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MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
The Showgirl Goes On
Star_Jan02_p1-20_Layout 1 1/2/2013 3:31 PM Page 1 ONLINE GET SELECT CONTENT ON THE GO, WWW.MONTROSE-STAR.COM IS MOBILE ENABLED! The WWW.MONTROSE-STAR.COM YOUR GUIDE TO GLBT ENTERTAINMENT, RECREATION & CULTURE IN CENTRAL AND COASTAL TEXAS WEDNESDAY, JANUARY 2, 2013 H VOL. III, ISSUE 20 FEATURE n19 One Good Love CALENDAR n6 Next2Weeks! DINING GUIDE n14 Roots Juice Drink Your Veggies! COMMUNITY n6 HAPPY NEW YEAR! The Showgirl INDEX Editorial........................4 Non-Profits Calendar .....16 Goes On Cartoons ....................33 Crossword ..................33 p10 Lifestyles ....................31 Star_Jan02_p1-20_Layout 1 1/2/2013 2:58 PM Page 2 Page 2 Montrose Star H Wednesday, January 2, 2013 www.Montrose-Star.com H also find us onn F Facebook.com/Star.Montrose Star_Jan02_p1-20_Layout 1 1/2/2013 2:58 PM Page 3 Montrose Star H Wednesday, January 2, 2013 Page 3 www.Montrose-Star.com H also find us onn F Facebook.com/Star.Montrose Star_Jan02_p1-20_Layout 1 1/2/2013 2:58 PM Page 4 Page 4 Montrose Star H Wednesday, January 2, 2013 Op-ED CONTACT US: 713-942-0084 EMAIL: [email protected] publisher Executive Editor Health & Fitness Music Laura M. Villagrán Kenton Alan DJ Chris Allen Sales Director Davey Wavey DJ JD Arnold Angela K. Snell Dr. Randy Mitchmore DJ Mark DeLange Creep of the Week: production News & Features DJ Wild & DJ Jeff Rafael Espinosa Johnny Trlica Scene Writers Circulation & Distribution Jim Ayers Arts Reviews Miriam Orihuela Pope Benedic XVI Daddy Bob Bill O’Rourke & Loyal K Elizabeth Membrillo Stephen Hill Lifestyles Rey Lopez Gayl Newton By d’anne WitkoWski lent to a suicide bomber. -
Honi Soit 720.Pdf
CONTENTS September 12, 2007 The Fine Print Honi Soit is published by the Students’ features Representative Council, University of Sydney. Level 1 Wentworth Building, City Road, University of Sydney NSW 2006 5. Munted: Andrew Johns and the Media’s The SRC’s operational costs, space and Portrayal of Drug Use Steve Hind administrative support are financed by the 6. Helping Our Neighbour: East Timor and University of Sydney. Education Jessica Carter 6. Christian on Campus Response to APEC The Editors of Honi Soit and the SRC Stuart Thomson acknowledge the traditional owners of this land, the Gadigal people of the Eora nation. Honi Soit 7. Indigenous Art vs Indigenous Kitsch is written, printed and distributed on Aboriginal Anna Payten regulars land. 10. Online Now Carolyn Burns Printed by: mpd - printing the news everyday 3. Letters Unit E1, 46-62 Maddox Street, Alexandria, NSW 10. 5 Reasons Why I Will Never ‘Ask Sam’! 2015 007 4. Campus News Amelia Walkley Alexandra Meagher DISCLAIMER 12-13. Wild Cards Louisa Macdonald 8. Head to Head: The Right to Refuse? Honi Soit is printed under the auspices of the Julia Bowes & Sarah Vaughan SRC’s directors of student publications: Oliver 14. Anarchy in the Gallery - Let the Walls Wakelin, Oliver Cashman-Pickles, Vishal Sood, Lucy Saunders and Angus McFarland. Speak! Michael Holgate 9. Passport: The Land of Milk and Honey Maggie Lloyd All expressions are published on the basis that they are not to be regarded as the opinions of 20. The Official Rugby World Cup 2007 11. Vox Popping Verge Amelia Walkley the SRC unless expressly stated. -
13-030113.Compressed.Pdf
