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Page 1 MARY KAY COOK SAG, AFTRA, AEA Height: 5' 9" Hair
MARY KAY COOK SAG, AFTRA, AEA Height: 5’ 9" Hair: Brown Eyes: Hazel Vocal Range: Mezzo FILM / TELEVISION Concept #3 The Actress Funny or Die Module 47 Charlotte Back 40 Productions Prego Tracy Anarchy Productions Still, Moving Kate Fullerton Wretched Jester Lac Du Flambeau Bartender Standing Passengers, Inc++ Stash Alice X-Ray Productions Dimension Mary Rusted Rhino Productions++ Project Green Light 3 Maria Duane Edwards, Top 10 Director Casting About Herself Moving Still Productions Design Kate Traveler Jones Productions+ Wish Erica Bucktown Pictures Stir of Echoes Vanessa Artisan Entertainment Liar’s Club Waitress Stony Island Films Mapland Alex Ridgeway Films Love 101 Shayna Poya Pictures Early Edition Yvette CBS Television Cupid Working Girl ABC Television Zebrahead High School Girl Ixtlan Corporation THEATRE Deb and Debra Debra Chicago Dramatists Henry VIII Lady Anne Boleyn The Shakespeare Project Troilus and Cressida Helen of Troy Chicago Shakespeare Theater° Mickey Finn Nina Royal George Theatre* Six Degrees of Separation Elizabeth Raven Theatre Nooner Angela Purple Rose Theatre* Congress of Women Argentinean Mistress National Tour of Greece* Under the Milkwood Polly Garter Victory Gardens Theatre Macbeth Third Witch Merle Reskin Theatre Bridge to Terabithia Miss Edmunds Merle Reskin Theatre Roar of the Greasepaint… Gamin Blackstone Theatre Desdemona… Desdemona The Theatre School Detective Story Mary McLeod The Theatre School Epsom Downs Margaret The Theatre School Harvey Ruth Kelly The Theatre School COMMERCIAL / INDUSTRIAL List -
Donald Crabs Papers LSC.1718
http://oac.cdlib.org/findaid/ark:/13030/c8hq45rv No online items Finding Aid for the Donald Crabs papers LSC.1718 Finding aid by Krystell Jimenez, 2018. UCLA Library Special Collections Online finding aid last updated 2019 February 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Donald Crabs LSC.1718 1 papers LSC.1718 Language of Material: English Contributing Institution: UCLA Library Special Collections Title: Donald Crabs papers Creator: Crabs, Donald Identifier/Call Number: LSC.1718 Physical Description: 24.4 Linear Feet(53 boxes, 5 shoe boxes, 3 flat boxes, 1 oversize flat box) Date (inclusive): 1945-2005 Abstract: Donald Crabs was a UCLA professor who specialized in theater design. He studied scenery and lighting design, as well as set design for television and film. Starting in 1965 he taught set and stage design in the UCLA Department of Theater Arts, now the UCLA School of Theater, Film, and Television, and continued to be involved as a professor emeritus until his death. This collection is comprised of his papers, including research and reference materials, correspondence, notes, teaching materials, slides and photographs, theater floor plans and architectural data, lighting placement charts, and data from Crabs' survey of Californian theater facilities. Additional materials include notebooks with plans for lighting placement and staging and fabric samples for acoustic design. The collection also includes materials related to his research trip to China and reference materials on Chinese theater and performance, and the original survey data Crabs used to compile a database of California theaters. -
It's All About the LIGHT! - Introduction to Stage Lighting
4/16/13 It's all about the LIGHT! - Introduction to Stage Lighting It's all about the LIGHT! Introduction to Stage Lighting Instruments, Electricity & Welcome to the Introduction to Stage Lighting online website. This site is to Cables/Connectors be used as an additional source of information for the Introduction to Stage Entertainment Industry Lighting course held at Valencia Community College, East Campus taught by Creative Design for Theatre Sonia Pasqual. Lighting History & Intensity Control The course syllabus and calendar for the current semester is available via Lighting Design the course homepage or you can download the file from below. Basic Stagecraft If you choose to download it from your atlas account go to the course Additional Information homepage for the Introduction to Stage Lighting