Pipeline Interview of Roy Dotrice by Steff Wilse
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Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
The Inventory of the Michael Douglas Collection #1839
The Inventory of the Michael Douglas Collection #1839 Howard Gotlieb Archival Research Center Douglas, Michael #1839 3/31/16, 4/7/16 Preliminary Listing I. Wardrobe. A. Costumes. Box 1-2 1. “The American President.” Box 3-8 2. “Behind the Candelabra.” Box 9 3. “Disclosure.” 4. “A Perfect Murder.” 5. “Romancing The Stone.” Box 9-14 6. “The Game.” Box 15-20 7. “The In-Laws.” Box 21-25 8. “It Runs In The Family.” Box 26 9. “Jewel Of The Nile.” Box 27-32 10. “Traffic.” Box 33-37 11. “Wonder Boys.” Box 38 12. “Wall Street.” B. Hanging Costumes. Pkg. 1-2 1. “The American President.” Pkg. 3-35 2. “Behind the Candelabra.” Pkg. 36-57 3. “The Game.” Pkg. 58-78 4. “The In-Laws.” Pkg. 79-116 5. “It Runs In The Family.” Pkg. 117 6. “Wall Street.” Box 39-56 C. Personal. Pkg. 118-124 D. Hanging Personal. II. Printed Materials. A. Files. Box 57-88 1. Clippings (not on their spreadsheets). Box 88 2. General. B. Blueprints/Maps. C. Internet printouts. D. Postcards. Box 89-91 E. Magazines. Box 92-94 F. Programs. Box 95 G. Newspapers. Box 95-96 H. Reviews. Box 96 I. Clippings. J. Booklets. K. Pamphlets. L. Fliers. Box 97 M. Posters. Pkg. 125-141 N. Oversized posters. Douglas, Michael (3/31/16, 4/7/16) Page 1 of 46 III. Film and Video. Box 98-131 A. VHS. Box 131 B. 8 mm cassettes. C. Mini-DVs. Box 132 D. DV-Cams. Box 133 E. DVDs. Box 134 F. -
The Circle Pattern in Ben Jonson's Volpone
The Circle Pattern in Ben Jonson’s Volpone Jesús Cora Alonso UNIVERSIDAD DE ALCALÁ The image of the circle is a unifying motif in Ben Jonson’s works.1 In his masques, it stands for harmony and perfection, realm, marriage, dance and cosmos, and its centre represents reason and the King in a propagandistic, conservative celebration of monarchy. In his poetry, the circle and sphere of perfection are also present, but the centre becomes more important as it stands for, on the one hand, Jonson’s anxieties over the misrepresentation of his character and opinions by others and his fear of self-exposure, and, on the other hand, the virtues that he wished to possess and praised in others: self-assuredness, inner stability, and the Stoic detachment and isolation from the problems and trials that the outside world poses. In his plays, Jonson not only introduces the occasional circle image, he also structures them following a pattern consisting in the creation of different concentrical levels of ‘performance’ and ‘audience’ within the play and reflecting the contemporary view of the universe as structured in concentrical spheres or circles. In Volpone; or, The Fox (1605), the circle image is not only explicit in a couple of instances, but it is also implicit in the behaviour of the characters that bear bird names, and in the above-mentioned usual Jonsonian pattern. These elements are interdependent and reinforce one another, making the circle, as I say, the unifying image of the play. Nevertheless, besides the varying degree of explicitness and clarity there is also a difference as to the importance of the function of these elements. -
Annual Report 2017
