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The History of Square Dance
The History of Square Dance Swing your partner and do-si-do—November 29 is Square Dance Day in the United States. Didn’t know this folksy form of entertainment had a holiday all its own? Then it’s probably time you learned a few things about square dancing, a tradition that blossomed in the United States but has roots that stretch back to 15th-century Europe. Square dance aficionados trace the activity back to several European ancestors. In England around 1600, teams of six trained performers—all male, for propriety’s sake, and wearing bells for extra oomph—began presenting choreographed sequences known as the morris dance. This fad is thought to have inspired English country dance, in which couples lined up on village greens to practice weaving, circling and swinging moves reminiscent of modern-day square dancing. Over on the continent, meanwhile, 18th- century French couples were arranging themselves in squares for social dances such as the quadrille and the cotillion. Folk dances in Scotland, Scandinavia and Spain are also thought to have influenced square dancing. When Europeans began settling England’s 13 North American colonies, they brought both folk and popular dance traditions with them. French dancing styles in particular came into favor in the years following the American Revolution, when many former colonists snubbed all things British. A number of the terms used in modern square dancing come from France, including “promenade,” “allemande” and the indispensable “do-si-do”—a corruption of “dos-à-dos,” meaning “back-to-back.” As the United States grew and diversified, new generations stopped practicing the social dances their grandparents had enjoyed across the Atlantic. -
Be Square Caller’S Handbook
TAble of Contents Introduction p. 3 Caller’s Workshops and Weekends p. 4 Resources: Articles, Videos, etc p. 5 Bill Martin’s Teaching Tips p. 6 How to Start a Scene p. 8 American Set Dance Timeline of Trends p. 10 What to Call It p. 12 Where People Dance(d) p. 12 A Way to Begin an Evening p. 13 How to Choreograph an Evening (Programming) p. 14 Politics of Square Dance p. 15 Non-White Past, Present, Future p. 17 Squeer Danz p. 19 Patriarchy p. 20 Debby’s Downers p. 21 City Dance p. 22 Traveling, Money, & Venues p. 23 Old Time Music and Working with Bands p. 25 Square Dance Types and Terminology p. 26 Small Sets p. 27 Break Figures p. 42 Introduction Welcome to the Dare To Be Square Caller’s handbook. You may be curious about starting or resuscitating social music and dance culture in your area. Read this to gain some context about different types of square dancing, bits of history, and some ideas for it’s future. The main purpose of the book is to show basic figures, calling techniques, and dance event organizing tips to begin or further your journey as a caller. You may not be particularly interested in calling, you might just want to play dance music or dance more regularly. The hard truth is that if you want trad squares in your area, with few ex- ceptions, someone will have to learn to call. There are few active callers and even fewer surviving or revival square dances out there. -
New Square Dance Vol. 24, No. 11
THE EDITORS' PAGE 41 A recent letter challenged us to re- quest that minority groups be sought out and especially included when pro- moting new classes. We're going to re- neg on this, and here's why — Most of us are pretty proud of our square dance reputations — the trouble free, nuisance free atmosphere of our conventions and festivals, the neatness and color or our costumes, the smooth- ness and beauty of our dances, and the phrase of the music and move rhyth- friendliness and warmth of our dan- mically to and fro where it leads us? cers. We'd just like to hope and believe Why do we shout in triumph when