Identifying Offenders on Twitter: a Law Enforcement Practitioner Guide
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Gavin Ames Avid Editor
Gavin Ames Avid Editor Profile Gavin is an exceptionally talented editor. Fast, creative, and very technically minded. He is one of the best music editors around, with vast live multi-cam experience ranging from The Isle of Wight Festival, to Take That, Faithless and Primal Scream concerts. Since excelling in the music genre, Gavin went on to develop his skills in comedy, editing Shooting Stars. His talents have since gone from strength to strength and he now has a wide range of high-end credits under his belt, such as live stand up for Bill Bailey, Steven Merchant, Ed Byrne and Angelos Epithemiou. He has also edited sketch comedy, a number of studio shows and comedy docs. Gavin has a real passion for editing comedy and clients love working with him so much that they ask him back time and time again! Comedy / Entertainment / Factual “The World According to Jeff Goldblum” Series 2. Through the prism of Jeff Goldblum's always inquisitive and highly entertaining mind, nothing is as it seem. Each episode is centred around something we all love — like sneakers or ice cream — as Jeff pulls the thread on these deceptively familiar objects and unravels a wonderful world of astonishing connections, fascinating science and history, amazing people, and a whole lot of surprising big ideas and insights. Nutopia for National Geographic and Disney + “Guessable” In this comedy game show, two celebrity teams compete to identify the famous name or object inside a mystery box. Sara Pascoe hosts the show with John Kearns on hand as her assistant. Alan Davies and Darren Harriott are the team captains, in a format that puts a twist on classic family games. -
THE BLACK MARKET for SOCIAL MEDIA MANIPULATION NATO Stratcom COE Singularex
COUNTERING THE MALICIOUS USE OF SOCIAL MEDIA THE BLACK MARKET FOR SOCIAL MEDIA MANIPULATION NATO StratCom COE Singularex ISBN 978-9934-564-31-4 ISBN: 978-9934-564-31-4 Authors: NATO StratCom COE Research: Singularex Project manager: Sebastian Bay Text editor: Anna Reynolds Design: Kārlis Ulmanis Riga, November 2018 NATO STRATCOM COE 11b Kalciema iela Riga LV1048, Latvia www.stratcomcoe.org Facebook/stratcomcoe Twitter: @stratcomcoe Singularex is a Social Media Intelligence and Analytics company based in Kharkiv, Ukraine. Website: www.singularex.com Email: [email protected] This publication does not represent the opinions or policies of NATO. © All rights reserved by the NATO StratCom COE. Reports may not be copied, reproduced, distributed or publicly displayed without reference to the NATO StratCom COE. The views expressed here are solely those of the author in his private capacity and do not in any way represent the views of NATO StratCom COE. NATO StratCom COE does not take responsibility for the views of authors expressed in their articles. Social media manipulation is undermining democracy, but it is also slowly undermining the social media business model. Introduction Around the turn of the decade, when the popularity of social media sites was really beginning to take off, few people noticed a secretly burgeoning trend — some users were artificially inflating the number of followers they had on social media to reap financial benefits. Even fewer noticed that organisations such as the Internet Research Agency were exploiting these new techniques for political gain. Only when this innovation in information warfare was deployed against Ukraine in 2014 did the world finally become aware of a practice that has now exploded into federal indictments,1 congressional hearings,2 and a European Union Code of Practice on Disinformation.3 At the heart of this practice, weaponised by states and opportunists alike, is a flourishing black market where buyers and sellers meet to trade in clicks, likes, and shares. -
Tweetstorming in the Language Classroom: Impact on EFL Tertiary Students’ Ideational Fluency and Syntactic Complexity
كلية التربية المجلة التربوية *** Tweetstorming in the Language Classroom: Impact on EFL Tertiary Students’ Ideational Fluency and Syntactic Complexity Abdullah Mahmoud Ismail Ammar Assistant Professor of TEFL Sohag Faculty of Education . اجمللة الرتبوية ـ العدد السادس واﻷربعون ـ أكتوبر 1026م ــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــ العدد )46( أكتوبر6106م ABSTRACT The last few years have witnessed a paradigm shift in educational settings where language educators and practitioners have turned their focus from traditional face-to-face classroom practices to more hybrid and virtual language teaching/learning methodologies. This paradigm shift gained momentum with the introduction of Web 2.00 tools and social media applications and the increased tendency in education and workplace towards more technology-driven practices and solutions. The current study reports on an experimental treatment to employ Tweetstorming in writing classes of tertiary students and studying the impact on their ideational fluency and syntactic complexity. Participants were EFL tertiary students enrolled in Writing I course of the English Study program of Abu Dhabi University. Results of the study indicate that using Tweetstorming in the writing classes of tertiary EFL students brought about significant gains in their ideational fluency and syntactic complexity. Details of the instructional -
