A Passion for Blue Since 1775

A PASSION FOR BLUE SINCE 1775

2018 INDEX

A PASSION FOR BLUE SINCE 1775

THE TALE OF FLOWERS THE HISTORY & THE CRAFT IS A TALE OF LOVE P. 2-19

PATTERN INSPIRATIONS P. 20-41 When nature effortlessly and generously gives her beauty to the world, colouring each season. When a child picks a flower from the garden to give to her mother. The first flower we receive from a very special RANGE OVERVIEW someone. BLUE FLUTED PLAIN P. 44 The flower nervously placed in a button hole. The flower that follows those BLUE FLUTED MEGA three little words. The flowers she holds as she walks down the aisle. P. 46 BLUE ELEMENTS Flowers to celebrate. Flowers for good luck. Flowers as the purest symbol P. 48 of love, saying more than words can. ALPHABET MUGS P. 50 Their beauty is short-lived – they bud, blossom and then wither. WHITE FLUTED It is an exclusive, rare moment; one can’t really own it, only borrow and P. 52 experience it. A reminder to appreciate the present moment, STAR FLUTED CHRISTMAS before it is overtaken by the next. P. 54

When a flower is carefully painted onto fine porcelain, those passing moments are kept alive. Each piece reminding you of the moments in life GENERAL INFORMATION that really matter; the occasion on which the porcelain was given to you, P. 56-64 carefully handed over. Moments in life that are elevated and become treasures.

Each piece of porcelain holds a story of love for you to keep.

WWW.ROYALCOPENHAGEN.COM.AU

69 THE HISTORY & THE CRAFT

1888 1911 1915 1972

Four examples of the Royal Crown as it changed its shape over time. The meaning behind the symbol remains the same.

AN ENTREPRENEURIAL MONARCH who in 1763 founded a porcelain factory in Berlin. Juliane Marie was the widow of King Frederik V and Although the siblings corresponded, the secret for came to power in Denmark and Norway when her porcelain manufacturing was not shared between late husband’s son from his first marriage became them and it was only in 1774 that porcelain was FOUNDED IN 1775 UNDER mentally ill and was unable to govern. Juliane first produced in Copenhagen. Finally, Juliane Marie was a strong woman with a good grasp of the Marie and the Danish royal family had their own needs of the time. Via her European contacts, she valuable porcelain production, like other European THE PATRONAGE OF THE QUEEN had understood that a combination of knowledge monarchies. and the use of local raw materials would improve local living conditions. Like many other European THE ROYAL CROWN AND THE DOWAGER JULIANE MARIE monarchs, she supported research in natural THREE WAVES science. It was no longer theology but science that Juliane Marie was adamant from the start that each would improve life on earth, hence her interest piece of Royal Copenhagen porcelain would be in mineralogy and the raw materials for porcelain stamped with its unique factory mark: the three production. hand-painted waves that symbolise Denmark’s Juliane Marie was known as a modern queen and a waterways, the ‘Oresund’ or Sound, the Great strong supporter of the country. It was the task of the FROM A GOOD PORCELAIN FAMILY Belt and the Little Belt. The queen also introduced reigning monarch to safeguard the country’s economic The production of porcelain was not entirely the royal crown stamp to highlight the factory’s unknown to Juliane Marie. Her brother, Charles royal association. The crown has changed over health with the development of domestic products and I of Brunswick- Wolfenbüttel had also founded time and can be used to date each piece of Royal services. Her greatest legacy was founding the Royal Danish a porcelain factory in Fürstenberg, Germany. In Copenhagen. On the Royal Copenhagen website, Porcelain Factory in 1775. addition, their sister was married to Frederik II there is a list of the crowns and the corresponding of Prussia, one of Europe’s absolute monarchs time periods.

2 3 A PASSION FOR BLUE THE HISTORY & THE CRAFT

Blue. The colour of love, and spirituality. Of Gods and the divine. Of the ocean and Royal Copenhagen’s blue pigment is called cobalt zinc silicate and it is the cobalt of the celestial sky. For millennia, the colour blue has inspired artists’ words and that provides the distinctive blueness. In its infancy, Royal Copenhagen obtained images. It has also been one of the most expensive and difficult colours to obtain. their cobalt from Norwegian ‘Blaafarveværket’, the ‘blue colour factory’ a company that was responsible for between 70 and 80 percent of all global cobalt production Almost 7000 years ago, the Egyptians would crush the blue stone Lapiz Lazuli into throughout the 19th century. a fine powder to use as pigment for eye makeup and murals on walls. Much later, medieval painters learned to use the stone’s colour to manufacture paint, attaining BLUE – LITTLE AND LARGE the colour ultramarine. Karen Blixen describes the colour in her winter tale ‘The In Denmark, we consider Blue Fluted Plain part of our cultural heritage and something Young Man with the Carnation’. “Oh I have found it at last. This is the true blue. Oh, we all have a connection to in one way or another. Passed down from generation to how light it makes one. It is as fresh as a breeze, as deep as a deep secret, as full as generation, pieces of Blue Fluted Plain can be found in many Danish homes. I say not what.” Quote from Old Lady Helena when she was presented with the blue- Over the centuries, Royal Copenhagen has produced between 1,500 and 2,000 painted Chinese jar. different kinds of cups, jugs, bowls and plates; all hand-painted to the last detail. There have also been more unusual pieces in the series. In the early 1800s, Blue Fluted Plain was highly desirable and the pattern could be found on everything from washbasins to chamber pots.

4 5 THE HISTORY & THE CRAFT

“I had not long arrived when I found a Blue Fluted Plain plate, one from the old days. I observed its loveliness, the shine of its surface, its charm, its slightly grey-green whiteness, its dreamy indigo blue colour fusing with the mass. This was porcelain, genuine, pure, unsullied by human hand. ... It was this pristine plate that opened my eyes to a new world, from which I picked out my little part ... I kept this old blue-painted plate with me as my Bible. Alas, I never achieved its perfection. Times have much changed. The mass has become purer, whiter, the glaze and colour, too. But this little veil of grey-green, reminiscent of the air over the sea on a still summer’s morning before the sun has risen was hopelessly lost.”

ARNOLD KROG

6 7 PRIZE-WINNING

ROYAL PORCELAIN

Since 1775, every piece of porcelain that has left Royal Copenhagen carries its factory marks; the three waves, the royal crown and the painter’s mark. These are symbols of authenticity, the royal connection and the mark of handcraftsmanship.

