Who Was Walt Disney?
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Animated Stereotypes –
Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Alexander Lindgren, 36761 Pro gradu-avhandling i engelska språket och litteraturen Handledare: Jason Finch Fakulteten för humaniora, psykologi och teologi Åbo Akademi 2020 ÅBO AKADEMI – FACULTY OF ARTS, PSYCHOLOGY AND THEOLOGY Abstract for Master’s Thesis Subject: English Language and Literature Author: Alexander Lindgren Title: Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Supervisor: Jason Finch Abstract: Walt Disney Animation Studios is currently one of the world’s largest producers of animated content aimed at children. However, while Disney often has been associated with themes such as childhood, magic, and innocence, many of the company’s animated films have simultaneously been criticized for their offensive and quite problematic take on race and ethnicity, as well their heavy reliance on cultural stereotypes. This study aims to evaluate Disney’s portrayals of racial and ethnic minorities, as well as determine whether or not the nature of the company’s portrayals have become more culturally sensitive with time. To accomplish this, seven animated feature films produced by Disney were analyzed. These analyses are of a qualitative nature, with a focus on imagology and postcolonial literary theory, and the results have simultaneously been compared to corresponding criticism and analyses by other authors and scholars. Based on the overall results of the analyses, it does seem as if Disney is becoming more progressive and culturally sensitive with time. However, while most of the recent films are free from the clearly racist elements found in the company’s earlier productions, it is quite evident that Disney still tends to rely heavily on certain cultural stereotypes. -
Walt Disney and Animation
Name: _________________________ Walt Disney and Animation Directions: Read the passage and answer the questions. Fascinating facts about Walt Disney, Inventor of the Multiplane Camera in 1936. From http://www.ideafinder.com/history/inventors/disney.htm AT A GLANCE: Walt Disney, inventor of the multiplane camera in 1936, is a legend and a folk hero of the 20th century. His worldwide popularity is based upon the ideas his name represents: imagination, optimism, and self-made success in the American tradition. Through his work he brought joy, happiness, and a universal means of communication. Inventor: Walter Elias Disney Criteria: First to invent. First to patent. Entrepreneur.. Birth: December 5, 1901 in Chicago, Illinois. Death: December 16, 1966 Nationality: American Invention: Multiplane Camera in 1936 Function: noun / still frame motion picture camera Definition: Disney’s invention of the multiplane camera brought better looking, richer animation and in 1937, Snow White and the Seven Dwarfs was the first full-length animated film to use the camera. Patent: 2,201,689 (US) issued May 21, 1940 Milestones: 1923 An aspiring cartoonist leaves for Hollywood 1924 Partnered with older brother Roy, and the Disney Brothers Cartoon Studio was officially born. 1928 First Mickey Mouse sound cartoon "Steamboat Willie" released on November 18, in New York. 1930 Mickey made his debut merchandising appearance on pencil tablets, books and comic strips 1936 Walt invents Multiplane Camera to improve the filming quality of his first picture film. 1937 First full-length animated film "Snow White and the Seven Dwarfs" was released. 1954 "Disneyland" anthology series premiered on network television. -
Historical Society of the Upper Mojave Desert Re- Ceived the Honor Because of the Successful Work Our Volunteers Did to Renovate Our Historic USO Building
