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Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
The Death of Donald Moffat, Legendary MOURNING Actor, Distinguished
Senate Resolution No. 503 BY: Senator HARCKHAM MOURNING the death of Donald Moffat, legendary actor, distinguished citizen and gifted artist WHEREAS, It is the sense of this Legislative Body to honor and pay just tribute to the memory of those prominent individuals whose creative talents have contributed to the entertainment and cultural enrichment of the citizens of the State of New York; and WHEREAS, Donald Moffat, a beloved actor of stage, screen and television, died on Thursday, December 20, 2018, in Sleepy Hollow, New York, at the age of 87; and WHEREAS, Born in Plymouth, England, on December 26, 1930, Donald Moffat was the only child of Kathleen Mary (Smith) and Walter George Moffat; his parents ran a boarding house in Totnes, England; and WHEREAS, Upon the completion of his studies at the local King Edward VI School, Donald Moffat performed national service with the Royal Artillery from 1949 to 1951; he went on to study at the Royal Academy of Dramatic Art in London until 1954; and WHEREAS, This extraordinary stage, screen and television actor was a naturalized, thoroughly Americanized Englishman who in the early 1950s was a player with the Old Vic theater company, the London crucible of many of Britain's most ambitious performing arts; and WHEREAS, In 1956, at the age of 26, Donald Moffat realized his dream and moved to the United States, settling in Oregon, where he worked as a bartender and a lumberjack; he soon resolved to return to acting, and made his Broadway debut as two characters in "Under Milkwood" (1957); and WHEREAS, -
Come up to the Lab a Sciart Special
024 on tourUK DRAMA & DANCE 2004 COME UP TO THE LAB A SCIART SPECIAL BOBBY BAKER_RANDOM DANCE_TOM SAPSFORD_CAROL BROWN_CURIOUS KIRA O’REILLY_THIRD ANGEL_BLAST THEORY_DUCKIE CHEEK BY JOWL_QUARANTINE_WEBPLAY_GREEN GINGER CIRCUS_DIARY DATES_UK FESTIVALS_COMPANY PROFILES On Tour is published bi-annually by the Performing Arts Department of the British Council. It is dedicated to bringing news and information about British drama and dance to an international audience. On Tour features articles written by leading and journalists and practitioners. Comments, questions or feedback should be sent to FEATURES [email protected] on tour 024 EditorJohn Daniel 20 ‘ALL THE WORK I DO IS UNCOMPLETED AND Assistant Editor Cathy Gomez UNFINISHED’ ART 4 Dominic Cavendish talks to Declan TheirSCI methodologies may vary wildly, but and Third Angel, whose future production, Donnellan about his latest production Performing Arts Department broadly speaking scientists and artists are Karoshi, considers the damaging effects that of Othello British Council WHAT DOES LONDON engaged in the same general pursuit: to make technology might have on human biorhythms 10 Spring Gardens SMELL LIKE? sense of the world and of our place within it. (see pages 4-7). London SW1A 2BN Louise Gray sniffs out the latest projects by Curious, In recent years, thanks, in part, to funding T +44 (0)20 7389 3010/3005 Kira O’Reilly and Third Angel Meanwhile, in the world of contemporary E [email protected] initiatives by charities like The Wellcome Trust dance, alongside Wayne McGregor, we cover www.britishcouncil.org/arts and NESTA (the National Endowment for the latest show from Carol Brown, which looks COME UP TO Science, Technology and the Arts), there’s THE LAB beyond the body to virtual reality, and Tom Drama and Dance Unit Staff 24 been a growing trend in the UK to narrow the Lyndsey Winship Sapsford, who’s exploring the effects of Director of Performing Arts THEATRE gap between arts and science professionals John Kieffer asks why UK hypnosis on his dancers (see pages 9-11). -
Winter's Tale by William Shakespeare