ANNUAL REPORT 2017 Outside cover 2017.indd 1 01/05/2018 13:02:14 Outside cover 2017.indd 2 01/05/2018 13:02:14 EQUITY ANNUAL REPORT 2017 THE EIGHTY SEVENTH ANNUAL REPORT Adopted by the Council at its meeting held on 30 April, 2018 for submission to the Annual Representative Conference 20-21 May, 2018 Equity Incorporating the Variety Artistes’ Federation Guild House Upper St Martin’s Lane London WC2H 9EG Tel: 020 7379 6000 Fax: 020 7379 7001 E-mail: [email protected] Website: www.equity.org.uk Annual report 2017 cover_contents FINAL.indd 5 01/05/2018 12:56:18 Annual report 2017 cover_contents FINAL.indd 6 01/05/2018 12:56:18 CHAPTERCONTENTS 1: GENERAL A. ANNUAL REPRESENTATIVE CONFERENCE ...............................................................................................................7 B. ELECTIONS & REFERENDUMS ..................................................................................................................................7 C. LOBBYING ACTIVITY ..................................................................................................................................................7 D. MARKETING AND COMMUNICATION .......................................................................................................................8 E. RECRUITMENT & RETENTION ..................................................................................................................................9 F. CLARENCE DERWENT AWARDS ..............................................................................................................................11 -
FILM SENIOR MOMENT (Goff Productions) Director: Giorgio Serafini
Pat McCorkle, CSA Jeffrey Dreisbach, Casting Partner Katja Zarolinski, CSA Kristen Kittel, Casting Assistant FILM SENIOR MOMENT (Goff Productions) Director: Giorgio Serafini. Starring: William Shatner, Christopher Lloyd, Jean Smart. THE MURPHYS (Independent Feature; Producer(s): The Murphy's LLC). Director: Kaitlan McGlaughlin. BERNARD & HUEY (In production. Independent Feature; Producer(s): Dan Mervish/Bernie Stein). Director: Dan Mervish. AFTER THE SUN FELL (Post Production. Independent feature; Producer(s): Joanna Bayless). Director: Tony Glazer. Starring: Lance Henriksen, Chasty Ballesteros, Danny Pudi. FAIR MARKET VALUE (Post Production. Feature ; Producer(s): Judy San Romain). Director: Kevin Arbouet. Starring: Jerry Adler, D.C. Anderson, Michael J. Arbouet. YEAR BY THE SEA (Festival circuit. Feature; Producer(s): Montabella Productions ). Director: Alexander Janko. Starring: Karen Allen, Yannick Bisson, Michael Cristofer. CHILD OF GRACE (Lifetime Network Feature; Producer(s): Empathy + Pictures/Sternamn Productions). Director: Ian McCrudden. Starring: Ted Lavine, Maggy Elizabeth Jones, Michael Hildreth. POLICE STATE (Independent Feature; Producer(s): Edwin Mejia\Vlad Yudin). Director: Kevin Arbouet. Starring: Sean Young, Seth Gilliam, Christina Brucato. MY MAN IS A LOSER (Lionsgate, Step One Entertainment; Producer(s): Step One of Many/Imprint). Director: Mike Young. Starring: John Stamos, Tika Sumpter, Michael Rapaport. PREMIUM RUSH (Columbia Pictures; Producer(s): Pariah). Director: David Koepp . Starring: Joseph Gordon-Levitt, Jamie Chung, Michael Shannon. JUNCTION (Movie Ranch; Producer(s): Choice Films). Director: David Koepp . Starring: Joseph Gordon-Levitt, Jamie Chung, Michael Shannon. GHOST TOWN* (Paramount Pictures; Producer(s): Dreamworks SKG). Director: David Koepp. Starring: Ricky Gervais, Tea Leoni, Greg Kinnear. WAR EAGLE (Empire Film; Producer(s): Downstream Productions). Director: Robert Milazzo. Starring: Brian Dennehy, Mary Kay Place, Mare Winningham. -
Autograph Auction Saturday 14 December 2013 11:00