Upper Mojave Desert 230 W. Ridgecrest Blvd. • P. O. Box 2001, Ridgecrest, CA 93556 • 760-375-8456 Vol. 29 No. 6 June 2014 To see our schedule of events, visit us at www.hsumd.org or on Facebook at hsumd Bring Photos, Share Stories on June 17 ome enjoy an evening of nostalgia on Tuesday, June 17, at 7 p.m. at the Historic USO Building, 230 W. Ridgecrest Blvd. C The meeting will feature an ice cream social and viewing of historic local pictures. HSUMD members and the public are invited to bring their own pictures to share. We last had a similar social in 2010, and it brought forth many interest- ing pictures, includ- ing those shown here from Don Snyder Volunteers help at the opening of and Gene Schnei- the new Maturango Museum in der. So please look Ridgecrest, 1986. Gene Schneider colllection Don Snyder is the little blonde boy astride a pony, circa in your collection of 1954. In the background you can see B Mountain, com- photos and bring those showing interesting people, events plete with “B.” Don Snyder collection and buildings of the local area. See p. 3 Field Trip to Cerro Gordo — June 14 For the last field trip before summer, we’ll return to Cerro Gordo on June 14. Lots of exciting things have been happening up on “Fat Hill,” and it’s time to get caught up. The Hoist House has been rebuilt and is functional again! — we’ve been promised a tour. Robert, the caretaker, has been busy restoring other buildings and the Crapo House is now open as a small gift shop, visitors center, and antique shop, which has both of Cecile Vargo’s books for sale if you don’t already have them. -
Steamboat Willie
Steamboat Willie By Dave Smith, Chief Archivist Emeritus, The Walt Disney Company Walt Disney, who would become the best-known producer in animation history, had very humble beginnings. Starting his fledgling company in Hollywood in 1923, he began by making two uninspired animated series, the “Alice Come- dies,” and “Oswald the Lucky Rabbit.” But it was with his third series, featuring an enduring character, Mickey Mouse, that Walt rose to fame. That series began with the release of "Steamboat Willie" at the Colony Theater in New York on November 18, 1928. Early in 1928, Walt Disney was disheartened. He had gone to New York to negotiate with his distributor, only to discover that the distributor had taken over the rights to his Oswald cartoons. Walt began thinking of a possible successor to Oswald while riding on the train on his way back to California. There have been many stories of the inception of Mickey Mouse, but on that train ride, Walt may have been recalling a playful little mouse that had made itself at home in Walt’s Kansas City Studio, where he had first started to experiment with animation. On re- turning to California, Walt met with several of his staff members, and they came up with Mickey Mouse. Ub Iwerks, Walt’s chief animator, was tasked with actually designing the character, with input from Walt. Two Mickey Mouse cartoons were made starting that This illustration, titled “Mickey Mouse inbetweener drawing no. 469 spring, “Plane Crazy” and “The Gallopin’ Gaucho.” Walt or 479 from Steamboat Willie” appears courtesy Library of Congress tried desperately to sell a distributor on a series based on Prints & Photographs Online Catalog. -
SCENE 6: VANYA WE LICKED POSTAGE STAMPS! We Didn't Have
SCENE 6: VANYA WE LICKED POSTAGE STAMPS! We didn't have answering machines. You had to call people back. (MASHA moves away.) , We ate Spam, just like the soldiers in World War II did. (to SPIKE) Have you heard of World War II? We played Scrabble and Monopoly. We didn't play video games, in some virtual reality, where we would kill policeman and prostitutes as if that was some sort of entertainment. The popular entertainment wasn't so insane back then. It was sometimes corny, but sincere. We all saw the movie "Davy Crockett" and wore coonskin caps. That may not sound sane, wearing those caps, but it was very innocent. And we all did it, there was a solidarity about it, unlike being alone in your room killing prostitutes in a video game. We followed The Adventures of Ozzie and Harriet. Which starred the real life Ozzie and Harriet Nelson.But "Adventures" was a strange word for the show because it was extremely uneventful. They did things like ...make popcorn in the kitchen. Or ...Iook for missing socks. In retrospect they seemed medicated. It was a stupid show, but it was calming. You didn't feel it was stirring people up and creating serial killers. I'm sorry I'm getting off the point. But my point is the 50s were idiotic but I miss parts of them. When I was 13 I saw Goldfingerwith Sean Connery as James Bond, and I didn't get the meaning of the character name of "Pussy Galore." Went right over my head. -
