DOCSLIB.ORG

Upcoming Highlights

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Chicago will take center stage in 2016 with UPCOMING HIGHLIGHTS SHAKESPEARE 400 CHICAGO, as more than 1,000 Belarus Free Theatre Chicago a cappella + local and international artists create a global Chicago Shakespeare Theater KING LEAR CRISS HENDERSON celebration of Shakespeare like no other in the Upstairs at Chicago Shakespeare SHAKESPEARE A CAPPELLA BARBARA GAINES Artistic Director Executive Director world. During this landmark year, Shakespeare will February 5–14 February 13–21 be alive on our stages, in our schools and across Culinary Complete Works Oxford Playhouse RICK BOYNTON, Creative Producer GARY GRIFFIN, Associate Artistic Director our neighborhoods. This international festival will 38 PLAYS. 38 CHEFS. SANCHO: AN ACT Restaurants across Chicago OF REMEMBRANCE help reaffirm Chicago’s role as a global destination All Year Long Chicago Shakespeare Theater for cultural tourism. In 2016, the enterprising spirit February 17–21 presents The Theatre School at DePaul Tim Etchells + Forced Entertainment of Shakespeare meets the entrepreneurial spirit of PROSPERO’S STORM Chicago Shakespeare Theater (IN) COMPLETE WORKS: Chicago. I want to thank everyone who is working DePaul’s Merle Reskin Theatre OTHELLO TABLE TOP SHAKESPEARE January 14–February 20 Chicago Shakespeare Theater Museum of Contemporary Art hard to ensure that it will be a great success. February 18–April 10 Chicago Symphony Orchestra + February 25–27 Chicago Shakespeare Theater Lyric Opera of Chicago Rockefeller Chapel A MIDSUMMER NIGHT’S ROMEO AND JULIET THE BELL INVITED ME: DREAM Lyric Opera of Chicago SHAKESPEARE AT THE Symphony Center February 22–March 19 CARILLON + MUSIC IN THE February 13 Hamburg Ballet TIME OF SHAKESPEARE OTHELLO Rockefeller Memorial Chapel Rahm Emanuel, Mayor Harris Theater for Music and Dance February 26+27 February 23+24 CITY OF CHICAGO WWW.SHAKESPEARE400CHICAGO.COM #SHAKES400CHI @ SHAKES400CHI Chicago Shakespeare is proud to present SHAKESPEARE 400 CHICAGO, a Chicago Shakespeare Theater Staff global celebration made possible by an unprecedented collaboration of Chicago From Russia institutions. This yearlong festival both showcases the collective impact of our BARBARA GAINES CRISS HENDERSON Artistic Director Executive Director city’s world-class cultural community and invites hundreds of artists from Cheek by Jowl + Pushkin Theatre, Moscow across the globe to make Chicago their stage in 2016. Embracing the audacious DOTTIE BRIS-BOIS LISA GRIEBEL ARTISTIC Director of Special Gifts STAGE MANAGEMENT Properties Carpenter spirit of our eponymous playwright, the year ahead will feature an astonishing RICK BOYNTON HILARY ODOM DEBORAH ACKER DAN NURCZYK Creative Producer Director of Corporate and Production Stage Manager/ Properties Crew Head Foundation Relations Associate Producer array of artists and thinkers. Shakespeare will come to life across disciplines, GARY GRIFFIN CLAIRE RITCHIE Associate Artistic Director KRISTEN CARUSO DENNIS J. CONNERS Properties Intern Production Stage Manager through inspirational acts of theater, dance, music, spectacle—even cuisine. It’s BOB MASON Advancement Manager/ a celebration 400 years in