DOCSLIB.ORG

Royal Copenhagen

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

20 19 1 CATALOGUE — 2019 1 bl ue For more than 240 years, the universe of blue has encapsulated Royal Copenhagen. It lives in ration, proud craftsmanship, and treasures from the past. Leaving marks of memories in the the cobalt blue depths of the hand-painted decorations, floating as calm seas across porcelain sand, passing on stories of heritage. Pulling on history as they are drawn back into the sea, surfaces. And it lives in the three waves marked on every piece of porcelain; an ocean of blue bringing the future with them as they return. The colour of the waves is the deepest of blue, that surrounds us, defines us, and connects us, and that tells tales of legacy, nationality, and embracing mind and soul as it takes you on a journey to the calmness of the oceans. A journey authenticity. The waves carry stories from far away, whispering legacy fables of cultural inspi- to stories reflected in blue. 2 3 Foreword by Lone Rahbek Ethnologist the sea As Danes, we are drawn towards the sea, as our feeling of happiness increases as we walk along the beach, swim in the cool waters, surf and sail the white-tipped waves, or enjoy the view of the sea. One might be led to believe that the geography of Denmark is the sole reason for the impact from the ocean on the happiness of the Danes. Our country is surrounded by the ocean – the Baltic Sea, the Kattegat, the Skagerrak, and the Northern Sea – and is made up of the peninsula Jutland and more than 1,400 islands connected by fer- ries, air routes, and many bridges, the latter of which are such a sub- stantial part of our identity that they are depicted on our banknotes. Our capital and almost all large cities are located by the sea, and no matter where you find yourself in the Danish countryside, you are ne- ver more than 52 kilometers from the 8,750 kilometers of Danish coastline. However, our perception of the sea as a source of happiness did not arise until the end of the 1800s. At that time, the European elite be- gan conceiving the magnificence of nature as a contrast to the ef- fects of industrialization, such as the man-made streamlining of landscapes, cities, dwellings, and household objects. Therefore, the Danish upper class established tourist associations to provide railroads, steam boats, kiosks, and seaside hotels, so more Danes could travel to the coast and experience the splendor of the sea. At the same time, large quantities of Japanese art poured into Europe and with its refined reproduction of nature it opened the eyes of the European avantgarde to the beauty in the waves of the sea, its fish, plants, and birds. As Danish artists began to conceive Photo: Anders Hviid-Haglund 4 5 Foreword by Lone Rahbek Ethnologist Danish nature the Japanese way, they moved to the shore to paint, and the bourgeoisie followed in their footsteps and put themselves up in newly built summer houses and seaside hotels to experience the ocean through the new conception of nature brought to them th- rough the arts. Royal Copenhagen has been of great importance to the forming of the Danes’ sense of the beauty of the sea. In 1885, Arnold Krog became Artistic Director of the factory and created porcelain that depicted the new perception of nature. At the world fair in Paris in 1889, the factory displayed figurines of ordinary fish painted in a newly developed range of colours and with a new complicated tech- nique, where the entire porcelain surface was decorated before the glazing. During the subsequent firing, the colours and glaze would fuse, recreating the soft colour tones of the Danish coastal climate. For decades on, the artists of Royal Copenhagen created an abun- dance of figurines such as crabs, snails, frogs, herons, ducks, sea- gulls, fish, seaweed, and polar bears, as well as dinnerware and va- ses depicting the Danish nature seen through the new Japanese eye. This modern porcelain would not only be displayed in the homes of wealthy collectors around the world but even more so in the homes of almost any Dane, contributing to our common perception of the sea as a source of happiness. Every single piece of porcelain made by Royal Copenhagen, since the factory’s foundation in 1775, carries Denmark’s connection to the sea in the three blue waves marked on the underside of the por- celain. The blue waves are a symbol of the Sound, the Great Belt, and the Little Belt – the waterways connecting The Baltic Sea and the waters of Denmark. And as the waves of the ocean, which are constantly pulled out into the big blue only to return to the shores of Denmark, the porcelain of Royal Copenhagen is like waves of the past billowing into the present and the future. 