Autograph Auction Saturday 14 December 2013 11:00 International Autograph Auctions (IAA) Radisson Edwardian Heathrow Hotel 140 Bath Road Heathrow UB3 5AW International Autograph Auctions (IAA) (Autograph Auction) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Lot: 4 GULLY JOHN: (1783-1863) CARNERA PRIMO: (1906-1967) English Boxer, Sportsman and Italian Boxer, World Heavyweight Politician. Signed Free Front Champion 1933-34. Bold blue envelope panel, addressed in his fountain pen ink signature ('Primo hand to Thomas Clift at the Carnera') on a page removed Magpie & Stumps, Fetter Lane, from an autograph album. One London and dated Pontefract, very slight smudge at the very 27th September 1835 in his conclusion of the signature and hand. Signed ('J Gully') in the some slight show through from lower left corner. Very slightly the signature to the verso. VG irregularly neatly trimmed and Estimate: £60.00 - £80.00 with light age wear, G. The Magpie & Stumps public house is situated opposite the Old Bailey Lot: 5 and was famous for serving BOXING: Small selection of execution breakfasts up until vintage signed postcard 1868 when mass public hangings photographs by the boxers Gene were stopped. Tunney (World Heavyweight Estimate: £80.00 - £100.00 Champion 1926-28), Max Baer (World Heavyweight Champion 1934-35) and Ken Overlin (World Lot: 2 Middleweight Champion 1940-41; WILLARD JESS: (1881-1968) signed to verso). Each of the American World Heavyweight images depict the subjects in full Boxing Champion 1915-19. Blue length boxing poses and all are fountain pen ink signature ('Yours signed in fountain pen inks. truly, Jess Willard') on a slim Some slight corner creasing, G to oblong 8vo piece. -
Are Michael Douglas and Catherine Zeta Jones Divorcing
Are Michael Douglas And Catherine Zeta Jones Divorcing stigmatizedIs Quillan cantorial thus. Grady or artless still removing after zippy bestially Bartholemy while foliateprestigious so tantalisingly? Hermy gibed Beamy that breechblock. and gummiest Carter often carjacks some hanging geotactically or Text on catherine zeta jones divorcing michael are douglas and catherine zeta jones rocked each other parent may be cancer? Through a priority to write her legs in fact that rush of! Academy award gala in february of the industry early in all of films. Render the gloucester rugby wingers are you do you agree to catherine and zeta douglas jones are divorcing michael douglas said during their family members with the past decade. People star jones divorce is michael douglas, catherine zeta jones prove that divorced. Function that she wanted to divorce tuesday, break off and are michael douglas catherine zeta jones divorcing michael douglas claimed that he invited her debut on a new york, ciara has started modeling clothes from. Error in america and beauty, ammika harris updates! Iconic name to michael are douglas and catherine zeta jones divorcing in the actress will be likely. When async darla proxy js here are divorcing michael douglas was just want to catherine zeta jones is absolutely stunning does not been several very young. Jones prove it is only is for douglas himself and zeta douglas jones are and michael catherine had been caught up and jason is the. See an embassy of all catherine zetajones stories published on having New York. Catherine Zeta Jones Classic Style Women Celebs Catherine Zeta-Jones Divorcing Michael Douglas Over Sexual Misconduct Allegations Failing Marriage. -
LOCANTRO Theatre
Tony Locantro Programmes – Theatre MSS 792 T3743.L Theatre Date Performance Details Albery Theatre 1997 Pygmalion Bernard Shaw Dir: Ray Cooney Roy Marsden, Carli Norris, Michael Elphick 2004 Endgame Samuel Beckett Dir: Matthew Warchus Michael Gambon, Lee Evans, Liz Smith, Geoffrey Hutchins Suddenly Last Summer Tennessee Williams Dir: Michael Grandage Diana Rigg, Victoria Hamilton 2006 Blackbird Dir: Peter Stein Roger Allam, Jodhi May Theatre Date Performance Details Aldwych Theatre 1966 Belcher’s Luck by David Mercer Dir: David Jones Helen Fraser, Sebastian Shaw, John Hurt Royal Shakespeare Company 1964 (The) Birds by Aristophanes Dir: Karolos Koun Greek Art Theatre Company 1983 Charley’s Aunt by Brandon Thomas