THE THREE BLUE WAVES THE ROYAL CROWN When the Dowager Queen Juliane Marie The crown symbolises Royal Copenhagen’s founded the Royal Porcelain Factory in 1775, beginnings in the hands of the entrepreneurial she insisted that the three waves should be monarchy. The crown was initially painted by the factory’s trademark. The waves symbolise hand, but by the 1870’s, the company began to Denmark’s three most important bodies of stamp the mark under the glaze. The crown is water; the Sound, the Great Belt and the Little decorated with the "Dagmar Cross", a jewelled Belt. To this day, the waves are painted on the crucifix dating from the Middle Ages that was back of each piece of porcelain and comprise discovered in 1690. Over the years, the crown Royal Copenhagen’s well-known signature of has changed but it is possible to identify the authenticity, a mark of fine craftsmanship and year or decade in which each piece of porcelain Danish porcelain art. was manufactured. Here are some examples of the crown’s evolution through time. For more information, please refer to the Royal Copenhagen website.

8 9 THE HISTORY & THE CRAFT

PORCELAIN MARKS OVERVIEW

1870–1890 1887–1892 1892 1894–1900 Stamp in blue Stamp in violet or Stamp in red or green Crown and DANMARK under the glaze red over the glaze over the glaze, used on stamped in green request from USA for under the glaze, blue THE CRAFTSMAN’S MARK export goods wave mark

It takes four years to learn the craft of painting on Royal Copenhagen porcelain. And although it may be difficult for a layperson to distinguish one Blue Fluted Plain design 1889–1922 1905 1921 1923 from another, accomplished painters always know their own Crown and ROYAL Hand-painted mark in Hand-painted mark Crown and COPENHAGEN stamp blue under the glaze, used for productions DENMARK stamped work, as they know their own personal handwriting. in green under the used for Juliane Marie made in China in green under the glaze, blue wave mark porcelain (originally glaze, blue wave on reproductions of mark 18th century models) Each painter had (and still has) their own stamp, marked on the bottom of every piece of porcelain. Some of the painters are well-known, but some are now a mystery.

1935–1949 1950–1984 1985– Dot above a selected Dot below a selected letter Dot above one/two selected letter in ROYAL or in ROYAL, DENMARK or letter(s) in ROYAL or under COPENHAGEN COPENHAGEN COPENHAGEN

R 1935 R 1950 C 1962 RO 1985-1991 O 1936 O 1951 O 1963 RY 1992-1999 Y 1937 Y 1952 P 1964 RA 2000-2004 A 1938 A 1953 E 1965 RL 2005-2009 L 1939 L 1954 N 1966 RC 2010-2014 H 1967 RO 2015-2019 C 1940 D 1955 A 1968 O 1941 E 1956 G 1969-1973 P 1942 N 1957 E 1974-1978 E 1943 M 1958 N 1979-1983 N 1945 A 1959 H 1946 R 1960 A 1947 K 1961 G 1948 E 1949 N 1950

10 11 COPENHAGEN

STATE OF MIND

Copenhagen. Capital of Denmark and in many ways, the metropolis that typifies Nordic culture and its way of living. The city’s ambience is absolutely unique. Copenhageners never seem hurried, and yet new things are always happening on the ground, or growing upwards as new architectural developments. All of this happens in the velvety Nordic light…

Copenhageners move with a light heartedness Steeped in grandeur, Copenhagen is an old and low key elegance. Luxury is subtle and never city with a long history of culture and design ostentatious. It’s all about understated quality and is the birthplace of Royal Copenhagen. and generosity – about absorbing everything Copenhagen’s love of fine things is like the soul from a laid back perspective on life. Relaxed, beneath the porcelain’s glazing, whispering yet knowing. In Copenhagen, only monuments from each hand painted brush stroke. It is a are put on pedestals. For no matter how grand story about gifts; gifts which, for centuries, the art, Copenhageners’ hearts are set on using both giver and recipient have considered and enjoying such art. themselves privileged to be able to exchange.

12 13 PATTERN NO.1

THE STORY SO FAR…

Over 240 years old, Blue Fluted Plain is more than just a dinner service design. Like words on paper, the hand-painted blue lines tell a story. Of its own unique history. Of the anticipation of conviviality and good times. That your guests will appreciate and feel appreciated in front of a beautifully set table. And that nothing is too good for those you love

For over 240 years, the pattern’s beauty has left time, porcelain was considered to be “white its brush-strokes over our hearts. It has been gold” and in the race to discover the secrets reconsidered and reappropriated. Painted on of its manufacture, wealthy investors supported new shapes, in new colours. Each reincarnation chemists and alchemists, often in dangerous created with the greatest respect for the original endeavours. pattern. Take a little bit of this history in your hands and feel for a moment the beauty in the The race was ended in Meissen in 1710, when details. the Elector of Saxony, Augustus II the Strong held captive a man who claimed to be able PATTERN NO.1 – A PIECE OF DANISH to create gold. Eventually, under duress, this HISTORY ‘alchemist’ created porcelain for the Meissen The story begins in 1775. Across Europe and factory. Meissen retained its monopoly until particularly in Meissen, Germany, porcelain 1774 when Frantz Heinrich Müller managed to production and decoration began to emulate produce porcelain in Copenhagen. Müller was a that of China with its predominantly blue, hand- skilled mineralogist, and the laboratory where painted patterns. China was the birthplace of he performed his experiments was located at porcelain creation; its exports represented Amagertorv, Copenhagen, not far from Royal wealth and refined taste and had become Copenhagen’s flagship store today. a valuable commodity. Early on in Royal Copenhagen’s history, a Chinese-influenced ORIGIN OF THE NAME pattern was simplified and pared down to become The original Danish name for Blue Fluted Plain the factory’s signature Blue Fluted Plain design. is “Musselmalet” or clam-painted. Some believe Since it was the company’s first design, it was this is because the fluted shape is reminiscent of called Pattern No.1. To this day, each piece of a clam- or seashell, but it is in fact based on a Blue Fluted Plain has a “1” painted underneath. stylised crysanthemum and cinquefoil motif. This elegant design, its blue colour and the distinctive WHITE GOLD fluting together create dinnerware that has long At the beginning of the 1700’s, Meissen was been associated with Denmark. Europe’s sole manufacturer of porcelain. At the