we that dancers everywhere would main- emerge from a series of smooth, intri- tain this pride in their dancing and ex- cate figures to catch our corners for an tend a welcome to every individual allemande? who comes tb participate in the joy Because, oh readers, we are doing and happiness of dancing. Why must our "thing", a thing that man has been we seek to involve a single ethnic or doing since he stretched skins and racial group for special attention? We made the first tomtom -- DANCING! want more people who love dancing, "A rhythmic stepping in time to the whether their eyes are slanted, their beat of the music" used by mankind skins dark, their eyes blue, their ac- as a form of self-expression. We are cents Latin, their hair white or their not usually very introspective about ages in the teens. our hobby. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
Welcome, We Have Been Archiving This Data for Research And
Welcome, To our MP3 archive section. These listings are recordings taken from early 78 & 45 rpm records. We have been archiving this data for research and preservation of these early discs. ALL MP3 files can be sent to you by email - $2.00 per song Scroll until you locate what you would like to have sent to you, via email. If you don't use Paypal you can send payment to us at: RECORDSMITH, 2803 IRISDALE AVE RICHMOND, VA 23228 Order by ARTIST & TITLE [email protected] H & H - Deep Hackberry Ramblers - Crowley Waltz Hackberry Ramblers - Tickle Her Hackett, Bobby - New Orleans Hackett, Buddy - Advice For young Lovers Hackett, Buddy - Chinese Laundry (Coral 61355) Hackett, Buddy - Chinese Rock and Egg Roll Hackett, Buddy - Diet Hackett, Buddy - It Came From Outer Space Hackett, Buddy - My Mixed Up Youth Hackett, Buddy - Old Army Routine Hackett, Buddy - Original Chinese Waiter Hackett, Buddy - Pennsylvania 6-5000 (Coral 61355) Hackett, Buddy - Songs My Mother Used to Sing To Who 1993 Haddaway - Life (Everybody Needs Somebody To Love) 1993 Haddaway - What Is Love Hadley, Red - Brother That's All (Meteor 5017) Hadley, Red - Ring Out Those Bells (Meteor 5017) 1979 Hagar, Sammy - (Sittin' On) The Dock Of The Bay 1987 Hagar, Sammy - Eagle's Fly 1987 Hagar, Sammy - Give To Live 1984 Hagar, Sammy - I Can't Drive 55 1982 Hagar, Sammy - I'll Fall In Love Again 1978 Hagar, Sammy - I've Done Everything For You 1978 1983 Hagar, Sammy - Never Give Up 1982 Hagar, Sammy - Piece Of My Heart 1979 Hagar, Sammy - Plain Jane 1984 Hagar, Sammy - Two Sides -
December 1952 Editor's Mail B
DECEMBER 1952 THE MAGAZINE OF FOLK AND SQUARE DANCING 25c EDITOR'S MAIL B A G - SEE PAGE 7 SQUARE DANCE FOLK DANCE DRESSES, GRACE FERRYMAN'S BLOUSES, SKIRTS, SLIPPERS PLEASANT PEASANT DANCING WE MAKE COSTUMES TO ORDER CHRISTMAS CARDS BEGINNERS—Fridays, 7-9 p.m. Moll Mart Smart Shop 625 Polk St., California Hall, San Francisco 7 Different Motifs—4 colors 5438 Geary Boulevard San Francisco INTERMEDIATES—Thursdays, 8-10:30 p.m. lOc and 20c each Mollie Shiman, Prop. EVergreen 6-0470 Beresford Park School, 28th Ave., San Mateo DON'T DELAY! MAIL YOUR ORDER WITH CHECK OR MONEY ORDER Second Annual Order one or 100 Write "Fiddle and Squares" DANCE INSTITUTE 291 I-A No. 5th St. Milwaukee 12, Wis. FOLK, SQUARE, ROUND, AND CONTRA DANCING SAN FRANCISCO STATE COLLEGE (Urmte New Campus—19th Avenue at Holloway, San Francisco 451 Kearney St., San Francisco Opportunities to learn and review dances, and do practice-teaching if desired. CLASSES College Credit May Be Earned Fee: $7.50 Monday 7 to 8:30 P.M. Friday, Dec. 26, through Tuesday, Dec. 30, 1952 Scottish Country Dances Co-Directors: Tuesday, 7 to 8:30 Eleanor Wakefield, San Francisco State College Spanish and Mexican Dances (Castanets, Latin American Dances, Ed Kremers, Past President, Folk Dance Federation of California Rumba, Tango, Samba, Mambo) Information may be obtained from Leo Cain, Dean