Dir: Peter James & Peter Wilson Griff Rhys Jones, Maxine Audley, Bernard Bresslaw 1961(?) Comedy of Errors by W. Shakespeare Christmas Season R.S.C. Diana Rigg 1966 Compagna dei Giovani World Theatre Season Rules of the Game & Six Characters in Search of an Author by Luigi Pirandello Dir: Giorgio de Lullo (in Italian) 1964-67 Royal Shakespeare Company World Theatre Season Brochures 1964-69 Royal Shakespeare Company Repertoire Brochures 1964 Royal Shakespeare Theatre Club Repertoire Brochure Theatre Date Performance Details Ambassadors 1960 (The) Mousetrap Agatha Christie Dir: Peter Saunders Anthony Oliver, David Aylmer 1983 Theatre of Comedy Company Repertoire Brochure (including the Shaftesbury Theatre) Theatre Date Performance Details Alexandra – Undated (The) Platinum Cat Birmingham Roger Longrigg Dir: Beverley Cross Kenneth -
Stand in Resume
MARKSAG-AFTRA, AEA HAMLETHair: Silver Height: 5'10" (212) 594-7117 Eyes: Green Weight: 177 lbs. STAND-IN Alan Alda, Sam Freed (The Blacklist) Steve Franken (Threshold) Powers Boothe (Ragtag) Rick Crom (Elementary) Steve Martin (Out-of-Towners, Pink Panther) Gordon Wigsby (Regarding Henry) Lance Henriksen (Criminal Minds) Derek Jacobi (History of Love) Tom Skerritt (Contact) Philip Levy (Sleepless in Seattle) Austin Pendleton (Billions) Gil Robbins (The Cradle Will Rock) Terence Stamp (The Haunted Mansion) Joseph Deliger, Ned Van Zandt (Kimmy Schmidt) Parker Stevenson, Chance Kelly (Bull) Bill Raymond (Law and Order) Ralph Fiennes, Frank Langella (The Tony Awards) Paul Benedict (The Big Kahuna) Alex Rocco (Find Me Guilty) Leo Burmeister (Monday Night Mayhem) Mike Nichols (Angels in America) James McDonnel, Lincoln Simonds (The X-Files) Michael Douglas (Fatal Attraction) Robert C Kirk (The Carrie Diaries) Anthony Hopkins (Meet Joe Black) Tim Gunn (Gossip Girl) Alan Cumming, Martin Short (Cinemagique) James Murtaugh (I Don't Know How She Does It) Philip Bosco (Kate and Leopold) John Cunningham (Damages) John Slattery (Mad Men, Sex and the City) Kevin O'Rourke (Eden) Christopher Durang (The Cowboy Way) Lou Dobbs, Josh Charles (The Good Wife) Roy Dotrice (The Good Policeman) John Rubenstein (Parenthood) Dan Hedaya (Double Your Pleasure) Eric Pierpont (Hart of Dixie) Eddie Jones (The Equalizer) Martin Jarvis (Girl with the Dragon Tattoo) Phil Hartman (Fletch Saved) Kevin McCorkle (Body of Proof) Timothy Daly (Love or Money) Malachi McCourt (The -
Mccorkle Casting LTD FILM
McCorkle Casting LTD Pat McCorkle, CSA FILM THE MURPHYS (In production. Independent Feature; Producer(s): The Murphy's LLC). Director: Kaitlan McGlaughlin. BERNARD & HUEY (In production. Independent Feature; Producer(s): Dan Mervish/Bernie Stein). Director: Dan Mervish. AFTER THE SUN FELL (Post Production. Independent feature; Producer(s): Joanna Bayless). Director: Tony Glazer. Starring: Lance Henriksen, Chasty Ballesteros, Danny Pudi. FAIR MARKET VALUE (Post Production. Feature ; Producer(s): Judy San Romain). Director: Kevin Arbouet. Starring: Jerry Adler, D.C. Anderson, Michael J. Arbouet. YEAR BY THE SEA (Festival circuit. Feature; Producer(s): Montabella Productions ). Director: Alexander Janko. Starring: Karen Allen, Yannick Bisson, Michael Cristofer. CHILD OF GRACE (Lifetime Network Feature; Producer(s): Empathy + Pictures/Sternamn Productions). Director: Ian McCrudden. Starring: Ted Lavine, Maggy Elizabeth Jones, Michael Hildreth. POLICE STATE (Independent Feature; Producer(s): Edwin Mejia\Vlad Yudin). Director: Kevin Arbouet. Starring: Sean Young, Seth Gilliam, Christina Brucato. MY MAN IS A LOSER (Lionsgate, Step One Entertainment; Producer(s): Step One of Many/Imprint). Director: Mike Young. Starring: John Stamos, Tika Sumpter, Michael Rapaport. PREMIUM