An Evening With
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
THE LORE of the DOORS: Celebrating Santa Barbara Connections As Legendary Rockers Mark Milestone
Newspress.com http://www.newspress.com/Top/Article/printArticle.jsp?ID... THE LORE OF THE DOORS: Celebrating Santa Barbara connections as legendary rockers mark milestone KARNA HUGHES, NEWS-PRESS STAFF WRITER February 11, 2007 8:18 AM Some say The Doors' late singer Jim Morrison wrote "The Crystal Ship" when he was dropping acid on an Isla Vista beach one night, transfixed by the glittering lights of Platform Holly, an offshore oil rig. Whispered rumors, legends and contrary accounts go hand in hand with iconic rock bands, and Santa Barbarans aren't immune to the mystique of The Doors. But though recirculated stories often stretch the bounds of credibility, the Los Angeles band does have some curious connections to Santa Barbara County. When The Doors receive a lifetime achievement Grammy Award tonight, some locals can even claim they knew the boys back in the beginning. In tribute to the band's 40th anniversary, being celebrated this year, we collected local trivia related to the group. Maybe you'll find yourself a few degrees from The Doors. • Before becoming The Doors' ace guitarist, Robby Krieger (then Robert Alan Krieger) was a student at UCSB, where he studied psychology from 1964 to 1965. He taught flamenco guitar to kids and practiced his grooves in the laundry room of his dorm. "It was a total party school," Mr. Krieger recalled in "The Doors by The Doors" (Hyperion, 2006). "There was a band of hippies at UCSB. Longhairs few and far between at that point. We were doing acid and stuff, but there weren't a lot (of) us, maybe twenty people that were hip, you know." 1 of 6 02/13/2007 1:34 PM Newspress.com http://www.newspress.com/Top/Article/printArticle.jsp?ID.. -
Ohio Shanghai India's Temples
fall/winter 2019 — $3.95 Ohio Fripp Island Michigan Carnival Mardi Gras New Jersey Panama City Florida India’s Temples Southwestern Ontario Shanghai 1 - CROSSINGS find your story here S ome vacations become part of us. The beauty and Shop for one-of-a-kind Join us in January for the 6th Annual Comfort Food Cruise. experiences come home with us and beckon us back. Ohio’s holiday gifts during the The self-guided Cruise provides a tasty tour of the Hocking Hills Hocking Hills in winter is such a place. Breathtaking scenery, 5th Annual Hocking with more than a dozen locally owned eateries offering up their outdoor adventures, prehistoric caves, frozen waterfalls, Hills Holiday Treasure classic comfort specialties. and cozy cabins, take root and call you back again and Hunt and enter to win again. Bring your sense of adventure and your heart to the one of more than 25 To get your free visitor’s guide and find out more about Hocking Hills and you’ll count the days until you can return. prizes and a Grand the Comfort Food Cruise and Treasure Hunt call or click: Explore the Hocking Hills, Ohio’s Natural Crown Jewels. Prize Getaway for 4. 1-800-Hocking | ExploreHockingHills.com find your story here S ome vacations become part of us. The beauty and Shop for one-of-a-kind Join us in January for the 6th Annual Comfort Food Cruise. experiences come home with us and beckon us back. Ohio’s holiday gifts during the The self-guided Cruise provides a tasty tour of the Hocking Hills Hocking Hills in winter is such a place. -
Creating a Roadmap for the Future of Music at the Smithsonian
Creating a Roadmap for the Future of Music at the Smithsonian A summary of the main discussion points generated at a two-day conference organized by the Smithsonian Music group, a pan- Institutional committee, with the support of Grand Challenges Consortia Level One funding June 2012 Produced by the Office of Policy and Analysis (OP&A) Contents Acknowledgements .................................................................................................................................. 3 Introduction ................................................................................................................................................ 