6 7 Content Royal Copenhagen 2019 36 44 SINCE 1775 — 11 MORNING DIP — 13 MODERN DINING — 16 THE BLUE IN MY LIFE — 36 WAVES OF BLUE — 40 PORCELAIN TALES — 44 SAILING THE DANISH SEAS — 83 COLLECTIONS — 86 40 16 Discovering the three waves since 1775 In an everlasting embrace, Royal Copenhagen and the blue waves of Denmark have been entwined for centuries; the waves of blue breathing life and inspiration into a world of por- celain. On the 1st of May 1775, at the founding meeting of Royal Copenhagen, then The Danish Por- celain Factory, protector of the factory, Queen Juliane Marie, proposed three wavy lines painted in blue should be the factory’s trademark. They were symbols of the three main waterways of Denmark: The Sound, the Great Belt, and the Little Belt. Still today, three blue waves are marked on every piece of Royal Copenhagen porcelain. 10 11 morning dip Taarbaek, Denmark Photography: Anders Hviid-Haglund For hundreds of years, a morning dip in the Danish winter sea has been a tradition for brave Danes. As the earliest sun- rays cast their sharp winter light on the horizon, winter bathers of all ages make their way to bathing establishments and piers along the coastline. Willing to take on the ice-cold immersion into the freezing water at the break of dawn, they slip out of their comfortable bathrobes, step out of their slippers, and tip-toe towards the water’s edge. All for the thrill of the chill. 12 13 It is as if time stands still at the edge of the winter sea. The silence ever present, the pale morning light, brisk wind, and soft mist adding an mythical feeling to the ritual of the morning dip. 14 15 modern dining Like the recurring waves of blue breaking on the shore, some elements of life are everlasting and habitual. Traditions wel- comed as both informal rituals, and affairs to prepare for with anticipation. Like setting a table; a repeated routine that we carry out with joy, time after time. It is an artform practiced and refined for centuries that lives and evolves with the rhythm of the times. Today’s modern dining is tailored for each event, and it is the experience that is the focal point more so than adher- ing to etiquette. The laced tablecloth of the formal dinner may be substituted for the raw surface of the table, the crystal glass- ware for colourful vintage glasses, and the beloved porcelain, previously saved for special occasions, is now allowed to frame any meal. Even so, preparing a table remains a treasured tradi- tion, and the stage is set for modern dining. ©Ukendt kunstner/VISDA 16 17 Timeless table settings Featured Blue Fluted Plain plate 27 cm and 22 cm, tureen 200 cl, dish oval 36.5 cm, bowl 47 cl, small square plate 9 cm, vintage vase 12 cm The new formal When a proper celebration is in or- der, the classic formal dinner setting is still a perfect formula. The new formal calls for letting your favourite porcelain and colourful bouquets take center stage, while the table- cloth is substituted by luxurious napkins and the napkin rings by a soft ribbon. 18 19 Timeless table settings Featured blomst cup and saucer 22 cl Fuchsia and Lilac, teapot 1L Tree Peony, bowl 14 cm Fragrant Carnation Weekend breakfast Elevating moments of everyday life to something special is sure to create unforgettable memories. Like an unhurried breakfast framed by the scent of home-baked bread and freshly brewed cof- fee. Add a light menu in vibrant hues, served on porcelain that frames the meal, and you have the perfect recipe to start off the weekend. 20 21 Timeless table settings Featured White Elements plate 22 cm, deep plate 25 cm, Blue Elements plate 19 cm, espresso cup Sweet servings and saucer 9 cl, Multicoloured Elements dish oblong Scarlet Red 38 cm, dish oblong Chestnut 23 cm, espresso cup and saucer There is something about matching your table to your sweet ser- Mocca 9 cl, bowl with lid Lavender 40 cl vings that makes indulgence that much more enjoyable. Let for- mality meet fun in a colourful setting, where playful patterns, sa- voury scents, and sweet treats meet and bring an entirely new dimension to extravagant delights. 22 23 Timeless table settings Festive feast When the time comes to turn up the festivities for a proper feast, a cheerful atmos- phere is called for. A creative table setting can do the trick, paving the way for fun and informality. In a fresh take on etiquette, a mix of modern and classic, with a touch of playfulness, makes the perfect canvas for a festive feast.
Recommended publications
  • Running Waters

