstein Jeffrey Brown Richard D. Carpenter Dear friends, Vanessa Z. Chan Reverend Luis A. Cortés, Jr. Welcome to the Academy of Music on the Kimmel Center Robert J. Delany Sr. Cultural Campus, the two-week home of this stunning revival James F. Dever, Jr. of Hello, Dolly!. Part of our 2019-20 season, boasting 44 Frances R. -
Who Am I Really?: Questioning the Patriarchal “Girl World” to Find Identity in Mean Girls, Heathers the Musical, and Carrie: the Musical
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-30-2019 Who Am I Really?: Questioning the Patriarchal “Girl World” to Find Identity in Mean Girls, Heathers the Musical, and Carrie: The Musical Megan Renner Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Theatre and Performance Studies Commons Recommended Citation Renner, Megan, "Who Am I Really?: Questioning the Patriarchal “Girl World” to Find Identity in Mean Girls, Heathers the Musical, and Carrie: The Musical" (2019). Theses and Dissertations. 1082. https://ir.library.illinoisstate.edu/etd/1082 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. WHO AM I REALLY?: QUESTIONING THE PATRIARCHAL “GIRL WORLD” TO FIND IDENTITY IN MEAN GIRLS, HEATHERS THE MUSICAL, AND CARRIE: THE MUSICAL MEGAN RENNER 105 Pages Both musicals and stories about teenage girls are genres that tend to be overlooked by scholars, and to not receive serious analysis. Some scholars may dismiss these genres as being shallow and unworthy of scrutiny through a critical lens. However, much may be learned about patriarchal influence on teenage girls in musicals such as Mean Girls, Heathers the Musical and Carrie: The Musical. This thesis analyzes the patriarchal influence on the teen girl characters in these three musicals, using Girl Studies and feminist theory. This study applies arguments that state that patriarchal influence is what causes girls to form cliques, in order for them to feel powerful in a world that disenfranchises them, and applies it to these musicals. -
The 13 Best Broadway Songs About Getting Older | Next Avenue
The 13 Best Broadway Songs About Getting Older | Next Avenue http://www.nextavenue.org/blog/13-best-broadway-songs-about... View Edit Revisions Workflow From our sponsors : The 13 Best Broadway Songs About Getting Older Tony-nominated Andrea Martin steals 'Pippin' with her trapeze-swinging rendition of 'No Time At All.' Here are more boomer-friendly show tunes. posted by John Stark, June 7, 2013 More by this author John Stark is the articles editor of Next Avenue. Follow John on Twitter @jrstark. New York theatergoers can’t stop talking about Andrea Martin’s Tony-nominated performance in the current revival of the Broadway musical Pippin. (You can find out if she wins Best Performance by an Actress in a Featured Role in a Musical on the Annual Tony Awards this Sunday, 8 p.m. Eastern time, CBS). The highlight of this circus-inspired Pippin is Martin’s rendition of “No Time At All,” a feel-good motivational song about living every moment of your life before The company of "Pippin." it’s too late. The new cast album Photo by Joan Marcus, courtesy TonyAwards.com was released this week. Martin, known for stealing scenes (who can forget her as Aunt Voula in “My Big Fat Greek Wedding”?) has redefined the role of Charlemagne’s mother, Berthe, Pippin's grandmother. She doesn’t play her sitting in a wheelchair or using a cane. Martin executes derring-do circus acts, like swinging from a trapeze. “I am the age the character is singing about,” Martin recently told The Wall Street Journal, “and in the 40 years since the show first ran, 66 has changed.” Martin’s performance got me to thinking about other show tunes that are sung by mature characters (though not from a trapeze). -
Eight-Grade-Persmap.Pdf
RELEASEDATUM 21 FEBRUARI CONTACT: PUBLICITEIT DISTRIBUTIE BENELUX Manon de Weerd CINEMIEN [email protected] ‘Chateau’ 06 817 90 714 Gedempt Hamerkanaal 139 1021 KP Amsterdam MARKETING The Netherlands Tessa Jansen 020 5776010 [email protected] www.cinemien.nl 06 512 63 675 EIGHT GRADE Eighth Grade is een ode aan de onuitputtelijke teen spirit en het regiedebuut van de jonge comedian Bo Burnham. De veertienjarige Kayla (Elsie Fisher) wordt gevolgd in haar laatste schooljaar voor ze naar high school gaat. In haar vlogs, die door niemand bekeken worden, geeft ze vastberaden adviezen over volwassen worden en hoe je dat een beetje zelfverzekerd kunt doen. In het echte leven staat ze echter aan de zijlijn en vindt maar