section which you are in now, TPA 2220. You can download it at anytime to view, there will be a hard copy of the lighting syllabus outside my office door for anyone needing to view it if they are on campus and can not access atlas. The information gathered on this site is produced by Sonia Pasqual. All other information has been credited to its source and is only used as a visual aid for my students. Sonia has been involved in the art of theatre and entertainment since 1992. Her knowledge and information comes from her experience and growing up in the theatre world. She has worked in theatres across the Greater Central Florida, North Florida, and New York City. Her work and experience also extends into the theme parks such as Universal Studios 97-99, and Walt Disney World 04-Present, while at Disney she has played several roles. -
A Lively Theatre There's a Revolution Afoot in Theatre Design, Believes
A LIVELY THEatRE There’s a revolution afoot in theatre design, believes architectural consultant RICHARD PILBROW, that takes its cue from the three-dimensional spaces of centuries past The 20th century has not been a good time for theatre architecture. In the years from the 1920s to the 1970s, the world became littered with overlarge, often fan-shaped auditoriums that are barren in feeling and lacking in intimacy--places that are seldom conducive to that interplay between actor and audience that lies at the heart of the theatre experience. Why do theatres of the 19th century feel so much more “theatrical”? And why do so many actors and audiences prefer the old to the new? More generally, does theatre architecture really matter? There are some that believe that as soon as the house lights dim, the audience only needs to see and hear what happens on the stage. Perhaps audiences don’t hiss, boo and shout during a performance any more, but most actors and directors know that an audience’s reaction critically affects the performance. The nature of the theatre space, the configuration of the audience and the intimacy engendered by the form of the auditorium can powerfully assist in the formation of that reaction. A theatre auditorium may be a dead space or a lively one. Theatres designed like cinemas or lecture halls can lay a dead hand on the theatre experience. Happily, the past 20 years have seen a revolution in attitude to theatre design. No longer is a theatre only a place for listening or viewing. -
Cheers! À Votre Santé!
July/Juillet 2007 volume 4 N° 07 Stageworks The monthly electronic newsletter for members of the Canadian Institute for Theatre Technology / Institut canadien des technologies scénographiques. In this month’s issue: INDEX ce mois-ci: p.1-4 News from the National Office / Nouvelles du bureau national p.5 ETCP News / Nouvelles de ETCP p.6-7 Membres CITT / ICTS 2006-2007 Membership p.8-11 RENDEZ-VOUS 2007 conference CHEERS! À VOTRE SANTÉ! programme details The art of communicating with your soundman, Atlantic style! L’art de communiquer avec son sonorisateur, à la mode atlantique ! p.12 New Members and Participants raise a pint of Get Well wishes to Brad Fox who was ill and Les participants lèvent leur verre à la santé de Brad Fox qui, pour des Upcoming Events / couldn’t come out to host his session on digital sound consoles during raisons de santé justement, n’a pas pu se rendre à la conférence APA à Nouveaux membres et Événements à the APA mini conference retreat in Wolfville, NS. From left to right: Nigel Wolfville, N.É. pour offrir son atelier sur les consoles de son numériques. venir Kearns (Membertou Trade and Convention Centre, NS), Jeffery Fevens De gauche à droite : Nigel Kearns (Membertou Trade and Convention (Fredericton Playhouse, NB), Mike Gohier (JD International, QC) and Centre, N.-É.), Jeffery Fevens (Fredericton Playhouse, N.-B.), Mike Gohier Karl Simmons (Arts and Culture Centre, NL). (JD International, QC) et Karl Simmons (Arts and Culture Centre, T.-N.). PS: Brad was finally able to make it the next day to give his session. -
2016 IGNITION Festival Release 2016