14 15 THE HISTORY & THE CRAFT

1775-79 1880 1888 2000 2005 2011

Blue Fluted Plain has evolved since it's inception In the porcelain painting studios, the following but has always retained certain fundamental terms are used: the chrysanthemums are known characteristics. At the turn of the millennium, as style flowers and the cinquefoil is called Royal Copenhagen entered a new era and the the round flower. In three part decorations, well-preserved pattern was renewed in several there is a third flower called the nutflower. ways. The stylised flowers were uprooted and The flower vines are known as the ‘swings’ with replanted in new colours and contexts. The palmettoes as stylised leaves. The small leaves palmette ornamented arches began to tell new of the flowers are called the bristles or manes. stories. These elegant disruptions were created The grass tufts on the circle of the Blue Fluted by a few bold young designers who dared to Plain series are called rays. At the edge, the ignore conventions whilst retaining a healthy partition lines end with a ‘tongue’. respect for the brand’s heritage. THE ART OF HAND-PAINTING THE BUILDING BLOCKS OF BLUE The Blue Fluted Plain service and all of its FLUTED PLAIN. descendants are still carefully and painstakingly ENDLESS INSPIRATION painted by hand. Initially, it was difficult to find Chrysanthemum flowers were a popular motif in skilled painters. After the opening of the plant, “I can’t choose a favourite dinner China at the time and were appropriated into Danish diplomat August Hennings persuaded European porcelain design from the start. As five painters from the famous Meissen porcelain service. To me, Royal Copenhagen Blue Fluted Plain developed, it kept its stylised factory to come and work in Copenhagen. is all about the whole collection.” chrysanthemum in a simple form, while the However, it didn’t quite go according to plan LOUISE CAMPBELL, cinquefoil grew next to it; a plant native to the and the authorities tried to stop them from Designer of the Elements series Nordic region. leaving Meissen. When they finally did arrive in Copenhagen, the Saxon envoy was despatched and two of the painters had to return home.

16 17 THE HISTORY & THE CRAFT

762

BRUSHSTROKES

LATER

A PASSION FOR BLUE

Royal Copenhagen porcelain has been created with rare skills, care and hand-craftsmanship for over 240 years. To become a porcelain painter takes time and an immense amount of training in order to master the craftsmanship which makes each handmade piece precious and unique. Each item is hand-painted with delicate individual brushstrokes that build up the pattern little by little; one wrong stroke and the piece is ruined. Although the pattern has been the same since the very beginning, the hand-painting technique has gradually changed over time. When the piece is finished, the painter signs the underside with their unique signature, marking it as an individual work of art. If you look closely and compare pieces, you can see the individuality of each painter ’s technique; in the brush strokes, the flowers and the use of colour.

19 BLUE FLUTED PLAIN

JUST LIVING IS NOT ENOUGH…

ONE MUST HAVE SUNSHINE,

FREEDOM AND A LITTLE FLOWER

HANS CHRISTIAN ANDERSEN

The very first Flower Tale, Blue Fluted Plain, marks the beginning of the centuries-old Royal Copenhagen story. Inspired by Chinese porcelain art of the time, the floral pattern was pared-down and refined into a more European interpretation to become the signature pattern, sometimes called “Musselmalet” or mussel painted. A closer look reveals the stylised rose, centered in the middle, the long branches with leaves, the chrysanthemums, nut flowers and grass shooting up. Creating this graceful and timeless decoration requires immense discipline; every element is precisely painted but the painter also exercises their own artistic interpretation in the tiny details. These rare decorative skills emphasise the delicate shape and craftsmanship of every piece

20 21 BLUE FLUTED MEGA

THE EARTH LAUGHS

IN FLOWERS

RALPH WALDO EMERSON

Developed by young design student Karen Kjædgård-Larsen in 2000, the introduction of Blue Fluted Mega signalled the beginning of a new adventure for the classic Royal Copenhagen chrysanthemum flower from the original Pattern No.1. Still carefully hand-painted, selected floral details from the pattern are provocatively enlarged, taking up more space on the white porcelain. A modern classic, the decoration may appear to be simple, but its simplicity requires absolute precision in the execution of every painted detail. This reinterpretation was and still is both comfortingly familiar in its nod to the past and surprisingly refreshing in its innovative thinking. A new flower tale was told and has become part of Royal Copenhagen’s history.

22 23 BLUE FLUTED MEGA

PRODUCTS ABOVE Blue Fluted Mega: Bowl on stand

24 PATTERN Each piece of Blue and Multicoloured Elements has its own individual, hand-painted interpretation of the Blue Fluted Plain pattern. Multicoloured Elements is hand-painted after firing, which gives it a very unique finish.

A decade ago, in an inspired collaboration between Danish designer Louise Campbell and Royal Copenhagen, Elements was born. A service that playfully raids the Royal Copenhagen design archives, reappropriating centuries old “elements” and features in new and unexpected ways. The classic chrysanthemums, nut flowers, clover and others roam over the sides of items in fresh colourways unique to each piece, as well as in classic cobalt blue, while traditional lacing can occupy center stage in the middle of a saucer, instead of only the edge. Elements takes its edges from Flora Danica, ornamentation from Half Lace and fluting from Pattern No.1, borrowing FLUTING EDGES LACING these ‘elements’ in a subtle yet distinctive way. With Elements, the rules are respected The classic fluting from 1775 A little greeting from the The beautiful ornamentation but bent so that Royal Copenhagen’s hand-painted craftsmanship and heritage takes is turned inside and out and legendary Flora Danica service: from Blue Fluted Half Lace but on a new, unexpected turn. The beautiful hand-painted chrysanthemums appear to take used as another expression of the jagged edge. hand-painted in blue on Blue designer Louise Campbell’s on a life of their own in each piece. Elements is available in a variety of items; in both Elements and in a riot of free-spirited humour and pure white or with hand-painted decoration in vivid colours unique to each piece. exotic colours such as tangerine, playfulness. turquoise and apricot on Multicoloured Elements. BLUE ELEMENTS

PRODUCTS ABOVE Blue Elements: Plate 22 cm. Multi cup 250 ml.

PRODUCTS LEFT: Blue Elements: Plate 19 cm, Teacup and saucer 260 ml, Teapot 1.1 Ltr, Milk Jug 370 ml, Jug 700 ml, Bowl 300 ml.

28 29 WHITE FLUTED

IT IS AT THE EDGE OF A

PETAL THAT LOVE WAITS

WILLIAM CARLOS WILLIAMS

White Fluted takes the classic fluted base from the original Pattern No.1 and strips away its decorative motifs, creating a minimalist and contemporary service with a long history. The forms of White Fluted are the foundation for many of Royal Copenhagen’s hand-painted services. Its pure whiteness, delicate fluting and craftsmanship make it an elegant, classic and universally appealing service.

30 31 WHITE FLUTED

SHAPED BY NORDIC LIGHT

32 33 WHITE FLUTED

A TALE

OF SIMPLICITY

VILHELM HAMMERSHØI

White. Though the purest and lightest of colours, a multitude of shades and nuances live within it in a harmonious dance between white and light. Renowned Danish artist, Hammershøj, explored the interplay of white and light in his works, depicting moments of everyday Danish interiors, where the light, its shadows, and even sparkling dust motes highlight the beauty of everyday life. Just as the life captured by Hammershøj’s brush strokes, Royal Copenhagens white dinnerware collections embody lightness, simplicity, and understated elegance. Unadorned, each piece is appreciated for its elegant form and considered functionality, and showcases memories of dinners past on its white porcelain canvas every time it is picked up.

