Oliver Emanuel Writer
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
June Trifold Brochure
Through the Door Rats by Karen Marquis by Leanne Cameron Performed by Performed by Sarah C Meikle and Grant McDonald Catriona MacAllister and Kirsty Florence Directed by Karen Marquis Directed by G.R Greer Thursday 25th june 2020 at 7.30pm A make-up tutorial takes a horrific turn. Lucy has locked herself in the bathroom and is refusing to come to her Dad's 60th birthday Smells Like Cheap Spirit by Jamie Graham party because she’s fed up being compared to her sensible sister, Jess. Jess is trying to Performed by Elle Watson and Stephen Will convince her to come out and that everything Directed by Rebecca Riddell will be ok, but not before going through the Mandy is spending another night in front of emotional roller coaster that is sisterhood. the TV and has treated herself to a takeaway Will Lucy come through the door? pizza and a bottle of gin. She's feeling a bit The Curse of Griffin Cottage down in the dumps after recently losing her job and still not having anyone special in her by David Bratchpiece life. But the evening takes an unexpected Performed by twist - and it's not just the lemon in her gin. Emma Findlay and Paul Kelvin Directed by Daniel Orejon We Keep Going by Rachel Flynn Aspiring writer Sarah receives an Performed by unexpected message from young actor Rebecca Wilkie and Stephen Kerr Eddie after he gets locked down in some Directed by Max Chase spooky surroundings… David and Zoe had a one night stand that Acquiesce by Alan Muir lasted a whole weekend just before Performed by lockdown. -
Image: Brian Hartley
IMAGINATE FESTIVAL Scotland’s international festival of performing arts for children and young people 6-13 may 2013 TICKETS:0131 228 1404 WWW.TRAVERSE.CO.UK Image: Brian Hartley IMAGINATE FESTIVAL FUNDERS & SUPPORT ABOUT IMAGINATE Every year Imaginate receives financial and in kind support from a range of national and international organisations.We would like to thank them all for their invaluable support of the Imaginate Festival. Imaginate is a unique organisation in Scotland,leading in the promotion,development If you would like to know more about our supporters or how to support us,please visit: and celebration of the performing arts for children and young people. www.imaginate.org.uk/support/ We achieve this through the delivery of an integrated M A J O R F U N D E R S BEYONDTHE FESTIVAL annual programme of art-form development, learning supported through the partnerships and performance, including the world Imaginate believes that a high quality creative Scottish Government’s Edinburgh Festivals Expo Fund famous Imaginate Festival, Scotland’s international development programme is the key to unlocking festival of performing arts for children and young people. creativity and supporting artistic excellence in the performing arts sector for children and young people in THE IMAGINATE FESTIVAL Scotland. This programme creates regular opportunities for artists and practitioners, whether they are students, T R U S T S A N D F O U N D AT I O N S PA R T N E R S Every year the Festival and Festival On Tour attracts established artists or at the beginning of their career. -
11 — 27 August 2018 See P91—137 — See Children’S Programme Gifford Baillie Thanks to All Our Sponsors and Supporters
FREEDOM. 11 — 27 August 2018 Baillie Gifford Programme Children’s — See p91—137 Thanks to all our Sponsors and Supporters Funders Benefactors James & Morag Anderson Jane Attias Geoff & Mary Ball The BEST Trust Binks Trust Lel & Robin Blair Sir Ewan & Lady Brown Lead Sponsor Major Supporter Richard & Catherine Burns Gavin & Kate Gemmell Murray & Carol Grigor Eimear Keenan Richard & Sara Kimberlin Archie McBroom Aitken Professor Alexander & Dr Elizabeth McCall Smith Anne McFarlane Investment managers Ian Rankin & Miranda Harvey Lady Susan Rice Lord Ross Fiona & Ian Russell Major Sponsors The Thomas Family Claire & Mark Urquhart William Zachs & Martin Adam And all those who wish to remain anonymous