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Top 200 Most Requested Songs
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence® music request system at weddings & parties in 2013 RANK ARTIST SONG 1 Journey Don't Stop Believin' 2 Cupid Cupid Shuffle 3 Black Eyed Peas I Gotta Feeling 4 Lmfao Sexy And I Know It 5 Bon Jovi Livin' On A Prayer 6 AC/DC You Shook Me All Night Long 7 Morrison, Van Brown Eyed Girl 8 Psy Gangnam Style 9 DJ Casper Cha Cha Slide 10 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 11 B-52's Love Shack 12 Beyonce Single Ladies (Put A Ring On It) 13 Maroon 5 Feat. Christina Aguilera Moves Like Jagger 14 Jepsen, Carly Rae Call Me Maybe 15 V.I.C. Wobble 16 Def Leppard Pour Some Sugar On Me 17 Beatles Twist And Shout 18 Usher Feat. Ludacris & Lil' Jon Yeah 19 Macklemore & Ryan Lewis Feat. Wanz Thrift Shop 20 Jackson, Michael Billie Jean 21 Rihanna Feat. Calvin Harris We Found Love 22 Lmfao Feat. Lauren Bennett And Goon Rock Party Rock Anthem 23 Pink Raise Your Glass 24 Outkast Hey Ya! 25 Isley Brothers Shout 26 Sir Mix-A-Lot Baby Got Back 27 Lynyrd Skynyrd Sweet Home Alabama 28 Mars, Bruno Marry You 29 Timberlake, Justin Sexyback 30 Brooks, Garth Friends In Low Places 31 Lumineers Ho Hey 32 Lady Gaga Feat. Colby O'donis Just Dance 33 Sinatra, Frank The Way You Look Tonight 34 Sister Sledge We Are Family 35 Clapton, Eric Wonderful Tonight 36 Temptations My Girl 37 Loggins, Kenny Footloose 38 Train Marry Me 39 Kool & The Gang Celebration 40 Daft Punk Feat. -
The Showgirl Goes On
Star_Jan02_p1-20_Layout 1 1/2/2013 3:31 PM Page 1 ONLINE GET SELECT CONTENT ON THE GO, WWW.MONTROSE-STAR.COM IS MOBILE ENABLED! The WWW.MONTROSE-STAR.COM YOUR GUIDE TO GLBT ENTERTAINMENT, RECREATION & CULTURE IN CENTRAL AND COASTAL TEXAS WEDNESDAY, JANUARY 2, 2013 H VOL. III, ISSUE 20 FEATURE n19 One Good Love CALENDAR n6 Next2Weeks! DINING GUIDE n14 Roots Juice Drink Your Veggies! COMMUNITY n6 HAPPY NEW YEAR! The Showgirl INDEX Editorial........................4 Non-Profits Calendar .....16 Goes On Cartoons ....................33 Crossword ..................33 p10 Lifestyles ....................31 Star_Jan02_p1-20_Layout 1 1/2/2013 2:58 PM Page 2 Page 2 Montrose Star H Wednesday, January 2, 2013 www.Montrose-Star.com H also find us onn F Facebook.com/Star.Montrose Star_Jan02_p1-20_Layout 1 1/2/2013 2:58 PM Page 3 Montrose Star H Wednesday, January 2, 2013 Page 3 www.Montrose-Star.com H also find us onn F Facebook.com/Star.Montrose Star_Jan02_p1-20_Layout 1 1/2/2013 2:58 PM Page 4 Page 4 Montrose Star H Wednesday, January 2, 2013 Op-ED CONTACT US: 713-942-0084 EMAIL: [email protected] publisher Executive Editor Health & Fitness Music Laura M. Villagrán Kenton Alan DJ Chris Allen Sales Director Davey Wavey DJ JD Arnold Angela K. Snell Dr. Randy Mitchmore DJ Mark DeLange Creep of the Week: production News & Features DJ Wild & DJ Jeff Rafael Espinosa Johnny Trlica Scene Writers Circulation & Distribution Jim Ayers Arts Reviews Miriam Orihuela Pope Benedic XVI Daddy Bob Bill O’Rourke & Loyal K Elizabeth Membrillo Stephen Hill Lifestyles Rey Lopez Gayl Newton By d’anne WitkoWski lent to a suicide bomber. -
Afrofuturism: the World of Black Sci-Fi and Fantasy Culture
AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISM Afrofuturism_half title and title.indd 1 5/22/13 3:53 PM Copyright © 2013 by Ytasha L. Womack All rights reserved First edition Published by Lawrence Hill Books, an imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 978-1-61374-796-4 Library of Congress Cataloging-in-Publication Data Womack, Ytasha. Afrofuturism : the world of black sci-fi and fantasy culture / Ytasha L. Womack. — First edition. pages cm Includes bibliographical references and index. ISBN 978-1-61374-796-4 (trade paper) 1. Science fiction—Social aspects. 2. African Americans—Race identity. 3. Science fiction films—Influence. 4. Futurologists. 5. African diaspora— Social conditions. I. Title. PN3433.5.W66 2013 809.3’8762093529—dc23 2013025755 Cover art and design: “Ioe Ostara” by John Jennings Cover layout: Jonathan Hahn Interior design: PerfecType, Nashville, TN Interior art: John Jennings and James Marshall (p. 187) Printed in the United States of America 5 4 3 2 1 I dedicate this book to Dr. Johnnie Colemon, the first Afrofuturist to inspire my journey. I dedicate this book to the legions of thinkers and futurists who envision a loving world. CONTENTS Acknowledgments .................................................................. ix Introduction ............................................................................ 1 1 Evolution of a Space Cadet ................................................ 3 2 A Human Fairy Tale Named Black .................................. -