    Running Waters

    Water flow at all scales Sand-Jensen, K. Published in: Running Waters Publication date: 2006 Document version Publisher's PDF, also known as Version of record Citation for published version (APA): Sand-Jensen, K. (2006). Water flow at all scales. In K. Sand-Jensen, N. Friberg, & J. Murphy (Eds.), Running Waters: Historical development and restoration of lowland Danish streams (pp. 55-66). Aarhus Universitetsforlag. Download date: 07. Oct. 2021 Running Waters EDITORS Kaj Sand-Jensen Nikolai Friberg John Murphy Biographies for Running Waters Kaj Sand-Jensen (born 1950) is professor in stream ecology at the University of Copenhagen and former professor in plant ecology and physiology at the University of Århus. He studies resource acquisition, photosynthesis, growth and grazing losses of phytoplankton, benthic algae and rooted plants in streams, lakes and coastal waters and the role of phototrophs in ecosystem processes. Also, he works with specifi c physiological processes, species adaptations and broad-scale patterns of biodiversity and metabolism in different aquatic ecosystems. Nikolai Friberg (born 1963) is senior scientist in stream ecology at the National Environmental Research Institute, Department of Freshwater Ecology in Silkeborg. He has a PhD from University of Copenhagen on the biological structure of forest streams and the effects of afforestation. His main focus is on macroinverte- brates: their interactions with other biological groups, impor- tance of habitat attributes and impacts of various human pressures such as hydromorphological alterations, pesticides and climate change. Also, he is involved in the assessment of stream quality using biological indicators and the national Danish monitoring programme. John Murphy (born 1972) is research scientist at the Centre for Ecology and Hydrology, River Communities Group in the United Kingdom.
  • And Others a Geographical Biblio

    And Others a Geographical Biblio

    DOCUMENT RESUME ED 052 108 SO 001 480 AUTHOR Lewtbwaite, Gordon R.; And Others TITLE A Geographical Bibliography for hmerican College Libraries. A Revision of a Basic Geographical Library: A Selected and Annotated Book List for American Colleges. INSTITUTION Association of American Geographers, Washington, D.C. Commission on College Geography. SPONS AGENCY National Science Foundation, Washington, D.C. PUB DATE 70 NOTE 225p. AVAILABLE FROM Commission on College Geography, Arizona State University, Tempe, Arizona 85281 (Paperback, $1.00) EDRS PRICE EDRS Price MF-$0.65 BC Not Available from EDRS. DESCRIPTORS *Annotated Bibliographies, Booklists, College Libraries, *Geography, Hi7her Education, Instructional Materials, *Library Collections, Resource Materials ABSTRACT This annotated bibliography, revised from "A Basic Geographical Library", presents a list of books selected as a core for the geography collection of an American undergraduate college library. Entries numbering 1,760 are limited to published books and serials; individual articles, maps, and pamphlets have been omii_ted. Books of recent date in English are favored, although older books and books in foreign languages have been included where their subject or quality seemed needed. Contents of the bibliography are arranged into four principal parts: 1) General Aids and Sources; 2)History, Philosophy, and Methods; 3)Works Grouped by Topic; and, 4)Works Grouped by Region. Each part is subdivided into sections in this general order: Bibliographies, Serials, Atlases, General, Special Subjects, and Regions. Books are arranged alphabetically by author with some cross-listings given; items for the introductory level are designated. In the introduction, information on entry format and abbreviations is given; an index is appended.
  • G.C. Oeder's Conflict with Linnaeus and the Implementation of Taxonomic and Nomenclatural Ideas in the Monumental Flora Danica

    G.C. Oeder's Conflict with Linnaeus and the Implementation of Taxonomic and Nomenclatural Ideas in the Monumental Flora Danica