the making. A bold undertaking, true to the spirit of Artistic Associate/Casting Director Board Liaison HEATHER SCHMUCKER LAURA MILKULSKI SCENERY OPERATIONS/FACILITIES Associate Producer Advancement Manager / SUSAN KNILL our global city and the greatest playwright of all time. This is Shakespeare 400 VIP Concierge ROBERT L. WILSON DOREEN SAYEGH Assistant Technical Director Theater/Facility Manager Chicago. Come play your part. Festival Producer, ERIN STRICK JEANNE DEVORE Shakespeare 400 Chicago Institutional Relations Coordinator BRADLEY BURI Stage Crew Technology Manager DANIEL J. HESS SAMUEL OSTROWSKI DANIEL LOPEZ Company Manager Special Projects Coordinator MATTHEW BLACK Stage Crew Apprentice Facilities Assistant LAURA DURHAM DAVE TOPOROV ELLIOTT LACEY Casting Assistant Annual Fund Coordinator Custodial Supervisor JACK EIDSON CAITLYN DeROSA COSTUMES DWAYNE BREWER Assistant to the Creative Producer Donor Relations and Research Coordinator RYAN MAGNUSON MARIBEL CUEVAS SALVADOR F. GARZA Costume Shop Manager ISRAEL ESTRADA Assistant Company Manager CAMILLE HOWARD Campaign Coordinator CATHY TANTILLO OCTAVIOUS MOODY Barbara Gaines Criss Henderson Doreen Sayegh BENJAMIN MAGNUSO Costume Design Assistant RICHARD TENNY Casting Intern KATHRYN HABECKER Custodial Assistants Advancement Intern REBECCA DOROSHUK Artistic Director Executive Director Festival Producer JACK LOWRIE Costume Shop Assistant/ Rentals Manager by William Shakespeare Company Management Intern TICKETING, GUEST MARKETING MELISSA BOCHAT CHICAGO SHAKESPEARE THEATER Crafts Supervisor SERVICES AND EVENTS directed by Declan Donnellan EDUCATION ALIDA SZABO Director of Audience Development JESS KENYON RACHAEL SWANN designed by Nick Ormerod MARILYN J. HALPERIN MATTHEW POWELL Box Office and Guest Services Manager Director of Education and JULIE STANTON Dressers Communications Marketing Director MAKEDA COHRAN Events Manager Ray and Judy McCaskey CATHY TAYLOR Education Chair Public Relations Consultant ELECTRICS PHIL BRANKIN JASON HARRINGTON HANNAH KENNEDY BLANCA HERNANDEZ Education Outreach Manager ERIC BRANSON Public Relations Assistant Lighting Supervisor SCOTT KLOOSTERMAN Front of House Supervisors MOLLY TRUGLIA JUDY McCLOSKEY Learning Programs Manager JOAN E. CLAUSSEN Digital Communications Assistant Lighting Crew Head JOHN KUINIUS Concessions Supervisor ROXANNA CONNER JESSICA CONNOR Education Associate JIMMY LIS Marketing Assistant–Advertising Electrician BETSY BEAMS BEX EHRMANN and Publications KEVIN CUSHING Education Intern RACHEL LAKE SHELLY GODEFRIN ADELL MEDOVOY Lighting Intern Graphic Designer/Production Artist Guest Services Team Leaders KENNETH KEACHER ADAM CIFARELLI ADMINISTRATION Marketing Assistant/Office SOUND KYLE CORNELL LINDA ORELLANA Administrator JAMES SAVAGE WILL CAVEDO Director of Finance DJ CUMMINGS JENNIFER JONES Sound Supervisor SUPPORT FOR Marketing Coordinator ALLISON DIAMOND DAN GRYCZA Human Resources Director/ PALMER JANKENS MEL GILL INTERNATIONAL Finance Associate BEN HOEKSTRA Associate Sound Supervisor PROGRAMMING REBECCA BOTT KATHLEEN GULLION CRISTY TROIA KASSANDRA HAROUN ALANA RYBAK Marketing Interns Sound Crew Head Assistant Director of Finance JOHNATHAN NIEVES ALYSSE HUNTER PAUL PERRY RICCI PRIOLETTI Accounts