Press contact: Cathy Taylor/Kelsey Moorhouse Cathy Taylor Public Relations [email protected] [email protected] FOR IMMEDIATE RELEASE 773-564-9564 Victory Gardens Theater Announces Lineup for 2016 IGNITION Festival of New Plays 2016 Festival runs August 5–7, 2016 CHICAGO, IL – Victory Gardens Theater announces the lineup for the 2016 IGNITION Festival of New Plays, including The Wayward Bunny by Greg Kotis; BREACH: a manifesto on race in America through the eyes of a black girl recovering from self-hate by Antoinette Nwandu; EOM (end of message) by Laura Jacqmin; Kill Move Paradise by James Ijames; Gaza Rehearsal by Karen Hartman; and Girls In Cars Underwater by Tegan McLeod. The 2016 Festival runs August 5-7, 2016 at Victory Gardens Theater, located at 2433 N Lincoln Avenue. INGITION’s six selected plays will be presented in a festival of readings and will be directed by leading artists from Chicago. Following the readings, two of the plays may be selected for intensive workshops during Victory Gardens’ 2016-17 season, and Victory Gardens may produce one of these final scripts in an upcoming season. "At Victory Gardens Theater, we bridge Chicago communities through innovative and challenging new plays by giving established and emerging playwrights the time and space to develop their work. This year, we have invited some of the most thrilling playwrights to join our IGNITION Festival,” said Isaac Gomez, Victory Gardens Theater Literary Manager. “Their plays exemplify the current political and cultural zeitgeist of our city and country: the Israeli/Palestinian conflict, race and gender, the modern struggles of fatherhood, the insular world and morality of video gaming, and a woman’s journey to self-love. -
A Production Spring 2011 | Follies Chicago Shakespeare Theater About CST
A production Spring 2011 | Follies CHICAGO SHAKESPEARE Theater About CST Chicago Shakespeare Theater (CST) is a leading international theater company, known for vibrant productions that reflect Shakespeare’s genius for intricate storytelling, musicality of language and depth of feeling for the human condition. Recipient of the 2008 Regional Theatre Tony Award, Chicago Shakespeare’s work has been recognized internationally with three of London’s prestigious Laurence Olivier Awards, and by the Chicago theater community with 62 Joseph Jefferson Awards for Artistic Excellence. Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, CST is dedicated to producing extraordinary productions of classics, new works and family fare; unlocking Shakespeare’s work for educators and students; and serving as Chicago’s cultural ambassador through its World’s Stage Series. At its permanent, state-of-the-art facility on Navy Pier, CST houses two intimate theater spaces: the 500-seat Jentes Family Courtyard Theater and the 200-seat Carl and Marilynn Thoma Theater Upstairs at Chicago Shakespeare. Through a year-round season encompassing more than 600 performances, CST leads the community as the largest employer of Chicago actors and attracts nearly 200,000 audience members annually—including 40,000 students and teachers through its comprehensive education programs. n BOARD OF DIRECTORS Raymond F. McCaskey William L. Hood, Jr. Glenn R. Richter Chair Stewart S. Hudnut Mark E. Rose Mark S. Ouweleen William R. Jentes Sheli Rosenberg Treasurer Gregory P. Josefowicz John W. Rowe James J. Junewicz Robert Ryan Frank D. Ballantine Jack L. Karp Carole B. Segal Brit J. Bartter John P. -
Community Arts Theatre at Stelly's
RFP TITLE Community Arts Theatre at Stelly’s Feasibility Study, Phase 1 November 2016 HCMA Architecture + Design Terence Williams, Architect Hamilton McClymont, Arts and Entertainment Management Consulting Ron Broda President – The Society for the Community Arts Theatre at Stelly’s 1348 Mills Road, North Saanich, B.C. V8L 5T2 November 2, 2016 RE: Community Arts Theatre at Stelly’s – Feasibility Study Phase 1 In collaboration with Terence Williams, Architect and Hamilton McClymont, Arts and Entertainment Management Consultant, HCMA Architecture + Design is pleased to present this report to summarize the first phase of the feasibility study for a new Community Arts Theatre at Stelly’s Secondary School. The Society for the Community Arts Theatre at Stelly’s engaged the above consultant team to review the feasibility of developing