    Gardens’ Bulletin Singapore 71(Suppl. 2):53-85. 2019 53 doi: 10.26492/gbs71(suppl. 2).2019-07 G.C. Oeder’s conflict with Linnaeus and the implementation of taxonomic and nomenclatural ideas in the monumental Flora Danica project (1761–1883) I. Friis Natural History Museum of Denmark, University of Copenhagen, Universitetsparken 15, DK–2100 Copenhagen Ø, Denmark. [email protected] ABSTRACT. Hitherto unpublished parts of the history of the Icones … Florae Danicae (1761–1883), one of the largest illustrated botanical works published, are analysed; it covered the entire flora of the double monarchy of Denmark–Norway, Schleswig and Holstein and the North Atlantic dependencies. A study of the little noticed taxonomic and nomenclatural principles behind the Icones is presented. G.C. Oeder, founder of the project, approved the ideas of Buffon and Haller and rejected Linnaean binary nomenclature because of its lack of stability of genera. In the Icones …, Oeder cited all names used for each plant in chronological order, with the binary Linnaean name last, to which principle Linnaeus reacted. By the end of the 18th century, Linnaean nomenclature had become standard, apart from in Flora Danica and a very few other botanical works. Applying Linnaean nomenclature elsewhere, O.F. Müller, editor 1775–1782, and M. Vahl, editor 1787–1799, followed Oeder’s norm in the Icones. J.W. Hornemann, editor 1810–1840, followed Oeder in his first fascicles, but began experimenting with changes towards Linnaean nomenclature from 1810. After 1840, subsequent editors consistently applied Linnaean principles for accepted names and synonyms. Keywords. Accepted names, genera, natural classification, species, synonymy Introduction In his excellent monograph on how the Linnaean reforms gained general acceptance among botanists, Stafleu (1971: 260) specifically stated that he left out a discussion of C.G.
  • Ceramics Monthly Jun90 Cei069

    Ceramics Monthly Jun90 Cei069

    William C. Hunt........................................Editor Ruth C. Buder.......................... Associate Editor Robert L. Creager........................... Art Director Kim Schomburg....................Editorial Assistant Mary Rushley................... Circulation Manager Mary E. Beaver.................Circulation Assistant Jayne Lx>hr.......................Circulation Assistant Connie Belcher.................Advertising Manager Spencer L. Davis.................................Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard Box 12448, Columbus, Ohio43212 (614) 488-8236 FAX (614) 488-4561 Ceramics Monthly (ISSN 0009-0328) is pub­ lished monthly except July and August by Professional Publications, Inc., 1609 North­ west Blvd., Columbus, Ohio 43212. Second Class postage paid at Columbus, Ohio. Subscription Rates: One year $20, two years $36, three years $50. Add $8 per year for subscriptions outside the U.S.A. Change of Address: Please give us four weeks advance notice. Send both the magazine address label and your new ad­ dress to: Ceramics Monthly, Circulation Of­ fices, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (including 35mm slides), graphic illustra­ tions, announcements and news releases about ceramics are welcome and will be considered for publication. A booklet de­ scribing standards and procedures for the preparation and submission of a manu­ script is available upon request. Mail sub­ missions to: The Editor, Ceramics Monthly, Box 12448, Columbus, Ohio 43212. Infor­ mation may also be sent by fax: (614) 488- 4561; or submitted on 3.5-inch microdisk- ettes readable with an Apple Macintosh™ computer system. Indexing: An index of each year’s articles appears in the December issue. Addition­ ally, articles in each issue ofCeramics Monthly are indexed in the Art Index; on-line (com­ puter) indexing is available through Wilson- line, 950 University Avenue, Bronx, New York 10452.
  • Denmark–Norway, 1761–1769: Two Missed Opportunities?

    Denmark–Norway, 1761–1769: Two Missed Opportunities?

    MEETING VENUS C. Sterken, P. P. Aspaas (Eds.) The Journal of Astronomical Data 19, 1, 2013 Denmark–Norway, 1761–1769: Two Missed Opportunities? Per Pippin Aspaas University Library of Tromsø, N-9037 Norway Abstract. Despite a promising start in the sixteenth and seventeenth centuries, Denmark–Norway was not a Great Power of Astronomy any longer when the eight- eenth-century transits of Venus occurred. Official activity relating to the transit of 1761 was very limited; in this respect, Denmark–Norway was completely overshad- owed by Sweden and Russia. In 1769 steps were taken to invite an astronomer of international reputation, the Jesuit Father Maximilianus Hell. He arrived in 1768 and left the country two years later, having published an elaborate report in the name of the King Christian VII. Although Hell’s observations from Vardøhus were successful, Denmark–Norway failed to re-establish itself as a country capable of deliv- ering noteworthy contributions to the European community of astronomers. Sweden and Russia displayed a higher level of activity, both quantitatively and qualitatively, making the impression of Denmark–Norway’s lagging behind even stronger. 1. Introduction Throughout the eighteenth century, the northernmost part of Europe was divided between three powers: Denmark–Norway, Sweden, and Russia. They all encom- passed territories with very similar advantages as far as the transits of Venus were concerned. However, the history of Venus transit activity in the three countries men- tioned is far from uniform. Other contributions to these Proceedings analyze Venus transit activities in Sweden (Widmalm) and Russia (Bucher). There are also case studies on individual astronomers active in these parts (Pekonen, St´en & Aspaas, Voje Johansen, Kontler).
  • Report on the STECF Expert Working Group 17-12 Fisheries Dependent Information: ‘New-FDI’