Payable Manager PRODUCTION Sound Engineer JACQUELINE POJASEK JASMINE SAWYER SHAKESPEARE MOLLY BRIGGS CHRIS PLEVIN 400 CHICAGO Accounts Payable Assistant Director of Production AUDREY THOMPSON WIGS AND MAKE-UP SHARAINA TURNAGE LEAD SPONSORS JILL FENSTERMAKER JEFF WILLIAMS MELISSA VEAL Executive Assistant Associate Director of Production TRISTIEN WINFREE Head of Wigs and Make-up LAUREN WIMMER KEELY HADDAD-NULL JoHANNAH HAIL JESSIE “JAX” CONTRERAS Production Coordinator CLAIRE UNGER SARAH LAEUCHLI Wig and Make-up Assistant VIOLET VARA MAJOR 2015/16 SEASON SUPPORTERS KEVIN SPELLMAN SEAN KATHLEEN ROCKE MIGUEL PEREZ Guest Services Associates Arts Leadership Fellows Production Office Manager Wig and Make-up Apprentice SARAH GEIS CHRIS SIMEK Production Management SHARON AND TOM ADVANCEMENT Apprentice PROPERTIES McLEAN The Harold and Mimi E. BROOKE FLANAGAN CASSANDRA WESTOVER Saints’ Volunteer Usher Coordinators Steinberg Charitable Trust Director of Institutional Advancement Properties Supervisor MELISSA COLLINS ERIN OHLAND Lead individual and foundation support provided by Eric’s Tazmanian Angel Fund, Susan and Lew Manilow, Raymond and Judy McCaskey, Associate Director of Advancement Assistant Properties Supervisor Burton X. and Sheli Z. Rosenberg, Timothy R. Schwertfeger and Gail Waller, and Donna Van Eekeren Foundation. Seagull Award for Best Actor twice: for the The Tempest. Ms. Khalilulina played the lead in Vladimir in Waiting for Godot. There he also SERGEY SKORNETSKIY (Lighting Designer) Profiles part of Claudio in Peter Stein’s Hamlet and the feature film To Hear the Sea and regularly staged The Merry Wives of Windsor. In 2008 Mr. Skornetskiy graduated from the Moscow Measure for Sir Toby in Declan Donnellan’s Twelfth acts for Russian television shows. he directed his first show at the Theatre of Art Theatre School in Lighting Design in ALEXANDER ARSENTYEV (The Duke) Night. In film, where Mr. Feklistov has had Nations, Letters to Felice. He went on to work 1995. He started working as a lighting In 1994, Mr. Arsentyev enrolled at Moscow Art an extensive career, he has worked with ELMIRA MIREL (Mariana, Mistress Overdone) with the theater as an assistant director to technician in Tabakov’s theater while Theatre School. After graduating, he joined distinguished Russian directors, including Ms. Mirel graduated from the School of Thomas Ostermeier on Miss Julie. In 2010 studying, and went on to work there as a for Measure the company of the Moscow Art Theatre. His Pavel Lungin and Vladimir Menshov. Choreography of Baku, majoring in folk he became an assistant director on Declan lighting designer after graduation. He has debut on the professional stage was as Albert dancing, before joining the Moscow Art Donnellan’s production of The Tempest. created lighting design for more than 60 PETR RYKOV (Claudio) in Pushkin’s Little Tragedies. He has been Theatre School, where she first performed in He went on to collaborate with Declan theater shows for companies including Mr. Rykov graduated as a linguist in 2006, but acting with the Pushkin Theatre since 2001. the Pushkin Theatre production of Romeo and Donnellan again, not only with Measure
Recommended publications
  • Stage by Stage South Bank: 1988 – 1996