of Educational Services, San Private Lessons $2 per half hour Francisco State College, 124 Buchanan, San Francisco 2, or from Co-Directors By appointment, day or evening- SUtter 1-2203 SPEND THE HOLIDAYS DANCING! a double feature in SEPARATES FOLK DANCING OR DAYTIME-EVENING WEAR EXQUISITE HAND LOOMED IMPORTED FABRICS of finest light weight wool FOR SKIRTS AND MATCHING STOLES AUTHENTIC BAVARIAN BORDER DESIGNS in contrasting colors AGAINST BACKGROUND COLORS OF: RED LIGHT GRAY ROYAL BLUE GREEN BLACK DARK GRAY BROWN WHITE It's Easy! It's Fun! MAKE YOUR OWN COSTUME CAPER OR SOCIAL WHIRLER 2 YARDS MAKE LOVELY DAYTIME OR EVENING SKIRT 3 YARDS MAKE LOVELY DANCE SKIRT 38" WIDE . -
1 TRADITIONAL DANCE in MISSOURI VOLUME ONE SOUTHERN MISSOURI JIG DANCING Douglas and Wayne Counties, Missouri Peter and Marg
1 TRADITIONAL DANCE IN MISSOURI VOLUME ONE SOUTHERN MISSOURI JIG DANCING Douglas and Wayne Counties, Missouri Peter and Margret Lippincott Childgrove Country Dancers 410 South Meramec Avenue, St. Louis, Missouri, 63105 TABLE OF CONTENTS: Missouri Dancing in Wayne and Douglas Counties 1 Dance Fiddling In Missouri 4 Glossary 6 Basic Square Dance Information 7 The Dances: Across the Hall (Ava) 13 Across the Hall (Greenville) 14 Around and Through (Ava) 9 Bird In The Cage (Ava) 10 Circle Eight (Greenville) 15 Circle Home (Greenville) 12 Cut Away Six (Greenville) 14 Figure 8, Figure 0 (Ava) 12 Figure 8, Figure 0 (Greenville) 13 Form a Star (Ava) 11 Half-way Up and Half-way Back (Ava) 9 Katy Walk the Corner (Ava) 8 Right Hand Lady (Greenville) 16 Texas Star (Greenville) 16 Two Gents Right Elbow (Greenuille) 15 Two Little Hobos (Ava) 10 Two Little Sisters (Greenville) 17 Wave The Ocean (Ava) 8 Wind Up the Grapevine (Ava) 12 MISSOURI DANCING IN WAYNE AND DOUGLAS COUNTIES By Peter Lippincott and Marget Lippincott Old time dances in Missouri are an intimate part of the social life of the community. Of course we can "discover" the dance figures, write them up, and dance them some place else. They are pleasant entertainment, but they are changed uihen the basic community meaning is no longer present. Dancers in a traditional community know what is correct and pleasing to them in their dance. Thus the dancing in each community is special to that community. The subtle differences that make a dance "right" in a community are often hard for an outsider to grasp. -
Title 10 Years Beautiful Wasteland 10,000 Maniacs More Than This
M & M MUSIC Title Title 10 Years 2 Pistols & T Pain & Tay Dizm Beautiful She Got It Wasteland 20 Fingers 10,000 Maniacs Short Dick Man More Than This 21st Century Girls Trouble Me 21st Century Girls 100 Proof Aged In Soul 2Play & Thomes Jules & Jucxi D Somebody's Been Sleeping Careless Whisper 10Cc 3 A M Donna Busted Dreadlock Holiday 3 Doors Down I'm Mandy Away From The Sun I'm Not In Love Be Like That Rubber Bullets Behind Those Eyes 112 Better Life It's Over Now Citizen Soldier Peaches & Cream Duck & Run Right Here For You Every Time You Go U Already Know Here By Me 112 & Ludacris Here Without You Hot & Wet It's Not My Time 12 Gauge Kryptonite Dunkie Butt Landing In London 12 Stones Let Me Be Myself We Are One Let Me Go 1910 Fruitgum Co Live For Today Simon Says Loser 2 Live Crew Road I'm On Doo Wah Diddy So I Need You Me So Horny When I'm Gone We Want Some P-Y When You're Young 2 Pac 3 Of A Kind California Love Baby Cakes Until The End Of Time Ikaw Ay Bayani 2 Pac & Eminem 3 Of Hearts One Day At A Time Love Is Enough 2 Pac & Notorious B.I.G. 30 Seconds To Mars Runnin (Dying To Live) Kill 2 Pistols & Ray J 311 You Know Me All Mixed Up Song List Generator® Printed 12/7/2012 Page 1 of 410 Licensed to Melissa Ben M & M MUSIC Title Title 311 411 Amber Teardrops Beyond The Grey Sky 44 Creatures (For A While) When Your Heart Stops Beating Don't Tread On Me 5 6 7 8 First Straw Steps Hey You 50 Cent Love Song 21 Questions 38 Special Amusement Park Caught Up In You Best Friend Fantasy Girl Candy Shop Hold On Loosely Disco Inferno If I'd Been -