34 35 FLOWER TALES

STAR FLUTED CHRISTMAS

CHRISTMAS IS THE DAY THAT

HOLDS ALL TIME TOGETHER

ALEXANDER SMITH

Even when it’s cold outside, we bring elements of nature indoors to appreciate in the home and at the table. At Christmas, this is the tree, mistletoe and wreaths that have become symbols of festivity. In Star Fluted Christmas, festive wreaths of spruce, bedecked with bows and Christmas decorations border the plates, bowls and cups, creating a rich, colourful service. Star Fluted Christmas was created in 2006, with a decoration dating back to 1783, and has graced tables ever since.

36 37 STAR FLUTED CHRISTMAS

PRODUCTS ABOVE Star Fluted Christmas: cookie jar 16 cm, cup and saucer high handle 240 ml, candlestick 18 cm.

PRODUCTS RIGHT Star Fluted Christmas: plate 27 cm, plate 22 cm.

38 39 FLORA DANICA

During the golden age of porcelain production in Europe, the elite began to take an interest in the study of botany and nature, both for its beauty and its benefits to humanity. The extensive Flora Danica botanical atlas was commissioned by King Frederik V in 1761. It consisted of thousands of engraved copper plates with hand-coloured illustrations, accurately representing Danish wild flowers and plants in size and details. It was not completed until 1874, showing its immense scale.

ART DANISH FLORA AND ROMAN It is not known who in 1790 decided to decorate INSPIRATION a large, expensive banquet service with The discovery and excavation of Herculaneum illustrations from Flora Danica. Today, the Flora and Pompeii in the 1700s lead to the widespread Danica service is painted as it was over 200 years use of classical motifs in decoration and inspired ago, in free hand based on the original panels. Flora Danica’s design. The gilded edges show its On the fine porcelain, as in the original Flora Roman influence and put a historical framework Danica panels, there is no distinction between around the detailed botanical art. roses and thistles; all plants are treated the same. It was the same botanical artist, Johann Christoph Bayer who had previously worked on A NATIONAL TREASURE FOR the Flora Danica books who painted most of THE KINGDOM…AND EVERYONE the first major Flora Danica dinner service for Precious and luxurious, Flora Danica has been Royal Copenhagen. In the poor lighting of the given and received by wealthy, aristocratic and time, this work eventually cost him his sight. royal families around the world, including the Deservedly, he was awarded a full pension. Danish royal family where the service still graces the table on state occasions. Flora Danica can The first Flora Danica dinner service consisted now be purchased on request. of 1802 pieces and was reportedly commissioned by the Danish king, Christian VII as a gift to the mighty Empress Catherine II of Russia. Perhaps to ameliorate the fact that Denmark had not supported the Russians during the war between Sweden and Russia.

40 41 RANGE

OVERVIEW

BLUE FLUTED BLUE FLUTED PLAIN MEGA

p 44 p 46

BLUE ALPHABET ELEMENTS MUGS

p 48 p 50

WHITE STAR FLUTED FLUTED CHRISTMAS

p 52 p 54 BLUE FLUTED

PLAIN 5601061 5601191 5601290 CUP AND SAUCER CUP HIGH HANDLE MUG 2 PCS. HIGH HANDLE 250 ML 330 ML 370 ML AU $129 – NZ $149 AU $119 – NZ $135 AU $149 – NZ $169

5601078 5601080 5601102 5601144 5601301 DISH, 23 CM DISH OVAL, 36.5 CM THERMAL CUP, 290 ML SUGAR BOWL, 100 ML EGG CUP AU $99,95 – NZ $119 AU $299 – NZ $349 AU $129 – NZ $149 AU $149 – NZ $169 AU $39,95 – NZ $44,99

5601046 5601042 5601040 5601243 5601241 PLATE, 17 CM PLATE, 22 CM PLATE, 27 CM PLATE DEEP, 21 CM PLATE DEEP, 24 CM AU $89,95 – NZ $99,99 AU $119 – NZ $135 AU $149 – NZ $169 AU $129 – NZ $149 AU $149 – NZ $169

5601070 AU $ 199,- NZ $ 229,-

5601170 5601600 5601084 5601066 5601070 TEAPOT, 1 LTR BOWL ON HIGH FOOT ÉTAGÈRE, 24 CM BOWL, 470 ML · 13 CM BOWL, 1.8 LTR · 21 CM AU $249 – NZ $289 HEIGHT, 15 CM AU $229 – NZ $259 AU $99,95 – NZ $119 AU $199 – NZ $229 AU $399 – NZ $459 ORIGINALLY DESIGNED IN 1775. REVISED IN 1885 BY ARNOLD KROG

Blue Fluted Plain was Royal Copenhagen's first dinner service design. Today, 243 years later, it is one of the world’s most famous and desirable porcelain sets. Blue Fluted Plain is still produced as 5601150 it was at the beginning, where each piece is treated as a piece of AU $ 129,- NZ $ 149,- art and is lovingly painted by hand.

5601150 5601153 5601297 5601298 5601299 Hand-painted porcelain. CREAM JUG, 80 ML JUG, 900 ML VASE, SMALL, 12 CM VASE, MEDIUM, 15 CM VASE, LARGE, 20.5 CM All items are gift boxed. One year breakage warranty applies. AU $129 – NZ $149 AU $179 – NZ $199 AU $129 – NZ $149 AU $139 – NZ $159 AU $199 – NZ $229

44 45 5603057 AU $ 299,- NZ $ 349,-

BLÅ MEGA BLUE FLUTED

MEGA 5603298 5603299 5603130 5603061 5603191 RIFLET VASE, SMALL, 12 CM VASE, MEDIUM, 15 CM ESPRESSO CUP AND CUP AND SAUCER CUP HIGH HANDLE AU $119 – NZ $135 AU $149 – NZ $169 SAUCER · 90 ML HIGH HANDLE · 250 ML 330 ML AU $69,95 – NZ $79,99 AU $99,95 – NZ $119 AU $99,95 – NZ $119

2381499 / 1016896 5603300 5603154 5603057 THERMAL5603102 CUP 5603290 29 CL VASE, LARGE, 20.5 CM JUG, 1.7LTR ÉTAGÈRE THERMAL CUP MUG 2 PCS. AU $199 – NZ $229 AU $179 – NZ $199 35 CM 290 ML 330 ML AU $299 – NZ $349 AU $99,95 – NZ $119 AU $109 – NZ $125