    Stage by Stage South Bank: 1988 – 1996

    Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’.
  • Page 1 MARY KAY COOK SAG, AFTRA, AEA Height: 5' 9" Hair

    Page 1 MARY KAY COOK SAG, AFTRA, AEA Height: 5' 9" Hair

    MARY KAY COOK SAG, AFTRA, AEA Height: 5’ 9" Hair: Brown Eyes: Hazel Vocal Range: Mezzo FILM / TELEVISION Concept #3 The Actress Funny or Die Module 47 Charlotte Back 40 Productions Prego Tracy Anarchy Productions Still, Moving Kate Fullerton Wretched Jester Lac Du Flambeau Bartender Standing Passengers, Inc++ Stash Alice X-Ray Productions Dimension Mary Rusted Rhino Productions++ Project Green Light 3 Maria Duane Edwards, Top 10 Director Casting About Herself Moving Still Productions Design Kate Traveler Jones Productions+ Wish Erica Bucktown Pictures Stir of Echoes Vanessa Artisan Entertainment Liar’s Club Waitress Stony Island Films Mapland Alex Ridgeway Films Love 101 Shayna Poya Pictures Early Edition Yvette CBS Television Cupid Working Girl ABC Television Zebrahead High School Girl Ixtlan Corporation THEATRE Deb and Debra Debra Chicago Dramatists Henry VIII Lady Anne Boleyn The Shakespeare Project Troilus and Cressida Helen of Troy Chicago Shakespeare Theater° Mickey Finn Nina Royal George Theatre* Six Degrees of Separation Elizabeth Raven Theatre Nooner Angela Purple Rose Theatre* Congress of Women Argentinean Mistress National Tour of Greece* Under the Milkwood Polly Garter Victory Gardens Theatre Macbeth Third Witch Merle Reskin Theatre Bridge to Terabithia Miss Edmunds Merle Reskin Theatre Roar of the Greasepaint… Gamin Blackstone Theatre Desdemona… Desdemona The Theatre School Detective Story Mary McLeod The Theatre School Epsom Downs Margaret The Theatre School Harvey Ruth Kelly The Theatre School COMMERCIAL / INDUSTRIAL List
  • A Production Spring 2011 | Follies Chicago Shakespeare Theater About CST

    A Production Spring 2011 | Follies Chicago Shakespeare Theater About CST

    A production Spring 2011 | Follies CHICAGO SHAKESPEARE Theater About CST Chicago Shakespeare Theater (CST) is a leading international theater company, known for vibrant productions that reflect Shakespeare’s genius for intricate storytelling, musicality of language and depth of feeling for the human condition. Recipient of the 2008 Regional Theatre Tony Award, Chicago Shakespeare’s work has been recognized internationally with three of London’s prestigious Laurence Olivier Awards, and by the Chicago theater community with 62 Joseph Jefferson Awards for Artistic Excellence. Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, CST is dedicated to producing extraordinary productions of classics, new works and family fare; unlocking Shakespeare’s work for educators and students; and serving as Chicago’s cultural ambassador through its World’s Stage Series. At its permanent, state-of-the-art facility on Navy Pier, CST houses two intimate theater spaces: the 500-seat Jentes Family Courtyard Theater and the 200-seat Carl and Marilynn Thoma Theater Upstairs at Chicago Shakespeare. Through a year-round season encompassing more than 600 performances, CST leads the community as the largest employer of Chicago actors and attracts nearly 200,000 audience members annually—including 40,000 students and teachers through its comprehensive education programs. n BOARD OF DIRECTORS Raymond F. McCaskey William L. Hood, Jr. Glenn R. Richter Chair Stewart S. Hudnut Mark E. Rose Mark S. Ouweleen William R. Jentes Sheli Rosenberg Treasurer Gregory P. Josefowicz John W. Rowe James J. Junewicz Robert Ryan Frank D. Ballantine Jack L. Karp Carole B. Segal Brit J. Bartter John P.
  • Come up to the Lab a Sciart Special

    Come up to the Lab a Sciart Special

    024 on tourUK DRAMA & DANCE 2004 COME UP TO THE LAB A SCIART SPECIAL BOBBY BAKER_RANDOM DANCE_TOM SAPSFORD_CAROL BROWN_CURIOUS KIRA O’REILLY_THIRD ANGEL_BLAST THEORY_DUCKIE CHEEK BY JOWL_QUARANTINE_WEBPLAY_GREEN GINGER CIRCUS_DIARY DATES_UK FESTIVALS_COMPANY PROFILES On Tour is published bi-annually by the Performing Arts Department of the British Council. It is dedicated to bringing news and information about British drama and dance to an international audience. On Tour features articles written by leading and journalists and practitioners. Comments, questions or feedback should be sent to FEATURES [email protected] on tour 024 EditorJohn Daniel 20 ‘ALL THE WORK I DO IS UNCOMPLETED AND Assistant Editor Cathy Gomez UNFINISHED’ ART 4 Dominic Cavendish talks to Declan TheirSCI methodologies may vary wildly, but and Third Angel, whose future production, Donnellan about his latest production Performing Arts Department broadly speaking scientists and artists are Karoshi, considers the damaging effects that of Othello British Council WHAT DOES LONDON engaged in the same general pursuit: to make technology might have on human biorhythms 10 Spring Gardens SMELL LIKE? sense of the world and of our place within it. (see pages 4-7). London SW1A 2BN Louise Gray sniffs out the latest projects by Curious, In recent years, thanks, in part, to funding T +44 (0)20 7389 3010/3005 Kira O’Reilly and Third Angel Meanwhile, in the world of contemporary E [email protected] initiatives by charities like The Wellcome Trust dance, alongside Wayne McGregor, we cover www.britishcouncil.org/arts and NESTA (the National Endowment for the latest show from Carol Brown, which looks COME UP TO Science, Technology and the Arts), there’s THE LAB beyond the body to virtual reality, and Tom Drama and Dance Unit Staff 24 been a growing trend in the UK to narrow the Lyndsey Winship Sapsford, who’s exploring the effects of Director of Performing Arts THEATRE gap between arts and science professionals John Kieffer asks why UK hypnosis on his dancers (see pages 9-11).
  • Esperanza Rising Program

