V1 Last Updated by LL 19.02.21 BBC Radio Commissioning Brief V1.1 2021 01 19
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Seman 1 Dickens Against the Grain Gendered Spheres and Their Transgressors in Bleak House, Hard Times, and Great Expectations A
Seman 1 Dickens against the Grain Gendered Spheres and Their Transgressors in Bleak House, Hard Times, and Great Expectations A Thesis Presented to the Honors Tutorial College Ohio University In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the Degree of Bachelor of Arts in English by Taylor J. Seman June 2011 Seman 2 This thesis has been approved by The Honors Tutorial College and the Department of English __________________________ Dr. Carey Snyder Associate Professor, English Thesis Advisor and Director of Studies ___________________________ Dr. Jeremy Webster Dean, Honors Tutorial College Seman 3 Table of Contents Introduction…………………………………………………………………………….4 Chapter One: Transgressive Characters………………………………………………..9 Chapter Two: Idealized Characters…………………………………………………...28 Chapter Three: Female Power in Unusual Places…………………………………….45 Conclusion…………………………………………………………………………....56 Bibliography…………………………………………………………………………..58 Seman 4 Introduction Charles Dickens certainly cannot be considered a participant in a precursory movement towards feminism; in fact, many of Dickens‘s novels uphold traditional ideas about femininity and punish the usurpation of male privilege. In Bleak House, Hard Times, and Great Expectations—the three novels that form the basis of this study—Dickens punishes characters who transgress gender norms (such as Mrs. Jellyby, Louisa, and Mrs. Joe) both through explicit condemnation by the narrator and the adversity that befalls them in the plot. These characters have been created to appear ridiculous, no matter their accomplishments in the community or in the world at large. Yet in these same novels, Dickens presents a socially relevant depiction of female power and agency that subverts the sexism he exhibits in the creation and punishment of other characters. -
Uch Ado' Excellent As Weisbuch, Mrs. Bensley NATIONWIDEMEI SCHOLARSHIP in a Recent Letter, It Was An- Nounced That Paul William Smith Lead Fine Cast Performance Jr
America~'s OldestFone Prep School July2,ed85 Newspaper L.80, NO. 20 PHILLIPS ACADEMY, ANDOVER, MASS. THURSDAY, MARCH 8, 1956 PRICE, 15 CENTS uch Ado' Excellent As Weisbuch, Mrs. Bensley NATIONWIDEMEI SCHOLARSHIP In a recent letter, it was an- nounced that Paul William Smith Lead Fine Cast Performance Jr. has passed the final round of the by ,JON MIDDLEBROOK National Merit Scholarship compe- tition. Despite Shakespeare's title,_1!Much Ado About Nothing" as presented Final announcement as to how by the Hallowell players last Saturday evening was a great success. All of much of a scholarship he has been granted will he made May . the actors handled their roles competently throughout, and were able to The eight oer P.A, semni-final- establish and maintain the personality of each character and yet not des- ists-Langley Keyes, Marsh Mc- the ontnuiyoftheac- Call, Richard Parks, Woodbury troy ecniutoftea-Ranwom, John Randolph, George tion. Naturally much of the credit Hoopes, and Steve Rosenkranz- - ~~~~~~~~~~~~~~~forthis continuity is Shakespeare's failed to make the final round. but an equally large portion I'm Each received a Certificate of sure belongs to Mr. Hallowell, the Merit. director. SHAKESPEARE DEFIES though by self-definition "an ass", Since Shakespeare often defies gave one of the finest performances the Andover mind even in class, it of the evening in his portrayal of a - ~~~~~~~~~~~~~~~~~~~~~~~~ishard for me to give more than a pompous, uneducated man. 4 ~~~~~~~~~~~~~~~~~~broadoutline of the troubles of the Comedians, however, immediately two pairs of lovers. Tom Weisbuch remind me of Jan Hartman's ter- .was lost to Mrs. -
Nomination Requirements