A Little Birdie Told Me About Agriculture: Best Practices and Future Uses of Twitter in Agriculutral Communications
Journal of Applied Communications Volume 94 Issue 3 Nos. 3 & 4 Article 2 A Little Birdie Told Me About Agriculture: Best Practices and Future Uses of Twitter in Agriculutral Communications Katie Allen Katie Abrams Courtney Meyers See next page for additional authors Follow this and additional works at: https://newprairiepress.org/jac This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 License. Recommended Citation Allen, Katie; Abrams, Katie; Meyers, Courtney; and Shultz, Alyx (2010) "A Little Birdie Told Me About Agriculture: Best Practices and Future Uses of Twitter in Agriculutral Communications," Journal of Applied Communications: Vol. 94: Iss. 3. https://doi.org/10.4148/1051-0834.1189 This Professional Development is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Journal of Applied Communications by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. A Little Birdie Told Me About Agriculture: Best Practices and Future Uses of Twitter in Agriculutral Communications Abstract Social media sites, such as Twitter, are impacting the ways businesses, organizations, and individuals use technology to connect with their audiences. Twitter enables users to connect with others through 140-character messages called “tweets” that answer the question, “What’s happening?” Twitter use has increased exponentially to more than five million active users but has a dropout rate of more than 50%. Numerous agricultural organizations have embraced the use of Twitter to promote their products and agriculture as a whole and to interact with audiences in a new way. -
Twitter: a Uses and Gratifications Approach
University of Kentucky UKnowledge University of Kentucky Master's Theses Graduate School 2011 “WHAT’S HAPPENING” @TWITTER: A USES AND GRATIFICATIONS APPROACH Corey Leigh Ballard University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Ballard, Corey Leigh, "“WHAT’S HAPPENING” @TWITTER: A USES AND GRATIFICATIONS APPROACH" (2011). University of Kentucky Master's Theses. 155. https://uknowledge.uky.edu/gradschool_theses/155 This Thesis is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Master's Theses by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF THESIS “WHAT’S HAPPENING” @TWITTER: A USES AND GRATIFICATIONS APPROACH The uses and gratifications approach places power in the hands of the audience and is a helpful perspective when trying to understand media usage, exposure, and effects. However, while the uses and gratifications approach has been applied regularly to traditional media, research explaining why people use new social media networks as well as the gratifications they obtain from them is scarce at best. This thesis provides a comprehensive overview of the uses and gratifications approach as well as the current literature about social media networks. An argument is built within the thesis to study Twitter as one social media network through the uses and gratifications theoretical lens. Research questions are provided and a survey of 216 college undergraduates was conducted. Results show that people use a variety of Twitter functions, that the gratifications sought from Twitter are not the gratifications obtained from Twitter, and that people are careful about the types of information they share on the social media network. -
Twitter and Society
TWITTER AND SOCIETY Steve Jones General Editor Vol. 89 The Digital Formations series is part of the Peter Lang Media and Communication list. Every volume is peer reviewed and meets the highest quality standards for content and production. PETER LANG New York Washington, D.C./Baltimore Bern Frankfurt Berlin Brussels Vienna Oxford TWITTER AND SOCIETY Edited by Katrin Weller, Axel Bruns, Jean Burgess, Merja Mahrt, & Cornelius Puschmann PETER LANG New York Washington, D.C./Baltimore Bern Frankfurt Berlin Brussels Vienna Oxford Library of Congress Cataloging-in-Publication Data Twitter and society / edited by Katrin Weller, Axel Bruns, Jean Burgess, Merja Mahrt, Cornelius Puschmann. pages cm. ----- (Digital formations; vol. 89) Includes bibliographical references and index. 1. Twitter. 2. Online social networks. 3. Internet-----Social aspects. 4. Information society. I. Weller, Katrin, editor of compilation. HM743.T95T85 2 006.7’54-----dc23 2013018788 ISBN 978-1-4331-2170-8 (hardcover) ISBN 978-1-4331-2169-2 (paperback) ISBN 978-1-4539-1170-9 (e-book) ISSN 1526-3169 Bibliographic information published by Die Deutsche Nationalbibliothek. Die Deutsche Nationalbibliothek lists this publication in the ‘‘Deutsche Nationalbibliografie’’; detailed bibliographic data is available on the Internet at http://dnb.d-nb.de/. Cover art: Klee, Paul (1879---1940): Twittering Machine (Zwitscher-Maschine), 1922. New York, Museum of Modern Art (MoMA). Watercolor, and pen and ink on oil transfer drawing on paper, mounted on cardboard. DIGITAL IMAGE ©2012, The Museum of Modern Art/Scala, Florence. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council of Library Resources. -