5603151 5603066 5603400 5603402 5603403 5603155 5603170 JUG, 380 ML BOWL, 470 ML · 13 CM STORAGE JAR SMALL STORAGE JAR MEDIUM STORAGE JAR LARGE JUG TEAPOT AU $99,95 – NZ $119 AU $89,95 – NZ $99,99 330 ML · 7 CM 800 ML · 13 CM 1.1 LTR · 20 CM 1.6 LTR 1 LTR AU $119 – NZ $135 AU $149 – NZ $169 AU $179 – NZ $199 AU $179 – NZ $199 AU $199 – NZ $229

5603400 AU $ 119,- NZ $ 135,- 5603070 5603071 5603480 5603302 5603363 5603200 BOWL 1.8 LTR · 21 CM BOWL 3.1 LTR · 24 CM TEALIGHT HOLDER EGG CU P B U T T ER D ISH DISH ON STAND AU $179 – NZ $199 AU $199 – NZ $229 2 PCS., 6 CM 2 PCS. 420 ML 32 CM AU $69,95 – NZ $79,99 AU $59,95 – NZ $68,99 AU $119 – NZ $135 AU $249 – NZ $289

DESIGNED IN 2000 BY KAREN KJÆLDGÅRD-LARSEN

The familiar Blue Fluted Plain design, interpreted in new and surprising ways. Each piece of Blue Fluted Mega has its own unique hand-painted design.

5603236 5603237 5603078 5603243 5603241 5603042 5603040 Hand-painted porcelain. DISH, 24 CM DISH, 36 CM DISH, 23 CM PLATE DEEP, 21 CM PLATE DEEP, 24 CM PLATE, 22 CM PLATE, 27 CM AU $99,95 – NZ $119 AU $99,95 – NZ $119 All items are gift boxed. One year breakage warranty applies. AU $129 – NZ $149 AU $89,95 – NZ $99,99 AU $99,95 – NZ $119 AU $119 – NZ $135 AU $129 – NZ $149

46 47 BLUE

ELEMENTS

5602401 5602191 5602238 5602239 5602042 BOWL WITH LID HIGH HANDLE CUP DISH SERVING DISH PLATE 400 ML 350 ML 19 CM 23 CM 22 CM AU $149 – NZ $169 AU $99,95 – NZ $ 119 AU $129 – NZ $149 AU $139 – NZ $169 AU $99,95 – NZ $119

5602040 5602245 5602075 PLATE PLATE DEEP BOWL 28 CM 25 CM 28 CM AU $129 – NZ $149 AU $119 – NZ $135 AU $129 – NZ $149

5602067 5602069 5602071 5602152 COMPOTE BOWL BOWL BOWL JUG 780 ML · 18 CM 1.6 LTR · 19 CM 3.2 LTR · 23 CM 700 ML AU $99,95 – NZ $119 AU $149 – NZ $169 AU $199 – NZ $229 AU $149 – NZ $169

DESIGNED IN 2011 BY LOUISE CAMPBELL

An addition to the Elements series, which celebrates its 10 year an- niversary this year, Blue Elements is a 240 year old story told in the blink of an eye. The history is in the details; the original fluting from Blue Fluted Plain, the border from Half Lace and jagged edges from the legendary Flora Danica.

Hand-painted porcelain. All items are gift boxed. One year breakage warranty applies.

48 49 5606001 AU $99,95 NZ $119,-

ALPHABET

MUGS 5606001 5606003 5606004 5606005 MUG A MUG C MUG D MUG E 330 ML 330 ML 330 ML 330 ML AU $99,95 – NZ $119 AU $99,95 – NZ $119 AU $99,95 – NZ $119 AU $99,95 – NZ $119

5606006 5606007 5606008 5606010 MUG F MUG G MUG H MUG J 330 ML 330 ML 330 ML 330 ML AU $99,95 – NZ $119 AU $99,95 – NZ $119 AU $99,95 – NZ $119 AU $99,95 – NZ $119

5606011 5606012 5606013 MUG K MUG L MUG M 330 ML 330 ML 330 ML AU $99,95 – NZ $119 AU $99,95 – NZ $119 AU $99,95 – NZ $119

5606014 5606015 5606016 5606018 MUG N MUG O MUG P MUG R 330 ML 330 ML 330 ML 330 ML AU $99,95 – NZ $119 AU $99,95 – NZ $119 AU $99,95 – NZ $119 AU $99,95 – NZ $119

PRODUCED SINCE 2014

The Alphabet mugs series, classic high handle shape was first developed in 1884, but the modern hand-painted lettering was later designed by Royal Copenhagen. Each hand-painted letter is decorated by a flower and two palmettes.

Hand-painted porcelain.

All items are gift boxed. One year breakage warranty applies. 5606019 5606020 5606025 MUG S MUG T MUG Y 330 ML 330 ML 330 ML AU $99,95 – NZ $119 AU $99,95 – NZ $119 AU $99,95 – NZ $119

50 51 WHITE

FLUTED

5607191 5607066 5607068 5607070 5607071 CU P BOWL BOWL BOWL BOWL HIGH HANDLE, 330 ML 470 ML · 13 CM 730 ML · 15 CM 1.8 LTR · 21 CM 3.1 LTR · 24 CM AU $49,95 – NZ $56,99 AU $34.95 – NZ $41.99 AU $44.95 – NZ $53.99 AU $89,95 – NZ $99,99 AU $119.00 – NZ $139.00

5607042 5607040 5607243 5607241 5607102 PLATE PLATE PLATE DEEP PLATE DEEP THERMAL CUP 22 CM 27 CM 21 CM 24 CM 290 ML AU $34,95 – NZ $39,99 AU $44.95 – NZ $53.99 AU $39,95 – NZ $44,99 AU $49.95 – NZ $59.99 AU $49,95 – NZ $56,99

5607078 5607061 5607290 DISH CUP AND SAUCER MUG 2 PCS. 23 CM HIGH HANDLE, 250 ML 330 ML AU $44.95 – NZ $53.99 AU $49,95 – NZ $56,99 AU $59,95 – NZ $68,99

PRODUCED SINCE 2003. DESIGN FROM 1775

White Fluted was born in 1775, from the base shape of Blue Fluted Plain. Today, the beautiful fluting can be experienced in its simplest and purest form. White and elegant.