American Square Dance Vol. 39, No. 8
AMERICAN Single Copy $1.00 SQUARE DRNCE AUGUST 1984 PROFESSIONAL PROFILE—DON HANHURST THE Myttott P-400 "Boss" has a NEW BOSS! Jim Harris drops by to check out MilTech's new installation. The P-400 is the Finest Professional Sound System Available If price were no object, the P-400 would still be the best performing and most reliable system on the market. "THE BOSS" is the best choice at any price. MILTECH, INC., 51 High Street, Milford, CT 06460 1-800-227-1139 In Conn. 1-877-2871 VISA' AMERICAN E SQURRE ORNCE AUGUST 1984 VOLUME 39, No. 8 THE NATIONAL MAGAZINE WITH THE SWINGING LINES 01.11114/10110.011VINOWARNIUIWIMINIPil PAIPAIUMIIMUllUIPAPARIIII* A:D FEATURES FOR ALL SQUARE DANCE SCENE 4 Co-editorial 25 Callerlab 5 By-Line 27 I'm Alabamy Bound! 7 Meanderings 29 LEGACY 9 Professional Profile 31 URDC Report 11 The Lerts & The Wares 48 Challenge Chatter 11 Who Has the Duty? 60 International News 13 The Caller's Ancestor 75 Date-Line 15 Helpful Hints for Cueing Rounds 17 Picks and Chews ROUNDS 19 Who Is Your Partner? 54 Cue Tips 21 Hem-Line 55 Facing the L.O.D. 23 Encore 69 Flip Side/Rounds 33 Line-Light 78 RID Pulse Poll 35 Product Line 37 Dandy Idea 41 Best Club Trick FOR CALLERS 42 Dancing Tips 43 Calling Tips 47 Baltimore Was Better 44 Easy Level Page 57 Plumb Line 50 Creative Choreography 60 People in the News 56 Steal A Little Peek 65 Rhyme Time 66 Flip Side/Squares 71 Top 0' the Line 79 SID Pulse Poll 89 Book Nook 80 Underlining the Note Services 90 Finish Line 92 Laugh Line OUR READERS SPEAK 6 Grand Zip 28 Straight Talk MIMI IN led Oft IN MI lit lit IAI lit led lift VII lift Vd Ifd ini WA Ift Ifd VA WI Ifd Workshop Editors Publishers and Editors Ed Fraidenburg Bob Howell Howie Shirley Stan & Cathie Burdick Feature Writers Harold & Lill Bausch Dave & Lonnie Fleck Member of NASRDS Mary Jenkins Russ & Nancy Nichols National Association of S&R/D Suppliers Gene & Thelma Trimmer Bev Warner AMERICAN SQUAREDANCE Magazine Editorial Assistants (ISSN 00913383) is published by Burdick Mona Bird Mary Jane Connerth Enterprises. -
Ár Rincí Fóirne Thirty Popular Céilí Dances Eagrán 2003 an COIMISIÚN LE RINCÍ GAELACHA, 6 Sráid Fhearchair, Baile Átha
Ár Rincí Fóirne Thirty Popular Céilí Dances Eagrán 2003 AN COIMISIÚN LE RINCÍ GAELACHA, 6 Sráid Fhearchair, Baile Átha Cliath 2 IRISH DANCE MUSIC A well-known exponent of Irish Dancing once remarked that the happiness and pleasure of dancing was the stimulus of gay spirited music. How true these words are can be realized when we see a party of dancers at a Céilí endeavouring to perform such a fine spirited dance as the ‘High-Cauled Cap’ to dull, insipid, lifeless music. Spiritless music means that there is a lack of ‘Rhythmic Vitality’ – which is part of the player´s own soul. Perhaps the only outside help he can get is a correct understanding of the dances. ‘Speeding’ is no certain cure for the absence of ‘Rhythmic Vitality’, the most essential element in Irish dance Music. Generally speaking, the more speedy the music, the more lifeless it becomes. Not alone does over-hasty playing destroy the outline and sentiment of the tune, it also tends to spoil the technique of the dancers. The ‘Tempo’ of Irish Dancing must be regulated by the ages of the dancers. Children, as a rule, require quicker time than do adults, as young people are unable to get the control necessary for slow music without a great deal of effort and concentration, resulting in a loss of spirit and enjoyment. Adults, on the other hand, prefer a moderate Tempo, as they have not the physical strenght necessary for our lively, energetic dances when taken at a quick pace. This question of Tempo can only be solved by regulating it to suit the majority, rather than the few, and thus assist in the retention of that grace, beauty and elegance of movement which is a natural characteristic of all Irish Dances. -