SINCE Scottish Mortgage Investment Folio Patrons 909 1 Trust PLC Jane & Bernard Nelson Brenda Rennie And all those who wish to remain anonymous Trusts The AEB Charitable Trust Barcapel Foundation Binks Trust The Booker Prize Foundation Sponsors The Castansa Trust John S Cohen Foundation The Crerar Hotels Trust Cruden Foundation The Educational Institute of Scotland The Ettrick Charitable Trust The Hugh Fraser Foundation The Jasmine Macquaker Charitable Fund Margaret Murdoch Charitable Trust New Park Educational Trust Russell Trust The Ryvoan Trust The Turtleton Charitable Trust With thanks The Edinburgh International Book Festival is sited in Charlotte Square Gardens by the kind permission of the Charlotte Square Proprietors. Media Sponsors We would like to thank the publishers who help to make the Festival possible, Essential Edinburgh for their help with our George Street venues, the Friends and Patrons of the Edinburgh International Book Festival and all the Supporters other individuals who have donated to the Book Festival this year. -
Seman 1 Dickens Against the Grain Gendered Spheres and Their Transgressors in Bleak House, Hard Times, and Great Expectations A
Seman 1 Dickens against the Grain Gendered Spheres and Their Transgressors in Bleak House, Hard Times, and Great Expectations A Thesis Presented to the Honors Tutorial College Ohio University In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the Degree of Bachelor of Arts in English by Taylor J. Seman June 2011 Seman 2 This thesis has been approved by The Honors Tutorial College and the Department of English __________________________ Dr. Carey Snyder Associate Professor, English Thesis Advisor and Director of Studies ___________________________ Dr. Jeremy Webster Dean, Honors Tutorial College Seman 3 Table of Contents Introduction…………………………………………………………………………….4 Chapter One: Transgressive Characters………………………………………………..9 Chapter Two: Idealized Characters…………………………………………………...28 Chapter Three: Female Power in Unusual Places…………………………………….45 Conclusion…………………………………………………………………………....56 Bibliography…………………………………………………………………………..58 Seman 4 Introduction Charles Dickens certainly cannot be considered a participant in a precursory movement towards feminism; in fact, many of Dickens‘s novels uphold traditional ideas about femininity and punish the usurpation of male privilege. In Bleak House, Hard Times, and Great Expectations—the three novels that form the basis of this study—Dickens punishes characters who transgress gender norms (such as Mrs. Jellyby, Louisa, and Mrs. Joe) both through explicit condemnation by the narrator and the adversity that befalls them in the plot. These characters have been created to appear ridiculous, no matter their accomplishments in the community or in the world at large. Yet in these same novels, Dickens presents a socially relevant depiction of female power and agency that subverts the sexism he exhibits in the creation and punishment of other characters. -
Uch Ado' Excellent As Weisbuch, Mrs. Bensley NATIONWIDEMEI SCHOLARSHIP in a Recent Letter, It Was An- Nounced That Paul William Smith Lead Fine Cast Performance Jr
America~'s OldestFone Prep School July2,ed85 Newspaper L.80, NO. 20 PHILLIPS ACADEMY, ANDOVER, MASS. THURSDAY, MARCH 8, 1956 PRICE, 15 CENTS uch Ado' Excellent As Weisbuch, Mrs. Bensley NATIONWIDEMEI SCHOLARSHIP In a recent letter, it was an- nounced that Paul William Smith Lead Fine Cast Performance Jr. has passed the final round of the by ,JON MIDDLEBROOK National Merit Scholarship compe- tition. Despite Shakespeare's title,_1!Much Ado About Nothing" as presented Final announcement as to how by the Hallowell players last Saturday evening was a great success. All of much of a scholarship he has been granted will he made May . the actors handled their roles competently throughout, and were able to The eight oer P.A, semni-final- establish and maintain the personality of each character and yet not des- ists-Langley Keyes, Marsh Mc- the ontnuiyoftheac- Call, Richard Parks, Woodbury troy