Made from Porcelain. All items are gift boxed. One year breakage warranty applies. 5607236 5607155 5607170 5607151 DISH MODERN JUG T E A P OT JUG 36 CM 1.6 LTR 1 LTR 380 ML AU $99.95 – NZ $119.00 AU $129.00 – NZ $149.00 AU $99,95 – NZ $119 AU $39,95 – NZ $44,99

52 53 STAR FLUTED

CHRISTMAS

5604290 5604291 MUG 2 PCS. SERVING CUP 2 PCS. 330 ML 7 CM AU $89.95 – NZ $109 AU $69,95 – NZ $79,99

5604084 2 TIER CAKE STAND 23 CM AU $249 – NZ $289

5604065 5604070 5604600 BOWL BOWL BOWL ON STAND 30 CL 180 CL WIDTH 18 CM AU $59,95 – NZ $68,99 AU $99.95 – NZ $119 AU $129 – NZ $149

5604238 5604080 5604100 DISH DISH OVAL JAR WITH LID 39 CM 37 CM 16 CM AU $169 – NZ $195 AU $199 – NZ $249 AU $139 – NZ $169

DESIGNED IN 2006. THE SHAPE OF THE STAR FLUTED DECORATION IS FROM 1783

“I look forward to this time ...” So begins one of Denmark’s most loved Christmas stories: Peter’s Christmas. This service is richly decorated with just about everything that we look forward to during December.

Made from Fine Bone China. All items are gift boxed. One year breakage warranty applies.

54 55 EVERLASTING

QUALITY

SERVICE

ALPHABET MUGS • •

BLUE FLUTED PLAIN • •

BLUE FLUTED MEGA • •

WHITE FLUTED • •

BLUE ELEMENTS • •

FLORA DANICA •

STAR FLUTED CHRISTMAS •

Symbol for Symbol for Symbol for hand dishwasher microwave dishwashing

DISHWASHER SAFE

Royal Copenhagen porcelain is of high quality and equally suitable for everyday.

Most of the dinner services are dishwasher and microwave safe. However, gold-rimmed sets may be damaged if frequently subjected to dishwasher treatment or exposed to microwave rays at all. The list shows which dinner services tolerate which conditions.

56 57 5. HOW TO REGISTER All written correspondence relating to these You must register for Assurance within 3 offers will be sent to the address shown on the months of the date of purchase. customer’s registration form. — — Complete the registration form at the time of purchase and give it to your Royal Co- All written correspondence from consumers penhagen Consultant. relating to these offers should be sent to: ASSURANCE PROGRAM & — — There is no need to send us proof of pur- WWRD Australia Pty Ltd, PO Box 888, Black- chase, but keep your receipts or closed town NSW 2148 wedding list stapled to the leaflet in a safe PRIVACY POLICY place as you will need the proof of pur- 8. ARRANGING REPLACEMENT chase to claim. Retail Shops — — If the product was purchased less than 1 6. HOW TO CLAIM year ago and the retail value is less than To claim you will need to take the following to $500: Assurance lets you relax and enjoy your homewares your Royal Copenhagen stockist: · · If the product is in stock: — — The broken item (please take care when · · Consultant to scan replacement item as every day, not just on special occasions. handling broken china or crystal and wrap a sale and the broken item should be We offer you a one-year warranty. items securely to avoid injuries) scanned as a return. Docket value to show — — Proof of Purchase (i.e. your original re- · · $0.00 ceipt or copy of your closed wedding list) · · Record item in stock adjustment book — — We are not able to refund you any costs with reason code 55 and in comments you incur in making your assurance claim. write “Assurance claim and proof of purchase sighted” 1. BREAKAGE REPLACEMENTS 4. DISTRIBUTION OF LEAFLET TO CUSTOMER 7. CLAIMS · · If you do not have the stock of the prod- So, if you accidentally chip or break any Assurance entitles registered customers to All assurance claims must be made at a Royal uct please contact customer service to Royal Copenhagen product within one year the following benefits: Copenhagen stockist participating in the As- order of purchase, we'll replace it free of charge. — — 1 year breakage warranty from the date surance scheme and must be accompanied by: · · When you receive stock follow steps of purchase — — The broken item above 2. PATTERN AVAILABILITY UPDATES — — Notice of pattern discontinuation — — Proof of Purchase (i.e. the original pur- — — If the product is older or has a retail val- As much as we wish it were otherwise, chase receipt or your closed wedding list) ue of over $500 please contact Customer sometimes discontinuations do occur. If you In the event it is not possible to maintain — — For your nearest stockist please call WWRD Service. The product may need to be re- register for Assurance we will advise you if the pattern availability for the warranty pe- Australia Customer Service on turned to Customer Service via your Retail your tableware or stemware pattern is being riod, we will advise the owners of alterna- 1300 852 022. Account Executive. taken off range. tive arrangements to replace their item(s). Consumers must return their registration form Assurance only applies to current patterns. within 3 months of purchase. Wholesale Accounts 3. DEFECTS Assurance includes products that have been — — Store to complete an Assurance claim form, Our goods come with guarantees that can- personalised through our brand websites. Claims must be made within 1 year of the pur- attach a copy of proof of purchase and fax not be excluded under Australian or New Any product personalised by us will be re- chase date as shown on the proof of purchase. to (02) 9831 4148 or mail to Customer Ser- Zealand consumer law. You are entitled to engraved. This does not include any prod- E.g., receipt or closed wedding list. vice, PO Box 888 Blacktown NSW 2148. a replacement or refund for a major failure uct personalised by a third party. — — A replacement order will placed and deliv- and to compensation for any other reasona- Replacements are offered only for chipping or ered to the wholesale account. bly foreseeable loss or damage. You are also We reserve the right to amend the list of eli- accidental breakages occurring during normal entitled to have the goods repaired or re- gible patterns at any time without notice. As- home use with the registered owner’s perma- PRIVACY POLICY placed if the goods fail to be of acceptable surance applies to customers who have reg- nent residence in Australia and does not extend For details on our privacy policy please refer quality and the failure does not amount to a istered their purchase with WWRD Australia to any other items other than the broken article, to the Privacy Policy section of our website: major failure. The benefits provided to you P/L. We reserve the right to request proof even if it forms part of a set, suite or collection. www.royalcopenhagen.com.au/privacy-policy. by our assurance program are in addition to of identity and proof of purchase and to re- This warranty is subject to users following the html your other rights and remedies under any fuse any claim at our absolute discretion. advice outlined in our care of china, crystal, applicable law. glassware, silverware and cutlery instructions.