a new performing arts theatre attached to Stelly’s Secondary School. In addition to serving as a pedagogical venue for students, the proposed theatre is intended to be a community performance venue. The first phase of this process included a preliminary needs assessment based on an engagement process undertaken with various stakeholders, test for fit analysis on the existing school site and the production of preliminary architectural visualizations of the proposed theatre for marketing and fundraising. The primary objective of this process was to determine what is realistic and possible, both from the standpoint of the physical constraints of the existing school site and an analysis of the market environment within which the proposed theatre would have to operate. This report includes details regarding the process undertaken, test for fit analysis on the existing school property, stakeholder engagement process undertaken, benchmarking of various relevant facilities in British Columbia and our analysis of the type and size of facility that would serve the intended users into the future. -
Types & Forms of Theatres
THEATRE PROJECTS 1 Credit: Scott Frances Scott Credit: Types & Forms of Theatres THEATRE PROJECTS 2 Contents Types and forms of theatres 3 Spaces for drama 4 Small drama theatres 4 Arena 4 Thrust 5 Endstage 5 Flexible theatres 6 Environmental theatre 6 Promenade theatre 6 Black box theatre 7 Studio theatre 7 Courtyard theatre 8 Large drama theatres 9 Proscenium theatre 9 Thrust and open stage 10 Spaces for acoustic music (unamplified) 11 Recital hall 11 Concert halls 12 Shoebox concert hall 12 Vineyard concert hall, surround hall 13 Spaces for opera and dance 14 Opera house 14 Dance theatre 15 Spaces for multiple uses 16 Multipurpose theatre 16 Multiform theatre 17 Spaces for entertainment 18 Multi-use commercial theatre 18 Showroom 19 Spaces for media interaction 20 Spaces for meeting and worship 21 Conference center 21 House of worship 21 Spaces for teaching 22 Single-purpose spaces 22 Instructional spaces 22 Stage technology 22 THEATRE PROJECTS 3 Credit: Anton Grassl on behalf of Wilson Architects At the very core of human nature is an instinct to musicals, ballet, modern dance, spoken word, circus, gather together with one another and share our or any activity where an artist communicates with an experiences and perspectives—to tell and hear stories. audience. How could any one kind of building work for And ever since the first humans huddled around a all these different types of performance? fire to share these stories, there has been theatre. As people evolved, so did the stories they told and There is no ideal theatre size. The scale of a theatre the settings where they told them. -
GRANTEE SPOTLIGHT Three Questions: Q&A with Myrna Salazar, Co-Founder & Executive Director, Chicago Latino Theater Alliance (CLATA)
Illinois Humanities | August 2020 GRANTEE SPOTLIGHT Three Questions: Q&A with Myrna Salazar, co-founder & executive director, Chicago Latino Theater Alliance (CLATA) Project “Destinos” 3 rd Annual Chicago International Latino Theater Festival Location Chicago, IL Organization Founded in 2016 through a new collaboration between the National Museum of Mexican Art, the International Latino Cultural Center, and the Puerto Rican Arts Alliance, CLATA aims to produce the country’s leading Latino theater festival (“Destinos”), to provide organizational and financial support for Chicago’s Latino theater groups, and to build a permanent home for Chicago’s Latino theater companies to thrive and grow. Project “Destinos” takes place at several venues throughout Chicago, with over 93 performances, 10 student matinees, 50 post-show discussions, 4 panel discussions, and 3 workshops. Last year the festival presented work by 5 local theatre companies, 3 national companies, and 3 international companies. Primary partnerships for last year’s festival included Aguijón Theatre Co., Repertorio Latino Theatre Co., Teatro Vista, Urban Theatre Co., and Water People Theatre, as well as Chicago Shakespeare Theatre, Goodman Theatre, and Steppenwolf Theatre. Q1 What is the most important thing people should know about your work? Myrna Salazar: The Chicago Latino Theater Alliance (CLATA) is unique, because for the first time in Chicago, three of the most prominent and long-standing Latino arts and culture organizations joined forces to increase awareness of Latino Theater. CLATA was co-founded in 2016 by Executive Director, Myrna Salazar, Carlos Tortolero, National Museum of Mexican Art (NMMA), Pepe Vargas, International Latino Cultural Center (ILCC) and Carlos Hernandez, Puerto Rican Arts Alliance (PRAA) who collectively bring over 75 years of arts programming in Chicago. -