    Esperanza Rising Program

    presents by Lynne Alvarez based on the book by Pam Muñoz Ryan music by Victor Zupanc Director – Lisa Portes Musical Director – Mark Elliott Dialect Coach – Claudia Anderson Scenic Designer – Maggie Armendariz Costume Designer – Hailey Rakowiecki Lighting Designer – Jamie Davis Sound Designer – Sadie Tremblay Dramaturg – Lauren Quinlan Stage Manager – Emily Mills October 8 – November 14, 2015 The Theatre School at DePaul University Chicago Playworks for Families and Young Audiences DePaul’s Merle Reskin Theatre 60 E. Balbo Drive, Chicago, IL 60605 Email: [email protected] | (312) 922-1999 Esperanza Rising 1 CAST [in order of appearance] DIRECTORS NOTE Esperanza ................................................................................................................... Paola Sanchez Abreu You know, I bet that you or someone you know has a parent or grandparent from another Lone Mariachi ...................................................................................................................Gonzalo Cordova country. Do you know their story? My Abuelo, for example, was the Superintendent Hortensia .........................................................................................................................................Aida Delaz of Schools in Havana, Cuba, but the Cuban Revolution of 1959 forced him to flee his Ramona .............................................................................................................................................Julia Atkin country. When he got to the United
  • Columbia Chronicle (02/20/1995) Columbia College Chicago

    Columbia Chronicle (02/20/1995) Columbia College Chicago

    Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 2-20-1995 Columbia Chronicle (02/20/1995) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (02/20/1995)" (February 20, 1995). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/316 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. THE mLUMBIA COLLEGE Moore Runs for 16th Ward Alderman By Sergio Barreto verse constituency with largc Afri­ Editor in Ch ief can-American and Latino popula­ tions, as wcll as whites and Asians. John Moore's bid for aldennan Moore is running against six of the 16th ward is an offshoot of other candidates, including incum­ what Moore does every day as as­ bent Coleman and Hal Baskin, an sociate dean of students at Colum­ advisor to the gang-related 21 st bia College. He educates and serves Century V.O.T.E. organi,.ation. All young people. something he arc Dcmocnlts. Moore has financed stretches into the neighborhoods. "I have been doing work Lhal the his campaign mostly through per­ sonal funds, and has run it from his alderman should have been doing for years," Moore said.
  • LSA Template

    LSA Template

    ARCHITECTURE Copyright Lighting&Sound America October 2014 http://www.lightingandsoundamerica.com/LSA.html 76 • October 2014 • Lighting&Sound America Performance Piece The Theatre School at DePaul University makes a grand entrance on Fullerton Avenue By: David Barbour Left: A view of the building at night, with the Healy stage visible from the street. Above: The interior of the Healy. ePaul University in Chicago has long had one of school had to settle for temporary digs (lasting decades) in the country’s more prominent theatre schools, a disused elementary school and a converted convent but it also lacked facilities that were commen- adjacent to the DePaul campus. For a program led by a D surate with its high-caliber faculty and student team of respected professionals who oversaw two dozen body. The school was founded as the Goodman productions per season, this was a less-than-ideal School of Drama; later, it officially became part arrangement, to say the least. Left photo: Jeff Goldberg/Esto. All rights reserved; Right: Steve Hall, Hedrich Blessing of DePaul, which is located in Lincoln Park. The Happily, those days are past. September 2013 saw the www.lightingandsoundamerica.com • October 2014 • 77 ARCHITECTURE opening of The Theatre School at DePaul University, which celebration of backstage activities and the way it puts brings performance spaces, rehearsal rooms, classrooms, these things, typically shoved out of view, onto a public and costume and scene shops under one stunningly stage.” He notes the “vertical slip windows...deliberately designed roof. “It puts the theatre back in the Theatre arranged in an idiosyncratic rather than a conventional School,” says John Culbert, dean of the Theatre School.
  • Columbia Chronicle (09/16/2013 - Supplement) Columbia College Chicago