Nomination Requirements For the Michigan Blue Ribbon Exemplary Schools Program Prepared by: Grissom Middle School 35701 Ryan Road Sterling Heights, MI 48310 586-825-2560 Mrs. Suzanne Nye, Principal Warren Consolidated Schools Dr. James Clor, Superintendent PREPARATION OF SCHOOL SELF-ASSESSMENT STAKEHOLDERS POSITION Sue Fragnoli Co-Chair/Counselor Danielle McLean Co-Chair/Teacher Carol Klaiman Teacher/Editor/Section G Leader Sharon Fitzhenry Teacher/Editor Barbara Sikora Teacher Michelle Partridge Teacher Sandy Hawrys Secretary Karen Blaske Teacher/Section F Co-Leader Nancy Campbell Teacher/Section E Co-Leader Barbara Jones Teacher/Section H Leader Irina Hirchberger Teacher/Section C Leader Victor Kolpak Teacher/Section F Co-Leader Bob Maus Teacher/Section E Co-Leader Jennifer Pisha Teacher/Section A Leader Jacquelyn Walters Teacher/Section B Leader Heather Wasmuth Teacher/Section D Leader Dena Berke Teacher Sylvia Buck Teacher Eileen Byrnes Teacher Marge Czarnik Teacher Patrick Dailey Teacher Dave Elliott Teacher Sally Erdelean Teacher Ronna Fisher Counselor Christine Gluszewski Teacher Jeff Gray Teacher Judy Gregory Teacher Christine Guerreso Teacher Michael Gurney Teacher Heidi Kuhn Teacher Sue MacQuarrie Teacher Samar Mansour Teacher Tari Michaelson Teacher Patricia Mulholland Teacher Elizabeth Rinehart Teacher David Rodriquez Teacher Yvette Searle Teacher Jeff Skwier Teacher Debbie Tesch Teacher Justin Watson Teacher Marsha White Teacher Jeanne Yasso Teacher Elizabeth Zachary Teacher 2 PART I: ELIGIBILITY CERTIFICATION The signatures on the first page of this nomination package certify that each of the statements below concerning the school’s eligibility, previous recognition in the Blue Ribbon Schools Program, and compliance with U.S. Department of Education, Office of Civil Rights (OCR) requirements is true and correct. -
Rossmoor Fund Expands Board to Keep up with Its Growing Workload
ROSSMOOR NEWS WedNesday, august 21, 2013 WalNut creek, califorNia Volume 47, No. 23 • 50 ceNts grading for the courts Shred Day Saturday allows onsite witnessed destruction Rossmoor will sponsor another on-site witness-destruction shred day on Saturday, Aug. 24, from 10 a.m. until 1 p.m. in the Gateway parking lot. This event is sponsored by the Golden Rain Foundation. The cost is $5 per file box or 30 pounds. Only cash is accept- ed. Residents can witness the destruction of their confidential in- formation and files by Shred Works, a AAA-certified shredding company. All the shredded material is recycled. Only paper is accepted. There is no need to worry about re- moving staples or paper clips. Help will be available to unload the material from the car. For information, call Shred Works at 1-800-81SHRED, or email Kyle Taylor at [email protected]. How to use Dial-a-Bus for early and late trips In Rossmoor and downtown News photo by Mike DiCarlo esidents who go to the Fitness Center at Del Valle for an early morning workout, need to get to a meeting at Buckeye tennis court construction under way RGateway Clubhouse or who need to catch BART for work, are advised to call Rossmoor’s Dial-a-Bus for their There’s lots of activity at the Buckeye tennis court site. Last week the demolition work was transportation. The number is 988-7676 finished and work began on the rough grading for the two new courts. All the courts at Buck- Residents who want to dine at Creekside Grill or venture eye are closed to play so players have been using the two old courts on Rossmoor Parkway. -
Radio's War Lifeline News New Creative Radio Formats
1940s Radio’s War With the television service closed for the duration, it was radio’s war and the BBC nearly lost it in the opening skirmishes. Listeners wrote in to complain about the new Home Service, which had replaced the National and Regional programme services. There was criticism of too many organ recitals and public announcements. But the BBC had some secret weapons waiting in the wings. Colonel (‘I don’t mind if I do’) Chinstrap and Mrs (‘Can I do yer now, sir?’) Mopp were just of the two famous characters in Tommy Handley’s It’s That Man Again (ITMA) team. The comedian attracted 16 million listeners each week to the programme. This, and other popular comedy shows like Hi, Gang!, boosted