    Report on the STECF Expert Working Group 17-12 Fisheries Dependent Information: ‘New-FDI’

    Report on the STECF Expert Working Group 17-12 Fisheries Dependent Information: ‘New-FDI’ Ispra, Italy, 23-27 October 2017 a STECF expert working group Edited by: Holmes, S.J. and Zanzi, A. 2018 EUR 29204 EN This publication is a Technical report by the Joint Research Centre (JRC), the European Commission’s science and knowledge service. It aims to provide evidence-based scientific support to the European policymaking process. The scientific output expressed does not imply a policy position of the European Commission. Neither the European Commission nor any person acting on behalf of the Commission is responsible for the use that might be made of this publication. Contact information Name: Steven Holmes Address: DG Joint Research Centre Directorate D - Sustainable Resources Unit D.02 Water and Marine Resources - TP051 Via E. Fermi, 2749. I-21027 Ispra (VA), Italy Email: [email protected] Tel.: +39-0332-789648 JRC Science Hub https://ec.europa.eu/jrc JRC111443 EUR 29204 EN PDF ISBN 978-92-79-85241-1 ISSN 1831-9424 doi:10.2760/094412 Luxembourg: Publications Office of the European Union, 2018 © European Union, 2018 Reuse is authorised provided the source is acknowledged. The reuse policy of European Commission documents is regulated by Decision 2011/833/EU (OJ L 330, 14.12.2011, p. 39). For any use or reproduction of photos or other material that is not under the EU copyright, permission must be sought directly from the copyright holders. How to cite this report: Holmes, S. J., Gibin, M., Scott, F., Zanzi, A., Adamowicz, M., Cano, S., Carlshamre, S., Demaneche, S., Egekvist, J., Elliot, M., Gancitano, V., Gheorghe, A., Godinho, S., Isajlovic, I., Jakovleva, I., Kempf, A., Kovsars, M., Labanchi, L., Moore, C., Motova, A., Nicheva, S., Nimmegeers, S., Reilly, T., Vanhee, W., van Helmond, A., Verlé, K., Vermard, Y., Report on the STECF Expert Working Group 17-12 Fisheries Dependent Information: ‘New-FDI’, EUR 29204 EN, European Union, Luxembourg, 2018, ISBN 978-92-79- 85241-1, doi:10.2760/094412, PUBSY No.
  • UCLA Electronic Theses and Dissertations

    UCLA Electronic Theses and Dissertations

    UCLA UCLA Electronic Theses and Dissertations Title Uncovering Performance in Medieval Scandinavia: A Survey and Analysis of Medieval Performance in Scandinavia Permalink https://escholarship.org/uc/item/01w4r01g Author La Palm, Kimberly Jo Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Uncovering Performance in Medieval Scandinavia: A Survey and Analysis of Medieval Performance in Scandinavia A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Germanic Languages by Kimberly Jo La Palm 2016 © Copyright by Kimberly Jo La Palm 2016 ABSTRACT OF THE DISSERTATION Uncovering Performance in Medieval Scandinavia: A Survey and Analysis of Medieval Performance in Scandinavia by Kimberly Jo La Palm Doctor of Philosophy in Germanic Languages University of California, Los Angeles, 2016 Professor Timothy R. Tangherlini, Chair The academic study of Scandinavian culture and Scandinavian literature has long ignored the engagement of the Nordic nations in the tradition of drama and performance in medieval Europe. Early drama history scholars like Sophus Birket Smith and G.E. Klemming made claims about a perceived lack of practice based on limited sources and most of the scholars who followed them have accepted those claims as valid. Unfortunately, Birket Smith and Klemming were working with an incomplete corpus and nineteenth-century ideas about what constituted “drama”. Later scholars such as Frederick and Lise-Lone Marker and Terry Gunnell have made great headway in expanding the concept of drama and performance within the field of Scandinavian studies while also clarifying what texts we do, in fact, still have.
  • Auction Results SA240421 Saturday, 24 April 2021