King & Queen of the Rodeo BrlanBlck lJcIuolFlnt Schedule Of Events: Satu«iay Mlch 16,2013 !OOrsdri MatchlU13 8:30am· Mardattty NewContestant Meeq 2:00pm. fIllse Stdli(bec~~nbegi"6,Pasatna Fai~lOunds 9:ooam·H. Noolish (approUmatelyl· Grand Entry BAYOU BEAU 8:00pm. lone ~at lit ~v~,8's Aftemooo· Rodeoc.ontiwes ~gaCJ....•••9:00pm. ~amondsand Peansrnee~ DenimaM Spursatlre e,qs S:30pm •Happy Hour at TwoCities Bar and Grin CClfMNntt~ Health Services. Frilai MardiII, m13 7:00 pm· 0kIah00la Tea Party, EJ's "'_I ..u,•••" ••• 8:l0 am· Rodeo Sdilol Regi~lation SundaYMarch 17,lOll sabayc)ubeeu.com 9:00am· Rodeo Scoool and Safety Oass,PasaO!IIa Fai~roonds 9:30am·H. NooIish (approUmatelyl· Grand Entry 9:00am· HI.\'le1141(re~·in begms,PasadenaF~rgrcunds Aftemooo· Rodeoamtillles 6:00pmtil9:OO pm. ContestdntandVolJnteerRegistlilt~n, HllItHotel 7:00 pm· DiMer at the BRB Ii>. lO:OOpm·ffingIirue, HeI-n-Heek vsHell-n·Hoovesaltlf e,qs 8:00pm· Rodeo Awards at the BRB MONTROSEST.t ril ~ YELLOW V\:::IulOJHgt 10 nJU Hcu5"'Ol',GlBT Co' NO ".- ~ $1 cups -..~'tll the kegs run dry ~ MARCH 15&16 Sunday 3/10/13 @ 5:00 YOU JUST MIGHT GET 330 San Pedro, San Antonio, TX ~ ~b' AN~ "1 ufJ!lfJu Motivation By Jennifer Webb Perception My next series of articles deals with perception, us) we miss what's in front of our face. And we're because it can get in our way more than most of not alone. Everyone out there is doing the same us realize. And this week, let's look at how we can thing we are. -
Justice Audio Video Disco Full Album Download Zip Justice Audio Video Disco Rar
justice audio video disco full album download zip Justice Audio Video Disco Rar. Year Of Release: 2011 Genre: Dance, Electronic Format: Flac, Tracks Bitrate: lossless Total Size: 940 MB 01. Horsepower (03:40) 02. Civilization (03:37) 03. Listen to Audio, Video, Disco. Justice Album 2011 11 songs. 2011 album from the French Electronic duo. The duo is known for incorporating a strong Rock and Indie influence into their music and image. Madurai tamil movie video songs free download. Features the singles ‘Civilization’ and ‘Audio Video Disco’. Tracklist 01. Horsepower 3:39 02. Civilization 3:39 03. Ohio 4:01 04. Canon (Primo) 0:27 05. Canon 3:39 06. On’n’on 4:30 07. Brainvision 3:11 08. Parade 4:01 09. New Lands 4:14 10. Helix 4:28 11. Audio, Video, Disco. 4:53. Download: Justice Audio Video Disco Rare Earth. Justice – Audio, Video, Disco (2011) FLAC (tracks) 24 bit/96 kHz Time – 00:40:39 938 MB Genre: Electronic Official Digital Download – Source: Web Digital Booklet © Ed Banger Records – Because Music. 2011 album from the French Electronic duo. The duo is known for incorporating a strong Rock and Indie influence into their music and image. Features the singles ‘Civilization’ and ‘Audio Video Disco’. Tracklist 01. Horsepower 3:39 02. Civilization 3:39 03. Ohio 4:01 04. Canon (Primo) 0:27 05. Canon 3:39 06. On’n’on 4:30 07. Brainvision 3:11 08. Parade 4:01 09. New Lands 4:14 10. Helix 4:28 11. Audio, Video, Disco. 4:53. MamBaRecords. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Ukulele Club of Santa Cruz Songbook Part 2
Introduction D7 G D7 G 67 C G Honolulu Baby, where'd you get those eyes D7 G G7 And that dark complexion, I idolize C G Honolulu Baby, where'd you get that style D7 G G7 HHoonnoolluulluu BBaabbyy Those pretty red lips, that sunny smile Music and lyrics by T. Marvin Hatley C G October 1933 for "Sons of the Desert" Neath palm trees swaying, at Waikiki starring Laurel and Hardy D7 G G7 Ukulele Club of Santa Cruz February 2004 Honolulu Baby, you're the one for me D7 G C G Honolulu Baby, when you start to sway D7 G G7 All the men go crazy, they seem to say C G Honolulu Baby, where'd you get those eyes D7 G G7 And that dark complexion, I idolize C G 7 C G Honolulu Baby, where'd you get that style