morale during the war. Vera Lynn’s programme Sincerely Yours (dismissed by the BBC Board of Governors with the words: "Popularity noted, but deplored.") won her the title of "Forces’ Sweetheart”. In 1940 the Forces programme was launched for the troops assembling in France. The lighter touch of this new programme was a great success with both the Forces and audiences at home. After the war it was replaced by the Light Programme which was modelled on the Forces Programme. Distinguished correspondents, including Richard Dimbleby, Frank Gillard, Godfrey Talbot and Wynford Vaughan- Thomas, helped to attract millions of listeners every night with War Report, which was heard at the end of the main evening news. We shall defend our island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets…we shall never surrender. -
Radio 4 Listings for 1 – 7 March 2008 Page 1 of 8 SATURDAY 01 MARCH 2008 Museum in Bristol
Radio 4 Listings for 1 – 7 March 2008 Page 1 of 8 SATURDAY 01 MARCH 2008 museum in Bristol. It is the winner of numerous awards and the SAT 17:30 The Bottom Line (b0091tmm) Dockyard Museum charts the history of Brunel's masterpiece. Evan Davis presents the business magazine. Entrepreneurs and SAT 00:00 News and Weather (b0091tlt) business leaders talk about the issues that matter to their The latest national and international news from BBC Radio 4, John is joined by Matthew Tanner, Nancy Chambers and companies and their customers. followed by weather. Captain Chris Young from the ss Great Britain Trust; Cruise ship captain Alistair McLundie; Martyn Heighton, Head of National Historic Ships and Alec Lewis, Director of fundraising SAT 17:54 Shipping Forecast (b0091tmn) SAT 00:30 Book of the Week (b0090m35) for the Waverley Steam Navigation Company; to hear how this The latest shipping forecast. Sacre Cordon Bleu: What the French Know About Cooking first ever luxury ocean liner transformed the way people travelled, as its speed enabled the development of tourism by Episode 5 sea. SAT 17:57 Weather (b0091tmp) The latest weather forecast. Sacre Cordon Bleu: Alex Lowe reads from Michael Booth's John discovers that although modern passenger sea travel is account of his French culinary education. 5/5: Michael faces the flourishing it is almost entirely in the leisure market, whether Superior Cuisine exam, his toughest test yet. for cruises or day trips. SAT 18:00 Six O'Clock News (b0091tmq) The latest national and international news from BBC Radio 4, followed by Weather. -
Broadcasting in the UK and US in the 1950S
Broadcasting in the UK and US in the 1950s Broadcasting in the UK and US in the 1950s: Historical Perspectives Edited by Jamie Medhurst, Siân Nicholas and Tom O’Malley Broadcasting in the UK and US in the 1950s: Historical Perspectives Edited by Jamie Medhurst, Siân Nicholas and Tom O’Malley This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Jamie Medhurst, Siân Nicholas, Tom O’Malley and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-8899-0 ISBN (13): 978-1-4438-8899-8 CONTENTS Contributors ............................................................................................... vii Editors ........................................................................................................ ix Acknowledgements .................................................................................... xi List of illustrations .................................................................................... xiii Chapter One ................................................................................................. 1 Introduction Jamie Medhurst and Tom O’Malley Chapter Two ............................................................................................... -
Audiouk Response to Ofcom Call for Evidence Relating to BBC Sounds