    Auction Results SA240421 Saturday, 24 April 2021

    Auction Results SA240421 Saturday, 24 April 2021 Lot No Description 2 A Victorian blue and white transfer meat plate liner printed with dog rose border to/w various other ceramics, including Royal £25.00 Worcester Astley coffee service, jasper ware, Japanese eggshell coffee service etc (box) 4 Two cut-glass ring-neck decanters and stoppers to/w three claret jugs with ep tops and give various other decanters (box) £70.00 5 Studio glass lustrous vase, signed Siddy Langley 1997 to/w an Imari cache-pot, Victorian china fruit dishes with matching £85.00 sauce tureens, Denby fruit bowl etc (box) 6 Two boxed Bilston enamel Easter eggs to/w two patch-boxes and two Halcyon Days boxes, lot also includes Victorian £65.00 rosewood tea caddy, coach lamp and eight various pewter mugs (box) 8 A Victorian Shelley blue and white cylindrical vase printed with dragons to/w various collectables including silver oddments, £40.00 Pathescope Ace projector, three Decca Toytown gramophone records, candles etc (box) 9 AnA Clarice 18th century Cliff honey-glazed style enamel dinner box with service hinged with cover, green painted banded with decoration, courting couples37 pieces in includingArcadian tureenssettings, and 9.5 cover cm wide to/w a £40.00 10 (possibly) Capodimonte box with painted interior to lid depicting 18th century family scene, Royal Doulton terrier cleaning £110.00 plate HN1158, Karl Ens owl, Dresden floral-painted heart-shaped pin-dish and an advertising jug for Worthingtons beer 11 A PottschapelMeakin pottery (Dresden) 'Nordic' Carlpattern
  • The Sunday Times

    The Sunday Times

    OCUS F 17.05.15 Psaros’s KPS has restored theprestige of the Waterford Wedgwood brands and earned an estimated €350m profit from their sale CRYSTAL AMAZEMENT solicit potential investors and buyers. The still manufactured in Ireland. It was marketing and sales. for making orange-handled scissors, and bank contacted 182 potential investors. beyond saving. Waterford, Wedgwood, Royal Doulton was one of the rst companies in Europe Only two, KPS and Golden Gate Capital, It was a very different story for the and Royal Albert operated as four to make microwave ovens. WaterfordWedgwood wasawhite elephant progressed past the preliminary stage. brand. “One of the things that people separate businesses, each with their own It started looking seriously at Golden Gate said it would be willing to said was that nobody was buying crystal marketing and distribution functions. diversi cation to high- end consumer thatbrokeabillionaire but, six yearson invest only if Waterford Wedgwood were or ceramics any more,” he said. “That There were too many warehouses, products just eight years ago, buying put into an insolvency process. Deloitte was wrong. These were four global iconic and warehouses in the wrong places. Littala, a Finnish homeware designer. was appointed receiver in January 2009. brands that sold in 80 countries.” Villemejane closed unpro table shops.“ It added ceramics companies Rorstrand from receivership, its china crisis has been The receiver obtained 78 expressions Early in the due diligence, KPS There was quadruple redundancy, if such and Royal Copenhagen in 2010 and of interest and hired JM Cazenove to run retained Pierre de Villemejane, a former a term can exist,” he said.
  • Bing & Grøndahl Royal Copenhagen Georg Jensen Holmegaard

    Bing & Grøndahl Royal Copenhagen Georg Jensen Holmegaard

    Royal Copenhagen Mill Price Suggested Retail Christmas Plate 2020 ...................$96.00............ $120.00 Christmas Drop 2020 ..................$48.00.............. $72.00 Annual Figurine 2020 Owl ............$96.00............ $120.00 Annual Santa 2020 .......................$72.00.............. $90.00 Annual Christmas Tree 2020 .......$72.00.............. $90.00 Annual Plaquette 2020 .................$24.00.............. $30.00 Dear Friends of the Danish Windmill, Christmas Bell 2020 .....................$96.00............ $120.00 Annual Ornament 2020 Pinecone .........................................$72.00.............. $90.00 Oluf August Hermansen was a Danish 19th Century painter who was born in 1849— Bing & Grøndahl just one year after our Mill was built in Christmas Plate 2020 ...................$96.00............ $120.00 Nørre Snede. Christmas Drop 2020....................$48.00.............. $60.00 Mother's Day Plate 2020 ..............$72.00.............. $90.00 His painting of the three nisses and their Children's Day Plate 2020 ............$60.00.............. $75.00 cat sleeping up in the windmill after Christmas Bell 2020 .....................$96.00............ $120.00 enjoying a bowl of rice pudding the farmer put out, reminds us of the Danish Christmas traditions we love. It’s been a challenging year for the world. That’s why it’s especially important this Visit our website to see the full assortment of annual season to take comfort in simple collectibles, dinnerware and back-issue plates available to pleasures like hanging paper cones, complete your collection! Some items are special order. baking Christmas cookies, making Advent calendars, decorating the Christmas tree and enjoying time with family and friends in front of a crackling fire—even if it’s virtual (thanks to technology)! This Christmas catalog is a “hygge- inspired” collection which represents the genuine coziness and hygge of the Danish Christmas time, just as we know it, so you can create it in your own home.
  • Lutheran Revival and National Education in Denmark: the Religious Background of N