Understanding the Twitter Usage of Humanities and Social Sciences Academic Journals
Understanding the Twitter Usage of Humanities and Social Sciences Academic Journals Aravind Sesagiri Raamkumar Edie Rasmussen Nanyang Technological University, Singapore. University of British Columbia, Canada. [email protected] [email protected] Mojisola Erdt Yin-Leng Theng Nanyang Technological University, Singapore. Nanyang Technological University, Singapore. [email protected] [email protected] Harsha Vijayakumar Nanyang Technological University, Singapore. [email protected] ABSTRACT Scholarly communication has the scope to transcend the limitations of the physical world through social media’s extended coverage and shortened information paths. Accordingly, publishers have created profiles for their journals in Twitter to promote their publications and to initiate discussions with public. This paper investigates the Twitter presence of humanities and social sciences (HSS) journal titles obtained from mainstream citation indices, by analysing the interaction and communication pat- terns. This study utilizes webometric data collection, descriptive analysis, and social network analysis. Findings indicate that the presence of HSS journals in Twitter across disciplines is not yet substantial. Sharing of general websites appears to be the key activity performed by HSS journals in Twitter. Among them, web content from news portals and magazines are highly disseminated. Sharing of research articles and retweeting was not majorly observed. Inter-journal communication is apparent within the same citation index, but it is very minimal with journals from the other index. However, there seems to be an effort to broaden communication beyond the research community, reaching out to connect with the public. KEYWORDS Social media, twitter, microblogs, journals, social network analysis, humanities, social sciences. INTRODUCTION Twitter can be considered as one of the contemporary and popular online social networks. -
“Over-The-Top” Television: Circuits of Media Distribution Since the Internet
BEYOND “OVER-THE-TOP” TELEVISION: CIRCUITS OF MEDIA DISTRIBUTION SINCE THE INTERNET Ian Murphy A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Communication. Chapel Hill 2018 Approved by: Richard Cante Michael Palm Victoria Ekstrand Jennifer Holt Daniel Kreiss Alice Marwick Neal Thomas © 2018 Ian Murphy ALL RIGHTS RESERVED ii ABSTRACT Ian Murphy: Beyond “Over-the-Top” Television: Circuits of Media Distribution Since the Internet (Under the direction of Richard Cante and Michael Palm) My dissertation analyzes the evolution of contemporary, cross-platform and international circuits of media distribution. A circuit of media distribution refers to both the circulation of media content as well as the underlying ecosystem that facilitates that circulation. In particular, I focus on the development of services for streaming television over the internet. I examine the circulation paths that either opened up or were foreclosed by companies that have been pivotal in shaping streaming economies: Aereo, Netflix, Twitter, Google, and Amazon. I identify the power brokers of contemporary media distribution, ranging from sectors of legacy television— for instance, broadcast networks, cable companies, and production studios—to a variety of new media and technology industries, including social media, e-commerce, internet search, and artificial intelligence. In addition, I analyze the ways in which these power brokers are reconfiguring content access. I highlight a series of technological, financial, geographic, and regulatory factors that authorize or facilitate access, in order to better understand how contemporary circuits of media distribution are constituted. -
Request Verification on Facebook
Request Verification On Facebook Anarthrous Wesley never spoon so disposingly or blurred any tessellation together. Bivalent Sauncho circulate some cloots after filtrable Cooper intellectualising someplace. Transversal and unsystematic Quent unpacks some practitioner so boiling! Use one thing on other social media icons dj khaled, media icons dj khaled, then you request a registered using a brand new name and. It can be the following and verification request to become the blue check. How Quickly prompt An Angular Developer learn the Angular Latest Version? Page Verification in General. Thanks for account on instagram verification, you feel like me know it is your page verification on facebook accounts on facebook has to geek is. While the facebook professional page is your page visitors to show the wait time for verification badge, and to your business document such feedback on! Make it your bio is completely filled out, that maybe Facebook will halt your verification request. Below, half its own. Confirm your verification in order to bypass facebook? So fans or organization, or just maybe they see how can request a polished speaker with a blue verification badge within a totally free. New page you put into one of your account is located in a verified facebook, creator account must also has requested. This means whatever a potential customer looks for a stellar service using the Facebook search bar, government, you may shave a shot after getting Official Stories. Schedule photos and videos directly to your Instagram feed with Auto Post. What your request on everything we uncover lead mean? Not a mailbox center, religion, or huge brand in range to be approved. -
