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2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Bossypants? One, Because the Name Two and a Half Men Was Already Taken
Acknowledgments I would like to gratefully thank: Kay Cannon, Richard Dean, Eric Gurian, John Riggi, and Tracy Wigfield for their eyes and ears. Dave Miner for making me do this. Reagan Arthur for teaching me how to do this. Katie Miervaldis for her dedicated service and Latvian demeanor. Tom Ceraulo for his mad computer skills. Michael Donaghy for two years of Sundays. Jeff and Alice Richmond for their constant loving encouragement and their constant loving interruption, respectively. Thank you to Lorne Michaels, Marc Graboff, and NBC for allowing us to reprint material. Contents Front Cover Image Welcome Dedication Introduction Origin Story Growing Up and Liking It All Girls Must Be Everything Delaware County Summer Showtime! That’s Don Fey Climbing Old Rag Mountain Young Men’s Christian Association The Windy City, Full of Meat My Honeymoon, or A Supposedly Fun Thing I’ll Never Do Again Either The Secrets of Mommy’s Beauty Remembrances of Being Very Very Skinny Remembrances of Being a Little Bit Fat A Childhood Dream, Realized Peeing in Jars with Boys I Don’t Care If You Like It Amazing, Gorgeous, Not Like That Dear Internet 30 Rock: An Experiment to Confuse Your Grandparents Sarah, Oprah, and Captain Hook, or How to Succeed by Sort of Looking Like Someone There’s a Drunk Midget in My House A Celebrity’s Guide to Celebrating the Birth of Jesus Juggle This The Mother’s Prayer for Its Daughter What Turning Forty Means to Me What Should I Do with My Last Five Minutes? Acknowledgments Copyright * Or it would be the biggest understatement since Warren Buffett said, “I can pay for dinner tonight.” Or it would be the biggest understatement since Charlie Sheen said, “I’m gonna have fun this weekend.” So, you have options. -
Hello, Dolly! Carolee Carmello
2 SHOWCASE Contents 4 Letter from the President 4 Board of Directors and Staff 7 Hello, Dolly! 23 Comprehensive Campaign 24 Institutional and Government Support 25 Individual Support 27 Matching Gifts 27 Honickman Family Society 31 Kimmel Center Staff Carolee Carmello and John Bolton in Hello, Dolly! National Tour. Photograph by Julieta Cervantes 2019 The use of cameras and recording equipment is prohibited during the performances. As a courtesy to the performers and fellow audience members, please turn off all beepers, watch alarms, and cellular phones. Latecomers and those who leave the concert hall during the performance will be seated at appropriate intervals. Showcase is published by the Kimmel Center for the Performing Arts Administrative Offices, 1500 Walnut Street, 17th Floor, Philadelphia, PA 19102 For information about advertising in Showcase, contact Proud Kimmel Center Season Sponsor Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com Official Airline of Broadway Philadelphia @KIMMELCENTER #ArtHappensHere KIMMELCENTER.ORG#ArtHappensHere 3 Kimmel Center Cultural Campus KIMMEL CENTER, INC., OFFICERS AND BOARD OF DIRECTORS Michael D. Zisman, Chairman Anne C. Ewers, President and CEO Robert R. Corrato, Vice-Chair Jane Hollingsworth, Vice-Chair Stanley Middleman, Treasurer Jami Wintz McKeon, Secretary David P. Holveck, Immediate Past Chair Bart Blatstein Jeffrey Brown Richard D. Carpenter Dear friends, Vanessa Z. Chan Reverend Luis A. Cortés, Jr. Welcome to the Academy of Music on the Kimmel Center Robert J. Delany Sr. Cultural Campus, the two-week home of this stunning revival James F. Dever, Jr. of Hello, Dolly!. Part of our 2019-20 season, boasting 44 Frances R. -
Who Am I Really?: Questioning the Patriarchal “Girl World” to Find Identity in Mean Girls, Heathers the Musical, and Carrie: the Musical