    Columbia Chronicle (09/16/2013 - Supplement) Columbia College Chicago

    Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 9-16-2013 Columbia Chronicle (09/16/2013 - Supplement) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (9/16/2013 - Supplement)" (September 16, 2013). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/ cadc_chronicle/947 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. www.columbiachronicle.com #WACCRAWL COLUM.EDU/WACCRAWL WABASH ARTS CORRIDOR CRAWL The Wabash Arts Corridor Crawl, a free, public event, seeks to unleash the collective power of the Wabash Arts Corridor’s creative assets, engaging all of its educational and cultural institutions and bringing synergy to local residents, businesses, students and the general public. Wednesday, September 18, 2013 5—8 p.m. (unless otherwise listed) Welcome to the Wabash Arts Corridor Crawl! Today we unleash the collective power of the many ed- ucational and cultural institutions in our district, creating synergy with our local businesses, residents, students and general public. The Wabash Arts Corridor is one of the city of Chicago’s most important cultural assets, home to eight educational institutions with 30,000 students—5,000 of which reside in residence halls.
  • Honoring the Artist Student Auction Memorializes Art Teacher.Page 14

    Honoring the Artist Student Auction Memorializes Art Teacher.Page 14

    o NILES HERALD- SPECT Honoring the artist Student auction memorializes art teacher.Page 14 V -a-- LIBEPTYVILLE FARMERS MARKET PHOTO Sample spring Check out our guide to local farmers markets. Page 34 SPORTS State series Area boys gymnastics teams compete in sectional tournaments. JENNIFER JOHNSON/PIONEER PRESS Page 51 Maine South High School student paintings were available to purchase through an online auction hosted May 12-14. The auction raised money for a scholarship fund named after Sophia Pichinos, an art teacher at the high school who died in February after battling breast cancer. BRIAN O'MAHONEY/ PIONEER PRESS VVby dream of the v,crdjsatet sghb Wkr When you take a Monograms vacation. youIl spend your time tasting wine, riding bikes. shopping for treasure, and enjoying the sights. Everything else is taken care of by Monograms and your Local Hosr who is at your beck and soc-ogii siisi call throughout your trip. .1_S NOI>1tO 0959 . dojü BOOK BY MAY 15 1510 0 L)$W:Ñ.I TO SAVE $50 PER PERSON' rr SÌ89ft1O [.o 11SHNdd :6>1d Mention th,s ad. ;ir 50-4'LC1 -* For more information. please contact 5 Complete Travel and Cruises 847-966-0800\vww.completetsl corn MoNoGRAMS NHS Thursday, May14, 2015IA Chicago Tribune Publication -_ H eaIthca'e for what's next. At NorthShore, we're always looking forward. From welcoming the newest family member to developing advanced surgical options to mapping your unique genomic characteristics to predict and prevent illnesses. At NorthShore, we're not just here for you now. We're helping you be ready for what's next.
  • Winter's Tale by William Shakespeare