Périclès, Prince de Tyr de William Shakespeare Mise en scène – Declan Donnellan Scénographie – Nick Ormerod Suite à Ubu Roi en 2013/14/15, Declan Donnellan et Nick Ormerod reviendront à la langue française avec une création de PÉRICLÈS de Shakespeare en 2018 et 2019. Avec PÉRICLÈS, la compagnie signera sa première création de Shakespeare en langue française, pièce qui complétera son cycle des quatre 'romances tardives' de Shakespeare, après Cymbeline (2007), La tempête (2011) et Le conte d'hiver (2015). Nous sommes à la recherche de co-producteurs et de partenaires pour réaliser cette nouvelle création. Ubu Roi a été présenté pendant 34 semaines sur trois continents, et dans des villes comme Paris, Londres, New York, Moscou, Madrid et Venise. A propos d'Ubu Roi : « Donnellan obtient des interprétations sans retenue de sa troupe … le déchainement d’un champ de bataille au sein d'un univers chic et raffiné. » – The Guardian (Royaume-Uni) « Outrancière, débordente d'une énergie sans retenue » – Le Figaro (France) PÉRICLÈS, prince de Tyr PÉRICLÈS est l’une des plus étonnantes et bouleversantes des œuvres de Shakespeare. Naufragé au large de la mer méditerranée, Périclès est contraint de braver une marée de pirates, de ravisseurs et de magiciens ; de bordels, de tournois et de complots … et jusqu’à une intervention divine de la déesse Diane. Inceste, trahison, meurtre, amour et joie s’entremêlent dans ce feu d'artifice théâtral, puis, à la lumière tamisée de ses braises, Périclès retrouve sa fille Marina dans l’une des plus belles scènes que Shakespeare ait jamais écrites. Contact Eleanor Lang +44 (0) 20 7382 2353 [email protected] Declan Donnellan & Nick Ormerod Declan Donnellan forme avec Nick Ormerod la compagnie Cheek by Jowl en 1981. -
Moffat Genealogies: Descent from Rev
THE GIFT OF ^..'ShvvydteL*^--^ .j7..z.x/.z.£'a "^"^ ^ 6896-2 Cornell University Library CS71 .M69 m Cornell University Library ^ The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924029842881 Moffat Genealogies: Descent from Rev. John Moffat of Ulster County New York BY R. BURNHAM MOFFAT PRIVATELY PRINTED 1909 Copyright, 19 10 By R. BURNHAM MOFFAT PRESS OF L. MIDDLEDITCH CO, NEW YORK TO JOHN LITTLE MOFFAT, M. D. OF Brooklyn, N. Y. 1 CONTENTS. PAGE Foreword 1 Map 12 The locus in quo 13 The Moffats of Earlier Days 16 Rev. John Moffat 26 Picture of Stonefield, in 1905 .... 46 Rev. John Little 47 The Family During the Revolution 54 The Blagg's Clove Moffats 60 Notes Concerning Some of the Descendants: John Little Moffat 63 William Moffat 65 Samuel Moffat 65 Margaret Moffat Wright 66 Mary Moffat Carpenter 68 Frances Moffat Pierson 69 Elizabeth Moffat Roosa 72 Catherine Moffat Howe 72 Anthony Yelverton Moffat 73 John Little Moffat, Jr 76 John Carpenter, M. D 76 John Shaw Moffat 78 William Shaw Moffat 78 Elizabeth Pierson Otis 79 Rev. John Moffat Howe 79 Reuben Curtis Moffat, M. D 82 William B. Moffat, M. D 83 Rev. Hugh Smith Carpenter 83 Genealogical Table of Descent 85 Index of Names 145 FOREWORD. THE pages that follow are the outgrowth of the writer's wish that all who are interested may have, in readily accessible form, the information that he has gathered concerning Rev. -
By William Shakespeare Measure for Measure Why Give
Measure for Measure by William Shakespeare Measure for Measure Why give Welcome to our 2015 season with Measure for Measure. you me this Our Russian company were last here with The Tempest and we are delighted to be back. We are particularly grateful to shame? Evgeny Pisarev and Anna Volk of the Pushkin Theatre in Moscow, without whom this production would not have been possible. Act III Scene I Thanks also to Toni Racklin, Leanne Cosby, and the entire team at the Barbican, London for their continued enthusiasm and support, and to Katy Snelling and Louise Chantal at the Oxford Playhouse. We’d also like to thank our other co-producers, Les Gémeaux/ Sceaux/Scène Nationale, in Paris, and Centro Dramático Nacional, in Madrid, as well as Arts Council England. We do hope you enjoy the show… Declan Donnellan and Nick Ormerod Petr Rykov & Company 1 2 3 Cheek by Jowl in Russia In 1986, Russian theatre director Lev Dodin of Valery Shadrin, commissioned Donnellan invited Donnellan and Ormerod to visit his and Ormerod to form their own company of company in Leningrad. Ten years later, they Russian actors in Moscow. This sister company 4 5 6 directed and designed The Winter’s Tale performs in Russia and internationally and its for the Maly Drama Theatre, which is still current repertoire includes Boris Godunov running in St. Petersburg. Throughout the by Pushkin, Twelfth Night and The Tempest 1990s the Russian Theatre Confederation by Shakespeare, and Three Sisters by Anton regularly invited Cheek by Jowl to Moscow Chekhov. Measure for Measure is Cheek as part of the Chekhov International Theatre by Jowl’s first co-production with Moscow’s Festival, and this relationship intensified in Pushkin Theatre. -
AS and a Level Drama and Theatre