AudioUK response to Ofcom call for evidence relating to BBC Sounds About the independent UK audio production sector 1. AudioUK is the trade body for the audio-led production sector in the UK. AudioUK has four core priorities: Business; Representation; Community; and Excellence – and has over 100 member companies based across the whole of the UK. AudioUK runs the Audiotrain skills programme. It also runs the Audio Production Awards, an annual celebration of the craft skills of audio production. AudioUK, along with Radiocentre, oversees the administration of the Audio Content Fund which distributes a grant from the UK government to fund public service content on commercial and community radio. As a member of the DCMS Broadcasting, Film and Production Working Group, AudioUK has produced guidelines for safe working in audio production during the coronavirus pandemic. 2. Outside of in-house radio and publishing production, audio production is carried out by a mixture of companies and self-employed individuals. In terms of companies we estimate there are between 180-200 SMEs spread around the UK. Traditionally audio production companies worked almost exclusively for the BBC, but activity has broadened out to podcasting, audiobooks and productions for commercial radio. The latter has been encouraged by the Audio Content Fund, which has created numerous new partnerships between indie audio production companies and commercial radio stations1. 3. We continue to support the existence of an independent and well-funded BBC, providing public service content to the Licence Fee Payer, nevertheless there is a real opportunity for the UK audio production sector to build its international reputation as a maker of first-class audio content, attracting more investment from partners such as podcast platforms, brands and national and international broadcasters. -
Brotherly Relations: Self and (M)Other in Conjoined Twin Films
Brotherly Relations: Self and (M)Other in Conjoined Twin Films Juliana de Nooy and Bronwyn Statham, University of Queensland, Australia; Griffith University, Australia Prompting fascination and fear since mythological times, twins continue to haunt our imagination. Identical, non-identical, conjoined, mutant, telepathic, homicidal, buddies, soul- mates or jealous rivals, twins feature in scores of films across a range of genres; comedy, drama, thriller, horror, sci-fi, action and auteur cinema. Amidst this apparently infinite variety, however, insistent patterns occur (De Nooy and Statham, 1998). In this paper we focus on a particular sub-set of twin films -- recent horror films featuring male conjoined twins -- to show some surprising regularities of representation. Specifically, these narratives of fraternal attachment and separation represent the twin relation as maternal. Our aim is twofold, to demonstrate this striking pattern (in our analysis of Dead Ringers, Basket Case I and II, an episode of The X-Files, and The Dark Half) and to account for it. We argue that existing work on the representation of the body in contemporary horror only partially explains the emergence of this phenomenon, and that the pattern needs to be understood as a highly specific configuration of genre (horror), gender (male) and topos (conjoined twins) that lends itself to the rehearsal of a cultural anxiety regarding gender (male maternity). The discursive power of this configuration is demonstrated in our reading of Twin Falls Idaho. This film is not in the horror genre, and it repeatedly uses the metaphor of marriage, rather than motherhood, to describe conjoined twins Francis and Blake’s relationship. -
Bbc Radio 4 - Contacts for Programme Ideas
BBC RADIO 4 - CONTACTS FOR PROGRAMME IDEAS LONDON DEPARTMENT NAME & JOB TITLE CONTACT DETAILS Factual (includes science Ruth Gardiner Room 7015, Old Broadcasting House, Portland Place, London, W1A 1AA programmes, 9 o’clock Head of Factual, R&M Production programmes, Woman’s Hour, [email protected] Saturday Live and other weekly factual programmes) Current Affairs and Hugh Levinson 04B NBH, New Broadcasting House, Portland Place, London, W1A 1AA Business Programmes Executive Editor [email protected] Rob Ketteridge Room 8015, Old Broadcasting House, Portland Place, London, W1A 1AA Arts & Documentaries Head of Arts, Documentaries & Drama [email protected] R&M Production