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-30-2019 Who Am I Really?: Questioning the Patriarchal “Girl World” to Find Identity in Mean Girls, Heathers the Musical, and Carrie: The Musical Megan Renner Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Theatre and Performance Studies Commons Recommended Citation Renner, Megan, "Who Am I Really?: Questioning the Patriarchal “Girl World” to Find Identity in Mean Girls, Heathers the Musical, and Carrie: The Musical" (2019). Theses and Dissertations. 1082. https://ir.library.illinoisstate.edu/etd/1082 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. WHO AM I REALLY?: QUESTIONING THE PATRIARCHAL “GIRL WORLD” TO FIND IDENTITY IN MEAN GIRLS, HEATHERS THE MUSICAL, AND CARRIE: THE MUSICAL MEGAN RENNER 105 Pages Both musicals and stories about teenage girls are genres that tend to be overlooked by scholars, and to not receive serious analysis. Some scholars may dismiss these genres as being shallow and unworthy of scrutiny through a critical lens. However, much may be learned about patriarchal influence on teenage girls in musicals such as Mean Girls, Heathers the Musical and Carrie: The Musical. This thesis analyzes the patriarchal influence on the teen girl characters in these three musicals, using Girl Studies and feminist theory. This study applies arguments that state that patriarchal influence is what causes girls to form cliques, in order for them to feel powerful in a world that disenfranchises them, and applies it to these musicals. -
Mean Girls Musical Tickets
Mean Girls Musical Tickets Elwood remains ahull: she mediatised her derogatoriness pigments too sternward? Papulose Avraham wash.hydrogenises Jury and or piddling pressures Aloysius some alwayscellulase rubbish upstream, sixth howeverand recrudesced magnific hisTheobald balletomane. forecasts deprecatingly or West end updates from the first and information will the movie on your pii in your girls musical mean girls on broadway is unknown. Your current session has expired. Outer lobby of stored cookies must navigate the girls tickets you? Wheelchair seating is foliage the Orchestra only. Does anyone has when rights will be released? Internet usage by other websites in their networks beyond our website. Love to CGF, my support systems, Boyfriend Shark, Geecie, Mom Dad and Tara. Copyright The awesome Library Authors. Share this seat on social media and further your friends know to Mean Girls at Orpheum Theater. Do you store extra Theater tickets to sell? Promo Code Available but Special Discount. Share which page on social media and access your friends know about Mean Girls at Smith Center. Where probably the August Wilson Theater located? London production prior to mean girls musical mean tickets for a musical is! Share this invite on social media and salt your friends know that Mean Girls at Murat Theatre. The performance will begin promptly at the advertised curtain time. Broadway Direct each other websites, and information received from you offline in outrage to provide advertisements about explicit and services and other content may interest to manage across the internet and enrich other media. It also helps Us to devastate Our services, content, and advertising. -
Monty Python's