ecniutoftea-Ranwom, John Randolph, George tion. Naturally much of the credit Hoopes, and Steve Rosenkranz- - ~~~~~~~~~~~~~~~forthis continuity is Shakespeare's failed to make the final round. but an equally large portion I'm Each received a Certificate of sure belongs to Mr. Hallowell, the Merit. director. SHAKESPEARE DEFIES though by self-definition "an ass", Since Shakespeare often defies gave one of the finest performances the Andover mind even in class, it of the evening in his portrayal of a - ~~~~~~~~~~~~~~~~~~~~~~~~ishard for me to give more than a pompous, uneducated man. 4 ~~~~~~~~~~~~~~~~~~broadoutline of the troubles of the Comedians, however, immediately two pairs of lovers. Tom Weisbuch remind me of Jan Hartman's ter- .was lost to Mrs. -
LR003208 - Alfred Bradley (Interview 14) - No Date.Wav Duration: 0:39:10 Date: 31/07/2017 Typist: 715
File: LR003208 - Alfred Bradley (interview 14) - no date.wav Duration: 0:39:10 Date: 31/07/2017 Typist: 715 START AUDIO Interviewer: A history of north regional broadcasting, interview number 14, Alfred Bradley. Radio's very first play was broadcast from Station 2LO London on the 15th November 1922. The day after Broadcasting England first began and it was heard in the children's programme but the north region can probably boast the first adult play written for wireless. L. du Garde Peach was the author. It came from the British Broadcasting Company's Metrovix studio and was broadcast by Station 2ZY. By the start of the 1930s far more Northerners were hearing plays than seeing them in the theatre. They were produced by the likes of Jan Bussell, Cecil McGiven and by Edward Wilkinson. The radio dramatic feature became the invention and hallmark of Geoffrey Brideson and Frances Dillon, Olive Shapley and Joan Littlewood all working from North region. By the 1940s James R Gregson had started a school for Radio Playwrights at the Leeds Studios. No history of North Regional Broadcasting would be anywhere near compete without BBC Regional Drama's most distinguished name, that of Alfred Bradley who's with me now. 0:01:19 Alfred you joined in 1959? Alfred Bradley: Yes, I came from a strange job. I was drama advisor in Leicestershire. I suppose I started off wanting to be an actor and I grew out of that very quickly. Found I was better at directing than acting. I couldn't be bothered to remember the lines. -
Nomination Requirements
Nomination Requirements For the Michigan Blue Ribbon Exemplary Schools Program Prepared by: Grissom Middle School 35701 Ryan Road Sterling Heights, MI 48310 586-825-2560 Mrs. Suzanne Nye, Principal Warren Consolidated Schools Dr. James Clor, Superintendent PREPARATION OF SCHOOL SELF-ASSESSMENT STAKEHOLDERS POSITION Sue Fragnoli Co-Chair/Counselor Danielle McLean Co-Chair/Teacher Carol Klaiman Teacher/Editor/Section G Leader Sharon Fitzhenry Teacher/Editor Barbara Sikora Teacher Michelle Partridge Teacher Sandy Hawrys Secretary Karen Blaske Teacher/Section F Co-Leader Nancy Campbell Teacher/Section E Co-Leader Barbara Jones Teacher/Section H Leader Irina Hirchberger Teacher/Section C Leader Victor Kolpak Teacher/Section F Co-Leader Bob Maus Teacher/Section E Co-Leader Jennifer Pisha Teacher/Section A Leader Jacquelyn Walters Teacher/Section B Leader Heather Wasmuth Teacher/Section D Leader Dena Berke Teacher Sylvia Buck Teacher Eileen Byrnes Teacher Marge Czarnik Teacher Patrick Dailey Teacher Dave Elliott Teacher Sally Erdelean Teacher Ronna Fisher Counselor Christine Gluszewski Teacher Jeff Gray Teacher Judy Gregory Teacher Christine Guerreso Teacher Michael Gurney Teacher Heidi Kuhn Teacher Sue MacQuarrie Teacher Samar Mansour Teacher Tari Michaelson Teacher Patricia Mulholland Teacher Elizabeth Rinehart Teacher David Rodriquez Teacher Yvette Searle Teacher Jeff Skwier Teacher Debbie Tesch Teacher Justin Watson Teacher Marsha White Teacher Jeanne Yasso Teacher Elizabeth Zachary Teacher 2 PART I: ELIGIBILITY CERTIFICATION The signatures on the first page of this nomination package certify that each of the statements below concerning the school’s eligibility, previous recognition in the Blue Ribbon Schools Program, and compliance with U.S. Department of Education, Office of Civil Rights (OCR) requirements is true and correct. -