moeilijk aansluiting bij haar leeftijdgenoten, laat staan de jongen op wie ze verliefd is. Kayla wil niets liever dan zichzelf zijn, maar hoe doe je dat? Daar probeert ze achter te komen terwijl ze zich een weg navigeert langs pijnlijke zwemfeestjes, een vader die er niks van begrijpt, populaire pestkoppen en ongewenste avances. Na de première tijdens Sundance Film Festival, waar Eighth Grade de publieksprijs won, veroverde Kayla de harten van Amerika met haar naïviteit, kwetsbaarheid en onhandigheid die soms ongemakkelijk is om naar te kijken, maar waar je al helemaal niet van wilt wégkijken. CAST ELSIE FISHER played a supporting role in Disney’s feature filmMcFarland, USA. She voiced the lead role of “Agnes” in the animated features Despicable Me and Despicable Me 2. Fisher has also played roles on television shows such as “Raising Hope,” “Mike & Molly,” and “Medium.” She previously played a supporting role in the indie feature Dirty Girl. -
Jonalyn Saxer Transcript
This transcript was exported on Oct 09, 2019 - view latest version here. Chris Velardi: Welcome back to the 'Cuse Conversations Podcast. My name is Chris Velardi, Director of Digital Engagement and Communications in the Office of Alumni Engagement, and a 1995 graduate of Syracuse University. Today, I guess you can call it our Broadway series, it continues with a conversation with Jonalyn Saxer who takes on the role of Karen Smith in the touring cast of Mean Girls which opens this weekend, Saturday, September 21st in Buffalo. Jonalyn Saxer: I truly believe that so much of my career I wouldn't have been able to do without that intense four-year training at Syracuse. Chris Velardi: Jonalyn is a 2014 Syracuse University graduate, graduate of the musical theater program. Though she's only been out of school for about five years, she has an impressive Broadway resume. It includes Honeymoon in Vegas, Holiday Inn, Cats, and a role in the original Broadway cast of Mean Girls where she was not the only Syracuse alum. In this conversation, we're going to talk about that, the growing reach of the orange network in theater, her education, and as a California native, her adjustment to the weather in central New York. Here's Jonalyn Saxer. Theater, musical theater, not the easiest choice to make. When did you know this is the direction you wanted to go? Jonalyn Saxer: Yeah, it's not the easiest choice. I've been dancing since I was three, and my whole family does community theater back in our hometown in Agoura Hills in Thousand Oaks, California. -
Original Writer Title Genre Running Time Year Director/Writer Actor
Original Running Title Genre Year Director/Writer Actor/Actress Keywords Writer Time Katharine Hepburn, Alcoholism, Drama, Tony Richardson; Edward Albee A Delicate Balance 133 min 1973 Paul Scofield, Loss, Play Edward Albee Lee Remick Family Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. I Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 54 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. II Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. III Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. IV Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 50 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. V Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 52 min 1995 Austen, -
THE SOUND INSIDE a New Play by Pulitzer Prize Finalist ADAM RAPP Directed by Tony Award Winner DAVID CROMER
May 23, 2019 EMBARGO FOR THURSDAY, MAY 23 AT 12PM ET Contact: Matt Polk, Jessica Johnson / 917-261-3988 Art Download: Sound Inside Photos ANNOUNCEMENT OF A NEW BROADWAY PLAY Tony, Emmy & Golden Globe winner MARY-LOUISE PARKER Returns to Broadway to Star in THE SOUND INSIDE A New Play by Pulitzer Prize Finalist ADAM RAPP Directed by Tony Award winner DAVID CROMER With WILL HOCHMAN Performances begin Saturday, September 14, 2019 Opening night is Thursday, October 17 at Studio 54 on Broadway “Mary-Louise Parker is SENSATIONAL in Adam Rapp’s ASTONISHING new play.” – Jesse Green, NY Times [New York, NY – May 23, 2019] Tony, Golden Globe, Emmy winner Mary-Louise Parker will star in the Broadway premiere of THE SOUND INSIDE, written by Adam Rapp (Red Light Winter), directed by Tony Award winner David Cromer (The Band’s Visit). Ms. Parker will revisit her acclaimed performance as “Bella” in Rapp’s new play following its world premiere last summer at Williamstown Theatre Festival (New York Times “Critic’s Pick”). Will Hochman will make his Broadway debut reprising his role as “Christopher.” THE SOUND INSIDE will begin performances on September 14, 2019 with an official opening night set October 17, 2018 at Studio 54 on Broadway (254 West 54th Street). A Tenured Professor. A Talented Student. A Troubling Favor. The riveting and enthralling new play THE SOUND INSIDE is a stunningly suspenseful piece of theatre that proves: everyone has a story—the question is how it ends. The creative team includes Alexander Woodward (Scenic Design), David Hyman (Costume Design), Heather Gilbert (Lighting Design), Daniel Kluger (Original Music & Sound Design) and Aaron Rhyne (Projection Design). -