D7 G G7 Those pretty red lips, that sunny smile C G Neath palm trees swaying, at Waikiki D7 G G7 Honolulu Baby, you're the one for me C G Honolulu Baby, at Waikiki D7 G G7 Honolulu Baby, you're the one for me D7 G G7 Honolulu Baby, you're the one for me "...the real music's in your mind. All the instruments are just mechanics." --- Marvin Hatley, composer of "Honolulu Baby" End with D7 G D7 G No mention of Laurel and Hardy music is complete without a nod to Hatley's immortal "Honolulu Baby" from the Boys' 1933 feature, SONS OF THE DESERT. Used in the big convention scene where Stan and Ollie share their subterfuge with fellow Son Charley Chase, "Honolulu Baby" comes off as both a typical "Hollywood Production Number" and a gentle satire of the same. -
Justice Dans Hep Taxi !
JUSTICE dans le taxi de Jérôme Colin Jérôme : Bonjour. Dites-moi, vous allez où ? Gaspard Augé : On voulait voir la plus grande croix de Belgique. On a entendu parler de ça mais on ne sait pas vraiment où c’est. Jérôme : C’est vrai. Je vois où c’est. Basilique de Koekelberg. Gaspard : De Koekelberg. Jérôme : C’est bien. C’est vrai que c’est un peu votre truc, les croix du coup. Xavier de Rosnay : Actor Studio là non ? Jérôme : Pas mal hein ! Xavier : Qu’est-ce que t’en penses ? Jérôme : Pas mauvais jusqu’ici. Je m’appelle Jérôme. Bonjour. Xavier : Salut Jérôme. Jérôme : Enchanté. Gaspard : Gaspard. Les interviews d’Hep Taxi ! Jérôme Colin au volant, le portrait en mouvement de Justice Xavier : Y’a pas de ceinture au milieu, on fera bien attention. J’ai très peur en voiture. Jérôme : C’est vrai. Je vais essayer, promis. Jérôme : Vous connaissez bien Bruxelles ? Gaspard : Un petit peu. J’aime vraiment beaucoup Bruxelles. Jérôme : Ah oui ? Gaspard : Oui. Jérôme : Pour quelles raisons ? Gaspard : Principalement parce que c’est moins rigoureux que Paris en terme d’architecture. Ça n’a pas été complètement uniformisé comme Paris. J’aime beaucoup tous les trucs art déco et art nouveau. C’est un peu le fief. La Croix Jérôme : C’est parti, on va voir la croix. Vous allez voir, elle est belle. Xavier : Il paraît. Jérôme : J’ai découvert il n’y a pas longtemps une ville qui s’appelle Ostuni en Italie, dans les Pouilles, c’est une ville sur une colline comme ça, énorme, une ville blanche sur la mer et le soir c’est hallucinant, sur pratiquement la hauteur de la colline il y a une croix qui doit faire 35m de haut. -
00:00:00 Music Transition Gentle, Trilling Music with a Steady Drumbeat Plays Under the Dialogue
00:00:00 Music Transition Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:12 Music Transition “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team. 00:00:19 Jesse Host It’s Bullseye. I’m Jesse Thorn. Terrace Martin—a musician and Thorn producer—was born in Los Angeles’s Crenshaw District. He first started in music as a saxophonist who played in jazz bands, went to an arts high school, and even went to band camp. He wasn’t much older than 18 when he figured out that life wasn’t for him. At the same, the kids growing up around him were freestyling and making mixtapes and beats. And who wouldn’t be excited about that? With those two parallel backgrounds, Terrace kicked off a career that would make him a trailblazing polymath in popular music. As a producer, he’s worked with Snoop Dogg, Charlie Wilson, YG, Kendrick Lamar. As a solo artist, he’s released about half a dozen albums. Terrace channels classic artists like Sly Stone, Marvin Gaye, Stevie Wonder, and Herbie Hancock, while also landing some pretty great features—heavy hitters like Kamasi Washington, Thundercat, Wiz Khalifa, and the aforementioned K Dot. Terrace isn’t the kind of guy to be slowed down by anything, including a pandemic. [Music fades in.] In 2020, he released seven EPs, including Village Days, a record that features a jazz tribute to the late Nipsey Hussle. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