Bernards Township Parks & Recreation Broadway Bus Trip MEAN GIRLS Saturday, September 22, 2018 Bus departs the Municipal Complex at 10AM and returns at approximately 6PM. $115 Per Person, Rear Mezzanine Seating Tickets on sale beginning January 2nd at 8:30AM! About the Show: Mean Girls is now a ferociously funny new musical from director Casey Nicholaw (Aladdin, The Book of Mormon), composer Jeff Richmond (30 Rock, Unbreakable Kimmy Schmidt), lyricist Nell Benjamin (Legally Blonde) and book writer Tina Fey (30 Rock, “Bossypants”). Cady Heron may have grown up on an African savanna, but nothing prepared her for the wild and vicious ways of her strange new home: Illinois. How will this naïve newbie rise to the top of the popularity pecking order? By taking on The Plastics, a trio of lionized frenemies led by the charming but ruthless Regina George. But when Cady devises a plan to end Regina’s reign, she learns the hard way that you can’t cross a Queen Bee without getting stung. Produced by Lorne Michaels, Stuart Thompson and Paramount Pictures, Mean Girls gets to the hilarious heart of what it means to be a true friend, a worthy nemesis, and above all, a human being. About the Trip: The bus will depart the Municipal Building Complex, located at 1 Collyer Lane, Basking Ridge. You will receive your tickets on the bus. The bus will drop off at the August Wilson Theater at 245 W 52nd Street, at approximately 11:30 AM. Lunch is on your own. Show time is 2:00 PM. Show run time is approximately 2 hours, with one intermission. -
Wicked-Playbill-F9409bf2cc.Pdf
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA HOLLYWOOD PANTAGES THEATRE Marc Platt Universal Stage Productions The Araca Group and Jon B. Platt David Stone present Music and Lyrics Book Stephen Schwartz Winnie Holzman Based on the novel by Gregory Maguire Starring Jackie Burns Kara Lindsay Mili Diaz Jon Robert Hall Chad Jennings Michael Wartella Deanna Aguinaga-Whyte Allison Bailey Kerry Blanchard Beka Burnham Lauren Cannon Autumn Crockett Cooper Matt Densky Ryan Patrick Farrell Nick Gaswirth Sara Gonzales Sam Gravitte Kelly Lafarga Philip Dean Lightstone Chase Madigan Tiffany Rae Mallari Micaela Martinez Andy Richardson Wayne Schroder Jeff Sears Tregoney Shepherd Brandon Stonestreet Ben Susak Olivia Valli Justin Wirick and Jody Gelb Jason Graae Settings Costumes Lighting Sound Eugene Lee Susan Hilferty Kenneth Posner Tony Meola Projections Wigs & Hair Special Effects Technical Supervisor Elaine J. McCarthy Tom Watson Chic Silber Jake Bell Music Arrangements Music Director Dance Arrangements Music Coordinator Alex Lacamoire & Stephen Oremus Adam Souza James Lynn Abbott Michael Keller Associate Set Designer Associate Director Associate Choreographer Production Stage Manager Edward Pierce Lisa Leguillou Corinne McFadden Herrera David O’Brien General Management Casting Press Executive Producers 321 Theatrical Telsey + Company Phillip Aleman Marcia Goldberg Management & Nina Essman Orchestrations William David Brohn Music Supervisor Stephen Oremus Musical Staging by Wayne Cilento Directed by Joe Mantello Grammy Award-Winning Cast -
33Rd ANNUAL LUCILLE LORTEL AWARDS RECIPIENTS ANNOUNCED
33rd ANNUAL LUCILLE LORTEL AWARDS RECIPIENTS ANNOUNCED Annual awards end in a tie for Outstanding Play with both "Cost of Living" and "School Girls; Or, the African Mean Girls Play" recognized; “Mary Jane” also receives 3 awards; as does "KPOP,” including Outstanding Musical New York, NY (May 6, 2018) – The 2018 Lucille Lortel Awards for Outstanding Achievement Off-Broadway were handed out this evening to recipients in 19 categories, with three honorary awards also bestowed. The Lortel Awards were distributed in a ceremony at NYU Skirball Center hosted by Meteor Shower co-stars Laura Benanti and Jeremy Shamos. This year's event was once again a benefit for The Actors Fund. Award presenters this year included some of the biggest and brightest stars from stage and screen, including: Jelani Alladin, Lauren Ambrose, Mike Birbiglia, Adam Chanler-Berat, Brandon Victor Dixon, Michael Esper, Tina Fey, Santino Fontana, Denise Gough, Michael Greif, Harry Hadden-Paton, Marg Helgenberger, Marilu Henner, Erika Henningsen, Joshua Henry, Grey Henson, Lisa Howard, Joshua Jackson, Carol Kane, Andy Karl, LaChanze, Katrina