Hip Hop Club Songs
Hip Hop Club Songs Did you Know? The credit of coining the term 'Hip-Hop' lies with Keith 'Cowboy' Wiggins, a member of Grandmaster Flash and the Furious Five. Around 1978, he used to tease his friend who was in the US Army by singing hip/hop/hip/hop. He was mimicking the cadence rhythm of the soldiers. Initially known as Disco Rap, hip-hop music is a stylized download mp3 rocket pro free 2010 rhythmic music form which contains rapping and beat boxing as its elements. This music developed as a part of the 'hip-hop culture' in New York, particularly among the African-Americans. Today, hip hop music has become extremely popular among the masses. With the commercialization of this genre of music, a new era of talent paved its path to give music a new feel and rhythm by using words in the interim as a form of expression. Artists like Snoop Dog, Eminem, Nicki Minaj, Black- Eyed Peas have popularized this particular genre even further. Certain artists, who were known for performing other genres also started experimenting with rap and hip-hop. Couple of such examples would be Beyonce and none other than the King of Pop, Michael Jackson. Another factor that has added to hip-hop's popularity is that this music is ideal for nightclubs and dance floors. So, are you arranging one such party for your friends and wondering which songs to play? Then here is a list of various hip-hop club songs that you can play. ? Baby Don't Do It - Lloyd ? Best Kept Secret - Raheem DeVaughn ? Bedroom Walkin' - Ne-Yo ? Tonight - Jason Derulo ? Almost There - Alicia Keys ? Stillettos And A Tee - Bobby Valentino ? Help Somebody - Maxwell Feat. -
Top 200 Most Requested Songs
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence® music request system at weddings & parties in 2013 RANK ARTIST SONG 1 Journey Don't Stop Believin' 2 Cupid Cupid Shuffle 3 Black Eyed Peas I Gotta Feeling 4 Lmfao Sexy And I Know It 5 Bon Jovi Livin' On A Prayer 6 AC/DC You Shook Me All Night Long 7 Morrison, Van Brown Eyed Girl 8 Psy Gangnam Style 9 DJ Casper Cha Cha Slide 10 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 11 B-52's Love Shack 12 Beyonce Single Ladies (Put A Ring On It) 13 Maroon 5 Feat. Christina Aguilera Moves Like Jagger 14 Jepsen, Carly Rae Call Me Maybe 15 V.I.C. Wobble 16 Def Leppard Pour Some Sugar On Me 17 Beatles Twist And Shout 18 Usher Feat. Ludacris & Lil' Jon Yeah 19 Macklemore & Ryan Lewis Feat. Wanz Thrift Shop 20 Jackson, Michael Billie Jean 21 Rihanna Feat. Calvin Harris We Found Love 22 Lmfao Feat. Lauren Bennett And Goon Rock Party Rock Anthem 23 Pink Raise Your Glass 24 Outkast Hey Ya! 25 Isley Brothers Shout 26 Sir Mix-A-Lot Baby Got Back 27 Lynyrd Skynyrd Sweet Home Alabama 28 Mars, Bruno Marry You 29 Timberlake, Justin Sexyback 30 Brooks, Garth Friends In Low Places 31 Lumineers Ho Hey 32 Lady Gaga Feat. Colby O'donis Just Dance 33 Sinatra, Frank The Way You Look Tonight 34 Sister Sledge We Are Family 35 Clapton, Eric Wonderful Tonight 36 Temptations My Girl 37 Loggins, Kenny Footloose 38 Train Marry Me 39 Kool & The Gang Celebration 40 Daft Punk Feat. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Ukulele Club of Santa Cruz Songbook Part 2
Introduction D7 G D7 G 67 C G Honolulu Baby, where'd you get those eyes D7 G G7 And that dark complexion, I idolize C G Honolulu Baby, where'd you get that style D7 G G7 HHoonnoolluulluu BBaabbyy Those pretty red lips, that sunny smile Music and lyrics by T. Marvin Hatley C G October 1933 for "Sons of the Desert" Neath palm trees swaying, at Waikiki starring Laurel and Hardy D7 G G7 Ukulele Club of Santa Cruz February 2004 Honolulu Baby, you're the one for me D7 G C G Honolulu Baby, when you start to sway D7 G G7 All the men go crazy, they seem to say C G Honolulu Baby, where'd you get those eyes D7 G G7 And that dark complexion, I idolize C G 7 C G Honolulu Baby, where'd you get that style D7 G G7 Those pretty