The Walt Disney Silly Symphony Cartoons and American Animation in the 1930S
Exploration in Imagination: The Walt Disney Silly Symphony Cartoons and American Animation in the 1930s By Kendall Wagner In the 1930s, Americans experienced major changes in their lifestyles when the Great Depression took hold. A feeling of malaise gripped the country, as unemployment rose, and money became scarce. However, despite the economic situation, movie attendance remained strong during the decade.1 Americans attended films to escape from their everyday lives. While many notable live-action feature-length films like The Public Enemy (1931) and It Happened One Night (1934) delighted Depression-era audiences, animated cartoon shorts also grew in popularity. The most important contributor to the evolution of animated cartoons in this era was Walt Disney, who innovated and perfected ideas that drastically changed cartoon production.2 Disney expanded on the simple gag-based cartoon by implementing film technologies like synchronized sound and music, full-spectrum color, and the multiplane camera. With his contributions, cartoons sharply advanced in maturity and professionalism. The ultimate proof came with the release of 1937’s Snow White and the Seven Dwarfs, the culmination of the technical and talent development that had taken place at the studio. The massive success of Snow White showed that animation could not only hold feature-length attention but tell a captivating story backed by impressive imagery that could rival any live-action film. However, it would take nearly a decade of experimentation at the Disney Studios before a project of this size and scope could be feasibly produced. While Mickey Mouse is often solely associated with 1930s-era Disney animation, many are unaware that alongside Mickey, ran another popular series of shorts, the Silly Symphony cartoons. -
Goldwyn-Mayer Studios Inc., Paramount Pi
Before the Federal Communications Commission Washington, D.C. 20554 __________________________________________ ) Implementation of Section 304 of the ) Telecommunications Act of 1996 ) CS Docket No 97-80 ) Commercial Availability of Navigation Devices ) ) Compatibility Between Cable Systems and ) Consumer Electronics Equipment ) PP Docket No. 00-67 __________________________________________) PETITION FOR RECONSIDERATION OF THE MOTION PICTURE ASSOCIATION OF AMERICA, INC., METRO- GOLDWYN-MAYER STUDIOS INC., PARAMOUNT PICTURES CORPORATION, SONY PICTURES ENTERTAINMENT INC., TWENTIETH CENTURY FOX FILM CORPORATION, UNIVERSAL CITY STUDIOS LLLP, AND THE WALT DISNEY COMPANY Jon A. Baumgarten Bruce E. Boyden Proskauer Rose LLP 1233 Twentieth Street NW, Suite 800 Washington, DC 20036 (202) 416-6800 Counsel for the Petitioners February 27, 2004 Before the Federal Communications Commission Washington, D.C. 20554 __________________________________________ ) Implementation of Section 304 of the ) Telecommunications Act of 1996 ) CS Docket No 97-80 ) Commercial Availability of Navigation Devices ) ) Compatibility Between Cable Systems and ) Consumer Electronics Equipment ) PP Docket No. 00-67 __________________________________________) PETITION FOR RECONSIDERATION OF THE MOTION PICTURE ASSOCIATION OF AMERICA, INC., METRO- GOLDWYN-MAYER STUDIOS INC., PARAMOUNT PICTURES CORPORATION, SONY PICTURES ENTERTAINMENT INC., TWENTIETH CENTURY FOX FILM CORPORATION, UNIVERSAL CITY STUDIOS LLLP, AND THE WALT DISNEY COMPANY The Motion Picture Association of America, -
Trivia Trivia Trivia