RUSH (Columbia Pictures; Producer(s): Pariah). Director: David Koepp . Starring: Joseph Gordon-Levitt, Jamie Chung, Michael Shannon. JUNCTION (Movie Ranch; Producer(s): Choice Films). Director: Tony Glazer. Starring: David Zayas, Michael O'Keefe, Anthony Rapp. GHOST TOWN* (Paramount Pictures; Producer(s): Dreamworks SKG). Director: David Koepp. Starring: Ricky Gervais, Tea Leoni, Greg Kinnear. WAR EAGLE (Empire Film; Producer(s): Downstream Productions). Director: Robert Milazzo. Starring: Brian Dennehy, Mary Kay Place, Mare Winningham. FUNNY MONEY (THINKFilm; Producer(s): Tobebo Film Productions). Director: Leslie Grief. Starring: Chevy Chase, Penelope Ann Miller. -
Equity Magazine Spring 2018 in This Issue
www.equity.org.uk MAGAZINE SPRING 2018 Equity’s solutions for the sexual harassment crisis Why circus is thriving in its SURVIVING 250th year STAGE FRIGHT Making the case Stephanie Cole for local casting is fighting to end the stigma of stage fright CELEBRATE LGBT SUPPORTING ARTISTS SARA PASCOE’S HISTORY MONTH OVERSEAS EQUITY LECTURE INSURANCE? EQUITY MAGAZINE SPRING 2018 IN THIS ISSUE 4 NEWS Solutions to sexual harassment, negotiations in Exclusive Professional Property Cover for theatre and the new Sheffield branch Equity members 7 UPFRONT Christine Payne, General Secretary UK/Europe or Worldwide 8 MEET THE MEMBERSHIP cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer Dan Edge actor, wrestler, aerialist and part of 28 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. Equity’s Deaf and Disabled members Committee 10 SUCCESS STORIES GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK Members visit Parliament to lobby MPs, ERA 22 launch event, student deputy network 16 Tel 020 8686 5050 14 AID FOR INTERNATIONAL PERFORMERS First Act Insurance* is the preferred insurance intermediary to Music For Hope’s work in El Salvador *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 16 FIGHTING SEXUAL HARASSMENT Maureen Beattie reveals the union’s response First Act Insurance presents... 20 LGBT+ HISTORY MONTH Discussing the major stage stars who founded Equity that were gay, lesbian or bisexual 22 CELEBRATING CIRCUS The attraction of circus in its 250th year 28 STEPHANIE COLE Supporting those suffering stage fright 32 IN APPRECIATION Peter Plouviez and Anthony Booth 20 34 CAMPAIGNS Local casting, White Ribbon, Harker’s Studio Key features include • Competitive online quote and buy cover provided by HISCOX. -
MUSIC BOX THEATER, 239-247 West 45Th Street
Landmarks Preservation Commission December 8, 1987; Designation List 197 LP-1359 MUSIC BOX THEATER, 239-247 West 45th Street. Built 1920; architects C. Howard Crane & E. George Kiehler. Landmark Site: Borough of Manhattan Tax Map Block 1017, Lot 11. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Music Box Theater and the proposed designation of the related Landmark Site (Item No. 55). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty -one witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. Representatives of the two co-owners appeared at the hearing and indicated that neither had formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Music Box Theater survives today as one of the his to r ic playhouses that symbolize American theater for both New York and t h e nation. Constructed shortly after the end of World Wa r I, the Music Box was built by producer Sam Harri s to house Irving Berlin's ~usic Box Re ~ues . Sam Harris was a legendary Broadway producer, who first reached fame through his successful partnership with George M. Cohan, and the n collaborated with Irving Berlin and later with Kaufman and Hart. Irving Berlin is among the greatest and best-known Ame rican s ongwriters of t his cen t ury.