4 Background ............................................................................................................................................ 4 Conference Participants ..................................................................................................................... 5 Report Structure and Other Conference Records ............................................................................ 7 Key Takeaway ........................................................................................................................................... 8 Smithsonian Music: Locus of Leadership and an Integrated Approach .............................. 8 Conference Proceedings ...................................................................................................................... 10 Remarks from SI Leadership ........................................................................................................ -
Funku .... 14 2.1 Počátek 20
-4 OBSAH ÚVOD ...............................................................................................................................6 I ČÁST 1 HUDEBNÍKULTURANAÚZEMÍSPOJENÝCHSTÁTŮ ...............................8 1.1 AFRICKÉ KOŘENY ................................................................................................8 1.2 EVROPSKÁ VERSUS AFRICKÁ HUDBA .................................................................10 1.3 VZÁJEMNÉ PROPOJOVÁNÍ ..................................................................................12 2 HUDEBNÍSTYLYSPŘÍMÝMVLIVEMNAVZNIKA VÝVOJFUNKU ....14 2.1 POČÁTEK 20. STOLETÍ AŽ DVACÁTÁ LÉTA : GOSPEL , BLUES , RAGTIME , NEW ORLEANS – KOLÉBKA JAZZU , JAZZ ....................................................................16 2.2 TŘICÁTÁ A ČTYŘICÁTÁ LÉTA : SWING , BE BOP , RHYTHM &BLUES .......................23 2.3 PADESÁTÁ A ŠEDESÁTÁ LÉTA : ROCK &ROLL , SOUL ............................................28 2.4 SEDMDESÁTÁ LÉTA : JAZZ ROCK , DISKO , HIP -HOP ..............................................31 II ČÁST 3 HISTORICKÝKONTEXT VZNIKUFUNKU ...................................................36 3.1 OBČANSKÉ NEPOKOJE .......................................................................................37 3.2 RASOVÁ PROBLEMATIKA ...................................................................................38 3.3 HUDEBNÍ SOUVISLOST .......................................................................................40 4 FUNK .......................................................................................................................41 -
NJBIZ 0501 17 FOB.Indd
SPOTLIGHT Green for Greens Small business Kearny-based Bowery is newcomer to indoor farmin. Page 4 Page 23 Raising a glass, The music man lifting a brand Santelli thrilled to Cobalt’s move to buy famed bring Grammy Museum Scotch Whiskey to Newark paying o Page 12 ® Page 10 njbiz.com MAY 1, 2017 $2.00 Experts say Marino’s pay is in line with the industry Horizon CEO’s $4.5M total YOU CAN has been targeted by Christie BY ANJALEE KHEMLANI At an economic forum last week, Gov. Chris Chris- GO HOME tie told the crowd he would introduce legislation that would add more government appointees to the board of the state’s largest insurer. Christie also took an op- AGAIN portunity to criticize the sal- INSIDE For DeMetropolis and ary of Horizon Blue Cross Blue Christie Shield of New Jersey’s chair- again her team at J.P. Morgan, man and CEO, Robert Marino. attacks a New Jersey location NJBIZ learned through a Horizon, is proving its worth public records request that Ma- proposes in numerous ways rino made $4.5 million in 2016, reform bill. including salary and bonuses. PAGE 14 PAGE 16 Experts quickly hit back at Christie by saying the number was not out of line with Horizon’s size. The insurer has more than 3.8 million covered lives, or about half the state’s population. Alan Johnson, of New York-based Johnson Associates, said the number may be big “in the real world … but it’s not unreasonable.” “With the mess New Jersey is in, we need someone who is good; if he’s good, he’s worth it,” Johnson said of Marino. -