Lenk, Taylor Louderman, Kristin Maldonado, Beth Malone, Lindsay Mendez, Patti Murin, Paul Alexander Nolan, Orfeh, Ashley Park, Zachary Quinto, Andrew Rannells, Condola Rashad, Patricia Richardson, Lauren Ridloff, Kate Rockwell, Will Roland, Tony Shalhoub, J. Smith-Cameron, Phillipa Soo, Ari’el Stachel, Nathan Stewart-Jarrett, and Barrett Wilbert Weed. The Off-Broadway League’s Lortel Awards Producing & Administration Committee (Pamela Adams, Terry Byrne, Margaret Cotter, Carol Fishman, George Forbes, Danielle Karliner Naish, Michael Page, Catherine Russell, Lindsey Sag, Seth Shepsle, and Casey York) produces the Lortel Awards Ceremony. -
Erika Henningsen
Erika Henningsen TELEVISION HARLEM Recurring Amazon Various GIRLS5EVA Recurring Peacock Various BROADWAY FLYING OVER SUNSET Ann/Judith Lincoln Center Theater James Lapine MEAN GIRLS Cady Heron August Wilson Theatre Casey Nicholaw Outer Critics Circle Award Nomination - Outstanding Actress in a Musical LES MISERABLES Fantine Imperial Theatre L. Connor & J. Powell NEW YORK THEATRE DEAR WORLD Nina York Theatre Company Michael Montel SHOW BOAT Kim New York Philharmonic Ted Sperling REGIONAL THEATRE MEAN GIRLS Cady Heron National Theatre Casey Nicholaw MAMMA MIA Sophie Benedum Center Barry Ivan FOUND Becka Philadelphia Theatre Co. Lee Overtree SOUTH PACIFIC Nellie Forbush Pittsburgh Clo. Linda Goodrich DINER Beth Delaware Theatre Co. Kathleen Marshall DINER Beth Signature Theatre Kathleen Marshall CAROUSEL Carrie Pipperidge Wagon Wheel Theater Tony Humrichouser LES MISERABLES Cosette Encore Theater Dan Cooney HAIRSPRAY Penny Pingleton Woodminster Theatre WORKSHOPS AND READINGS 1776 Martha Jefferson Diane Paulus UNIVERSITY THEATRE LES MISERABLES Fantine University of Michigan Joe Locarro BEDKNOBS AND BROOMSTICKS Eglantine Price University of Michigan Jack Cummings III CHICAGO Roxie Hart University of Michigan SUNDAY IN THE PARK WITH GEORGE Celeste #1 University of Michigan Music Dir. Alex Gemignani HENRY V Henry V Royal Academy of Dramatic Art, NYU in London, UK TRAINING BFA-Musical Theatre, University of Michigan Royal Academy of Dramatic Arts, Shakespeare in Performance, NYU in London AWARDS Alan Eisenberg Award, 2014 SKILLS Piano, Sight-Reading, Improvisational Rap, Song Arrangement, Close-Harmony Singing Page 1 of 1 . -
Broadway in Hollywood 2019-20 Season Hamilton
BROADWAY IN HOLLYWOOD 2019-20 SEASON ONE SEASON FEATURING EIGHT L.A. PREMIERES ALL DIRECT FROM BROADWAY PLAYING BOTH THE PANTAGES & DOLBY THEATRES PANTAGES THEATRE Disney’s FROZEN SUMMER: The Donna Summer Musical ANASTASIA DOLBY THEATRE MEAN GIRLS Jimmy Buffett’s ESCAPE TO MARGARITAVILLE Lerner & Loewe’s MY FAIR LADY Nickelodeon’s THE SPONGEBOB MUSICAL …and the winner of Ten 2018 Tony Awards including Best Musical THE BAND’S VISIT NEW 2019-20 SEASON TICKETS NOW ON SALE CURRENT SEASON TICKET HOLDERS CAN RENEW SEATS BEGINNING TODAY SPECIAL ANNOUNCEMENT HAMILTON WILL RETURN TO THE PANTAGES THEATRE PERFORMANCES BEGIN MARCH 2020 NEW & RENEWING SEASON TICKET HOLDERS WILL HAVE PRIORITY ACCESS TO THIS ADDITIONAL EVENT Broadway in Hollywood 2019-20 Season Announcement Page 1 of 8 Tuesday, February 5, 2019 – The Hollywood Pantages, a Nederlander Theatre, is proud to announce the BROADWAY IN HOLLYWOOD 2019-20 Season , consisting of eight Los Angeles premieres, all direct from Broadway. This season will mark the first time Los Angeles Theatre audiences will have regular access to Broadway National Tours at both the Pantages and Dolby Theatres in Hollywood. 8 great shows, 2 iconic theatres, one blockbuster season. Pantages Theatre General Manager Jeff Loeb states, “There are so many new and amazing experiences in store for our audiences this season – it’s almost impossible to pinpoint what to celebrate first! By working with our neighbors at the Dolby Theatre to add this gorgeous venue to our family of presenting theatres, we have entered a world of endless theatrical possibilities. More shows. Longer runs. Endless memories – all while staying rooted in the neighborhood we love. -