Information on submitting original drama scripts can be found on the writersroom website. Drama If you would like to propose a programme idea, please see the individual contacts listed under “Regions”. Information on submitting original narrative comedy scripts can be found on the writersroom website. Comedy If you would like to propose a programme idea, please contact: Jonathan Coates Ist Floor Grafton House, 379-381 Euston Rd, London, NW1 3AU Production Management Assistant [email protected] Martin Rosenbaum BBC Westminster, 6th Floor, 4 Millbank Building West, SW1P 3JA Political Programmes Editor [email protected] Graeme Reid-Davies 1st floor, Quay House, MediaCityUK, Salford, M50 2LH Sport Executive Editor [email protected] Updated June 2015 (LL) 1 THE REGIONS REGION DEPARTMENT NAME & JOB TITLE CONTACT DETAILS Julian Hector Room 31, -
21 April 2017 Page 1 of 8
Radio 4 Extra Listings for 15 – 21 April 2017 Page 1 of 8 SATURDAY 15 APRIL 2017 responsible for the tabloid campaign against her. SAT 07:30 Tiny Tim (b0076sg9) Sound design: Eloise Whitmore CP Lee tells the story of unlikely ©60s pop star Tiny Tim, who SAT 00:00 Douglas Hill - The Blade of the Poisoner (b007jrtt) Broadcast assistant: Kath Willgress warbled his way through a series of prewar songs such as ©Tiptoe Episode 4 Executive producer: Joby Waldman Through the Tulips©, accompanying himself on ukelele. He Jarral must destroy Prince Mephtik and his knife before the full Abridged by Helen Meller married three times, once on TV before a live audience of 45 moon, or he©ll die. Douglas Hill©s fantasy stars Eric Allen and Produced and directed by Polly Thomas million. From June 2005. Hugh Dixon. A Somethin© Else production for BBC Radio 4. SAT 08:00 Archive on 4 (b040h1d7) SAT 00:30 Soul Music (b01qm2fw) SAT 02:45 Book of the Week (b03bx81y) Dark Horse: An Alec Guinness Archive Series 15, She Moved through the Fair Olivier, Episode 5 Alistair McGowan reveals the private side of a purportedly The Irish traditional song She Moved Through The Fair is well Published when the National Theatre turned 50 in 2013, Philip ©retiring© artist - a man who forged one of the most stunningly loved and well recorded by many. To some it is a ghost story that Ziegler©s biography, based on previously unseen letters and successful theatrical and cinematic careers of the last century with tells of unfulfilled longings and of hopes and aspirations cut short. -
Drama & Comedy Commissioning Round Spring 2016
DRAMA & COMEDY COMMISSIONING ROUND SPRING 2016 Proteus round: 2017 2018 – 5 1. TIMETABLE 2 2. HOW TO SUBMIT AN IDEA TO RADIO 4 3 3. DRAMA BRIEFS 8 14.15 DRAMA (AFTERNOON DRAMA) 10 14.30 DRAMA (SATURDAY) 16 (SATURDAY DRAMA) 15 MINUTE DRAMA 19 15.02 DRAMA (SUNDAY) 23 (CLASSIC SERIAL) 4. CHECKLIST FOR SUBMISSIONS AND 27 SUPPORTING MATERIAL FOR DRAMA 5. COMEDY AND ENTERTAINMENT BRIEFS 30 6. CHECKLIST FOR SUBMISSIONS AND 41 SUPPORTING MATERIAL FOR COMEDY 7. BBC EDITORIAL GUIDELINES & COMPLIANCE 43 8. THE BBC RADIO 4 AUDIENCE 44 1. TIMETABLE Week commencing Drama and Comedy Commissioning Guidelines published 18th January on the Radio 4 website Briefing for drama and comedy producers in Broadcasting 28th January House, London 27th January Briefing for drama and comedy producers in MediaCityUK, Salford 24th February - 1200 Drama and comedy pre-offers deadline noon 17th March Drama and comedy pre-offers results published 21st April - 1200 noon Drama and comedy final offers deadline End July Drama and comedy commissioning results published IMPORTANT NOTE These guidelines and commissioning timetable apply to the drama and comedy commissioning round only. 2. HOW TO SUBMIT AN IDEA TO RADIO 4 This round is open to all BBC departments and registered independent companies with the necessary expertise. Do not offer proposals unless you can demonstrate that you have this expertise. Pre-offers This first stage of the round invites you to submit very brief outlines of your ideas. They will be sifted by the commissioning team who will shortlist those they think most worth developing for the final offers stage.