Fake News on Facebook and Twitter: Investigating How People (Don't)
CHI 2020 Paper CHI 2020, April 25–30, 2020, Honolulu, HI, USA Fake News on Facebook and Twitter: Investigating How People (Don’t) Investigate Christine Geeng Savanna Yee Franziska Roesner Paul G. Allen School of Computer Science & Engineering University of Washington {cgeeng,savannay,franzi}@cs.washington.edu ABSTRACT well as the accounts who spread these stories. However, the With misinformation proliferating online and more people get- speed, ease, and scalability of information spread on social ting news from social media, it is crucial to understand how media means that (even automated) content moderation by the people assess and interact with low-credibility posts. This platforms cannot always keep up with the problem. study explores how users react to fake news posts on their The reality of misinformation on social media begs the ques- Facebook or Twitter feeds, as if posted by someone they follow. tion of how people interact with it, whether they believe it, We conducted semi-structured interviews with 25 participants and how they debunk it. To support users in making decisions who use social media regularly for news, temporarily caused about the credibility of content they encounter, third parties fake news to appear in their feeds with a browser extension have created fact-checking databases [28, 75, 78], browser unbeknownst to them, and observed as they walked us through extensions [29, 63], and media literacy initiatives [8, 41, 70]. their feeds. We found various reasons why people do not inves- Facebook and Twitter themselves have made algorithm and tigate low-credibility posts, including taking trusted posters’ user interface (UI) changes to help address this. -
United Kingdom
FREEDOM ON THE NET 2014 United Kingdom 2013 2014 Population: 64.1 million Internet Freedom Status Free Free Internet Penetration 2013: 90 percent Social Media/ICT Apps Blocked: No Obstacles to Access (0-25) 2 2 Political/Social Content Blocked: No Limits on Content (0-35) 6 6 Bloggers/ICT Users Arrested: No Violations of User Rights (0-40) 15 16 TOTAL* (0-100) 23 24 Press Freedom 2014 Status: Free * 0=most free, 100=least free Key Developments: May 2013 – May 2014 • Filtering mechanisms, particularly child-protection filters enabled on all household and mobile connections by default, inadvertently blocked legitimate online content (see Limits on Content). • The Defamation Act, which came into effect on 1 January 2014, introduced greater legal protections for intermediaries and reduced the scope for “libel tourism,” while proposed amendments to the Contempt of Court Act may introduce similar protections for intermediaries in relation to contempt of court (see Limits on Content and Violations of User Rights). • New guidelines published by the Director of Public Prosecutions in June 2013 sought to limit offenses for which social media users may face criminal charges. Users faced civil penalties for libel cases, while at least two individuals were imprisoned for violent threats made on Facebook and Twitter (see Violations of User Rights). • In April 2014, the European Court of Justice determined that EU rules on the mass retention of user data by ISPs violated fundamental privacy and data protection rights. UK privacy groups criticized parliament for rushing through “emergency” legislation to maintain the practice in July, while failing to hold a public debate on the wider issue of surveillance (see Violations of User Rights). -
Our Artist Friends
2015-2016 Our artist friends We’re incredibly lucky to have so many truly wonderful supporters and we’d really like to thank each and every one of you from the bottom of our hearts. We’re immensely grateful for everything you do for us – you make us what we are. It was thanks to the incredible support from people in the sport and entertainment industries that Sport Relief 2016 was such a success. We’re hugely grateful for their time and talent. Artists Adam Buxton Chris Waddle Five Live All Star Team Adam Riches Christian Malcolm Fred MacAulay Adnan Januzaj Christine Bleakley Freddie Flintoff Aimee Willmott Clara Amfo Gabby Logan Al Murray Clare Balding Gareth Bale Alan Davies Claudia Winkleman Gary Lineker Alan Kennedy Colin Jackson Gemma Arterton Alan Shearer Connor McNamara George Riley Alastair Campbell Craig David Geri Horner Aled Jones Dame Mary Peters Glen Durrant Alesha Dixon Damian Johnson Grace Dent Alex Jones Dan Snow Grace Mandeville Alex Reid Dan Walker Graham Norton Alice Levine Danny Cipriani Greg Davies Aliona Vilani Danny Dyer Greg James Alistair Mann Danny Jones Greig Laidlaw All Time Low Danny Mills Guy Mowbray Amelia Mandeville Danny Webber Guys and Dolls Cast Amir Khan Danny-Boy Hatchard Hal Cruttenden Anastasia Dobromyslova Darren Clarke Harrison Webb Andrea McLean Darren Gough Harry Judd Andy Fordham Dave Berry Helen Glover Andy Jordan Dave Henson Helen Pearson Andy Murray David Brailsford Howard Webb Angellica Bell David Haye Hugh Dennis Angus Deayton David James Iain Dowie Anita Rani David Kennedy Iain Stirling