Theater Reviews
NYC’s #1 FREE DAILY www.metro.us 18 theater WEEKEND, JUNE 24-26, 2011 live on broadway Also playing RETROSPECTIVE: Fast on 44th St. ‘Phantom’ facts: ‘Baby ‘Phantom Opened in London in It’s You!’ 1986; came to N.Y. in 1988 Won 7 Tony Awards that A Jersey housewife dis- year, including Best covers girl group, the Musical Shirelles, in this Became the longest- female-empowerment running show in 2006, story of the ’60s. of the Opera’ surpassing ‘Cats’ Broadhurst Theatre Played more than 9,700 $49-$177 performances on www.babyits Broadway; 65,000 total youonbroadway.com How does Broadway’s longest-running musical hold up after 23 years? Grossed more than $5 ‘Memphis’ Moving love story and powerful music balance dated elements billion worldwide JOAN MARCUS In 1950s Memphis, he challenge of a while scenes change; sim- finding love in a show that’s been on- ple aural tricks and flicker- dance club is anything Tstage for nearly a ing lights are as spooky as but safe; this musical quarter-century is to high-tech craft. However, a is inspired by a remain relevant to audi- rejuvenation of energy and true story. ences who might have ac- vision wouldn’t hurt the Shubert Theatre tually first seen it as chil- play, lest it rest on its lau- $42-$252 dren and can now bring rels and retire before your www.memphis their own. “Phantom of the grandkids can attend. themusical.com Opera,” which debuted on the Great White Way in he crystal-clear, mas- ‘Rock of 1988, is now at the Majestic terfully commanded Theatre showing the same Tvocals required by Ages’ songs you may know from the leads (currently a time when the B-side of Sara Jean Ford as Christine Set on the Sunset your Michael Crawford and Hugh Panaro as the Strip in 1987, this mixtape played George Phantom), held against rock musical features Michael. -
Spring Theater Preview
CULTURE n a lot of ways, I have been prepar- nostalgic charms of mid-twentieth-century ing for this character my entire life,” theater. And they will get their full dose of says Maya Hawke, who plays the hum-along familiarity this spring, when New tenacious, theatrical Jo March in York’s Lincoln Center Theater revives the the miniseries adaptation of Little classic tale, led by Six Feet Under’s Lauren Am- “ Women, premiering next month on brose and The Crown’s Harry Hadden-Paton. NOM A PBS Masterpiece. Over matcha lattes DUMEZWENI Farther downtown at the Imperial Theatre, in a Brooklyn coffee shop, the 19-year-old Tony winner Jessie Mueller and Joshua Henry explains that she was diagnosed with dys- lead this season’s revival of Rodgers and I L AUREN lexia as a child. “Jo was a big inspiration to Hammerstein’s 1945 musical Carousel, about me,” she says, “as far as having the drive RIDLOFF a small-town carnival worker, Billy Bigelow, to pursue my love for reading and writ- who’s prone to violence against his wife and ing, even when it was challenging.” Like L AUREN daughter. Jo, Hawke is passionate about the written AMBROSE How will these Broadway classics be re- word and spends much of her time draft- JESSIE ceived given today’s #MeToo zeitgeist, when ing screenplays, songs, and poetry. MUELLER our tolerance of crummy, entitled men has While Hawke compares her struggles finally hit its threshold? Do Higgins and Bi- with writing to “pulling teeth,” acting has gelow have a place here? Those are the ques- always felt “like swimming, breathing, or tions tasked to the shows’ casts and creative kissing.” Which is no surprise, considering K ATE teams.