2018 IGNITION Festival Release
Press contact: Cathy Taylor Cathy Taylor Public Relations, Inc. [email protected] 773-564-9564 FOR IMMEDIATE RELEASE June 13, 2018 Victory Gardens Theater Announces Lineup for 10th Anniversary IGNITION Festival of New Plays 2018 Festival runs August 3 - 5, 2018 CHICAGO, IL – Victory Gardens Theater Artistic Director Chay Yew, Managing Director Erica Daniels and Director of New Play Development Skyler Gray announce the lineup for the 10th Anniversary IGNITION Festival of New Plays, including Prosthesis by Robert Askins; Untitled Road Trip Play by Lauren Yee; White History by Dave Harris; How to Defend Yourself by Lily Padilla; Seeing Eye by Nick Malakhow; and The First Deep Breath by Lee Edward Colston II. The 2018 Festival runs August 3 -5, 2018 at Victory Gardens Theater, located at 2433 N Lincoln Avenue. All readings are free and open to the public, though a reservation is strongly encouraged. For more information or to RSVP, visit www.victorygardens.org/ignition or call the Victory Gardens Box Office at 773.871.3000. IGNITION’s six selected plays will be presented in a festival of readings and will be directed by leading artists from Chicago, including Halena Kays, Marti Lyons, Jess McLeod, Ron OJ Parson, Vanessa Stalling and Chay Yew. "We're proud to celebrate the tenth anniversary of Victory Gardens' IGNITION Festival of New Plays. Since its inception in 2008, we have given world premiere productions to a new generation of American playwrights from Branden Jacobs-Jenkins to Lauren Yee, from Jackie Sibblies Drury to Kristoffer Diaz. We're thrilled to have shared these plays with Chicagoans and the world," says Artistic Director Chay Yew. -
2014 Cityarts Program Grant
2014 CityArts Organizational Grant Program Panelists Julie Adrianopoli Christopher Audain Baraka de Soleil Meg Duguid Ilesa Duncan Joyce Fernandes Cayenne Harris Sarai Hoffman Andrew Micheli Troy Peters Nicole Reyna Jenny Shanks Willa Taylor Grantees 826CHI INC NFP Albany Park Theater Project American Indian Center American Theater Company Antibody Dance archi-treasures Arts & Business Council of Chicago Audience Architects Barrel of Monkeys Black Ensemble Theater Blair Thomas & Company Changing Worlds Chicago a cappella Chicago Access Corporation Chicago Artists Coalition Chicago Arts Partnerships in Education Chicago Children’s Choir Chicago Children's Theatre Chicago Cultural Alliance Chicago Dance Crash Chicago Film Archives Chicago Filmmakers Chicago Human Rhythm Project Chicago Humanities Festival Chicago Independent Radio Project (CHIRP) Chicago International Film Festival Chicago Public Art Group Chicago Sinfonietta Chicago West Community Music Center Chicago Writers Conference Chicago Youth Symphony Orchestras Child's Play Touring Theatre Chinese Fine Arts Society Clinard Dance Theater Community TV Network Congo Square Theatre Company Court Theatre Culture Shock Chicago, NFP Dance in the Parks, NFP DanceWorks Chicago DFBRL8R DuSable Museum of African American History eighth blackbird Performing Arts Association Elevarte Ensemble Español Spanish Dance Theater Erasing the Distance Fifth House Ensemble Free Spirit Media Fund for Innovative TV DBA Media Burn Archive Garfield Park Conservatory Alliance Gene Siskel Film Center Gilloury Institute Global Girls Inc. Grant Park Orchestral Association Griffin Theatre Company Groundswell Educational Films, NFP Gus Giordano's Jazz Dance Chicago, Inc. Heaven Gallery Hedwig Dances Hyde Park Art Center Hyde Park School of Dance InFusion Theatre Company Inner-City Muslim Action Network Institute of Puerto Rican Arts & Culture Instituto Cervantes of Chicago, Inc.