Master Thesis the PERCEPTION of OPINION LEADERSHIP FOR
Master Thesis THE PERCEPTION OF OPINION LEADERSHIP FOR POLITICAL AND CIVIC PARTICIPATION AMONG DANCE MUSIC ARTISTS Emilija Kučytė Political communication Student identification number: 10841830 Thesis supervisor: Dr. M.E. Wojcieszak Word count: 1443 2 MUSICIANS AS OPINION LEADERS STIMULATING POLITICAL PARTICIPATION Abstract This research combines the fields of entertainment, politics and media. The patterns of political participation are especially changing among youth. In this context popular artists, acting as opinion leaders, have the forum to shape the public opinion and instigate political behavior. Thus by conducting qualitative interviews with dance music artists, this thesis provides an insight on their motives to act as opinion leaders, who stimulate civic participation among their fans. It has showed that the motives to instigate political engagement depend on the interplay between the views towards the freedom of speech, hierarchy and representation in democracy; the level of interpretation of an artist as a public versus private person and the level of perceived influence of artists. The motivation was moderated by the medium and the level of issue controversy. Keywords: Political participation, media, music, entertainment, civic engagement, opinion leadership 3 MUSICIANS AS OPINION LEADERS STIMULATING POLITICAL PARTICIPATION Introduction “I am a D.J., I am what I say[..] I've got believers I've got believers in me” - David Bowie. In this song the late David Bowie talks about the influence of a DJ, a face of now billion dollar growing industry and the genre most popular among the millennial generation. Among other forms of entertainment, music has always had an important role in influencing the political landscape, mobilizing nations or being a form of protest, while becoming “the voice of the generation” (Van Zoonen, 2005). -
Jury Convicts Man in Killing
Project1:Layout 1 6/10/2014 1:13 PM Page 1 Olympics: USA men’s boxing has revival in Tokyo /B1 THURSDAY T O D A Y C I T R U S C O U N T Y & n e x t m o r n i n g HIGH 84 Numerous LOW storms. Localized flooding possible. 73 PAGE A4 www.chronicleonline.com AUGUST 5, 2021 Florida’s Best Community Newspaper Serving Florida’s Best Community $1 VOL. 126 ISSUE 302 SO YOU KNOW I The Florida Depart- ment of Health Jury convicts man in killing has ceased the daily COVID-19 re- ports that have been used to track Michael Ball, 64, faces possibility of life in prison for shooting of neighbor changes in the MIKE WRIGHT It’s as simple as prison. Sentenc- video recording of an in- video. “I hate it but he number of corona- Staff writer that,” Ball said. ing was set for terview detectives con- didn’t give me no virus cases and A four-man, Sept. 15. ducted with Ball at the choice.” deaths in the state. A Beverly Hills man on two-woman jury Ball, 64, was county jail after the Ball said he had just trial for second-degree held Ball respon- charged in the shooting. finished cleaning the murder in the shooting sible, convicting March 25, 2020, During the interview, handgun when he stuffed NEWS death of a neighbor said him as charged death of 32-year- Ball repeatedly states he it in his waistband, cov- he was afraid for his life Wednesday eve- old Tyler Dorbert shot Dorbert out of fear ered with a sweatshirt, BRIEFS when he pulled the ning at the conclu- Michael on a street outside based on an assault that and went outside to get trigger. -
A Cena Musical Da