Dance for Physically Disabled Persons: a Manual for Teaching Ballroom, Square, and Folk Dances to Users of Wheelchairs and Crutches
DOCUMENT RESUME ED 146 720 EC 102 698 AUTHOR Hill, Kathleen TITLE Dance for Physically Disabled Persons: A Manual for Teaching Ballroom, Square, and Folk Dances to Users of Wheelchairs and Crutches. INSTITUTION American Alliance for Health, Physical Education, and Recreation, Washington, D.C. SPONS AGENCY Bureau of Education for: the Handicapped (DHEW/OE), Washington, D.C. Div. cf Innovation and Development. MORT NO 447AH50022 PUB DATE Jun 76 GRANT G007500556 NOTE 114p.; For related information, see EC 102 692 - EL 102 697 AVAILABLE FROM Physical Education and Recreation for the Handicapped, Information and Research Utilization Center (IRUC), 1201 Sixteenth Sreet, N.W., Washington, D.C. 20036 ($7.95) EDRS PRICE ME-$0.83 Plus Postage. HC Not Available from EDRS. DESCRIPTORS Adapted Physical Education; *Dance; Physical Acti-rities; *Physically Handicapped; Psychological Needs; Recreation; Rehabilit_tion; *Teaching Methods; Wheel Chairs ABSTRACT . The final booklet in a series on physical education and sports for the handicapped presents ideas for teaching dance to the physically disabled. Introductory sections consider the rehabilitation role of dance, physiological and psychological benefits, and facilities for dance instruction. Step-by-step suggestions are given for teaching ballroom dance (waltz, foxtrot, merengue, cha-cha, rhumta, and tango), square dance, and folk dance to persons using wheelchairs and crutches. Also included are reprints of seven articles on dance :and a listing of additional resources on dance. (CL) *********************************************************************** * Documents acquired by ERIC include many irformal unpublished * * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality * * of the microfiche and hardccpy reproductions ERIC makes available * * via the ERIC Document Reproduction Service (EDRS). -
Alabama American Folk Dance the Square Dance Is Known Widely Throughout the United States
Alabama American Folk Dance The square dance is known widely throughout the United States. It is a traditional dance that has been historically recorded since 1651. Following Oregon (1977), Washington (1979), and Tennessee (1980), Alabama became the fourth state to adopt an official state dance. It adopted the square dance as the "American folk dance of Alabama" in 1981 by Act no. 81-48. Leading this effort in Alabama was the Alabama Square & Round Dance Association, Inc. www.archives.state.al.us/emblems/st_dance.html Proudly Produced by Alabama Square and Round Dance Association, Inc. 1st Edition 2019 PRAYER FOR BEGINNERS May you dance as long as you want to and want to as long as you can. May your toes never stop tapping to the beat of the square dance band. I wish you a smile on your corner Thank Your and a partner that really can swing, and each hand a handclasp of friendship as you right and left grand the ring. May you never forget the struggle ‘til your lessons were finally through. May you always reach back with a helping hand that someone extended to you. May you never become a dancer who thinks he has no more to learn. In the midst of the muddle, come out of the huddle could be that you made the wrong turn? As long as you’re dancing, enjoy it, and the friends that you make ‘fore you’re done. With a smile and a song, promenade along, ‘CAUSE YOU SQUARE DANCE, MY FRIEND, FOR FUN’ www.cedar.net Caller & Cuer Organizations Your Club Caller(s) and Cuers belong to State and/or National associations that provide accredited caller training, licensing, and liability insurance for dance events.