    Winter's Tale by William Shakespeare

    Périclès, Prince de Tyr de William Shakespeare Mise en scène – Declan Donnellan Scénographie – Nick Ormerod Suite à Ubu Roi en 2013/14/15, Declan Donnellan et Nick Ormerod reviendront à la langue française avec une création de PÉRICLÈS de Shakespeare en 2018 et 2019. Avec PÉRICLÈS, la compagnie signera sa première création de Shakespeare en langue française, pièce qui complétera son cycle des quatre 'romances tardives' de Shakespeare, après Cymbeline (2007), La tempête (2011) et Le conte d'hiver (2015). Nous sommes à la recherche de co-producteurs et de partenaires pour réaliser cette nouvelle création. Ubu Roi a été présenté pendant 34 semaines sur trois continents, et dans des villes comme Paris, Londres, New York, Moscou, Madrid et Venise. A propos d'Ubu Roi : « Donnellan obtient des interprétations sans retenue de sa troupe … le déchainement d’un champ de bataille au sein d'un univers chic et raffiné. » – The Guardian (Royaume-Uni) « Outrancière, débordente d'une énergie sans retenue » – Le Figaro (France) PÉRICLÈS, prince de Tyr PÉRICLÈS est l’une des plus étonnantes et bouleversantes des œuvres de Shakespeare. Naufragé au large de la mer méditerranée, Périclès est contraint de braver une marée de pirates, de ravisseurs et de magiciens ; de bordels, de tournois et de complots … et jusqu’à une intervention divine de la déesse Diane. Inceste, trahison, meurtre, amour et joie s’entremêlent dans ce feu d'artifice théâtral, puis, à la lumière tamisée de ses braises, Périclès retrouve sa fille Marina dans l’une des plus belles scènes que Shakespeare ait jamais écrites. Contact Eleanor Lang +44 (0) 20 7382 2353 [email protected] Declan Donnellan & Nick Ormerod Declan Donnellan forme avec Nick Ormerod la compagnie Cheek by Jowl en 1981.
  • By William Shakespeare Measure for Measure Why Give

    By William Shakespeare Measure for Measure Why Give

    Measure for Measure by William Shakespeare Measure for Measure Why give Welcome to our 2015 season with Measure for Measure. you me this Our Russian company were last here with The Tempest and we are delighted to be back. We are particularly grateful to shame? Evgeny Pisarev and Anna Volk of the Pushkin Theatre in Moscow, without whom this production would not have been possible. Act III Scene I Thanks also to Toni Racklin, Leanne Cosby, and the entire team at the Barbican, London for their continued enthusiasm and support, and to Katy Snelling and Louise Chantal at the Oxford Playhouse. We’d also like to thank our other co-producers, Les Gémeaux/ Sceaux/Scène Nationale, in Paris, and Centro Dramático Nacional, in Madrid, as well as Arts Council England. We do hope you enjoy the show… Declan Donnellan and Nick Ormerod Petr Rykov & Company 1 2 3 Cheek by Jowl in Russia In 1986, Russian theatre director Lev Dodin of Valery Shadrin, commissioned Donnellan invited Donnellan and Ormerod to visit his and Ormerod to form their own company of company in Leningrad. Ten years later, they Russian actors in Moscow. This sister company 4 5 6 directed and designed The Winter’s Tale performs in Russia and internationally and its for the Maly Drama Theatre, which is still current repertoire includes Boris Godunov running in St. Petersburg. Throughout the by Pushkin, Twelfth Night and The Tempest 1990s the Russian Theatre Confederation by Shakespeare, and Three Sisters by Anton regularly invited Cheek by Jowl to Moscow Chekhov. Measure for Measure is Cheek as part of the Chekhov International Theatre by Jowl’s first co-production with Moscow’s Festival, and this relationship intensified in Pushkin Theatre.
  • AS and a Level Drama and Theatre

    AS and a Level Drama and Theatre

    Topic Exploration Pack Practitioners: Cheek by Jowl Theatre Company Foreword by Karen Latto – OCR Subject Specialist Drama As part of our resources provision I was keen to ensure that the resources have been created by experts in Drama and in Education. For our practitioner requirement, this included resources which were made by working Theatre Makers about their own company’s practice and working methods. I would like to thank the team at Cheek by Jowl for creating this resource for OCR to support AS and A Level teachers. This resource has been created by Declan Donnellan and Nick Ormerod alongside Cheek by Jowl’s Education Officer Dominic Kennedy and talks from their perspective as working practitioners in the field of Theatre. Cheek by Jowl................................................................................................................................. 2 Repertoire .......................................................................................................................................2 Études ............................................................................................................................................5 Additional teacher preparation ......................................................................................................11 Activity 1: Études exercise ............................................................................................................12 Activity 2: Imaginary and pre-text exercise ...................................................................................