58 59 GENERAL COMMERCIAL TERMS & CONDITIONS OF TRADE

there shall be deemed to have been unqual- the taking of an unfair advantage of WWRD & GENERAL COMMERCIAL ified acceptance c) WWRD will not be liable be & be deemed to be unconscionable mis- for any contingent consequential direct indi- leading & deceptive. rect special or punitive damage arising from TERMS & CONDITIONS any dealing with the Customer, whether due to f) If WWRD gives the Customer a quotation negligence or otherwise & the Customer ac- this does not mean WWRD is obliged to accept knowledges this limit of liability & agrees to an order from the Customer. An order for the OF TRADE limit any claim accordingly d) No other term, Products whether written, oral, or transmitted condition, agreement, warranty, representa- by electronic or other means (including via the tion or understanding whether express or im- Internet) will only be binding on WWRD once plied other than these Terms, is made or given. WWRD has accepted it and it will be subject to the T&Cs. To the fullest extent legally possible, all dealings between 4. Exclusions: a) No dealing between WWRD & WWRD Australia Pty Ltd ABN 59 000 078 562 & each of the Customer shall be or be deemed to be a 6. Purchase Price: a) All sales are made by WWRD sale by sample b) If WWRD publishes materi- at its ruling price at time of delivery b) gov- its subsidiaries, divisions, affiliates, associated companies al concerning its business or prices, anything ernment imposts, GST etc (“imposts”) will be & related entities & any successors & assigns [“WWRD”] so published which is incompatible with these paid by the Customer c) any WWRD price list, & any Customer relating to any “Products” or transactions Terms is excluded c) The Customer will rely estimate or quote excludes imposts unless ex- are subject to the following Terms & Conditions of Trade on its own knowledge & expertise in select- pressly noted thereon. (“these Terms”) unless otherwise agreed in writing ing any Product for any purpose. d) Any advice or assistance given for or on behalf of WWRD 7. Ability to Supply: The Customer agrees that shall be accepted at the Customer’s risk in all WWRD will not be liable for any delay in sup- things & shall not be or be deemed to be giv- ply or availability of any Products & WWRD en as expert or adviser nor to have been re- may allocate Products to Customers at its un- lied upon by the Customer or anyone claiming fettered discretion: eg: if demand exceeds through the Customer. available supply. 1. Payment: a) Credit Account Customers are WWRD even if WWRD may have granted any to pay within 30 days from end of month of credit facility &/or time to pay e) Until pay- 5. Placement Of Orders: a) if any dispute aris- 8. Delivery: The Customer acknowledges & invoice without deduction b) All other sales ment in full the Customer agrees (i) to keep es over any order (including any question of agrees a) WWRD accepts no responsibility for are to be paid C.O.D. without deduction. all Products as fiduciary for WWRD & store identity, authority or telephone, facsimile, delivery but may elect to arrange delivery at them in a manner which shows WWRD as computer or e-mail order etc) the internal re- its discretion without any liability & at the 2. Property: a) Property in Products shall owner (ii) only to sell Products in the usual cords of WWRD will be conclusive evidence of Customer’s costs & responsibility in all things not pass until payment in full of all mon- course of business what was ordered b) each order placed shall b) WWRD may elect to charge for any delivery ies owed on any basis by the Customer to (iii) sale on terms, at cost or for less than be & be deemed a representation made by c) it shall be deemed to have accepted deliv- WWRD (“full payment”) b) WWRD reserves cost shall not be “in the usual course” f ) the Customer at the time, that it is solvent & ery & liability for Products immediately WWRD the right to take possession & dispose of This clause shall be read down to avoid it able to pay all of its debts as & when they fall notifies the Customer that any Products are Products at any time until full payment & creating a charge g) A certificate purport- due c) failure to pay in accordance with these ready for collection or they are placed with a the Customer grants ing to be signed by an officer of WWRD, Terms shall be & be deemed to be conclusive carrier or delivered to the Customer’s business permission to WWRD to enter any proper- identifying Products shall be conclusive ev- evidence that the Customer had no reasona- premises, whether attended or not d) a certif- ty where any Product is in order to do so, idence of WWRD’s title thereto. ble grounds for making the representations & icate purporting to be signed by an officer of with such force as necessary c) Immediately that the representations were unconscionable, WWRD confirming delivery shall be conclusive upon delivery the Customer accepts liabili- 3. Limitation of Liability: a) The Customer misleading & deceptive d) when an order is evidence of delivery as shall any signed deliv- ty for safe custody of Products d) Upon sale agrees to limit any claim on WWRD to the placed, the Customer shall inform WWRD of ery docket e) WWRD will not be liable for de- or disposition of any Products prior to full cost of re-supply of equivalent Products any material facts which would or might rea- lay failure or inability to deliver any Products payment, the Customer agrees to deposit b) WWRD shall not be liable for any claim sonably influence any decision by or on behalf f ) once notified that Products are ready for all proceeds in a separate bank account, loss or expense arising which is made af- of WWRD to accept the order &/or grant credit collection or delivery the Customer agrees to agrees not to mix proceeds with any other ter 28 days from date of delivery (or at all in relation to it e) Failure to do so shall create pay all costs of WWRD in holding Products g) monies & agrees to hold all proceeds in trust once Products have been unpacked, on-sold & be deemed to create an inequality of bar- to pay all costs & expenses arising from frus- for WWRD & forthwith pay the proceeds to or otherwise used or applied) after which gaining position, to constitute & be deemed trated or delays in delivery h) WWRD may de-