TRIVIA TRIVIA TRIVIA In what cartoon did What was the date of In the animated short Mickey make his Mickey’s lm debut? Plane Crazy, Mickey screen debut? Mouse pretends to be what famous aviator? Steamboat Willie November 18, 1928 Charles Lindbergh TRIVIA TRIVIA TRIVIA Who provided the What Disney artist is What was the rst original voice of credited with animating merchandise item to Mickey Mouse? the rst Mickey Mouse feature Mickey Mouse? cartoons? A child’s school writing tablet Walt Disney Ub Iwerks (licensed in 1929) TRIVIA TRIVIA TRIVIA Which four Disney Name the rst full-length theatrical What year did the rst theatrically-released feature presentations Mickey Mouse comic color cartoon to were the only ones to strip appear? feature Mickey Mouse. include an animated Mickey Mouse? Fantasia (1940), 1930 (January 13th) The Band Concert Fun and Fancy Free (1947), (February 23, 1935) Who Framed Roger Rabbit (1988) and Fantasia/2000 (2000) TRIVIA TRIVIA TRIVIA On the original What is Mickey’s most What was the rst Mickey Mouse Club recent theatrical short? Mickey Mouse cartoon television show, what and what feature lm in which Mickey Speaks? day of the week was was it released with? Talent Roundup Day? Get a Horse! - with Frozen The Karnival Kid (1929) Friday (November 27, 2013) TRIVIA TRIVIA TRIVIA What voice actor took Name the theme song In Italy, Mickey Mouse over the voice of from the original 1930’s is known as: Mickey Mouse in 2009? Mickey Mouse Clubs. Topolino Bret Iwan “Minnie’s Yoo Hoo” TRIVIA TRIVIA TRIVIA What Disney Junior What 2017 digital series What nighttime show show starring Mickey follows a new class of premiered on the Mouse featured a 8 Mouseketeers as they Rivers of America at “Mystery Mouseketool?” create music, Disneyland in 1992? choreography, and friendships? The Mickey Mouse Club Mickey Mouse Fantasmic! Clubhouse. -
The Disney Bloodline
Get Your Free 150 MB Website Now! THE SKILL OF LYING, THE ART OF DECEIT The Disney Bloodline The Illuminati have refined the art of deception far beyond what the common man has imagined. The very life & liberty of humanity requires the unmasking of their deceptions. That is what this book is about. Honesty is a necessary ingredient for any society to function successfully. Deception has become a national pastime, starting with our business and political leaders and cascading down to the grass roots. The deceptions of the Illuminati's mind-control may be hidden, but in their wake they are leaving tidal waves of distrust that are destroying America. While the CIA pretend to have our nations best interest at heart, anyone who has seriously studied the consequences of deception on a society will tell you that deception will seriously damage any society until it collapses. Lies seriously damage a community, because trust and honesty are essential to communication and productivity. Trust in some form is a foundation upon which humans build relationships. When trust is shattered human institutions collapse. If a person distrusts the words of another person, he will have difficulty also trusting that the person will treat him fairly, have his best interests at heart, and refrain from harming him. With such fears, an atmosphere of death is created that will eventually work to destroy or wear down the cooperation that people need. The millions of victims of total mind- control are stripped of all trust, and they quietly spread their fears and distrust on a subconscious level throughout society. -
Crossroads Film and Television Program List
Crossroads Film and Television Program List This resource list will help expand your programmatic options for the Crossroads exhibition. Work with your local library, schools, and daycare centers to introduce age-appropriate books that focus on themes featured in the exhibition. Help libraries and bookstores to host book clubs, discussion programs or other learning opportunities, or develop a display with books on the subject. This list is not exhaustive or even all encompassing – it will simply get you started. Rural themes appeared in feature-length films from the beginning of silent movies. The subject matter appealed to audiences, many of whom had relatives or direct experience with life in rural America. Historian Hal Barron explores rural melodrama in “Rural America on the Silent Screen,” Agricultural History 80 (Fall 2006), pp. 383-410. Over the decades, film and television series dramatized, romanticized, sensationalized, and even