    Lutheran Revival and National Education in Denmark: the Religious Background of N

    Scandinavica Vol 58 No 1 2019 Lutheran Revival and National Education in Denmark: The Religious Background of N. F. S. Grundtvig’s Educational Ideas Grażyna Szelągowska Warsaw University Abstract N. F. S. Grundtvig’s idea of national education has usually been regarded as a part of the history of adult education or as a complex of national ideas. This article takes into consideration that Grundtvig was first and foremost a clergyman, a founder of grundtvigianism and of the Grundtvigian revival movement. It presents a new perspective on the Lutheran background of Grundtvig’s educational programme, and its impact on the shaping of a civic society in Denmark. A religious revival which Grundtvig underwent during the first decades of the nineteenth century shaped the background of his educational programmes. Keywords N. F. S. Grundtvig, Lutheran revival, Grundtvigianism, national education, education in Denmark 6 Scandinavica Vol 58 No 1 2019 Introduction The nineteenth–century modernisation process in the Scandinavian countries has usually been presented as an example of a rather unique interplay of various agents: a peaceful transition from absolutist to democratic systems, the emergence of a free market economy, a crucial role for the state and the development of the underpinnings of the Nordic welfare model, a special position for the Lutheran churches, a wide spectrum of various popular movements, and the growth of civic society. The process of building a modern national identity is common to all those forms of modernisation, however different in particular Nordic countries. Romantic philosophy, with its sympathy for nationality and national identity (and even the idea of a new Nordic union: Scandinavianism), constituted a basis for the emergence of nineteenth–century social movements like national and pan–national organisations, popular education and folk high schools.
  • Vom Kriege in Denmark

    Vom Kriege in Denmark

    Brigadier General (ret.) Michael Hesselholt Clemmesen, "Observations of a lonely Clausewitzian convert: Vom Kriege in Denmark," pp.61-85, in Clausewitz Gesellschaft [Hamburg, Germany], Reiner Pommerin, ed., Clausewitz Goes Global: Carl von Clausewitz in the 21st Century, Commemorating the 50th Anniversary of the Clausewitz Gesellschaft (Berlin: Carola Hartmann Miles Verlag, 2011), ISBN: 9783937885414. MICHAEL HESSELHOLT CLEMMESEN, MA (hist.) Brigadier General (ret. Danish Army), was Director Strategy Department and Course Director of the Danish Joint Senior Command and Staff Course at the Royal Danish Defence College from 1991 till 1994 and creator and first Commandant of the Baltic Defence College from 1998 till 2004. He has since the late 1980's been lecturing military history, strategic theories and the realities of doctrinal development at staff and war college levels. Clemmesen is currently a senior research fellow at the Royal Danish Defence College Center of Military History. He has published numerous books and articles. His latest publication is (with the title translated from Danish): The Long Approach to 9. April. The History about the Forty Years prior to the German Operation against Denmark and Norway. Odense: The University Press of Southern Denmark, 2010). E-mails: [email protected] & [email protected]. This article is posted to The Clausewitz Homepage and to ClausewitzStudies.org with the kind permission of the publisher, Miles Verlag (Berlin), and of the Clausewitz Gesellschaft. See two reviews in German. SEE ALSO: Hans Delbrück and Peter Paret: Krieg, Geschichte, Theorie. Zwei Studien über Clausewitz. Herausgegeben von Peter Paret (Berlin: Miles- Verlag, 2018), 76 Seiten, erschienen als Hardcover mit Schutzumschlag und Paperback.