A cena musical da Black Rio “A intensidade com que a pesquisa para o livro ‘A Luciana Xavier de Oliveira cena musical da Black Rio: Esti lo e mediações nos bailes soul dos anos 1970’, de Luciana Xavier de Oliveira, foi realizada pode ser senti da pelos leitores em cada capítulo de seu texto. Seus argumentos asserti vos e cuidadosos, sobretudo quando relacionados às experiências identi tárias e de territorialidades, demonstram tanto o pensamento de uma pesquisadora que refl ete sobre as práti cas Black Rio, Black Soul, Black Power, ou apenas Soul. Foram vários os culturais e políti cas quanto o de uma apreciadora nomes uti lizados para identi fi car essa cena musical que se tornou que, como poucas, sabe onde procurar nas cidades fenômeno de massa no Rio de Janeiro nos anos 1970, mobilizando onde vive formas intensas de parti lhar experiências. Luciana Xavier de Oliveira milhares de pessoas todos os fi nais de semana. Dos bailes soul surgiu uma estéti ca parti cular que conectava a juventude negra periférica A cena musical da Desse modo, a variável racial que perpassa o Neta adoti va de Leda, que arcou com seus brasileira à uma cultura negra internacional, notadamente norte- argumento autoral explicita as interrelações com estudos, e fi lha de Dalva, trabalhadora americana. Tudo isso em meio a um contexto de grande polarização aspectos dos territórios simbólicos, as questões domésti ca, a autora é formada em políti ca, entre a repressão da ditadura militar e as críti cas de uma socioeconômicas e principalmente as expressões jornalismo pela Universidade Federal do Rio esquerda tradicional, entre as tradições culturais afro-brasileiras e as estéti cas que consti tuem os fenômenos musicais. -
Grammy Museum Experience Prudential Center
GRAMMY MUSEUM EXPERIENCE TM PRUDENTIAL CENTER ANNOUNCES ANNUAL SUMMER SESSION MUSIC INDUSTRY PROGRAM TO RUN VIRTUALLY FROM MONDAY, AUG. 17 THROUGH FRIDAY, AUG. 21 FEATURING INSTRUCTION FROM ACCLAIMED SONG WRITER ALLIE MOSS, MUSEUM DIRECTOR OF ARTIST RELATIONS AND PROGRAMMING MARK CONKLIN AND MORE APPLICATIONS NOW OPEN AT GRAMMYMUSEUMEXP.ORG FREE TUITION FOR NEWARK-AREA STUDENTS NEWARK – JULY 29, 2020 – GRAMMY Museum Experience™ Prudential Center has announced today the return of its’ annual Summer Session music industry program which will run from Monday, Aug. 17 - Friday, Aug. 21 from 9:30 a.m. ET to 3 p.m. ET each day. The 2020 Summer Session is five-day virtual summer music industry program for New Jersey-area students age 13 through 18 interested in exploring a career in music and the entertainment industry. New Jersey-area students apply for one of the three offered career tracks: Songwriter, Hip Hop – Hitmaker, Vocal – Performance. Hosted online through Zoom, the faculty of music professionals, as well as guest industry professionals, provide industry-leading valuable insight. Previous guest instructors include GRAMMY® award winner Mario Winans, acclaimed Music Director Alonzo Harris (H.E.R.) and others. The program will conclude with a virtual performance showcase for friends and family on the final day. Future music icons and moguls interested in attending the second-annual GRAMMY Museum Experience™ Prudential Center Summer Session can apply HERE. Tuition for non-Newark area residents is priced at $100 for five days. A limited number of scholarships are available for non-Newark area residents. “Following the tremendous success of our inaugural Summer Session program, we are thrilled to welcome a new crop of young talent to the program for a second year,” said Mark Conklin, Director of Artist Relations & Programming, GRAMMY Museum Experience™ Prudential Center. -
ARTS VIBRANCY INDEX REPORT VI: Hotbeds of America’S Arts and Culture
SEPTEMBER 2020 ARTS VIBRANCY INDEX REPORT VI: Hotbeds of America’s Arts and Culture Zannie Giraud Voss, Glenn Voss and Rebecca Johnson, with Kady Epley Image courtesy of Pony Box Dance Theatre, Long Beach, CA. Pony Box Dance Theatre at Disney Hall. Image credit: Tracy Kumono Dance Theatre at Disney Hall. Image credit: Tracy Box Beach, CA. Pony Dance Theatre, Long Box Image courtesy of Pony Executive Summary For the sixth consecutive year, SMU DataArts, the National Center for Arts Research, is pleased to provide the Arts Vibrancy Index Report, which draws upon a set of data-informed indices to recognize arts-vibrant communities across the United States. We acknowledge and honor the fact that the COVID-19 pandemic and recent racial and social justice uprisings have altered U.S. communities in unparalleled ways since 2019, the year that data in this report draws upon. Arts and cultural organizations across the country were forced to close their doors in March 2020 due to COVID-19. Few have reopened and it is still uncertain when the remainder will be able to follow suit as of the publication of this year’s report. Many arts organizations in forced closure have adapted and served their communities’ needs in innovative ways in response to stay-at-home orders, new norms of social distancing, and protests. So why report on arts vibrancy from a pre-pandemic time? At a moment of such considerable environmental hostility and uncertainty about the future, we offer this report as a celebration and reminder of the arts’ enduring importance, resiliency, and vibrancy. -