Rossmoor Fund Expands Board to Keep up with Its Growing Workload
ROSSMOOR NEWS WedNesday, august 21, 2013 WalNut creek, califorNia Volume 47, No. 23 • 50 ceNts grading for the courts Shred Day Saturday allows onsite witnessed destruction Rossmoor will sponsor another on-site witness-destruction shred day on Saturday, Aug. 24, from 10 a.m. until 1 p.m. in the Gateway parking lot. This event is sponsored by the Golden Rain Foundation. The cost is $5 per file box or 30 pounds. Only cash is accept- ed. Residents can witness the destruction of their confidential in- formation and files by Shred Works, a AAA-certified shredding company. All the shredded material is recycled. Only paper is accepted. There is no need to worry about re- moving staples or paper clips. Help will be available to unload the material from the car. For information, call Shred Works at 1-800-81SHRED, or email Kyle Taylor at [email protected]. How to use Dial-a-Bus for early and late trips In Rossmoor and downtown News photo by Mike DiCarlo esidents who go to the Fitness Center at Del Valle for an early morning workout, need to get to a meeting at Buckeye tennis court construction under way RGateway Clubhouse or who need to catch BART for work, are advised to call Rossmoor’s Dial-a-Bus for their There’s lots of activity at the Buckeye tennis court site. Last week the demolition work was transportation. The number is 988-7676 finished and work began on the rough grading for the two new courts. All the courts at Buck- Residents who want to dine at Creekside Grill or venture eye are closed to play so players have been using the two old courts on Rossmoor Parkway. -
Radio's War Lifeline News New Creative Radio Formats
1940s Radio’s War With the television service closed for the duration, it was radio’s war and the BBC nearly lost it in the opening skirmishes. Listeners wrote in to complain about the new Home Service, which had replaced the National and Regional programme services. There was criticism of too many organ recitals and public announcements. But the BBC had some secret weapons waiting in the wings. Colonel (‘I don’t mind if I do’) Chinstrap and Mrs (‘Can I do yer now, sir?’) Mopp were just of the two famous characters in Tommy Handley’s It’s That Man Again (ITMA) team. The comedian attracted 16 million listeners each week to the programme. This, and other popular comedy shows like Hi, Gang!, boosted morale during the war. Vera Lynn’s programme Sincerely Yours (dismissed by the BBC Board of Governors with the words: "Popularity noted, but deplored.") won her the title of "Forces’ Sweetheart”. In 1940 the Forces programme was launched for the troops assembling in France. The lighter touch of this new programme was a great success with both the Forces and audiences at home. After the war it was replaced by the Light Programme which was modelled on the Forces Programme. Distinguished correspondents, including Richard Dimbleby, Frank Gillard, Godfrey Talbot and Wynford Vaughan- Thomas, helped to attract millions of listeners every night with War Report, which was heard at the end of the main evening news. We shall defend our island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets…we shall never surrender. -
12 September 2014 Page 1 of 17 SATURDAY 06 SEPTEMBER 2014 Farming Education Comment in the Palace of Westminster