Topic Exploration Pack Practitioners: Cheek by Jowl Theatre Company Foreword by Karen Latto – OCR Subject Specialist Drama As part of our resources provision I was keen to ensure that the resources have been created by experts in Drama and in Education. For our practitioner requirement, this included resources which were made by working Theatre Makers about their own company’s practice and working methods. I would like to thank the team at Cheek by Jowl for creating this resource for OCR to support AS and A Level teachers. This resource has been created by Declan Donnellan and Nick Ormerod alongside Cheek by Jowl’s Education Officer Dominic Kennedy and talks from their perspective as working practitioners in the field of Theatre. Cheek by Jowl................................................................................................................................. 2 Repertoire .......................................................................................................................................2 Études ............................................................................................................................................5 Additional teacher preparation ......................................................................................................11 Activity 1: Études exercise ............................................................................................................12 Activity 2: Imaginary and pre-text exercise ................................................................................... -
Literary Miscellany
Literary Miscellany Including Fine Printing, Artist’s Books, And Books & Manuscripts In Related Fields. Catalogue 329 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. -
In Conversation with Declan Donnellan1
Multicultural Shakespeare: Translation, Appropriation and Performance vol. 19 (34), 2019; http://dx.doi.org/10.18778/2083-8530.19.08 ∗ Nicole Fayard “Making Things Look Disconcertingly Different”: In Conversation with Declan Donnellan1 Abstract: In this interview acclaimed director Declan Donnellan, co-founder of the company Cheek by Jowl, discusses his experience of performing Shakespeare in Europe and the attendant themes of cultural difference, language and translation. Donnellan evokes his company’s commitment to connecting with audiences globally. He keeps returning to Shakespeare, as his theatre enables the sharing of our common humanity. It allows a flesh-and-blood carnal interchange between the actors and the audience which directly affects individuals. This interchange has significant consequences in terms of translation and direction. Keywords: Declan Donnellan; Cheek by Jowl; Shakespeare in Europe; Translation; Direction; Archetypes; Brexit. I Declan Donnellan is well-known as “one of the most original directors working in theatre today” (Le Figaro). He co-founded the company Cheek by Jowl in 1981 and is its joint Artistic Director with his life partner and the company designer, Nick Ormerod. Both artists are renowned for staging innovative productions focused on the skills of the actors and have been repeatedly acclaimed as “responsible for some of the most imaginative and revelatory classical performances [seen over the past] decades” (New York Times). They produce work in English, French and Russian and have performed in about 400 cities in fifty countries over six continents (Cheek by Jowl). Donnellan has to date directed over thirty productions, with half from the Shakespearean repertoire, such as the world-acclaimed As You Like It (1991) with Adrian Lester, performed with an all-male cast, The Winter’s Tale (Maly ∗ University of Leicester, UK. -
SHAKESPEARE in LOVE: Student Activities Guide
The Shakespeare Theatre of New Jersey SHAKESPEARE IN LOVE: Student Activities Guide Artwork by Scott McKowen STUDENT ACTIVITIES GUIDE The Shakespeare Theatre of New Jersey’s production of Shakespeare in Love Based on the screenplay by Marc Norman & Tom Stoppard Adapted for the stage by Lee Hall Music by Paddy Cunneen Originally produced on the West End by Disney Theatrical Productions and Sonia Friedman Productions, directed by Declan Donnellan, and designed by Nick Ormerod The Shakespeare Theatre of New Jersey SHAKESPEARE IN LOVE: Student Activities Guide InThis Guide – About This Guide ............................................................................................................2 – The Life of William Shakespeare .....................................................................................3 – Shakespeare’s London.....................................................................................................4 – Mad-Lib Sonnet ..............................................................................................................5 – Who Said That? ...............................................................................................................7 – Test Your Understanding .................................................................................................8 – Additional Topics for Discussion: About the Play ..........................................................10 – Additional Topics for Discussion: About this Production ...............................................10 – Follow-up -
BAM Presents the Winter's Tale by Cheek by Jowl, Dec 6—11
BAM presents The Winter’s Tale by Cheek by Jowl, Dec 6—11 Influential director Declan Donnellan tackles Shakespeare’s classic tale of jealousy, madness, and magical transformation Bloomberg Philanthropies is the Season Sponsor The Winter's Tale US Premiere By William Shakespeare Cheek by Jowl Declan Donnellan and Nick Ormerod Directed by Declan Donnellan Designed by Nick Ormerod Lighting designer Judith Greenwood Composer and sound designer Paddy Cunneen Associate and movement director Jane Gibson BAM Harvey Theater (651 Fulton St) Dec 6—10 at 7:30pm, Dec 11 at 3pm Tickets start at $25 Iconic Artist Talk: Declan Donnellan With Declan Donnellan in conversation with James Shapiro Dec 7 at 6pm BAMcafé (30 Lafayette Ave) Tickets: $25 ($12.50 for BAM Members) “An original masterpiece”—Le Figaro Oct 26, 2016/Brooklyn, NY—Known for its imaginative staging of the classics, the British theater troupe Cheek by Jowl returns to BAM with Shakespeare’s late romance The Winter’s Tale, in a production originally conceived to celebrate the 400th anniversary of the Bard’s death. With actors in casual modern dress and the intelligent use of simple sets, director Declan Donnellan, who won a Golden Lion for Lifetime Achievement at the Venice Biennale this summer, renders the time- and location-shifting storyline fluidly and clearly. This production puts the Sicilian king Leontes (Orlando James, who played the title role in the staged Shakespeare in Love in London) at the center, portraying him as in constant conflict with himself. His unfounded suspicion and refusal to be reasoned with lead to the tragic fulfillment of the oracle “the king shall live without an heir if that which is lost be not found.” With its usual high energy, the entire company infuses this classic tale with heightened drama, crackling hilarity, and genuine emotion. -
2008 Next BAM Endowment Trust Wave Festival
BAMAnnual2oo6—2oo8 MUSIC, THEATER, FILM, COmmUNITY, ART, DANCE Brooklyn, New York Since 1861 2 BAM Chair Letter 4 President & Exec. Producer Letter 6 2006 Next Wave Festival 8 2007 Next Wave Festival 10 BAM Dance 12 BAM Music/Opera 14 BAM Theater 16 BAM Rose Cinemas BAMcinématek 20 Sundance Institute at BAM 21 Takeover 22 Between the Lines 23 The Met: Live in HD 24 BAMart 26 BAMcafé Live 30 Community 32 Education 34 Humanities 38 Hamm Archives 40 BAM Next Stage Campaign 50 Staff 52 Mission Statement 53 Board 62 Financial Statements Amjad, 2008 Next BAM ENDOWMENT TRUST Wave Festival. A-1 BET Chair Letter Photo courtesy Édouard Lock A-3 BET Mission Statement A-4 BET Board A-5 BET Financial Statements Alan H. Fishman To the BAM family: The past two performance seasons once In 2007, major milestone anniversaries Building. This building will be a much- valued leadership. I welcome the new again demonstrated the excellence of were celebrated by two of our anchor needed facility used to introduce emerging members who have joined since July BAM’s programming and the family of programs: the Next Wave Festival and artists to our audience as well as expand 2006: Linda Chinn, William Edwards, artists, patrons, audiences, and staff DanceAfrica. The Next Wave Festival our community and arts education pro- Richard Feldman, Derek Jenkins, Gary whose dedication and effort make it all celebrated its 25th season and its 25th grams. I encourage all of you to join me in Lynch, Donald R. Mullen, Jr., Brian Nigito, possible. The achievements delineated on consecutive year of sponsorship and part- supporting this landmark fundraising effort Steven Sachs, Timothy Sebunya, Jessica the following pages would not be possible nership from Altria Group, Inc.