Toni Heittola Automatic Classification of Music Signals Master of Science
Toni Heittola Automatic Classi¯cation of Music Signals Master of Science Thesis The subject was approved by the Department of Information Technology on the 14th February 2003. Thesis supervisors: Professor Jaakko Astola (TUT) M.Sc. Anssi Klapuri (TUT) M.Sc. Antti Eronen (Nokia) Preface This work was carried out at the Institute of Signal Processing, Department of Information Technology, Tampere University of Technology, Finland. I wish to express my gratitude to my thesis advisors and examiners Mr. Anssi Klapuri and Mr. Antti Eronen, for they constant guidance, advice, and patience throughout this work. Further, I thank the examiner Professor Jaakko Astola for his advice and comments. I am grateful to Ms. Paula Keltto for her great e®ort to collect and thoroughly annotate all the pieces in the music database. I want also to thank Mr. Vesa Peltonen for his advice and for the database access tools, and Mr. Tuomas Virtanen for his sinusoids-plus-noise spectrum model used in this thesis. I am grateful to Mr. Juha Tuomi for all the valuable discussions during the development of the system. I want to thank the members of the Audio Research Group of Tampere University of Technology for their valuable knowledge and support and for providing a stimulating working atmosphere. I wish to thank my mother and grandparents for all understanding, support and endless love. Big thanks also to my friends for understanding my little time for them during this work. Tampere, December 2003 Toni Heittola i Contents Preface . i Contents . ii TiivistelmÄa . v Abstract . vi List of acronyms and symbols . -
Hip Hop Voices in the Era of Mass Incarceration: an Examination of Kendrick Lamar and the Black Lives Matter Movement
Hip hop voices in the era of Mass Incarceration: An examination of Kendrick Lamar and The Black Lives Matter Movement Patrick Jeremiah Salmons Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts In Political Science Rohan Kalyan Brandy S. Faulkner Ellington Graves 4/28/17 Blacksburg, Virginia Keywords: hip hop, rap, Mass Incarceration, oppression, Police brutality, Black liberation, The Black Lives Matter Movement, individual rights, social contract, pop culture, Kendrick Lamar Hip hop voices in the era of Mass Incarceration: An examination of Kendrick Lamar and The Black Lives Matter Movement Patrick Salmons ABSTRACT The United States has many problems currently, the most persistent of which is the issue of race, and the problem of Mass Incarceration. This thesis addresses what Mass Incarceration is, as well as developing a theoretical understanding of how to overcome Mass Incarceration through the music of Kendrick Lamar and The Black Lives Matter Movement. This thesis presents the questions: What is the era of Mass Incarceration? How does Kendrick Lamar’s music inform the problems of Mass Incarceration? How does The Back Lives Matter Movement use this information to create a solidarity movement against the oppression of African Americans? What does this mean going forward? Creating a synthesis of Mass Incarceration, the music of Kendrick Lamar, and The Black Lives Matter Movement, that overlaps and propels an intersection of culture and activism that inform one another. This all leads to the main takeaway of the thesis, that attempts to provide an interpretive understanding that pop culture, social media, and activism have created a different civil sphere, a Black public sphere that informs and educates through different avenues.