60 61 GENERAL COMMERCIAL TERMS & CONDITIONS OF TRADE GENERAL COMMERCIAL TERMS & CONDITIONS OF TRADE

lay, cancel or suspend any delivery for any er dealing or arrangement with WWRD (“De- WWRD against any claim or loss arising from utilised, stored, handled or cleaned incorrectly period or cancel any part of any agreement fault”) WWRD may at its discretion, retain or related to any dealing with WWRD or any- or inappropriately b) Customers must familiar- for sale without liability to anyone. all monies paid, call-up any monies unpaid, thing arising therefrom, including any liability ise themselves with any published information cease further deliveries, recover from the arising under the Trade Practices Act any oth- about care of Products, by WWRD (including the 9. Variation or cancellation of these Terms or Customer all loss of profits arising &/or take er law or as a result of any Default or other- website noted below at 30.) and must establish any order must first be agreed in writing. immediate possession of any Product held by wise that they have observe such published infor- the Customer, without prejudice to any other mation before making any claim for returns, c) 10. Pallets: The Customer will return all pallets rights & without being liable to any party b) nothing in these Terms will derogate from WWRD shall not be liable for any claim, loss or provided with Products & indemnifies b) The customer agrees not to commence or WWRD’s right to sue the Customer for any expense on any basis, which may be sustained WWRD for the full replacement cost of any continue or permit to be commenced or con- monies owed, for any damage, loss, liability or or incurred by any person by reason of any al- pallet not returned to promptly & in good tinued through it any suit or action against any other cause of action. leged variation between Products delivered & order. WWRD whilst the customer is in Default. Products ordered. 24. Security For Payment: (a) The Customer will 11. Severability: Any part of these Terms may 18. Jurisdiction: All contracts & dealings with upon written request, charge in favour of 29. Returns: a) WWRD will accept returns of Prod- be severed without affecting any other part. WWRD shall be deemed to be made in the WWRD (i) by way of fixed charge all its fixed ucts for credit which are accepted by it in writ- State/Territory nominated by WWRD & the plant & equipment, books of account, financial ing as faulty due to workmanship, faulty ma- 12. Other Terms & Conditions: (a) No terms Customer agrees to submit to the jurisdic- records, goodwill, documents of title & cur- terials or negligence of WWRD b) credit will & conditions sought to be imposed upon tion of the appropriate Courts in or nearest rent & later acquired real & intellectual prop- be for the full invoice value less any costs of WWRD shall apply, unless agreed in writing the Capital of that State/Territory. erty (ii) by way of floating charge, the whole return c) Products sold as other than first qual- (b) WWRD Terms & Conditions of Purchase of the Customer’s other undertaking, property ity (eg: seconds and run-out stock) may not be will apply to any purchases from the Custom- 19. Description: WWRD will have fulfilled its ob- & assets, with payment of all monies owed to returned. er, to the exclusion of any Customer terms. ligations upon having available for delivery WWRD (b) any charge will be in addition to & Products (plus or minus 5%) which comply will not derogate from nor effect any security 30. Website: Customers are directed to the web- 13. Interest will be charged on overdue ac- with the generic description of what was or- given to or otherwise obtained by WWRD. site: www.royalcopenhagen.com.au, and counts at the rate prescribed under the dered. should note that these Terms replace any Penalty Interest Rates Act 1983 (Vic) rate, 25. Partial Delivery/Forward Orders: The Customer Terms and Conditions of Sale (the “Condi- plus an additional 3%. 20. Credit Limit: If WWRD grants any credit fa- agrees that if any forward order is placed a) to tions”) which are superseded by these Terms. cility or nominates any credit limit, this is pay for so much of any order as is from time to 14. Recovery Costs: The Customer will pay all an indication only of its intention at the time invoiced by WWRD b) no delay or failure 31. Intellectual Property: The customer agrees to the costs & expenses (on a full indemnity ba- time. WWRD can vary or withdraw any credit to fulfil any part of any order or any alleged use every effort to safeguard all intellectual sis) incurred by WWRD or its legal advisers, facility at its unfettered discretion, without delay in or incomplete delivery shall entitle the property/Trade Marks and names of WWRD and mercantile agents &/or other parties acting liability to the Customer or any other party. Customer to cancel or vary any order or delay WWRD Holdings Group (“Intellectual Proper- on WWRD’s behalf in respect of anything or reduce any payment. ty”) and to fully inform WWRD of any suspect- instituted or being considered against the 21. Waiver: If WWRD elects not to exercise any ed improper or wrongful use thereof. Customer whether for debt, loss, damages, rights as a result of any Default, it shall not 26. Force Majeure: WWRD will not be in default or possession of any Products or otherwise. be or be deemed to be a waiver of any rights in breach of any dealing with the Customer as 32. Continuity of Lines: WWRD makes no representa- relating to any subsequent or other breach. a result of Force Majeure. Force Majeure means tion that any line of Products will continue for- 15. Attornment: To give effect to the Customer’s anything or event beyond the reasonable con- ever and reserves the right to discontinue any obligation arising under these Terms, the 22. Notice: The Customer will be deemed to trol of WWRD & includes any strike or lock-out. line of Products upon reasonable public notice Customer irrevocably appoints any solicitor have notice of any change to these Terms (including notice on its website referred to in of WWRD as its attorney in all things. immediately they are adopted by WWRD 27. Insolvency: a) If the Customer commits or is 30.). whether or not the Customer has actual no- involved in any act of insolvency, it agrees it 16. Retail Prices: Retail price books will be tice. The Customer shall be bound by any shall be deemed in default under these terms 33. Place of Manufacture: a) WWRD manufactures available to Resellers from WWRD, which will terms & conditions adopted by WWRD im- b) An act of insolvency is deemed to include or has manufactured Products where these can list all current products available and recom- mediately they are so adopted, despite any bankruptcy, liquidation, receivership, adminis- best be sourced and place of manufacture will mended retail prices. other purported, pre-existing or conflicting tration or the like. be noted on Products b) as Products lines may terms or conditions. be made from time to time in different places, 17. Default: a) Upon any default or breach by 28. Care of Products: a) WWRD disclaims any re- some Products may vary slightly in character- the Customer of these Terms or of any oth- 23. Indemnity: a) The Customer indemnifies sponsibility or liability relating to any Products istics (eg: colour, shade, glaze, size, design

62 63 GENERAL COMMERCIAL TERMS & CONDITIONS OF TRADE

prominence, finish etc) or may not exactly time of ordering. If your account has not match existing Products if you are purchas- achieved a $10,000 turnover in the preced- ing replacement items for a set or suite you ing 12 months, following the acceptance of already have c) Customers are expected to any future order for Products, WWRD will check matching before purchase as WWRD issue the Customer with a letter stating 30 makes no warranty that Products will match DAY ACCOUNT will be closed. All payments Customer expectations arising from any must be made in the currency stated in the published material, earlier or other Product invoice immediately. On receipt of payment runs or existing sets or suites. the Products will be despatched to the Cus- tomer. If payment is not received and the 34. Glazing and Fired Items: Glazed and fired Products are despatched the provisions Products are made from natural substances within the T&Cs will apply. (clays, minerals etc) so expect natural var- iations to occur including in colour, shade, 36. Customer Restructure: The Customer give glaze, size, design prominence, finish etc b) WWRD at least 7 days advance notice in Customers should check matching as noted writing of any change in its structure or in clause 33. management including any change in direc- tor, shareholder or management or change 35. Minimum Orders: A surcharge will apply in partnership or trusteeship &/or of the to orders that are deemed to be small or- sale of any part of its business. ders. It is the Customer’s responsibility to enquire whether a surcharge will apply at

FISKARS LIVING BUSINESS WWRD Australia Pty Ltd ABN 59 000 078 562 100 Holbeche Road Arndell Park NSW 2148 – PO Box 888 Blacktown NSW 2148 Tel: (02) 8665 8200 – Tel: 1300 852 022 – Fax (02) 9831 1631 Email: info.aust@fiskars.com www.royalcopenhagen.com.au

All items in this catalogue have been included in good faith on the basis that they will be available from WWRD Australia. A failure by the supplier to deliver in accordance with samples, descriptions or at all or any other unintentional causes may result in some product being unavailable. All items in the catalogue are available from WWRD for the Australia and New Zealand market, yet may not be available in all locations. Colour of products is represented as closely as printing will allow. Illustrations are not to scale. The publication and the designs illustrated in it are all protected by copyright.