red lips, that sunny smile C G Neath palm trees swaying, at Waikiki D7 G G7 Honolulu Baby, you're the one for me C G Honolulu Baby, at Waikiki D7 G G7 Honolulu Baby, you're the one for me D7 G G7 Honolulu Baby, you're the one for me "...the real music's in your mind. All the instruments are just mechanics." --- Marvin Hatley, composer of "Honolulu Baby" End with D7 G D7 G No mention of Laurel and Hardy music is complete without a nod to Hatley's immortal "Honolulu Baby" from the Boys' 1933 feature, SONS OF THE DESERT. Used in the big convention scene where Stan and Ollie share their subterfuge with fellow Son Charley Chase, "Honolulu Baby" comes off as both a typical "Hollywood Production Number" and a gentle satire of the same. -
00:00:00 Music Transition Gentle, Trilling Music with a Steady Drumbeat Plays Under the Dialogue
00:00:00 Music Transition Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:12 Music Transition “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team. 00:00:19 Jesse Host It’s Bullseye. I’m Jesse Thorn. Terrace Martin—a musician and Thorn producer—was born in Los Angeles’s Crenshaw District. He first started in music as a saxophonist who played in jazz bands, went to an arts high school, and even went to band camp. He wasn’t much older than 18 when he figured out that life wasn’t for him. At the same, the kids growing up around him were freestyling and making mixtapes and beats. And who wouldn’t be excited about that? With those two parallel backgrounds, Terrace kicked off a career that would make him a trailblazing polymath in popular music. As a producer, he’s worked with Snoop Dogg, Charlie Wilson, YG, Kendrick Lamar. As a solo artist, he’s released about half a dozen albums. Terrace channels classic artists like Sly Stone, Marvin Gaye, Stevie Wonder, and Herbie Hancock, while also landing some pretty great features—heavy hitters like Kamasi Washington, Thundercat, Wiz Khalifa, and the aforementioned K Dot. Terrace isn’t the kind of guy to be slowed down by anything, including a pandemic. [Music fades in.] In 2020, he released seven EPs, including Village Days, a record that features a jazz tribute to the late Nipsey Hussle. -
The Construction of Listening in Electroacoustic Music Discourse
Learning to Listen: The Construction of Listening in Electroacoustic Music Discourse Michelle Melanie Stead School of Humanities and Communication Arts Western Sydney University. September, 2016 A thesis submitted as fulfilment for the degree of Doctor of Philosophy at Western Sydney University. To the memories of my father, Kenny and my paternal grandmother, Bertha. <3 Acknowledgements Firstly, to Western Sydney University for giving me this opportunity and for its understanding in giving me the extra time I needed to complete. To my research supervisors, Associate Professor Sally Macarthur and Dr Ian Stevenson: This thesis would not have been possible without your mentorship, support, generosity, encouragement, guidance, compassion, inspiration, advice, empathy etc. etc. … The list really is endless. You have both extended your help to me in different ways and you have both played an essential role in my development as an academic, teacher and just ... as a human being. You have both helped me to produce the kind of dissertation of which I am extremely proud, and that I feel is entirely worth the journey that it has taken. A simple thank you will never seem enough. To all of the people who participated in my research by responding to the surveys and those who agreed to be interviewed, I am indebted to your knowledge and to your expertise. I have learnt that it takes a village to write a PhD and, along with the aforementioned, ‗my people‘ have played a crucial role in the development of this research that is as much a personal endeavour as it is a professional one. -
DESIREE R. YOMTOOB DISSERTATION Subm