trivialized rural life, landscapes and experiences. Audiences remained loyal, tuning in to series syndicated on non-network channels. Rural themes still appear in films and series, and treatments of the subject matter range from realistic to sensational. FEATURE LENGTH FILMS The following films are listed alphabetically and by Crossroads exhibit theme. Each film can be a basis for discussions of topics relevant to your state or community. Selected films are those that critics found compelling and that remain accessible. Identity Bridges of Madison County (1995) In rural Iowa in 1965, Italian war-bride Francesca Johnson begins to question her future when National Geographic photographer Robert Kincaid pulls into her farm while her husband and children are away at the state fair, asking for directions to Roseman Bridge. -
Frame by Frame—Shot by Shot—Is to Drain It of Its Narrative Content
Conclusion The Labor of Looking That’s how it was in the dream; I was nothing but seeing. —Walter Benjamin1 SEEING DOUBLE I begin my conclusion in medias res, with a description of the beginning of Chuck Jones’s Sniffles Bells the Cat (Warner Bros., 1941), which itself begins in medias res. The cartoon opens with a trio of mice sprinting leftward across the screen. The camera tracks laterally to keep them in the frame, but eventually the mice outpace it. Undeterred, it continues on its leftward track, traveling for more than a second past a seemingly unending stretch of wall (two horizontal bands of blue wallpaper and light brown paneling) and floor (a horizontal band of hardwood, its constitu- tive panels perpendicular to the wall). At last a fourth mouse enters the frame, and he too soon overtakes the camera, slipping out of view. The camera proceeds with its horizontal movement, and another two seconds elapse before a fifth and final figure catches up with it: the large house cat from whom the mice are fleeing. The subsequent shot places us inside the home of the mice, a floor-level hole in the wall, with a mouse’s-eye-view through its rounded doorframe at the larger room beyond (fig. 5.1). Given that much of the frame is shrouded in darkness, a surprising amount of the room is visible: the leg of a (human-size) chair peeks out just to the left of the opening, and another human-size chair and table are in the distance. In addition, the reflection in a mirror hanging above the table displays the meeting of ceiling and walls in the opposite corner of the room. -
Khelt with Head Office in Edmonton, Alta., of Any Trust Company in the Prov- Be Looking Forward to the Announce- Nized
) THE .;nCWISH POST 'l'h.ursda,y, October I, 1964 Page Ten Tbursday, October I, 1964 THE JEWISH POST Page Eleven I The ~haarey Tzedec Men's Club home of Mr. and Mrs. Leo Paperny, funds raised through the United BIRTHDAY AND WEDDING will hold a men's stag Wednesday, 1021 Hill(ll"est, to open the total Jewish Appeal. CAKES AT THEIR BEST Rother's 1ine FurnHure "Post"-Marked Oct. 7, at. 6:30 p.m. in the Youth welfare cam,paign of the I. L. Per- Many agencies studied are outside ''Made to Order" Superb StyJiDg etz School. Co-chairmen for the the sphere 'Of financial support by BARNEY GLAZER'S Re-Upholstering and Re-Building by Expert Craftsmen Hall. Rabbi Benjamin Eisenberg, Belgian new spiritual leader of the congre 1964-65 campaign are A. Pearhnan Jewish Welfare or UJA monies. FREE ESTIMATES Calgary gation, will be guest speaker. The and Leon Krygier. Committee They are included in order to pro Pastry Shop chairmen are: social, Mrs. Dave vide an over-all picture of the com Phone 772-2181 Evenings JU 6-6782 8J' TANYA GELFAND membership fee 01 $5 includes all French Pastries Our Specialty BNtger; phoning, S. Pearlman; invi- munity's resources. HOLLYJlTOOD (Mrs. Geliand Wlll be pleased to accept organizational refreshmenls. 498 PORTAGE AVENUE tation, Mrs: A. Gold; publiCity, Lou In the past, members have toured 1101 Corydon Ave. or local news 8lI.d personal notes for inclusion in this The Sha'arey Tzedec Sisterhood column. Her phone number is I\.V 9-2166 ••• her held its membership ,tea in the Pearhnan and Mrs.