The Construction of Listening in Electroacoustic Music Discourse
Learning to Listen: The Construction of Listening in Electroacoustic Music Discourse Michelle Melanie Stead School of Humanities and Communication Arts Western Sydney University. September, 2016 A thesis submitted as fulfilment for the degree of Doctor of Philosophy at Western Sydney University. To the memories of my father, Kenny and my paternal grandmother, Bertha. <3 Acknowledgements Firstly, to Western Sydney University for giving me this opportunity and for its understanding in giving me the extra time I needed to complete. To my research supervisors, Associate Professor Sally Macarthur and Dr Ian Stevenson: This thesis would not have been possible without your mentorship, support, generosity, encouragement, guidance, compassion, inspiration, advice, empathy etc. etc. … The list really is endless. You have both extended your help to me in different ways and you have both played an essential role in my development as an academic, teacher and just ... as a human being. You have both helped me to produce the kind of dissertation of which I am extremely proud, and that I feel is entirely worth the journey that it has taken. A simple thank you will never seem enough. To all of the people who participated in my research by responding to the surveys and those who agreed to be interviewed, I am indebted to your knowledge and to your expertise. I have learnt that it takes a village to write a PhD and, along with the aforementioned, ‗my people‘ have played a crucial role in the development of this research that is as much a personal endeavour as it is a professional one. -
Tt®Cor£>($9% That Discreet and Professional Magazine from CITR 101.9 FM Red Cat Records R Mmm&Mmm * GREAT AUNT IDA VIEWS SOUNDTRACK the BUGHOUSE 5 DAVID P
tt®cor£>($9% That discreet and professional magazine from CITR 101.9 FM Red Cat Records r mmm&mmm * GREAT AUNT IDA VIEWS SOUNDTRACK THE BUGHOUSE 5 DAVID P. SMITH RODNEY DECROO HEW RELEASES Some things on the red cut stereo... RY COODER 'My Name Is Buddy'-Actually inspired by in house legend OEERHONTER-Cryptograms CD $19.50 Buddy the cat (RJ.P.X Imagine Che (as Buddy) riding the rails and HERALD NIX DEERHOOF - Friend Opportunity CD $19.50 ' sparking socialist revolution in Is middle America. $20.99 CD CAMPER VAN BEETHOVEN - Telephone Free Landslide Viclory CD $23,99 (Impoil) THE VIOLET ARCHERS ARCADE FIE, Neon Bible CD. $16.99 Deluxe CD $19.98 RICHARD BUCKNER-Meadow CD $199 TRANS AM-Sex Change CD $17.99? IP $15.99 OF MONTREAL - Hissing Fauna Are You The Destroyer CD $16.98 FLOPHOUSE JR iH MOUNTAMTOPS Single Life/My Best Friend 7' IP $5.99 RED CAT ART SHOW-March 2007 lost Time' KAREN FOSTER - information Go The Heard CD $13.99 LP $tE99 photos by Hana Macdonald, Jaynus O'Donnell, Carmen Wagner, DO MAKE SAHHINK- You, You're a History in Rust CD $14.98 CD Ryan Walter Wagner -- opening Friday March 2nd 8-10 w W8ca«f>(gsn MARCH H2007 I Editor the Gentle Art of Editing i DAVID RAVENSBERGEN Regulars j Art Director ARLIER THIS MONTH, WE RECEIVED _ Call from Online media is making serious incursions into the ! WILL BROWN E a print shop offering us a quote to print our territory once held by print, and it's getting harder The Gentle Art of Editing 3 magazine.