Jack K. Magaw United Scenic Artists, Local 829
Jack K. Magaw United Scenic Artists, Local 829 www.jackmagaw.com CONTACT STUDIO: 1718 Sherman Avenue, Suite 205, Evanston, IL 60201 – (773) 259-4366 – [email protected] HOME: 5507 North Winthrop Ave Apt 2H, Chicago, IL 60640 – (773) 259-4366 EDUCATION NORTHWESTERN UNIVERSITY, Evanston, IL. Master of Fine Arts , Scenic/Lighting Design, 1991 VANDERBILT UNIVERSITY, Nashville, TN. Bachelor of Arts , Theatre and English Literature, 1985 EMPLOYMENT THE THEATRE SCHOOL, DEPAUL UNIVERSITY, Chicago, IL. Adjunct Faculty – Design and Technical Theatre , 2000 – present (full time 2006-07 and Winter Quarter 2011) PROFESSIONAL FREELANCE DESIGNER, Chicago, IL. Scenic and Lighting Designer , 1998 – present NORTHWESTERN UNIVERSITY, Evanston, IL. Adjunct Faculty – Scene Design , 1998, 2009 – 2012 LOYOLA UNIVERSITY, Chicago, IL. Adjunct Lecturer – Lighting Design , 1999 – 2004 NORTHERN ILLINOIS UNIVERSITY, DeKalb, IL. Interim Assistant Professor - Lighting , 1998 - 2001 CONSULTING FOR ARCHITECTS, Chicago, IL. AutoCAD Consultant , 1998 – 2001 FREELANCE ARTIST, Franklin, TN. Stage Designer and Architectural Draftsman , 1996 – 1997 VANDERBILT UNIVERSITY, Nashville, TN. Assistant Professor of Design , 1991 – 1996 UNIVERSITY OF ILLINOIS, DEPARTMENT OF THEATRE, Urbana, IL. Guest Scenic Designer , 1995 INTERLOCHEN ARTS CAMP, Interlochen, MI. Scenic/Lighting Designer , summers 1993 – 1995 NORTHWESTERN UNIVERSITY, Evanston, IL. Graduate Assistant , 1988 – 1991 FREELANCE THEATRE ARTIST, Chicago, IL. Designer, Draftsman and Technician , 1988 – 1991 UNITED STATES ARMY, Active and Reserve Duty. Captain, Field Artillery , 1985 – 1996 TEACHING EXPERIENCE THE THEATRE SCHOOL, DEPAUL UNIVERSITY, Chicago, IL. Adjunct Faculty – Design , 2000 - present Courses Taught : Scene Design I, Scene Design II, Scene Design III, Model Building, PhotoShop for Designers, Portfolio Preparation, Design Workshop, Technical Drawing I (Hand Drafting & AutoCAD), World of the Theatre, Student Design Advising NORTHWESTERN UNIVERSITY, Evanston, IL. -
Ragtime Program
RAGTIME BOOK BY TERRENCE MCNALLY MUSIC BY STEPHEN FLAHERTY THEATER LYRICS BY LYNN AHRENS BASED ON THE NOVEL “RAGTIME” BY E. L. DOCTOROW LATTÉ DIRECTED BY PETER ROTHSTEIN MUSIC DIRECTION BY DENISE PROSEK CHOREOGRAPHY BY KELLI FOSTER WARDER DA SEPTEMBER 21 – OCTOBER 23, 2016 • RITZ THEATER THEATER MUSICALLY Theater Latté Da presents RAGTIME Book by Terrence McNally Music by Stephen Flaherty Lyrics by Lynn Ahrens Based on the novel “Ragtime” by E. L. Doctorow Directed by Peter Rothstein** Music Direction by Denise Prosek*** Choreography by Kelli Foster Warder FEATURING Sasha Andreev*, Debra Berger, Georgia Blando, Benjamin Dutcher, Daniel S. Hines*, Emily Jansen, Riley McNutt, Soren Thayne Miller, David L. Murray, Jr., Britta Ollmann*, James Ramlet, Noelle Renae Hunter, Traci Allen Shannon*, Andre Shoals*, Dominic Tidmarsh-Kilander, and Julia Fé Foster Warder *Member of Actors’ Equity Association, the Union of Professional Actors ** Member of SDC, the Stage Directors and Choreographers Society, a national theatrical labor union ***Member of Twin Cities Musicians Union, American Federation of Musicians RAGTIME will be performed with one intermission Opening Night: Saturday, September 24, 2016 ASL Interpreted and Audio Described Performance: Thursday, October 6, 2016 Post-Show Discussions: Wednesdays, September 28, October 5, 12, and 19; Thursdays, September 29, October 6, 13, and 20; Sundays, September 25, October 2, 9, and 16 RAGTIME is presented through special arrangement with Music Theatre International [MTI]. All authorized performance materials are also supplied by MTI, New York, NY. Tel: 212-541-4684. Fax: 212-397-4684. www.mtishows.com The video and/or audio recording of this performance by any means whatsoever is strictly prohibited.