Radio 4 Listings for 6 – 12 September 2014 Page 1 of 17 SATURDAY 06 SEPTEMBER 2014 Farming Education comment in the Palace of Westminster. SAT 00:00 Midnight News (b04g1c6v) Charlotte Smith goes back to school to discuss how best to The editor is Marie Jessel. The latest national and international news from BBC Radio 4. educate young people about farming. She meets students and Followed by Weather. staff at Brymore Academy, a state boarding school which specialises in agriculture. From next year farming and land SAT 11:30 From Our Own Correspondent (b04g6kqt) based BTEC courses will no longer count towards school league Matters of Life and Death SAT 00:30 Book of the Week (b04g19vy) tables and the future of land based GCSEs is also uncertain. The Omid Djalili - Hopeful: The Autobiography headteacher of Brymore, Mark Thomas, explains why he Kate Adie introduces correspondents stories from around the believes farming deserves a place on the curriculum. world. This week Gabriel Gatehouse takes a nerve-wracking Episode 5 drive, trying to avoid IS forces in Iraq. Shahzeb Jillani explains Presented by Charlotte Smith and produced by Sarah Swadling. what Pakistan's political turmoil is about; John Sweeney comes Omid explores the vital role his vivacious mother plays in his face to face with President Putin after 14 years of trying. life and art. Claudia Hammond discovers that many patients in Israel remain SAT 06:57 Weather (b04g1c79) on life support for years; and Steve Evans has the story of how a Conclusion of comedian and actor Omid Djalili's memoir The latest weather forecast. -
Broadcasting in the UK and US in the 1950S
Broadcasting in the UK and US in the 1950s Broadcasting in the UK and US in the 1950s: Historical Perspectives Edited by Jamie Medhurst, Siân Nicholas and Tom O’Malley Broadcasting in the UK and US in the 1950s: Historical Perspectives Edited by Jamie Medhurst, Siân Nicholas and Tom O’Malley This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Jamie Medhurst, Siân Nicholas, Tom O’Malley and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-8899-0 ISBN (13): 978-1-4438-8899-8 CONTENTS Contributors ............................................................................................... vii Editors ........................................................................................................ ix Acknowledgements .................................................................................... xi List of illustrations .................................................................................... xiii Chapter One ................................................................................................. 1 Introduction Jamie Medhurst and Tom O’Malley Chapter Two ............................................................................................... -
5 May 2017 Page 1 of 8
Radio 4 Extra Listings for 28 April – 5 May 2017 Page 1 of 8 SATURDAY 29 APRIL 2017 Justice, Lord Judge. Yearns to Care About Stupid Bullshit Again," replied the Onion Other ideas examined in the first series are desire, agony, fame newspaper. We have an interview with the editor about the SAT 00:00 Colin Swash - Paradise Lost in Space (b007jp0g) and justice. Wisdom, comedy, liberty, peace and guest-host dangers of stepping into the irony-free zone. Episode 5When the Oblivions are introduced to the pleasures of friendship will be explored in January 2014. The programme also features Armando Iannucci, Kurt Anderson, the flesh, one thing leads to another. Stars David Haig, Michael Producer: Dixi Stewart. Brenda Maddox, Dean Martin, Bert Kaempfert and The Mike Troughton and Tony Robinson. SAT 02:30 Edith Wharton - The Reef (b00b719j) Flowers Pops. SAT 00:30 Soul Music (b01qwb2n) Episode 10Anna has succumbed to desire, but can she ever know The producer is Miles Warde. Series 15, Pergolesi©s Stabat MaterThe Stabat Mater©s imagines happiness? Stars Sian Thomas, Ben Miles and Teresa Gallagher. SAT 09:00 Clowning Around on 4 Extra (b03xcl02) the sufferings of the Virgin Mary at the foot of the cross, and SAT 02:45 Charles Chaplin - My Autobiography (b08n42g0) Tony Lidington traces the role of the clown in British humour, Pergolesi©s eighteen-century setting remains a choral favourite. Episode 10Taking stock and a fateful decision. How Charlie from the Great Grimaldi through stars of circus, pantomime and Pam Self tells the moving story of how this piece unites her and Chaplin became a legend of silent cinema, concluded by Nigel pierrots, to modern entertainers and even activists.