MOVING: KNOWLEDGE, IMAGE, EMBODIMENT AND IRANIAN-AMERICAN IDENTITY IN THE POST-911 USA. BY: DESIREE R. YOMTOOB DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Research Professor Norman K. Denzin, Chair Research Professor Clifford Christians Full Time Lecturer Philip Johnston Professor Cameron McCarthy Abstract This dissertation ascribes an extended methodology of auto-ethnography to the problem of apprehending the cultural and affective crossways symbiotic with post 911, late capitalism, in the United States and on the Transnational Stage. It introduces a performative approach derived from Somatics and forms of improvisation to further elucidate notions of presence as culture in this particular context. It also includes storytelling elements that I feel necessary for surviving this period of time intact, that being a reliance on hope, wonder, audacity and truth-telling. As global structural elements have shifted, new wars are being fought and new types of racisms appear, patterns of communication as affect and presence make tricky new turns which practitioners of the technologies of affective resistance, need to understand. This dissertation works to contribute in that direction. To make this goal, extended elements of performance ethnography and auto-ethnography are used in conjunction with the tried and true formal elements of performance ethnography. Some of these include, the use of self-portraiture, time lapse photography, installation, the use of improvisational movement and the use of elements of magical realism in storytelling. Many, many of my moves here are rooted in the works of postcolonial writers, thinkers and, in particular, postcolonial third world feminist artists. -
YOTP February 2019 GRATIS.Pdf
The Year of the Poet VI February 2019 The Poetry Posse inner child press, ltd. The Poetry Posse 2019 Gail Weston Shazor Shareef Abdur Rasheed Teresa E. Gallion hülya n. yılmaz Kimberly Burnham Tzemin Ition Tsai Elizabeth Esguerra Castillo Jackie Davis Allen Joe Paire Caroline ‘Ceri’ Nazareno Ashok K. Bhargava Alicja Maria Kuberska Swapna Behera Albert ‘Infinite’ Carassco Eliza Segiet William S. Peters, Sr. ii General Information The Year of the Poet VI February 2019 Edition The Poetry Posse 1st Edition : 2019 This Publishing is protected under Copyright Law as a “Collection”. All rights for all submissions are retained by the Individual Author and or Artist. No part of this Publishing may be Reproduced, Transferred in any manner without the prior WRITTEN CONSENT of the “Material Owners” or its Representative Inner Child Press. Any such violation infringes upon the Creative and Intellectual Property of the Owner pursuant to International and Federal Copyright Laws. Any queries pertaining to this “Collection” should be addressed to Publisher of Record. Publisher Information 1st Edition : Inner Child Press [email protected] www.innerchildpress.com This Collection is protected under U.S. and International Copyright Laws Copyright © 2019 : The Poetry Posse ISBN-13 : 978-1-970020-74-8 (inner child press, ltd.) $ 12.99 iii iv Dedication This Book is dedicated to Poetry . The Poetry Posse past, present & future our Patrons and Readers the Spirit of our Everlasting Muse & the Power of the Pen to effectuate change! v In the darkness of my life I heard the music I danced . and the Light appeared and I dance Janet P. -
Chart: Top25 VIDEO HIP HOP
Chart: Top25_VIDEO_HIP HOP Report Date (TW): 2012-11-11 --- Previous Report Date(LW): 2012-11-04 TW LW TITLE ARTIST GENRE RECORD LABEL 1 1 Bandz A Make Her Dance (explicit) Juicy J Ft. lil Wayne Hip Hop Sony Music Entertainment 2 2 Do My Dance (clean) Tyga Ft. 2 Chain Hip Hop YMCMB 3 3 Celebration (explicit) The Game Ft. Wiz Khalifa, Lil Wayne, Tyga & Chris Hip Hop Interscope Records 4 4 I Cry Flo Rida Hip Hop Atlantic Records 5 5 Diced Pineapples (explicit) Ft. Wale, Drake Rick Ross Hip Hop MayBach Music 6 7 Dump Truck Feat. Travis Porter E-40 & Too Short Hip Hop Heavy On The Grind / EMI 7 6 Doin It Again Busta Rhymes Hip Hop YMCMB 8 9 My Moment Ft. 2 Chainz, Meek Mill, Jeremih Dj Drama Hip Hop Atlantic Records 9 8 Hold Up Ft. Wale Ca$h Out Hip Hop Epic Records 10 10 It's Nothin Ft. 2 Chainz Wiz Khalifa Hip Hop Atlantic Records 11 11 The Boys (explicit) Nicki Minaj, Cassie Hip Hop Cash Money Records 12 12 Pyramids (explicit Xxx) Frank Ocean Hip Hop Island Def Jam Records 13 15 I Love Girls Pleasure P Hip Hop E1 Music 14 13 Peta Grifin Rej3ctz Hip Hop Asylum Records 15 14 Do It (explicit) Ft. K-camp Mykko Montana Hip Hop Universal Republic 16 19 Hood Rich Anthem Dj Scream Ft. 2chainz, Future, Waka Flocka, Yo Gotti,Hip Hop HoodRICH Media 17 18 Stu Wiz Khalifa Hip Hop Atlantic Records 18 17 S.t.f.u. (explicit) Chloe Riley Hip Hop Slip N Slide Records 19 Ball Ft.